Coordinates	11°14′31″N74°12′19″N
name	Quills
director	Philip Kaufman
producer	Julia ChasmanPeter KaufmanNick Wechsler
writer	Doug Wright
starring	Geoffrey RushKate WinsletJoaquin PhoenixMichael Caine
music	Stephen Warbeck
cinematography	Rogier Stoffers
editing	Peter Boyle
distributor	Fox Searchlight Pictures
released
runtime	124 minutes
country
language	English
gross	$17,989,227 }}

''Quills'' is a 2000 period film directed by Philip Kaufman and adapted from the Obie award-winning play by Doug Wright, who also wrote the original screenplay. Inspired by the life and work of the Marquis de Sade, ''Quills'' re-imagines the last years of the Marquis' incarceration in the insane asylum at Charenton. It stars Geoffrey Rush as the Marquis de Sade, Joaquin Phoenix as the Abbé du Coulmier, Michael Caine as Dr. Royer-Collard, and Kate Winslet as laundress Madeleine "Maddie" LeClerc.

Well received by critics, ''Quills'' garnered numerous accolades for star Geoffrey Rush, including nominations for an Oscar and a Golden Globe. The film was a modest art house success, averaging $27,709 per screen its debut weekend, and eventually grossing $17,989,277 internationally. Cited by historians as factually inaccurate, ''Quills'' filmmakers and writers said they were not making a biography of de Sade, but exploring issues such as censorship, pornography, sex, art, mental illness, and religion. It was released with an ''R'' rating due to some violence, horrific images, language, and nudity.

Plot

''Quills'' begins during the Reign of Terror, with the incarcerated Marquis de Sade (Geoffrey Rush) penning a story about the libidinous Mademoiselle Renard, an aristocrat who meets the preeminent sadist in her executioner.

Several years later, the Marquis is confined to the asylum at Charenton, overseen by the enlightened Abbé du Coulmier (Joaquin Phoenix). The Marquis has been publishing his work through laundress Madeleine "Maddy" LeClerc (Kate Winslet), who smuggles manuscripts through an anonymous horseman (Tom Ward) to a publisher. The Marquis' latest work, ''Justine'', is published on the black market to great success. Napoleon (Ron Cook) orders all copies of the book burned and the author shot, but his advisor, Delbené (Patrick Malahide), tempers this contentious idea with one of his own: send traditionalist Doctor Royer-Collard (Michael Caine) to look in at Charenton and silence the Marquis.

Dr. Royer-Collard arrives, informing the Abbé that the Marquis' "therapeutic writings" have been distributed for public consumption. Horrified, the Abbé rejects Royer-Collard's offers of several archaic "treatments" and asks to speak with the Marquis himself, who promptly swears obedience (winking at Madeleine through a peephole). Royer-Collard takes his leave for the time being and travels to the Panthemont Convent in Paris to retrieve his promised bride, the underage Simone (Amelia Warner). They are given a run-down chateau by the Emperor, with a handsome young architect, Prouix (Stephen Moyer) on hand for its renovation.

The hasty marriage incites much gossip at the asylum, prompting the Marquis to write a farce to be performed at a public exhibition. The audacious play, titled "The Crimes of Love", is interrupted when the inmate Bouchon (British character actor Stephen Marcus) molests Madeleine off-stage, prompting her to hit him in the face with an iron. Royer-Collard shuts down the public theater and demands that the Abbé do more to control the Marquis. Infuriated, the Abbé confiscates the Marquis' quills and ink, prompting more subversive behavior, including a story written in wine on bedsheets and in blood on clothing. This results in further deprivation, eventually leaving the Marquis naked in an empty cell.

While this is occurring at the asylum, Simone has been violently introduced to the adult world by her husband. She unrepentantly purchases a copy of the Marquis de Sade's ''Justine'', seduces Prioux, and the young lovers run off together. She leaves behind a letter explaining her actions and her copy of ''Justine''. Upon finding this, Dr. Royer-Collard seizes on the Marquis as the source of his troubles and embarks upon a quest for revenge.

About to be sent away from Charenton for her role in assisting the Marquis, Madeleine begs a last story from him, which is to be relayed to her through the asylum patients. Bouchon, the inmate at the end of the relay, is excited by the story, breaks out of his cell, and kills Madeleine. The asylum is set afire by the pyromaniac Dauphin (George Yiasoumi) and the inmates break out of their cells.

Madeleine's body is found by her blind mother in the laundry vat and Bouchon is captured and imprisoned inside an iron dummy. The Abbé blames the Marquis for Madeleine's death and prods him into a fury. The Marquis claims he had been with Madeleine in every way imaginable, only to be told she had died a virgin. The Abbé cuts out the Marquis' tongue as punishment for his involvement. In a later scene, the Abbe commits necrophilia with the corpse of Madeline in a dream. The Marquis' health declines severely, though perverse as ever, he decorates his oubliette with a story, using feces as ink. As the Abbé finishes reading the last rites, he offers the Marquis a crucifix to kiss, which he swallows and chokes on, thus committing suicide.

A year later, the new Abbé du Maupas (Alex Avery) arrives at Charenton and is given the grand tour. The asylum has been converted into a printing press, with the inmates as its staff. The books being printed are the works of the Marquis de Sade. At the end of the tour, the new Abbé meets his predecessor, who resides in the Marquis' old cell. Yearning to write, he begs paper and a quill from the Abbé, who is herded off by Royer-Collard, now overseer of the asylum. However, the peephole opens, and Madeleine's mother thrusts paper, quill, and ink through. The Abbé begins to scribble furiously, with the Marquis providing the narration.

Production

Filming began in England on August 5, 1999, with Oxfordshire, Bedfordshire, and London standing in for early nineteenth century France. Oscar-winning production designer Martin Childs (Shakespeare in Love) imagined the primary location of Charenton as an airy, though circuitous place, darkening as Royer-Collard takes over operations. The screenplay specifies the way the inmates' rooms link together, which plays a key role in the relay of the Marquis' climactic story to Madeleine. Screenwriter/playwright Doug Wright was a constant presence on set, assisting the actors and producers in interpreting the script and bringing his vision to life. Oscar-nominated costume designer Jacqueline West created the intricate period costumes, using each character as inspiration. West previously worked with director Philip Kaufman on his crime drama ''Rising Sun''. For Joaquin Phoenix's Abbé, costumers designed special "pleather" clogs to accommodate the actor's veganism. In one scene, Geoffrey Rush's Marquis de Sade wears a suit decorated in bloody script, which West described as "challenging" to make. It features actual writings of de Sade and costumers planned exactly where each sentence should go on the fabric. Before production began, West gave Winslet a copy of French painter Léopold Boilly's "Woman Ironing" to give her a feel for the character, which Winslet said greatly influenced her performance. Casting directors Donna Isaacson and Priscilla John recruited a number of actors from a disabled actor's company to play the parts of many of the inmates at Charenton.

Cast

Geoffrey Rush as the Marquis de Sade: The flamboyantly outrageous Marquis refuses to conform to the moral standards of the day, making an enemy of Napoleon with his scandalous pornography and political commentary. Director Philip Kaufman encouraged Rush to portray the Marquis as something of a dissolute rock star holed up in the Ritz Carlton. Rush used Francine du Plessix Gray's 1998 biography ''At Home with the Marquis de Sade: A Life'' as a reference and had previously acted in a production of Marat/Sade. Kate Winslet as Madeleine “Maddy” LeClerc: Feisty laundress Madeleine is the romantic interest for both the Abbé and the Marquis. In love with the Abbé, who is extremely in love with her but feels restricted, she is fascinated by the Marquis and his intelligence and experience. Screenwriter Doug Wright called Winslet the “patron saint” of the movie for being the first big name to back it, expressing interest as early as April 1999. Joaquin Phoenix as the Abbé du Coulmier: The Abbé du Coulmier is the well-loved administrator at Charenton asylum. A profoundly religious man, he treats his wards with kindness and allows them to express themselves artistically. He is intensely in love with Maddy though he does not entirely admit it to her or himself, he becomes devastated by her death and eventually this led to his madness. Before settling on Joaquin Phoenix, casting directors considered Jude Law, Guy Pearce, and Billy Crudup for the role. Michael Caine as Doctor Royer-Collard: Sent by Napoleon to silence the Marquis, Royer-Collard is the traditionalist foil for the Abbé, though he proves as sadistic as the Marquis himself. Kaufman drew comparisons between Royer-Collard and Kenneth Starr, particularly the publication of de Sade's works at the Charenton Printing Press and the release of Starr's report online.

Billie Whitelaw as Madame LeClerc: Madame LeClerc is Madeleine's blind mother, a long-time employee of the asylum, whose blindness resulted from long-time exposure to the lye of the laundry vats.

Stephen Marcus as Bouchon: Bouchon is the inmate who attempts to rape Madeleine backstage during “The Crimes of Love” and ultimately kills her during the climax of the film.

Amelia Warner as Simone: Simone is Dr. Royer-Collard's child bride who elopes with architect Prioux.

Stephen Moyer as Prioux: A promising architect sent by Napoleon to renovate the Royer-Collard chateau, Prioux falls in love with Simone and runs away with her.

Jane Menelaus as Renee Pelagie: Menelaus, Geoffrey Rush's real-life spouse, is Renee Pelagie, the Marquis de Sade's long-suffering wife.

Ron Cook as Napoleon Bonaparte: The Emperor of the French, who ordered the anonymous author of ''Justine'' (the Marquis) arrested in 1801. This was Cook's second appearance as Napoleon, the first being in the ''Sharpe'' series in 1994.

Patrick Malahide as Delbené: Napoleon's most trusted advisor, Delbené is responsible for sending Dr. Royer-Collard to Charenton.

Elizabeth Berrington as Charlotte: A meddlesome chambermaid, Charlotte betrays Madeleine to Royer-Collard and eventually becomes his lover and assistant at the Charenton Printing Press.

Tony Pritchard as Valcour: Charenton's prefect, Valcour performs much of the physical work necessary at the asylum.

Michael Jenn as Cleante: Cleante is a madman who thinks he is a bird. He stars in "The Crimes of Love" in the Royer-Collard-inspired role of The Libertine and helps pass the Marquis' story to Madeleine later in the film.

Music

The ''Quills'' soundtrack was released by RCA Victor on November 21, 2000 featuring the music of Oscar-winning composer Stephen Warbeck (Shakespeare in Love). Featuring experimental instrumentation by The Quills Specialist Band on such instruments as the serpent, shawm, and bucket, most reviewers were intrigued by the unconventional and thematic score. Cinemusic.net reviewer Ryan Keaveney called the album a “macabre masterpiece,” with an “addicting and mesmerizing” sound. Urban Cinephile contributor Brad Green described the album as a “hedonistic pleasure” that “captures the spirit of an incorrigible, perverse genius.” Soundtrack.net's Glenn McClanan disliked the “lack of unifying unified themes and motifs” that may have served each individual scene, but made the film feel “incoherent.”

Au Clair de la Lune

Though not included on the soundtrack, the opening notes of "Au Clair de la Lune", a traditional French children's song, recur throughout the film, usually hummed by the Marquis. The song is originally sung by John Hamway during the opening scene of a beheading which was filmed in Oxford. The English translation provides some illumination as to its selection as a theme for the Marquis:

Track listing

#"The Marquis and the Scaffold" – 3:08 #"The Abbe and Madeleine" – 2:19 #"The Convent" – 2:22 #"Plans for a Burial" – 1:18 #"Dream of Madeleine” – 4:42 #"Royer-Collard and Bouchon" – 4:15 #"Aphrodisiac" – 2:59 #"The Last Story" – 7:35 #"The Marquis' Cell at Charenton" – 4:38 #"The End: A New Manuscript" – 7:32 #"The Printing Press" – 2:22

Release

Box office performance

Distributed by Fox Searchlight Pictures in 2000, ''Quills'' premiered in the United States at the Telluride Film Festival on September 2, 2000. It was given a limited release on November 22, 2000, with a wider release following on December 15, 2000. The film earned $249,383 its opening weekend in nine theaters, totaling $7,065,332 domestically and $10,923,895 internationally, for a total of $17,989,227.

DVD and other releases

''Quills'' was released on NTSC VHS and Region 1 DVD on May 8, 2001, with PAL VHS and Region 2 DVD to follow on October 29, 2001. The DVD contains a feature-long commentary track by screenwriter/playwright Doug Wright and three featurettes: “Marquis on Marquee,” “Creating Charenton,” and “Dressing the Part.” Also included are the theatrical trailer, a television spot, a photo gallery, a music promotional spot, and a feature called “Fact & Film: Historical and Production Information.”

Reaction

Critical reception

Reviews were generally positive, with a 75% favorable rating at the review aggregate site Rotten Tomatoes and an average score of 70/100 at Metacritic.

Elvis Mitchell of ''The New York Times'' complimented the "euphoric stylishness" of Kaufman's direction and Geoffrey Rush's "gleeful...flamboyant" performance. Peter Travers for ''Rolling Stone'' wrote about the "exceptional" actors, particularly Geoffrey Rush's "scandalously good" performance as the Marquis, populating a film that is "literate, erotic, and spoiling to be heard." Stephanie Zacharek of Salon.com enthused over the "delectable and ultimately terrifying fantasy" of ''Quills'', with Rush as "sun king," enriched by a "luminous" supporting cast.

The film was not without its detractors, including Richard Schickel of ''Time'' magazine, who decried director Philip Kaufman's approach as "brutally horrific, vulgarly unamusing," creating a film that succeeds only as "soft-gore porn." Eleanor Ringel Gillespie of the ''Atlanta Journal-Constitution'' concurred, finding ''Quills'' "shrill, pretentious, sophomoric and often just plain dumb." Kenneth Turan of the ''Los Angeles Times'' dismissed the film as an "overripe contrivance masquerading as high art", while de Sade biographer Neil Schaeffer in ''The Guardian'' criticized the film for historical inaccuracies and for simplifying de Sade's complex life (see below).

Awards

''Quills'' received three Oscar nominations at the 73rd Annual Academy Awards for Actor in a Leading Role (Geoffrey Rush, previous winner for the 1996 movie Shine), Art Direction (Art: Martin Childs, Sets: Jill Quertier), and Costume Design (Jacqueline West). The film was also nominated by the Hollywood Foreign Press, organizers of the Golden Globes, for Best Actor in a Drama (Geoffrey Rush) and Best Screenplay (Douglas Wright). The National Board of Review selected ''Quills'' as its Best Film of 2000.

Historical inaccuracy

Neil Schaeffer, whose ''The Marquis de Sade: A Life'' was used by Director Philip Kaufman as reference, in a review published in ''The Guardian'', he criticized the film for historical inaccuracies and for simplifying de Sade's complex life.

Schaeffer especially criticized the depiction of the de Sade as a "martyr to the oppression and censorship of church and state" and the films' sacrificing facts "to a surreal and didactic conclusion that has no connection with the truth, and is probably overwrought even as a twist of a fictional plot", namely that "the seemingly good people are all bad underneath, are all hypocrites, while the seemingly bad person, de Sade, probably has some redeeming qualities".

Schaeffer detailed a number of disparities between fact and film:

Schaeffer relates that de Sade's initial incarceration "had nothing to do with his writing" but with sexual scandals involving servants, prostitutes and his sister-in-law. He also criticized the opening scene's implication that the reign of terror caused the "sanguinary streak" of de Sade's writing, when "his bloodiest and best work, ''120 Days of Sodom'', was written in the Bastille - obviously before the revolution" and not at Charenton, as suggested by the film. In contrast to the film, the historical de Sade was "not at the height of his literary career nor of his literary powers" while at Charenton, nor did he cut the "tall, trim figure of the Australian actor Geoffrey Rush" but was of middling height and, at the time, of a "considerable, even a grotesque, obesity".

The manuscripts smuggled out of the asylum were not the novel ''Justine'', which features prominently in the film but was published thirteen years before de Sade's incarceration at the asylum. De Sade's smuggled works were not particularly outrageous, mostly consisting of conventional novels and a number of plays he worked on throughout his life in hopes of having them performed. Most of these were soundly rejected by publishers. De Sade was, in fact, involved in the theater productions at Charenton, though none like the play featured in ''Quills.'' The plays performed were popular, conventional Parisian dramas. The government shut the Charenton theater down on May 6, 1813, years before the real Dr. Royer-Collard had any influence at Charenton.

Schaeffer criticized also the film's treatment of de Sade's personal relations regarding his wife (who had formally separated from him after the revolution), the chambermaid (which did not serve as a liaison to a publisher but with whom he had a sexual relationship from her early teens until shortly before his death) and his "companion of many years", who had a room at Charenton (and actually smuggled out the manuscripts) but is ignored by the film. Furthermore, "De Sade's hideous death in the movie is nothing like the truth, for he died in his sleep, in his 74th year, as peacefully as any good Christian".

Schaeffer argues that the main point of de Sade's life and writing was not, "as movie-makers and reviewers alike seem to think [...] to oppose censorship" but "to push the limits - sexual, spiritual, and political - as a means of feeling out the limits of his times and of his own mind." Schaeffer criticized that the film "simplifies de Sade into a modern "victim" and over-emphasises his potential as a focus for liberal-political meanings when, in fact, his life and perhaps his literary intentions - if you think of him as a satirist - can be seen as an object lesson, warning against the excesses of cultural relativism and nihilism; a very modern lesson, it would seem."

Schaeffer advised the viewer to distinguish between de Sade and the protagonist of the film: "To see if ''Quills'' is valid in its own terms, let the viewer imagine it is about someone else, let us say the Marquis de Newcastle, and that the scene is Bedlam and then see if the movie makes any sense."

References

External links

Photos of a production of the stage play ''Quills'' by Doug Wright

Category:2000 films Category:American films Category:British films Category:English-language films Category:2000s drama films Category:American drama films Category:BDSM in films Category:British drama films Category:Films about psychiatry Category:Films about writers Category:Films based on plays Category:Films critical of Roman Catholicism and Catholics Category:Films directed by Philip Kaufman Category:Films set in France Category:Films set in the 19th century Category:Fox Searchlight Pictures films Category:Georgian era films Category:Necrophilia Category:Plays by Doug Wright

de:Quills – Macht der Besessenheit es:Quills fa:قلم‌پرها (فیلم) fr:Quills, la plume et le sang it:Quills - La penna dello scandalo hu:Sade márki játékai nl:Quills ja:クイルズ pl:Zatrute pióro (film) pt:Quills ru:Перо маркиза де Сада sv:Quills zh:性書狂人

Coordinates	11°14′31″N74°12′19″N
name	Kate Winslet
birth name	Kate Elizabeth Winslet
birth date	October 05, 1975
birth place	Reading, Berkshire, England
occupation	Actress, singer
years active	1991–present
spouse
relatives	Anna Winslet, Beth Winslet (sisters) }}

Kate Elizabeth Winslet (born 5 October 1975) is an English actress and occasional singer. She has received multiple awards and nominations. She was the youngest person to accrue six Academy Award nominations, and won the Academy Award for Best Actress for ''The Reader'' (2008). She has won awards from the Screen Actors Guild, British Academy of Film and Television Arts, and the Hollywood Foreign Press Association among others, and has been nominated twice for an Emmy Award for television acting, winning once for her role as ''Mildred Pierce'' in the 2011 mini-series of the same name.

Brought up in Berkshire, Winslet studied drama from childhood, and began her career in British television in 1991. She made her film debut in ''Heavenly Creatures'' (1994), for which she received her first notable critical praise. She achieved recognition for her subsequent work in a supporting role in ''Sense and Sensibility'' (1995) and for her leading role in ''Titanic'' (1997), the highest grossing film at the time, and, as of 2011, the highest grossing film of Winslet's career.

Since 2000, Winslet's performances have continued to draw positive comments from film critics, and she has been nominated for various awards for her work in such films as ''Quills'' (2000), ''Iris'' (2001), ''Eternal Sunshine of the Spotless Mind'' (2004), ''Finding Neverland'' (2004), ''Little Children'' (2006), ''The Reader'' (2008) and ''Revolutionary Road'' (2008). Her performance in the latter prompted ''New York'' magazine critic David Edelstein to describe her as "the best English-speaking film actress of her generation". The romantic comedy ''The Holiday'' and the animated film ''Flushed Away'' (both 2006) were among the biggest commercial successes of her career.

Winslet was awarded a Grammy Award for Best Spoken Word Album for Children in 2000. She has been included as a vocalist on some soundtracks of works she has performed in, and the single "What If" from the soundtrack for ''Christmas Carol: The Movie'' (2001), was a hit single in several European countries. Winslet has two children with her former husbands: a daughter with Jim Threapleton and a son with Sam Mendes.

Early life

Born in Reading, Berkshire, Winslet is the second of four children born to Sally Anne (née Bridges), a barmaid, and Roger John Winslet, a swimming pool contractor. Her parents were "jobbing actors", which led Winslet to comment that she "didn't have a privileged upbringing" and that their daily life was "very hand to mouth". Her maternal grandparents, Linda (née Plumb) and Archibald Oliver Bridges, founded and operated the Reading Repertory Theatre, and her uncle, Robert Bridges, appeared in the original West End production of ''Oliver!''. Her older sister, Anna, and younger sister, Beth, are also actresses. Her younger brother, Joss, is the only sibling who did not pursue an acting career.

Winslet began studying drama at the age of 11 at the Redroofs Theatre School, a co-educational independent school in Maidenhead, Berkshire, where she was head girl. At the age of 12, Winslet appeared in a television advertisement directed by filmmaker Tim Pope for Sugar Puffs cereal. Pope said her naturalism was "there from the start".

Career

1991–1997

Winslet's career began on television, with a co-starring role in the BBC children's science fiction serial ''Dark Season''. This role was followed by appearances in the made-for-TV movie ''Anglo-Saxon Attitudes'' in 1992, the sitcom ''Get Back'', and an episode of the medical drama ''Casualty'' in 1993.

In 1992, Winslet attended a casting call for Peter Jackson's ''Heavenly Creatures'' in London. Winslet auditioned for the part of Juliet Hulme, a teenager who assists in the murder of the mother of her best friend, Pauline Parker (played by Melanie Lynskey). She won the role over 175 other girls. The film included Winslet's singing debut, and her a cappella version of "Sono Andati", an aria from ''La Bohème'', was featured on the film's soundtrack. The film was released to favourable reviews in 1994 and won Jackson and partner Fran Walsh a nomination for an Academy Award for Best Original Screenplay. Winslet was awarded an Empire Award and a London Film Critics' Circle Award for British Actress of the Year for her performance. ''The Washington Post'' writer Desson Thomson commented: "As Juliet, Winslet is a bright-eyed ball of fire, lighting up every scene she’s in. She's offset perfectly by Lynskey, whose quietly smoldering Pauline completes the delicate, dangerous partnership." Speaking about her experience on a film set as an absolute beginner, Winslet noted: "With ''Heavenly Creatures'', all I knew I had to do was completely become that person. In a way it was quite nice doing [the film] and not knowing a bloody thing."

The following year, Winslet auditioned for the small but pivotal role of Lucy Steele in the adaptation of Jane Austen's ''Sense and Sensibility'', featuring Emma Thompson, Hugh Grant, and Alan Rickman. She was instead cast in the second leading role of Marianne Dashwood. Director Ang Lee admitted he was initially worried about the way Winslet had attacked her role in ''Heavenly Creatures'' and thus required her to exercise t'ai chi, read Austen-era Gothic novels and poetry, and work with a piano teacher to fit the grace of the role. Budgeted at US$16.5 million ($}} million in current year dollars) the film became a financial and critical success, resulting in a worldwide box office total of US$135 million ($}} million) and various awards for Winslet, winning her both a BAFTA and a Screen Actors' Guild Award, and nominations for both an Academy Award and a Golden Globe.

In 1996, Winslet starred in both ''Jude'' and ''Hamlet''. In Michael Winterbottom's ''Jude'', based on the Victorian novel ''Jude the Obscure'' by Thomas Hardy, she played Sue Bridehead, a young woman with suffragette leanings who falls in love with her cousin, played by Christopher Eccleston. Acclaimed among critics, it was not a success at the box office, barely grossing US$2 million ($}} million) worldwide. Richard Corliss of ''Time'' magazine said "Winslet is worthy of [...] the camera's scrupulous adoration. She's perfect, a modernist ahead of her time [...] and ''Jude'' is a handsome showcase for her gifts." Winslet played Ophelia, Hamlet's drowned lover, in Kenneth Branagh's all star-cast film version of William Shakespeare's ''Hamlet''. The film garnered largely positive reviews and earned Winslet her second Empire Award.

In mid-1996, Winslet began filming James Cameron's ''Titanic'' (1997), alongside Leonardo DiCaprio. Cast as the sensitive seventeen-year-old Rose DeWitt Bukater, a fictional first-class socialite who survives the 1912 sinking of the RMS ''Titanic'', Winslet's experience was emotionally demanding. "''Titanic'' was totally different and nothing could have prepared me for it. ... We were really scared about the whole adventure. ... Jim [Cameron] is a perfectionist, a real genius at making movies. But there was all this bad press before it came out, and that was really upsetting." Against expectations, the film went on to become the highest-grossing film of all time, grossing more than US$1.843 billion ($}} billion) in box-office receipts worldwide, and transformed Winslet into a commercial movie star. Subsequently, she was nominated for most of the high-profile awards, winning a European Film Award.

1998–2003

Shot prior to the release of ''Titanic'', ''Hideous Kinky'', a low-budget hippie romance, was Winslet's sole film of 1998. Winslet had rejected offers to play the leading roles in ''Shakespeare in Love'' (1998) and ''Anna and the King'' (1999) in favour of the role of a young English mother named Julia who moves with her daughters from London to Morocco hoping to start a new life. The film garnered generally mixed reviews and received only limited distribution, resulting in a worldwide gross of US$5 million ($}} million). Despite the success of ''Titanic'', the next film Winslet opted to star in was ''Holy Smoke!'' (1999), featuring Harvey Keitel, another low-budget project—much to the chagrin of her agents, who felt "miserable" about her preference of arthouse movies. Feeling pressured, Winslet has said she "never saw ''Titanic'' as a springboard for bigger films or bigger pay cheques", knowing that "it could have been that, but would have destroyed [her]." The same year, she voiced Brigid in the computer animated film ''Faeries''.

In 2000, Winslet appeared in the period piece ''Quills'' with Geoffrey Rush and Joaquin Phoenix, a film inspired by the life and work of the Marquis de Sade. The actress served as somewhat of a "patron saint" of the film for being the first big name to back it, accepting the role of a chambermaid in the asylum and the courier of The Marquis' manuscripts to the underground publishers. Well-received by critics, the film garnered numerous accolades for Winslet, including nominations for SAG and Satellite Awards. The film was a modest arthouse success, averaging US$27,709 ($}}) per screen its debut weekend, and eventually grossing US$18 million ($}} million) internationally.

In 2001's ''Enigma'', Winslet played a young woman who finds herself falling for a brilliant young World War II code breaker, played by Dougray Scott. It was her first war film, and Winslet regarded "making ''Enigma'' a brilliant experience" as she was five months pregnant at the time of the shoot, forcing some tricky camera work from the director Michael Apted. Generally well-received, Winslet was awarded a British Independent Film Award for her performance, and A. O. Scott of ''The New York Times'' described Winslet as "more crush-worthy than ever." In the same year she appeared in Richard Eyre's critically acclaimed film ''Iris'', portraying novelist Iris Murdoch. Winslet shared her role with Judi Dench, with both actresses portraying Murdoch at different phases of her life. Subsequently, each of them was nominated for an Academy Award the following year, earning Winslet her third nomination. Also in 2001, she voiced the character Belle in the animated motion picture ''Christmas Carol: The Movie'', based on the Charles Dickens classic novel. For the film, Winslet recorded the song "What If", which was released in November 2001 as a single with proceeds donated to two of Winslet's favourite charities, the N.S.P.C.C. and the Sargeant Cancer Foundation for Children. A Europe-wide top ten hit, it reached number one in Austria, Belgium and Ireland, number six on the UK Singles Chart, and won the 2002 OGAE Song Contest.

Her next film role was in the 2003 drama ''The Life of David Gale'', in which she played an ambitious journalist who interviews a death-sentenced professor, played by Kevin Spacey, in his final weeks before execution. The film underperformed at international box offices, garnering only half of its US$ 50,000,000 budget, and generating mostly critical reviews, with Roger Ebert of the ''Chicago Sun-Times'' calling it a "silly movie."

2004–2006

Following ''The Life of David Gale'', Winslet appeared with Jim Carrey in ''Eternal Sunshine of the Spotless Mind'' (2004), a neosurrealistic indie-drama by French director Michel Gondry. In the film, she played the role of Clementine Kruczynski, a chatty, spontaneous and somewhat neurotic woman, who decides to have all memories of her ex-boyfriend erased from her mind. The role was a departure from her previous roles, with Winslet revealing in an interview with ''Variety'' that she was initially upended about her casting in the film: "This was not the type of thing I was being offered [...] I was just thrilled that there was something he had seen in me, in spite of the corsets, that he thought was going to work for Clementine.” The film was a critical and financial success. Winslet received rave reviews for her Academy Award-nominated performance, which Peter Travers of ''Rolling Stone'' described as "electrifying and bruisingly vulnerable."

Her final film in 2004 was ''Finding Neverland''. The story of the production focused on Scottish writer J. M. Barrie (Johnny Depp) and his platonic relationship with Sylvia Llewelyn Davies (Winslet), whose sons inspired him to pen the classic play ''Peter Pan, or The Boy Who Wouldn't Grow Up''. During promotion of the film, Winslet noted of her portrayal "It was very important for me in playing Sylvia that I was already a mother myself, because I don’t think I could have played that part if I didn’t know what it felt like to be a parent and have those responsibilities and that amount of love that you give to a child [...] and I've always got a baby somewhere, or both of them, all over my face." The film received favourable reviews and proved to be an international success, becoming Winslet's highest-grossing film since ''Titanic'' with a total of $118 million worldwide.

In 2005, Winslet appeared in an episode of BBC's comedy series ''Extras'' as a satirical version of herself. While dressed as a nun, she was portrayed giving phone sex tips to the romantically challenged character of Maggie. Her performance in the episode led to her first nomination for an Emmy Award. In ''Romance & Cigarettes'' (2005), a musical romantic comedy written and directed by John Turturro, she played the character Tula, described by Winslet as "a slut, someone who’s essentially foulmouthed and has bad manners and really doesn’t know how to dress." Hand-picked by Turturro, who was impressed with her display of dancing ability in ''Holy Smoke!'', Winslet was praised for her performance, which included her interpretation of Connie Francis's "Scapricciatiello (Do You Love Me Like You Kiss Me)". Derek Elley of ''Variety'' wrote: "Onscreen less, but blessed with the showiest role, filthiest one-liners, [and] a perfect Lancashire accent that's comical enough in the Gotham setting Winslet throws herself into the role with an infectious gusto."

After declining an invitation to appear in Woody Allen's film ''Match Point'' (2005), Winslet stated that she wanted to be able to spend more time with her children. She began 2006 with ''All the King's Men'', featuring Sean Penn and Jude Law. Winslet played the role of Anne Stanton, the childhood sweetheart of Jack Burden (Law). The film was critically and financially unsuccessful. Todd McCarthy of ''Variety'' summed it up as "overstuffed and fatally miscast [...] Absent any point of engagement to become involved in the characters, the film feels stillborn and is unlikely to stir public excitement, even in an election year."

Winslet fared far better when she joined the cast of Todd Field's ''Little Children'', playing Sarah Pierce, a bored housewife who has a torrid affair with a married neighbour, played by Patrick Wilson. Both her performance and the film received rave reviews; A. O. Scott of ''The New York Times'' wrote: "In too many recent movies intelligence is woefully undervalued, and it is this quality—even more than its considerable beauty—that distinguishes ''Little Children'' from its peers. The result is a film that is challenging, accessible and hard to stop thinking about. Ms. Winslet, as fine an actress as any working in movies today, registers every flicker of Sarah’s pride, self-doubt and desire, inspiring a mixture of recognition, pity and concern that amounts, by the end of the movie, to something like love. That Ms. Winslet is so lovable makes the deficit of love in Sarah’s life all the more painful." For her work in the film, she was honoured with a Britannia Award for British Artist of the Year from BAFTA/LA, a Los Angeles-based offshoot of the BAFTA Awards. and nominated for an Academy Award for Best Actress, and at 31, became the youngest actress to ever garner five Oscar nominations.

She followed ''Little Children'' with a role in Nancy Meyers' romantic comedy ''The Holiday'', also starring Cameron Diaz, Jude Law and Jack Black. In it she played Iris, a British woman who temporarily exchanges homes with an American woman (Diaz). Released to a mixed reception by critics, the film became Winslet's biggest commercial success in nine years, grossing more than US$205 million worldwide. Also in 2006, Winslet provided her voice for several smaller projects. In the CG-animated ''Flushed Away'', she voiced Rita, a scavenging sewer rat who helps Roddy (Hugh Jackman) escape from the city of Ratropolis and return to his luxurious Kensington origins. A critical and commercial success, the film collected US$177,665,672 at international box offices.

2007–present

In 2007, Winslet reunited with Leonardo DiCaprio to film ''Revolutionary Road'' (2008), directed by her husband at the time, Sam Mendes. Winslet had suggested that both should work with her on a film adaptation of the 1961 novel of the same name by Richard Yates after reading the script by Justin Haythe. Resulting in both "a blessing and an added pressure" on-set, the reunion was her first experience working with Mendes. Portraying a couple in a failing marriage in the 1950s, DiCaprio and Winslet watched period videos promoting life in the suburbs to prepare themselves for the film, which earned them favorable reviews. In his review of the film, David Edelstein of ''New York magazine'' stated that "[t]here isn’t a banal moment in Winslet’s performance—not a gesture, not a word. Is Winslet now the best English-speaking film actress of her generation? I think so." Winslet was awarded a Golden Globe Award for Best Actress for her performance, her seventh nomination from the Golden Globes.

Also released in late 2008, the film competed against Winslet's other project, a film adaptation of Bernhard Schlink's 1995 novel ''The Reader'', directed by Stephen Daldry and featuring Ralph Fiennes and David Kross in supporting roles. Originally the first choice for her role, she was initially not able to take on the role due to a scheduling conflict with ''Revolutionary Road'', and Nicole Kidman replaced her. A month after filming began, however, Kidman left the film due to her pregnancy before filming of her had begun, enabling Winslet to rejoin the film. Employing a German accent, Winslet portrayed a former Nazi concentration camp guard who has an affair with a teenager (Kross) who, as an adult, witnesses her war crimes trial. She later said the role was difficult for her, as she was naturally unable "to sympathise with an SS guard." Because the film required full frontal nudity, a merkin was made for her. In an interview for ''Allure'' she related how she refused to use it: "Guys, I am going to have to draw the line at a pubic wig,..." While the film garnered mixed reviews in general, Winslet received favorable reviews for her performance. The following year, she earned her sixth Academy Award nomination and went on to win the Best Actress award, the BAFTA Award for Best Actress, a Screen Actors' Guild Award for Outstanding Supporting Actress, and a Golden Globe for Best Supporting Actress.

In 2011, Winslet headlined in the HBO miniseries ''Mildred Pierce'', a small screen adaptation of James M. Cain's 1941 novel of the same name, directed by Todd Haynes. Co-starring Guy Pearce and Evan Rachel Wood, she portrayed a self-sacrificing mother during the Great Depression who finds herself separated from her husband and falling in love with a new man, all the while trying to earn her narcissistic daughter's love and respect. Broadcast to moderate ratings, the five-part series earned generally favourable reviews, with Salon.com calling it a "quiet, heartbreaking masterpiece". Winslet won an Emmy Award a Golden Globe Award for Best Actress – Miniseries or Television Film and a Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Miniseries or Television Movie for her performance.

Also in 2011, Winslet appeared in Steven Soderbergh's disaster film ''Contagion'', featuring an ensemble cast consisting of Marion Cotillard, Matt Damon, Gwyneth Paltrow and Jude Law. The thriller follows the rapid progress of a lethal indirect contact transmission virus that kills within days. Winslet portrayed an Epidemic Intelligence Service officer who becomes infected with the disease over the course of her investigation. Winslet's other 2011 project, Roman Polanski's ''Carnage'', premiered at the 68th Venice Film Festival. An adaptation of the play ''God of Carnage'' by French playwright Yasmina Reza, the black comedy follows two sets of parents who meet up to talk after their children have been in a fight that day at school. Jodie Foster, John C. Reilly and Christoph Waltz co-star. For her performance Winslet received a second nomination by the Hollywood Foreign Press that year.

In June 2011, it was announced that Winslet has been cast alongside Josh Brolin in Jason Reitman's adaptation of Joyce Maynard's 2009 novel ''Labor Day''.

Personal life

While on the set of ''Dark Season'', Winslet met actor and writer Stephen Tredre, with whom she had a four-and-a-half-year relationship. Winslet and Tredre remained close after their separation in 1995. He died of bone cancer during the opening week of ''Titanic'', causing her to miss the film's Los Angeles premiere to attend his funeral in London. She and ''Titanic'' co-star Leonardo DiCaprio have remained close friends since the filming.

On 22 November 1998, Winslet married director Jim Threapleton, whom she met while on the set of ''Hideous Kinky'' in 1997. They have a daughter, Mia Honey Threapleton, who was born on 12 October 2000 in London. Winslet and Threapleton divorced on 13 December 2001.

Following her separation from Threapleton, Winslet began a relationship with director Sam Mendes, and she married him on 24 May 2003 on the island of Anguilla. Their son, Joe Alfie Winslet Mendes, was born on 22 December 2003 in New York City. Winslet and Mendes announced their separation in March 2010 and are divorced.

Mendes was scheduled to fly on American Airlines Flight 77, which was hijacked on 11 September 2001 and subsequently crashed into the Pentagon. In October 2001, Winslet was on a flight with her daughter, Mia, when a passenger who claimed to be a terrorist stood up and shouted, "We are all going to die". As a result of these incidents, Winslet and Mendes never flew together on the same aircraft, as they feared leaving their children parentless.

Winslet's weight fluctuations over the years have been well documented by the media. She has been outspoken about her refusal to allow Hollywood to dictate her weight. In February 2003, the British edition of ''GQ'' magazine published photographs of Winslet that had been digitally altered to make her look dramatically thinner. Winslet issued a statement that the alterations were made without her consent, saying, "I just didn't want people to think I was a hypocrite and that I'd suddenly lost 30 lbs or whatever". ''GQ'' subsequently issued an apology. She won a libel suit in 2009 against the British tabloid ''The Daily Mail'' after it printed that she had lied about her exercise regime. Winslet stated that she had requested an apology to demonstrate her commitment to the views that she has always expressed regarding women's body issues, namely that women should accept their appearance with pride.

Winslet narrated the documentary ''A Mother's Courage: Talking Back to Autism'', which was generally released on September 24, 2010, after airing on HBO in April of the same year. Her involvement in the documentary led to her founding the non-profit organisation, the Golden Hat Foundation, whose mission is to eliminate barriers for people with autism. In 2011, Winslet received the Yo Dona award for Best Humanitarian Work for her work with the Golden Hat.

Awards and nominations

Winslet won an Academy Award for Best Actress for her performance in ''The Reader'' (2008). She won two Golden Globe Awards in the same year: Best Actress (Drama) for ''Revolutionary Road'' and Best Supporting Actress for ''The Reader''. She has won two BAFTA Awards: Best Actress for ''The Reader'', and Best Supporting Actress for ''Sense and Sensibility'' (1995). She has earned a total of six Academy Award nominations, nine Golden Globe nominations, and seven BAFTA nominations.

She has received numerous awards from other organisations, including the Los Angeles Film Critics Association Award for Best Supporting Actress for ''Iris'' (2001) and the Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting Role for ''Sense and Sensibility'' and ''The Reader''. ''Premiere'' magazine named her portrayal of Clementine Kruczynski in ''Eternal Sunshine of the Spotless Mind'' (2004) as the 81st greatest film performance of all time.

Academy Award nomination milestones

Winslet was 26 when she received her third Academy Award nomination, for ''Iris'', just missing the mark of Natalie Wood, who received her third nomination at age 25. She set the mark as the youngest actor to receive five nominations, at age 31, for ''Little Children'' (2006). She surpassed Bette Davis, who was 33 when she received her fifth nomination for her performance in ''The Little Foxes'' (1941). With her Best Actress nomination for ''The Reader'', Winslet became the youngest actor to receive six Oscar nominations. At age 33, Winslet passed the mark Davis, one year older, set with ''Now, Voyager'' (1942).

Winslet received Academy Award nominations as the younger versions of the characters played by fellow nominees Gloria Stuart, as Rose, in ''Titanic'' (1997) and Judi Dench, as Iris Murdoch, in ''Iris''. These are the only instances of the younger and older versions of a character in the same film both yielding Academy Award nominations, thus making Winslet the only actor to twice share an Oscar nomination with another for portraying the same character.

When she was not nominated for her work in ''Revolutionary Road'', Winslet became only the second actress to win a Golden Globe for Best Actress (Drama) without getting an Oscar nomination for the same performance (Shirley MacLaine was the first for ''Madame Sousatzka'' [1988], and she won the Golden Globe in a three-way tie). Academy rules allow an actor to receive no more than one nomination in a given category; as the Academy nominating process determined that Winslet's work in ''The Reader'' would be considered a lead performance—unlike the Golden Globes, which considered it a supporting performance—she could not also receive a Best Actress nomination for ''Revolutionary Road''.

Awards for other work

In 2000, Winslet won a Grammy Award for Best Spoken Word Album for Children for ''Listen To the Storyteller''. She was nominated for an Emmy Award for Outstanding Guest Actress in a Comedy Series for playing herself in a 2005 episode of ''Extras''. At the 2011 Primetime Emmy Awards, Winslet won the Best Actress in Miniseries or TV Movie award for her role as the titular character in Mildred Pierce.

Filmography

! Year	! Title	! Role	Notes
1991	''Dark Season''	Reet
1992		Eleanor Sweet	(TV series)
1994	''Heavenly Creatures''	Juliet Hulme	Empire Award for Best British ActressLondon Film Critics Circle Award for British Actress of the YearNew Zealand Film and TV Award for Best Foreign Performer
1995	''''	Princess Sarah
1995		Marianne Dashwood	BAFTA Award for Best Actress in a Supporting Role[[Evening Standard British Film Awards
1996		Sue Bridehead	[[Evening Standard British Film Awards
1996
1997		Rose DeWitt Bukater	Blockbuster Entertainment Award for Favorite Actress – DramaEmpire Award for Best British ActressEuropean Film Awards Jameson Audience/People's Choice Award for Best British ActressGolden Camera for Best International ActressNominated—Academy Award for Best ActressNominated—Golden Globe Award for Best Actress – Motion Picture DramaNominated—London Film Critics Circle Award for British Actress of the YearNominated—MTV Movie Award for Best PerformanceNominated—MTV Movie Award for Best Kiss (shared with Leonardo DiCaprio)Nominated—MTV Movie Award for Best On-Screen Duo (shared with Leonardo DiCaprio)Nominated—Online Film Critics Society Award for Best ActressNominated—European Film Awards – Outstanding Achievement in World CinemaNominated—Satellite Award for Best Actress - Motion Picture DramaNominated—Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Leading RoleNominated—Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture
1998		Julia
1999		Brigid
1999	''Holy Smoke!''	Ruth Barron
2000	''Quills''	Madeleine 'Maddy' LeClerc	Empire Award for Best ActressEvening Standard British Film Award for Best Actress (also for ''Enigma'' and ''Iris'')Nominated—Blockbuster Entertainment Award for Favorite Actress – DramaNominated—Las Vegas Film Critics Society Award for Best Supporting ActressNominated—London Film Critics Circle Award for British Actress of the YearNominated—Satellite Award for Best Supporting Actress - Motion Picture DramaNominated—Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting Role
2001		Hester Wallace	Empire Award for Best British ActressEvening Standard British Film Award for Best Actress (also for ''Iris'' and ''Quills'')Nominated—British Independent Film Award for Best Actress
2001	''Christmas Carol: The Movie''	Belle	(voice)
2001		Young Iris Murdoch	Empire Award for Best British ActressEvening Standard British Film Award for Best Actress (also for ''Enigma'' and ''Quills'')European Film Awards – Jameson Audience/People's Choice Award for Best British ActressLos Angeles Film Critics Association Award for Best Supporting ActressNominated—Academy Award for Best Supporting ActressNominated—BAFTA Award for Best Actress in a Supporting RoleNominated—Golden Globe Award for Best Supporting Actress – Motion PictureNominated—Satellite Award for Best Supporting Actress - Motion Picture
2003	''''	Bitsey Bloom
2004	''Eternal Sunshine of the Spotless Mind''	Clementine Kruczynski	Empire Award for Best British ActressInternational Cinephile Society Award for Best ActressLas Vegas Film Critics Society Award for Best Actress (also for ''Finding Neverland'')London Film Critics Circle Award for British Actress of the Year (tied with Eva Birthistle for ''Ae Fond Kiss...'')Online Film Critics Society Award for Best ActressSanta Barbara International Film Festival Award for Outstanding Performance (also for ''Finding Neverland'')Washington D.C. Area Film Critics Association Award for Best EnsembleNominated—Academy Award for Best ActressNominated—BAFTA Award for Best Actress in a Leading RoleNominated—Broadcast Film Critics Association Award for Best ActressNominated—Dallas-Fort Worth Film Critics Association Award for Best ActressNominated—Golden Globe Award for Best Actress – Motion Picture Musical or ComedyNominated—People's Choice Awards – Favorite Leading LadyNominated—People's Choice Awards – Favorite On-Screen Chemistry (shared with Jim Carrey)Nominated—Satellite Award for Best Actress - Motion Picture Musical or ComedyNominated—Saturn Award for Best ActressNominated—Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Leading Role
2004	''Finding Neverland''	Sylvia Llewelyn Davies	Las Vegas Film Critics Society Award for Best Actress (also for ''Eternal Sunshine'')Santa Barbara International Film Festival Award for Outstanding Performance (also for ''Eternal Sunshine'')Nominated—Broadcast Film Critics Association Award for Best Supporting ActressNominated—Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion PictureNominated—BAFTA Award for Best Actress in a Leading RoleNominated—Teen Choice Awards – Choice Movie Actress – Motion Picture Drama
2005	''Romance & Cigarettes''	Tula
2006		Anne Stanton
2006		Sarah Pierce	The Britannia Award for British Artist of the YearGotham Awards – Tribute AwardPalm Springs International Film Festival – Desert Palm Achievement AwardNominated—Academy Award for Best ActressNominated—Alliance of Women Film Journalists Award for Best Actress in a Dramatic PerformanceNominated—BAFTA Award for Best Actress in a Leading RoleNominated—Broadcast Film Critics Association Award for Best ActressNominated—Chicago Film Critics Association Award for Best ActressNominated—Dallas-Fort Worth Film Critics Association Award for Best ActressNominated—Empire Award for Best ActressNominated—Golden Globe Award for Best Actress - Motion Picture DramaNominated—London Film Critics Circle Award for British Actress of the YearNominated—Online Film Critics Society Award for Best ActressNominated—Satellite Award for Best Actress - Motion Picture DramaNominated—Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Leading Role
2006	''Flushed Away	Rita	(voice)
2006	''''	Iris Simpkins
2006	''Deep Sea 3D''	Narrator	(voice)
2008	''''	Narrator	(voice)
2008	''''	Hanna Schmitz	Academy Award for Best ActressBAFTA Award for Best Actress in a Leading RoleBroadcast Film Critics Association Award for Best Supporting ActressChicago Film Critics Association Award for Best Supporting ActressEuropean Film Award for Best ActressGolden Globe Award for Best Supporting Actress - Motion PictureLas Vegas Film Critics Society Award for Best Actress (also for ''Revolutionary Road'')London Film Critics Circle Award for Best Actress (also for ''Revolutionary Road'')Robert Award for Best ActressSan Diego Film Critics Society Award for Best ActressScreen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting RoleSt. Louis Gateway Film Critics Association Award for Best Actress (also for ''Revolutionary Road'')Vancouver Film Critics Circle Award for Best Actress (also for ''Revolutionary Road'')Nominated—Alliance of Women Film Journalists Award for Outstanding Achievement by a Woman in the Film Industry (also for ''Revolutionary Road'')Nominated—Evening Standard British Film Award for Best Actress (also for ''Revolutionary Road'')Nominated—London Film Critics Circle Award for British Actress of the Year (also for ''Revolutionary Road'')Nominated—MTV Movie Award for Best PerformanceNominated—Online Film Critics Society Award for Best Supporting ActressNominated—Satellite Award for Best Actress - Motion Picture Drama
2008		April Wheeler	Alliance of Women Film Journalists Award for Best ActressDetroit Film Critics Society Award for Best ActressGolden Globe Award for Best Actress - Motion Picture DramaLas Vegas Film Critics Society Award for Best Actress (also for ''The Reader'')London Film Critics Circle Award for Best Actress (also for ''The Reader'')Palm Springs International Film Festival – Best Cast PerformanceSt. Louis Gateway Film Critics Association Award for Best Actress (also for ''The Reader'')Vancouver Film Critics Circle Award for Best Actress (also for ''The Reader'')Santa Barbara International Film Festival – Montevito AwardNominated—Alliance of Women Film Journalists Award for Outstanding Achievement by a Woman in the Film Industry (also for ''The Reader'')Nominated—BAFTA Award for Best Actress in a Leading RoleNominated—Dallas-Fort Worth Film Critics Association Award for Best ActressNominated—Evening Standard British Film Award for Best Actress (also for ''The Reader'')Nominated—Houston Film Critics Society Award for Best Actress in a Leading RoleNominated—London Film Critics Circle Award for British Actress of the Year (also for ''The Reader'')Nominated—Online Film Critics Society Award for Best ActressNominated—Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Leading Role
2011		Mildred Pierce Beragon	HBO mini-seriesGolden Globe Award for Best Actress – Miniseries or Television FilmPrimetime Emmy Award for Outstanding Lead Actress in a Miniseries or a MovieSatellite Award for Best Actress – Miniseries or Television FilmScreen Actors Guild Award for Outstanding Performance by a Female Actor in a Miniseries or Television Movie
2011		Dr. Erin Mears
2011		Nancy Cowan	Boston Society of Film Critics
2012	''[[Movie 43	Juliet Hulme	Post-production

References

External links

Kate Winslet at Emmys.com

Category:1975 births Category:Living people Category:Actors from Berkshire Category:People from Reading, Berkshire Category:English expatriates in the United States Category:English film actors Category:English stage actors Category:English television actors Category:English voice actors Category:European Film Award for Best Actress winners Category:Grammy Award winners Category:BAFTA winners (people) Category:Best British Actress Empire Award winners Category:Best Drama Actress Golden Globe (film) winners Category:Best Miniseries or Television Movie Actress Golden Globe winners Category:Best Supporting Actress Golden Globe (film) winners Category:Best Actress Academy Award winners Category:Evening Standard Award for Best Actress Category:Emmy Award winners Category:Best Supporting Actress BAFTA Award winners Category:People educated at Redroofs Theatre School

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