- published: 08 May 2013
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Jean-Édouard Vuillard (French: [vɥijaʁ]; 11 November 1868 – 21 June 1940) was a French painter and printmaker associated with the Nabis.
Jean-Édouard Vuillard, the son of a retired captain, spent his youth at Cuiseaux (Saône-et-Loire); in 1878 his family moved to Paris in modest circumstances. After his father's death in 1884, Vuillard received a scholarship to continue his education. In the Lycée Condorcet Vuillard met Ker Xavier Roussel (also a future painter and Vuillard's future brother in law), Maurice Denis, musician Pierre Hermant, writer Pierre Véber, and Lugné-Poe.
In 1885, Vuillard left the Lycée Condorcet. On the advice of his closest friend, Roussel, he refused a military career and joined Roussel at the studio of painter Diogène Maillart. There, Roussel and Vuillard received the rudiments of artistic training. In 1887, after three unsuccessful attempts, Vuillard passed the entrance examination for the École des Beaux-Arts. Vuillard kept a private journal from 1888–1905 and later from 1907–40.
ArtStop: Édouard Vuillard November 8, 2012 with Lucy Eron, Museum Educator ArtStops are 15 minute, staff-led tours of one to three works on view. Museum curators and educators present these brief yet always enlightening and informative talks every Thursday and third Tuesday at noon. www.TheSanDiegoMuseumofArt.org Video produced by The Balboa Park Online Collaborative
Beautiful artworks by the wonderful French painter Édouard Vuillard. Music: Claude Debussy, Arabesque No. 1. Franz Schubert, Impromptu No. 3. Jean-Édouard Vuillard, the son of a retired captain, spent his youth at Cuiseaux (Saône-et-Loire); in 1878 his family moved to Paris in modest circumstances. After his father's death in 1884, Vuillard received a scholarship to continue his education. In 1885, Vuillard left the Lycée Condorcet. On the advice of his closest friend, Roussel, he refused a military career and joined Roussel at the studio of painter Diogène Maillart. There, Roussel and Vuillard received the rudiments of artistic training. In 1887, Vuillard passed the entrance examination for the École des Beaux-Arts. Vuillard kept a private journal from 1888--1905 and later from 190...
On Thursday Mary 24, 2012, contemporary artist Lisa Yuskavage and Chief Curator Norman Kleeblatt discussed the paintings of Edouard Vuillard, on view in the exhibition, Edouard Vuillard: A Painter and His Muses, 1890--1940, and his influence on artists working today. http://ow.ly/AmICF "There are a surprising number of contemporary artists, working in diverse media, who are channeling Vuillard," observed Norman Kleeblatt, Susan and Elihu Rose Chief Curator of the Jewish Museum. Yuskavage and Kleeblatt's conversation will highlight what makes Vuillard so relevant for this decade, look back at Vuillard's influence on artists of the post-World War II era, and discuss Yuskavage's own complex art. The Intimist painter Edouard Vuillard was a major influence on Lisa Yuskavage's paintings early...
"Los jardines públicos" de Edouard Vuillard, 1874. Museo de Orsay, París.
In today's inaugural episode, we examine Edouard Vuillard's 1893 painting Two Seamstresses in the Workplace.
Eric Vuillard était l'invité de Laurent Ruquier à l'occasion de la sortie de son livre "Tristesse de la Terre", éditions Actes sud. On n'est pas couché 22 novembre 2014 Laurent Ruquier avec Léa Salamé & Aymeric Caron France 2 #ONPC Toutes les informations sur les invités et leur actualité http://www.france2.fr/emissions/on-n-est-pas-couche Suivez @ONPCofficiel et réagissez en direct avec le hashtag #ONPC https://twitter.com/ONPCofficiel Continuez le débat sur Facebook https://www.facebook.com/onpcF2
Edouard VUILLARD, peintre français (11 novembre 1868 - 21 juin 1940)membre du mouvement nabi. Le mouvement nabi est un mouvement artistique post-impressionniste d'avant-garde né à la fin du 19ème siècle en réaction contre la peinture académique. Il s'agissait pour le peintre de se débarrasser de la contrainte imitative de la peinture, à user de couleurs vives et crues, à exagérer ses visions et à donner à ses peintures sa propre logique décorative et symbolique. Mémoire et imagination étaient privilégiées. Les nabis voulaient donner une âme à la peinture et donnaient une prédominance à la lumière et au symbolisme. Les peintres de ce cercle se donnèrent des surnoms. Celui de VUILLARD était "Le nabi zouave". Certaines de ses peintures corquant des intérieurs domestiques offrent des personn...
A l'occasion de la 18e édition des Correspondances de Manosque, rencontre avec Éric Vuillard autour de son ouvrage "14 juillet" aux éditions Actes Sud. Rentrée littéraire 2016. Retrouvez le livre : https://www.mollat.com/livres/73215/eric-vuillard-14-juillet-recit Notes de musique : Forbidden Territory by Beatdowsing. Free Music Archive Visitez le site : http://www.mollat.com/ Suivez la librairie mollat sur les réseaux sociaux : Facebook : https://www.facebook.com/Librairie.mollat?ref=ts Twitter : https://twitter.com/LibrairieMollat Instagram : https://instagram.com/librairie_mollat/ Dailymotion : http://www.dailymotion.com/user/Librairie_Mollat/1 Vimeo : https://vimeo.com/mollat Pinterest : https://www.pinterest.com/librairiemollat/ Tumblr : http://mollat-bordeaux.tumblr.com/ Sound...
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