Coordinates | 30°19′10″N81°39′36″N |
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Birth date | November 25, 1896 |
Birth place | Kansas City, Missouri |
Death date | September 30, 1989 |
Death place | Manhattan }} |
Virgil Thomson (November 25, 1896September 30, 1989) was an American composer and critic. He was instrumental in the development of the "American Sound" in classical music. He has been described as a modernist, a neoclassicist, a composer of "an Olympian blend of humanity and detachment" whose, "expressive voice was always carefully muted," until his late opera Lord Byron which, in contrast to all his previous work, exhibited an emotional content that rises to, "moments of real passion", and a neoromantic.
In the 1930s, he worked as a theater and film composer. His most famous works for theater are two operas with libretti by Gertrude Stein, Four Saints in Three Acts, especially famous for its use of an all-black cast, and The Mother of Us All, as well as incidental music for Orson Welles' Depression-era production of Macbeth, set in the Caribbean, known as Voodoo Macbeth. He collaborated closely with "Chick" Austin of Hartford's Wadsworth Atheneum in these early productions.
His first film commission was The Plow That Broke the Plains, sponsored by the United States Resettlement Administration, which also sponsored the film The River with music by Thomson. He won the Pulitzer Prize for Music in 1949 with his film score for Louisiana Story.
In addition, Thomson was famous for his revival of the rare technique of composing "musical portraits" of living subjects, often spending hours in a room with them before rushing off to finish the piece on his own. Many subjects reported feeling that the pieces did capture something unique about their identities even though nearly all of the portraits were absent of any clearly representational content.
Later in life, Thomson became a sort of mentor and father figure to a new generation of American tonal composers such as Ned Rorem, Paul Bowles and Leonard Bernstein, a circle united as much by their shared homosexuality as by their similar compositional sensibilities. However, women composers were not part of that circle, and some have suggested that, as a critic, he pointedly ignored their works, or adopted a patronizing tone.
Thomson's score for The River was used in the 1983 ABC made-for-television movie The Day After.
Virgil Thomson's personal papers are in a repository at the Archival Papers in the Music Library of Yale University and also additional effects regarding Thomson are included in the Ian Hornak repository at the Smithsonian Institution's Archives of American Art in Washington D.C.
He was a recipient of Yale University's Sanford Medal.
In 1988, he was awarded the National Medal of Arts.
He was a National Patron of Delta Omicron, an international professional music fraternity.
He died on September 30, 1989, in his suite at the Chelsea Hotel in Manhattan.
Category:1896 births Category:1989 deaths Category:20th-century classical composers Category:American composers Category:American film score composers Category:American music critics Category:Guggenheim Fellows Category:Harvard University alumni Category:Kennedy Center honorees Category:LGBT composers Category:LGBT musicians from the United States Category:MacDowell Colony fellows Category:New York Herald Tribune people Category:Opera composers Category:Opera critics Category:People from the Kansas City metropolitan area Category:Pulitzer Prize for Music winners Category:United States National Medal of Arts recipients Virgil Thomson Category:Archives of American Art related
da:Virgil Thomson de:Virgil Thomson es:Virgil Thomson fr:Virgil Thomson he:וירג'יל תומסון nl:Virgil Thomson ja:ヴァージル・トムソン pt:Virgil Thomson ru:Томсон, Вирджил zh:维吉尔·汤姆森This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 30°19′10″N81°39′36″N |
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name | Publius Vergilius Maro |
birth date | October 15, 70 BC |
birth place | Andes, Cisalpine Gaul |
death date | September 21, 19 BC (age 50) |
death place | Brundisium, Italy |
occupation | Poet |
nationality | Roman |
genre | Epic poetry, didactic poetry, pastoral poetry |
movement | Augustan poetry |
influences | Homer, Callimachus, Ennius, Lucretius, Theocritus |
influenced | Ovid, Lucan, Statius, The Nationalist movement, Dante Alighieri, Ludovico Ariosto, John Milton, John Keats, Jorge Luis Borges, William Shakespeare, Seamus Heaney |
signature | }} |
Virgil came to be regarded as one of Rome's greatest poets. His Aeneid can be considered a national epic of Rome and has been extremely popular from its publication to the present day. His work has influenced Western literature. His epic, the Aeneid, had followed the literary model of Homer's epic poems Iliad and Odyssey. The story is about Aeneas's search for a new homeland and his war to found a city.
Virgil's father was a wealthy landowner, who could afford a good education for his son that included schools in Cremona, Mediolanum, Rome and Naples. After considering briefly a career in rhetoric and law, the young Virgil turned his talents to poetry.
Book 7 (beginning the Iliadic half) opens with an address to the muse and recounts Aeneas arrival in Italy and betrothal to Lavinia, daughter of King Latinus. Lavinia had already been promised to Turnus, the king of the Rutulians, who is roused to war by the Fury Allecto and Amata Lavinia's mother. In Book 8, Aeneas allies with King Evander, who occupies the future site of Rome, and is given new armor and a shield depicting Roman history. Book 9 records an assault by Nisus and Euryalus on the Rutulians, 10, the death of Evander's young son Pallas, and 11 the death of the Volscian warrior princess Camilla and the decision to settle the war with a duel between Aeneas and Turnus. The Aeneid ends in Book 12 with the taking of Latinus' city, the death of Amata, and Aeneas' defeat and killing of Turnus, whose pleas for mercy are spurned.
The Aeneid appears to have been a great success. Virgil is said to have recited Books 2,4, and 6 to Augustus; In Silius Italicus, Virgil finds one of his most ardent admirers. With almost every line of his epic Punica Silius references Virgil. Indeed, Silius is known to have bought Virgil's tomb and worshipped the poet. Partially as a result of his so-called "Messianic" Fourth Eclogue—widely interpreted at the time to have predicted the birth of Jesus Christ -- Virgil was in later antiquity imputed to have the magical abilities of a seer; the sortes Virgilianae, the process of using Virgil's poetry as a tool of divination, is found in the time of Hadrian, and continued into the Middle Ages. In a similar vein Macrobius in the Saturnalia credits the work of Virgil as the embodiment of human knowledge and experience, mirroring the Greek conception of Homer. Virgil also found commentators in antiquity. Servius, a commentator of the 4th century AD based his work on the commentary of Donatus. Servius' commentary provides us with a great deal of information about Virgil's life, sources, and references, however many modern scholars find the variable quality of his work and the often simplistic interpretations frustrating.
The Aeneid remained the central Latin literary text of the Middle Ages and retained its status as the grand epic of the Latin peoples, and of those who considered themselves to be of Roman provenance, such as the English. It also held religious importance as it describes the founding of the Holy City.
Virgil's fourth Eclogue was often seen as a prophecy of the coming of the Christ. It has been argued that this originated in a need on the part of medieval scholars to reconcile Virgil's non-Christian background with the high regard in which they held his works, who thus made him a prophet of sorts. This view is defended by a few scholars today, notably Richard Thomas (see below, under links). Cicero and other classical writers too were declared Christian due to similarities in moral thinking to Christianity.
Dante made Virgil his guide in Hell and the greater part of Purgatory in The Divine Comedy. Dante also mentions Virgil in De vulgari eloquentia, along with Ovid, Lucan and Statius, as one of the four regulati poetae (ii, vi, 7).
The most well-known surviving manuscripts of Virgil's works include the Vergilius Augusteus, the Vergilius Vaticanus and the Vergilius Romanus.
===Mysticism and hidden meanings=== In the Middle Ages, Virgil was considered a herald of Christianity for his Eclogue 4 verses concerning the birth of a boy, which were read as a prophecy of Jesus' nativity.
Also during the Middle Ages, as Virgil was developed into a kind of magus, manuscripts of the Aeneid were used for divinatory bibliomancy, the Sortes Virgilianae (Virgilian lottery), in which a line would be selected at random and interpreted in the context of a current situation (Compare the ancient Chinese I Ching). The Old Testament was sometimes used for similar arcane purposes.
In some legends, such as Virgilius the Sorcerer, the powers attributed to Virgil were far more extensive.
The structure known as "Virgil's tomb" is found at the entrance of an ancient Roman tunnel (also known as "grotta vecchia") in the Parco di Virgilio in Piedigrotta, a district two miles from old Naples, near the Mergellina harbor, on the road heading north along the coast to Pozzuoli. (The site called Parco Virgiliano is some distance further west along the coast.) While Virgil was already the object of literary admiration and veneration before his death, in the following centuries his name became associated with miraculous powers, his tomb the destination of pilgrimages and veneration. The poet himself was said to have created the cave with the fierce power of his intense gaze.
It is said that the Chiesa della Santa Maria di Piedigrotta was erected by Church authorities to neutralize this adoration and "Christianize" the site. The tomb, however, is a tourist attraction, and still sports a tripod burner originally dedicated to Apollo, although the tripod is not original to the site.
He was unable to hate or hurt anyone and was so shy that he fled from his admirers by taking shelter in the nearest house he could find. In talking in public he often stumbled over his words giving the impression of being rough and uneducated. According to Varus he wrote very few verses per day. He loved glory, only inasmuch as it was a poet's duty; he was not vain, and did not show off. He avoided the company of aristocrats and high-ranked people, and dressed in a simple manner, like common people.
The article above was originally sourced from Nupedia and is open content.
Category:Golden Age Latin writers Category:Latin-language writers Category:Ancient Roman writers Category:1st-century BC writers Category:1st-century BC Romans Category:1st-century BC poets Category:Bucolic poets Category:Epic poets Category:Didactic poets Virgilio Category:70 BC births Category:19 BC deaths
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