(The) Streets of London may refer to:
The Streets of London is a 1934 Australian film directed by F. W. Thring. It was a filmed version of a play by Dion Boucicault which Thring had produced on stage the previous year. It was the last movie made by Efftee Film Productions – Thring ceased production afterwards with the aim of resuming it later but died in 1936 before he had the chance.
Captain Fairweather has deposit money with the banker Gideon Bloodgood. After learning that Bloodgood's bank is shaky, Fariweath tries to retrieve the money and dies in an argument with the banker. Bloodgood keeps the money but his clerk, Badger, finds out about it. Years later he blackmails his old boss with proof of the murder.
"Streets of London" is a song written by Ralph McTell. It was first recorded for McTell's 1969 album Spiral Staircase but was not released in the United Kingdom as a single until 1974.
The song was inspired by McTell's experiences busking and hitchhiking throughout Europe, especially in Paris and the individual stories are taken from Parisians – McTell was originally going to call the song Streets of Paris; eventually London was chosen because he realised he was singing about London. The song contrasts the common problems of everyday people with those of the homeless, lonely, elderly, ignored and forgotten members of society.
McTell left the song off his debut album, Eight Frames a Second, since he regarded it as too depressing, and did not record it until persuaded by his producer, Gus Dudgeon, for his second album in 1969. A re-recorded version charted in the Netherlands in April 1972, notching up to #9 the next month. McTell re-recorded it for the UK single release in 1974. McTell played the song in a fingerpicking style with an AABA chord progression.
Jillian Rose Banks (born June 16, 1988), known simply as Banks (often stylized as BANKS), is an American singer and songwriter from Orange County, California. She releases music under Harvest Records, Good Years Recordings and IAMSOUND Records imprints of the major label Universal Music Group.
She has toured internationally with The Weeknd and was also nominated for the Sound of 2014 award by the BBC and an MTV Brand New Nominee in 2014. On May 3, 2014, Banks was dubbed as an "Artist to Watch" by FoxWeekly.
Jillian Rose Banks was born in Orange County, California. Banks started writing songs at the age of fifteen. She taught herself piano when she received a keyboard from a friend to help her through her parents' divorce. She says she "felt very alone and helpless. I didn't know how to express what I was feeling or who to talk to."
Banks used the audio distribution website SoundCloud to put out her music before securing a record deal. Her friend Lily Collins used her contacts to pass along her music to people in the industry; specifically Katy Perry's DJ Yung Skeeter, and she began working with the label Good Years Recordings. Her first official single, called "Before I Ever Met You" was released in February 2013. The song which had been on a private SoundCloud page ended up being played by BBC Radio 1 DJ Zane Lowe. Banks released her first EP Fall Over by IAMSOUND Records and Good Years Recordings.Billboard called her a "magnetic writer with songs to obsess over." Banks released her second EP called London by Harvest Records and Good Years Recordings in 2013 to positive reviews from music critics, receiving a 78 from Metacritic. Her song "Waiting Game" from the EP was featured in the 2013 Victoria's Secret holiday commercial.
Charles Dickens' works are especially associated with London which is the setting for many of his novels. These works do not just use London as a backdrop but are about the city and its character.
Dickens described London as a Magic lantern, a popular entertainment of the Victorian era, which projected images from slides. Of all Dickens' characters 'none played as important a role in his work as that of London itself', it fired his imagination and made him write. In a letter to John Forster, in 1846, Dickens wrote 'a day in London sets me up and starts me', but outside of the city, 'the toil and labour of writing, day after day, without that magic lantern is IMMENSE!!'
However, of the identifiable London locations that Dickens used in his work, scholar Clare Pettitt notes that many no longer exist, and, while 'you can track Dickens' London, and see where things were, but they aren't necessarily still there'.
In addition to his later novels and short stories, Dickens' descriptions of London, published in various newspapers in the 1830s, were released as a collected edition Sketches by Boz in 1836.
London is a poem by Samuel Johnson, produced shortly after he moved to London. Written in 1738, it was his first major published work. The poem in 263 lines imitates Juvenal's Third Satire, expressed by the character of Thales as he decides to leave London for Wales. Johnson imitated Juvenal because of his fondness for the Roman poet and he was following a popular 18th-century trend of Augustan poets headed by Alexander Pope that favoured imitations of classical poets, especially for young poets in their first ventures into published verse.
London was published anonymously and in multiple editions during 1738. It quickly received critical praise, notably from Pope. This would be the second time that Pope praised one of Johnson's poems; the first being for Messiah, Johnson's Latin translation of Pope's poem. Part of that praise comes from the political basis of the poem. From a modern view, the poem is outshined by Johnson's later poem, The Vanity of Human Wishes as well as works like his A Dictionary of the English Language, his Lives of the Most Eminent English Poets, and his periodical essays for The Rambler, The Idler, and The Adventurer.
The fine art of hotel expressionism
And the sentiment with the kettlent condiments
Compose your mood using the soap hanging chute(?)
The minibar can be part of the art
In the early hours of a blurry hotel you need guests of (?)
My word is word if we earn success in hotel expressionism
stay away from (?) hotels so when wrecked there's no victim
I've been ejected from hotels that then when i'm checking in will swear to be with them (swearin')
Man, i'm not some crank vandal swinging the TV about at random
Attacks to the lampstand for a (?) is the art of action prove (?)
Tediously mischief from (?) is why we hide from enemy pages
Throwing the TV out the window mate is nothing clear of weak cliches
It's vandalism an expressionists (?) we keen leaders associate to
I'm talking E-convertibles (talking?)
The fine art of hotel expressionism
And the sentiment with the kettlent condiments
Compose your mood using the soap hanging chute(?)
The minibar can be part of the art
From the (?) of the minibar brandy and lambs see(?)
You have a brandy (?) sweet boozy steam moves freely and is in no manner mindless fun
Express yourself in anyway say anything you may and anyway that man (?)
That's fuckin (?) fuckin cunt the fuckin damage is a minor... fucker
But louts harassin is fuckin drole spellin through the death of rock and roll
Rap and roll are separate to some acid trip cus rock and roll is fuckin old
The group of girls your so in on have to be on there oh there and piss
But you have a problem with the man there with he's a dealer but there's a rift(?)
You need to get infront jump up on his own shit take his gear he disappears
Leave him there his hand in a bucket of water gaffer taped to a chair in a lift
The fine art of hotel expressionism
And the sentiment with the kettlent condiments
Compose your mood using the soap hanging chute(?)
The minibar can be part of the art
I'll tell you
Expressionism is his own form of art
Because with normal art someone usually the artist they pour out their heart
But it's worth is decided by committin and has to obey the law and sharks
I tell expressionists walk out the lift mind checkin' out pay for their art
Real art should be nothing but love shouldn't be about the money or fashion
I make these crap rap rhythms to pay the hotel bills that fund my packet(?)
The fine art of hotel expressionism
And the sentiment with the kettlent condiments
Compose your mood using the soap hanging chute(?)
The minibar can be part of the art
It's tedious the mischief from (?) is why we hide from enemy pages
Throwing the TV out the window mate is nothing clear of weak cliche
It's vandalism an expressionismists keenly disassociate to
I'm talking E-convertibles, structural damage, human injury... well mayhem basically