- published: 18 Jul 2008
- views: 12831547
- author: Luiscmck8Os2
3:40
Down Under - Men At Work (HQ Audio)
Early 80's Classic MAW Great Song Vid...
published: 18 Jul 2008
author: Luiscmck8Os2
Down Under - Men At Work (HQ Audio)
Early 80's Classic MAW Great Song Vid
- published: 18 Jul 2008
- views: 12831547
- author: Luiscmck8Os2
3:29
Men at Work - Land Down Under (with Lyrics)
Men at Work - Down Under: With lyrics that match the timings of the song....
published: 23 Jul 2008
author: greydawnsinca
Men at Work - Land Down Under (with Lyrics)
Men at Work - Down Under: With lyrics that match the timings of the song.
- published: 23 Jul 2008
- views: 2124383
- author: greydawnsinca
3:47
A Land Down Under - Men at Work
This is a vid. that i made to Men at Work, I come from a land down under...the video is mo...
published: 03 May 2007
author: gogetakid08
A Land Down Under - Men at Work
This is a vid. that i made to Men at Work, I come from a land down under...the video is mostly about Australia and how bad i always wanted to visit there..It's awesome ENJOY!
- published: 03 May 2007
- views: 3610095
- author: gogetakid08
3:41
Men At Work - Down Under
"Down Under" is the title of a New Wave song of the reggae flavour, written by Colin Hay a...
published: 13 Mar 2008
author: jinxie555
Men At Work - Down Under
"Down Under" is the title of a New Wave song of the reggae flavour, written by Colin Hay and Ron Strykert, recorded in 1981 by the Australian rock group Men at Work and featured on their debut album Business as Usual. This song went to #1 on American as well as international charts, including their native Australia and the UK. It was reissued in 1982 and is the first and only Men at Work song to get to number 1 in the UK.
- published: 13 Mar 2008
- views: 1240196
- author: jinxie555
3:42
land down under.. men at work.. with lyrics
Traveling in a fried-out combie On a hippie trail, head full of zombie I met a strange lad...
published: 30 Jun 2008
author: coachdriverjed
land down under.. men at work.. with lyrics
Traveling in a fried-out combie On a hippie trail, head full of zombie I met a strange lady, she made me nervous She took me in and gave me breakfast And she said, "Do you come from a land down under? Where women glow and men plunder? Can't you hear, can't you hear the thunder? You better run, you better take cover." Buying bread from a man in Brussels He was six foot four and full of muscles I said, "Do you speak-a my language?" He just smiled and gave me a vegemite sandwich And he said, "I come from a land down under Where beer does flow and men chunder Can't you hear, can't you hear the thunder? You better run, you better take cover." Lying in a den in Bombay With a slack jaw, and not much to say I said to the man, "Are you trying to tempt me Because I come from the land of plenty?" And he said, "Oh! Do you come from a land down under? (oh yeah yeah) Where women glow and men plunder? Can't you hear, can't you hear the thunder? You better run, you better take cover."
- published: 30 Jun 2008
- views: 3809512
- author: coachdriverjed
4:49
Colin Hay - Down Under
Colin hay performing a live and acoustic version of Down Under...
published: 23 Mar 2007
author: pawnsdream
Colin Hay - Down Under
Colin hay performing a live and acoustic version of Down Under
- published: 23 Mar 2007
- views: 1143379
- author: pawnsdream
4:55
Men at Work - Down under LIVE in Dortmund
...
published: 30 Mar 2009
author: showsdoseculo
Men at Work - Down under LIVE in Dortmund
- published: 30 Mar 2009
- views: 821403
- author: showsdoseculo
3:00
Men at work: Land down under (BEST cover!)
JP's one man band - AMAZING rendition of Men at Works 'Down Under" from Australia's Got Ta...
published: 05 May 2009
author: GotTalentFan
Men at work: Land down under (BEST cover!)
JP's one man band - AMAZING rendition of Men at Works 'Down Under" from Australia's Got Talent. CLICK HERE FOR FULL BAND UNEDITED VERSION: www.youtube.com CLICK HERE FOR STUDIO RECORDED VERSION: www.youtube.com Colin Hay himself contacted JP to say that he and his wife loved this version of the song.
- published: 05 May 2009
- views: 1768433
- author: GotTalentFan
4:28
Down Under
Ringo Starr And His All-Star Band: Ringo Starr, Colin Hay, John Waite, Sheila E., Paul Car...
published: 04 Mar 2007
author: Number6
Down Under
Ringo Starr And His All-Star Band: Ringo Starr, Colin Hay, John Waite, Sheila E., Paul Carrack, Mark Rivera
- published: 04 Mar 2007
- views: 484484
- author: Number6
7:05
The Flog Goes Down Under!
Subscribe to Geek and Sundry: goo.gl Join our community at: geekandsundry.com Buy Geek & S...
published: 26 Nov 2012
author: geekandsundry
The Flog Goes Down Under!
Subscribe to Geek and Sundry: goo.gl Join our community at: geekandsundry.com Buy Geek & Sundry merchandise at goo.gl and goo.gl Special thanks to everyone at Supanova! Hosted by: Felicia Day Directed by: Brit Weisman Executive Producers: Felicia Day, Sheri Bryant, Kim Evey, Sean Becker Associate Producer: Brit Weisman Camera: Brit Weisman Theme Song: Eanan Patterson Flog Logo Design: Adam Levermore Opening Animation: Efehan Elbi Edited By: Brit Weisman Post Sound: Neno Stevens Post Coordinator: Sophie Parkison Visual Effects: Stephen Sprinkles Additional Music: Kevin Macleod, www.incompetech.com Email: theflog@geekandsundry.com Twitter: @GeekandSundry www.geekandsundry.com November 2012
- published: 26 Nov 2012
- views: 133335
- author: geekandsundry
43:05
MTV Roadies - Hell Down Under - Episode 5.2
The twins assign the teams their new immunity task, that of selecting one member from thei...
published: 06 May 2011
author: mtvroadies
MTV Roadies - Hell Down Under - Episode 5.2
The twins assign the teams their new immunity task, that of selecting one member from their respective teams to be shut inside a coffin, the catch being that the person who is shut inside the coffin is immediately eliminated. Dev kicked out. www.mtvindia.com
- published: 06 May 2011
- views: 39549
- author: mtvroadies
65:01
MTV Roadies - Hell Down Under - Episode 1
Watch the full episode 1 of Roadies 6. www.mtvindia.com...
published: 06 May 2011
author: mtvroadies
MTV Roadies - Hell Down Under - Episode 1
Watch the full episode 1 of Roadies 6. www.mtvindia.com
- published: 06 May 2011
- views: 105209
- author: mtvroadies
59:53
MTV Roadies - Hell Down Under - Episode 6
After Roop's vote-out, roadies travel to Silvassa. Raghu announces that the gangs will cea...
published: 07 May 2011
author: mtvroadies
MTV Roadies - Hell Down Under - Episode 6
After Roop's vote-out, roadies travel to Silvassa. Raghu announces that the gangs will cease to exist. The Roadies are asked to wrestle in a traditional wrestling ring (Akhara). www.mtvindia.com
- published: 07 May 2011
- views: 51323
- author: mtvroadies
61:08
MTV Roadies - Hell Down Under - Episode 7
Watch the full episode 7 of Roadies 6. As eight Roadies arrive in Australia, Nauman, Palak...
published: 06 May 2011
author: mtvroadies
MTV Roadies - Hell Down Under - Episode 7
Watch the full episode 7 of Roadies 6. As eight Roadies arrive in Australia, Nauman, Palak and Sufi get back into the show through wild card entries. www.mtvindia.com
- published: 06 May 2011
- views: 63495
- author: mtvroadies
Vimeo results:
4:20
PROTECT IP / SOPA Breaks The Internet
Tell Congress not to censor the internet NOW! - http://www.fightforthefuture.org/pipa
PRO...
published: 25 Oct 2011
author: Fight for the Future
PROTECT IP / SOPA Breaks The Internet
Tell Congress not to censor the internet NOW! - http://www.fightforthefuture.org/pipa
PROTECT-IP is a bill that has been introduced in the Senate and the House and is moving quickly through Congress. It gives the government and corporations the ability to censor the net, in the name of protecting "creativity". The law would let the government or corporations censor entire sites-- they just have to convince a judge that the site is "dedicated to copyright infringement."
The government has already wrongly shut down sites without any recourse to the site owner. Under this bill, sharing a video with anything copyrighted in it, or what sites like Youtube and Twitter do, would be considered illegal behavior according to this bill.
According to the Congressional Budget Office, this bill would cost us $47 million tax dollars a year — that's for a fix that won't work, disrupts the internet, stifles innovation, shuts out diverse voices, and censors the internet. This bill is bad for creativity and does not protect your rights.
3:35
The Most Astounding Fact
Subscribe to my YouTube Channel: http://www.youtube.com/user/MaxSchlick?feature=mhee
Astr...
published: 07 Mar 2012
author: Max Schlickenmeyer
The Most Astounding Fact
Subscribe to my YouTube Channel: http://www.youtube.com/user/MaxSchlick?feature=mhee
Astrophysicist Dr. Neil DeGrasse Tyson was asked in an interview with TIME magazine, "What is the most astounding fact you can share with us about the Universe?" This is his answer.
Special thanks to:
Reid Gower http://saganseries.com/
Michael Marantz http://vimeo.com/2822787
Carl Sagan http://www.hulu.com/cosmos
Neil deGrasse Tyson http://www.facebook.com/neiltyson
NASA http://www.nasa.gov/
...for their inspiration.
CREDITS
Narration: TIME Magazine's "10 Questions for Neil Degrasse Tyson"
http://www.youtube.com/watch?v=wiOwqDmacJo
Music: "To Build a Home" by the Cinematic Orchestra feat. Patrick Watson
http://www.cinematicorchestra.com
Video (in order of appearance):
IMAX: Hubble 3D (Orion)
http://www.imax.com/hubble/
Animal Planet: Safari
http://movies.netflix.com/Movie/Animal_Planet_Safari_The_Last_Lion_of_Liuwa/70153174?trkid=438403
Yellowstone: Battle for Life (Waterfall)
http://www.bbc.co.uk/programmes/b00jcdml
Supernova to Crab Nebula
http://www.spacetelescope.org/videos/heic0515a/
BBC: Wonders of the Solar System (formation of the solar system)
http://www.bbc.co.uk/programmes/b00qyxfb
Accretion and First Eukaryotes from the 2011 film "Tree of Life" directed by Terrence Malick
http://en.wikipedia.org/wiki/Accretion_(astrophysics)
http://en.wikipedia.org/wiki/Origin_of_life
http://en.wikipedia.org/wiki/Timeline_of_evolutionary_history_of_life
http://www.wired.com/wiredscience/2009/05/ribonucleotides/
http://www.twowaysthroughlife.com/
BBC: Charles Darwin and the Tree of Life
http://www.wellcometreeoflife.org/
"Salar de Uyuni, Bolivia" by Ayrton Orio (Model: Xharon Kendelker)
http://vimeo.com/9505354
BBC: Wonders of the Solar System (Brian Cox w/ telescope)
"Afghanistan - touch down in flight" by Augustin Pictures
http://vimeo.com/31426899
http://lukasugustin.de
"mongolia!" by wiissa
http://vimeo.com/27876709
http://wiissa.com
Excerpt from "Outside In", Copyright Stephen van Vuuren/SV2 Studios
http://www.outsideinthemovie.com
IMAX: Hubble 3D (Inside Orion Nebula)
http://en.wikipedia.org/wiki/Orion_Nebula
Shuttle Launch from 1985 IMAX film "The Dream is Alive"
http://en.wikipedia.org/wiki/The_Dream_Is_Alive
"Earth -- Time Lapse View from Space, Fly Over -- NASA, ISS" by Michael Konig
http://www.youtube.com/watch?v=ls9yJTphLxg
http://koenigm.com
Excerpt from "The Island" - La Palma Time Lapse Video by Christoph Malin
http://vimeo.com/27539860
http://christophmalin.com
Galaxy Map and Galaxy Formation by NCSA's Advanced Visualization Lab
http://avl.ncsa.illinois.edu/
"Mars sunset" captured by NASA's Mars Exploration Rover Spirit (from BBC: Wonders of the Solar System)
http://www.nasa.gov/multimedia/imagegallery/image_feature_347.html
Edited by Max Schlickenmeyer
Neil goes on to say "For me, that is the most profound revelation of 20th century astrophysics and I look forward to what the 21st century will bring us, given the frontiers that are now unfolding."
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All copyrighted materials contained herein belong to their respective copyright holders, I do not claim ownership over any of these materials. I realize no profit, monetary or otherwise, from the exhibition of these videos.
20:10
Paris Vol. 5
Entry from July 27, 2009 "We are jet-lagged and exhausted. The alarm blared at 4:30 am. Wi...
published: 19 Sep 2010
author: The Seventh Movement
Paris Vol. 5
Entry from July 27, 2009 "We are jet-lagged and exhausted. The alarm blared at 4:30 am. Without opening my eyes I hit the snooze. "Just five more minutes" I told myself… "Lets go dude" a groggy voice commanded from the background. I didn't move. Out of nowhere, a pillow slammed down on my head, the mattress is lifted out from under me, and I hit the hardwood floor just missing my camera bag. "Ugh not again" I thought, but I knew he was right, we needed to hustle across the city and get our cameras rolling before sunrise. "
We were in Paris with only a week to shoot. Armed with top of the line cameras, fresh batteries, memory card wallets, and our favorite glass. The game-plan was to shoot as much as possible and to motivate each other when we were exhausted from staring down the viewfinder. Time-lapses were just an afterthought. Seen a couple. Heard a bit on what it takes to get one done. But when we stepped off the plane in Paris, we had never seen the sky as beautiful as it was. Some twenty two hours later, we slept...at least tried to...
We had never shot a time-lapse before, we had never put one together. We were just two guys who came to Paris to photograph. To make beautiful images. And we did. And we didn't stop. It became a battle against our batteries. " Why take one when you can take one-thousand" we'd laugh. Sometimes staying at a spot all day. Biking or walking from place to place. Mispronouncing words we didn't know. Two more packs of Camel's gone. We shot and shot and uploaded wherever we were. Even ran through the terabyte we brought with us and had to buy another one at Rue Montgalet ( nightmare ). Fell asleep on the Alexander III bridge while the clicks of our camera shutters became an urban lullaby.
Wandering around the streets of Paris armed with $20,000 in gear, we took Paris head on.
Its a scary feeling when you burn through a 32 gigabyte card before the day is done. You don't see what you're shooting. You compose the first frame and let your subject do the rest. We would wait for that perfect set of clouds or that perfect flare or trail from a plane. And all the while we didn't know what the final product would look like. We were shooting blind. But we wouldn't have had it any other way. The unknown kept us moving. Kept us thinking about what could happen when we return. Kept us thinking about what all these different pieces might say in the end.
Changing glass as much as we did, we didn't factor in the amount of sensor dust that would build up. We could never just shoot something once, from one angle, without doing brackets and panoramic builds. It became an obsession. And our shutters paid the price. Back home, it took weeks to get organized. Then it took months working between all these side projects, our main gig at BorrowLenses.com, and the Paris project. Just beginning to think about what we would do with all the clips became overwhelming. There wasn't an obvious flow. There didn't seem to be a complete overall puzzle that could even be constructed with the pieces we had. And the pieces were in pieces.
We started building each clip in After Effects. Render. Smoke. Chill. Re-Render. Smoke. Chill. We built around 150 clips out of the time-lapses we shot in Paris. They were flickery, noisy, grainy, bandy but they were ours. And we spent more time trying to fix them than we ever imagined. They were the first of the series. And from a single Clint Mansell song from "The Wrestler" sparked a vision for the Volumes. And once we put the first ones on Vimeo, we knew we had something going. We built the second one with a Tycho song. The third from Flying Lotus. The fourth from Pelican City. And after the fourth volume was built, we saw all these comments about the sensor dust. And THAT ate away at us.
So we started from scratch; as if we had just hoped off the plane from Paris. Reorganize, re-edit, recolor, re-render. Days and days of work. Going through entire albums trying to find that one song that would go perfectly with all the clips strung together. But we didn't know how they would all hold together. There was no obvious order again. And we didn't think we could fill the twenty volume quota that we had promised to our fans. So we settled on doing a Director's Cut. A montage of all of the clips: Paris Volume 5.
Enter Pigeon Point. We had been shooting a new series called the California Coastline. And we went to Pigeon Point down in Santa Cruz with our friend Matt. At first it didn't seem like a prime spot for time-lapses. But Matt didn't tell us the most amazing thing about Pigeon Point. They installed a new temporary 6-beam setup while the main lighthouse wasn't operational. We shot through the night, edited the next day, and posted on Monday. While we were editing, Mogwai popped into the playlist. To be honest we never sat down and listened to Mogwai with our work but it turned out that Friend of the Night fit that piece like a glove. And so we chose 2 Rights Make
29:57
The Bridge
The Vision:
Back in October of 2009, I set out to make a film that would push my talents ...
published: 10 Sep 2010
author: Marlon Torres
The Bridge
The Vision:
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.
The Inspiration:
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.
Pre-production:
So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.
Casting:
The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right.
So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!
Production:
With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did.
About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor.
Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being
Youtube results:
49:49
MTV Roadies - Hell Down Under - Episode 9
Watch the full episode 9 of Roadies 6. www.mtvindia.com...
published: 06 May 2011
author: mtvroadies
MTV Roadies - Hell Down Under - Episode 9
Watch the full episode 9 of Roadies 6. www.mtvindia.com
- published: 06 May 2011
- views: 65541
- author: mtvroadies
55:52
MTV Roadies - Hell Down Under - Episode 3.1
Watch the episode 3.1 of Roadies 6. www.mtvindia.com...
published: 16 May 2011
author: mtvroadies
MTV Roadies - Hell Down Under - Episode 3.1
Watch the episode 3.1 of Roadies 6. www.mtvindia.com
- published: 16 May 2011
- views: 44581
- author: mtvroadies
10:04
Men At Work - Down Under / Overkill (live @ Brazilian TV Show Domingão do Faustão 1996)
Colin Hay and Greg Ham performing as Men At Work at a brazilian tv show named 'Domingão do...
published: 31 Aug 2009
author: colinhaycombr
Men At Work - Down Under / Overkill (live @ Brazilian TV Show Domingão do Faustão 1996)
Colin Hay and Greg Ham performing as Men At Work at a brazilian tv show named 'Domingão do Faustão' in 1996. www.colinhay.com.br www.menatwork.com.br
- published: 31 Aug 2009
- views: 89470
- author: colinhaycombr
21:20
XCOM - Team Yogscast vs Aliens #24 - Down Under
When evil aliens invade the Earth, only one group of people can stop their horrific advanc...
published: 10 Dec 2012
author: YogscastRythian
XCOM - Team Yogscast vs Aliens #24 - Down Under
When evil aliens invade the Earth, only one group of people can stop their horrific advance - the Yogscast's XCOM division! Even permadeath can't stop our heroes, as we just end up renaming new soldiers in their honor! Rythian narrates and comments on an adventure probably doomed to failure - but hey, at least it will be an entertaining ride. We hope.
- published: 10 Dec 2012
- views: 70378
- author: YogscastRythian