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A storey (British English) or story (American English) is any level part of a building that could be used by people (for living, work, storage, recreation, etc.). The plurals are storeys and stories, respectively.

The terms floor, level, or deck can also be used in this sense; except that one may use "ground floor" and "ground level" for the floor closer to what is considered the ground or street level, whereas "storey" is commonly used only for levels strictly above or below that level^[1] The words "storey" and "floor" also generally exclude levels of the building that have no roof, even if they are used by people—such as the terrace on the top roof of many buildings.

Houses commonly have only a few floors, often only one. Buildings are often classified as low-rise, mid-rise, and high-rise according to how many levels they contain; but these categories are not well-defined. The tallest skyscraper in the world, Burj Khalifa, has 163 floors.

The height of each storey is based on the ceiling height of the rooms plus the thickness of the floors between each pain. Generally this is around ten feet or three metres total, however it varies widely from just under this figure to well over it. Storeys within a building need not be all the same height — often the lobby is more spacious, for example. Higher levels may be smaller in area than the ones beneath (a prominent feature of the Willis Tower).

In English, the principal floor or main floor of a house is the floor that contains the chief apartments; it is usually the ground floor, or the floor above. In Italy the main floor of a home is usually above the ground level, and may be called the piano nobile ("noble floor").

The attic or loft is a storey just below the building's roof; its ceiling is often slanted and/or at a different height than that of other floors. A penthouse is a luxury apartment on the topmost storey of a building. A basement is a storey below the main or ground floor; the first (or only) basement of a home is also called the lower ground floor.

Split-level homes have floors that offset from each other by less than the height of a full storey. A mezzanine, in particular, is typically a floor halfway between the ground floor and the next higher floor. Homes with a split-level entry have the entire main floor raised half a story height above the street entrance level, and a basement that is half a storey below this level.

There are also multi-storey car parks, also known as parking garages.

Numbering[link]

Floor numbering is the numbering scheme used for a building's floors. There are two major schemes in use across the world. In one system, used for instance in the majority of Europe, the ground floor is the floor on the ground and often has no number or is assigned the number zero. Therefore the next floor up is assigned the number 1 and is the first floor. The other system, used in the United States for instance, counts the bottom floor as number 1 or first floor. The next floor up then becomes the second floor and so on.^[2] Having the first floor above the ground floor means that subterranean levels (often listed with increasing depth as B1, B2..) can be counted without having a gap at 0 (ground). In both systems, the numbering of higher floors continues sequentially as one goes up, as shown in the following table:

Each scheme has further variations depending on how one refers to the ground floor and the subterranean levels. The existence of two incompatible conventions is a common source of confusion in international communication, sometimes even between communities who speak the same language.

In all English-speaking countries, however, the storeys in a building are counted in the same way. Thus, for example, the phrase a seven-storey building would mean the same thing in Britain and in the US — namely, a building with seven covered floors, including one at ground level and six at higher levels; even though the topmost of those levels would be called "6th floor" in Britain, and "7th floor" in the US. Some count mezzanines as storeys, some ignore them.

European scheme[link]

In most of Europe, the "first storey" or "first floor" is the level above ground level. This system is used in Denmark but not in the other Scandinavian countries^[3] This scheme is also used in many of the Commonwealth nations (except Singapore and most of Canada), many former British colonies, and in many Latin American countries, including Mexico and Brazil.

This convention can be traced back to Medieval European usage. In countries that use this system, the floor at ground level is usually referred to by a special name, usually translating as "Ground Floor" or equivalent. For example, rez-de-chaussée ("street level") in France, Erdgeschoss ("ground floor") in Germany, pianterreno (lit. "ground floor") in Italy, begane grond ("walked-upon ground") in Dutch, planta baja ("bottom floor") in Spain, andar térreo ("ground walkplace") in Brazil, "rés-do-chão" ("close to the ground") in Portugal, földszint ("ground level") in Hungary, parter ("based on French par terre which means along ground") in Poland and Romania, prízemie ("close to the ground") in Slovakia, and pritličje ("close to the ground") in Slovenia. In some countries that use this scheme, the higher floors may be explicitly qualified as being above the ground level — such as in Slovenian prvo nadstropje (literally "first upper floor").

In Spain the level above ground level is sometimes "Entresuelo" (lit. "between-floors"), and elevators can skip it. The next one is sometimes called "Principal". The "first floor" can therefore be three levels above ground level.

US/North American scheme[link]

The English-speaking parts of Canada generally follow the American convention, where the "first" floor is the floor at the ground level and the floor above it is the "second" floor. Canada however uses the spelling storey, not story. In Quebec, the European scheme was formerly used (as in France), but by now it has been mostly replaced by the US system; so that rez-de-chaussée and premier étage ("first stage") are now generally equivalent in Quebec. Mexico, on the other hand, uses the European system.

The US system is also used in Russia and some countries of the former Soviet Union, in Scandinavian countries except Denmark, and in some (but not all) Latin American countries. So, for example, planta baja and primer piso ("first floor"), which are distinct in Spain and Mexico, are equivalent in Chile and Peru, and refer both to the ground-level floor (although primer piso is used mainly for indoor areas, while planta baja is also used for areas outside the building).

Most countries in eastern Asia, including China (excluding Hong Kong), Japan, and Singapore, follow the North American system. In the grammar of the respective languages, the numbers precede the word "floor", and are cardinals rather than ordinals; so they would translate literally as "1 floor, 2 floor" (etc.), rather than "1st floor, 2nd floor", or "floor 1, floor 2".

In Singapore, the British system of numbering originally prevailed, but this was replaced in the 1980s with the North American scheme to avoid confusion with the Chinese scheme. In order to emphasise the difference from the original scheme, reference is frequently made to storeys or levels rather than floors) - so the 3rd floor is the 4th storey (or storey 4) or 4th level (or level 4). Many buildings continue to label storeys or levels rather than floors. Some time later, some newer buildings began to use 'floors' instead of naming them as 'storeys' or 'levels'.

Idiosyncrasies[link]

Some American high-rise buildings follow the British system, often out of a desire on the part of the building's architect or owners to suggest a posh UK/ European setting^{[citation needed]}.

Occasionally, buildings in the United States and Canada will have both a "1st floor" (usually the main floor of the building) and a "ground floor" below it. This typically happens when both floors have street-level entrances, as is often the case for hillside buildings. In the UK, the lower of these floors would be called the lower ground floor, while the upper would be called either the upper ground floor or simply the ground floor.

Sometimes, floor number 1 may be assigned to the lowest basement level; in that case the ground floor may be numbered 2 or higher. Sometimes two connected buildings (such as a store and its carpark) have incongruent floor numberings, due to sloping terrain or different ceiling heights.

In Sweden the floors are numbered as in the North American scheme ("1st" = "ground", "2nd", etc.); but one can also refer to them by how many flights of stairs one needs to climb to reach them from the ground floor. So, 2:a våningen ("2nd floor") is the same as 1 trappa upp ("1 stair up"); 3:e våningen ("3rd floor") is also 2 trappor upp ("2 stairs up"); and so on. In modern lifts, however, floors are numbered according to British convention, where the street level is referred to E (for "entré", or entrance) or BV (for bottenvåning, or bottom floor) and the next floor is given the number 1.

American and Canadian buildings typically omit the thirteenth floor in their floor numbering because of common superstition surrounding this number. The floor numbering may either go straight from 12 to 14, or the floor may be given an alternative name such as "Skyline".

In Hong Kong, the British numbering system is now generally used, in English and Chinese alike. In some older residential buildings, however, the floors are identified by signs in Chinese characters that say "二樓" ("2 floor") at the floor just above ground, as in the North American system. For those buildings, the Chinese phrase "三樓" or its English equivalent "3rd floor" may refer either to the storey three levels above ground (as in the modern numbering), which is actually labeled "四樓" ("4 floor"); or to the storey with the sign "三樓" ("3 floor"), which is only two levels above ground. This confusing state of affairs has led, for example, to numerous errors in utility billing.^[4] To avoid ambiguity, business forms often ask that storey numbers in address fields be written as accessed from a lift.

In some Chinese and Taiwanese buildings (typically high-rises), the 4th floor is actually omitted or skipped, with the floor above the third numbered as the fifth and so on. This is due to the Chinese word for "four" being very phonetically similar (though not exact homonyms in most dialects due to their intonations) to the word for "dead" or "die". Also for this reason, apartments on the 4th floor in Asian countries such as Taiwan have traditionally been cheaper to rent. This cultural superstition can be considered a form of tetraphobia.

Elevator buttons[link]

In most of the world, elevator buttons for storeys above the ground level are usually marked with the corresponding numbers. In many countries, modern elevators also have Braille numbers—often mandated by law.

European scheme[link]

In countries that use the European system, the ground floor is either marked 0, or with the initial letter of the local word for ground floor (G, E etc.), successive floors are then marked 1, 2 etc. However, even when the ground floor button is marked with a letter, some digital position indicators may show 0 when the lift / elevator is on that floor. If the building also contains floors below ground, negative numbers are common. This then gives a conventional numbering sequence -2, -1, 0, 1, 2, 3, ...

Example: in Polish language there is a clear distinction: parter means ground floor, piętro means floor above parter, usually with ordinal: 1. piętro, 2. piętro etc., therefore parter is the zeroth piętro. Older elevators in Poland have button P for ground floor (parter) and S for basement (suterena). Elevators installed since 1990 have 0 for parter and -1, -2 ... for underground floors.

North American scheme[link]

In countries that use the North American system, where "floor 1" is the same as "ground floor", the corresponding button may be marked either with 1, or with a letter, as in the European scheme. In either case, the next button will be labeled 2. In buildings that have both a "1st floor" and a "ground floor", they may be labeled 1 and G; or M (for "Main") and LM (for "Lower Main"). M may also be used to designate a mezzanine level, when it is not counted as a separate floor in the building's numbering scheme.

In modern signage, at least in North America, a five-pointed star (★) additionally appears beside the button for the "main entry" floor. In the United States, the five-pointed star marking is mandated by Title III of the Americans with Disabilities Act (ADA), as described in Section 4.10.12(2) of the ADA Accessibility Guidelines for Buildings and Facilities (ADAAG).^[6]

Subterranean floors[link]

The numbering of levels below ground is also quite varied, even within the same country. In English-speaking countries, the first level below ground may be labelled B for "Basement", LL for "Lower Level" or "Lower Lobby", C for "Cellar", D for "Dungeon" in few buildings, or, in the case of the Andy Warhol Museum in Pittsburgh, U for "Underground". In British department stores, LG for "Lower Ground" is commonly encountered, as the term "basement" is considered inappropriate for their image.

If there is more than one basement, the next level down may be marked SB for "Sub-Basement". The lower levels may also be numbered B1, B2, etc.. Negative numbers are sometimes used −1 for the first level below ground, −2 for the second one, etc..

Other labels[link]

Elevator buttons may also be labeled according to their main function. In English-speaking countries, besides the common L for "Lobby", one may find P for "Pool" or "Parking"^[7] (and P1, P2, etc. for multiple parking floors), S for "Skyway", R for "Restaurant" or Roof, PH for "Penthouse", OD for "Observation Deck", etc.. In some US buildings, the label G on the elevator may stand for the building's "Garage", which need not be located on the "Ground" floor.

One hotel in Toronto marks the first six floors as A, M, MM, C, H, and 1 (for "Arcade", "Main", "Main Mezzanine", "Convention", "Health Club", and "1st floor"). The North Carolina Museum of Art, whose entrance is on the third floor up, has the floors lettered C, B, A (the main floor), and O (for "Office"). The Festival Walk mall in Hong Kong has floors labelled LG2 and LG1 ("Lower Ground 2" and "1"), G ("Ground"), and UG ("Upper Ground").

Room numbering[link]

In modern buildings, especially large ones, room or apartment numbers are usually tied to the floor numbers, so that one can figure out the latter from the former. Typically one uses the floor number with one or two extra digits appended to identify the room within the floor. For example, room 215 could be the 15th room of floor 2 (or 5th room of floor 21), but to avoid this confusion one dot is sometimes used to separate the floor from the room (2.15 refers to 2nd floor, 15th room and 21.5 refers to 21st floor, 5th room) or a leading zero is placed before a single-digit room number (i.e. the 5th room of floor 21 would be 2105). Letters may be used, instead of digits, to identify the room within the floor—such as 21E instead of 215. Often odd numbers are used for rooms on one side of a hallway, even numbers for rooms on the other side.

An offset may be used to accommodate unnumbered floors. For example, in a building with floors labeled G, M, 1, 2, ..., 11 and 12, the 4th room in each of those floors could be numbered 104, 114, 124, 134, ..., 224, and 234, respectively — with an offset of 11 in the floor numbers. This trick is sometimes used to make the floor number slightly less obvious, e.g. for security or marketing reasons.

In Portugal, the rule (official standard) is:

1. In buildings with only two sides, all the apartments are marked as Esq. (Esquerdo = Left) or Dto. (Direito = Right). So we have C/V Esq. (Underground Floor Left), R/C Esq. (Ground Floor Left), 1º. Esq (1st Floor Left), etc.; and C/V Dto. (Underground Floor Right), R/C Dto. (Ground Floor Right) 1º. Dto. (1st Floor Right), etc.

1. Buildings with more than two apartments per floor, are marked with letters, clockwise within each deck. So apartment 8º-D (not 8D) means the 8th floor (hence the character "º" meaning ordinal number), apartment D (counting in clockwise direction, for those who are in the floor entrance). But a very common form for buildings with three apartments per floor is, Esq.-Frt./Fte. (Frente, en: Front - for the apartment located between left and right)-Dto.

These two rules, universally adopted, made many things easy, namely for blind people, who don't need to ask where is the apartment "X".

See also[link]

• Deck (building)
• Floor
• Mechanical floor
• Thirteenth floor

Notes[link]

External links[link]

The Wiktionary entry for storey

•  Chisholm, Hugh, ed. (1911). "storey". Encyclopædia Britannica (11th ed.). Cambridge University Press. 

Timothy Brian Storey (born November 2, 1960 in Lynwood, California) is an American speaker, author, life coach, media personality, and entrepreneur. He is Founder of Tim Storey Enterprises and StoreyDreams Foundation.^[1]

Family[link]

Storey grew up in a family of mixed heritage. He is the son of Anthony and Bessie Storey and the youngest of five children.

His father died when he was 10 years old, followed by his sister's death by car accident when he was 13 years old. ^[2]

His children, Isaiah and Chloe, are the son and daughter of he and his former wife, Cindy.

Education[link]

Storey studied at Southeastern University^[3] for three years and holds a Bachelor's of Arts Degree from Southern California College, now called Vanguard University.^[4]

He has also received his doctorate of divinity from Bethany Theological Seminary.^[5]

Career[link]

Before Storey was known as a "life coach", he began teaching and praying for large masses of people as a traveling minister at 20 years old. He was discovered in an unusual manner by a minister, known as Dr. Cerullo, in a hotel restaurant. His first speaking engagement was in front of 15,000 people, overseas. Now, he is an ordained Evangelist (bringer of good news) who has traveled to approximately 60 countries.^[6]

He has founded and currently operates the invitation-only Hollywood bible study called, "The Gathering," which has expanded to a bible study in Miami, Florida. The bible studies are specifically purposed for celebrities, such as actors, recording artists, athletes, writers, and other professionals of the entertainment industry.^[7]

The Gathering was started in 1993, in the home of Dyan Cannon with seven attendees. Now, almost 1,000 people meet regularly for the bible studies.^[8]

Storey seriously considered retiring from ministry, after the death of his brother, but did not tell anyone. Yet, suddenly, he was redirected by a fellow minister, after being invited to their home, and intuitively encouraged to continue his work.

Recognized work[link]

He was invited to be a guest speaker at the 2007 Pro Football Hall of Fame Enshrinement.

He became the only person (evangelist), since Billy Graham, to speak to Congress about spiritual matters.

He was the officiating minister for the wedding of Duane "Dog the Bounty Hunter" and Beth Chapman.

He was a guest lecturer at Oral Roberts University at 25 years old.

He often meets privately and counsels high-profile leaders in various industries. Quincy Jones, Lee Iacocca, Kanye West, and Hillary Clinton are some of the people who have requested his meeting time.

Media recognition[link]

USA Today called him "the pastor to the stars."^[9]

Oprah Radio interview.^[10]

Fox Houston Interview "'Iron Man' Life Coach Makes Houston Appearance." The headline is a reference to Tim Storey's intervention and counseling success with Robert Downey Jr. ^[11]

St. Petersburg Times (Tampa Bay): A pastor to the rich and famous will visit to motivate everyday people to emerge from their own stale melodramas.^[12]

Power 92 Chicago: "Life coach to the stars."^[13]

At the beginning of 2011, Tim Storey did a six-week radio series on SiriusXM radio called "StoreyTellers" with guests Geraldo Rivera, Wayne Brady, Beth Chapman (Dog the Bounty Hunter's wife), Taboo (Jaime Luis Gómez) from the Black Eyed Peas and others.

References[link]

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (June 2007)

Jon Brion
Brion at The Sunset Tavern in Seattle, September 2004 (Photo By Nadja Dee Witherbee)
Background information
Born	(1963-12-11) December 11, 1963 (age 48) Glen Ridge, New Jersey, United States
Genres	Rock, pop Hip-Hop
Years active	1982–present

Jon Brion (born December 11, 1963) is an American rock and pop multi-instrumentalist, singer, songwriter, composer and record producer.

Life and career[link]

Early life[link]

Brion was born in Glen Ridge, New Jersey. He came from a musical family; his mother, LaRue, was an administrative assistant and singer, and his father, Keith Brion, was a band director at Yale.^[1] His brother and sister became a composer/arranger and a violinist, respectively. Brion had difficulties at Hamden High School and at the age of 17 left education, opting instead to play music professionally. From 1980-85 Jon was part of the band The Excerpts, along with Stephen Harris, Dean Falcone, Jim Balga, Bobby Butcher & Spike Priggen.^[2]

The Bats[link]

In the early 1980s, Brion and musician/producer Bill Murphy began a writing collaboration in New Haven, Connecticut. They eventually enlisted bassist Don "Riff" Fertman and together formed The Bats, (not to be confused with the New Zealand group of the same name). The Bats released a single, "Popgun" and one album How Pop Can You Get?, on Gustav records in 1982. The recordings had much critical acclaim, but little commercial success, and the trio eventually disbanded.

Session work[link]

In 1987, Brion moved to Boston, where he played solo gigs, formed the short-lived band World's Fair and became a member of the last touring version of Aimee Mann's new wave band 'Til Tuesday. He contributed guitar work to Jellyfish's 1993 album Spilt Milk, and in 1994, joined Dan McCarroll, Buddy Judge and Jellyfish guitarist Jason Falkner in the short-lived pop band The Grays. He also provided the signature pedal steel guitar part on The Wallflowers breakthrough album Bringing Down the Horse. Brion played numerous instruments on Sam Phillips' 1996 release Omnipop (It's Only A Fleshwound Lambchop). Brion is featured as keyboardist and drummer on Marianne Faithfull's 2003 album, Kissin' Time, and co-wrote a song, "City of Quartz", for her next work, 2005's Before the Poison.

Production[link]

After being recognized as an accomplished session player, Brion branched out into production on then-girlfriend Mann's 1993 solo debut, Whatever, and its follow-up, I'm With Stupid. He has also produced albums by Fiona Apple, Rufus Wainwright, Eleni Mandell, Rhett Miller, Robyn Hitchcock, Brad Mehldau and Evan Dando.

He also co-produced Kanye West's Late Registration album in 2005.

In the fall of 2002, Brion began producing the album Extraordinary Machine with Fiona Apple, but she later brought in producers Mike Elizondo and Brian Kehew (a friend of Brion's) to complete the album. Brion's versions leaked onto the Internet, where the album gained a cult following long before its official release.^[3]

Brion worked and performed on some of the tracks for Sean Lennon's 2006 album Friendly Fire. Lennon said that working with him was "how I would imagine it’s like to work with Prince. It’s like having a weird alien prodigy in your room."^[4]

More recently, Brion has produced recordings by British pop performer Dido, Spoon, and Keane, as well as 2010's False Priest by Of Montreal. Brion also produced Best Coast's sophomore album which is schedule for release in early 2012.^[5]

[edit] Meaningless

Brion was signed to the Lava/Atlantic label in 1997, but was released from his contract after turning in his solo debut album Meaningless; the album was released independently in 2001.

He is rumored to be working on his second solo full-length album at Abbey Road Studios.

Film scores[link]

Brion is an accomplished film composer, having started scoring by frequently working with director Paul Thomas Anderson, with whom he has a preferential working relationship. In addition to scoring many of his films, Brion contributed music to Boogie Nights and had a cameo in the film as a moustached guitar player.

Particularly in his film soundtracks, Brion is noted for his use of early analog sampling instruments, particularly the Chamberlin and Optigan, to create near-realistic emulations of certain instruments.^[6]

He has earned a Best Score Soundtrack Album Grammy nominations for his work on 1999's Magnolia and 2004's Eternal Sunshine of the Spotless Mind.

Brion was hired at the last minute to write the incidental music for The Break-Up. He has also scored the films and provided original music for I Heart Huckabees, Punch Drunk Love, Step Brothers (with help of fellow musician Chris Thile) and Synecdoche, NY. He also did live composition for a musical commentary on the Step Brothers DVD.

Personal life[link]

He dated comedic actress Mary Lynn Rajskub for five years until they broke up in the fall of 2002.

Touring and live performances[link]

Brion is renowned for his regular Friday-night gigs at the Los Angeles club Largo, which feature covers and original songs, a variety of instruments and occasional guest musicians and comedians. He works without a set list, instead using audience suggestions as a jumping-off point. His extraordinary use of layered loops and frequent adoption of a "jigsaw puzzle" approach to performing songs (starting often with drums, then adding piano, bass, guitar, and vocals in turn) have captivated the capacity crowds at Largo and earned Brion a strong following. Recent shows have featured spontaneous appearances with singer-songwriter Jackson Browne, vocalists Fiona Apple and Rickie Lee Jones, singing old jazz standards like "My Funny Valentine", with upright bassist Stephen Patt (ex-Chambers Brothers), percussionist Matt Chamberlain (ex-Wallflowers), bassist Sebastian Steinberg (ex-Soul Coughing), and fiddler Sara Watkins (ex-Nickel Creek).

In April 2006, recurring tendonitis in Brion's right hand forced him to cancel all of his upcoming Largo shows. As a temporary 'farewell', he played one show only using his left hand, even looping his songs as he normally does and playing the drums with one stick. He is now back to playing at Largo on a regular basis.

Recalling his approach to the Largo shows with Chicago Tribune music editor Lou Carlozo, Brion said: "I taught my hands to follow whatever was coming into my head—and wherever my consciousness would go, I had to push my hands to follow. And at some level, you just had to abandon any concern about how you’d look. Performing without a set list: That was special."

Discography[link]

Collaborations[link]

• The Bats - How Pop Can You Get? (1982)
• E - Vocals on "Shine It All On" from the album Broken Toy Shop (1993)
• The Grays - Ro Sham Bo (1994)
• Elliott Smith - Background vocals in the song "Happiness" (2000)
• Fiona Apple - "Everyday" from the album Rave On Buddy Holly (2011)

Solo[link]

• Meaningless (2001)

Film scores[link]

• Hard Eight (with Michael Penn) (1996)
• Magnolia (1999)
• Punch-Drunk Love (2002)
• Eternal Sunshine of the Spotless Mind (2004)
• I ♥ Huckabees (2004)
• The Break-Up (2006)
• Synecdoche, New York (2008)
• Step Brothers (2008)
• Glago's Guest (2008)^[7]
• The Other Guys (2010)
• The Future (2011)
• ParaNorman (2012)
• This Is Forty (2012)

As producer[link]

• Aimee Mann, Whatever, (1993)
• Aimee Mann, I'm with Stupid, (1995)
• The Crystal Method - "Bad Stone" (1997)
• Rufus Wainwright, Rufus Wainwright, (1998)
• Eleni Mandell, Wishbone, (1998)
• Robyn Hitchcock, Jewels for Sophia, (1998)
• Robyn Hitchcock, A Star for Bram, (1999)
• Fiona Apple, When the Pawn..., (1999)
• Aimee Mann, "Bachelor No. 2", (2000)
• The Crystal Method - "Over the Line" (2001)
• Elliott Smith, From a Basement on the Hill, (unreleased version, recorded 2001)
• Brad Mehldau, Largo, (2002)
• Rhett Miller, The Instigator, (2002)
• Evan Dando, Baby I'm Bored, (2003)
• Fiona Apple, Extraordinary Machine, (unreleased version, recorded 2002–2003)
• The Crystal Method - "Realizer" (2004)
• Kanye West, Late Registration (as co-executive producer and co-producer on several tracks), (2005)
• Marjorie Fair, Self Help Serenade (as co-executive producer), (2005)
• The Polyphonic Spree, "Love My Way" and "Lithium," Wait EP, (2006)
• Kanye West, "Drunk and Hot Girls," Graduation (as co-producer), (2007)
• Spoon, "The Underdog," Ga Ga Ga Ga Ga, (2007)
• The Section Quartet, "Phenomena," Fuzzbox, (2007)
• Keane, "You Haven't Told Me Anything", Perfect Symmetry, (2008)
• Dido, Safe Trip Home, (2008)
• Of Montreal, Jon Brion Remix EP, (2009)
• Of Montreal, False Priest, (2010)
• Brad Mehldau, Highway Rider, (2010)
• Punch Brothers, Antifogmatic, (2010)
• Of Montreal, thecontrollersphere, (2011)
• Katy Perry, "The One That Got Away (Acoustic Version)" (2012)^[8]
• Best Coast, The Only Place, (2012)

See also[link]

• Killer Queen: A Tribute to Queen

References[link]

External links[link]

• Jon Brion Discography
• Jon Brion at the Internet Movie Database
• Jon Brion discography at MusicBrainz
• Jon Brion on Myspace
• Embrionic Press: Jon Brion articles (via the Internet Archive)