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Nilai, Negeri Sembilan Nilai
—  Town  —
A view of Nilai
Nilai, Negeri Sembilan
Coordinates: 2°49′N 101°48′E / 2.817°N 101.8°E / 2.817; 101.8Coordinates: 2°49′N 101°48′E / 2.817°N 101.8°E / 2.817; 101.8
Country	Malaysia
State	Negeri Sembilan

Nilai is a town located in Negeri Sembilan, Malaysia. Due to its proximity, and connection through the KTM to Kuala Lumpur, Putrajaya, and Kuala Lumpur International Airport, it is a rapidly growing town. Development projects can be seen as one drives around Nilai. Two of Malaysia's most well-known colleges and two universities are located in Nilai: Nilai University College, INTI International University, Universiti Sains Islam Malaysia and Islamic University College of Malaysia. As a result, the town is occupied by students from all over the world. Students from over 30 countries can be seen in Nilai.^{[citation needed]}

Nilai has become a popular shopping town with the establishment of several major shopping malls such as Nilai 3 Wholesale Centre, Nilai Square, Mydin, Giant Hypermarket and Tesco Hypermarket.

Name[link]

Nilai means value in Malay.

Education[link]

An initiative by the state government to turn Negri Sembilan into an educational hub has also borne fruit as several foreign and local institutions of higher education have agreed to set up operations here.

Among them are Britain’s prestigious Epsom College which has acquired land in Bandar Enstek to set up its first institute outside England and the City University College of Science and Technology which signed an agreement to acquire a 40 ha parcel of land here recently.

The state would also benefit from the construction of the RM1.2 bil Education Ministry complex which would, among others, house the Aminuddin Baki Institute, Institut Pendidikan Guru, English Language Institute, Tunku Kurshiah College and Nilai Polytechnic as well as the International Islamic University Malaysia’s medical faculty and the International University College of Nursing.

Several institutions of higher learning that have been built in the area over the years include Nilai University College, INTI International University and Universiti Sains Islam Malaysia.

Additional images[link]

• 

  The KTM station in Nilai which connects it to Kuala Lumpur

• 

  Shops in the town

External links[link]

Wikimedia Commons has media related to: Nilai

• Nilai University College
• INTI University College (INTI-UC)
• Islamic Science University of Malaysia (USIM)
• Nilai 3
• [1]

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Rhoma Irama
Background information
Birth name	Raden Irama
Born	(1946-12-11) December 11, 1946 (age 65) Tasikmalaya, West Java, Indonesia
Genres	Dangdut
Occupations	Musician, songwriter, actor
Instruments	Vocals, guitar
Years active	1967–present
Associated acts	Soneta Group, Ridho Rhoma
Website	http://www.rajadangdut.com

Raden Irama (born December 11, 1946, in Tasikmalaya, West Java), most commonly known as Rhoma Irama, is an Indonesian dangdut musician and occasional actor. During the height of his stardom in the 1970s, he became the self-proclaimed Raja Dangdut (King of Dangdut) with his group Soneta.^[1]

Prior to his a pilgrimage to Mecca, he was known as Oma Irama. He is a member of aristocrat class of Sundanese from both his father, Raden Burdah Anggawirya, and mother, R.H. Tuti Juariah.^[2]

Beginnings[link]

Oma Irama's first bands were known as Tornado and Gayhand, and covered Western rock and roll music of Paul Anka, Andy Williams, and The Beatles.^[3]

In the late 1960s Oma Irama, sang orkes Melayu and also some pop Indonesia. In 1968 he joined the group Orkes Melayu Purnama in 1968. This group pioneered elements of the dangdut style within orkes Melayu music - the drum was changed to double drum, the electric guitar's role was expanded, and the suling, or bamboo flute, adopted a style reminiscent of Bollywood music. He also recorded pop Indonesia music during this period with the Zaenal Combo and Galaksi, while the album 'Ingkar Janji' was recorded in 1969 with Orkes Melayu Chandraleka.

Once Oma broke from recording with the Purnama Group, he formed Orkes Melayu Soneta (named for the English word sonnet), which became the first dangdut group in 1970. The subtitle, 'the sound of Moslems' was added in 1973.

The group featured Oma Irama and Elvy Sukaesih as singers, both solo, and duets. Their first album, 'Volume 01', 'Begadang' ('Stay up all night'), released in 1973, featured 4 songs by Oma Irama, three by Elvy, and three duets. The song featured a topless Oma Irama wearing tight trousers and holding an electric guitar. His choice of pose showed the influence on his music of Western hard rock bands, influences which also found their way into his music - orkes Melayu was in his opinion was too soft, too acoustic, too polite, and unable to compete against the power and energy of rock music, and so the music was electrified, with keyboard, two electric guitars, electric bass, as well as the traditional suling and gendang. He has stated that he took his guitar style from Richie Blackmore of Deep Purple. In addition to Western and Malay influences, Hindi composers were credited for some of the band's songs.

The Begadang album ranked #11 on Rolling Stone Indonesia's "150 Greatest Indonesian Albums of All Time" list.^[4] Furthermore, the main single "Begadang" reached at number 24 on the magazine's "150 Greatest Indonesian Songs of All Time" list.^[5]

His 1973 hit Terajana, one of the best-known dangdut songs of all time, was the first to use the newly coined, and arguably derogatory, term dangdut, distinguishing the Javanese orkes Melayu music, heavily influenced by Indian Bollywood records, henceforth dangdut, from the established orkes Melayu, associated with North Sumatran Malays.

Once Soneta was established in the early 70's, Oma changed his name to Rhoma and went on a decade long run of successful hit records and films, all of which starred Rhoma playing himself while performing all of his hits. He wrote the classics "Kareta Malam" and "Kuda Lumping" which were sung by Elvy Sukaesih.

Performing live, he adopted many of the props of stadium rock, including large audiences, powerful soundsystems, complex sets, fireworks, flashing lights, and smoke machines.

Haji[link]

Following his 1975 hajj, he took the name Rhoma Irama, which is an abbreviation of "Raden Haji Oma Irama" (Raden is an aristocracy title for Javanese and Sundanese cultures). Following this pilgrimage, he took on a more explicitly Islamic moral tone, adopting Islamic dress, shorter hairstyles, and ejecting band members who consumed alcohol or had extra-marital sex. He also resolved that his music should instruct, and not merely entertain, a form of jihad waged through music. Themes in his music included extra-marital sex, government corruption, drugs, and gambling.^[3] The song haram for instance, warns against both drugs and gambling.

Rhoma Irama campaigned for Islamic party PPP from 1977 to 1982, and as a result he was banned from state television and radio by the Suharto regime, which was at that time enforcing separation of religion and state, and some of his songs were also banned from sale. The ban was lifted in 1988, and with Suharto himself moving towards Islam in the 1990s, dangdut became of the establishment.

His 1982 movie Perjuangan dan Doa (Struggle and Prayer) as described as the world's first Islamic rock musical movie.

In recent years Rhoma Irama has campaigned against Inul Daratista a dangdut star popular for her suggestive dancing, acting as head of composers' union PIMMA to ban her from singing any of their compositions.

Discography[link]

Pre Soneta[link]

• Djangan Kau Marah
• Di Rumah Sadja
• Di Dalam Bemo
• Biarkan Aku Pergi
• Anak Pertama
• Djenggo
• In Dan Dip
• Pemburu

With OM Soneta[link]

• Dangdut
• Surat Terakhir
• Berbulan Madu
• Gelandangan
• Joget
• Janda Kembang
• Tiada Lagi

With Soneta Group (Volume Series)[link]

• Soneta Vol-1 Begadang (1973)
• Soneta Vol-2 Penasaran (1974)
• Soneta Vol-3 Rupiah (1975)
• Soneta Vol-4 Darah Muda (1975)
• Soneta Vol-5 Musik (1976)
• Soneta Vol-6 135.000.000 (1977)
• Soneta Vol-7 Santai (1977)
• Soneta Vol-8 Hak Azazi (1978)
• Soneta Vol-9 Begadang 2 (1979)
• Soneta Vol-10 Sahabat (1980)
• Soneta Vol-11 Indonesia (1980)
• Soneta Vol-12 Renungan Dalam Nada (1981)
• Soneta Vol-13 Emansipasi Wanita (1983)
• Soneta Vol-14 Judi (1989)
• Soneta Vol-15 Gali Lobang Tutup Lobang (1989)
• Soneta Vol-16 Bujangan (1994)

Movie Soundtrack Albums[link]

• Oma Irama Penasaran
• Gitar Tua Oma Irama
• Darah Muda
• Begadang
• Berkelana I
• Berkelana II
• Raja Dangdut
• Camelia
• Cinta Segitiga
• Perjuangan dan Doa
• Melodi Cinta
• Badai di Awal Bahagia
• Sebuah Pengorbanan
• Cinta Kembar
• Pengabdian
• Satria Bergitar
• Kemilau Cinta di Langit Jingga
• Menggapai Matahari I
• Menggapai Matahari II
• Nada-Nada Rindu
• Bunga Desa
• Jaka Swara
• Nada dan Dakwah
• Tabir Biru
• Dawai 2 Asmara

Rhoma Irama Solo Albums[link]

• Pemilu (1982)
• Lebaran (1984)
• Persaingan (1986)
• Haji (1988)
• Modern (1989)
• Haram (1990)
• Salawat Nabi (1991)
• Kehilangan Tongkat (1993)
• Rana Duka (1994)
• Stress (1995)
• Baca (1995)
• Viva Dangdut 1996
• Mirasantika (1997)
• Reformasi (1998)
• Euforia (2000)
• Syahdu (2001)
• Asmara (2003)
• Jana Jana (2008)
• Azza(2010)

Filmography[link]

• Oma Irama Penasaran (1976)
• Gitar Tua Oma Irama (1977)
• Darah Muda (1977)
• Rhoma Irama Berkelana I (1978)
• Rhoma Irama Berkelana II (1978)
• Begadang (1978)
• Raja Dangdut (1978)
• Cinta Segitiga (1979)
• Camelia (1979)
• Perjuangan dan Doa (1980)
• Melody Cinta Rhoma Irama (1980)
• Badai di Awal Bahagia (1981)
• Sebuah Pengorbanan (1982)
• Satria Bergitar (1984)
• Pengabdian (1984)
• Kemilau Cinta di Langit Jingga (1985)
• Menggapai Matahari I (1986)
• Menggapai Matahari II (1986)
• Nada-nada Rindu (1987)
• Bunga Desa (1988)
• Jaka Swara (1990)
• Nada dan Dakwah (1991)
• Tabir Biru (1994)
• Dawai 2 Asmara (2010)
• Sajadah Ka'bah (2011)

References[link]

External links[link]

• "Hips Don't Lie: A pop singer and a potentially violent culture war in the world's biggest Muslim state.", "The Wall Street Journal", April 3, 2007

Nithyasree Mahadevan
Background information
Born	(1973-08-25) August 25, 1973 (age 38)
Origin	Thiruvaiyaru, Tamil Nadu, India
Genres	Carnatic music - Indian Classical Music and Playback singing
Occupations	Singer
Years active	1987 - Present
Labels	HMV, EMI, RPG, AVM Audio, Inreco, Vani, Amutham Inc., Charsur Digital Workshop, Carnatica, Rajalakshmi Audio etc.

Nithyasree Mahadevan, (born August 25, 1973) also previously referred to as S. Nithyashri, is an eminent Carnatic musician and playback singer for film songs in many Indian languages. Nithyashree has performed in all major sabhas in India and has presented her concerts in many destinations around the world. She has received multiple awards and honours, and has released more than 100 commercial albums.

Early life[link]

Nithyasree was born to Lalitha Sivakumar and I. Sivakumar. Her paternal grandmother, D. K. Pattammal, ^[1] and her granduncle, D. K. Jayaraman, ^[2] were prominent Carnatic vocalists who were established disciples of Ambi Dikshithar, Papanasam Sivan, Muthiah Bhagavathar, and others. Her maternal grandfather was the mridangam maestro, Palghat Mani Iyer.

Her mother, Lalitha Sivakumar, was her first guru (teacher).^[2] Like her mother, Nithyashree was also the disciple of D. K. Pattammal, and would accompany her in concert. Nithyashree's father, an accomplished mridangist and disciple of Palghat Mani Iyer, would constantly show his support and accompany Nithyashree when she performed.^[3]

Music career[link]

Touring[link]

Nithyashree has performed in all major sabhas all over India and has presented her concerts in the United States of America, Canada, United Kingdom, Australia, United Arab Emirates, Germany, France, Singapore, Malaysia and various other destinations throughout the world.^[3]

Titles and Awards[link]

Nithyashree's maiden performance was titled 'best concert of the series'. She is an A.I.R. Prize Winner (1990) and has been an 'A' grade artist. She has been awarded the "Yuva Kala Bharathi" title by Bharath Kalachar in 1994, "Innisai Maamani" by Tamil Nadu Welfare Association, "Kalaimamani" by Hamsadhwani in 2000,^[4] "Isai Paeroli" by Kartik Fine Arts in 2001,^[5] and various other prestigious awards such as ", "Padma Sadhana" (2004), and "Naada Kovida" (2006).^[6][7] She has received "Best Concert Award" from The Music Academy during the music festivals a couple of times and has also performed for the "Sangeeth Natak Academy" twice in their International Music Festivals in Bombay and Hyderabad. She has also received the "Best Promising Artiste" from "Mohanam" Music Club, and made a thematic album of compositions popularising the raga Mohanam. She was awarded a doctorate degree from Sathyabama university of Jeppiar in Chennai in late 2007.

Performances[link]

Nithyashree's first Carnatic performance was for the Youth Association For Classical Music on 10 August 1987. The concert lasted 1 hour, and was scheduled between 6:00pm and 7:00pm. Prominent Carnatic musicians that were present at the concert, included D. K. Pattammal, D. K. Jayaraman, Vijay Siva, R. K. Sriramkumar, as well as the chief guest at that concert, K. V. Narayanaswamy.^[8]

She has given numerous concerts consisting of only patriotic songs to commemorate the 50th year of Indian Independence, a few with D. K. Pattammal before her grandmother stopped performing in public.

D. K. Jayaraman and D. K. Pattammal were known for singing and popularising the compositions of Papanasam Sivan, having learnt them directly from the composer himself. Nithyashree has continued this tradition. She has also given a lecture demonstration in Coimbatore for Manoranjitham on "Papanasam Sivan - A Legend", and made two special thematic albums that solely contained his compositions.

Like D. K. Pattammal, Nithyashree has also popularised compositions of Gopalakrishna Bharathi. She presented a paper on the Life and Contribution of Gopalakrishna Bharathi for the Music Department of PSG College, Coimbatore. Her two thematic albums that solely consisted of his compositions have been very popular, both online and offline.

Nithyashree's commanding, high-pitched voice is well suited to various genres of music including Carnatic music, devotional music, as well as patriotic and popular songs.

Playback singing[link]

Nithyashree's introduction to Tamil playback singing came when A.R. Rahman called her to Panchathan Recording Inn, in Chennai, for a voice test sometime in the 1990s. The output from her visit was used for the song "Kannodu Kanbadellam" in the movie Jeans starring Aishwarya Rai and Prashanth. This became particularly popular which resulted in many songs in the same combination like "Minsara Kanna" from Padayappa, "Sowkiyama Kannae" from Sangamam, and "Manmatha Maasam" from Parthale Paravasam.^[9]

Some of her other songs include "Kumbakonam Sandhayile" from New, "Oru Nadhi Oru Pournami" from Samurai, "Kana Kaangiren" from Ananda Thandavam as well as "Thaai Thindra Mannae" from the film Aayirathil Oruvan.^[9]

She also successfully branched out to Telugu and Kannada playback singing, with songs such as "Ra Ra..." from Apthamitra.

Personal life[link]

Nithyashree and her husband, Mahadevan, have two daughters, Tanujasree and Tejasree.^[10]

Notes[link]

References[link]

• Musical Nirvana biography