Bonoman
11th century–19th century →
Capital	Begho[citation needed]
Language(s)	Akan languages
Religion	Ancestor worship
Government	Monarchy
History
- Established	11th century
- Incorporation into Ghana	1957
- Dissolved	19th century

Bonoman (Bono State) was a trading state created by the Abron people, which culminated in bringing wealth to the Akan people. Bonoman was a Middle Ages Akan Empire in what is now the Brong-Ahafo Region of Ghana and eastern Ivory Coast. It is generally accepted as the origin of the subgroups of the Akan people who migrated out of the state at various times to create new Akan states in search of gold. The gold trade, which started to boom in Bonoman as early in the 12th century, was the genesis of Akan power and wealth in the region, beginning in the Middle Ages.^[1]

Origin[link]

The origin of the people of Bonoman was said to be further north in what is now called the Sahel.^[2]

Trading centers used by state[link]

Bono Manso[link]

Bono Manso (sometimes known as Bono Mansu) was a trading area in the ancient state of Bonoman, and a major trading center in what is now predominantly the Brong-Ahafo region of Ghana. Located just south of the Black Volta river at the transitional zone between savanna and forest, the town was frequented by caravans from Djenné as part of the Trans-Saharan trade. Goods traded included kola nuts, salt, leather and gold; gold was the most important trading good of the area, starting in the mid-14th century.^{[1]:334[3][4]}

Begho[link]

Begho (also Bighu or Bitu) was an ancient trading town located just south of the Black Volta at the transitional zone between the forest and savanna (present-day Ghana, north-western Brong-Ahafo region). The town, like Bono-Manso, was of considerable importance as an entrepot frequented by northern caravans from Mali from around 1100 AD. Goods traded included ivory, salt, leather, gold, kola nuts, cloth, and copper alloys.^[4]

Excavations have laid bare walled structures dated between 1350 and 1750 AD, as well as pottery of all kinds, smoking pipes, and evidence of iron smelting. With a probable population of over 10 000, Begho was one of the largest towns in the southern part of West Africa at the time of the arrival of the Portuguese in 1471.^[4]

Bondukru[link]

Bonduku was another trading center within the empire of Bonoman. It gave birth to the state of Gyaman also spelled Jamang Kingdom. The state existed from 1450 to 1895 and was located in what is now Ghana and Côte d'Ivoire.

Structure of towns of Bonoman[link]

Based on excavations, carbon datings and local oral traditions, Effah-Gyamfi (1985) postulated three distinct urban phases. According to him, in the early phase (thirteenth to fifteenth century) the urban center was relatively small, and the towns were populated by thousands of people, not all living in the urban center. Buildings were made of daubted wattle. Painted pottery of this period was found distributed within a radius of 3.3 km.

In the second phase, sixteenth to seventeenth century, the urban centers was larger, consisting mainly of evenly distributed houses and a nuclear market center. Many indications of participation in long-distance trade, such as imported glass beads and mica coated pottery, stem from this period.

Influence on Akan culture[link]

Various aspects of Akan culture stem from Bonoman, including the umbrella used for the kings, the swords of the nation, the stools, goldsmithing, blacksmithing, Kente Cloth weaving and goldweighing.^[5]:30

Fall of Bonoman[link]

The fall of the various Abron states occurred during the rise of more powerful Akan empires, especially the all-powerful Ashanti empire. Several factors weakened these states, including conflicts among the leadership, conflicts due to taxation, and no direct access to the coast, where trade was helping many Akan states have more influence. By the late 19th century, all of Bonoman became part of the Asante Empire.^[5]

Notes[link]

References[link]

• Anquandah, James (2002). "Ghana: early towns & the development of urban culture: an archaeological view". In Adande, Alexis B. A.; Arinze, Emmanuel. Museums & urban culture in West Africa. Oxford: James Currey. pp. 9–16. ISBN 0-85255-276-9. 
• Crossland, L. B. (1989). Pottery from the Begho-B2 site, Ghana. African occasional papers. 4. Calgary: University of Calgary Press. ISBN 0-919813-84-4. 
• Effah-Gyamfi, Kwaku (1987). "Archaeology and the study of early African towns: the West African case, especially Ghana". West African Journal of Archaeology 17: 229–241. 
• Goody, Jack (1964). "The Mande and the Akan Hinterland". In Vansina, J.; Mauny, R.; Thomas, L. V.. The Historian in Tropical Africa. London: Oxford University. pp. 192–218. 
• Insoll, Timothy (2003). The Archaeology of Islam in Sub-Saharan Africa. New York: Cambridge University Press. ISBN 0-521-65702-4. 

• Effah-Gyamfi, Kwaku (1979) Traditional history of the Bono State Legon: Institute of African Studies, University of Ghana.
• Effah-Gyamfi, Kwaku (1985) Bono Manso: an archaeological investigation into early Akan urbanism (African occasional papers, no. 2) Calgary: Dept. of Archaeology, University of Calgary Press. ISBN 0-919813-27-5
• Meyerowitz, Eva L.R. (1949) 'Bono-Mansu, the earliest centre of civilisation in the Gold Coast', Proceedings of the III International West African Conference, 118–120.

The Edge
Background information
Birth name	David Howell Evans
Born	(1961-08-08) 8 August 1961 (age 50) Barking, Essex, England, United Kingdom
Origin	County Dublin, Ireland
Genres	Rock, post-punk, alternative rock
Occupations	Musician, songwriter, activist
Instruments	Guitar, vocals, keyboards, piano, bass guitar
Years active	1976–present
Labels	Island, Mercury
Associated acts	U2, Passengers
Website	www.u2.com
Notable instruments
Gibson Explorer Fender Stratocaster Gibson Les Paul Fender Telecaster Gretsch Country Gentleman Gretsch White Falcon Rickenbacker 330/12

David Howell Evans (born 8 August 1961), more widely known by his stage name The Edge (or just Edge),^[1] is a musician best known as the guitarist, backing vocalist, and keyboardist of the Irish rock band U2. A member of the group since its inception, he has recorded 12 studio albums with the band and has released one solo record. As a guitarist, The Edge has crafted a minimalistic and textural style of playing. His use of a rhythmic delay effect yields a distinctive ambient, chiming sound that has become a signature of U2's music.

The Edge was born in England to a Welsh family, but was raised in Ireland after moving there as an infant. In 1976, at Mount Temple Comprehensive School, he formed U2 with his fellow students and his older brother Dik. Inspired by the ethos of punk rock and its basic arrangements, the group began to write its own material. They eventually became one of the most popular acts in popular music, with successful albums such as 1987's The Joshua Tree and 1991's Achtung Baby. Over the years, The Edge has experimented with various guitar effects and introduced influences from several genres of music into his own style, including American roots music, industrial music, and alternative rock. With U2, The Edge has also played keyboards, co-produced their 1993 record Zooropa, and occasionally contributed lyrics. The Edge met his second and current wife, Morleigh Steinberg, through her collaborations with the band.

As a member of U2 and as an individual, The Edge has campaigned for human rights and philanthropic causes. He co-founded Music Rising, a charity to support musicians affected by Hurricane Katrina. He has collaborated with U2 bandmate Bono on several projects, including songs for Roy Orbison and Tina Turner, and the soundtracks to the musical Spider-Man: Turn Off the Dark and the Royal Shakespeare Company's London stage adaptation of A Clockwork Orange. In 2011, Rolling Stone magazine placed him at number 38 on its list of "The 100 Greatest Guitarists of All Time".

Personal life[link]

The Edge at a U2 concert in Anaheim (2005)

David Howell Evans was born at the Barking Maternity Hospital,^[2] Essex, England to Welsh parents Garvin and Gwenda Evans.^[1] When he was one, his family moved to County Dublin, Ireland where he attended St Andrew's National School. He received piano and guitar lessons and often performed with his brother Dik Evans before they both answered an advertisement posted by Larry Mullen, Jr. at their school, Mount Temple Comprehensive School, seeking musicians to form a band.^[3] The band accepted both of them. This band went through several incarnations before emerging as U2 in March 1978 (Dik Evans left the band just before the name change).^[3] U2 began performing in various venues in Ireland and eventually began developing a following. Their debut album, Boy, was released in 1980.

In 1981, leading up to the October tour, Evans came very close to leaving U2 for religious reasons, but he decided to stay.^[3] During this period, he became involved with a group called Shalom Tigers, in which bandmates Bono and Larry Mullen Jr. were also involved.^[4] Shortly after deciding to remain with the band, he wrote a piece of music that later became "Sunday Bloody Sunday".^[3] The Edge married his high school girlfriend Aislinn O'Sullivan on 12 July 1983.^[5] The couple had three daughters together: Hollie in 1984, Arran in 1985 and Blue Angel in 1989.^[4] The couple separated in 1990, but were unable to get officially divorced because of Irish laws regarding marriage annulment; divorce was legalised in 1995 and the couple were legally divorced in 1996.^[4]

In 1993, The Edge began dating Morleigh Steinberg, a professional dancer and choreographer employed by the band as a belly dancer during the Zoo TV Tour. They had a daughter, Sian (born 1997), and a son, Levi (born 25 October 1999),^[4] before marrying on 22 June 2002.^[4] He appeared in the 2009 music documentary film It Might Get Loud.^[6] The Edge has been criticized for his efforts to build five luxury mansions on a 156 acre plot of land in Malibu, California.^[7] The California Coastal Commission voted 8-4 against the plans, with the project described by the commission's executive director, Peter Douglas, as "In 38 years...one of the three worst projects that I've seen in terms of environmental devastation...It's a contradiction in terms – you can't be serious about being an environmentalist and pick this location."^[7] The Santa Monica Mountains Conservancy agreed to remain neutral on the issue following a $1 million donation from The Edge and a commitment from The Edge to designate 100 acres of the land as open space for public footpaths.^[7]

Music style[link]

Guitar playing[link]

As a guitar player, The Edge has a sound typified by a low-key playing style, a chiming, shimmering sound (thanks in part to the sound of VOX AC-30s) that he achieves with extensive use of delay effects and reverb. The feedback delay is often set to a dotted eighth note (3/16 of a measure), and the feedback gain is adjusted until a note played repeats two or three times.^{[citation needed]}

On 1987's The Joshua Tree, The Edge often contributes just a few simple lead lines given depth and richness by an ever-present delay. For example, the introduction to "Where the Streets Have No Name" is simply a repeated six-note arpeggio, broadened by a modulated delay effect. The Edge has said that he views musical notes as "expensive", in that he prefers to play as few notes as possible. He said in 1982 of his style,

"I like a nice ringing sound on guitar, and most of my chords I find two strings and make them ring the same note, so it's almost like a 12-string sound. So for E I might play a B, E, E and B and make it ring. It works very well with the Gibson Explorer. It's funny because the bass end of the Explorer was so awful that I used to stay away from the low strings, and a lot of the chords I played were very trebly, on the first four, or even three strings. I discovered that through using this one area of the fretboard I was developing a very stylized way of doing something that someone else would play in a normal way."^[9]

Many different influences have shaped The Edge's guitar technique.^{[citation needed]} His first guitar was an old acoustic guitar that his mother bought him at a local flea market for only a few pounds; he was nine at the time. He and his brother Dik Evans both experimented with this instrument.^[9] He said in 1982 of this early experimentation, "I suppose the first link in the chain was a visit to the local jumble sale where I purchased a guitar for a pound. That was my first instrument. It was an acoustic guitar and me and my elder brother Dik both played it, plonking away, all very rudimentary stuff, open chords and all that."^[9] The Edge has stated that many of his guitar parts are based around guitar effects. This is especially true from the Achtung Baby era onwards, although much of the band's 1980s material made heavy use of echos.

Vocals[link]

The Edge in June 2005

The Edge also supplies the backing vocals for U2. U2's 1983 live album and video release, Under a Blood Red Sky and Live at Red Rocks: Under a Blood Red Sky are good reference points for his singing (as are the live DVDs from the Elevation Tour, U2 Go Home: Live from Slane Castle and Elevation 2001: Live from Boston). For example, he sings the chorus to "Sunday Bloody Sunday" (Bono harmonizes on the final 'Sunday'). U2 used this tradeoff technique later in "Bullet the Blue Sky" as well. His backing vocals are sometimes in the form of a repeated cry; examples of songs that use this approach include "Beautiful Day", "New Year's Day" and "Stay (Faraway, So Close!)". Another technique he uses in his backing vocals is the falsetto, in songs such as "Stuck in a Moment You Can't Get Out Of", "Sometimes You Can't Make It on Your Own", "A Man and a Woman", "The Wanderer", live versions of "The Fly", and "Window in the Skies".

The Edge sings the lead vocal on "Van Diemen's Land" and "Numb", the first half of the song "Seconds", dual vocals with Bono in "Discotheque", and the bridge in the song "Miracle Drug".^[4] He also sings the occasional lead vocal in live renditions of other songs (such as "Sunday Bloody Sunday" during the PopMart Tour and "Party Girl" during the Rotterdam Zoo TV show when it was Bono's birthday).^[10] He also plays a solo acoustic version of the song "Love is Blindness" that is featured in the documentary film From the Sky Down.

Other instruments[link]

He has played piano and keyboards on many of the band's songs, including "I Fall Down", "October", "So Cruel", "New Year's Day", "Running to Stand Still", "Miss Sarajevo", "The Hands that Built America", and "Original of the Species" and others. He plays the organ on "Please". In live versions of "New Year's Day", "The Unforgettable Fire", "Your Blue Room", and "Moment of Surrender", he plays both the piano and guitar parts alternately. In most live versions of "Original of the Species," piano is the only instrument played during the song. Although The Edge is the band's lead guitarist, he occasionally plays bass guitar, including the live performances of the song "40" where The Edge and bassist Adam Clayton switch instruments.

Solo recordings[link]

In addition to his regular role within U2, The Edge has also recorded with such artists as Johnny Cash, B. B. King, Tina Turner, Ronnie Wood, Jay-Z, and Rihanna. The Edge connected with Brian Eno and Lanois collaborator Michael Brook (the creator of the infinite guitar, which he regularly uses), working with him on the score to the film Captive (1986). From this soundtrack the song "Heroine", the vocal of which was sung by a young Sinéad O'Connor was released as a single.

He also created the theme song for season one and two of The Batman. He and fellow U2 member, Bono, wrote the lyrics to the theme of the 1995 James Bond film GoldenEye. The Edge, along with bandmate Bono, recently composed a musical adaptation of Spider-Man. On May 25, 2011, a single titled Rise Above 1: Reeve Carney Featuring Bono and The Edge was released digitally.^[11] The music video was released on July 28, 2011.^[12]

Musical equipment[link]

Edge's 1964 Vox AC30 on stage in Foxborough for the U2 360° Tour.

The Edge plays electric guitar, acoustic guitar, keyboards, piano, bass guitar (on "40" and "Race Against Time") and lap steel guitar. Compared to many lead guitarists, The Edge is known for using many more guitars during a show. According to his guitar tech Dallas Schoo, a typical lead guitarist uses four or five different guitars in one night, whereas The Edge takes 45 on the road, and uses 17 to 19 in one 2.5-hour concert. He is estimated to have more than 200 guitars in the studio.^{[citation needed]}

Philanthropy[link]

In 2005, The Edge along with Bob Ezrin and Henry Juszkiewicz co-founded Music Rising, a charity that helped provide replacement instruments for those that were lost in Hurricane Katrina. The instruments were originally only replaced for professional musicians but they soon realized the community churches and schools needed instruments as well. The charity's slogan is "Rebuilding the Gulf Region note by note" and has so far helped over a hundred musicians who were affected by Hurricane Katrina. The Edge also serves on the board of the Angiogenesis Foundation, a 501(c)(3) nonprofit organization dedicated to improving global health by advancing angiogenesis-based medicine, diets, and lifestyle.^[13]

See also[link]

• Timeline of U2
• List of people on stamps of Ireland

References[link]

Footnotes

Bibliography

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (October 2011)

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• Food Bank For New York City public service announcement
• Comment on the mathematical analysis of The Edge's guitar sound