The Infitah (Arabic: انفتاح‎ Infitāḥ, IPA: [enfeˈtæːħ] "openness") was Egyptian President Anwar Sadat's policy of "opening the door" to private investment in Egypt in the years following the 1973 October War (Yom Kippur War) with Israel. Infitah was accompanied by a break with long time ally and aid-giver the USSR -- which was replaced by the United States -- and by a peace process with Israel symbolized by Sadat's dramatic flight to Jerusalem in 1977. Infitah ended the domination of Egypt's economy by the public sector and encouraged both domestic and foreign investment in the private sector. The Egyptian Army's crossed the Suez canal in the October 1973/Yom Kippur War, which most Egyptians considered a strategic victory, gave Sadat the prestige to initiate a major reversal of Gamal Abdel Nasser's policies.

Overview[link]

Under President Nasser, proponents of statism and a command economy with limited private investment, dominated the political scene.^{[citation needed]} However, by the 1970s, critics believed Egypt's economy, with its large public sector, had evolved into a "Soviet-style system" of "inefficiency, suffocating bureaucracy, and waste."^[1] Sadat also wanted to turn Egypt away from its focus on war with Israel and devotion of resources to a large military establishment. He believed capitalist economic policies would build a substantial private sector, and alliance with the United States and the west would lead to prosperity (rakhaa) and eventually democratic pluralism (not right away because he did not wish to risk his power to democratic elections while reforming the economy).^[2] His infitah policy was heavily influenced by the free-market philosophy while still retaining some socialist elements. It was not only ideologically but also politically motivated^{[citation needed]}: by aligning himself with the capitalist West, and the rich and powerful members of Egyptian society, Sadat differentiated himself from his predecessor, Nasser, while at the same time securing his position in power. According to author Gilles Kepel, the Infitah was launched in 1975.^[3]

Shortcomings[link]

The implementation of al-infitah is generally considered to have been flawed in its over-ambitiousness and its appearance of having abandoning "solidarity with the poor."^[4] The government rewarded its cronies and allies (many of whom became quite rich) and built a power base loyal to the regime with concessions on land, goods and commodities; mandates and contracts to agencies and dealerships, but did little to create free markets and an open economy.^[5] The millions of previously poor Egyptians who had joined the middle class under the Nasser regime through education and jobs as doctors, engineers, teachers, lawyers, journalists for the government or parastatals, were left stuck in an "increasingly marginalized, stagnant and low-paying public sector," under al-infitah.^[6] Al-Infitah was a shock to the Nasser era middle class reversing the socialist principles of the Nasserism, seeming to revoke policies, of free education, social equality, abolition of feudalism, nationalization of land and industry, and progressive taxation.^[7] At the same time the public sector continued to dominate the economy. The proportion of the population working for the state grew from 3.8% at the height of the Nasserite era, to 10% (about 35% of the country's entire labor force) after the full thrust of al-infitah in the early 1980s. Despite promotion of foreign private investment, the "state's contribution to the formation of investment capital" (72%), barely changed from the mid-1960s to the end of the 1970s.^[8]

According to author Tarek Osman

"... al-Infitah's main fault was that it was over ambitious. It failed to recognize the complexities of Egypt's socio-economic conditions ... It ignored the limitations of the country's administrative system and the power of the military establishment. ... the mismatch between the skills of the Egyptian middle class and the various economic opportunities springing up as a result ... As such , it was an unrealistically rapid developmental programmed that was doomed to fail." ^[9]

In 1977, negative public reaction to infitah policies led to massive spontaneous riots involving hundreds of thousands of Egyptians when the state announced that it was retiring subsidies on basic foodstuffs. On 6 October 1981 Sadat was assassinated during a military parade in Cairo.

For more information on the infitah, see Anwar Sadat.

See also[link]

• Anwar Sadat
• Gamal Abdel Nasser
• Liberalization
• October War
• Privatization
• Nasserism
• Arab socialism
• History of modern Egypt

Notes[link]

External links[link]

• The Politics of Economic Strategy: Egypt

Bruno Mars
Bruno Mars performing in Las Vegas, Nevada on September 19, 2010
Background information
Birth name	Peter Gene Hernandez
Born	(1985-10-08) October 8, 1985 (age 26)[1] Honolulu, Hawaii, U.S.
Genres	Reggae fusion, pop, soul, R&B
Occupations	Singer-songwriter, record producer, model, dancer
Instruments	Vocals, drums, guitar, keyboard, bass, piano, harmonica
Years active	2005–present
Labels	Atlantic, Elektra
Associated acts	The Smeezingtons
Website	www.brunomars.com

Peter Gene Hernandez (born October 8, 1985), better known by his stage name Bruno Mars, is an American singer-songwriter and record producer. Raised in Honolulu, Hawaii by a family of musicians, Mars began making music at a young age. He performed in various musical venues in his hometown throughout his childhood. He graduated from high school and then moved to Los Angeles, California to pursue a musical career. Mars produced songs for other artists, joining production team The Smeezingtons.

Mars had an unsuccessful stint with Motown Records, but then signed with Atlantic Records in 2009. He became recognized as a solo artist after lending his vocals and co-writing the hooks for the songs "Nothin' on You" by B.o.B, and "Billionaire" by Travie McCoy. He also co-wrote the hits "Right Round" by Flo Rida featuring Ke$ha, and "Wavin' Flag" by K'naan. In October 2010, he released his debut album, Doo-Wops & Hooligans. Anchored by the worldwide number-one singles "Just the Way You Are" and "Grenade", the album peaked at number three on the Billboard 200.^[2] Mars was nominated for seven Grammys at the 53rd Grammy Awards, winning Best Male Pop Vocal Performance for "Just the Way You Are".

Mars' music is noted for displaying a wide variety of styles and influences, and contains elements of many musical genres. He has worked with an assortment of artists from various genres. Mars acknowledges the influences that his collaborations have had on his own music. As a child, he was highly influenced by artists such as Little Richard,^[3] Elvis Presley and Michael Jackson and would often impersonate these artists from a young age. Mars also incorporates reggae and Motown inspired sounds into his work. Jon Caramanica of The New York Times referred to Mars as "one of the most versatile and accessible singers in pop."^[4] Worldwide, Mars became the best-selling digital artist in 2011. He had three singles in the top ten, including first place with "Just The Way You Are," which sold 12.5 million copies.^[5] Mars won Best International Male Solo Artist at the BRIT Awards in 2012.^[6] Bruno Mars has sold 5 million albums and 36 million singles worldwide.^[7]

Early life[link]

Bruno Mars was born Peter Gene Hernandez on October 8th, 1985, and raised in the Waikiki neighborhood of Honolulu, Hawaii, by parents Pete Hernandez, of Puerto Rican descent, and Bernadette "Bernie," a Filipina.^{[8][9][10][11]} His mother emigrated to Hawaii from the Philippines as a child and his father moved to the island from Brooklyn, New York.^[12] Mars' parents met while performing in a show, where his mother was a hula dancer and his father played percussion.^[12] At the age of two, he was nicknamed "Bruno" by his father, because of his resemblance to legendary professional wrestler Bruno Sammartino.^[13]

Mars was one of six children and came from a musical family who exposed him to a diverse mix of reggae, rock, hip hop, and R&B.^[14][15] In addition to being a dancer, his mother was a singer and his father used his musical ability to perform Little Richard rock n roll music.^[3] Mars' uncle was an Elvis impersonator. By the age of three his uncle had Mars up on the stage performing. He also performed songs by artists such as Michael Jackson, The Isley Brothers, and The Temptations.^[10] At age four, Mars began performing five days a week with his family's band, The Love Notes, in which he became known on the island for his impersonation of Presley.^[16]

In 1990, Mars was featured in MidWeek as "Little Elvis", going on to have a cameo in the film Honeymoon in Vegas in 1992.^[10][17] He later reflected on the influence Presley had on his music: "I watch the best. I'm a big fan of Elvis. I'm a big fan of 1950s Elvis when he would go on stage and scare people because he was a force and girls would go nuts! You can say the same thing for Prince or The Police. It's just guys who know that people are here to see a show, so I watch those guys and I love studying them because I'm a fan."^[18] In 2010, he also acknowledged his Hawaiian roots and musical family as an influence, explaining, "Growing up in Hawaii made me the man I am. I used to do a lot of shows in Hawaii with my father's band. Everybody in my family sings, everyone plays instruments...I've just been surrounded by it."^[19] In 2003, shortly after graduating from President Theodore Roosevelt High School at the age of seventeen, Mars moved to Los Angeles, California, to pursue a musical career.^[10][17] He adopted his stage name from the nickname his father gave him, adding "Mars" at the end because "I felt like I didn't have [any] pizzazz, and a lot of girls say I’m out of this world, so I was like I guess I'm from Mars."^[20]

Career[link]

[edit] 2004–10: Career beginnings and It's Better If You Don't Understand

Bruno Mars performing in Houston, Texas in November 2010.

Shortly after moving to Los Angeles, Mars signed to Motown Records in 2004, in a deal that "went nowhere".^[21] However, Mars' experience with Motown proved to be beneficial to his career when he met songwriter and producer Philip Lawrence, who was also signed to the label. Mars, Lawrence, and engineer Ari Levine began writing songs together, and formed the production team The Smeezingtons.^[21] In 2006, Lawrence introduced Mars to his future manager at Atlantic Records, Aaron Bay-Schuck.^[22] After hearing him play a couple of songs on the guitar, Bay-Schuck wanted to sign him immediately, but it took about three years for Atlantic records to finally sign Mars to the label.^[22] In the meantime, Bay-Schuck hired Mars and the Smeezingtons to write and produce songs for the label's artists.^[22] According to Bay-Schuck in an interview with HitQuarters, Mars had stated that although his ultimate goal was to be a solo artist, he was willing to write and produce for other artists, both to help improve his songwriting and help him discover the type of artist he ultimately wanted to be.^[22] Bay-Schuck credits this as a period of "self-discovery" that contributed significantly to Mars' later success.^[22]

Before becoming a successful solo artist, Hernandez was an acknowledged music producer, writing songs for Alexandra Burke, Travie McCoy, Adam Levine, Brandy, Sean Kingston, and Flo Rida.^[14][23] He also co-wrote the Sugababes' hit song "Get Sexy" and provided backing vocals on their album Sweet 7.^[24][25] His first musical appearance as a singer was in Far East Movement's second studio album Animal, featured on the track "3D".^[26] He was also featured on pastor and hip hop artist Jaeson Ma's debut single "Love" in August 2009.^[27][28] He reached prominence as a solo artist after being featured on and co-writing B.o.B's "Nothin' on You" and Travie McCoy's "Billionaire"; both songs peaked within the top ten of many charts worldwide.^{[29][30][31][32]} He said of them, "I think those songs weren't meant to be full-sung songs. If I'd sung all of "Nothin' on You", it might've sounded like some '90s R&B." Following this success, Mars released his debut extended play (EP), titled It's Better If You Don't Understand, on May 11, 2010.^[33] The EP peaked at the 99th position on the Billboard 200 and produced one single, "The Other Side", featuring singers Cee Lo Green and B.o.B.^[34][35] Mars collaborated with Green once more in August 2010 by co-writing his single "Fuck You!". He performed a medley of "Nothin' on You" and "Airplanes" with B.o.B and Hayley Williams at the 2010 MTV Video Music Awards on September 12, 2010.^[36]

[edit] 2010–present: Doo-Wops & Hooligans

Bruno Mars' debut album, Doo-Wops & Hooligans, was released digitally on October 4, and saw its physical release on October 5, 2010.^[37][38] The lead single, "Just the Way You Are", was released on July 19, 2010,^[39] and has reached the top of the Billboard Hot 100 as well as several other charts worldwide.^[40][41] The music video was released on September 8, 2010.^[42] The second single, "Grenade", was released September 28, 2010, and has also seen successful international chart performance.^[43][44] In the United States, Doo-Wops & Hooligans debuted at number three on the Billboard 200 for the week of October 13, 2010, selling 55,000 copies.^[2] The album also received generally positive reviews from critics. Entertainment Weekly's Leah Greenblatt praised Mars for his "instant-access melodies" and "sly snatches of dance-floor swagger", but noted weaknesses in songs deviant from his conventional pop and soul genres.^[45] He opened for Maroon 5 on the fall leg of the Hands All Over Tour starting October 6, 2010 and co-headlined with McCoy on a European tour starting October 18, 2010.^[38]

On September 19, 2010, Mars was arrested in Las Vegas for possession of cocaine.^[46] When talking to a police officer, Mars reportedly stated that what he did was "foolish" and that "he has never used drugs before".^[47][48] Mars pled guilty to felony drug possession, and in return for his plea, he was told that the charges would be erased from his criminal record as long as he stayed out of trouble for a year, paid a $2,000 fine, did 200 hours of community service and completed a drug counseling course.^[49]

On February 13, 2011, Mars won his first Grammy Award for Best Male Pop Vocal Performance, having received six nominations; Best Rap Song and Best Rap/Sung Collaboration for "Nothin' on You", Record of the Year for "Nothin' on You" and "Fuck You", Song of the Year for "Fuck You", and Producer of the Year, Non-Classical at the 53rd Grammy Awards.

On September 16, 2011, Bad Meets Evil released their single, "Lighters", which featured Mars in the song. The song was met with mixed reviews from critics and many criticized Mars for doing this type of song.^[50] On September 22, 2011, it was announced on Mars' website that his new song "It Will Rain" will appear on The Twilight Saga: Breaking Dawn – Part 1 Original Motion Picture Soundtrack which was released on November 8.^[51] On October 30, 2011, Mars gave an exclusive performance of "Runaway Baby" on the results show of The X Factor UK, the same day that Mars received six nominations for a Grammy Award; Album of the Year and Best Pop Vocal Album for Doo-Wops & Hooligans, Record of the Year, Song of the Year and Best Pop Solo Performance for "Grenade", and Producer of the Year, Non-Classical at the 54th Grammy Awards. During the ceremony, Mars performed "Runaway Baby" but he did not win any awards as Adele won in all the categories he was nominated in and also lost to Paul Epworth for Producer of the Year.

Mars has confirmed on Twitter that his work on his second album has begun.^[52] On March 22, 2012, it was announced that Mars had signed a worldwide publishing deal with BMG Chrysalis US.^[53]

Musical style[link]

Mars performing on November 24, 2010. Mars plays several instruments including piano, guitar, bass and congas.^[54]

Mars' music has been noted for displaying a wide variety of styles and influences, including pop,^[55] rock,^[55] reggae,^[55] R&B,^[56] soul,^[45] and hip hop.^[57] His co-producer Philip Lawrence says, "What people don't know is there's a darker underbelly to Bruno Mars." Mars himself says, "I blame that on me singing to girls back in high school."^[58] Jon Caramanica of The New York Times called him "one of the most versatile and accessible singers in pop, with a light, soul-influenced voice that’s an easy fit in a range of styles, a universal donor."^[4] Mars was initially influenced by R&B artists such as Keith Sweat, Jodeci and R. Kelly, as well as 1950s rock 'n' roll and Motown.^[59] In high school, he began listening to classic rock groups such as The Police, Led Zeppelin, and the Beatles.^[59] All of these genres of music have influenced Mars' musical style; he observed that "It’s not easy to [create] songs with that mixture of rock and soul and hip-hop, and there’s only a handful of them."^[59] Mars also stated that he is a fan of Alicia Keys, Jessie J, Jack White and The Saturdays.^[60]

In addition, Mars claims that his work with other artists influenced his musical style, saying that "'Nothin' on You' had a Motown vibe, 'Billionaire' was a reggae acoustic guitar-driven song, though one of my favorites is the Cee-Lo [Green] song ['Fuck You']. I don't think anyone else could've sung that song. And there's 'Just the Way You Are.' If you know my story, you know I love all different genres of music."^[61] He cites doo-wop as a major influence on his music, referring to the genre as "just straightforward love songs – so charming and simple and romantic."^[61] In addition, Mars states that growing up in Hawaii influenced his music, giving the songs a reggae sound. He explains that "In Hawaii some of the biggest radio stations are reggae. The local bands are heavily influenced by Bob Marley. That music brings people together. It's not urban music or pop music. It's just songs. That's what makes it cross over so well. The song comes first."^[12] Lyrically, many of Mars' songs have been described as "feel-good", carefree, and optimistic,^[62] however, darker subjects are addressed in songs such as "Grenade", "Liquor Store Blues", and "Talking to the Moon", which detail failed relationships and self-destructive behavior.^[45][63]

Discography[link]

• Doo-Wops & Hooligans (2010)
• TBA (2012)

Tours[link]

• Doo-Wops & Hooligans tour (2010–2011)

Awards and nominations[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Bruno Mars

• Official website
• Bruno Mars on Twitter
• Bruno Mars at the Internet Movie Database

The Ummah was a music production collective, composed of members Q-Tip and Ali Shaheed Muhammad of A Tribe Called Quest, and the late Jay Dee (now known as J Dilla) of the Detroit-based group Slum Village. Occasional members included Raphael Saadiq, and D'Angelo. In addition to producing nearly the entirety of A Tribe Called Quest's fourth and fifth album, the Ummah provided backing tracks for a notable array of hip hop and contemporary R&B artists, including Busta Rhymes, Whitney Houston, Keith Murray, the Brand New Heavies, Janet Jackson, and Jon B. The group was so named because two of its members (Tip and Ali) are devout Muslims. The word "ummah" is Arabic for "community", "nation", or "brotherhood".

Biography[link]

Background[link]

The collective took shape around 1995, when veteran keyboardist Amp Fiddler introduced Jay Dee (who at the time was shopping for a deal for his group) to Q-Tip. Tip was impressed enough by Jay Dee's soulful productions to invite him as an addition to Tribe's music-production team, which until then consisted of Tip and Ali Shaheed.

Production work[link]

Its first work, Beats, Rhymes and Life, was criticized for moving away from the group's earlier, denser, and bottom heavy sound exemplified by tracks such as "Scenario" and "Oh My God." The new sound, which now leaned towards a more laid-back and polished tone, would be embraced a little more with the release of Tribe's "Find A Way" from its fifth and final album, The Love Movement, although the album itself received a lukewarm reception, and no second proper single or video was released.

Following this and the split of A Tribe Called Quest, Q-Tip and Jay Dee continued to collaborate under the Ummah moniker, producing almost all of Tip's solo album Amplified, which included two tracks from DJ Scratch. For several reasons, including label complications, Tip's solo career became largely inactive while Jay Dee and D'Angelo went on to form the Soulquarians with other like-minded artists. Although A Tribe Called Quest since formed somewhat of a reunion, releasing "ICU (Doin' It)" in 2003, the possibility of the group once again using the Ummah name for future productions seems unlikely, especially since member Jay Dee's death on February 10, 2006, from complications of Lupus.

Despite the well-known projects and collaborations the collective did, people would erroneously assume that The Ummah was another name, or perhaps even an alter-ego of Q-Tip. As a result, contributions by J Dilla would go overlooked and unnoticed. Looking back at the collective's formation and history, in an interview, Q-Tip stated:^[1]

That word "Ummah" means brotherhood. But the problem with The Ummah and even now with me with Tribe… With Ummah, just because I was the face, people would automatically assume sometimes, like with that “Sometimes” remix, that I produced it or that I did the beat when it was Dilla. So people would get confused sometimes over that and think that just because I’m the face of it, if it says "The Ummah" it means that I did it or credited it as such. And that wasn’t the case. So he Dilla wanted to make sure that he got known for what he did. So I can emphatize with where Dilla was at because I was at the same place you know?!? My whole idea I think it was a great idea to represent a unit. But from poor management to not really understanding the ramifications of it, it didn’t work to that great idea necessarily. Still in all I think we all were able to make some good music. I saw some people say that I didn’t do the "Get Down" remix, the Craig Mack shit. People were saying Dilla did that but I did that. Then people were saying that I did "Breathe & Stop" but Dilla did that. And they were saying Dilla did "Vivrant Thing" but I did that. You know it’s just all mixed up.

Discography[link]

Albums[link]

• A Tribe Called Quest - Beats, Rhymes and Life (1996, Jive, RIAA certification: Platinum)
• A Tribe Called Quest - The Love Movement (1998, Jive, RIAA certification: Gold)
• Q-Tip - Amplified (1999, Arista, RIAA certification: Gold)

Selected production[link]

1996[link]

• Da Bush Babees - "Gravity", "3 MCs"
  • Gravity
• Grant Green - "Down Here On The Ground"
  • Various artists - The New Groove: The Blue Note Remix Project Volume 1
• Keith Murray - "Dangerous Ground", "The Rhyme (Remix)"
  • Enigma
• Busta Rhymes - "Ill Vibe", "Still Shinin'", "Keep It Moving"
  • The Coming

1997[link]

• A Tribe Called Quest - "Same Ol' Thing"
  • Various artists - Men in Black: The Album
• Janet Jackson - "Got 'Til It's Gone (Ummah's Uptown Saturday Night Mix)", "Got 'Til It's Gone (Ummah Jay Dee's Revenge Mix)"
  • 12"/CD single
• Michael Jackson - "HIStory (The Ummah Radio Mix)", "HIStory (The Ummah Urban Mix)", "History (The Ummah DJ Mix)"
  • 12"/CD singles
• Mint Condition - "Let Me Be The One (Ummah Remix)"
  • 12"/CD single
• Busta Rhymes - "So Hardcore"
  • When Disaster Strikes
• Brand New Heavies - "Sometimes (The Ummah Remix)"
  • 12"/CD single
• Jon B. - "Cool Relax"
  • Cool Relax

1998[link]

• Jamiroquai - "Deeper Underground (The Ummah Mix)"
  • 12"/CD single
• Towa Tei - "Happy (Q-Tip Remix Dub)"
  • 12"/CD single
• Whitney Houston - "Fine"
  • Whitney: The Greatest Hits

References[link]