in Twenty Thousand Leagues Under the Sea from an edition with drawings by Alphonse de Neuville and Édouard Riou.]] Burial is the act of placing a person or object into the ground. This is accomplished by excavating a pit or trench, placing an object in it, and covering it over.
Intentional burial, particularly with grave goods, may be one of the earliest detectable forms of religious practice since, as Philip Lieberman suggests, it may signify a "concern for the dead that transcends daily life." Though disputed, evidence suggests that the Neanderthals were the first hominids to intentionally bury the dead, doing so in shallow graves along with stone tools and animal bones. Exemplary sites include Shanidar in Iraq, Kebara Cave in Israel and Krapina in Croatia. Some scholars, however argue that these bodies may have been disposed of for secular reasons.
The earliest undisputed human burial dates back 130,000 years. Human skeletal remains stained with red ochre were discovered in the Skhul cave at Qafzeh, Israel. A variety of grave goods were present at the site, including the mandible of a wild boar in the arms of one of the skeletons.
Prehistoric cemeteries are referred to by the more neutral term grave field. They are one of the chief sources of information on prehistoric cultures, and numerous archaeological cultures are defined by their burial customs, such as the Urnfield culture of the European Bronze Age.
After death, a body will decay. Burial is not necessarily a public health requirement. Contrary to conventional wisdom, the WHO advises that only corpses carrying an infectious disease strictly require burial.
Human burial practices are the manifestation of the human desire to demonstrate "respect for the dead", and to prevent the possibilities of revenants [ghosts] harming the living. Cultures vary in their mode of respect.
Among the reasons for this are:
Some burial practices are heavily ritualized; others are simply practical.
Bodies are often buried wrapped in a shroud or placed in a coffin (also called a casket). A larger container may be used, such as a ship. In the United States, coffins are usually covered by a burial liner or a burial vault, which prevents the coffin from collapsing under the weight of the earth or floating away during a flood.
These containers slow the decomposition process by (partially) physically blocking decomposing bacteria and other organisms from accessing the corpse. An additional benefit of using containers to hold the body is that if the soil covering the corpse is washed away by a flood or some other natural process, the corpse will still not be exposed to open air.
In nonstandard burial practices, such as mass burial, the body may be positioned arbitrarily. This can be a sign of disrespect to the deceased, or at least nonchalance on the part of the inhumer, or due to considerations of time and space.
In Gulliver's Travels, the Lilliputians buried their dead upside down:
Swift's notion of inverted burial might seem the highest flight of fancy, but it appears that among English millenarians the idea that the world would be "turned upside down" at the Apocalypse enjoyed some currency. There is at least one attested case of a person being buried upside down by instruction; a Major Peter Labelliere of Dorking (d. June 4, 1800) lies thus upon the summit of Box Hill. Similar stories have attached themselves to other noted eccentrics, particularly in southern England, but not always with a foundation in truth.
At death, a slave’s body was wrapped in cloth. The hands were placed across the chest, and a metal plate was placed on top of their hands. The reasoning for the plate was to hinder their return home by suppressing any spirits in the coffin. Often, personal property was buried with slaves to appease spirits. The coffins were nailed shut once the body was inside, and carried by hand or wagon, depending on the property designated for slave burial site. Slaves were buried east to west, with the head facing east and their feet to the west. This positioning represented the ability to rise without having to turn around at the call of Gabriel’s trumpet. Gabriel’s trumpet would be blown in the eastern sunrise. East-west positioning also was the direction of home, Africa.
Thus in some traditions, especially with an animistic logic, the remains of the dead are "banished" for fear their spirits would harm the living if too close; others keep remains close to help surviving generations.
Religious rules may prescribe a specific zone, e.g. some Christian traditions hold that Christians must be buried in "consecrated ground", usually a cemetery; an earlier practice, burial in or very near the church (hence the word churchyard), was generally abandoned with individual exceptions as a high posthumous honour; also many existing funeral monuments and crypts remain in use.
Royalty and high nobility often have one or more "traditional" sites of burial, generally monumental, often in a palatial chapel or cathedral; see examples on Heraldica.org.
In North America, private family cemeteries were common among wealthy landowners during the 18th and 19th centuries. Many prominent people were buried in private cemeteries on their respective properties, sometimes in lead-lined coffins. Many of these family cemeteries were not documented and were therefore lost to time and abandon; their grave markers having long since been pilfered by vandals or covered by forest growth. Their locations are occasionally discovered during construction projects.
In many cultures graves will be grouped, so the monuments make up a necropolis, a "city of the dead" parallelling the community of the living.
The corpse of Pope Formosus was actually disinterred, placed on trial (see Cadaver Synod), found guilty, and ultimately thrown into the River Tiber.
Many countries have buried an unidentified soldier (or other member of the military) in a prominent location as a form of respect for all unidentified war dead. The United Kingdom's Tomb of the Unknown Warrior is in Westminster Abbey, France's is buried underneath the Arc de Triomphe, Italy's is buried in the Monumento al Milite Ignoto in Rome, Canada's is buried at the National War Memorial in Ottawa, Australia's Tomb of the Unknown Soldier is located at the Australian War Memorial in Canberra, New Zealand's Tomb of the Unknown Warrior is in Wellington and the United States' Tomb of the Unknown Soldier is located at Arlington National Cemetery.
Many cultures practise anonymous burial as a norm, not an exception. For instance, in parts of eastern Germany, up to 43% of burials are anonymous. According to Christian Century magazine, the perspective of the Roman Catholic Church is that anonymous burials reflect a dwindling belief in God, but others claim that the practice relates more to the exorbitant cost of grave markers and the solitary nature of German life.
When Walt Disney was cremated his ashes were buried in a secret location in Forest Lawn Memorial Park Cemetery, California. Some burial sites at Forest Lawn, such as those of Humphrey Bogart, Mary Pickford and Michael Jackson are secluded in private gated gardens or mausoleums with no public access. A number of tombs are also kept from the public eye. Forest Lawn's Court of Honour indicates that some of its crypts have plots which are reserved for individuals who may be "voted in" as "Immortals"; no amount of money can purchase a place. Photographs taken at Forest Lawn are not permitted to be published, and their information office usually refuses to reveal exactly where the remains of famous people are buried. Although the cemetery's owners state that this is meant to deter gravesite tourism, some critics say that the cemetery wishes visitors to purchase memorabilia at the funeral home's numerous gift shops instead of taking photographs for free, especially in the case of grave markers notable for their beauty.
Mass burial is the practice of burying multiple bodies in one location. Civilizations attempting genocide often employ mass burial for victims. However, mass burial may in many cases be the only practical means of dealing with an overwhelming number of human remains, such as those resulting from a natural disaster, an act of terrorism, an epidemic, or an accident. This practice has become less common in the developed world with the advent of genetic testing, but even in the 21st century remains which are unidentifiable by current methods may be buried in a mass grave.
Individuals who are buried at the expense of the local authorities and buried in potter's fields may be buried in mass graves. Wolfgang Amadeus Mozart was once believed to have been buried in such a manner, but today it is known that such burials were never allowed in Mozart's Vienna whose Magistrate refused to agree to the burial regulations decreed by Joseph II. In some cases, the remains of unidentified individuals may be buried in mass graves in potter's fields, making exhumation and future identification troublesome for law enforcement.
Naval ships sunk in combat are also considered mass graves by many countries. For example, U.S. Navy policy declares such wrecks a mass grave and forbids the recovery of remains. In lieu of recovery, divers or submersibles may leave a plaque dedicated to the memory of the ship or boat and its crew, and family members are invited to attend the ceremony.
Sites of large former battlefields may also contain one or more mass graves. Douaumont ossuary is one such mass grave, and it contains the remains of 130,000 soldiers from both sides of the battle of Verdun.
Catacombs also constitute a form of mass grave. Some catacombs, for example those in Rome, were designated as a communal burial place. Some, such as the catacombs of Paris, only became a mass grave when individual burials were relocated from cemeteries marked for demolition.
Judaism does not generally allow multiple bodies in a grave. An exception to this is a grave in the military cemetery in Jerusalem, where there is a "kever ah-chim" (Heb. "grave of brothers") where two soldiers were killed together in a tank and are buried in one grave. As the bodies were so fused together with the metal of the tank that they could not be separately identified, they were buried in one grave (along with parts of the tank).
There is far greater flexibility in dealing with the remains in cremation as opposed to the traditional burial. Some of the options include scattering the ashes at a place close to the heart of the deceased or keeping the ashes at home. Ashes can also be buried underground or in a columbarium niche.
Writer Edgar Allan Poe wrote a number of stories and poems about premature burial, including a story called "The Premature Burial." These works inspired a widespread popular fear of this appalling but unlikely event. Various expedients have been devised to prevent this event, including burying live telephones or telemetry sensors in graves.
Superstition also played a part in the selection of cross-roads in the burial of suicides. Folk belief often held such individuals could rise as some form of undead (such as a vampire) and burying them at cross-roads would inhibit their ability to find and wreak havoc on their living relations and former associates.
Pets and other animals of emotional significance are often ceremonially buried. Most families bury deceased pets on their own properties, mainly in a yard, with a shoe box or any other type of container served as a coffin. The Ancient Egyptians are known to have mummified and buried cats, which they considered deities.
Once human remains reach a certain age, some cultures consider exhumation acceptable, especially if this followed by later reburial following traditional rites. This serves several purposes:
Frequently, cultures have different sets of exhumation taboos. Occasionally these differences result in conflict, especially in cases where a culture with more lenient exhumation rules wishes to operate on the territory of a different culture. For example, United States construction companies have run into conflict with Native American groups that have wanted to preserve their burial grounds from disturbance.
Jewish law forbids the exhumation of a corpse.
In folklore and mythology, exhumation has also been frequently associated with the performance of rites to banish undead manifestations. An example is the Mercy Brown Vampire Incident of Rhode Island, which occurred in 1892. Also See page for Ed Gein. He was a man from plainfield, wisconsin who would exhume bodies of the dead.
In most cases these alternatives still intend to maintain respect for the dead, but some intend to prolong the display of the remains.
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Édith Piaf |
---|---|
Background | solo_singer |
Birth name | Édith Giovanna Gassion |
Alias | La Môme Piaf(The Little Sparrow) |
Born | December 19, 1915Belleville, Paris, France |
Died | Plascassier, France |
Instrument | Voice |
Genre | CabaretTorch songsChanson |
Occupation | Singer, songwriter, actress |
Years active | 1935–1963 |
Label | Pathé Records, Pathé-Marconi |
Édith Piaf (, [PEE-ahf, pee-AHF] 19 December 1915 – 11 October 1963), born Édith Giovanna Gassion, was a French singer and cultural icon who became universally regarded as France's greatest popular singer. Her singing reflected her life, with her specialty being ballads. Among her songs are "La Vie en rose" (1946), "Non, je ne regrette rien" (1960), "Hymne à l'amour" (1949), "Milord" (1959), "La Foule" (1957), "l'Accordéoniste" (1955), and "Padam... Padam..." (1951).
She was named Edith after the World War I British nurse Edith Cavell, who was executed for helping French soldiers escape from German captivity. Piaf—a Francilien colloquialism for "sparrow"—was a nickname she would receive 20 years later.
Her mother, Annetta Giovanna Maillard (1895–1945), was of French descent on her father's side and of Italian and Berber origin on her mother's. She was a native of Livorno, a port city on the western edge of Tuscany, Italy. She worked as a café singer under the name Line Marsa. with a past in the theatre. Édith's parents herself soon abandoned her, and she lived for a short time with her maternal grandmother, Emma (Aïcha) Saïd ben Mohammed (1876–1930). Before he enlisted with the French Army in 1916 to fight in World War I, her father took her to his mother, who ran a brothel in Normandy. There, prostitutes helped look after Piaf. inspired him to give her the nickname that would stay with her for the rest of her life and serve as her stage name, La Môme Piaf A barrage of negative media attention Piaf dated a Jewish pianist during this time and co-wrote a subtle protest song with Monnot. earned Piaf the right to pose for photographs with French prisoners of war, to boost their morale. The Frenchmen were supposedly able to cut out their photos and use them as forged passport photos. Piaf and Cerdan's affair made international headlines, (according to some, 10 October in Paris). She had been drifting in and out of consciousness for several months. Charles Aznavour recalled that Piaf's funeral procession was the only time since the end of World War II that he saw Parisian traffic come to a complete stop. (5 rue Crespin du Gast).
Piaf's relationship with Cerdan was also depicted in film by Claude Lelouch in the movie Édith et Marcel (1983), with Marcel Cerdan Jr. in the role of his father and Évelyne Bouix portraying Piaf.
Piaf...Her Story...Her Songs (2003) is a film starring Raquel Bitton in her performance tribute to Edith Piaf. Bitton performs Piaf's most famous songs and describes her tempestuous life. Woven into the filmed concert is a luncheon in Paris, hosted by Bitton, in which some of Piaf's composers, friends, lovers, and family share their memories. These include Michel Rivgauche and Francis Lai, two of Piaf's composers, as well as Marcel Cerdan, Jr., son of the boxing champion who was her greatest love.
La Vie en rose (2007), a film about her life directed by Olivier Dahan, debuted at the Berlin Film Festival in February 2007. Titled La Môme in France, the film stars Marion Cotillard in the role that won her the Academy Award for Best Actress (Oscar), as Piaf. Dahan's film follows Piaf's life from early childhood to her death in 1963. David Bret's 1988 biography, Piaf, A Passionate Life, was re-released by JR Books to coincide with the film's release.
In 1996, Ari Folman released the near futuristic comedy Saint Clara. In this film, Édith Piaf is repeatedly mentioned by many of the adults, who remember her seemingly from school, and prove that they are part of the leading culture, as opposed to the immigrants, but the children on both sides have no knowledge of her, and ask who she was. The movie ends with the local men discovering that the Russian immigrants were intimately familiar with Piaf.
In the film Inception (2010), her song "Non, je ne regrette rien" is used frequently to signal to the characters that they are about to be ejected from the dream. The same song played several times slower than the original is also one the film's main musical themes. The film also stars Marion Cotillard, who had portrayed Piaf in La Vie En Rose.
In her song "Slave to the Rhythm" (1985 extended version), Grace Jones begins with an introductory narration that quotes Édith Piaf: "This is what Édith Piaf used to say, use your faults, use your defects, then you're going to be a star...".
In the film Saving Private Ryan (1998), Piaf's 1943 songs "C'Était Une Histoire D'Amour" and "Tu Es Partout" are central to providing a common thread of longing for loves and lives left behind in scenes between Captain Miller (Tom Hanks) and Private Ryan (Matt Damon) as well as providing a context for anecdotes from other central characters.
The song La Foule was used in the 2004 film My Summer of Love. The character Tamsin (Emily Blunt) continues to say that 'I just adore her. She was this marvellous Parisian woman who had such a wonderfully tragic life. She was married three times, and each husband died in mysterious circumstances. And the last one was a boxing champion and she killed him with a fork. She didn't even go to prison. Because in Paris crimes of passion are forgiven.'
;1933
;1934
;1935
;1936 (from the movie La Garçonne)
;1937
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;1941 (from the movie Montmartre-sur-Seine)
;1942 (from the movie Montmartre-sur-Seine)
;1943 (from the movie Montmartre-sur-Seine)
;1944
;1945
;1946 (with Les Compagnons de la chanson) (with Les Compagnons de la Chanson) (with Les Compagnons de la Chanson) (with Les Compagnons de la Chanson)
;1947 (from the movie Neuf Garçons, Un Cœur) (from the movie Neuf Garçons, Un Cœur)
;1948
;1949 (from the movie L'Homme aux Mains d'Argile)
;1950
;1951 (with Eddie Constantine) (with Eddie Constantine) (with M. Jiteau)
;1952 (from the movie Boum sur Paris) (with Jacques Pills) (from the movie Boum sur Paris)
;1953 (with Jacques Pills) (from the movie Boum sur Paris)
;1954 (from the movie Si Versailles M'Était Conté) (from the movie French Cancan)
;1955
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;1957
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;1960
;1961
;1962 (with Théo Sarapo) (with Charles Dumont) (with Mikis Theodorakis/Jacques Plante) (with Théo Sarapo)
;1963 (her last recording)
There are in excess of 80 albums of Édith Piaf's songs available on online music stores.
Category:1915 births Category:1963 deaths Category:1930s singers Category:1940s singers Category:1950s singers Category:1960s singers Category:People from Paris Category:Burials at Père Lachaise Cemetery Category:Cabaret singers Category:Cancer deaths in France Category:Deaths from liver cancer Category:French buskers Category:French female singers Category:French-language singers Category:French people of Italian descent Category:French people of Algerian descent Category:French pop singers Category:French Resistance members Category:Torch singers
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
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