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The bolombatto is a traditional stringed instrument that features in the music of West Africa. It consists of four strings, stretched over a gourd, which serves as a resonator. The strings each have a different thickness. The thickness of it determines how low the sound will be. For example, a string that is really thick has a low sound and a really thin string as a high-pitched sound. In addition, the instrument also has a tin rattle attached to its body, which the musician plays by striking the strings and gourd simultaneously, adding an element of percussion to the music. In this way, it is similar to the sinding^{[disambiguation needed ]}.

The bolombatto was originally played by shepherds, who used the combined sounds of the strings and percussion to frighten away wild animals.

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Toumani Diabaté
Toumani Diabaté describing the construction of the kora during a performance at Afrofest 2007 in Toronto, Ontario
Background information
Born	(1965-08-10) August 10, 1965 (age 46)
Origin	Mali
Genres	Mali Music, Pop, World music
Occupations	Musician
Instruments	Kora
Years active	1987–present
Labels	World Circuit
Website	worldcircuit.co.uk/#Toumani_Diabate
Notable instruments
Kora

Toumani Diabaté (born August 10, 1965) is a Malian kora player. In addition to performing the traditional music of Mali, he has also been involved in cross-cultural collaborations with flamenco, blues, jazz, and other international styles.

Biography[link]

Diabaté comes from a long family tradition of kora players including his father Sidiki Diabaté, who recorded the first ever kora album in 1970. His family's oral tradition tells of 71 generations of musicians preceding him in a patrilineal line. His cousin Sona Jobarteh is the first female kora player to come from a Griot family.

In 1987, Diabate made his first appearance on an album in the UK, on Ba Togoma, an album featuring his father's ensemble. In 1988 Diabaté released his first album in the West, a solo album entitled Kaira, recorded in one afternoon in London and produced by Lucy Duran.

In addition to performing Malian traditional music, Diabaté has also performed and recorded in cross-cultural settings. He has collaborated with flamenco group Ketama, forming a combined group known as Songhai and releasing two recordings: Songhai I and Songhai II. In 2006, Diabaté collaborated with American blues musician Taj Mahal on the release Kulanjan. "MALIcool" is a collaboration with American jazz trombonist Roswell Rudd. He also collaborated with the Icelandic popular musician Björk on her 2007 album Volta.

In 1999 Diabaté released the album New Ancient Strings, a collaboration with Ballake Sissoko and in September 2005, he released In the Heart of the Moon, for which he collaborated with Ali Farka Touré. The album went on to win the 2006 Grammy Award for Best Traditional World Music Album. On July 25, 2006 he released his latest album Boulevard de l'Indépendance, recorded with his Symmetric Orchestra. In the Heart of the Moon and Boulevard de l'Indépendance, are both part of the Hotel Mandé Sessions, recorded by Nick Gold and released on World Circuit Records. Both Boulevard and Hotel Mandé are references to landmarks in Mali's capital city, Bamako.

The Symmetric Orchestra led by Toumani Diabaté is composed of musicians (mostly griots)^[1] from the across the old Mande Empire of west Africa, who play a mix of traditional instruments including the kora, djembe, balafon and bolombatto, as well as modern ones like the guitar and electronic keyboard.

Diabaté appeared in 2006 at the WOMAD Festival UK, Roskilde Festival in Denmark, and at the Sziget Festival in Budapest, Hungary. In 2007 he performed at the Glastonbury Festival and toured the U.S.A.. In 2008, he was at WOMADelaide (in Adelaide, South Australia).^[2] In early 2008, Diabaté released his new album of solo Kora music, The Mande Variations, to widespread critical acclaim. Many reviewers praised the album for its detailed recording of the Kora and careful mastering, in addition to the improvisational skills and wide range of apparent influences displayed on the album.^[3]

In October 2008 the Arabic language lyrics in Diabaté's song Tapha Niang (from Boulevard de l'Indépendance) were removed from the PlayStation 3 video game LittleBigPlanet, after it elicited objections from a Muslim individual due to their inclusion of verses from the Qur’an.^[4] The publisher Sony Computer Entertainment Europe decided to delay the launch of the game by a week and recall most discs in order to replace the song with a lyric-free instrumental version. However, some copies of the original game had already been sold in the Middle East and United States.^[5]

Diabaté was chosen by Matt Groening to perform at the All Tomorrow's Parties festival in May 2010 in Minehead. Diabaté also performed at Hay Festival in June. In July he performed at the Larmer Tree Festival to huge acclaim.

Discography[link]

Toumani Diabate performing at the 2007 Winnipeg Folk Festival

• 1987 - "Ba Togoma" (with Sidiki Diabaté, Mariama Kouyaté, Djeli Mady Sissoko, Kandia Kouayté)
• 1988 - Kaira
• 1988 - Songhai (with Ketama and Danny Thompson)
• 1994 - Songhai 2 (with Ketama and Danny Thompson)
• 1995 - Djelika
• 1999 - New Ancient Strings (with Ballake Sissoko)
• 1999 - Kulanjan (with Taj Mahal)
• 2001 - Jarabi: the Best of Toumani Diabate
• 2002 - Malicool (with Roswell Rudd)
• 2005 - In the Heart of the Moon (with Ali Farka Touré)
• 2006 - Boulevard de l'Indépendance
• 2008 - The Mandé Variations
• 2010 - Ali and Toumani - (World Circuit/Nonesuch Records) (with Ali Farka Touré)
• 2011 - A Curva da Cintura (with Arnaldo Antunes and Edgard Scandurra) - Brazil

Filmography[link]

• Bamako Is a Miracle by Maurice Engler, Arnaud Robert and Samuel Chalard (Afro Blue, Geneva 2003).
• Toumani Diabaté - Koraklänge aus dem Land der Flusspferde by Martina Pfaff (WDR, Cologne 2007).

References[link]

External links[link]

• Toumani Diabaté official website
• Toumani Diabaté on the label website (worldcircuit.co.uk)
• Official Toumani Diabaté biography
• Toumani Diabaté on Myspace
• Afropop Worldwide Slideshow of Toumani Diabate Performing Live in Brooklyn (July 2007)
• The Kora Star (August 2007)
• 'Our music is older than Bach' - Interview in The Guardian (October 2008)
• Info on the kora & Toumani Diabaté
• Toumoani Diabante review in The New Current
• Making of Boulevard de L'Indépendance short documentary
• Making of In the Heart of the Moon short documentary
• Ali and Toumani Review and interview with Tounami Diabaté| Folk Radio UK

Stephan Micus (born January 19, 1953) is a German musician and composer, whose musical style is heavily influenced by his study of traditional instruments and musical techniques from Japan, India, South America, and other countries around the world. In many cases, he plays all of the instruments on his recordings, combining styles from different countries and using the instruments in unprecedented ways in each of his pieces. He often uses layers of a single instrument to create unusual combinations of sounds. He is also one of the only ECM Records artists whose records are not produced by Manfred Eicher.^{[citation needed]} He often sings in a made-up language.^{[citation needed]}

Discography[link]

• Archaic Concerts, 1976
• Implosions, 1977
• Koan, 1977
• Behind Eleven Deserts, 1978
• Till the End of Time, 1978
• Wings over Water, 1981
• Listen to the Rain, 1983
• East of the Night, 1985
• Ocean (ECM, 1986)
• Twilight Fields, 1987
• The Music of Stones, 1989
• Darkness and Light, 1990
• To the Evening Child, 1992
• Athos, 1994
• The Garden of Mirrors, 1997
• Desert Poems, 2001
• Towards the Wind, 2002
• Life, 2004
• On the Wing, 2006
• Snow, 2008
• Bold as Light, 2010

External links[link]

• Biography from ECM
• Stephan Micus on ECM Records
• Stephan Micus: Solitary Pursuits (interviews)