- published: 06 Apr 2006
- views: 1620725
- author: yan0211
1:57

A Cinderella Story: Once Upon a Song - Opening
Go to www.facebook.com to see full opening scene. Check out the opening scene of the all n...
published: 19 Jul 2011
author: WarnerBrosOnline
A Cinderella Story: Once Upon a Song - Opening
Go to www.facebook.com to see full opening scene. Check out the opening scene of the all new movie "A Cinderella Story: Once Upon A Song", its dream sequence the main character Katie Gibbs (Lucy Hale) is having, singing the first single "Run this Town" from the upcoming A Cinderella Story: Once Upon a Song soundtrack. A Cinderella Story: Once Upon A Song, starring Lucy Hale (TV's "Pretty Little Liars") and Freddie Stroma (the Harry Potter franchise), comes to DVD and For Download on September 6, 2011 from Warner Home Entertainment Group.
- published: 19 Jul 2011
- views: 2804615
- author: WarnerBrosOnline
3:42

A Cinderella Story - Far Away
[I AM NOT TAKING CREDS OF MAKEING THE MOVIE A CINDERELLA STORY] It's my second vid on A Ci...
published: 12 Apr 2006
author: trouble90
A Cinderella Story - Far Away
[I AM NOT TAKING CREDS OF MAKEING THE MOVIE A CINDERELLA STORY] It's my second vid on A Ciderella Story.. personly I like this better then "Dar you to move" but you can make up your mids yourself. song: far away artist: nickelback
- published: 12 Apr 2006
- views: 1877611
- author: trouble90
1:49

Ever After: A Cinderella Story - Trailer
Storyline: With the sudden death of her loving father, Danielle is made a servant by her n...
published: 15 Feb 2010
author: misstovervingers
Ever After: A Cinderella Story - Trailer
Storyline: With the sudden death of her loving father, Danielle is made a servant by her new stepmother. She also has two new stepsisters, one quite kind but the other one really horrid. Still, Danielle grows up to be a happy and strong-willed young lady, and one day her path crosses that of handsome Prince Henry, who has troubles of his own at home. Luckily the nice Leonardo da Vinci is on hand to help all round. Cast: Drew Barrymore Anjelica Huston Dougray Scott Megan Dodds Melanie Lynskey
- published: 15 Feb 2010
- views: 59123
- author: misstovervingers
2:25

A Cinderella Story [trailer] (2004)
Release Date 2004 Company Warner Bros. Pictures Jennifer Coolidge, Hilary Duff...
published: 30 Nov 2009
author: robotuku
A Cinderella Story [trailer] (2004)
Release Date 2004 Company Warner Bros. Pictures Jennifer Coolidge, Hilary Duff
- published: 30 Nov 2009
- views: 204575
- author: robotuku
4:02

A Cinderella Story: Once Upon a Song - Bless Myself
Available on DVD and for Download 9/6! bit.ly Like us on Facebook on.fb.me...
published: 23 Aug 2011
author: WarnerBrosOnline
A Cinderella Story: Once Upon a Song - Bless Myself
Available on DVD and for Download 9/6! bit.ly Like us on Facebook on.fb.me
- published: 23 Aug 2011
- views: 1902958
- author: WarnerBrosOnline
5:01

A CINDERELLA STORY: ONCE UPON A SONG -Behind-the-scenes look
A CINDERELLA STORY: ONCE UPON A SONG A WARNER PREMIERE PRODUCTION Available on DVD 9/6! bi...
published: 28 Mar 2011
author: WarnerBrosOnline
A CINDERELLA STORY: ONCE UPON A SONG -Behind-the-scenes look
A CINDERELLA STORY: ONCE UPON A SONG A WARNER PREMIERE PRODUCTION Available on DVD 9/6! bit.ly Like us on Facebook on.fb.me Like us on Facebook on.fb.me Follow us on Twitter bit.ly Gifted teen singer/songwriter Katie Gibbs has always endured the cruelty of her stepmother and vain stepsister. When she is forced to sing for her lip-synching stepsister who is after both a record deal and the boy that Katie has fallen hard for, Katie must decide if it is time to step up and into the spotlight she truly deserves.
- published: 28 Mar 2011
- views: 448261
- author: WarnerBrosOnline
3:58

A Cinderella Story-One Last Breath
o0o...
published: 16 Nov 2007
author: o0oshirahimeo0o
A Cinderella Story-One Last Breath
o0o
- published: 16 Nov 2007
- views: 689808
- author: o0oshirahimeo0o
4:45

Mudvayne A Cinderella Story
Track 5 from 'The New Game' set to hit stores Nov 18th. Played yesterday on Rockline Radio...
published: 11 Nov 2008
author: RainSunGone1
Mudvayne A Cinderella Story
Track 5 from 'The New Game' set to hit stores Nov 18th. Played yesterday on Rockline Radio www.rocklineradio.com Lyrics: Hold me back and hold me down Hold me close then push me around Beat me up, beat me down to the ground I'm sure I deserve it Left my world, left me alone Locked inside. Head becomes my home Inside a hole buried like a bone I'm sure you had your reasons Out of your sight Are you out of your mind In my absence your heart never grew fonder You just leave me alone Tell me please, tell me it ain't so I can't believe it so I walk the road You just left me alone Tell me please, tell me it ain't so Had to believe it so I walk alone So I walk alone By myself Had my back then you turned around Loved by default but were never proud (I'd) run away but I'm bot allowed so I suffer through it Out of your sight Are you out of your mind In my absence your heart never grew fonder You just leave me alone Tell me please, tell me it ain't so I can't believe it so I walk the road You just left me alone Tell me please, tell me it ain't so Had to believe it so I walk alone So I walk alone So I walk alone Enough love for the family Just nothing left for me, ya see? It's just like Cinderella Locked up and hid away you've no idea What you've created Wanted to take a look and see through a hole without a key See where I've been missing God damn you for what I am Enough love of the family Just nothing left for me, ya see? It's just like Cinderella Locked up and hid away you've no ...
- published: 11 Nov 2008
- views: 246685
- author: RainSunGone1
3:15

A Cinderella Story - Sam and Austin
It's a very nice movie! I like it. And Chad is really hot!:o) Song: Jesse McCartney: Best ...
published: 25 Feb 2007
author: JillShep
A Cinderella Story - Sam and Austin
It's a very nice movie! I like it. And Chad is really hot!:o) Song: Jesse McCartney: Best day of my life Movie: A Cinderella Story Created by: L.Jill Dumbo's production
- published: 25 Feb 2007
- views: 1586470
- author: JillShep
1:28

A Cinderella Story: Once Upon a Song - Freddie Stroma
Check out Luke (Freddie Stroma) singing "Knockin" in the all new movie "A Cinderella Story...
published: 29 Jul 2011
author: WarnerBrosOnline
A Cinderella Story: Once Upon a Song - Freddie Stroma
Check out Luke (Freddie Stroma) singing "Knockin" in the all new movie "A Cinderella Story: Once Upon A Song". Catch this song and more on the upcoming A Cinderella Story: Once Upon a Song soundtrack. A Cinderella Story: Once Upon A Song, starring Lucy Hale (TV's "Pretty Little Liars") and Freddie Stroma (the Harry Potter franchise), comes to DVD and For Download on September 6, 2011 from Warner Home Entertainment Group.
- published: 29 Jul 2011
- views: 1842076
- author: WarnerBrosOnline
1:46

Another Cinderella Story Official Trailer [HQ]
TWITTER! FOLLOW ME! twitter.com Selena Gomez star in a straight-to-video Another Cinderell...
published: 30 Jun 2008
author: jayecab
Another Cinderella Story Official Trailer [HQ]
TWITTER! FOLLOW ME! twitter.com Selena Gomez star in a straight-to-video Another Cinderella Story, coming in September 16th. The Soundtrack will come out on August 26th.
- published: 30 Jun 2008
- views: 6465197
- author: jayecab
4:16

A Cinderella Story - At The Game (Hear You Me)
A Cinderella Story (2004) Starring Hilary Duff & Chad Michael Murray Directed by Mark Rosm...
published: 10 Dec 2008
author: moviescenes4u
A Cinderella Story - At The Game (Hear You Me)
A Cinderella Story (2004) Starring Hilary Duff & Chad Michael Murray Directed by Mark Rosman
- published: 10 Dec 2008
- views: 1535172
- author: moviescenes4u
Vimeo results:
16:19

GESTALT WORK ON AWARENESS (HQ) - PART גשטאלט - מודעות - חלק 1
HQ. gestalt work on awareness, part 1. hebrew subtitles added.
BY FRANKLYN WEPNER ...
published: 13 Aug 2011
author: franklyn wepner
GESTALT WORK ON AWARENESS (HQ) - PART גשטאלט - מודעות - חלק 1
HQ. gestalt work on awareness, part 1. hebrew subtitles added.
BY FRANKLYN WEPNER SEPTEMBER 1, 2006
HOW I WORK: GESTALT DREAMWORK AS THEATER AND PROPHECY
GESTALT DREAM WORK AS PREPARATION FOR PERFORMING
Since 1975 I have been using Gestalt work on awareness, dreams and personal relationships as a way to train and direct performers. The basic principle is simple. I use the Gestalt work to peel the onion of layer after layer of social cliches, ego games and unfinished personal business, and then I do the reverse process reconstituting the onion in the form of characters or other artist structures. The existential message of the dream becomes the superobjective or action of the tragedy, and then I build up the way the performer handles the characters and the plot around that.
My usual procedure is to begin the training with three Gestalt sessions, one on one. The first session, two hours long, deals with the three zones of awareness. During the first hour I simply let him relate what he aware of, since I want to know how he operates before I start meddling with his life. This is important since overall during the Gestalt sessions we are peeling the onion of cliches and games to get to authentic action, and later we will need all of those layers to rebuild the onion as characters involved in the unfolding action of a drama. We need his cliche and game layers for the beginning of the action in Act One as much as we need his authentic action at the end of the dramatic action for Acts Four and Five of a tragic drama.
During the second hour of the first Gestalt session on awareness I attempt to guide him towards a balance of the zones of awareness: outer zone awareness of the environment, inner zone awareness of his body, and fantasy zone awareness of his daydreams. The second and third Gestalt sessions are each three hours long, and each is a typical Gestalt dreamwork session as presented by Fritz Perls in Gestalt Therapy Verbatim. The performer tells the dream in the here and now, identifies with (play acts) several of the main images of the dream in dialogues with each other, and experiences the rhythm of contact and withdrawal. That is to say, after each major dialogue of polarized sides of himself (the contact part) he is instructed to close his eyes, enter his body awareness and daydream (the withdrawal phase of the rhythm).
Since my goal is theater as well as healing, whenever possible during the Gestalt dreamwork I encourage lots of expression using sound and movements. I work with a palette of about 200 different types of recorded musical excerpts, and whenever appropriate I ask him if that image or emotional state were part of a movie what sort of music might be the sound track. Then I find something close to that in my palette of musical colors and ask him to express the mood using the music along with his vocalizing and expressive movements. While he is doing the entire session I spend most of my time jotting down near verbatim notes and making stick figures of his poses and movements, since later in the work I will feed all this back to him and encourage him to explore using it as creative material for acting, dance or whatever his medium is. Taping the session is less useful, since then I would need to spend too much time replaying the tapes. Taking notes live forces me to sort out the wheat from the chaff very efficiently, even at the cost of not observing or notating every detail.
WORKING OUT FROM YOUR CENTERS
After the three introductory one on one Gestalt sessions, session number four is for feedback and discussion of the results. I show him in my notes and diagrams all of the stages of competed and uncompleted actions, and together we search for characters in the theater literature that have similar patterns of action. Is he a Hamlet type, or an Oedipus type, for example? In contrast to the usual practice in acting classes, his first acting assignment probably will be a monologue from a serious tragedy, since I want him to begin with a dramatic action with which he can identify totally. In this process he is using his major Gestalt moments as what Michael Chekhov in his book "To The Actor" labels "psychological gestures". Perls calls them the "essences" of a patient's personality, or we can say he is working from his "centers", stretching those sounds, moves and psychological motivations in as many creative directions as he can. I monitor closely to be sure he is not faking it, the way most actors end up doing since they do not have the centers to begin with.
Before the performer begins working with others doing improvs and scenework, there is an important transitional stage in the work in which I help him get comfortable using his very personal Gestalt material freely as creative material. He needs to shift from seeing himself as a patient to enjoying the role of an artist of the
29:21

GESTALT WORK ON AWARENESS WITH BEL part 3 (HQ)
part 3 of a two hour gestalt session on awareness with actress bel baca. the focus here is...
published: 01 Jan 2011
author: franklyn wepner
GESTALT WORK ON AWARENESS WITH BEL part 3 (HQ)
part 3 of a two hour gestalt session on awareness with actress bel baca. the focus here is "the rhythm of contact and withdrawal", alternating between contact with the environment and withdrawal into the void of "not knowing" to discover what fantasies and new ideas are waiting to emerge into awareness there.
TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner.com. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: franklynwepner@gmail.com. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT.
BY FRANKLYN WEPNER SEPTEMBER 1, 2006
HOW I WORK: GESTALT DREAMWORK AS THEATER AND PROPHECY
GESTALT DREAM WORK AS PREPARATION FOR PERFORMING
Since 1975 I have been using Gestalt work on awareness, dreams and personal relationships as a way to train and direct performers. The basic principle is simple. I use the Gestalt work to peel the onion of layer after layer of social cliches, ego games and unfinished personal business, and then I do the reverse process reconstituting the onion in the form of characters or other artist structures. The existential message of the dream becomes the superobjective or action of the tragedy, and then I build up the way the performer handles the characters and the plot around that.
My usual procedure is to begin the training with three Gestalt sessions, one on one. The first session, two hours long, deals with the three zones of awareness. During the first hour I simply let him relate what he aware of, since I want to know how he operates before I start meddling with his life. This is important since overall during the Gestalt sessions we are peeling the onion of cliches and games to get to authentic action, and later we will need all of those layers to rebuild the onion as characters involved in the unfolding action of a drama. We need his cliche and game layers for the beginning of the action in Act One as much as we need his authentic action at the end of the dramatic action for Acts Four and Five of a tragic drama.
During the second hour of the first Gestalt session on awareness I attempt to guide him towards a balance of the zones of awareness: outer zone awareness of the environment, inner zone awareness of his body, and fantasy zone awareness of his daydreams. The second and third Gestalt sessions are each three hours long, and each is a typical Gestalt dreamwork session as presented by Fritz Perls in Gestalt Therapy Verbatim. The performer tells the dream in the here and now, identifies with (play acts) several of the main images of the dream in dialogues with each other, and experiences the rhythm of contact and withdrawal. That is to say, after each major dialogue of polarized sides of himself (the contact part) he is instructed to close his eyes, enter his body awareness and daydream (the withdrawal phase of the rhythm).
Since my goal is theater as well as healing, whenever possible during the Gestalt dreamwork I encourage lots of expression using sound and movements. I work with a palette of about 200 different types of recorded musical excerpts, and whenever appropriate I ask him if that image or emotional state were part of a movie what sort of music might be the sound track. Then I find something close to that in my palette of musical colors and ask him to express the mood using the music along with his vocalizing and expressive movements. While he is doing the entire session I spend most of my time jotting down near verbatim notes and making stick figures of his poses and movements, since later in the work I will feed all this back to him and encourage him to explore using it as creative material for acting, dance or whatever his medium is. Taping the session is less useful, since then I would need to spend too much time replaying the tapes. Taking notes live forces me to sort out the wheat from the chaff very efficiently, even at the cost of not observing or notating every detail.
WORKING OUT FROM YOUR CENTERS
After the three introductory one on one Gestalt sessions, session number four is for feedback and discussion of the results. I show him in my notes and diagrams all of the stages of competed and uncompleted actions, and together we search for characters in the theater literature that have similar patterns of action. Is he a Hamlet type, or an Oedipus type, for example? In contrast to the usual practice in acting classes, his first acting assignment probably will be a monologue from a serious tragedy, since I want him to begin with a dramatic action with which he can identify totally. In this process he is using his major Gestalt moments as what Michael Chekhov in his book "To The Actor" labels "psychological gestures". Per
1:05

A Cinderella Story
Niki and Melanie star in the monologue of a Cinderella Story!!!...
published: 29 Jan 2009
author: Niki Kiss
A Cinderella Story
Niki and Melanie star in the monologue of a Cinderella Story!!!
Youtube results:
4:41

A cinderella Story - Mudvayne
Corpse Birde - A cinderella story , Mudvayne All Right reserved to Tim Burton All Right re...
published: 15 Jan 2010
author: Belén Fran
A cinderella Story - Mudvayne
Corpse Birde - A cinderella story , Mudvayne All Right reserved to Tim Burton All Right reserved to Epic Records ♫
- published: 15 Jan 2010
- views: 35738
- author: Belén Fran
3:52

Lucy Hale - Make You Believe (A Cinderella Story Performance)
I just love this scene and LUCY HALE. ♥ Hope you like it. Enjoy! :)...
published: 27 Jul 2012
author: iAmxina13
Lucy Hale - Make You Believe (A Cinderella Story Performance)
I just love this scene and LUCY HALE. ♥ Hope you like it. Enjoy! :)
- published: 27 Jul 2012
- views: 348872
- author: iAmxina13
1:09

Lucy Hale Singing Sarcastically (A Cinderella Story: Once Upon a Song)
A funny scene on A Cinderella Story: Once Upon A Song starring Lucy Hale - Idonotownanyoft...
published: 10 Sep 2011
author: TheTralfie
Lucy Hale Singing Sarcastically (A Cinderella Story: Once Upon a Song)
A funny scene on A Cinderella Story: Once Upon A Song starring Lucy Hale - Idonotownanyofthis-
- published: 10 Sep 2011
- views: 441204
- author: TheTralfie
4:40

A Cinderella Story: Once Upon A Song Scene
...
published: 29 Sep 2011
author: LittleDreamer27
A Cinderella Story: Once Upon A Song Scene
- published: 29 Sep 2011
- views: 1679217
- author: LittleDreamer27