Aron J. Warner is an actor and producer. He won an Academy Award for Best Animated Feature as a producer of the animated blockbuster Shrek, in which he also voices Big Bad Wolf.

Life and career[link]

Warner joined PDI/DreamWorks in 1997 to serve as a producer on the computer animated hit Antz, which marked the first collaboration between PDI and DreamWorks. Warner went on to become head of PDI/DreamWorks from 2000 to 2002. Warner had previously held the post of vice president of production at Twentieth Century Fox, where he supervised production on such films as Independence Day, The Ice Storm, The Crucible, Alien Resurrection and Titanic.

A graduate of UCLA Film School, Warner started out as a production coordinator at Empire Pictures, gaining experience on low-budget horror and science-fiction films. He then moved on to a position at Film Finances, a completion bond company, where he worked on more than 50 films.

Warner began his career as a producer on the horror hit Freddy's Dead: The Final Nightmare. He then served as supervising producer on John Dahl's Red Rock West, before beginning his relationship with Twentieth Century Fox as the line producer on Rachel Talalay's Ghost in the Machine. He later executive produced Tank Girl, also directed by Talalay. In addition, he oversaw production on James Cameron's film True Lies.^[1]

He executive produced Shrek Forever After, along with Andrew Adamson.

Filmography[link]

Film[link]

Television[link]

References[link]

External links[link]

• Aron Warner at the Internet Movie Database

This article about an American film producer is a stub. You can help Wikipedia by expanding it. v t e

Werner Herzog
Werner Herzog in Brussels, 2007
Born	Werner Herzog Stipetić (1942-09-05) 5 September 1942 (age 69) Munich, Germany
Occupation	Actor Director Screenwriter Producer
Years active	1962–present
Spouse	Martje Grohmann (1967–1987) Christine Maria Ebenberger (1987–1994) Lena Herzog (1999–present)
Website
http://www.wernerherzog.com

Werner Herzog Stipetić (German pronunciation: [ˈʋɛɐ̯nɐ ˈhɛɐ̯tsoːk ˈstɪpɛtɪtʃ]; born 5 September 1942), known as Werner Herzog, is a German film director, producer, screenwriter, actor, and opera director.

He is often considered one of the greatest figures of the New German Cinema, along with Rainer Werner Fassbinder, Margarethe von Trotta, Volker Schlöndorff, Werner Schröter, and Wim Wenders. His films often feature heroes with impossible dreams,^[1] people with unique talents in obscure fields, or individuals who find themselves in conflict with nature.^[2] French filmmaker François Truffaut once called Herzog "the most important film director alive."^[3]

Personal life[link]

Herzog was born Werner Herzog Stipetić to a German father Dietrich Herzog and a Croatian mother^[4] Elizabeth Stipetić in Munich. His family moved to the remote Bavarian village of Sachrang (nestled in the Chiemgau Alps), after the house next to theirs was destroyed during a bombing raid at the close of World War II.^[5] When he was 12, he and his family moved back to Munich. His father had abandoned the family early in his youth. Werner would later adopt his father's surname Herzog (German for "duke"), which he thought sounded more impressive for a filmmaker.^[6]

The same year, Herzog was told to sing in front of his class at school and he adamantly refused. He was almost expelled for this and until the age of 18 listened to no music, sang no songs, and studied no instruments. He later said that he would easily give 10 years from his life to be able to play an instrument. At 14, Herzog was inspired by an encyclopedia entry about filmmaking which he says provided him with "everything I needed to get myself started" as a filmmaker—that, and the 35 mm camera he stole from the Munich Film School.^[7] In the commentary for Aguirre, the Wrath of God, he states, "I don't consider it theft—it was just a necessity—I had some sort of natural right for a camera, a tool to work with." He studied at the University of Munich despite earning a scholarship to Duquesne University in Pittsburgh, Pennsylvania. While in his teens he travelled to various exotic places.

In the early 1960s, Herzog worked nightshifts as a welder in a steel factory to help fund his first films. He has spoken of how, even before leaving school, he bought a house in the UK, in what was likely the Moss Side area of Manchester, relating how it was there that he learned to speak English.^[8] In 1966 he worked shortly in television under the auspices of NASA.^[9]

Herzog has been married three times and has three children. In 1967, he married Martje Grohmann,^[10] with whom he had a son in 1973, Rudolph Amos Achmed,^[11] who is a film producer and director as well as the author of several non-fiction books.

In 1971 while he was location scouting for Aguirre, the Wrath of God in Peru he narrowly avoided taking LANSA Flight 508 which later disintegrated after being struck by lightning with one miraculous free-fall survivor. His reservation was canceled due to a last minute change in itinerary. This led to the making in 2000 of a documentary film Wings of Hope which explored the story of the sole survivor, Juliane Koepcke.

In 1980, his daughter, Hanna Mattes (now a photographer and an artist), was born to Eva Mattes.^[12] In 1987, Herzog was divorced from Grohmann; later the same year he married Christine Maria Ebenberger.^[13] Their son, Simon Herzog, who attends Columbia University, was born in 1989. Herzog and Ebenberger divorced in 1994. In 1995, Herzog moved to the United States, and in 1999 he married photographer Lena Pisetski, now Lena Herzog.^[14] They live in Los Angeles.

In January 2006, actor Joaquin Phoenix overturned his car on a road above Sunset Boulevard. Herzog, who lived nearby, helped him get out of the car.^[15] A few days later, while Herzog was giving an interview to Mark Kermode for the BBC, an unknown individual shot Herzog with an air rifle during filming. Herzog continued the interview and showed his wound on camera but acted as if nothing out of the ordinary had happened, remarking, "It is not a significant bullet."^[16][17]

Career[link]

Besides using professional actors, German, American and otherwise, Herzog is known for using people from the locality in which he is shooting. Especially in his documentaries, he uses locals to benefit his, as he calls it, "ecstatic truth", using footage of them both playing parts and being themselves. Herzog and his films have won and been nominated for many awards. Herzog's first major award was the Silver Bear Extraordinary Prize of the Jury for his first feature film Signs of Life^[18] (Nosferatu the Vampyre was also nominated for Golden Bear in 1979). Most notably, Herzog won the best director award for Fitzcarraldo at the 1982 Cannes Film Festival. On the same Festival, but a few years earlier (in 1975) his movie The Enigma of Kaspar Hauser won The Special Jury Prize (also known as the 'Silver Palm'). Other films directed by Herzog nominated for Golden Palm are: Woyzeck and Where the Green Ants Dream. His films were also nominated at many other very important festivals all around the world: César Awards (Aguirre, the Wrath of God), Emmy Awards (Little Dieter Needs to Fly), European Film Awards (My Best Fiend) and Venice Film Festival (Scream of Stone and The Wild Blue Yonder).

In 1987 he and his half-brother Lucki Stipetić won the Bavarian Film Awards for Best Producing, for the film Cobra Verde.^[19] In 2002 he won the Dragon of Dragons Honorary Award during Kraków Film Festival in Kraków.

Herzog was honored at the 49th San Francisco International Film Festival, receiving the 2006 Film Society Directing Award.^[20] Four of his films have been shown at the San Francisco International Film Festival: Wodaabe - Herdsmen of the Sun in 1990, Bells from the Deep in 1993, Lessons of Darkness in 1993, and The Wild Blue Yonder in 2006. Herzog's April 2007 appearance at the Ebertfest in Champaign, Illinois earned him the Golden Thumb Award, and an engraved glockenspiel given to him by a young film maker inspired by his films. Grizzly Man, directed by Herzog, won the Alfred P. Sloan Prize at the 2005 Sundance Film Festival. Encounters at the End of the World won the award for Best Documentary at the 2008 Edinburgh International Film Festival and was nominated for the Academy Award for Documentary Feature, Herzog's first nomination.

Herzog once promised to eat his shoe if Errol Morris completed the movie project on pet cemeteries that he had been working on, in order to challenge and motivate Morris, whom Herzog perceived as incapable of following up on the projects he conceived. In 1978 when the film Gates of Heaven premiered, Werner Herzog cooked and publicly ate his shoe, an event later incorporated into a short documentary Werner Herzog Eats His Shoe by Les Blank. At the event, Herzog suggested that he hoped the act would serve to encourage anyone having difficulty bringing a project to fruition.

In 2009, Herzog became the only filmmaker in recent history to enter two films in competition in the same year at the prestigious Venice Film Festival. Herzog's Bad Lieutenant: Port of Call New Orleans was entered into the festival's official competition schedule, and his My Son, My Son, What Have Ye Done? entered the competition as a "surprise film".^[21] Herzog also provided the narration for the short film Plastic Bag directed by Ramin Bahrani which was the Opening Night film in the Corto Cortissimo section of the festival.^[22]

Herzog is also a Jury Member for the digital studio Filmaka, a platform for undiscovered filmmakers to show their work to industry professionals.^[23]

Herzog was the President of the Jury at the 60th Berlin International Film Festival.^[24][25][26] He Was the Chief guest of the 15th International Film Festival of Kerala(IFFK 2010 December)

Herzog also lent his voice to the animated television program The Boondocks in the third season premiere episode It's a Black President, Huey Freeman in which he played himself filming a documentary about the series' cast of characters and their actions during the 2008 election of Barack Obama. He also played Walter Hotenhoffer (formerly known as Augustus Gloop) in the Simpsons episode The Scorpion's Tale which aired in March 2011.

Herzog completed a documentary called Cave of Forgotten Dreams in 2010, which shows Herzog's journey into the Chauvet Cave in France. Although generally skeptical of 3-D film as a format,^[27] Herzog premiered the film at the 2010 Toronto International Film Festival in 3-D and had its European premiere at the 2011 Berlinale.

Also in 2010, Herzog's documentary Happy People: A Year in the Taiga, which portrays the life of an indigenous tribe from the Siberian part of the Taiga, had its premiere at the 2010 Telluride Film Festival.

Film theory[link]

Herzog's films have received considerable critical acclaim and achieved popularity on the art house circuit. They have also been the subject of controversy in regard to their themes and messages, especially the circumstances surrounding their creation.^{[citation needed]} A notable example is Fitzcarraldo, in which the obsessiveness of the central character was mirrored by the director during the making of the film, as shown in Burden of Dreams, a documentary filmed during the making of Fitzcarraldo. His treatment of subjects has been characterized as Wagnerian in its scope, as Fitzcarraldo and his later film Invincible (2001) are directly inspired by opera, or operatic themes. He is proud of never using storyboards and often improvising large parts of the script, as he explains on the commentary track to Aguirre, the Wrath of God.

Collaborations[link]

Cast[link]

Actors/Actress in a Leading Role

• Klaus Kinski: Aguirre, the Wrath of God, Nosferatu, Woyzeck, Fitzcarraldo, and Cobra Verde. In 1999 Herzog directed and narrated the documentary film My Best Fiend, a retrospective on his often rocky relationship with Kinski.
• Brad Dourif in Scream of Stone, The Wild Blue Yonder, Bad Lieutenant: Port of Call New Orleans, and My Son, My Son, What Have Ye Done
• Bruno S. in The Enigma of Kaspar Hauser and Stroszek
• Josef Bierbichler in Heart of Glass and Woyzeck
• Eva Mattes in Woyzeck and Stroszek
• Michael Shannon in Bad Lieutenant: Port of Call New Orleans and My Son, My Son, What Have Ye Done

Actors in a Supporting Role

• Clemens Scheitz in The Enigma of Kaspar Hauser, Heart of Glass, Stroszek and Nosferatu the Vampyre
• Peter Berling in Aguirre, the Wrath of God, Fitzcarraldo and Cobra Verde
• Volker Prechtel in The Enigma of Kaspar Hauser, Heart of Glass, Woyzeck and Scream of Stone
• Udo Kier in Invincible and My Son, My Son, What Have Ye Done?
• José Lewgoy in Fitzcarraldo and Cobra Verde
• Walter Ladengast in The Enigma of Kaspar Hauser and Nosferatu the Vampyre

Crew[link]

Cinematographers

Thomas Mauch

Mauch worked with Herzog on ten films: starting with Signs of Life and Last Words and ending with Fitzcarraldo. He helped to create hallucinogenic atmosphere in Aguirre and realistic style of Stroszek. Mauch won Film Award in Gold and National Society of Film Critics Awards for Aguirre. He was Herzog's first choice to be cinematographer during Cobra Verde, but after a perpetual torrent of verbal abuse from Kinski, Mauch walked out on the project. That was Mauch and Herzog's final collaboration.

Jörg Schmidt-Reitwein

Reitwein worked with Herzog on seventeen films. Reitwein was Thomas Mauch's assistant camera during Even Dwarfs Started Small. His first independent work for Herzog was Precautions Against Fanatics in 1969. He helped to create poetical atmosphere of Fata Morgana, Heart of Glass, The Enigma of Kaspar Hauser and Nosferatu. He won the Film Award in Gold for Heart of Glass and Where the Green Ants Dream at the German Film Awards. He last collaborated with Herzog during Pilgrimage in 2001.

Peter Zeitlinger

Zeitlinger collaborated with Herzog on thirteen films, from Gesualdo: Death for Five Voices (1995) to now filming television documentary Death Row (2011), including Rescue Dawn and Grizzly Man. He was nominated for Chlotrudis Award for Encounters at the End of the World in 2007 and for Independent Spirit Award for Bad Lieutenant. Port of Call: New Orleans in 2009.

Producers

Walter Saxer

Saxer produced sixteen of Herzog's films, including Nosferatu and The White Diamond. He worked as Sound Department during seven of Herzog's films, including The Great Ecstasy of Woodcarver Steiner and Echoes from a Somber Empire. He co-wrote Scream of Stone which Herzog directed. Saxer appeared as himself in Herzog's My Best Fiend and in Les Blank's Burden of Dreams, in which he was also subjected to the verbal abuse of Kinski.

Lucki Stipetić

Stipetić is Herzog's half-brother. He also produced several Herzog films, including Aguirre and Invincible, and is a head of Werner Herzog Productions. He won Bavarian Film Award in 1988 for Cobra Verde and International Documentary Association Award for Little Dieter Needs to Fly in 1998. He was also nominated for an Emmy Award in 1998.

André Singer

Singer worked either as an executive producer or producer on eight of Herzog’s documentaries starting with “Lessons of Darkness” in 1991, “The Wild Blue Yonder” – won the International Critics Award at the Venice Film Festival, 2006 and including two of the most recent “La Boheme, short”, 2009, and “Into the Abyss”/”Death Row”, 2011.

Editors

Beate Mainka-Jellinghaus

Mainka-Jellinghaus worked with Herzog on twenty films, from Signs of Life and Last Words (both from 1968) to Where the Green Ants Dream (1984). She won Film Award in Gold during German Film Awards for The Enigma of Kaspar Hauser in 1975.

Joe Bini

Bini collaborated with Herzog on nineteen films, from Little Dieter Needs to Fly (1997) to Cave of Forgotten Dreams (2009). He was nominated by American Cinema Editors for Best Edited Documentary Film for Grizzly Man in 2005.

Costumes designers

Ann Poppel

Poppel collaborated with Herzog on four films, including Nosferatu the Vampyre and Scream of Stone.

Gisela Storch

Storch worked with Herzog on six films: The Enigma of Kaspar Hauser, Heart of Glass, Nosferatu the Vampyre, Woyzeck, Fitzcarraldo and Cobra Verde. She was nominated for a Saturn Award for Nosferatu the Vampire in 1979.

Composers

Popol Vuh

Popol Vuh was a German Krautrock band founded by pianist and keyboardist Florian Fricke. The band took its name from the Popol Vuh, a manuscript of Quiché Maya kingdom, after watching Herzog's Fata Morgana (in which Lotte Eisner reads parts of the Popol Vuh). The band composed music for eight Herzog's films: Aguirre, the Wrath of God, The Great Ecstasy of Woodcarver Steiner, Heart of Glass, Nosferatu, The Dark Glow of the Mountains, Fitzcarraldo, Cobra Verde and My Best Fiend. Their compositions were also used by Herzog in Rescue Dawn. Florian Fricke made a cameo as a pianist in Signs of Life and The Enigma of Kaspar Hauser.

Ernst Reijseger

Herzog invited Reijseger to compose scores for his films four times to that date. Two of them were documentaries (The White Diamond an Cave of Forgotten Dreams) and two were features (The Wild Blue Yonder and My Son, My Son What Have Ye Done). His music was also used in Rescue Dawn and in video documentary short about recording music for Grizzly Man titled In the Edges: The 'Grizzly Man' Session directed by Erik Nelson. Reijseger also had a cameo as himself in My Son, My Son What Have Ye Done.

Others

Henning von Gierke

Gierke collaborated with Herzog on seven films and several operas. He was Production Designer during The Enigma of Kaspar Hauser, Nosferatu the Vampyre and Fitzcarraldo. As a Set Decorator he worked on Heart of Glass and Woyzeck, as Stage Designer on operas: Lohengrin and Giovanna d'Arco and as Costume Designer on film The Transformation of the World Into Music. Gierke shot additional still photographs on Stroszek 's set. He appeared twice in Herzog's film The Transformation of the World Into Music as himself and in Herzog's TV realisation of opera Giovanna d'Arco. Von Gierke won Film Award in Gold for The Enigma of Kaspar Hauser during German Film Awards and Silver Bear for an outstanding single achievement for Nosferatu, at the 29th Berlin International Film Festival.^[28]

Filmography[link]

Fiction feature films[link]

• Signs of Life (1968)
• Even Dwarfs Started Small (1970)
• Fata Morgana (1972)
• Aguirre, the Wrath of God (1972)
• The Enigma of Kaspar Hauser (1974)
• Heart of Glass (1976)
• Stroszek (1977)
• Nosferatu the Vampyre (1979)
• Woyzeck (1979)
• Fitzcarraldo (1982)
• Where the Green Ants Dream (1984)
• Cobra Verde (1987)
• Scream of Stone (1991)
• Invincible (2001)
• The Wild Blue Yonder (2005)
• Rescue Dawn (2007)
• Bad Lieutenant: Port of Call New Orleans (2009)
• My Son, My Son, What Have Ye Done (2009)

Fiction short films[link]

• Herakles (1962)
• Game in The Sand (1964)
• The Unprecedented Defence of the Fortress Deutschkreuz (1966)
• Last Words (1968)
• Precautions Against Fanatics (1969)
• No One Will Play With Me (1976)
• Les Gaulois (1988)

Documentary feature films[link]

• The Flying Doctors of East Africa (1969)
• Handicapped Future (1971)
• Land of Silence and Darkness (1971)
• The Great Ecstasy of Woodcarver Steiner (1974)
• How Much Wood Would a Woodchuck Chuck (1976)
• Huie's Sermon (1980)
• God's Angry Man (1980)
• Ballad of the Little Soldier (1984)
• The Dark Glow of the Mountains (1984)
• Wodaabe – Herdsmen of the Sun (1989)
• Echoes From a Somber Empire (1990)
• Jag Mandir (1991)
• Lessons of Darkness (1992)
• Bells from the Deep (1993)
• The Transformation of the World into Music (1994)
• Gesualdo: Death for Five Voices (1995)
• Little Dieter Needs to Fly (1997)
• My Best Fiend (1999)
• Wings of Hope (2000)
• Wheel of Time (2003)
• The White Diamond (2004)
• Grizzly Man (2005)
• Encounters at the End of the World (2007)
• Cave of Forgotten Dreams (2010)
• Into the Abyss (2011)

Documentary short films[link]

• La Soufrière (1977)
• Portrait Werner Herzog (1986)
• Christ and demons in New Spain (1999)
• Pilgrimage (2001)
• Ten Thousand Years Older (2002)
• La bohème (2009)
• On Death Row (2012) TV miniseries in four, hour-long episodes

Screenwriter[link]

Films written, not directed, by Herzog:

• Werner Herzog Eats His Shoe (1980)

Herzog has written all his films, except these which he co-wrote:

• Scream of Stone (1991)
• Bad Lieutenant: Port of Call New Orleans (2009)
• My Son, My Son, What Have Ye Done (2009)

Herzog has also co-written:

• Hunger in the world explained to my son (El hambre en el mundo explicada a mi hijo) (2002)
• Incident at Loch Ness (2004)
• Happy People: A Year in the Taiga (2010)

Actor[link]

• Geschichten vom Kübelkind (1971)
• Man of Flowers (1983)
• Bride of the Orient (1989)
• Hard to Be a God (1990)
• Tales from the Opera (1994)
• Burning Heart (1995)
• What Dreams May Come (1998)
• Julien Donkey-Boy (1999)
• Incident at Loch Ness (2004)
• Mister Lonely (2007)
• The Grand (2007)
• Plastic Bag (2009)
• The Simpsons Ep. 479 (2010) Voice role
• The Boondocks Ep. 31 (2010) Voice role
• Metalocalypse Ep. 50, 52 & 53 (2012) Voice role
• American Dad! Ep. 132 (2012) Voice role
• One Shot (2013)

Stage works[link]

Opera[link]

• Doktor Faustus (1986, Teatro Comunale di Bologna)
• Lohengrin (1987, Bayreuth Festival)^[29]
• Giovanna d'Arco (1989, Teatro Comunale di Bologna)
• La Donna del lago (1992, Teatro alla Scala, Milan)
• The Flying Dutchman (1993, L'Opéra de la Bastille)
• Il Guarany (1993, Opera Bonn)
• Norma (1994, Verona Arena)
• Il Guarany (1996, Washington National Opera)
• Chushingura (1997, Tokyo Opera)
• Tannhäuser (1997, 1998 Teatro de la Maestranza; Teatro di San Carlo; Teatro Massimo)
• The Magic Flute (1999, Teatro Bellini, Catania)
• Fidelio (1999, Teatro alla Scala)
• Tannhäuser (Wagner) (2000)
• Giovanna d'Arco (2001, Teatro Carlo Felice, Genoa)
• Tannhäuser (2001, Teatro Municipal; Houston Grand Opera)
• Die Zauberflöte (2001, Baltimore Opera)
• The Flying Dutchman (2002, DomStufen Festspiele Erfurt)
• Parsifal (2008, Palau de les Arts, Valencia)

Theatre[link]

• Floresta Amazonica (A Midsummer Night's Dream) (1992, Teatro Joao Caetano)
• Varété (1993, Hebbel Theatre)
• Specialitaeten (1993, Etablissement Ronacher)

Bibliography[link]

Books

Writer:

• Of Walking In Ice (Free Association, New York, 2007, ISBN 978-0-9796121-0-7)
• Fitzcarraldo: The Original Story (Fjord Pr, January 1983, ISBN 978-0-940242-04-3)
• "Conquest of the Useless" Herzog's diaries of the making of "Fitzcarraldo"

Co-writer:

• Paul Cronin. Herzog on Herzog (London: Faber and Faber Ltd., 2002, ISBN 0-571-20708-1) (extracts^[30])
• Lena Herzog. Pilgrims: Becoming the Path Itself (Periplus Publishing London Ltd., ISBN 1-902699-43-2)

Screenplays

Writer:

• Cobra Verde (Jade-Flammarion 2001, ISBN 2-08-203009-1)
• Wo Die Grünen Ameisen Träumen (Hanser 1984, ISBN 3-446-14106-5)
• Nosferatu (Ulbulibri, 1984)
• Fitzcarraldo, Nosferatu, Stroszek (Mazarine 1982)
• Screenplays: Aguirre, The Wrath of God, Every Man For Himself and God Against All & Land of Silence and Darkness (translated by Alan Greenberg & Martje Herzog; Tanam, New York, ISBN 0-934378-03-7)
• Drehbücher III: Stroszek, Nosferatu (Hanser 1979)
• Drehbücher II: Aguirre, der Zorn Gottes: Jeder für sich und Gott gegen alle, Land des Schweigens und der Dunkelheit (Hanser 1977)
• Drehbücher I: Lebenszeichen, Auch Zwerge haben klein angefangen, Fata Morgana (Hanser 1977)

Co-writer:

• Alan Greenberg & Herbert Achternbusch. Heart of Glass 1976

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Werner Herzog

Wikimedia Commons has media related to: Werner Herzog

• Official website
• Werner Herzog at the Internet Movie Database
• Encounters with Herzog a film competition. Judged by Herzog on the independent filmmakers networking community Shooting People.

The Classic (Hangul: 클래식; Keulraesik) is a 2003 South Korean melodrama / romance film directed by Kwak Jae-yong.

Plot[link]

The film tells the parallel love stories of a mother and daughter. The story of the mother is told partially in flashbacks.

The movie starts in the present day. The daughter, Ji-hye (Son Ye-jin), is cleaning-up around her house when she comes across a box full of old letters and a diary that detail the story of her mother, Joo-hee (who is also played by Son Ye-jin). Periodically in the movie, Ji-hye reads one of these letters, which starts a flashback scene in which the story of the mother is told. These flashbacks are intertwined with Ji-hye's own story, in which she falls for a fellow student, Sang-min (Zo In Sung), who is involved with the school theater.

The movie tells the story of both relationships. The mother, Joo-hee, visits the countryside as a student one summer and meets Joon-ha (Jo Seung-woo). Together they explore the countryside, playing near a river which they both will always remember as their special place. When a storm starts they take shelter together under a tree, but not before Joo-hee twists her ankle and is rendered helpless. Joon-ha carries her on his back and they struggle home, only to be confronted by her angry parents. Before they separate, Joo-hee gives him a necklace, which he keeps close as a precious reminder of their time together.

Unfortunately, as often happens in affairs of the heart, a third party prevents any deepening of their relationship. Joo-hee has been promised by her parents as a bride to Tae-soo, Joon-ha's friend. But Tae-soo, a noble friend, finds out about Joo-hee and Joon-ha's attraction for each other and helps the two communicate secretly by letting them use his own name in place of Joon-ha's in their letters. When Tae-soo's father finds this out, however, he beats Tae-soo. Tae-soo tries unsuccessfully to commit suicide so that his two friends can be together.

Meanwhile, in the present, Ji-hye falls for Sang-min in whom her friend Soo-kyeong is also very interested, but he seems not to notice. Then, in a sweet scene, they take shelter from the rain together under the same tree. He uses his coat to cover both of them and escorts her to where she needs to go. The moment, while magical, does not go anywhere as she feels his help was only due to his generous nature and not from any feelings for her on his part.

Back in the past, Joon-ha is guilt-ridden over his friend's attempted suicide and Joo-hee's own guilt. Determined to prevent any more hurt to her, Joon-ha joins the army and goes to Vietnam. There he loses his eyesight while he tries to retrieve the necklace Joo-hee had given him. When he returns to Korea, he meets again with Joo-hee, and, trying to hide his blindness, convinces her he has married in the hope she will move on with her life. Though heart broken that their relationship cannot continue, she does move on and eventually marries Tae-soo, Joon-ha's kind friend. After they have been married for several years and have a young daughter (Ji-hye) Joo-hee is approached by friends of Joon-ha, who relate Joon-ha's last wish: that his ashes be scattered by Joo-hee in the river, now a reservoir, where they first met. She then finds out that Joon-ha hadn't married, but he later did after Tae-soo and Joo-hee were married. She was told that he had a son also. The heart-break is too much and she cries.

In the present, Ji-hye's own story unfolds. Sang-min reveals his true feelings for Ji-hye - feelings that mirror her own. It is also revealed that their taking shelter together during the storm was no accident: he had purposely left his umbrella behind in a shop so that he could join her under the tree. Then, when Ji-hye pensively reveals her mother's story to him, tears stream down his face. Silently he lifts a necklace from around his neck and places it around hers. It is the necklace that Ji-hye's mother, Joo-hee, had given to Joon-ha when they met. The circle is completed: Joo-hee's daughter and Joon-ha's son have fallen in love.

Cast[link]

• Son Ye-jin in dual role as Ji-hye and Joo-hee (Ji-hye's mother)
• Jo Seung-woo as Joon-ha
• Zo In Sung as Sang-min
• Lee Ki-woo as Tae-soo (friend of Joon-ha)
• Lee Soo-in as Soo-kyeong (friend of Ji-hye)
• Seo Yeong-hee as Na-hee (friend of Joo-hee)
• Lim Ye Jin as Shopkeeper

Development[link]

Several of the school scenes were filmed at various universities in Korea. Notably, the library was in Kyung Hee University. There are many parallels between the flashback and present day stories. In the flashbacks, Joon Ha writes letters in the name of his friend Tae-soo to their mutual love interest. In the present day, Ji-hye writes letters in the name of her friend to their mutual love interest. In the flashbacks, Joo-hee has an annoying female friend that Joon-ha is initially set up with. In the present day, Ji-hye also has an annoying friend that interferes with her relationship. Also, Joo-hee and Ji-hye both receive the same poem from the people they love: "When the sun shines...".

Reception[link]

The Classic was nominated at the Hong Kong Film Awards in the category Best Asian Film in 2004.^[3]

Son Ye-jin received several awards for her performance in the film:^[4]

• 2003 40th Daejong sang Awards: Best New Actress (The Classic)
• 2003 39th PaekSang Arts Awards: Best New Actress (The Classic)
• 2003 24th Blue Dragon Film Awards - Most Favourite Star (The Classic, Crazy First Love)
• 2004 9th Moscow International Love Movie Awards: Best Couple (The Classic)

Music[link]

The film relies heavily on music to help convey emotion.

Korean Songs in the film:

• 그랬나봐 ("Geuraetna pwa" - World without love) - performer: Kim Hyung Joong
• 고백 ("Gobaek" - Confession) - performer: Delispice - played during the art gallery scene
• 너에게 난 나에게 넌 ("Neoehgeh nan naehgeh neon" - Me to you, you to me) - performer: Jatanpung - played during both special umbrella scenes
• 너무 아픈 사랑은 사랑이아니었음을 ("Neomu apeun sarangeun sarangee anieosseumeul" - It wasn't love if it hurt so much) - performer: Kim Kwang Suk - played during train and last meeting scenes
• 사랑하면 할수록 ("Saranghamyon halsoorok" - If we are in love, then...) - Played in different instrumental versions throughout the film - always at emotional moments. It is sung in the final scenes by performer Han Song Min. There is also a Mandarin version of this song titled "Hui Se Kong Jian" (灰色空間 in Mandarin) which is sung by Taiwanese singer Show Luo in Taiwanese drama called "The Outsider II".

The piano piece performed by Joo-Hee on stage is Beethoven's Piano Sonata 8, movement 2 Pathetique Sonata.

Pachelbel's Canon in D was also used as the background music. This same music was featured in the director's earlier film, My Sassy Girl.

Some American songs were used as well.

References[link]

External links[link]

• The Classic at the Korean Movie Database
• The Classic at the Internet Movie Database
• The Classic at HanCinema