Bourgeoisie

"Bourgeois" redirects here. For other uses, see Bourgeois (disambiguation).

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The prototype bourgeois: Monsieur Jourdain, the protagonist of the play Le Bourgeois gentilhomme (1670), by Molière, is the best would-be nobleman that money can buy.

Bourgeoisie (Eng.: /bʊərʒwɑːˈziː/; French pronunciation: ​[buʁʒwazi]) is a word from the French language, used in the fields of political economy, political philosophy, sociology, and history, which originally denoted the wealthy stratum of the middle class that originated during the latter part of the Middle Ages (AD 500–1500). The utilisation and specific application of the word is from the realm of the social sciences. In sociology and in political science, the noun bourgeoisie and the adjective bourgeois are terms that describe a historical range of socio-economic classes. As such, in the Western world, since the late 18th century, the bourgeoisie describes a social class “characterized by their ownership of capital, and their related culture”; hence, the personal terms bourgeois (masculine) and bourgeoise (feminine) culturally identify the man or woman who is a member of the wealthiest social class of a given society; and their materialistic worldview (Weltanschauung). In Marxist philosophy, the term bourgeoisie denotes the social class who owns the means of production, and whose societal concerns are the value of property and the preservation of capital, in order to ensure the perdurance of their economic supremacy in society. In contemporary social theory, the term bourgeoisie denotes the ruling class of capitalist societies.

Etymology

The Modern French word bourgeois derived from the Old French burgeis (walled city), which derived from bourg (market town), from the Old Frankish burg (town); in other European languages, the etymologic derivations are the Middle English burgeis, the Middle Dutch burgher, the German Bürger (burgess), and the Polish burżuazja, which occasionally is synonymous with the intelligentsia. In English, “bourgeoisie” (a French citizen-class) identified a social class oriented to economic materialism and hedonism, and to upholding the extreme political and economic interests of the capitalist ruling class. In the 18th century, before the French Revolution (1789–99), in the French feudal order, the masculine and feminine terms bourgeois and bourgeoise identified the rich men and women who were members of the urban and rural Third Estate — the common people of the French realm, who violently deposed the absolute monarchy of the Bourbon King Louis XVI (r. 1774–91), his clergy, and his aristocrats. Hence, since the 19th century, the term "bourgeoisie" usually is politically and sociologically synonymous with the ruling upper class of a capitalist society.

Historically, the mediæval French word bourgeois denoted the inhabitants of the bourgs (walled market-towns), the craftsmen, artisans, merchants, and others, who constituted "the bourgeoisie", they were the socio-economic class between the peasants and the landlords, between the workers and the owners of the means of production. Resultantly, as the economic managers of the (raw) materials, the goods, and the services, and thus the capital (money) produced by the feudal economy, the term "bourgeoisie" evolved to also denote the middle class — the businessmen and businesswomen who accumulated, administered, and controlled the capital that made possible the development of the bourgs into cities.

Contemporarily, the terms "bourgeoisie" and "bourgeois" identify the ruling class in capitalist societies, as a social stratum; while "bourgeois" describes the Weltanschauung (worldview) of men and women whose way of thinking is socially and culturally determined by their economic materialism and philistinism, a social identity catalogued and described in drame bourgeois (bourgeois drama), which satirizes buying the trappings of a noble-birth identity as the means climbing the social ladder. (See: Le Bourgeois gentilhomme, 1670)

History

The 16th century German banker Jakob Fugger and his principal accountant, M. Schwarz, registering an entry to a ledger. The background shows a file cabinet indicating the European cities where the Fugger Banker conducts business. (1517)

In the 21st century, the New York Stock Exchange manages the major finances of the capitalist system of production, which is owned by the contemporary bourgeoisie.

Origins and rise

In the 11th century, the bourgeoisie emerged as a historical and political phenomenon, when the bourgs of Central and Western Europe developed into cities dedicated to commerce. The organised economic concentration that made possible such urban expansion derived from the protective self-organisation into guilds, which became necessary when individual businessmen (craftsmen, artisans, merchants, et alii) conflicted with their rent-seeking feudal landlords who demanded greater-than-agreed rents. In the event, by the end of the Middle Ages (ca. AD 1500), under régimes of the early national monarchies of Western Europe, the bourgeoisie acted in self-interest, and politically supported the king or the queen against the legal and financial disorder caused by the greed of the feudal lords. In the late-16th and early 17-th centuries, the bourgeoisies of England and the Netherlands had become the financial — and thus political — forces that deposed the feudal order; economic power had vanquished military power in the realm of politics.

From progress to reaction

During the 17th and 18th centuries, the bourgeoisie were the politically progressive social class who supported the principles of constitutional government and of natural right, against the Law of Privilege and the claims of rule by divine right that the nobles and prelates had autonomously exercised during the feudal order. The motivations for the English Civil War (1642–51), the American War of Independence (1775–83), and French Revolution (1789–99) partly derived from the desire of the bourgeoisie to rid themselves of the feudal trammels and royal encroachments upon their personal liberty, commercial rights, and the ownership of property. In the 19th century, the bourgeoisie propounded liberalism, and gained political rights, religious rights, and civil liberties for themselves and the lower social classes; thus was the bourgeoisie then a progressive philosophic and political force in modern Western societies.

By the middle of the 19th century, subsequent to the Industrial Revolution (1750–1850), the great expansion of the bourgeoisie social class caused its self-stratification — by business activity and by economic function — into the haute bourgeoisie (bankers and industrialists) and the petite bourgeoisie (tradesmen and white-collar workers). Moreover, by the end of the 19th century, the capitalists (the original bourgeoisie) had ascended to the upper class (people whose money works for them), whilst the developments of technology and the technical occupations thereby engendered, allowed the ascension of working-class men and women to the lower strata of the bourgeoisie; yet the social progress was incidental.

In the event, despite its initial philosophic progressivism — from feudalism to liberalism to capitalism — like all ruling political establishments, the bourgeoisie social class (haute and petite) became reactionary in their refusal to allow the ascendance (economic, social, political) of people from the proletariat (peasants and urban workers) in order to remain predominant, as the political Establishment of their society.

Denotations

The 19th-century German intellectual K.H. Marx (1818–83) identified and described the bourgeoisie as an economic class of great societal influence.

The dictatorship of the bourgeoisie

In the Middle Ages (AD 500–1500), the bourgeois usually was a self-employed businessman — proprietor, merchant, banker, entrepreneur, et alii — whose economic role in society was being the financial intermediary to the feudal landlord and the peasant who worked the fief, the land of the lord. Yet, by the 18th century, the time of the Industrial revolution (1750–1850) and of industrial capitalism, the bourgeoisie had become the economic ruling class who owned the means of production (capital and land), and who controlled the means of coercion (armed forces and legal system, police forces and prison system). In such a society, the bourgeoisie’s ownership of the means of production enabled their employment and exploitation of the wage-earning working class (urban and rural), people whose sole economic means is labour; and the bourgeois control of the means of coercion suppressed the socio-political challenges of the lower classes, and so preserved the economic status quo; workers remained workers, and employers remained employers.

In the 19th century, the German economist Karl Marx distinguished two types of bourgeois capitalist: (i) the functional capitalist, the business administrator of the means of production; and (ii) the rentier capitalist whose livelihood derives either from the rent of property or from the interest-income produced by finance capital, or both. In the course of economic relations, the working class and the bourgeoisie continually engage in class struggle, wherein the capitalists exploit the workers, whilst the workers resist their economic exploitation, which occurs because the worker owns no means of production, and, to earn a living, he or she seeks employment from the bourgeois capitalist; the worker produces goods and services that are property of the employer, who sells them for a price. The money generated by the sale of the goods and services yields three sums (i) the wages of the worker, (ii) the costs of production, and (iii) profit (surplus value). Thereby, the capitalist profits (makes extra money) by selling the surplus value of the labour of the workers; hence is new wealth created through work.

Besides describing the social class who own the means of production, the Marxist usage of the term "bourgeois" also describes the consumerist style of life derived from the ownership of capital and real property. As an economist Karl Marx acknowledged the bourgeois industriousness that created wealth, yet criticised the moral hypocrisy of the bourgeoisie when they ignored the true origins of their wealth — the exploitation of the proletariat, the urban and rural workers. Further sense denotations of “bourgeois” describe ideologic concepts such as “bourgeois freedom”, which is opposed to substantive forms of freedom; “bourgeois independence”; “bourgeois personal individuality”; the “bourgeois family”; et cetera, all derived from owning capital and property. (See: The Communist Manifesto, 1848)

The state bourgeoisie

In the 20th century, communist states developed the nomenklatura, a state bourgeoisie constituted by the bureaucrats who administrated the country’s government, industry, agriculture, education, system of state capitalism, et cetera.

Modern history

Fascist Italy

Because of their ascribed cultural excellence as a social class, the Italian fascist régime (1922–45) of Prime Minister Benito Mussolini regarded the bourgeoisie as an obstacle to Modernism in aid to transforming Italian society. Nonetheless, despite such intellectual and social hostility, the Fascist State ideologically exploited the Italian bourgeoisie and their materialistic, middle-class spirit, for the more efficient cultural manipulation of the upper (aristocratic) and the lower (working) classes of Italy. In 1938, Prime Minister Mussolini gave a speech wherein he established a clear ideological distinction between capitalism (the social function of the bourgeoisie) and the bourgeoisie (as a social class), whom he dehumanized by reducing them into high-level abstractions: a moral category and a state of mind. Culturally and philosophically, Mussolini isolated the bourgeoisie from Italian society by portraying them as social parasites upon the Fascist Italian State and “The People”; as a social class who drained the human potential of Italian society, in general, and of the working class, in particular; as exploiters who victimized the Italian nation with an approach to life characterised by hedonism and materialism. Nevertheless, despite the slogan The Fascist Man Disdains the ″Comfortable″ Life, which epitomized the anti-bourgeois principle, in its final years of power, for mutual benefit and profit, the Mussolini Fascist régime transcended ideology in order to merge the political and financial interests of Prime Minister Benito Mussolini with the political and financial interests of the bourgeoisie, the Catholic social circles who constituted the ruling class of Italy.

Philosophically, as a materialist creature, the bourgeois man was irreligious; thus, to establish an existential distinction between the supernatural faith of the Roman Catholic Church and the materialist faith of temporal religion; in The Autarchy of Culture: Intellectuals and Fascism in the 1930s, the priest Giuseppe Marino said that:

Christianity is essentially anti-bourgeois . . . A Christian, a true Christian, and thus a Catholic, is the opposite of a bourgeois.

Culturally, the bourgeois man is unmanly, effeminate, and infantile; describing his philistinism in Bonifica antiborghese (1939), Roberto Paravese said that the:

Middle class, middle man, incapable of great virtue or great vice: and there would be nothing wrong with that, if only he would be willing to remain as such; but, when his child-like or feminine tendency to camouflage pushes him to dream of grandeur, honours, and thus riches, which he cannot achieve honestly with his own “second-rate” powers, then the average man compensates with cunning, schemes, and mischief; he kicks out ethics, and becomes a bourgeois.

The bourgeois is the average man who does not accept to remain such, and who, lacking the strength sufficient for the conquest of essential values — those of the spirit — opts for material ones, for appearances.

The economic security, financial freedom, and social mobility of the bourgeoisie threatened the philosophic integrity of Italian Fascism, the ideologic monolith that was the régime of Prime Minister Benito Mussolini. Any assumption of legitimate political power (government and rule) by the bourgeoisie represented a Fascist loss of totalitarian State power for social control through political unity — one people, one nation, one leader. Sociologically, to the fascist man, to become a bourgeois was a character flaw inherent to the masculine mystique; therefore, the ideology of Italian Fascism scornfully defined the bourgeois man as “spiritually castrated”.

Bourgeois culture

The German cultural critic Walter Benjamin (1892–1940) identified the cluttered sitting-room as symbolic of the bourgeois’s success, as businessman and as conspicuous consumer.

Cultural hegemony

Karl Marx said that the culture of a society is dominated by the mores of the ruling-class, wherein their superimposed value system is abided by each social class (the upper, the middle, the lower) regardless of the socio-economic results it yields to them. In that sense, contemporary societies are bourgeois to the degree that they practice the mores of the small-business “shop culture” of early modern France; which the writer Émile Zola (1840–1902) naturalistically presented, analysed, and ridiculed in the twenty-two-novel series (1871–1893) about Les Rougon-Macquart family; the thematic thrust is the necessity for social progress, by subordinating the economic sphere to the social sphere of life.

The bourgeois mentality of conspicuous consumption

The critical analyses of the bourgeois mentality by the German intellectual Walter Benjamin (1892–1940) indicated that the shop culture of the petite bourgeoisie established the sitting room as the centre of personal and family life; as such, the English bourgeois culture is a sitting-room culture of prestige through conspicuous consumption. The material culture of the bourgeoisie concentrated upon mass-produced luxury goods of high quality; generationally, the only variance was the materials with which the goods were manufactured. In the early part of the 19th century, the bourgeois house contained a home that first was stocked and decorated with hand-painted porcelain, machine-printed cotton fabrics, machine-printed wallpaper, and Sheffield steel (crucible and stainless), the utility of which was inherent to its practical functions. Whereas, in the latter part of the 19th century, the bourgeois house contained a home that had been remodelled by conspicuous consumption, whereby the goods were bought to display wealth (discretionary income), rather than for their practical utility. The bourgeoisie had transposed the wares of the shop window to the sitting room, where the clutter of display signalled bourgeois success. (See: Culture and Anarchy, 1869)

Two spatial constructs manifest the bourgeois mentality: (i) the shop-window display, and (ii) the sitting room. In English, the term “sitting-room culture” is synonymous for “bourgeois mentality”, a philistine cultural perspective from the Victorian Era (1837–1901), especially characterised by the repression of emotion and of sexual desire; and by the construction of an regulated social-space where “propriety” is the key personality trait desired in men and women. Nonetheless, from such a psychologically constricted worldview, regarding the rearing of children, contemporary sociologists claim to have identified “progressive” middle-class values, such as respect for non-conformity, self-direction, autonomy, gender equality and the encouragement of innovation; as in the Victorian Era, the transposition to the U.S. of the bourgeois system of social values has been identified as a requisite for employment success in the professions.

Representations of the bourgeoisie

Beyond the intellectual realms of political economy, history, and political science that discuss, describe, and analyse the bourgeoisie as a social class, the colloquial usages of the sociological terms bourgeois and bourgeoise describe the social stereotypes of the Old Money and of the Nouveau riche man and woman who is a politically timid conformist satisfied with a wealthy, consumerist style of life characterised by conspicuous consumption and the continual striving for prestige. As such, the cultures of the world describe the philistinism of the middle-class personality, produced by the excessively rich life of the bourgeoisie, is examined and analysed in comedic and dramatic plays, novels, and films. (See: Authenticity)

Thomas Mann (1875–1955) portrayed the moral, intellectual, and physical decadence of the German bourgeoisie in the novel Buddenbrooks (1901).

The 17th-century French playwright Molière (1622–73) catalogued the social-climbing essence of the bourgeoisie in Le Bourgeois gentilhomme (1670).

The Spanish cinéast Luis Buñuel (1900–83) depicted the tortuous mentality and self-destructive hypocrisy of the bourgeoisie.

Theatre

Le Bourgeois gentilhomme (The Would-be Gentleman, 1670) by Molière (Jean-Baptiste Poquelin), is a comedy-ballet that satirizes Monsieur Jourdain, the prototypical nouveau riche man who buys his way up the social-class scale, in order to realise his aspirations of becoming a gentleman, to which end he studies dancing, fencing, and philosophy, the trappings and accomplishments of a gentleman, in order to be able to pose as a man of noble birth, someone who, in 17th-century France, was a man to the manor born; Jourdain’s self-transformation also requires managing the private life of his daughter, so that her marriage can also assist his social ascent.

Literature

Buddenbrooks (1901), by Thomas Mann (1875–1955), chronicles the moral, intellectual, and physical decay of a rich family through its declines, material and spiritual, in the course of four generations, beginning with the patriarch Johann Buddenbrook Sr. and his son, Johann Buddenbrook Jr., who are typically successful German businessmen; each is a reasonable man of solid character. Yet, in the children of Buddenbrook Jr., the materially comfortable style of life provided by the dedication to solid, middle-class values elicits decadence: The fickle daughter, Toni, lacks and seeks no purpose in life; son Christian is honestly decadent, and lives the life of a ne’er-do-well; and the businessman son, Thomas, who assumes command of the Buddenbrook family fortune, occasionally falters from middle-class solidity by being interested in art and philosophy, the impractical life of the mind, which, to the bourgeoisie, is the epitome of social, moral, and material decadence.

Babbitt (1922), by Sinclair Lewis (1885–1951), satirizes the American bourgeois George Follansbee Babbitt, a middle-aged realtor, booster, and joiner in the Midwestern city of Zenith, who — despite being unimaginative, self-important, and hopelessly conformist and middle-class — is aware that there must be more to life than money and the consumption of the best things that money can buy. Nevertheless, he fears being excluded from the mainstream of society more than he does living for himself, by being true to himself — his heart-felt flirtations with independence (dabbling in liberal politics and a love affair with a pretty widow) come to naught because he is existentially afraid.

Yet, George F. Babbitt sublimates his desire for self-respect, and encourages his son to rebel against the conformity that results from bourgeois prosperity, by recommending that he be true to himself:

Don’t be scared of the family. No, nor all of Zenith. Nor of yourself, the way I’ve been.”

Cinema

The comedy films by the Spanish film director Luis Buñuel (1900–83) examine the mental and moral effects of the bourgeois mentality, its culture, and the stylish way of life it provides for its practitioners.

• 

  The Golden Age (1930)

• 

  The Discreet Charm of the Bourgeoisie (1972)

• 

  That Obscure Object of Desire (1977)

• L’Âge d’or (The Golden Age, 1930) illustrates the madness and self-destructive hypocrisy of bourgeois sciety.

• Le charme discret de la bourgeoisie (The Discreet Charm of the Bourgeoisie, 1972) explores the timidity instilled by middle-class values.

• Cet obscur objet du désir (That Obscure Object of Desire, 1977) illuminates the practical self-deceptions required for buying love as marriage.

See also

• Beurgeois (rich French Muslims of North-African descent)
• Bildungsbürgertum
• Burgess
• Conspicuous consumption
• Conspicuous leisure
• Cultural hegemony
• Economic stratification
• Gemütlichkeit
• Grand Burgher (German Großbürger)
• Habitus (sociology)
• Homo economicus
• Occupational prestige
• Petite bourgeoisie
• Political class
• The Proletariat , the opposite of the Bourgeoisie
• Rational-legal authority
• Social environment
• Social structure of the United Kingdom
• The Theory of the Leisure Class: An Economic Study of Institutions (1899)
• Vecino

Further reading

• Burton J. Bledstein and Robert D. Johnston (eds.), The Middling Sorts: Explorations in the History of the American Middle Class. Routledge. 2001.
• David Brooks, Bobos In Paradise: The New Upper Class and How They Got There. Simon & Schuster. 2001.
• Frank J. Byrne, Becoming Bourgeois: Merchant Culture in the South, 1820-1865. University Press of Kentucky. 2006.
• Margaret R. Hunt, The Middling Sort: Commerce, Gender, and the Family in England, 1680–1780. University of California Press. 1996.
• Marsha Kinder (ed.), Luis Buñuel's The Discreet Charm of the Bourgeoisie. Cambridge University Press. 1999.
• David Lockwood, Cronies or Capitalists? The Russian Bourgeoisie and the Bourgeois Revolution from 1850 to 1917. Cambridge Scholars Publishing. 2009.
• Molière, and Frederick Morris Warren (ed.), Molière's Le bourgeois gentilhomme. D.C. Heath & Co. 1899. (full text)
• Jerrold Seigel, Bohemian Paris: Culture, Politics, and the Boundaries of Bourgeois Life, 1830–1930. The Johns Hopkins University Press. 1999.
• Robert W. Stern, Changing India: Bourgeois Revolution on the Subcontinent. Cambridge University Press. 2nd edition, 2003.

External links

• The Democratic State – A Critique of Bourgeois Sovereignty