Articles are words that combine with a noun to indicate the degree of definiteness (specificity) of the reference being made by the noun. The articles in English are the definite article the and the indefinite articles a and an (and sometimes some). Use of the definite article implies that the speaker assumes the listener knows the identity of the noun's referent (because it is obvious, because it is common knowledge, or because it was mentioned in the same sentence or an earlier sentence). Use of an indefinite article implies that the speaker assumes the listener does not know the identity of the referent.

General usage[link]

In English, nouns must in most cases be preceded by an article that specifies the presence or absence of definiteness of the noun. The definite article is the in all cases other than generic references, which use the zero article (i.e., the absence of an article), while indefiniteness is expressed with a or an for singular nouns or the zero article for plural or non-count nouns.

The cells in the table can be exemplified as follows:

• indefinite singular countable

• before a vowel sound: I saw an ear, I received an honor
• before a consonant sound: I have a car

• indefinite plural: I saw cars
• indefinite non-count: I drink coffee
• definite generic plural: Cars have accelerators
• definite generic non-count: Happiness is contagious
• definite non-generic singular: I see the car
• definite non-generic plural: I see the cars
• definite non-generic non-count: I like the coffee in that restaurant

English grammar requires that the appropriate article, if any, be used with each noun, with several exceptions:^[1]

• most proper nouns

Rome was ruled by Augustus.

• pronouns and noun phrases

Nobody liked what he said.

• nouns with another non-number determiner such as this, each, my, or no:

My sister wrote this song about America's history.

In most cases, the article is the first word of its noun phrase, preceding all other adjectives.^[2] There are only a few exceptions—e.g., quite a story, too great a loss, all the time, such a nice man.

The little old red bag held a very big surprise.

In alphabetizing titles and phrases, articles are usually excluded from consideration, since being so common makes them more of a hindrance than a help in finding a desired item. For example, The Comedy of Errors is alphabetized before A Midsummer Night's Dream, because the and a are ignored and comedy alphabetizes before midsummer. In an index, the former work might be written "Comedy of Errors, The", with the article moved to the end.

In contexts where concision is especially valued, such as headlines, signs, labels, and notes, articles are often omitted along with certain other function words. For example, rather than The mayor was attacked, a newspaper headline would say just Mayor attacked.

Definite article[link]

The only definite article in the English is the word the, denoting person(s) or thing(s) already mentioned, under discussion, implied, or otherwise presumed familiar to the listener or reader. It is often used as the very first part of a noun phrase. It is also the most commonly used word in the English language.

The article "the" is used with singular count nouns (the car) and with singular uncountable nouns (the coffee) and plural nouns (the cars) when both the speaker and hearer would know the identity of the thing or idea already.

However, in English, unlike in some other languages such as French, the definite article is absent before familiar but intangible concepts such as "happiness": Happiness is contagious is correct, whereas The happiness is contagious is not unless a very specific example of happiness is referred to. The is also omitted when the noun refers to a generic mass object (Coffee grows in Colombia) or to a generic collection of countable objects (Cars have accelerators).

Pronunciation[link]

In most dialects "the" is pronounced as /ðə/ the voiced dental fricative /ð/. According to the Merriam-Webster Online Dictionary, "the" may be pronounced /ði/ before words beginning with vowel sounds, before proper nouns, or to add emphasis.^[3] However, often in practice the pronunciation with a schwa is retained even before a vowel sound or a proper noun.

In some Northern England dialects of English, the is pronounced [t̪ə] (with a dental t) or as a glottal stop, usually written in eye dialect as <t>; in some dialects it reduces to nothing. This is known as definite article reduction.

In dialects that do not have the voiced dental fricative /ð/, the is pronounced with the voiced dental plosive, as in /d̪ə/ or /d̪iː/).

Etymology[link]

The and that are common developments from the same Old English system. Old English had a definite article se, in the masculine gender, seo (feminine), and þæt (neuter). In Middle English these had all merged into þe, the ancestor of the Modern English word the.

In Middle English, the (þe) was frequently abbreviated as a þ with a small e above it, similar to the abbreviation for that, which was a þ with a small t above it. During the latter Middle English and Early Modern English periods, the letter Thorn (þ) in its common script, or cursive, form came to resemble a y shape. As such the use of a y with an e above it as an abbreviation became common. This can still be seen in reprints of the 1611 edition of the King James Version of the Bible in places such as Romans 15:29, or in the Mayflower Compact. Historically the article was never pronounced with a y sound, even when so written, although the modern, 19th and 20th century pseudo-archaic usage such as "Ye Olde Englishe Tea Shoppe" can be pronounced with a y sound.

Geographic uses[link]

In English most cities and countries never take the definite article, but there are many that do. It is commonly used with many country names that derive from names of island groups (the Philippines), mountain ranges (the Lebanon), deserts (the Sudan), seas, rivers and geographic regions (the Middle East).^[4] Such use is declining, but for some countries it remains common. Since the independence of Ukraine (or the Ukraine), most style guides have advised dropping the article,^[5] in part because the Ukrainian Government was concerned about a similar issue involving prepositions. Another example is Argentina, which is now more usual than 'the Argentine', which is old fashioned, although others continue, such as The Bronx and The Hague.

The definite article is always used for countries whose names are descriptions of the form of the state rather than being purely geographical; for example, the United States, the Soviet Union, and the Czech Republic.

The U.S. Department of State^[6] and the CIA World Factbook^[7] show the definite article with only two countries: The Bahamas and The Gambia. Although in title, these references do not include the definite article for the Netherlands, in the text description the name of the country is never used without it.

Indefinite article[link]

"A" and "an" function as the indefinite forms of the grammatical article in the English language and can also represent the number one. An is the older form (related to one, cognate to German ein; etc.), now used before words starting with a vowel sound, regardless of whether the word begins with a vowel letter.^[8] Examples: a light-water reactor; a sanitary sewer overflow; an SSO; a HEPA filter (because HEPA is pronounced as a word rather than as letters); an hour; a ewe; a one-armed bandit; an heir; a unicorn (begins with 'yu', a consonant sound).

Juncture loss[link]

In a process called juncture loss, the n has wandered back and forth between words beginning with vowels over the history of the language, where sometimes it would be a nuncle and is now an uncle. The Oxford English Dictionary gives such examples as smot hym on the hede with a nege tool from 1448 for smote him on the head with an edge tool and a nox for an ox and a napple for an apple. Sometimes the change has been permanent. For example, a newt was once an ewt (earlier euft and eft), a nickname was once an eke-name, where eke means "extra" (as in eke out meaning "add to"), and in the other direction, "a napron" became "an apron" and "a naddre" became "an adder." "Napron" itself meant "little tablecloth" and is related to the word "napkin". An oft-cited^{[citation needed]} but inaccurate example is an orange: despite what is often claimed, English never used a norange. Although the initial n was in fact lost through juncture loss, this happened before the word was borrowed in English (see orange (word)).

[edit] Discrimination between a and an

The choice of "a" or "an" is determined by phonetic rules rather than by spelling convention. "An" is employed in speech to remove the awkward glottal stop (momentary silent pause) that is otherwise required between "a" and a following word. For example, "an X-ray" is less awkward to pronounce than "a X-ray," which has a glottal stop between "a" and "X-ray". The following paragraphs are spelling rules for "an" that can be used if the phonetic rule is not understood.

The form "an" is always prescribed before words beginning with a silent h, such as "honorable", "heir", "hour", and, in American English, "herb".^[9] Some British dialects (for example, Cockney) silence all initial h's (h-dropping) and so employ "an" all the time: e.g., "an 'elmet". The article "an" is sometimes seen in such phrases as "an historic", "an heroic" and "an hotel of excellence" in both British and American usage, although usually violating the phonetic rule in such cases.^[9] Merriam-Webster's Dictionary of English Usage allows "both a and an are used in writing a historic an historic".^[10]

An analogous distinction to that of "a" and "an" was once present for possessive determiners as well. For example, "my" and "thy" became "mine" and "thine" before a vowel, as in "mine eyes". This usage is now largely obsolete.^[11]

The appearance of an or a in front of words beginning with h is not limited to stress. Sometimes there is a historical root as well. Words that may have had a route into English via French (where no hs are pronounced) may have an to avoid an unusual pronunciation. This never applied to words of Germanic origin, as the hs would be pronounced and a used.^[9] Further, some words starting with vowels may have a preceding a because they are pronounced as if beginning with an initial consonant. "Ewe" and "user" have a preceding a because they are pronounced with an initial y consonant sound. "One-eyed pirate" also has a preceding a because it is pronounced with an initial w consonant sound.

[edit] Pronunciation of a and an

Both words are usually pronounced with a schwa: /ə/, /ən/. However, when stressed (which is rare in ordinary speech), they are normally pronounced respectively as /eɪ/ (to rhyme with day) and /æn/ (to rhyme with pan).

Representing the number one[link]

In addition to serving as an article, a and an are also used as synonyms for the number one, as in "make a wish", "a hundred". An was originally an unstressed form of the number ān 'one'.

A and an are also used to express a proportional relationship, such as "a dollar a day" or "$150 an ounce" or "A Mars a day helps you work, rest and play", although historically this use of "a" and "an" does not come from the same word as the articles.^[12]

The mathematically-minded might heed H. S. Wall's reminder that the statement "I have a son" does not necessarily imply that "I have exactly one son" or that "I have only sons". In other words, "The little words count."^[13]

"Some" as an indefinite article[link]

As a plural[link]

The word some is used as a functional plural of a/an. "An apple" always means one indefinite apple. "Give me some apples" indicates more than one is desired but without specifying a quantity. This finds comparison in Spanish, where the singular indefinite article 'uno/una' ("one") is completely indistinguishable from the unit number, but where it has a plural form ('unos/unas'): Dame una manzana" ("Give me an apple") > "Dame unas manzanas" ("Give me some apples").

However, some also serves as a quantifier rather than as a plural article, as in "There are some apples there, but not many." As a result, the meaning intended by the speaker may be unintentionally or even deliberately unclear, or the speaker could intend both meanings simultaneously: "I see some cars" could have the indefinite meaning in "I see some cars (but I don't know whose)" or the quantificational meaning in "I see some cars (but not a lot of them)".

As a singular[link]

Some also serves as a singular indefinite article, as in "There is some person on the porch". This usage differs from the usage of a(n) in that some indicates that the identity of the noun is unknown to both the listener and the speaker, while a(n) indicates that the identity is unknown to the listener without specifying whether or not it is known to the speaker. Thus There is some person on the porch indicates indefiniteness to both the listener and the speaker, while There is a person on the porch indicates indefiniteness to the listener but gives no information as to whether the speaker knows the person's identity.

However, some before a mass noun (a singular noun referring to a non-discrete undivided entity) always has a partitive meaning: for example, in I'll have some coffee, some means a subset of all coffee.

Similarities in other languages[link]

Yiddish, another Germanic language, also employs "a" (אַ) and "an" (אַן) in essentially the same manner.

In Hungarian, a and az are used the same way, except that in Hungarian, a(z) is the definite article. Juncture loss occurred in this case as well, since az was the only article in use in 16th century Hungarian (e.g. in the poetry of Bálint Balassa).

In Greek and Sanskrit, a- and an-, meaning "not" or "without", are root words, cognate with Latin in- (when used as a negative) and English un-, meaning without.

Italian has many articles (9 + juncture loss) basically expressing the same ideas of definite and indefinite as English ones. The article the corresponds to il, lo, la, i, gli or le indifferently (remembering that Italian has masculine and feminine nouns, so that it is not indifferent to join any one of those articles with any Italian noun, indiscriminately) and the English articles a / an corresponds to Italian un, uno or una (again, the masculine / feminine distinction must be taken into account). Moreover, no geographical rule applies to any of the Italian articles corresponding to the article the, so that, for example, it is correct to say la Germania which means Germany, in English. Some Italian dialects in the north also allow the colloquial use of the article before a noun il Mario e la Giulia.

See also[link]

• Article
• English grammar

References[link]

External links[link]

Look up a or an in Wiktionary, the free dictionary.

Look up the in Wiktionary, the free dictionary.

For a list of words relating to English articles, see the English articles category of words in Wiktionary, the free dictionary.

• Vietnamese learners mastering english articles
• "The Definite Article: Acknowledging 'The' in Index Entries", Glenda Browne, The Indexer, vol. 22, no. 3 April 2001, pp. 119–22.
• Low MH 2005: "The Phenomenon of the Word THE in English — discourse functions and distribution patterns" — a dissertation that surveys the use of the word 'the' in English text.
• When Do You Use Articles: A, An, The
• Etymology of the word THE on the Online Etymology Dictionary

Calvin Harris
Background information
Birth name	Adam Richard Wiles
Born	(1984-01-17) 17 January 1984 (age 28) Dumfries, Scotland
Genres	Electropop, electro house, nu-disco, synthpop, Eurodance
Occupations	Singer-songwriter, record producer, DJ
Instruments	Vocals, keyboards, synthesizer
Years active	1999–present
Labels	Fly Eye, Columbia, Ministry of Sound, Ultra
Website	www.calvinharris.co.uk

Adam Richard Wiles^[1] (born 17 January 1984)^[2], better known by his stage name Calvin Harris, is a Scottish DJ, singer, songwriter, and record producer. His gold-selling debut album, I Created Disco, was released in 2007 and contained the top ten singles "Acceptable in the 80s" and "The Girls". His second studio album, Ready for the Weekend (2009), reached number one in the UK Album Chart and includes the chart-topper "I'm Not Alone", the UK top five hit "Ready for the Weekend", and the singles "Flashback" and "You Used to Hold Me".

A remix album titled L.E.D. Festival was released in July 2010 as a free album in the August issue of Mixmag. Harris is currently working on his third studio album—due for release in 2012—which has produced the singles "Awooga", "Bounce", "Feel So Close", and "Let's Go". He has written and produced records for other recording artists including Kylie Minogue, Sophie Ellis-Bextor, Dizzee Rascal, Rihanna (on the international chart topper "We Found Love"),^[3] and Kesha.^[4]

Biography[link]

Early life and career[link]

Harris was born in Dumfries, Scotland. He states that his childhood hero was football star Steve McManaman,^[5] but because he could not play [the game] nor have McManaman's 'curly hair', music was the next best option for a career.^[6] He was first attracted to electronic music in his teens and was recording bedroom demos by 1999.^[7] According to an interview with News of the World, all the while he created music, he started becoming an antisocial person, which affected his personality.^[8] His earliest success was when he was 21: the songs "Da Bongos" and "Brighter Days" were released as a 12" club single and CD-EP by the Prima Facie label in early 2002 under the name Stouffer.^[9] He released one song in 2004, "Let Me Know", with artist Ayah Marar. The song appears on The Unabombers' Electric Soul 2.

[edit] 2006–08: I Created Disco

Harris performing in 2008

Harris signed contracts with EMI (publishing) and Sony BMG (recording) in 2006 after he had been discovered by Tommie Sunshine on the social networking website MySpace and his music was released on Sunshine's label Xylophone Jones Recordings previous to his album on Sony BMG.^[10] Harris had recently moved back from London to his hometown of Dumfries because he was unable to find a job.^[11] Later in 2006, Harris produced a remix of All Saints' hit single "Rock Steady".

Harris' first album, I Created Disco, was released in June 2007. The album contains uptempo electroclash songs that were influenced by music from the 1980s. To promote I Created Disco, Harris embarked on a tour of the UK, supporting Faithless and Groove Armada.^[12][13] I Created Disco has been certified gold by the British Phonographic Industry for sales of 100,000 copies in the UK, where it reached number eight on the UK Albums Chart.

The first single, "Vegas", was issued on limited edition vinyl; the first wide-release single from the album was "Acceptable in the 80s", a tribute to the style and culture of the decade. The song reached the top ten on the UK Singles Chart, remaining on the chart for fifteen weeks.^[14] "The Girls", the album's third single, peaked at number three in the UK, although the fourth release, "Merrymaking at My Place", reached only number forty-three. The fifth and final single, "Colours", was featured in television advertisements for DFS sofas and Kia Motors. In October 2008, Harris was featured on BBC Radio 1's Essential Mix with a two-hour set.

[edit] 2008–10: Ready for the Weekend

In April 2008, Harris stated that the only existing copy of his upcoming album work was lost when his was misplaced during the baggage handling problems at the opening of London Heathrow Terminal 5.^[15] Harris later admitted that this was a lie as the album was not in his luggage at all, and that he hoped that what he said would buy him some more time to finish recording the LP.^[16] The album, Ready for the Weekend, was released in August 2009 in the United Kingdom^[17] and debuted at number one on the UK Albums Chart, eventually being certified gold by the BPI for selling 100,000 copies. The first single, "I'm Not Alone", released in April 2009, debuted on the UK Singles Chart at number one and was shortlisted for the Popjustice £20 Music Prize. The follow-up single, "Ready for the Weekend" (featuring singer Mary Pearce), went to number three. Other tracks included on the album are "Worst Day" featuring Izza Kizza^[18] and "Yeah Yeah Yeah La La La", which was used in a Coca-Cola advertisement.^[19]

Harris toured around the UK, Ireland, France, the Netherlands and the United States promoting the album. In June 2009, Harris appeared at the Summertime Ball at the Emirates Stadium, and in August, he made an appearance on the first Soccer AM show of the season. Harris performed at Wembley Stadium in October 2009 as part of the pre-game entertainment for the NFL International Series game between the New England Patriots and the Tampa Bay Buccaneers. The third single from Ready for the Weekend, "Flashback", reached the top twenty in the UK, and the fourth, "You Used to Hold Me", entered the top forty. During promotion of the album, Harris hosted a series of videos on YouTube titled JAM TV, in which musicians such as Florence Welch, Goldie and Katy Perry tried to open pots of jam.^[20] In 2010, Harris received a BRIT Award nomination for British Male.

On 14 November, Harris invaded the stage of The X Factor during a performance by John & Edward, holding a pineapple on his head and bending over to point at his buttocks. He was subsequently evicted from the studio by the security team and told not to return to have his say on the ITV2 programme The Xtra Factor—in which he was to have been a "Celebrity Guest". He later apologised on Twitter, saying he was a fan of the boys, "At the end of the day, I had a pineapple on my head. Sorry if I caused anyone embarrassment. PS, I love Jedward (sic)".^[21] The same week, Harris spoke to The Chris Moyles Show and revealed that he had been "inspired to make a mockery of the show", as well as stating that "If you look at music it's a frightening stranglehold that Simon Cowell has got over the entire music chart in the UK at the moment."^[22] On the same day, John and Edward's "mentor" Louis Walsh, appearing on The Paul O'Grady Show, accused Harris of trying to "cash in" on John & Edward's fame, and claimed to not know who he was.^[23]

2010–present: Third album and touring[link]

Harris performing in Australia

Harris played at the 2010 Big Day Out, a music festival which takes place in several major cities in Australia and Auckland, New Zealand. In May 2010, he performed at Evolution Festival, UK in Newcastle upon Tyne, Quayside, and in July he played at Nottingham Splendour and headlined at the Stockton International Riverside Festival in Stockton-on-Tees. In July 2010, Harris released a mix, titled L.E.D. Festival (short for L.E.D. Festival Presents... Calvin Harris). It was available for one month as a free covermount CD in Mixmag.

Harris appeared at the tenth birthday of Our:House in Auckland, New Zealand, in November 2010, alongside Afrojack,^[24] and performed an hour-long DJ set at Australia's Steresonic Festival alongside Tiesto, Carl Cox, Afrojack and Major Lazer in November/December 2010, in several major Australian cities including Sydney and Melbourne. In 2011, he toured with Rihanna in Australia, Poland and the UK as a support act on her Loud Tour; Rihanna was quoted to say that "Calvin is the perfect fit for the Loud tour. He is going to bring something unique and fun for the fans."^[25] Harris headlined the Sydney Gay and Lesbian Mardi Gras 2011 party.

During March and April 2011, Harris was scheduled to be an opening act/DJ for Katy Perry on the UK leg of her California Dreams Tour, but he withdrew from the tour shortly before his first date, citing production issues and difficulties with Perry's management in his apology to her fans.^[26] Perry publicly criticised Harris via her Twitter feed, stating that the tour's other support acts had expressed no problems with their production arrangements,^[27] but Harris later said "it's all fine" between them and that he would still like to work with her in the future.^[28]

Harris headlined Limelite at Metropolis Fremantle (Western Australia) in March 2011 in celebration of the event's fourth birthday, where he played small samples of his new track, "Awooga", which was subsequently uploaded onto YouTube via his channel, icreateddisco.^[29] Following "Awooga", Harris released the single "Bounce", a collaboration with Kelis that debuted at number two on the UK Singles Chart in June 2011. Another single, "Feel So Close", was released in August 2011 and also reached number two, as did the third single, "Let's Go" featuring Ne-Yo (released in April 2012), commissioned for a Pepsi Max advertising campaign. "Feel So Close" became Harris's first solo entry on the Billboard Hot 100 in America, peaking at number twelve. These singles precede Harris's third studio album, which will be released in 2012;^[30] he has said of the LP, "I'm going for pretty epic-sounding dance records. I guess the whole sound has just moved on in terms of production as I've got a new studio and some new gear to make the sounds I wasn't able to make before."^[31] Singer/rapper Example announced via Twitter that he will be featured on Harris's next single, "We'll Be Coming Back".^{[citation needed]}

Harris performed at the 2011 Jingle Bell Ball concert, and has been announced as one of the headline acts at a number of Southern Hemisphere 2011/2012 new year music festivals, including Shore Thing and Field Day^[32] in Sydney, as well as Rhythm and Vines in New Zealand.^[33]

Productions and songwriting[link]

In 2007, Harris caught the attention of pop singer Kylie Minogue after his recordings had been passed on to her by another record producer.^[12] This led to him co-writing and producing two songs on her 2007 album X—"Heart Beat Rock" and "In My Arms", the latter a top ten hit in the UK. Harris said that working with Minogue was "surreal, but fun" although he admitted to Mixmag in 2007 to "needing a few drinks before meeting her". Harris returned to work with Minogue on her album Aphrodite (2010), co-producing the track "Too Much".

In 2008, Harris collaborated with rapper Dizzee Rascal on his single "Dance wiv Me", producing the track and singing the hook. The single reached number one in the UK and has been certified platinum by the BPI, selling 300,000 copies. It was shortlisted for the 2008 Popjustice £20 Music Prize and, in 2009, received a BRIT Award nomination for British Single and an Ivor Novello Award nomination for Best Contemporary Song. In 2009, he produced Dizzee Rascal's next single entitled "Holiday", which also reached number one. He was supposed to make an appearance in its music video, but objected to dancing along in some scenes, wearing a certain shirt for the video and not wearing his "fly eye" glasses.^[1] Also in 2009, Harris made a guest appearance on Tiësto's song "Century" on the Dutch producer's album Kaleidoscope.^[34] Harris produced a track for English singer/rapper Example for his second album Won't Go Quietly (2010), "Time Machine", and mixed The Ting Tings' UK top forty single "Hands", having previously remixed the band's singles "Great DJ" (2008) and "We Walk" (2009).

In 2011, Harris featured on LMFAO's album Sorry for Party Rocking, appearing on the track "Reminds Me of You" which is based on Harris's own song "Awooga". Harris produced Tinchy Stryder's second single, "Off the Record" from his fourth studio album, Full Tank. The track had its première on 15 September 2011, and was released in the UK on 6 November 2011. Following a stint as her support act on the Australian leg of her tour, Harris produced "We Found Love" and "Where Have You Been" for Barbadian singer Rihanna. The former is the lead single from her sixth studio album, Talk That Talk, and was premiered in September 2011. It has reached number one in countries such as the UK and the United States, becoming Harris's first charting appearance on the Billboard Hot 100. He co-wrote and co-produced the bonus track "One Life" for R&B singer Mary J. Blige's album My Life II... The Journey Continues (Act 1) (2011).

In mid April 2012, Billboard published an article on their website claiming that Harris had contributed several tracks to Kesha's upcoming album Spandex on the Distant Horizon, with their specific recording date being left unknown.^[35] Calvin Harris worked with American pop band Scissor Sisters on the single "Only the Horses" from their fourth studio album, Magic Hour. He wrote and produced Cheryl Cole's comeback single "Call My Name", the lead single from her upcoming third album A Million Lights.^[36]. It was also revealed that Calvin is to collaborate with singer/rapper Example again on his upcoming album titled 'Coming Back'.

Failed collaborations[link]

In 2007, Harris contributed the song "Off & On" to Róisín Murphy's album Overpowered, but it was cut from the album; Harris later gave the song to Sophie Ellis-Bextor to record for her 2011 album Make a Scene. He said that Murphy was "a bit mental", "crazy" and a "twat" to reject the songs,^[37] though subsequently apologized in person to Murphy "for throwing my toys out of the pram because I said things that weren't very nice. She said: 'That's all right, we all say silly things sometimes.'"^[38] Harris also produced a remix of Dragonette's debut single "I Get Around" that was rejected by the band, whom he said "weren't very nice to me [...] they said, 'by the way, it's s—t', and then asked me to change everything about it. I told them I couldn't because I was on a bus and that they could basically F--- OFF. That's where we left it."^[37]

In 2007, Kelis discussed plans to work with Harris on her fifth studio album, Flesh Tone (2010), saying that he was "very creative and exciting [...] very, very talented". Although she said they were "looking at doing something together" for the album,^[39] this did not materialise; Harris did, however, produce a remix of Flesh Tone's second single, "4th of July (Fireworks)" and later collaborated with her on his 2011 single "Bounce".

Harris has said that in early 2008, he turned down the opportunity to work with American singer Lady Gaga before the release of her top-selling debut album, The Fame. He recalled: "When Lady Gaga first came out, her name rang a bell, so I checked my emails—and it turns out that on 1 January 2008, I got an email asking to work with her. I thought, 'Lady Gaga, what sort of name is that?' So I replied saying, 'Nah, I’m not into that.' Fast forward a year and she's the biggest thing. But I don't regret turning her down as I didn't think the song I heard then was that good."^[40] In a later interview, Harris stated he considers Gaga to be a "good artist".^[41]

American singer Katy Perry expressed an interest in working with Harris in 2009,^[42] and at one point they had pencilled recording sessions for her second album, Teenage Dream (2010),^[43] but no material was released. Harris worked with boyband JLS on songs for their second album, Outta This World (2010), but none of his work appeared on the released LP.^[44] The third single from that album, "Eyes Wide Shut", was said to copy heavily from Harris's own single "I'm Not Alone", but Harris said that it "wasn't [JLS's] fault and had nothing to do with them".^[45]

Concert tours[link]

• Groove Armada: Soundboy Rock tour (2007)
• Faithless: To All New Arrivals tour (2007)
• Ready for the Weekend tour (2009–2010)
• Deadmau5 & Skrillex: 'Unhooked' tour (2010)
• Rihanna: Loud Tour (2011)

Discography[link]

• I Created Disco (2007)
• Ready for the Weekend (2009)
• Third coming album (2012)

Awards and nominations[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Calvin Harris

• Official website
• Calvin Harris at Ultra Records

Tinie Tempah
Tempah at the 2010 Way Out West Festival.
Background information
Birth name	Patrick Junior Chukwuemeka Okogwu
Born	(1988-11-07) 7 November 1988 (age 23) Plumstead, London, England
Genres	Grime, Hip hop, drum and bass
Occupations	Rapper, songwriter
Years active	2005–present
Labels	Parlophone, Disturbing London
Associated acts	Labrinth, Ellie Goulding, Swedish House Mafia, Chase & Status, Usher, Kelly Rowland, Eric Turner, Range, Emeli Sandé, Wiz Khalifa, Bei Maejor, Snoop Dogg, Ester Dean, Taio Cruz, Wretch 32, J. Cole, Lupe Fiasco, Rita Ora, Taylor ThePALACE
Website	tinietempah.com

Patrick Chukwuemeka Okogwu^[1] (born 7 November 1988),^[2] better known by his stage name Tinie Tempah, is an English rapper. He made his first mixtape in 2007; his first album, Disc-Overy, debuted at number one in October 2010 and was preceded by two number-one singles.

Early life[link]

Patrick Chukwuemeka Okogwu, was born in London, England on 7 November 1988, and is of Ibusa, Delta State, Nigerian origin. ^[3] He lived on the Aylesbury Estate in South East London until he was 12 with his parents and three younger siblings.^[3] He attended St. Paul's Catholic School in Abbey Wood, London SE2, (now known as St. Paul's Academy). He went on to study A Levels at St Francis Xavier Sixth Form College, SW12. Of his London upbringing, Tempah states: “London is one of the only places in the world where you can live in a council block and see a beautiful semi-detached house across the street. Growing up around that was inspirational, it kept me motivated".^[1]

Career history[link]

Early career[link]

In 2006, Tempah gained a great deal of airplay on British music TV channel, Channel AKA, for his song "Tears" He made his first mixtape in 2007 with 28 songs, freestyles and remixes, featuring Mz Bratt, Chipmunk and G-Unit.^{[citation needed]} His first album, Disc-Overy, debuted at number one in October 2010 and was preceded by the number-one singles "Pass Out" and "Written in the Stars" and the UK Top 5 hits "Frisky" and "Miami 2 Ibiza". In late 2007, he collaborated on a track ("Perfect GCD Hood Economics Room 147") with grime artist Ultra and producers/songwriters Agent X.

Tempah toured with Chipmunk in February 2010. His first break as a musician came when Sony launched its PlayStation Portable (PSP) and used a track entitled "Listen To The Vibe" featuring Yasmin and DJ Ironik, and "Atlantic/Warner" for the futuristic racing game, Wipeout Pure. This resulted in a promotional European tour alongside the likes of Sway and Dizzee Rascal.

Tempah, his manager and cousin Dumi Oburota founded the independent label Disturbing London primarily as an official outlet for Tempah's music, but with the idea of also signing other young artists. According to Dumi: "We wanted to have a platform to put out our music and there wasn't any Def Jam or Roc-A-Fella label equivalent in England. [Also] I wanted to create a major independent label with quality artists. I felt like the major labels had lost the passion for music."^[4] The activities of the label were initially largely funded by student loans and the proceeds from buying and selling cars.^[4]

When scout and music consultant Jade Richardson saw Tempah performing at the 2009 Wireless Festival she called Parlophone Records president Miles Leonard saying: “You’ve got to check out this guy Tinie Tempah. He came on at lunchtime and there’s about 1,000 kids screaming for him. He’s only put out one independent release and he’s got this huge audience.”^[5] Leonard and A&R Nathan Thompson visited Tempah and his manager Dumi at their studio a few weeks later and were hugely impressed to hear about the work they had already done in developing Tempah's career and by the ambitious plans they had for his future.^[5] Leonard told HitQuarters: "I thought it was incredible that an artist and manager were doing so much so soon with so little ... That impressed as much as the music."^[5]

Tempah announced his signing to Parlophone in October 2009 by running a competition on his blog, with the winner invited to High Tea at Claridges to celebrate the deal.^[6]

[edit] 2010–2011: Success and Disc-Overy

Tempah released his debut single "Pass Out" with Parlophone on 28 February 2010, with it entering the UK Singles Chart at number 1. Selling just over 92,000 copies, making this his first number 1 which it remained for two consecutive weeks. Tempah would later perform "Pass Out" on 25 June 2010 at Glastonbury on the Pyramid stage with Snoop Dogg. Tempah then announced his second single, "Frisky", which was released on 6 June 2010 entering the UK Singles Chart at number 2. Tempah supported Rihanna for four dates in May on her 10-date UK tour with Tinchy Stryder and Pixie Lott.^[8] Tempah performed at many summer balls at various universities around the United Kingdom.^{[citation needed]} Tempah performed at Radio 1 Big Weekend in Bangor on 22 May 2010 on the In New Music We Trust stage. He also toured with Mr Hudson in May 2010. Tinie Tempah played the Summertime Ball at Wembley Stadium on 6 June 2010, at Wakestock in Abersoch on 3 July 2010, both T4 on the Beach and the Wireless Festival in London's Hyde Park on 4 July, and V Festival on 21 and 22 August 2010. Tempah released his third single "Written in the Stars" on 19 September 2010. This again charted at number 1 in the UK Singles Chart selling over 115,000 copies in its first week, making it his biggest-selling single to date. The song also went on to chart in a number of other countries. Tempah went on to team up with Swedish House Mafia for his fourth single "Miami 2 Ibiza" which was released on 1 October 2010. This went on to reach a peak of number 4 in the UK Singles Chart and his first number 1 in the Netherlands Mega Single Top 100 chart. He released his long-awaited debut album, Disc-Overy on 4 October 2010 which featured all his previous charted singles.

On 11 October 2010, he kicked off his first UK tour which was supported by Chiddy Bang. He went on to win his first 2 MOBO Awards in October. Tempah also featured on the Tinchy Stryder single "Game Over" which was released on 15 November 2010. This reached number 22 on the UK Singles Chart. On 25 December, Tempah released his fifth single "Invincible" featuring Kelly Rowland, which peaked at number 11 on the UK Singles Chart. "Wonderman", featuring Ellie Goulding, was released and was the fifth official single. Tempah joined Usher on the European leg of his OMG Tour in January 2011. Tempah was also nominated for 4 Brit Awards making him the most nominated artist at the awards. His single "Written in the Stars" was used for a WrestleMania XXVII countdown promo during the WWE PPV Royal Rumble on 30 January 2011. It was later confirmed by WWE that it will be the official theme for Wrestlemania XXVII. It's also the theme song for the 2011 MLB Post Season. On 15 February 2011, he won his first ever Brit Award, for Best British Breakthrough Act. He also won a Brit for Best British Single.^[9] On 7 March 2011, Tempah expressed his desire for his next album to go triple platinum. "I reckon in 2011, towards the end of it, I'm going to do an arena tour – and sell it out – then I reckon I'm going to release another album, and fingers crossed it can go platinum again, and double platinum, and triple. Let's just sell a million."^[10] In early 2011, Tinie Tempah announced a UK Arena tour. Support acts included Nero, Labrinth and Chase and Status (After Party DJ Set).^{[citation needed]} In 2011, Labrinth revealed that Tempah will be releasing "Pass Out" in the United States, featuring a well recognised artist in the American rap game.^[11] On 28 November 2011, Tinie Tempah hosted an episode of the TV show, Never Mind the Buzzcocks.^[12] Also in November, Tinie Tempah released two tracks, "Like It or Love It" which featured both Wretch 32 & J. Cole, and "Lucky Cunt" which featured Big Sean. On 16 December, Tempah released a 9-track mixtape/EP titled Happy Birthday. In early 2012 Tempah featured with Eric Turner and Lupe Fiasco on a track called "Angels and Stars". Tempah's song "Written in the Stars" was used as the entrance song for the New York Giants before Super Bowl XLVI.

[edit] 2012–present: Demonstration

By December 2010 Tempah was writing a second album,^[13] saying there will be a more electronic and live feel to it. It was originally intended for a late 2011 release.^[7][14] but is now scheduled for October 2012.^[15] During an interview, Tempah commented on his second album: "I always like to work with different people on each project I do, just so you get a different sound and angle. I will be working with some of the same people I did for the first album, you know what they say ‘if it ain't broke then don’t try and fix it’."^[16] Tempah hoped to collaborate with other artists; "I really want to collaborate with Toronto's very own Drake. I think he's amazing at what he does. I'd also like to collaborate with Adele, Sleigh Bells, Lykke Li, Dev, James Blake ― those are the few that I'd really like to work with."^[17] Tempah announced in an interview with Rolling Stone that his next single is to be called "Till I'm Gone" which will feature Wiz Khalifa and is produced by Stargate.^[18][19] The single and the video song were released at the end of June 2011.^[20] Tinie Tempah, world renowned drummer Travis Barker and Irish boxing champion Katie Taylor, joined forces to launch Lucozade’s new Yes Campaign, which signals a repositioning of its sports and energy drink brand. Featuring a performance of Tempah's "Simply Unstoppable" with Travis Barker on drums, remixed especially for Lucozade Sport,^{[citation needed]} the campaign was released in Summer 2011.

Tinie Tempah has asked a number of artists to appear on his upcoming second album, including Gary Barlow, Chris Martin, Dizzee Rascal, and The Script.^[21]

At the Brit Awards in 2012, he announced his second album would be called 'Demonstration'.^[22]

Discography[link]

• Disc-Overy (2010)
• Demonstration (2012)

Awards and nominations[link]

References[link]