This article may be confusing or unclear to readers. Please help clarify the article; suggestions may be found on the talk page. (January 2012)

An abbey (from Latin abbatia, derived from Latin language abbatia, from Latin abbās,^[1] derived from Aramaic language abba, "father"^[2]) is a Catholic monastery or convent, under the authority of an Abbot or an Abbess, who serves as the spiritual father or mother of the community.

Abbey of Sénanque, Provence

Abbey of Jumièges, Normandy

The term can also refer to an establishment which has long ceased to function as an abbey, in some cases for centuries (for example, see Westminster Abbey below).

Origins[link]

The earliest known Christian monastic communities (see Monasticism) consisted of groups of cells or huts collected about a common center, which was usually the house of some hermit or anchorite famous for holiness or singular asceticism, but without any attempt at orderly arrangement. This arrangement probably followed the example set in part by the Essenes in Judea.^[3]

In the earliest age of Christian monasticism the ascetics were accustomed to live singly, independent of one another, not far from some village church, supporting themselves by the labour of their own hands, and distributing the surplus after the supply of their own scanty wants to the poor. Increasing religious fervour, aided by persecution, drove them farther and farther away from the civilization into mountain solitudes or lonely deserts. The deserts of Egypt swarmed with the "cells" or huts of these anchorites. Anthony the Great, who had retired to the Egyptian Thebaid during the persecution of Maximian, AD 312, was the most celebrated among them for his austerities, his sanctity, and his power as an exorcist. His fame collected round him a host of followers imitating his asceticism in an attempt to imitate his sanctity. The deeper he withdrew into the wilderness, the more numerous his disciples became. They refused to be separated from him, and built their cells round that of their spiritual father. Thus arose the first monastic community, consisting of anchorites living each in his own little dwelling, united together under one superior. Anthony, as Johann August Wilhelm Neander remarks,^[4] "without any conscious design of his own, had become the founder of a new mode of living in common, Coenobitism." By degrees order was introduced in the groups of huts. They were arranged in lines like the tents in an encampment, or the houses in a street. From this arrangement these lines of single cells came to be known as Laurae, Laurai, "streets" or "lanes".^[3]

The real founder of cenobitic (koinos, common, and bios, life) monasteries in the modern sense was Pachomius, an Egyptian of the beginning of the 4th century. The first community established by him was at Tabennae, an island of the Nile in Upper Egypt. Eight others were founded in the region during his lifetime, numbering 3,000 monks. Within fifty years from his death his societies could claim 50,000 members. These coenobia resembled villages, peopled by a hard-working religious community, all of one sex.^[3]

The buildings were detached, small and of the humblest character. Each cell or hut, according to Sozomen, contained three monks.^[5] They took their chief meal in a common refectory or dining hall at 3 P.M., up to which hour they usually fasted. They ate in silence, with hoods so drawn over their faces that they could see nothing but what was on the table before them. The monks spent the time not devoted to religious services or study in manual labour.^[3]

Palladius, who visited the Egyptian monasteries about the close of the 4th century, found among the 300 members of the coenobium of Panopolis, under the Pachomian rule, 15 tailors, 7 smiths, 4 carpenters, 12 cameldrivers and 15 tanners. Each separate community had its own oeconomus or steward, who was subject to a chief steward stationed at the head establishment. All the produce of the monks' labour was committed to him, and by him shipped to Alexandria. The money raised by the sale was expended in the purchase of stores for the support of the communities, and what was over was devoted to charity. Twice in the year the superiors of the several coenobia met at the chief monastery, under the presidency of an archimandrite ("the chief of the fold," from miandra, a sheepfold), and at the last meeting gave in reports of their administration for the year. The coenobia of Syria belonged to the Pachomian institution. We learn many details concerning those in the vicinity of Antioch from Chrysostom's writings. The monks lived in separate huts, kalbbia, forming a religious hamlet on the mountain side. They were subject to an abbot, and observed a common rule. (They had no refectory, but ate their common meal, of bread and water only, when the day's labour was over, reclining on strewn grass, sometimes out of doors.) Four times in the day they joined in prayers and psalms.^[3]

Great Lavra, Mount Athos[link]

The necessity for defence from attacks (for monastic houses tended to accumulate rich gifts), economy of space and convenience of access from one part of the community to another, by degrees dictated a more compact and orderly arrangement of the buildings of a monastic coenobium. Large piles of building were erected, with strong outside walls, capable of resisting the assaults of an enemy, within which all the necessary edifices were ranged round one or more open courts, usually surrounded with cloisters. The usual Eastern arrangement is exemplified in the plan of the convent of the Great Lavra, Mount Athos.

Monastery of Santa Laura, Mount Athos (Lenoir)^[3]

A. Gateway B. Chapels C. Guesthouse D. Church E. Cloister F. Fountain G. Refectory H. Kitchen I. Monks' cells K. Storehouses L. Postern gate M. Tower

This monastery, like the oriental monasteries generally, is surrounded by a strong and lofty blank stone wall, enclosing an area of between 3 and 4 acres (12,000 and 16,000 m²). The longer side extends to a length of about 500 feet (150 m). There is only one main entrance, on the north side (A), defended by three separate iron doors. Near the entrance is a large tower (M), a constant feature in the monasteries of the Levant. There is a small postern gate at L. The enceinte comprises two large open courts, surrounded with buildings connected with cloister galleries of wood or stone. The outer court, which is much the larger, contains the granaries and storehouses (K), and the kitchen (H) and other offices connected with the refectory (G). Immediately adjacent to the gateway is a two-storied guest-house, opening from a cloister (C). The inner court is surrounded by a cloister (EE), from which open the monks' cells (II). In the centre of this court stands the catholicon or conventual church, a square building with an apse of the cruciform domical Byzantine type, approached by a domed narthex. In front of the church stands a marble fountain (F), covered by a dome supported on columns. Opening from the western side of the cloister, but actually standing in the outer court, is the refectory (G), a large cruciform building, about 100 feet (30 m) each way, decorated within with frescoes of saints. At the upper end is a semicircular recess, recalling the triclinium of the Lateran Palace at Rome, in which is placed the seat of the hegumenos or abbot. This apartment is chiefly used as a hall of meeting, the oriental monks usually taking their meals in their separate cells.^[3]

The annexed plan of a Coptic monastery, from Lenoir, shows a church of three aisles, with cellular apses, and two ranges of cells on either side of an oblong gallery.^[3]

Plan of Coptic Monastery^[3]

A. Narthex B. Church C. Corridor, with cells on each side D. Staircase

Benedictine monasteries[link]

Monasticism in the West owes its extension and development to Benedict of Nursia (born AD 480). His rule was diffused rapidly from the parent foundation on Monte Cassino through the whole of western Europe, and every country witnessed the erection of monasteries far exceeding anything that had yet been seen in spaciousness and splendour. Few great towns in Italy were without their Benedictine convent, and they quickly rose in all the great centres of population in England, France and Spain. The number of these monasteries founded between AD 520 and 700 is amazing. Before the Council of Constance, AD 1415, no fewer than 15,070 abbeys had been established of this order alone. The buildings of a Benedictine abbey were uniformly arranged after one plan, modified where necessary (as at Durham and Worcester, where the monasteries stand close to the steep bank of a river) to accommodate the arrangement to local circumstances.^[3]

We have no existing examples of the earlier monasteries of the Benedictine order. They have all yielded to the ravages of time and the violence of man. But we have preserved to us an elaborate plan of the great Swiss monastery of St Gall, erected about AD 820, which puts us in possession of the whole arrangements of a monastery of the first class towards the early part of the 9th century. This plan was the subject of memoirs by Keller (Zurich, 1844) and by Professor Robert Willis.^[6] According to Willis, the general appearance of the convent is that of a town of isolated houses with streets running between them. It was planned in compliance with the Benedictine rule, which enjoined that, if possible, the monastery should contain every necessity of life. It should comprise a mill, a bakehouse, stables, and cow-houses, so that the monks had no need to go outside.^[3]

The general distribution of the buildings may be thus described:-The church, with its cloister to the south, occupies the centre of a quadrangular area, about 430 feet (130 m) square. The buildings, as in all great monasteries, are distributed into groups. The church forms the nucleus, as the centre of the religious life of the community. In closest connection with the church is the group of buildings appropriated to the monastic line and its daily requirements---the refectory for eating, the dormitory for sleeping, the common room for social intercourse, the chapter-house for religious and disciplinary conference. These essential elements of monastic life are ranged about a cloister court, surrounded by a covered arcade, affording communication sheltered from the elements between the various buildings. The infirmary for sick monks, with the physician's house and physic garden, lies to the east. In the same group with the infirmary is the school for the novices. The outer school, with its headmaster's house against the opposite wall of the church, stands outside the convent enclosure, in close proximity to the abbot's house, that he might have a constant eye over them. The buildings devoted to hospitality are divided into three groups,--one for the reception of distinguished guests, another for monks visiting the monastery, a third for poor travellers and pilgrims. The first and third are placed to the right and left of the common entrance of the monastery,---the hospitium for distinguished guests being placed on the north side of the church, not far from the abbot's house; that for the poor on the south side next to the farm buildings. The monks are lodged in a guest-house built against the north wall of the church. The group of buildings connected with the material wants of the establishment is placed to the south and west of the church, and is distinctly separated from the monastic buildings. The kitchen, buttery and offices are reached by a passage from the west end of the refectory, and are connected with the bakehouse and brewhouse, which are placed still farther away. The whole of the southern and western sides is devoted to workshops, stables and farm-buildings. The buildings, with some exceptions, seem to have been of one story only, and all but the church were probably erected of wood. The whole includes thirty-three separate blocks. The church (D) is cruciform, with a nave of nine bays, and a semicircular apse at either extremity. That to the west is surrounded by a semicircular colonnade, leaving an open "paradise" (E) between it and the wall of the church. The whole area is divided by screens into various chapels. The high altar (A) stands immediately to the east of the transept, or ritual choir; the altar of Saint Paul (B) in the eastern, and that of St Peter (C) in the western apse. A cylindrical campanile stands detached from the church on either side of the western apse (FF).^[3]

The "cloister court",^[3] (G) on the south side of the nave of the

Ground plan of St. Gall

CHURCH. A. High altar. B. Altar of St Paul. C. Altar of St Peter. D. Nave. E. Paradise. FF. Towers. MONASTIC BUILDINGS G. Cloister. H. Calefactory, with dormitory over. I. Necessary. J. Abbot's house. K. Refectory. L. Kitchen. M. Bakehouse and brewhouse. N. Cellar. O. Parlour. (over. P1. Scriptorium with library k, P2. Sacristy and vestry. Q. House of Novices--1.chapel; 2. refectory; 3. calefactory; 4. dormitory; 5. master's room 6. chambers. R. Infirmary--1--6 as above in the house of novices. S. Doctor's house. T. Physic garden. U. House for blood-letting. V. School. W. Schoolmaster's lodgings. X1X1. Guest-house for those of superior rank X2X2. Guest-house for the poor. Y. Guest-chamber for strange monks. MENIAL DEPARTMENT. Z. Factory. a. Threshing-floor b. Workshops. c, c. Mills. d. Kiln. e. Stables. f Cow-sheds. g. Goat-sheds. h. Pig-sties. i. Sheep-folds. k, k. Servants' and workmen's sleeping-chambers. l. Gardener's house m,m. Hen and duck house. n. Poultry-keeper's house. o. Garden. q. Bakehouse for sacramental s, s, s. Kitchens. t, t, t. Baths.

church has on its east side the "pisalis" or "calefactory", (H), the common sitting-room of the brethren, warmed by flues beneath the floor. On this side in later monasteries we invariably find the chapter house, the absence of which in this plan is somewhat surprising. It appears, however, from the inscriptions on the plan itself, that the north walk of the cloisters served for the purposes of a chapter-house, and was fitted up with benches on the long sides. Above the calefactory is the "dormitory" opening into the south transept of the church, to enable the monks to attend the nocturnal services with readiness. A passage at the other end leads to the "necessarium" (I), a portion of the monastic buildings always planned with extreme care. The southern side is occupied by the "refectory" (K), from the west end of which by a vestibule the kitchen (L) is reached. This is separated from the main buildings of the monastery, and is connected by a long passage with a building containing the bake house and brew house (M), and the sleeping-rooms of the servants. The upper story of the refectory is the "vestiarium," where the ordinary clothes of the brethren were kept. On the western side of the cloister is another two story building (N). The cellar is below, and the larder and store-room above. Between this building and the church, opening by one door into the cloisters, and by another to the outer part of the monastery area, is the "parlour" for interviews with visitors from the external world (O). On the eastern side of the north transept is the "scriptorium" or writing-room (P1), with the library above.^[3]

To the east of the church stands a group of buildings comprising two miniature conventual establishments, each complete in itself. Each has a covered cloister surrounded by the usual buildings, i.e. refectory, dormitory, etc., and a church or chapel on one side, placed back to back. A detached building belonging to each contains a bath and a kitchen. One of these diminutive convents is appropriated to the "oblati" or novices (Q), the other to the sick monks as an "infirmary" (R).

Shrewsbury Abbey

The "residence of the physicians" (S) stands contiguous to the infirmary, and the physic garden (T) at the north-east corner of the monastery. Besides other rooms, it contains a drug store, and a chamber for those who are dangerously ill. The "house for bloodletting and purging" adjoins it on the west (U).^[3]

The "outer school," to the north of the convent area, contains a large schoolroom divided across the middle by a screen or partition, and surrounded by fourteen little rooms, termed the dwellings of the scholars. The head-master's house (W) is opposite, built against the side wall of the church. The two "hospitia" or guest-houses for the entertainment of strangers of different degrees (X1 X2) comprise a large common chamber or refectory in the centre, surrounded by sleeping-apartments. Each is provided with its own brewhouse and bakehouse, and that for travelers of a superior order has a kitchen and storeroom, with bedrooms for their servants and stables for their horses. There is also an "hospitium" for strange monks, abutting on the north wall of the church (Y).^[3]

Beyond the cloister, at the extreme verge of the convent area to the south, stands the "factory" (Z), containing workshops for shoemakers, saddlers (or shoemakers, sellarii), cutlers and grinders, trencher-makers, tanners, curriers, fullers, smiths and goldsmiths, with their dwellings in the rear. On this side we also find the farm buildings, the large granary and threshing-floor (a), mills (c), malthouse (d). Facing the west are the stables (e), ox-sheds (f), goatstables (gl, piggeries (h), sheep-folds (i), together with the servants' and labourers' quarters (k). At the south-east corner we find the hen and duck house, and poultry-yard (m), and the dwelling of the keeper (n). Hard by is the kitchen garden (o), the beds bearing the names of the vegetables growing in them, onions, garlic, celery, lettuces, poppy, carrots, cabbages, etc., eighteen in all. In the same way the physic garden presents the names of the medicinal herbs, and the cemetery (p) those of the trees, apple, pear, plum, quince, etc., planted there.^[3]

Cells[link]

Every large monastery had depending upon it smaller foundations known as cells or priories. Sometimes these foundations were no more than a single building serving as residence and farm offices, while other examples were miniature monasteries for 5 or 10 monks. The outlying farming establishments belonging to the monastic foundations were known as villae or granges. They were usually staffed by lay-brothers, sometimes under the supervision of a single monk.

Westminster Abbey[link]

Westminster Abbey is another example of a great Benedictine abbey, identical in its general arrangements, so far as they can be traced, with those described above. The cloister and monastic buildings lie to the south side of the church. Parallel to the nave, on the south side of the cloister, was the refectory, with its lavatory at the door.^[3]

On the eastern side there are remains of the dormitory, raised on a vaulted substructure and communicating with the south transept. The chapter-house opens out of the same alley of the cloister. The small cloister lay to the south-east of the larger cloister, and still farther to the east we have the remains of the infirmary with the table hall, the refectory of those who were able to leave their chambers. The abbot's house formed a small courtyard at the west entrance, close to the inner gateway.^[3]

Considerable portions of this remain, including the abbot's parlour, celebrated as "the Jerusalem Chamber," his hall, now used for the Westminster King's Scholars, and the kitchen and butteries beyond.^[3]

York[link]

St Mary's Abbey, York, of which the ground-plan is annexed, exhibits the usual Benedictine arrangements. The precincts are surrounded by a strong fortified wall on three sides, the river Ouse being sufficient protection on the fourth side. The entrance was by a strong gateway to the north. Close to the entrance was a chapel, where is now the church of St Olaf, in which the new-comers paid their devotions immediately on their arrival. Near the gate to the south was the guest-hall or hospitium. The buildings are completely ruined, but enough remains to enable us to identify the grand cruciform church, the cloister-court with the chapterhouse, the refecrefectory, the kitchen-court with its offices and the other principal apartments. The infirmary has perished completely.^[3]

Cluny[link]

The history of monasticism is one of alternate periods of decay and revival. With growth in popular esteem came increase in material wealth, leading to luxury and worldliness. The first religious ardour cooled, the strictness of the rule was relaxed, until by the 10th century the decay of discipline was so complete in France that the monks are said to have been frequently unacquainted with the rule of St Benedict, and even ignorant that they were bound by any rule at all.^[3]

The reformation of abuses generally took the form of the establishment of new monastic orders, with new and more stringent rules, requiring a modification of the architectural arrangements. One of the earliest of these reformed orders was the Cluniac. This order took its name from the little village of Cluny, 12 miles (19 km) N.W. of Mâcon, near which, about AD 909, a reformed Benedictine abbey was founded by William, duke of Aquitaine and count of Auvergne, under Berno, abbot of Baume. He was succeeded by Odo, who is often regarded as the founder of the order. The fame of Cluny spread far and wide. Its rigid rule was adopted by a vast number of the old Benedictine abbeys, who placed themselves in affiliation to the mother society, while new foundations sprang up in large numbers, all owing allegiance to the "archabbot," established at Cluny.^[3]

By the end of the 12th century the number of monasteries affiliated to Cluny in the various countries of western Europe amounted to 2000. The monastic establishment of Cluny was one of the most extensive and magnificent in France. We may form some idea of its enormous dimensions from the fact recorded, that when, in AD 1245, Pope Innocent IV, accompanied by twelve cardinals, a patriarch, three archbishops, the two generals of the Carthusians and Cistercians, the king (St Louis), and three of his sons, the queen mother, Baldwin, count of Flanders and emperor of Constantinople, the duke of Burgundy, and six lords, visited the abbey, the whole party, with their attendants, were lodged within the monastery without disarranging the monks, 400 in number. Nearly the whole of the abbey buildings, including the magnificent church, were swept away at the close of the 18th century. When the annexed ground-plan was taken, shortly before its destruction, nearly all the monastery, with the exception of the church, had been rebuilt.^[3]

The church, the ground-plan of which bears a remarkable resemblance to that of Lincoln Cathedral, was of vast dimensions. It was 656 ft (200 m). high. The nave had double vaulted aisles on either side. Like Lincoln, it had an eastern as well as a western transept, each furnished with apsidal chapels to the east. The western transept was 213 ft (65 m). long, and the eastern 123 ft (37 m). The choir terminated in a semicircular apse, surrounded by five chapels, also semicircular. The western entrance was approached by an ante-church, or narthex, itself an aisled church of no mean dimensions, flanked by two towers, rising from a stately flight of steps bearing a large stone cross. To the south of the church lay the cloister-court, of immense size, placed much farther to the west than is usually the case. On the south side of the cloister stood the refectory, an immense building, 100 ft (30 m) long and 60 ft (18 m) wide, accommodating six longitudinal and three transverse rows of tables. It was adorned with the portraits of the chief benefactors of the abbey, and with Scriptural subjects. The end wall displayed the Last Judgment. We are unable to identify any other of the principal buildings. The abbot's residence, still partly standing, adjoined the entrance-gate. The guest-house was close by. The bakehouse, also remaining, is a detached building of immense size.^[3]

English Cluniac houses[link]

The first English house of the Cluniac order was that of Lewes, founded by the Earl of Warren, c. AD 1077. Of this, only a few fragments of the domestic buildings exist. The best preserved Cluniac houses in England are Castle Acre, Norfolk, and Wenlock, Shropshire. Ground-plans of both are given in Britton's Architectural Antiquities. They show several departures from the Benedictine arrangement. In each, the prior's house is remarkably perfect. All Cluniac houses in England were French colonies, governed by priors of that nation. They did not secure their independence nor become "abbeys" till the reign of Henry VI. The Cluniac revival, with all its brilliancy, was but short-lived. The celebrity of this, as of other orders, worked its moral ruin. With their growth in wealth and dignity the Cluniac foundations became as worldly in life and as relaxed in discipline as their predecessors, and a fresh reform was needed.^[3]

Cistercian abbeys[link]

Cistercian Abbey of Sénanque

The next great monastic revival, that of the Cistercians, arose in the last years of the 11th century and had a wider diffusion as well as a longer and more honourable existence. Owing its real origin as a distinct foundation of reformed Benedictines to Stephen Harding in the year 1098, it derives its name from Cîteaux (Cistercium), a desolate and almost inaccessible forest solitude on the border between Champagne and Burgundy. The rapid growth and wide celebrity of the order are undoubtedly to be attributed to the enthusiastic piety of St Bernard, abbot of the first of the monastic colonies, subsequently sent forth in such quick succession by the first Cistercian houses, the renowned abbey of Clairvaux (de Clara Valle), AD 1116.^[3]

The rigid self-abnegation, which was the ruling principle of this reformed congregation of the Benedictine order, extended itself to the churches and other buildings erected by them. The defining architectural characteristic of the Cistercian abbeys was the most extreme simplicity and a studied plainness. Only a single, central tower was permitted, and that was to be very low. Unnecessary pinnacles and turrets were prohibited. The triforium was omitted. The windows were to be plain and undivided, and it was forbidden to decorate them with stained glass. All needless ornament was proscribed. The crosses must be of wood; the candlesticks of iron. The renunciation of the world was to be evidenced in all that met the eye.^[3]

The same spirit manifested itself in the choice of the sites of their monasteries. The more dismal, the more savage, the more hopeless a spot appeared, the more did it please their rigid mood. But they came not merely as ascetics, but as improvers. The Cistercian monasteries are, as a rule, found placed in deep, well-watered valleys. They always stand on the border of a stream; often with the buildings extending over it, as at Fountains Abbey. These valleys, now so rich and productive, had a very different appearance when the brethren first chose them as their place of retreat. Wide swamps, deep morasses, tangled thickets, and wild, impassable forests were their prevailing features.^[3] The "bright valley," Clara Vallis of St Bernard, was known as the "Valley of Wormwood," infamous as a den of robbers. "It was a savage dreary solitude, so utterly barren that at first Bernard and his companions were reduced to live on beech leaves".^[7]

See also:

• Clairvaux Abbey.
• Cîteaux Abbey.
• Kirkstall Abbey.
• Fountains Abbey.
• Loc-Dieu.
• Rievaulx Abbey.
• Strata Florida.

Austin Canons[link]

The buildings of the Austin canons or Black canons (so called from the colour of their habit) present few distinctive peculiarities. This order had its first seat in England at Colchester, where a house for Austin canons was founded about AD 1105, and it very soon spread widely. As an order of regular clergy, holding a middle position between monks and secular canons, almost resembling a community of parish priests living under rule, they adopted naves of great length to accommodate large congregations. The choir is usually long, and is sometimes, as at Llanthony and Christchurch (Twynham), shut off from the aisles, or, as at Bolton, Kirkham, etc., is destitute of aisles altogether. The nave in the northern houses, not infrequently, had only a north aisle, as at Bolton, Brinkburn and Lanercost. The arrangement of the monastic buildings followed the ordinary type. The prior's lodge was almost invariably attached to the S.W. angle of the nave.^[3]

Bristol Cathedral[link]

FIG. 11.--St Augustine's Abbey,
Bristol (Bristol
A. Church.
B. Great cloister.
C. Little cloister.
D. Chapter-house.
E. Calefactory.
F. Refectory.
G. Parlour.
H. Kitchen.
I. Kitchen court.
K. Cellars.
L. Abbot's hall.
P. Abbot's gateway.
R. Infirmary.
S. Friars' lodging.
T. King's hall.
V. Guest-house.
W. Abbey gateway.
X. Barns, stables, etc
Y. Lavatory.

The above plan of the Abbey of St Augustine's at Bristol, now the cathedral church of that city, shows the arrangement of the buildings, which departs very little from the ordinary Benedictine type. The Austin canons' house at Thornton, in Lincolnshire, is remarkable for the size and magnificence of its gate-house, the upper floors of which formed the guest-house of the establishment, and for possessing an octagonal chapter-house of Decorated date.^[3]

Premonstratensians[link]

The Premonstratensian regular canons, or White canons, had as many as 35 houses in England, of which the most perfect remaining are those of Easby, Yorkshire, and Bayham, Kent. The head house of the order in England was Welbeck. This order was a reformed branch of the Augustinian canons, founded, AD 1119, by Norbert of Xanten, on the Lower Rhine, c. 1080) at Prémontré, a secluded marshy valley in the forest of Coucy in the diocese of Laon. The order spread widely. Even in the founder's lifetime it possessed houses in Aleppo and Kingdom of Jerusalem where "The Premonstrntensian abbey of Saint Samuel was a daughter house of Prémontré itself. Its abbot had the status of a suffragan of the patriarch of Jerusalem, with the right to a cross but not to a mitre nor a ring".^[8] It long maintained its rigid austerity, until in the course of years wealth impaired its discipline, and its members sank into indolence and luxury. The Premonstratensians were brought to England shortly after AD 1140, and were first settled at Newhouse, in Lincolnshire, near the Humber. The ground-plan of Easby Abbey, owing to its situation on the edge of the steeply sloping banks of a river, is singularly irregular. The cloister is duly placed on the south side of the church, and the chief buildings occupy their usual positions round it. But the cloister garth, as at Chichester, is not rectangular, and all the surrounding buildings are thus made to sprawl in a very awkward fashion. The church follows the plan adopted by the Austin canons in their northern abbeys, and has only one aisle to the nave—that to the north; while the choir is long, narrow and aisleless. Each transept has an aisle to the east, forming three chapels.^[3]

The church at Bayham was destitute of aisles either to nave or choir. The latter terminated in a three-sided apse. This church is remarkable for its exceeding narrowness in proportion to its length. Extending in longitudinal dimensions 257 ft (78 m), it is not more than 25 ft (7.6 m). broad. Stern Premonstratensian canons wanted no congregations, and cared for no possessions; therefore they built their church like a long room.^[3]

The Premonstratension order still exists and a small group of these Chanones de Premontre now run the former Benedictine Abbey at Conques in southwest France, which has become well known as a refuge for pilgrims travelling the Way of Saint James, from Le Puy en Velay in Auvergne, to Santiago de Compostela in Galicia, Spain.^[3]

See also[link]

Christianity portal

• List of abbeys and priories

Notes[link]

References[link]

Attribution

•  This article incorporates text from a publication now in the public domain: Venables, Edmund (1911). "Abbey". In Chisholm, Hugh. Encyclopædia Britannica (11th ed.). Cambridge University Press. 

External links[link]

Wikimedia Commons has media related to: Abbey

•  "Abbey". Catholic Encyclopedia. New York: Robert Appleton Company. 1913. 
• Monastery and abbey index on sacred-destinations.com
• Abbeys of Provence, France (French)
• Abbey Pages on historyfish.net - info on abbeys and monastic life, images from Photochrom collection

Sir Paul McCartney MBE, Hon RAM, FRCM
McCartney performing in England, 2010
Background information
Birth name	James Paul McCartney
Born	(1942-06-18) 18 June 1942 (age 70) Liverpool, England, UK
Genres	Rock, pop, classical, electronica
Occupations	Musician, composer, music producer, film producer, businessman
Instruments	Vocals, bass guitar, guitar, keyboards, drums, ukulele, mandolin, recorder
Years active	1957–present
Labels	Hear, Apple, Parlophone, Capitol, Columbia, Concord, EMI, One Little Indian, Vee-Jay
Associated acts	The Quarrymen, The Beatles, Wings, The Fireman, Linda McCartney, Denny Laine
Website	www.paulmccartney.com
Notable instruments
Höfner 500/1 Rickenbacker 4001S Epiphone Texan Gibson Les Paul Epiphone Casino Martin D-28

Sir James Paul McCartney, MBE, Hon RAM, FRCM (born 18 June 1942) is an English musician, singer-songwriter and composer. Formerly of the Beatles (1960–1970) and Wings (1971–1981), he has been described by Guinness World Records as "The Most Successful Composer and Recording Artist of All Time", with 60 gold discs and sales of over 100 million albums and 100 million singles.^[1] With John Lennon, George Harrison, and Ringo Starr, he gained worldwide fame as a member of the Beatles, and with Lennon formed one of the most celebrated songwriting partnerships of the 20th century. After leaving the Beatles, he began a solo career and later formed the band Wings with his first wife, Linda Eastman, and singer-songwriter Denny Laine.

According to the BBC, his Beatles song "Yesterday" has been covered by over 2,200 artists—more than any other song. Wings' 1977 release, "Mull of Kintyre", became one of the best-selling singles ever in the UK, and he is "the most successful songwriter" in UK chart history, according to Guinness.^[2] As a songwriter or co-writer, he is included on thirty-one number one titles on the Billboard Hot 100, and as of 2012 he has sold over 15.5 million RIAA certified units in the United States.

He has composed film scores, classical and electronic music, and released a large catalogue of songs as a solo artist. He has taken part in projects to help international charities, and has been an advocate for animal rights, vegetarianism, and music education; he has been active in campaigns against landmines and seal hunting, and supported efforts such as Make Poverty History. His company MPL Communications owns the copyrights to more than 25,000 songs, including those written by Buddy Holly, as well as the publishing rights to the musicals Guys and Dolls, A Chorus Line, and Grease. He is one of the UK's wealthiest people, with an estimated fortune of £475 million in 2010. He has been married three times and is the father of five children.

Childhood[link]

McCartney was born in Walton Hospital in Liverpool England, where his mother, Mary (née Mohin), had twelve years earlier, "satisfied her state registry requirements" for nursing, writes Beatles biographer Bob Spitz.^[3] His father James, or "Jim" McCartney, was absent at his son's birth due to his work as a volunteer fire fighter during World War II.^[3] McCartney has one brother, Michael, born 7 January 1944, and though they were baptised in their mother's Roman Catholic faith, "religion did not play a part in their upbringing" according to biographer Barry Miles, as McCartney's father was a Protestant turned agnostic.^[4]

In 1947 he began attending Stockton Wood Road Primary School, by 1952 Joseph Williams Junior School,^[5] where he passed the 11-plus exam in 1953 with three others out of ninety examinees, thus gaining admission to the Liverpool Institute.^[6] However, when he took his A-level exams at age nineteen, he passed only one subject – Art.^[7] In 1954, while taking the bus from his home in the suburb of Speke to the Institute, he met George Harrison,^[8] who had also passed the exam, meaning they could both go to a grammar school rather than a secondary modern school, which the majority of pupils attended until they were eligible to work.^[9]

20 Forthlin Road now attracts large numbers of tourists.

In 1955 the McCartneys moved to 20 Forthlin Road in Allerton, where they lived through 1964.^[10] Paul was the first member of his family to own a car and his mother rode a bicycle to houses where she worked as a midwife; he describes an early memory of her leaving at "about three in the morning" the "streets ... thick with snow".^[11] On 31 October 1956, when he was fourteen, his mother died of an embolism after a mastectomy operation to stop the spread of her breast cancer.^[12] The loss of his mother at fourteen was later a point of relation with John Lennon, whose mother Julia also died when he was young, after being struck by a car when he was seventeen.^[13]

McCartney's father was a trumpet player and pianist who had led Jim Mac's Jazz Band in the 1920s and encouraged his son to be musical. He kept an upright piano in the front room that he purchased from Epstein's North End Music Stores.^[14] His father, Joe McCartney, played an E-flat tuba.^[15] Jim McCartney used to point out the bass parts in songs on the radio, and often took his son to local brass band concerts.^[16] Jim gave his son a nickel-plated trumpet for his fourteenth birthday,^[17] but when rock and roll became popular on Radio Luxembourg,^[18] Paul traded it for a £15 Framus Zenith (model 17) acoustic guitar, realising it would be too difficult to sing, "with a trumpet stuck in your mouth."^[17] Being left-handed, he found right-handed guitars difficult to play, but when he saw a poster advertising a Slim Whitman concert, he realised that Whitman played left-handed with his right-handed guitar strung the opposite way. He then restrung his guitar and after some adjustments, found it easier to play.^[17] McCartney wrote his first song ("I Lost My Little Girl") on the Zenith, and an early tune which became, "When I'm Sixty-Four", on the piano, for which, despite his father's advice, he took only a couple of lessons for, preferring instead he says, to learn "by ear."^[14] He was heavily influenced by American rhythm and blues music, and has stated that Little Richard was his idol when he was in school. The first song he ever sang on a stage in public was "Long Tall Sally", at a Butlins holiday camp talent competition.^[19]

Musical career[link]

1957–1960: The Quarrymen[link]

McCartney met Lennon and the Quarrymen at the St. Peter's Church Hall fête in Woolton on 6 July 1957, when he was fifteen years old.^[20] He joined the group soon after, and formed a close working relationship with Lennon. Harrison joined in 1958 as lead guitarist, followed in 1960 by Lennon's art school friend, Stuart Sutcliffe on bass.^[21] By May 1960, they had tried several new names, including "Johnny and the Moondogs" and "the Silver Beetles", playing a tour of Scotland under that name with Johnny Gentle. They changed the name of the group to "the Beatles" in mid-August 1960 and recruited Pete Best on drums prior to the first of what would be five engagements in Hamburg, Germany.^[22]

1960–1970: The Beatles[link]

McCartney (left) in 1964 with Beatles bandmates Harrison and Lennon

From August 1960 the Beatles were booked by Allan Williams to perform in Hamburg, and during their extended stays there over the next two years, they performed as the resident group at two of Bruno Koschmider's clubs, the Indra, then the Kaiserkeller, and upon returns to Liverpool, at the Cavern Club.^[23] In 1961 Sutcliffe left the band, and McCartney reluctantly became their bass player.^[24] The Beatles recorded their first published music in Hamburg, performing as the backing band for Tony Sheridan on the single "My Bonnie".^[25] The recording would later bring them to the attention of a key figure in their subsequent development and commercial success, Brian Epstein, who became their manager in January 1962.^[26] Epstein eventually negotiated a record contract for the group with Parlophone in May of that year.^[27] After replacing Best with Ringo Starr in August, they became increasingly popular in the UK during 1963 and in the US in 1964, in a frenzied adolation that became known as "Beatlemania",^[28] during which McCartney was dubbed, "the cute Beatle", according to Miles.^[29] In 1965 they were each appointed as a Member of the Order of the British Empire (MBE).^[30]

After the recording of the Beatles hit "Yesterday" (1965), McCartney contacted the BBC Radiophonic Workshop in Maida Vale London, to ask if they would record an electronic version of the song, but he never followed up.^[31] When visiting artist John Dunbar's flat in London, he would bring along tapes he had compiled at then girlfriend Jane Asher's home,^[32] mixes of various songs, musical pieces and comments made by McCartney that Dick James made into a demo for him.^[33] Heavily influenced by American avant-garde musician John Cage, he made tape loops by recording voices, guitars, and bongos on a Brenell tape recorder, and splicing the various loops together. He reversed the tapes, sped them up, and slowed them down to create the effects he wanted, some of which were later used on Beatles' recordings, such as "Tomorrow Never Knows" (1966). He referred to the tapes as "electronic symphonies".^[34] In 1966 he rented a ground floor and basement flat from Starr at 34 Montagu Square, to be used as a small studio for spoken-word recordings by poets, writers (including William S. Burroughs) and avant-garde musicians.^[35] The Beatles' Apple Records then launched a sub-label, Zapple with Miles as its manager, ostensibly to release recordings of a similar aesthetic, although few releases would ultimately come of the endeavour as Apple and the Beatles slid into business and personal difficulties.^[35] After touring almost non-stop for a period of nearly four years, and giving more than 1,400 live performances internationally,^[36] the group gave their final commercial concert at the end of their 1966 US tour.^[37]

They continued to work in the recording studio and before their break-up in 1970 produced what some critics consider to be their finest material, including the innovative and widely influential albums Revolver (1966), Sgt. Pepper's Lonely Hearts Club Band (1967), The Beatles (1968) and Abbey Road (1969).^[38] Between 1963 and 1970 the group released twenty-two UK singles and twelve LPs, of which seventeen of the singles and eleven of the LPs became number ones.^[39] The band topped the US Billboard Hot 100 twenty times, and recorded fourteen number one albums.^[40] Lennon and McCartney became one of the most celebrated songwriting partnerships of the 20th century.^[41] McCartney's contributions to the band's hit song's include: "Can't Buy Me Love" (1964), "Yesterday" (1965), Paperback Writer" and "Eleanor Rigby" (1966), "Hello, Goodbye" (1967), "Hey Jude" (1968), "Get Back (1969)", "Let It Be" and "The Long and Winding Road" (1970).^[42]

In March 1969 he married Linda Eastman, whom he first met in May 1967. The couple had their first child together, Mary, named after Paul's late mother, in August 1969.^[43] In October 1969 a rumour surfaced that McCartney had died in a car crash, but it was quickly proven false when a November Life magazine cover featured him and his family with the caption, "Paul is Still With Us."^[44]

1970–1981: Wings[link]

McCartney during a Wings concert, 1976

After the Beatles break-up in 1970 McCartney continued his musical career, releasing his first solo album, McCartney, in 1970, which contained the stand-out track "Maybe I'm Amazed", written for Linda.^[45] With the exception of some vocal contributions from her, it is a "one-man album with Paul playing all the instruments" himself, writes Beatles biographer Bill Harry.^[46] In 1971 Paul collaborated with Linda on a second album, Ram, a UK number one which included the co-written US number one hit song, "Uncle Albert/Admiral Halsey".^[47] Later that year, the pair were joined by ex-Moody Blues guitarist Denny Laine and drummer Denny Seiwell to form the group Wings, and release their first album together, Wild Life. In September 1971 the McCartney family added a second child, Stella, named in honour of Linda's grandmothers.^[48]

In 1973 McCartney wrote Wings' first US number one, "My Love", included on their second LP, Red Rose Speedway, and his collaboration with Linda and former Beatles' producer George Martin resulted in the James Bond theme song and Wings hit, "Live and Let Die", which was nominated for an Oscar, and earned Martin a Grammy for his orchestral arrangement.^[49] In 1974 Paul wrote a second US number one for Wings, "Band on the Run"; the acclaimed album of the same name, Wings' third, was a massive success that became their first platinum LP.^[50] They followed with the chart topping LPs, Venus and Mars (1975) and Wings at the Speed of Sound (1976).^[51] In September 1977 a third child was born to the McCartneys, a son they named James,^[52] and in November, the Wings song "Mull of Kintyre" was fast becoming "the best-selling single in UK history", writes Beatles biographer Peter Doggett.^[53] Achieving double the sales of the previous record holder, "She Loves You", the track would go on to sell 2.5 million copies, and hold the UK sales record until the 1984 charity single, "Do They Know It's Christmas?".^[54] In 1977 he released Thrillington, an orchestral arrangement of Ram, under the pseudonym Percy "Thrills" Thrillington^[55], with a cover designed by Hipgnosis.^[56]

While London Town (1978) and Back to the Egg (1979) passed with little critical or commercial notice,^[57] the latter involved McCartney's collaboration with a rock supergroup dubbed, "the Rockestra", though credited to Wings, that included Pete Townshend, David Gilmour, Gary Brooker, John Paul Jones, and John Bonham.^[58] Active through 1981, Wings produced seven studio albums, five of which topped the US charts,^[59] as well as their live triple LP, Wings over America,^[60] one of few live albums ever to achieve the top spot in America.^[61] They also recorded six US number one singles including, "Listen to What the Man Said", "Silly Love Songs, "With a Little Luck", and "Coming Up".^[62]

1982–1989[link]

In 1980 he released his second solo LP, the self-produced McCartney II, and as with his first, he composed all the music and performed the instrumentation himself. The album contained the hit songs "Coming Up", "Waterfalls", and "Temporary Secretary".^[63] In 1982 he collaborated with Stevie Wonder on the Martin produced number one hit, "Ebony and Ivory", included on McCartney's Tug of War LP, and with Michael Jackson on "The Girl Is Mine" from Thriller.^[64] The following year he worked with Jackson on the US number one, "Say Say Say", and he earned a UK number one with the title track of his LP release that year, "Pipes of Peace".^[65]

In 1984 he wrote, produced, and starred in the feature film Give My Regards to Broad Street, a musical which "was savagely panned by the critics" according to Harry; and described by Variety as: "Characterless, bloodless, and pointless."^[66] Roger Ebert awarded the film a single star and wrote, "you can safely skip the movie and proceed directly to the sound track",^[67] which fared much better, reaching number one in the UK, and producing the hit single, "No More Lonely Nights", featuring Gilmour on lead guitar.^[68]

He collaborated with Eric Stewart on Press to Play (1986), who co-wrote more than half the songs on the LP, and in 1988, McCartney released Снова в СССР, a Russia-only title that contained eighteen covers which he recorded over the course of two days.^[69] In 1989 he joined forces with fellow Merseysiders including Gerry Marsden of Gerry and the Pacemakers and Holly Johnson of Frankie Goes to Hollywood to record a new version of "Ferry Cross the Mersey", originally recorded twenty-five years earlier by Gerry and the Pacemakers, to generate money for the appeal fund of the Hillsborough disaster, which occurred in April that year when ninety-five Liverpool F.C. fans died as a result of their injuries. The recording was a number one hit in the UK.^[70] In 1989 he released Flowers in the Dirt, a collaborative effort with Elvis Costello which included musical contributions from Gilmour and Nicky Hopkins.^[71]