A health maintenance organization (HMO) is an organization that provides or arranges managed care for health insurance, self-funded health care benefit plans, individuals and other entities in the United States as a liaison with health care providers (hospitals, doctors, etc.) on a prepaid basis. The Health Maintenance Organization Act of 1973 required employers with 25 or more employees to offer federally certified HMO options if the employer offers traditional healthcare options.^[1] Unlike traditional indemnity insurance, an HMO covers care rendered by those doctors and other professionals who have agreed by contract to treat patients in accordance with the HMO's guidelines and restrictions in exchange for a steady stream of customers. HMOs cover emergency care regardless of the health care provider's contracted status.

Operation[link]

HMOs require members to select a primary care physician (PCP), a doctor who acts as a "gatekeeper" to direct access to medical services. PCPs are usually internists, pediatricians, family doctors, or general practitioners (GPs). Except in medical emergency situations, patients need a referral from the PCP in order to see a specialist or other doctor, and the gatekeeper cannot authorize that referral unless the HMO guidelines deem it necessary.

"Open access" and "POS" (point of service) products are a combination of an HMO and traditional indemnity plan. The member(s) are not required to use a gatekeeper or obtain a referral before seeing a specialist. In that case, the traditional benefits are applicable. If the member uses a gatekeeper, the HMO benefits are applied. The beneficiary cost sharing (e.g., co-payment or coinsurance) may be higher for specialist care, however.^[2]

HMOs also manage care through utilization review. That means they monitor doctors to see if they are performing more services for their patients than other doctors, or fewer. HMOs often provide preventive care for a lower copayment or for free, in order to keep members from developing a preventable condition that would require a great deal of medical services. When HMOs were coming into existence, indemnity plans often did not cover preventive services, such as immunizations, well-baby checkups, mammograms, or physicals. It is this inclusion of services intended to maintain a member's health that gave the HMO its name. Some services, such as outpatient mental health care, are limited, and more costly forms of care, diagnosis, or treatment may not be covered. Experimental treatments and elective services that are not medically necessary (such as elective plastic surgery) are almost never covered.

Other choices for managing care are case management, in which patients with catastrophic cases are identified, or disease management, in which patients with certain chronic diseases like diabetes, asthma, or some forms of cancer are identified. In either case, the HMO takes a greater level of involvement in the patient's care, assigning a case manager to the patient or a group of patients to ensure that no two providers provide overlapping care, and to ensure that the patient is receiving appropriate treatment, so that the condition does not worsen beyond what can be helped.

Cost containment[link]

Although businesses pursued the HMO model for its alleged cost containment benefits, some research indicates that private HMO plans don't achieve any significant cost savings over non-HMO plans. Although out-of-pocket costs are reduced for consumers, controlling for other factors, the plans don't affect total expenditures and payments by insurers. A possible reason for this failure is that consumers might increase utilization in response to less cost sharing under HMOs.^[3] Some^[4] have asserted that HMO's (especially those run for profit) actually increase administrative costs and tend to cherry-pick healthier patients.

History[link]

The earliest form of HMOs can be seen in a number of prepaid health plans. In 1910, the Western Clinic in Tacoma, Washington offered lumber mill owners and their employees certain medical services from its providers for a premium of $0.50 per member per month. This is considered by some to be the first example of an HMO. However, Ross-Loos Medical Group, established in 1929, is considered to be the first HMO in the United States; it was headquartered in Los Angeles and initially provided services for Los Angeles Department of Water and Power (DWP) and Los Angeles County employees. Approximately 500 DWP employees enrolled at a cost of $1.50 each per month. Within a year, the Los Angeles Fire Department signed up, then the Los Angeles Police Department, then the Southern California Telephone Company, (now AT&T) and more. By 1951, enrollment stood at 35,000 and included teachers, county and city employees. In 1982 through the merger of the Insurance Company of North America (INA) founded in 1792 and Connecticut General (CG) founded in 1865 came together to become CIGNA. Ross-Loos Medical Group, became now known as CIGNA HealthCare. Also in 1929 Dr. Michael Shadid created a health plan in Elk City, Oklahoma in which farmers bought shares for $50 to raise the money to build a hospital. The medical community did not like this arrangement and threatened to suspend Shadid's licence. The Farmer's Union took control of the hospital and the health plan in 1934. Also in 1929, Baylor Hospital provided approximately 1,500 teachers with prepaid care. This was the origin of Blue Cross. Around 1939, state medical societies created Blue Shield plans to cover physician services, as Blue Cross covered only hospital services. These prepaid plans burgeoned during the Great Depression as a method for providers to ensure constant and steady revenue.

In 1970, the number of HMOs declined to less than 40. Paul M. Ellwood, Jr., often called the "father" of the HMO, began having discussions with what is today the U.S. Department of Health and Human Services that led to the enactment of the Health Maintenance Organization Act of 1973. This act had three main provisions:

• Grants and loans were provided to plan, start, or expand an HMO
• Certain state-imposed restrictions on HMOs were removed if the HMOs were federally certified
• Employers with 25 or more employees were required to offer federally certified HMO options alongside indemnity upon request

This last provision, called the dual choice provision, was the most important, as it gave HMOs access to the critical employer-based market that had often been blocked in the past. The federal government was slow to issue regulations and certify plans until 1977, when HMOs began to grow rapidly. The dual choice provision expired in 1995.

In 1971, Gordon K. MacLeod MD developed and became the director of the United States' first federal Health Maintenance Organization (HMO) program. He was recruited by Elliot Richardson, the secretary of the U.S. Department of Health, Education and Welfare.

Types of HMOs[link]

HMOs operate in a variety of forms. Most HMOs today do not fit neatly into one form; they can have multiple divisions, each operating under a different model, or blend two or more models together. In the staff model, physicians are salaried and have offices in HMO buildings. In this case, physicians are direct employees of the HMOs. This model is an example of a closed-panel HMO, meaning that contracted physicians may only see HMO patients. Previously this type of HMO was common, although currently it is nearly inactive.^[5] In the group model, the HMO does not employ the physicians directly, but contracts with a multi-specialty physician group practice. Individual physicians are employed by the group practice, rather than by the HMO. The group practice may be established by the HMO and only serve HMO members ("captive group model"). Kaiser Permanente is an example of a captive group model HMO rather than a staff model HMO, as is commonly believed. An HMO may also contract with an existing, independent group practice ("independent group model"), which will generally continue to treat non-HMO patients. Group model HMOs are also considered closed-panel, because doctors must be part of the group practice to participate in the HMO - the HMO panel is closed to other physicians in the community.^[6]

If not already part of a group medical practice, physicians may contract with an independent practice association (IPA), which in turn contracts with the HMO. This model is an example of an open-panel HMO, where a physician may maintain their own office and may see non-HMO members.

In the network model, an HMO will contract with any combination of groups, IPAs (Independent Practice Associations), and individual physicians. Since 1990, most HMOs run by managed care organizations with other lines of business (such as PPO, POS and indemnity) use the network model.

Regulation[link]

HMOs are regulated at both the state and federal levels. They are licensed by the states, under a license that is known as a certificate of authority (COA) rather than under an insurance license.^[7] State and federal regulators also issue mandates, requirements for health maintenance organizations to provide particular products. In 1972 the National Association of Insurance Commissioners adopted the HMO Model Act, which was intended to provide a model regulatory structure for states to use in authorizing the establishment of HMOs and in monitoring their operation^[8].

Legal responsibilities[link]

HMOs often have a negative public image due to their restrictive appearance. HMOs have been the target of lawsuits claiming that the restrictions of the HMO prevented necessary care. Whether an HMO can be held responsible for a physician's negligence partially depends on the HMO's screening process.^{[citation needed]} If an HMO only contracts with providers meeting certain quality criteria and advertises this to its members, a court may be more likely to find that the HMO is responsible, just as hospitals can be liable for negligence in selecting physicians. However, an HMO is often insulated from malpractice lawsuits. The Employee Retirement Income Security Act (ERISA) can be held to preempt negligence claims as well. In this case, the deciding factor is whether the harm results from the plan's administration or the provider's actions. ERISA does not preempt or insulate HMO's from breach of contract or state law claims asserted by an independent, third-party provider of medical services.^[9]

Organizations[link]

• Aetna
• Blue Cross Blue Shield Association
• CIGNA
• Kaiser Permanente
• Humana
• Health Net
• UnitedHealth Group
• WellPoint

See also[link]

• America’s Health Insurance Plans
• Capitated reimbursement
• Health insurance in the United States
• Managed care
• Medicaid
• Medicare (United States)
• Preferred provider organization
• Publicly-funded health care
• Sicko, a Michael Moore documentary criticising HMOs
• Single-payer health care

References[link]

External links[link]

• America's Health Insurance Plans - a trade organization
• HealthDecisions.org - Comprehensive resource for insurance news and information
• Medicare HMO Web Site
• The high costs of for-profit care - an article that includes references to the excesses of HMO Chief Executive Officer pay in the U.S.
• Physician Salaries in USA - A Snapshot

Michael Moore
Moore in New York to promote his memoir Here Comes Trouble, September 2011
Born	Michael Francis Moore (1954-04-23) April 23, 1954 (age 58) Flint, Michigan, United States[1]
Alma mater	University of Michigan–Flint
Occupation	Actor, director, screenwriter, producer
Years active	1972–present[2]
Religion	Roman Catholic[3]
Spouse	Kathleen Glynn (1991–present)
Website
michaelmoore.com

Michael Francis Moore (born April 23, 1954) is an American filmmaker, author, social critic and activist.^[4] He is the director and producer of Fahrenheit 9/11, which is the highest-grossing documentary of all time.^[5] His films Bowling for Columbine and Sicko also place in the top ten highest-grossing documentaries.^[5] In September 2008, he released his first free movie on the Internet, Slacker Uprising, which documented his personal quest to encourage more Americans to vote in presidential elections.^[6] He has also written and starred in the TV shows TV Nation and The Awful Truth.

Moore criticizes globalization, large corporations, assault weapon ownership, U.S. Presidents Bill Clinton^[7] and George W. Bush, the Iraq War, the American health care system, and capitalism in his written and cinematic works.

Personal life[link]

Moore was born in Flint, Michigan,^[1] and raised in Davison, a suburb of Flint, by parents Veronica (née Wall), a secretary, and Frank Moore, an automotive assembly-line worker.^[8][9][10] At that time, the city of Flint was home to many General Motors factories, where his parents and grandfather worked. His uncle LaVerne was one of the founders of the United Automobile Workers labor union and participated in the Flint Sit-Down Strike.^[11]

Moore was brought up Catholic,^[12] attended parochial St. John's Elementary School for primary school and later attended St. Paul's Seminary in Saginaw, Michigan, for a year.^{[13][8][14][15][16]} He then attended Davison High School, where he was active in both drama and debate,^[17] graduating in 1972. As a member of the Boy Scouts of America, he achieved the rank of Eagle Scout.^[8] At the age of 18, he was elected to the Davison school board.^[18]

Since 1990, Moore has been married to producer Kathleen Glynn,^[19] with whom he has a stepdaughter named Natalie. Moore is a Catholic,^[3][20] but has said he disagrees with church teaching on subjects such as abortion^[21] and same-sex marriage.^[22]

Following the Columbine High School massacre, Moore acquired a life membership to the National Rifle Association (NRA). Moore said that he initially intended to become the NRA's president and dismantle it, but he soon dismissed the plan as too difficult.^[23][24] Observers such as Dave Kopel noted that there was no chance of that happening;^[25] authors David T. Hardy and Jason Clarke wrote about how Moore failed to discover that the NRA selects a president not by membership vote but by a vote of the board of directors.^[26]

In 2005 Time magazine named Moore one of the world's 100 most influential people.^[27] Also in 2005, Moore started the annual Traverse City Film Festival in Traverse City, Michigan.

Career[link]

After dropping out of the University of Michigan–Flint following his freshman year (where he wrote for the student newspaper The Michigan Times), Moore worked at the local Buick plant.^[28] At 22 he founded the alternative weekly magazine The Flint Voice, which soon changed its name to The Michigan Voice as it expanded to cover the entire state. In 1986, when Moore became the editor of Mother Jones, a liberal political magazine, he moved to California and The Michigan Voice was shut down.

Moore at the 66th Venice International Film Festival in 2009

After four months at Mother Jones, Moore was fired. Matt Labash of The Weekly Standard reported this was for refusing to print an article by Paul Berman that was critical of the Sandinista human rights record in Nicaragua.^[29] Moore refused to run the article, believing it to be inaccurate. "The article was flatly wrong and the worst kind of patronizing bullshit. You would scarcely know from it that the United States had been at war with Nicaragua for the last five years."^[30] Moore believes that Mother Jones fired him because of the publisher's refusal to allow him to cover a story on the GM plant closings in his hometown of Flint, Michigan. He responded by putting laid-off GM worker Ben Hamper (who was also writing for the same magazine at the time) on the magazine's cover, leading to his termination. Moore sued for wrongful dismissal, and settled out of court for $58,000, providing him with seed money for his first film, Roger & Me.^[31]

Directing/producing[link]

Roger & Me

Moore first became famous for his 1989 film, Roger & Me, a documentary about what happened to Flint, Michigan, after General Motors closed its factories and opened new ones in Mexico, where the workers were paid much less. Since then Moore has been known as a critic of the neoliberal view of globalization. "Roger" is Roger B. Smith, former CEO and president of General Motors. Harlan Jacobson, editor of Film Comment magazine, said that Moore muddled the chronology in Roger & Me to make it seem that events that took place before G.M.’s layoffs were a consequence of them. Critic Roger Ebert defended Moore's handling of the timeline as an artistic and stylistic choice that had less to do with his credibility as a filmmaker and more to do with the flexibility of film as a medium to express a satiric viewpoint.^[32]

Pets or Meat: The Return to Flint

(1992) is a short (23-minute) documentary film that was aired on PBS. It is based on the feature-length film Roger & Me (1989) by Michael Moore. The film's title refers to Rhonda Britton, a Flint, Michigan, resident featured in both the 1989 and 1992 films who sells rabbits as either pets or meat.^[33]

Canadian Bacon

In 1995, Moore released a satirical film, Canadian Bacon, which features a fictional US president (played by Alan Alda) engineering a fake war with Canada in order to boost his popularity. It is noted for containing a number of Canadian and American stereotypes, and for being Moore's only non-documentary film. The film is also one of the last featuring Canadian-born actor John Candy, and also features a number of cameos by other Canadian actors. In the film, several potential enemies for America's next great campaign are discussed by the president and his cabinet. (The scene was strongly influenced by the Stanley Kubrick film Dr. Strangelove.) The President comments that declaring war on Canada was as ridiculous as declaring war on international terrorism. His military adviser, played by Rip Torn, quickly rebuffs this idea, saying that no one would care about "... a bunch of guys driving around blowing up rent-a-cars."

The Big One

In 1997, Moore directed The Big One, which documents the tour publicizing his book Downsize This! Random Threats from an Unarmed American, in which he criticizes mass layoffs despite record corporate profits. Among others, he targets Nike for outsourcing shoe production to Indonesia.

Bowling for Columbine

Moore's 2002 film, Bowling for Columbine, probes the culture of guns and violence in the United States, taking as a starting point the Columbine High School massacre of 1999. Bowling for Columbine won the Anniversary Prize at the 2002 Cannes Film Festival^[34] and France's César Award as the Best Foreign Film. In the United States, it won the 2002 Academy Award for Documentary Feature. It also enjoyed great commercial and critical success for a film of its type and became, at the time, the highest-grossing mainstream-released documentary (a record now held by Moore's Fahrenheit 9/11).^[5] It was praised by some for illuminating a subject avoided by the mainstream media.

Fahrenheit 9/11

Fahrenheit 9/11 examines America in the aftermath of the September 11, 2001 attacks, particularly the record of the Bush administration and alleged links between the families of George W. Bush and Osama bin Laden. Fahrenheit was awarded the Palme d'Or,^[35] the top honor at the 2004 Cannes Film Festival; it was the first documentary film to win the prize since 1956. Moore later announced that Fahrenheit 9/11 would not be in consideration for the 2005 Academy Award for Documentary Feature, but instead for the Academy Award for Best Picture. He stated he wanted the movie to be seen by a few million more people via a television broadcast prior to election day. According to Moore, "Academy rules forbid the airing of a documentary on television within nine months of its theatrical release", and since the November 2 election was fewer than nine months after the film's release, it would have been disqualified for the Documentary Oscar.^[36] However, Fahrenheit received no Oscar nomination for Best Picture. The title of the film alludes to the classic book Fahrenheit 451 about a future totalitarian state in which books are banned; according to the book, paper begins to burn at 451 degrees Fahrenheit. The pre-release subtitle of the film confirms the allusion: "The temperature at which freedom burns." At the box office, as of 2010 Fahrenheit 9/11 is the highest-grossing documentary of all time, taking in over US$200 million worldwide, including United States box office revenue of almost US$120 million.^[5] In February 2011, Moore sued producers Bob and Harvey Weinstein for US$2.7 million in unpaid profits from the film, claiming they used "Hollywood accounting tricks" to avoid paying him the money.^[37]

Michael Moore at the 2007 Cannes Film Festival receiving a standing ovation for Sicko

Sicko

Moore directed this film about the American health care system, focusing particularly on the managed-care and pharmaceutical industries. At least four major pharmaceutical companies — Pfizer, Eli Lilly, AstraZeneca, and GlaxoSmithKline — ordered their employees not to grant any interviews to Moore.^[38][39][40] According to Moore on a letter at his website, "roads that often surprise us and lead us to new ideas—and challenge us to reconsider the ones we began with have caused some minor delays." The film premiered at the Cannes Film Festival on May 19, 2007, receiving a lengthy standing ovation, and was released in the U.S. and Canada on June 29, 2007.^[41] The film was the subject of some controversy when it became known that Moore went to Cuba with chronically ill September 11th rescue workers to shoot parts of the film. The United States is looking into whether this violates the trade embargo. The film is currently ranked the fourth highest grossing documentary of all time^[5] and received an Academy Award nomination for Best Documentary Feature.^[42]

Captain Mike Across America

Moore takes a look at the politics of college students in what he calls "Bush Administration America" with this film shot during Moore's 60-city college campus tour in the months leading up to the 2004 election.^[43][44] The film was later re-edited by Moore into Slacker Uprising.

Capitalism: A Love Story

On September 23, 2009, Moore released a new movie titled Capitalism: A Love Story, which looks at the late-2000s financial crisis and the U.S. economy during the transition between the incoming Obama Administration and the outgoing Bush Administration. Addressing a press conference at its release, Moore said, "Democracy is not a spectator sport, it's a participatory event. If we don't participate in it, it ceases to be a democracy. So Obama will rise or fall based not so much on what he does but on what we do to support him."^[45]

Writing[link]

Moore has written or co-written eight non-fiction books, mostly on similar subject matter to his documentaries. Stupid White Men (2001) is ostensibly a critique of American domestic and foreign policy but, by Moore's own admission, is also "a book of political humor."^[46] Dude, Where's My Country? (2003), is an examination of the Bush family's relationships with Saudi royalty, the Bin Laden family, and the energy industry, and a call-to-action for liberals in the 2004 election. Several of his works have made bestseller lists.

Acting[link]

Moore has dabbled in acting, following a 2000 supporting role in Lucky Numbers as the cousin of Lisa Kudrow's character, who agrees to be part of the scheme concocted by John Travolta's character. He also had a cameo in his Canadian Bacon as an anti-Canada activist. In 2004, he did a cameo, as a news journalist, in The Fever, starring Vanessa Redgrave in the lead.

Television[link]

Between 1994 and 1995, he directed and hosted the BBC television series TV Nation, which followed the format of news magazine shows but covered topics they avoid. The series aired on BBC2 in the UK. The series was also aired in the US on NBC in 1994 for 9 episodes and again for 8 episodes on Fox in 1995.

His other major series was The Awful Truth, which satirized actions by big corporations and politicians. It aired on Channel 4 in the UK, and the Bravo network in the US, in 1999 and 2000. Moore won the Hugh M. Hefner First Amendment Award in Arts and Entertainment for being the executive producer and host of The Awful Truth, where he was also described as "muckraker, author and documentary filmmaker".

Another 1999 series, Michael Moore Live, was aired in the UK only on Channel 4, though it was broadcast from New York. This show had a similar format to The Awful Truth, but also incorporated phone-ins and a live stunt each week.

Music videos[link]

Moore has directed several music videos, including two for Rage Against the Machine for songs from The Battle of Los Angeles: "Sleep Now in the Fire" and "Testify". He was threatened with arrest during the shooting of "Sleep Now in the Fire", which was filmed on Wall Street; the city of New York had denied the band permission to play there, although the band and Moore had secured a federal permit to perform.^[47]

He also directed the videos for R.E.M. single "All the Way to Reno (You're Gonna Be a Star)" in 2001 and the System of a Down song "Boom!".

Appearances in other documentaries[link]

• Moore appeared in The Drugging of Our Children,^[48] a 2005 documentary about over-prescription of psychiatric medication to children and teenagers, directed by Gary Null a proponent of Alternative Medicine. In the film Moore agrees with Gary Null that Ritalin and other similar drugs are over-prescribed, saying that they are seen as a "pacifier".
• Moore appeared on fellow Flint natives Grand Funk Railroad's edition of Behind The Music.
• Moore appeared as an off-camera interviewer in Blood in the Face, a 1991 documentary about white supremacy groups. At the center of the film is a neo-Nazi gathering in Michigan.^[49]
• Moore appeared in The Yes Men, a 2003 documentary about two men who pose as the World Trade Organization. He appears during a segment concerning working conditions in Mexico and Latin America.
• Moore briefly appears in Alex Jones's documentary Martial Law 9/11: Rise of the Police State. Jones criticises Moore for not going into more depth about the World Trade Center attacks in Fahrenheit 9/11, particularly about NORAD standing down, and for portraying George W. Bush as an unassuming frontman instead of an active conspirator in 9/11. Jones manages to ask Moore why he didn't mention NORAD standing down, and Moore swiftly answers that "it would be un-American".
• Moore was interviewed for the 2004 documentary, The Corporation. One of his highlighted quotes was: "The problem is the profit motive: for corporations, there's no such thing as 'enough'".^[50]
• Moore appeared in the 2006 documentary I'm Going to Tell You a Secret, which chronicles Madonna's 2004 Re-Invention World Tour. Moore attended her show in New York City at Madison Square Garden.

Political views[link]

Moore lampoons George W. Bush's reaction to the September 11 attacks notification

Although Moore has been noted for his liberal political activism,^[4] he rejects the label "political activist" saying such a description is redundant as a citizen of a democracy: "I and you and everyone else has to be a political activist. If we're not politically active, it ceases to be a democracy."^[51] According to John Flesher of the Associated Press, Moore is known for his "fiery left-wing populism,"^[52] and publications such as the Socialist Worker Online have hailed him as the "new Tom Paine."^[53]

Moore was a high-profile guest at both the 2004 Democratic National Convention and the 2004 Republican National Convention, chronicling his impressions in USA Today. He was criticized in a speech by Republican Senator John McCain as "a disingenuous film-maker." Moore laughed and waved as Republican attendees jeered, later chanting "four more years." Moore gestured his thumb and finger at the crowd, which translates into "loser."^[54]

During September and October 2004, Moore spoke at universities and colleges in swing states during his "Slacker Uprising Tour". The tour gave away ramen and underwear to students who promised to vote.^[55][56] One stop during the tour was Utah Valley State College. A fight for his right to speak resulted in massive public debates and a media blitz.^[57] The Utah event was chronicled in the documentary film This Divided State.^[58]

Despite having supported Ralph Nader in the 2000 presidential election, Moore urged Nader not to run in 2004 so as not to split the left vote. On Real Time with Bill Maher, Moore and Maher knelt before Nader to plead with him to stay out of the race.^[59]

Moore drew attention in 2004 when he used the term "deserter" when he introduced Retired Army Gen. Wesley K. Clark at a Democratic Presidential debate in New Hampshire. Noting that Clark had been a champion debater at West Point, Moore told a laughing crowd, "I know what you're thinking. I want to see that debate" between Clark and [George W.] Bush -- "the general versus the deserter." Moore said he was referring to published reports in several media outlets including The Boston Globe which had reported that "there is strong evidence that Bush performed no military service as required when he moved from Houston to Alabama to work on a U.S. Senate campaign from May to November 1972."^{[60] [61][62]}

On April 21, 2008, Moore endorsed Barack Obama for President, stating that Hillary Clinton's recent actions had been "disgusting."^[63] Moore is an active supporter of the Occupy Wall Street protest in New York City and spoke with the OWS protesters on September 26, 2011.^[64] On October 29, 2011, he spoke at the Occupy Oakland protest site to express his support. ^[65]

Published work[link]

Bibliography[link]

• Moore, Michael (1996). Downsize This! Random Threats from an Unarmed American. New York: HarperPerennial. ISBN 0-06-097733-7. 
• Moore, Michael; Glynn, Kathleen (1998). Adventures In A TV Nation. New York: HarperPerennial. ISBN 0-06-098809-6. 
• Moore, Michael (2002). Stupid White Men ...and Other Sorry Excuses for the State of the Nation!. New York: Regan Books. ISBN 0-06-039245-2. 
• Moore, Michael (2003). Dude, Where's My Country?. New York: Warner Books. ISBN 0-446-53223-1. 
• Moore, Michael (2004). Will They Ever Trust Us Again?. New York: Simon & Schuster. ISBN 0-7432-7152-1. 
• Moore, Michael (2004). The Official Fahrenheit 9/11 Reader. New York: Simon & Schuster. ISBN 0-7432-7292-7. 
• Moore, Michael (2008). Mike's Election Guide 2008. New York: Grand Central Publishing. ISBN 0-446-54627-5. 
• Moore, Michael (2011). Here Comes Trouble: Stories from My Life. New York: Grand Central Publishing. ISBN 0-446-53224-X. 

Filmography[link]

• Roger & Me (1989)
• Pets or Meat: The Return to Flint (1992) (TV)
• Canadian Bacon (1995)
• The Big One (1997)
• And Justice for All (1998) (TV)
• EDtv (1999) (cameo as himself)
• Lucky Numbers (2000) (as actor)
• Bowling for Columbine (2002)
• Fahrenheit 9/11 (2004)
• Sicko (2007)
• Captain Mike Across America (2007)
• Slacker Uprising (2008)
• Capitalism: A Love Story (2009)

Television series[link]

• TV Nation (1994)
• The Awful Truth (1999)
• Michael Moore Live (1999)

References[link]

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (December 2010)

Wikisource has original works written by or about: Michael Moore

Wikiquote has a collection of quotations related to: Michael Moore

Wikimedia Commons has media related to: Michael Moore

• Michael Moore at the Internet Movie Database
• Works by or about Michael Moore in libraries (WorldCat catalog)
• The Populist: Michael Moore Can Make You Cry / New Yorker (16 February 2004)
• America's Teacher by Naomi Klein, The Nation, September 23, 2009
• A 2007 NOW on PBS interview with Michael Moore
• Michael Moore on His Life, His Films and His Activism - video interview by Democracy Now!
• Michael Moore on 2010 Midterm Elections, the Tea Party, and the Future of the Democratic Party
• In Depth interview with Moore, October 2, 2011

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Luj Yaj is a popular Hmong singer from Thailand. He is considered to be one of the most well known of Hmong singers to date. He gained notoriety when two of his songs appeared in a Hmong dubbed Thai film called "Kev Hlub Txiav Tsis Tau".^[1] Those two songs were "Nco Koj Ib Leeg" (Miss You Only), which later became known to many under the title of "Nco Kuv Me Me" (Miss Me A Little), and "Nyob Ib Leeg" (Living Alone).^[2] "Nco Koj Ib Leeg" and "Nyob Ib Leeg" are his most famous works, and still remain popular among the Hmong youth in America.

He has also star in a lot of movies like "Vim Tseg Ib Los Lug" and many more, and was the first hmong singer from Thailand to had ever had come to The United States.

S.T. Universal Video introduced Luj Yaj to the Hmong entertainment industry in the early 1990s. The production company is also credited for introducing Tsam Mim Xyooj, Pov Thoj, Maiv Muas, and other well-known artists in the mid-1990s. A decade later, corruption overthrows the S.T. Universal Video company, leaving many of its stars with other Hmong production companies.

References[link]

1. ^ YouTube - Ntuj No Tuaj Lawm
2. ^ YouTube - Luj Yaj - Nco Koj Ib Leeg

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