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Mexico Tenochtitlan
1325–1521 →
Glyph
Model of the temple district of Tenochtitlan at the National Museum of Anthropology
Capital	Tenochtitlan
Language(s)	Nahuatl
Religion	Aztec religion
Government	Monarchy
Historical era	Pre-Columbian
- Established	1325
- Defeat	1521

Tenochtitlan (Classical Nahuatl: Tenōchtitlān [tenoːtʃˈtitɬaːn]), sometimes also known as Mexico Tenochtitlan, was a Nahua altepetl (city-state) located on an island in Lake Texcoco, in the Valley of Mexico. Founded in 1325, it became the capital of the expanding Aztec Empire in the 15th century,^[1] until captured by the Spanish in 1521. When paired with Mexico the name is a reference to Mexica, the people of the surrounding Aztec heartland. It subsequently became a cabecera of the Viceroyalty of New Spain. Today the ruins of Tenochtitlan are located in the central part of Mexico City.

Its name comes from Nahuatl tetl ("rock") and nochtli = ("prickly pear") and means "Among the prickly pears [growing among] rocks". Tenochtitlan was one of two Mexican altepetl, the other being Tlatelolco.

Geography[link]

Western side of the shallow Lake Texcoco. Tenochtitlan is the southern part of the main island (under the red line). The northern part is Tlatelolco.

Tenochtitlan covered an estimated 8 to 13.5 km² (3.1 to 5.2 sq mi), situated on the western side of the shallow Lake Texcoco.

At the time of Spanish conquest, Mexico City comprised Tenochtitlan and Tlatelolco at the same time. Since then, the city extended from north to south from the north border of Tlatelolco to the swamps, which by that time were gradually disappearing to the west, the city ended more or less at the present location of Bucareli Street.

It was connected to the mainland by causeways leading north, south, and west of the city. These causeways were interrupted by bridges that allowed canoes and other traffic to pass freely. The bridges could be pulled away if necessary to defend the city. The city was interlaced with a series of canals, so that all sections of the city could be visited either on foot or via canoe.

Lake Texcoco was the largest of the five interconnected lakes. Since it formed in an endorheic basin lake, Lake Texcoco was brackish. During the reign of Moctezuma I, the "levee of Nezahualcoyotl" was constructed, reputedly designed by Nezahualcoyotl. Estimated to be 12 to 16 km (7.5 to 9.9 mi) in length, the levee was completed circa 1453; the levee kept the spring-fed fresh water in the waters around Tenochtitlan and kept the brackish waters beyond the dike, to the east.

Two double aqueducts, each more than 4 km (2.5 mi) long and made of terracotta,^[2] provided the city with fresh water from the springs at Chapultepec. This was intended mainly for cleaning and washing. For drinking, water from mountain springs was preferred. Most of the population liked to bathe twice a day; Moctezuma was said to take four baths a day. As soap they used the root of a plant called copalxocotl (Saponaria americana);^[3] to clean their clothes they used the root of metl (Agave americana). Also, the upper classes and pregnant women enjoyed the temazcalli. Similar to a sauna bath, it is still used in the south of Mexico. This was also popular in other Mesoamerican cultures.

City plan[link]

The city was divided into four zones or campan, each campan was divided on 20 districts (calpullis, Nahuatl calpōlli), and each calpulli was crossed by streets or tlaxilcalli. There were three main streets that crossed the city, each leading to one of the three causeways to the mainland; Bernal Díaz del Castillo reported that they were wide enough for ten horses. The calpullis were divided by channels used for transportation, with wood bridges that were removed at night.

Marketplaces[link]

Tlatelolco Marketplace as depicted at The Field Museum, Chicago.

Each calpulli had its own tiyanquiztli (marketplace), but there was also a main marketplace in Tlatelolco – Tenochtitlan's sister city. Cortés estimated it was twice the size of the city of Seville with about 60,000 people trading daily. Bernardino de Sahagún provides a more conservative population estimate of 20,000 on ordinary days and 40,000 on feast days. There were also specialized markets in the other central Mexican cities.

Public buildings[link]

Tenochtitlan and model of Templo Mayor.

Fundación de México – Tenochtitlán by Roberto Cueva del Río.

In the center of the city were the public buildings, temples and schools. Inside a walled square, 300 meters to a side, was the ceremonial center. There were about 45 public buildings including: the Templo Mayor, the temple of Quetzalcoatl, the tlachtli (ball game court), the tzompantli or rack of skulls, the temple of the sun, the platforms for the gladiatorial sacrifice, and some minor temples. Outside was the palace of Moctezuma with 100 rooms, each one with its own bath, for the lords and ambassadors of allies and conquered people. Also located nearby was the cuicalli or house of the songs, and the calmecac.

The city had a great symmetry. All constructions had to be approved by the calmimilocatl, a functionary in charge of the city planning.

Palaces of Moctezuma II[link]

A 3D model of how the Palace must have looked during Moctezuma's reign; based on an illustration from Codex Mendoza (1542)

The palace of Moctezuma II also had two houses or zoos, one for birds of prey and another for other birds, reptiles and mammals. About 300 people were dedicated to the care of the animals. There was also a botanical garden and an aquarium. The aquarium had ten ponds of salt water and ten ponds of fresh water, containing fish and aquatic birds. Places like this also existed in Texcoco, Chapultepec, Huaxtepec (now called Oaxtepec) and Texcotzingo.

The Aztec people were the people of the 14th 15th and 16th centuries. They did not keep a written record.

History[link]

Mexico City statue commemorating the foundation of Tenochtitlan.

Tenochtitlan was the capital city of the Aztec civilization, consisting of the Mexica people, founded in 1325. The state religion of the Aztec civilization awaited the fulfillment of an ancient prophecy: that the wandering tribes would find the destined site for a great city whose location would be signaled by a hawk eating a snake while perched atop a cactus. The Aztecs saw this vision on what was then a small swampy island in Lake Texcoco, a vision that is now immortalized in Mexico's coat of arms and on the Mexican flag. Not deterred by the unfavourable terrain, they set about building their city, using the chinampa system (misnamed as "floating gardens") for agriculture and to dry and expand the island.

A thriving culture developed, and the Aztec civilization came to dominate other tribes all around Mexico. The small natural island was perpetually enlarged as Tenochtitlan grew to become the largest and most powerful city in Mesoamerica. Commercial routes were developed that brought goods from places as far as the Gulf of Mexico, the Pacific Ocean and perhaps even the Inca Empire.^[5]

After a flood of Lake Texcoco, the city was rebuilt under the rule of Ahuitzotl in a style that made it one of the grandest ever in Mesoamerica.

Spanish conquistador Hernán Cortés arrived in Tenochtitlan on November 8, 1519. At this time it is believed that the city was one of the largest in the world; compared to Europe, only Paris, Venice and Constantinople were larger. In a letter to the Spanish king, Cortés wrote that Tenochtitlan was as large as Seville or Córdoba.^[6]

The most common estimates put the population at over 200,000 people. One of the few comprehensive academic surveys of Mesoamerican city and town sizes arrived at a population of 212,500 living on 13.5 km² (5.2 sq mi),^[7] although some popular sources put the number as high as 350,000.^[8]

After the conquest[link]

Cortés subsequently directed the systematic destruction and leveling of the city^[9] and its rebuilding, despite opposition, with a central area designated for Spanish use (the traza). The outer Indian section, now dubbed San Juan Tenochtitlan, continued to be governed by the previous indigenous elite and was divided into the same subdivisions as before.

Ruins[link]

Ruins of Templo Mayor.

Tenochtilan's main temple complex, the Templo Mayor, was dismantled and the central district of the Spanish colonial city's was constructed on top of it. The great temple was destroyed by the Spanish during the construction of a cathedral. The location of the Templo Mayor was rediscovered in the early 20th century, but major excavations did not take place until 1978-1982, after utility workers came across a massive stone disc depicting the nude dismembered body of the moon goddess Coyolxauhqui. This stone disc is 3.25 meters in diameter (or 10.5 ft).^[10] These finds are held at the Templo Mayor Museum.

The ruins, constructed over seven episodes, were built on top of each other. The resulting weight of the structures caused them to sink into the sediment softened by Lake Texcoco. This resulted in the ruins now resting on angles.

Mexico City's Zócalo, the Plaza de la Constitución, is located at the location of Tenochtitlan's original central plaza and market, and many of the original calzadas still correspond to modern streets in the city. The Aztec calendar stone was located in the ruins. This stone is 4 meters in diameter and weighs over 20 tonnes. It was once located half way up the great pyramid. This sculpture was made around 1470 under the rule of King Axayacatl, the predecessor of Tizoc, and is said to tell the Aztec history and prophecy for the future.^[11]

Tenochtitlan in popular culture[link]

The Spanish conquistadors disposing of Moctezuma's body, Florentine Codex, 16th century.

• Montezuma, an opera composed by Antonio Vivaldi, is set in Mexico City/Tenochtitlán.
• "Cortez the Killer," a song by Neil Young, talks about the arrival of the Cortez's troops and the massacre that ensues.
• Woman of a Thousand Secrets, a novel by Barbara Wood, tells the story of the founding of Tenochtitlán through the eyes of someone who was there.
• Huesos de Lagartija, a novel by Federico Navarrete, tells the story of a young Aztec who lived through the European invasion of Mexico. The novel has many details about daily life in Tenochtitlán.
• Aztec, a novel by Gary Jennings, is told through the eyes of an Aztec in the times of the European conquest of Mexico.

See also[link]

• List of megalithic sites
• List of Mesoamerican pyramids
• History of Mexico City

Notes[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Tenochtitlan

• Tenochtitlan Entry in The Visual History Project

Dr. Henry Walton "Indiana" Jones, Jr.^[12] is a fictional character and the protagonist of the Indiana Jones franchise. George Lucas and Steven Spielberg created the character in homage to the action heroes of 1930s film serials. The character first appeared in the 1981 film Raiders of the Lost Ark, to be followed by Indiana Jones and the Temple of Doom in 1984, Indiana Jones and the Last Crusade in 1989, The Young Indiana Jones Chronicles from 1992 to 1996, and Indiana Jones and the Kingdom of the Crystal Skull in 2008. Alongside the more widely known films and television programs, the character is also featured in novels, comics, video games, and other media. Jones is also featured in the theme park attraction Indiana Jones Adventure, which exists in similar forms at Disneyland and Tokyo DisneySea.

Jones is most famously played by Harrison Ford and has also been portrayed by River Phoenix (as the young Jones in The Last Crusade), and in the television series The Young Indiana Jones Chronicles by Corey Carrier, Sean Patrick Flanery, and George Hall. Doug Lee has supplied Jones's voice to two LucasArts video games, Indiana Jones and the Fate of Atlantis and Indiana Jones and the Infernal Machine, while David Esch supplied his voice to Indiana Jones and the Emperor's Tomb and John Armstrong in Indiana Jones and the Staff of Kings^[13].

Particularly notable facets of the character include his iconic look (bullwhip, fedora, and leather jacket), sense of humor, deep knowledge of many ancient civilizations and languages, and fear of snakes.

Indiana Jones remains one of cinema's most revered movie characters. In 2003, he was ranked as the second greatest movie hero of all time by the American Film Institute.^[14] He was also named the sixth greatest movie character by Empire magazine.^[15] Entertainment Weekly ranked Indy 2nd on their list of The All-Time Coolest Heroes in Pop Culture.^[16] Premiere magazine also placed Indy at number 7 on their list of The 100 Greatest Movie Characters of All Time.^[17] Since his first appearance in Raiders of the Lost Ark, he has become a worldwide star. On their list of the 100 Greatest Fictional Characters, Fandomania.com ranked Indy at number 10.^[18] In 2010, he ranked #2 on Time Magazine's list of the greatest fictional characters of all time, surpassed only by Sherlock Holmes.^{[citation needed]}

Appearances[link]

Indiana Jones is from Princeton, NJ and was first introduced in the 1981 film Raiders of the Lost Ark, set in 1936. The character is presented as an adventurer reminiscent of the 1930s film serial treasure hunters and pulp action heroes, whose research is funded by Marshall College (named after producer Frank Marshall)^[19] a fictional college in Connecticut, where he is a professor of archaeology. In this first adventure, he is pitted against the Nazis, traveling the world to prevent them from recovering the Ark of the Covenant (see also Biblical archaeology). He is aided by Marion Ravenwood and Sallah. The Nazis are led by Jones's archrival, a Nazi-sympathizing French archaeologist named René Belloq, and Arnold Toht, a sinister Gestapo agent.

The 1984 prequel, Indiana Jones and the Temple of Doom, set in 1935, took the character into a more horror-oriented story, skipping his legitimate teaching job and globe trotting, and taking place almost entirely in India. This time, Jones attempts to recover children and the Sankara stones from the bloodthirsty Thuggee cult. He is aided by Short Round and accompanied by Willie Scott (Kate Capshaw).

The third film, 1989's Indiana Jones and the Last Crusade, set in 1938, returned to the formula of the original, reintroducing characters such as Sallah and Marcus Brody, a scene from Professor Jones's classroom (he now teaches at Barnett College), the globe trotting element of multiple locations, and the return of the infamous Nazi mystics, this time trying to find the Holy Grail. The film's introduction, set in 1912, provided some back story to the character, specifically the origin of his fear of snakes, his use of a bullwhip, the scar on his chin, and his hat; the film's epilogue also reveals that "Indiana" is not Jones's first name, but a nickname he took from the family dog. The film was a buddy movie of sorts, teaming Jones with his father, often to comical effect. Although Lucas intended at the time to do five films, this ended up being the last for over eighteen years, as Lucas could not think of a good plot element to drive the next installment.^[20]

The 2008 film, Indiana Jones and the Kingdom of the Crystal Skull, became the latest film in the series. Set in 1957, 19 years after the third film, it pits an older, wiser Indiana Jones against Soviet agents bent on harnessing the power of a crystal skull associated with extraterrestrials discovered in South America by his former colleague Harold Oxley (John Hurt). He is aided in his adventure by an old lover, Marion Ravenwood (Karen Allen), and her son—a young greaser named Henry "Mutt" Williams (Shia LaBeouf), later revealed to be his biological child, Henry Jones III. There were rumors that LaBeouf will take over the Indy franchise.^[21] This film also reveals that Jones was recruited by the Office of Strategic Services (a predecessor department to the CIA) during World War II, attaining the rank of Colonel in the United States Army and running covert operations with MI6 agent George McHale on the Soviet Union.

Television[link]

From 1992 to 1996, George Lucas executive-produced a television series named The Young Indiana Jones Chronicles, which was designed as an educational program for children, spotlighting historical figures and important events, using the concept of a prequel to the films as a draw. The show featured a standard formula of a 93-year-old Jones (George Hall), wearing an eye patch, introducing a story, and then an adventure with either a 17-year-old Jones (Sean Patrick Flanery) or a 10-year-old Jones (Corey Carrier), and even a baby Indy (Neil "Boulie" Boulane). Historical figures featured on the show include Mustafa Kemal Atatürk, Leo Tolstoy, Pancho Villa, Charles de Gaulle, Mata Hari, Eliot Ness, Ernest Hemingway, Jiddu Krishnamurti, Patrick Pearse, Emperor Karl and Empress Zita of Austria-Hungary, Vladimir Lenin, T. E. Lawrence, Pablo Picasso, Igor Stravinsky, Winston Churchill, Herman Göring, Sigmund Freud, Theodore Roosevelt, Manfred von Richthofen, and John Ford, in such diverse locations as Egypt, India, China, and the whole of Europe.

One episode, "Young Indiana Jones and the Mystery of the Blues", is bookended by Harrison Ford, reprising his role as the character. Indiana loses one of his eyes sometime between 1957 and when the "Old Indy" segments take place.

The show provided some backstory for the films, as well as new information regarding the character. He was born July 1, 1899, and his middle name is Walton (Lucas's middle name). It is also mentioned that he had a sister called Suzie who died as an infant of fever, and that he eventually has a daughter and grandchildren who appear in some episode introductions and epilogues. His relationship with his father, first introduced in Indiana Jones and the Last Crusade, was further fleshed out with stories about his travels with his father as a young boy. A large portion of the series centered around his activities during World War I.

In 1999, Lucas removed the episode introductions and epilogues by George Hall for the VHS and DVD releases, as he re-edited the episodes into chronologically ordered feature-length stories. The series title was also changed to The Adventures of Young Indiana Jones.

Video games[link]

The character has appeared in several officially licensed games, including LEGO Indiana Jones video games, beginning with adaptations of Raiders of the Lost Ark, Temple of Doom, two adaptations of The Last Crusade (one with purely action mechanics, one with an adventure and puzzle based structure) and Indiana Jones' Greatest Adventures which included the storylines from all three of the original films.

Following this, the games branched off into original storylines with Indiana Jones in the Lost Kingdom, Indiana Jones and the Fate of Atlantis, Indiana Jones and the Infernal Machine, Indiana Jones and the Emperor's Tomb and Indiana Jones and the Staff of Kings.^[22] Emperor's Tomb sets up Jones's companion Wu Han and the search for Nurhaci's ashes seen at the beginning of Temple of Doom. The first two games were developed by Hal Barwood and starred Doug Lee as the voice of Indiana Jones; Emperor's Tomb had David Esch fill the role and Staff of Kings starred John Armstrong.

Indiana Jones and the Infernal Machine was the first Indy-based game presented in three dimensions, as opposed to 8-bit graphics and side-scrolling games before.

There is also a small game from Lucas Arts Indiana Jones and His Desktop Adventures. A video game was made for young Indy called Young Indiana Jones and the Instruments of Chaos, as well as a video game version of The Young Indiana Jones Chronicles.

Two Lego Indiana Jones games have also been released. Lego Indiana Jones: The Original Adventures was released in 2008^[23] and follows the plots of the first three films. It was followed by LEGO Indiana Jones 2: The Adventure Continues in late 2009. The sequel includes an abbreviated reprise of the first three films, but focuses on the plot of Indiana Jones and the Kingdom of the Crystal Skull.

Indiana Jones has also made cameo appearances as an unlockable character in the games Mercenaries: Playground of Destruction and Lego Star Wars: The Complete Saga.

Social gaming company Zynga introduced Indiana Jones to their "Adventure World" game in late 2011.^[24]

Theme parks[link]

Indiana Jones is featured at several Walt Disney theme park attractions. The Indiana Jones Adventure attractions at Disneyland and Tokyo DisneySea ("Temple of the Forbidden Eye" and "Temple of the Crystal Skull," respectively) place Indy at the forefront of two similar archaeological discoveries. These two temples each contain a wrathful deity who threatens the guests who ride through in World War II troop transports. The attractions, some of the most expensive of their kind at the time, opened in 1995 and 2001, respectively, with sole design credit attributed to Walt Disney Imagineering. Disney did not license Harrison Ford's likeness for the North American version; nevertheless, a differentiated Indiana Jones audio-animatronic character appears at three points in both attractions. However, the Indiana Jones featured in the DisneySea version does use Harrison Ford's likeness but uses Japanese audio for all of his speaking parts. In 2010, some of the Indy audio-animatronics at the Disneyland version have been replaced and now resemble Ford.^[25]

Disneyland Resort Paris also features an Indiana Jones-titled ride where people speed off through ancient ruins in a runaway mine wagon similar to that found in Indiana Jones and the Temple of Doom. Indiana Jones and the Temple of Peril is a looping roller coaster engineered by Intamin, designed by Walt Disney Imagineering, and opened in 1993.

The Indiana Jones Epic Stunt Spectacular! is a live show that has been presented in the Disney's Hollywood Studios theme park of the Walt Disney World Resort with few changes since the park's 1989 opening under a different name. The 25-minute show presents various stunts framed in the context of a feature film production, and recruits members of the audience to participate in the show. Stunt artists in the show re-create and ultimately reveal some of the secrets of the stunts of the Raiders of the Lost Ark films, including the well-known "running-from-the-boulder" scene. Stunt performer Anislav Varbanov was fatally injured in August 2009, while rehearsing the popular show.^[26] Also at Disney's Hollywood Studios, an audio-animatronic Indiana Jones appears in another attraction; during the The Great Movie Ride's Raiders of the Lost Ark segment.

Character description and formation[link]

In his role as a college professor of archaeology, Henry Jones Jr. is scholarly and learned in a tweed suit, lecturing on ancient civilizations. In Indiana Jones and the Kingdom of the Crystal Skull, it is revealed that Jones is influenced by the Marxist Archaeologist, Vere Gordon Childe, whose qualified acceptance of cultural diffusionism theory he propounds. Ironically, though Childe loathes fieldwork,^[27] Indy goes on to say, "If you want to be a good archaeologist, you gotta get out of the library." This is in tongue-in-cheek contrast to the previous film's comment, "Seventy percent of all archaeology is done in the library."

However, at the opportunity to recover important artifacts, Dr. Jones transforms into "Indiana," a "non-superhero superhero" image he has concocted for himself.^[28] Producer Frank Marshall said, "Indy [is] a fallible character. He makes mistakes and gets hurt. [...] That's the other thing people like: He's a real character, not a character with superpowers."^[29] Spielberg said there "was the willingness to allow our leading man to get hurt and to express his pain and to get his mad out and to take pratfalls and sometimes be the butt of his own jokes. I mean, Indiana Jones is not a perfect hero, and his imperfections, I think, make the audience feel that, with a little more exercise and a little more courage, they could be just like him."^[30] According to Spielberg biographer Douglas Brode, Indiana created his heroic figure so as to escape the dullness of teaching at a school. Both of Indiana's personas reject one another in philosophy, creating a duality.^[28] Harrison Ford said the fun of playing the character was because Indiana is both a romantic and a cynic,^[31] while scholars have analyzed Indiana as having traits of a lone wolf; a man on a quest; a noble treasure hunter; a hardboiled detective; a human superhero; and an American patriot.^[32]

Like many characters in his films, Jones has some autobiographical elements of Spielberg. Indiana lacks a proper father figure because of his strained relationship with his father, Henry Senior. His own contained anger is misdirected at the likes of Professor Abner Ravenwood, his mentor at the University of Chicago, leading to a strained relationship with Marion Ravenwood.^[28] The teenage Indiana bases his own look on a figure from the prologue of Indiana Jones and the Last Crusade, after being given his hat.^[33] Marcus Brody acts as Indiana's positive role model at the college.^[33] Indiana's own insecurities are made worse by the absence of his mother.^[34] In Indiana Jones and the Temple of Doom, the character becomes the father in a temporary family unit with Willie Scott and Short Round to survive. Indiana is rescued from the evil of Kali by Short Round's dedication. Indiana also saves many children from slavery.^[34]

Because of Indiana's strained relationship with his father, who was absent much of Indiana's youth searching for the Holy Grail, the character does not pursue the more spiritual aspects of the cultures he studies. Indiana uses his knowledge of Shiva to ultimately defeat Mola Ram.^[34] In Raiders, however, he is wise enough to close his eyes in the presence of God in the Ark of the Covenant. By contrast, his rival Rene Belloq dies horribly for having the audacity to try to communicate directly with God.^[28]

In Crusade's prologue, Indiana's intentions are revealed as prosocial, as he believes artifacts "belong in a museum." In the film's climax, Indiana undergoes "literal" tests of faith to retrieve the Grail and save his father's life. He also remembers Jesus as a historical figure – a humble carpenter – rather than an exalted figure when he recognizes the simple nature and tarnished appearance of the real Grail amongst a large assortment of much more ornately decorated ones. Henry Senior rescues his son from falling to his death when reaching for the fallen Grail, telling him to "let it go," overcoming his mercenary nature.^[33] The Young Indiana Jones Chronicles explains how Indiana becomes solitary and less idealistic after fighting in World War I.^[35] In Indiana Jones and the Kingdom of the Crystal Skull, Jones is older and wiser, whereas his sidekicks Mutt and Mac are youthfully arrogant and greedy, respectively.^[36]

Origins and inspirations[link]

Indiana Jones is modeled after the strong-jawed heroes of the matinée serials and pulp magazines that George Lucas and Steven Spielberg enjoyed in their childhoods (such as the Republic Pictures serials, and the Doc Savage series). Sir H. Rider Haggard's safari guide/big game hunter Allan Quatermain of King Solomon's Mines, who dates back to 1885, is a notable template for Jones.^[37] The two friends first discussed the project in Hawaii around the time of the release of the first Star Wars film.^[38] Spielberg told Lucas how he wanted his next project to be something fun, like perhaps a James Bond film. According to sources, Lucas responded to the effect that he had something "even better,"^[38] or that he "got that beat."^[39]

Two of the possible bases for "Indiana" Jones are Professor Challenger, created by Sir Arthur Conan Doyle in 1912 for his novel, The Lost World, who was in turn based on his Doyle physiology professor, Sir William Rutherford, an adventuring academic, albeit a zoologist/anthropologist.^{[citation needed]}

The character was originally named "Indiana Smith" (perhaps in a nod to the 1966 Western film Nevada Smith), after an Alaskan Malamute Lucas owned in the 1970s ("Indiana"); however, Spielberg disliked the name "Smith," and Lucas casually suggested "Jones" as an alternative based on the archaeologist Vendyl Jones.^[38]

Lucas has said on various occasions that Sean Connery's portrayal of British secret agent James Bond was one of the primary inspirations for Jones, a reason Connery was chosen for the role of Indiana's father in Indiana Jones and the Last Crusade.^[40][41]

Costume designer Deborah Nadoolman Landis said the inspiration for Indiana's outfit was Charlton Heston's Harry Steele in Secret of the Incas: "We did watch this film together as a crew several times, and I always thought it strange that the filmmakers did not credit it later as the inspiration for the series."^[42]

Historical Models[link]

Many people are said to be the real-life inspiration of the Indiana Jones character—although none of the following have been confirmed as inspirations by Lucas or Spielberg. There are some suggestions, listed here in alphabetical order by last name:

• Beloit College professor and paleontologist Roy Chapman Andrews.^[43]
• Italian archaeologist and circus strongman Giovanni Battista Belzoni (1778–1823).^[44]
• Yale University professor, historian, and explorer Hiram Bingham III, who rediscovered and excavated the lost city of Machu Picchu,^[45] and chronicled his find in the bestselling book The Lost City of the Incas in 1948.^[46]
• University of Chicago archaeologist Robert Braidwood.^[47]
• University of Chicago archaeologist James Henry Breasted.^[48]
• The British archaeologist Percy Fawcett, who spent much of his life exploring the jungles of northern Brazil, and who was last seen in 1925 returning to the Amazon Basin to look for the Lost City Of Z. A fictionalized version of Fawcett appears to Jones in the book Indiana Jones And The Seven Veils.^[7]
• British archaeologist and soldier T. E. Lawrence.^[49]
• The Northwestern University anthropologist, professor and adventurer William Montgomery McGovern.^[50]
• Frederick Albert Mitchell-Hedges.^[51]
• German archaeologist Otto Rahn.^[52]

Costume[link]

Upon requests by Spielberg and Lucas, the costume designer gave the character a distinctive silhouette through the styling of the hat; after examining many hats, the designers chose a tall-crowned, wide-brimmed fedora. As a documentary of Raiders pointed out, the hat served a practical purpose. Following the lead of the old "B"-movies that inspired the Indiana Jones series, the fedora hid the actor's face sufficiently to allow doubles to perform the more dangerous stunts seamlessly. Examples in Raiders include the wider-angle shot of Indy and Marion crashing a statue through a wall, and Indy sliding under a fast-moving vehicle from front to back. Thus it was necessary for the hat to stay in place much of the time.

The hat became so iconic that the filmmakers could only come up with very good reasons or jokes to remove it. If it ever fell off during a take, filming would have to stop to put it back on. In jest, Ford put a stapler against his head to stop his hat from falling off when a documentary crew visited during shooting of Indiana Jones and the Last Crusade. This created the urban legend that Ford stapled the hat to his head.^[53] Although other hats were also used throughout the movies, the general style and profile remained the same. Elements of the outfit include:

• The fedora was supplied by Herbert Johnson Hatters in England for the first three films. It was referred to as "The Australian Model" by costume designer Deborah Landis and was fitted with a Petersham bow.^[54] The fedora for Crystal Skull was made by Steve Delk and Marc Kitter of the Adventurebilt Hat Company of Columbus, Mississippi.
• The leather jacket, a hybrid of the "Type 440" and the A-2 jacket, was made by Leather Concessionaires (now known as Wested Leather Co.) for Raiders of the Lost Ark and Indiana Jones and the Last Crusade. For Indiana Jones and the Temple of Doom, jackets were made in-house at Bermans & Nathans in London based on a stunt jacket they provided for Raiders of the Lost Ark. Tony Nowak made the jacket for Indiana Jones and the Kingdom of the Crystal Skull.
• The bag was a modified Mark VII British gas mask bag, usually worn under the jacket with the exception of Crystal Skull where the bag was worn over the jacket.
• The whip was a 8 to 10 foot (2.4 to 3.0 m) bullwhip crafted by David Morgan for the first three films. The whips for Crystal Skull were crafted by a variety of people, including Terry Jacka, Joe Strain and Morgan (different lengths and styles were likely used in specific stunts).
• The pistol was usually a World War I-era revolver, including the Webley Government (Last Crusade and Crystal Skull), or a .45 ACP Smith & Wesson Hand Ejector 2nd model revolver (Raiders). He has also used an M1917 revolver (Temple of Doom), a Nagant M1895 (Young Indiana Jones), and a 9 mm Browning Hi-Power (Raiders).^[55] The weapon is carried in a military pattern flap holster.
• The shoes were made by Alden. A stock style (model 405) that had been a favorite of Ford's before the movies, they are still sold today (though in a redder (brick) shade of brown than seen in the movies) and are popularly known as "Indy Boots."^[56]

The fedora and leather jacket from Indiana Jones and the Last Crusade are on display at the Smithsonian's American History Museum in Washington, D.C.^[57] The collection of props and clothing from the films has become a thriving hobby for some aficionados of the franchise.^[58] Jones' whip was the third most popular film weapon, as shown by a 2008 poll held by 20th Century Fox, which surveyed approximately two thousand film fans.^[59]

Casting[link]

Originally, Spielberg suggested Harrison Ford; Lucas resisted the idea, since he had already cast the actor in American Graffiti, Star Wars, and The Empire Strikes Back, and did not want Ford to become known as his "Bobby De Niro" (in reference to the fact that fellow director Martin Scorsese regularly cast Robert De Niro in his films).^[38] During an intensive casting process, Lucas and Spielberg auditioned many actors, and finally cast then little-known actor Tom Selleck as Indiana Jones. Shortly afterward pre-production began in earnest on Raiders of the Lost Ark.^[38] However, CBS refused to release Selleck from his contractual commitment to Magnum, P.I. (which was gradually gaining momentum in the ratings), forcing him to turn down the role.^[38] One of CBS's concerns was that shooting for Magnum P.I. conflicted with shooting for Raiders, both of which were to begin about the same time. However, Selleck was to say later in an interview that shooting for Magnum P.I. was delayed and did not actually begin until shooting for Raiders had concluded.

After Spielberg suggested Ford again, Lucas gave in, and Ford was cast in the role less than three weeks before filming began.^[38]

Influence[link]

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Though some archaeologists criticize Indy's methods as befitting a "looter" rather more than a careful worker of precious sites, many have adopted the popular figure as something of a standard-bearer for their profession.^[60] The industry magazine Archaeology, believing that Jones, as one editor said, was "a horrible archaeologist but a great diplomat for archaeology,"^[60] named eight past and current archaeologists who they felt "embodied [Jones'] spirit" as recipients of the "Indy Spirit Awards" in 2008.^[61] That same year Ford himself was elected to the Board of Directors of the Archaeological Institute of America. Commenting that "understanding the past can only help us in dealing with the present and the future," Ford was praised by the association's president for his character's "significant role in stimulating the public's interest in archaeological exploration."^[62]

While himself a homage to various prior adventurers, aspects of Indiana Jones also directly influenced some subsequent characterizations:

• Lara Croft, the female archaeologist of the Tomb Raider series, was originally designed as a man, but was changed to a woman, partly because the developers felt that the original design was too similar to Indiana Jones.^[63] Paramount Pictures, which distributed the Indiana Jones film series, would later make two films based on the Tomb Raider games.
• Prince of Persia producer Ben Mattes explained that their "inspiration was anything Harrison Ford has ever done: Indiana Jones, Han Solo."^[64]
• The video game series Uncharted is also very heavily influenced and inspired by Indiana Jones. The main character, Nathan Drake, also shares many similarities with Indiana Jones himself, both visually and personality-wise. The design team felt the sources shared themes of mystery and "what-if scenarios" that romanticized adventure and aimed to include those in Uncharted.^[65]

References[link]