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Kids bathing in a small metal tub

Bathing is the washing or cleansing of the body with a fluid, usually water or an aqueous solution. It may be practised for personal hygiene, religious ritual or therapeutic purposes or as a recreational activity.

Bathing can take place in any situation where there is water, ranging from warm to cold. It can take place in a bathtub or shower, or it can be in a river, lake, water hole, pool or the sea, or any other water receptacle. The term used to describe the act can vary. For example, a ritual religious bath is sometimes referred to as immersion, the use of water for therapeutic purposes can be called water treatment or hydrotherapy, and two recreational water activities are known as swimming and paddling. The city of Bath (known during ancient Roman times as Aquae Sulis) is famous for its public baths fed by hydrothermal springs.

Purpose[link]

Astronaut Jack R. Lousma, Skylab 3 pilot taking a hot bath in the crew quarters of the Orbital Workshop of the Skylab space station cluster in Earth orbit

The main purpose of bathing is for personal hygiene. It is a means of achieving cleanliness by washing away dirt and soil, and a preventative measure to reduce the incidence and spread of disease. It also reduces body odors. Bathing creates a feeling of well-being and the physical appearance of cleanliness. Bathing may also be practised for religious ritual or therapeutic purposes or as a recreational activity. Therapeutic use of bathing includes hydrotherapy, healing, rehabilitation from injury or addiction, relaxation. The use of a bath in religious ritual or ceremonial rites include immersion during baptism in Christianity and to achieve a state of ritual cleanliness in a mikvah in Judaism. It is referred to as Ghusl in Arabic to attain ceremonial purity(Taahir) in Islam. All major religions pay an emphasis on ceremonial purity and bathing is one of the primary means of attaining outward purity. In Hindu households, any acts of defilement are countered by undergoing a bath.

Types of baths (for personal hygiene)[link]

Carl Larsson, Summer Morning, 1908

Bathing in a bathtub or shower is the most common form of bathing for personal hygiene in western, and many eastern, countries. Bathrooms usually have a tap, and a shower if it is a modern home, and a huge water heating pot. People take water from the tap or the water-heating pot into a large bucket and use a mug to pour water on themselves. A soap and loofah is used to clean the body after, and then rinsed again using the mug. People most commonly bathe in their home or use a private bath in a public bathhouse. In some societies, bathing can take place in rivers, creeks, lakes or water holes, or any other place where there is an adequate pool of water. The quality of water used for bathing purposes varies considerably. Normally bathing involves use of soap or a soap like substance, such as shower gel. In Southern India people more commonly use aromatic oil and other home made body scrubs.

Bathing occasions can also be occasions of social interactions, such as in public, Turkish, sauna or whirlpool baths.

Sponge bath[link]

When water is in short supply or a person is not fit to have a standing bath, a wet cloth or sponge can be used, or the person can wash by splashing water over their body. A sponge bath is usually conducted in hospitals, which involves one person washing another with a sponge, while the person being washed remains lying in bed. It is sometimes also used when water is limited.

Clothing[link]

In private baths, whether in one's home or a private bath in a public bathhouse, people bathe without clothing. In public bathing situations, the social norms of the community are followed, and some people wear a swimsuit or underwear. In some societies, some communal bathing is also done without clothing.

Bathing babies[link]

A baby having a bath.

Babies can be washed in a kitchen sink or a small plastic baby bath, instead of using a standard bath, which offers less control of the infant's movements and requires the parent to lean awkwardly or kneel.^[1]Bathing infants too often has been linked to the development of asthma or severe eczema according to some researchers, including Michael Welch, chair of the American Academy of Pediatrics' section on allergy and immunology^{[citation needed]}

Western history[link]

Three young women bathing. Side B from an Ancient Greek Attic red-figure stamnos, 440–430 BC. Staatliche Antikensammlungen, Munich, Germany.

A sweat bath: illumination from Peter of Eboli, De Balneis Puteolanis ("The Baths of Pozzuoli"), written in the early 13th century

Throughout history, societies devised systems to enable water to be brought to population centres. Ancient Greece utilized small bathtubs, wash basins, and foot baths for personal cleanliness. The earliest findings of baths date from the mid-2nd millennium BC in the palace complex at Knossos, Crete, and the luxurious alabaster bathtubs excavated in Akrotiri, Santorini. The Greeks established public baths and showers within gymnasiums for relaxation and personal hygiene. Ancient Rome developed a network of aqueducts to supply water to all large towns and population centres and had indoor plumbing, with pipes that terminated in homes and at public wells and fountains. The Roman public baths were called thermae. With the fall of the Roman Empire the aqueduct network fell into disrepair and most of it ceased to be used. In the Middle Ages, bathing commonly took place in public bathhouses. However, public nudity was frowned upon by liturgical factions of the period. Public baths were also havens for prostitution, which created opposition to the public baths. Rich people bathed at home, most likely in their bedroom, as 'bath' rooms were not common. Bathing was done in large, wooden tubs with a linen cloth laid in it to protect the bather from splinters. Additionally, during the Renaissance and Protestant Reformation, the quality and condition of the clothing (as opposed to the actual cleanliness of the body itself) were thought to reflect the soul of an individual. Clean clothing also reflected one's social status; clothes made the man or woman. Additionally, from the late Middle Ages through to the end of the 18th century, etiquette and medical manuals advised people to only wash the parts of the body that were visible to the public; for example, the ears, hands, feet, and face and neck. This did away with the public baths and left the cleaning of oneself to the privacy of one's home.^{[citation needed]}

"The order of the bath"; Pears' advertisement

The switch from woolen to linen clothing by the 16th century also accompanied the decline in bathing. Linen clothing is much easier to clean and maintain - and such clothing was becoming commonplace at the time in Western Europe. Clean linen shirts or blouses allowed people who hadn't bathed to appear clean and well groomed. The possession of a large quantity of clean linen clothing was a sign of social status. Thus, appearance became more important than personal hygiene. Medical opinion supported this claim. Physicians of the period believed that odors, or miasma, such as that which would be found in soiled linens, caused disease. A person could therefore change one's shirt every few days, but avoid baths - which might let the 'bad air' into the body through the pores. Consequently, in an age in which there were very few personal bathtubs, laundry was an important and weekly chore which were commonly undertaken by laundresses of the time.^{[citation needed]}

Public opinion about bathing began to shift in the middle and late 18th century, when writers argued that frequent bathing might lead to better health. Large public baths such as those found in the ancient world and the Ottoman Empire were revived during the 19th century. The germ theory of disease led health authorities to urge people to bathe regularly, to rid the body of harmful germs.

Before the late 19th century, water to individual places of residence was rare.^[2] Many countries in Europe developed a water collection and distribution network. London water supply infrastructure developed over many centuries from early medieval conduits, through major 19th century treatment works built in response to cholera threats, to modern large scale reservoirs. (see also Water supply and sanitation in France)

The weekly Saturday night bath was common in Christian industrialized lands in the 19th and early 20th century. A half day's work on Saturday was the norm for factory workers allowing them some leisure to prepare for the Sunday day of rest. The half day off allowed time for the considerable labor of drawing, carrying, and heating water, filling the bath and then afterward emptying it. To economize, bath water was shared by all family members. Precedence in bath order could lead to contention since the first user enjoyed the cleanest and warmest water. Indoor plumbing became more common in the 20th century and commercial advertising campaigns pushing new bath products began to influence public ideas about cleanliness, promoting the idea of a daily shower or bath.^{[citation needed]}

Japanese bathing culture[link]

Private baths[link]

Home bathing (1900s), by Kusakabe Kimbei

Today, most homes in Japan have a bathroom (ofuro), which was often not the case about 30 years ago. Since swimming is part of social life, and in general all members of a family bathe together in a tub (hot tub). Sometimes guests will be invited to join a bath as part of hospitality. If the tub is not large enough for all, bathing takes place in the traditional order: first the head of the family, then the men in order of decreasing age, and finally the women.

Bath water in Japan is much hotter than what is usual in Central Europe. The temperature is usually well above 40°C. In medical literature, 47°C is considered bearable for men.^[3] The heat is considered a prerequisite for complete relaxation. The custom is to thoroughly clean oneself with soap and rinse before entering the tub, so as not to contaminate the bath water. The spa itself is not for cleaning, but the social contact and well-being. Until the 19th century, the Japanese did not use soap, but rubbed the skin with certain herbs, or rice bran, which was also a natural exfoliant.

Public baths[link]

Sento bathing scene. Japanese woman bathing in a wooden tub (woodcut by Torii Kiyomitsu, late 18th century)^[4]

In public baths, there is a distinction between those with natural hot springs called, onsen (hot), and the other, the sento. Since Japan is located in a volcanically active region, there are many hot springs, of which about 2000 are swimming pools. Most onsen are in the open countryside, but they are also found in cities. In Tokyo, for example, there are about 25 onsen baths. Locations of known mineral springs spas are on the Western model.

In an onsen, which are mostly outdoor pools (rotenburo), which are sometimes at different temperatures. Extremely hot springs, where the heat can stay well-proven Japanese only a few minutes, called jigoku (hell). Many onsen also have saunas, spa treatments and therapy centers. The same rules apply in public bath as in private baths requiring cleaning before entering the water. In general, the Japanese bathe naked in bathhouses, bathing suits are not permissible.

Before the 7th century, the Japanese probably mostly bathed in the many springs in the open, because there is no evidence of closed rooms. In the 6th to 8th centuries (in the Asuka and Nara periods) the Japanese took the religion of Buddhism from China, which had a strong impact on the entire culture of the country. For every Buddhist temple traditionally included a bathhouse (yuya) for the monks. These baths were opened in time for the rest of the population, because the principle of purity in Buddhism plays a major role. Only the wealthy had private baths.

The first public bathhouse was mentioned in 1266. In Tokyo, the first sento was established in 1591. The early steam baths or steam baths were called iwaburo (rock pools) or kamaburo (furnace baths). It was natural or artificial caves or stone vaults. In iwaburo along the coast, the rocks were heated by burning wood, then sea water poured was over the rocks producing steam. The entrance to these "Bath Houses" was very small, so that the steam escaped. There were no windows, so it was very dark inside and the user was constantly coughed or cleared their throats in order to signal to new entrants, which seats were already occupied. The darkness could be also used for sexual contact, because there were no gender distinction, and these baths came into disrepute. They were finally abolished in 1870 on hygienic and moral grounds.

At the beginning of the so-called Edo period (1603-1867) there were two different types of baths. In Tokyo (then called Edo) were hot-water baths (yuya) were common, while in Osaka, steam baths (mushiburo) were common. At that time shared bathrooms for men and women were the rule. These bathhouses were very popular especially for men. "Bathing girls" (Yuna), were employed to scrub the guests' backs and wash their hair, etc. Some guests apparently offered to pay but the yuna also provided favors. In 1841, the employment of Yuna were generally prohibited, as well as mixed bathing. The segregation of the sexes, however, were often ignored by operators of bathhouses, or areas for men and women were separated only by a symbolic line. The official removed to the prohibitions. Today, sento baths have separate rooms for men and women.^[5]

Art motif[link]

Pierre-Auguste Renoir, Grandes Baigneuses, 1887

Bathing scenes were already in the Middle Ages a popular subject of painters. Most of the subjects were women shown nude, but the interest was probably less to the bathing itself rather than to provide the context for an art nude. From the Middle Ages, illustrated books of the time contained such bathing scenes. Biblical and mythological themes which featured bathing were depicted by numerous painters. Especially popular themes included Bathsheba in the bath, in which she is observed by King David, and Susanna in the sight of lecherous old men.

In the High Middle Ages public baths were a popular subject of painting, with the rather clear depictions of sexual advances, which probably were not based on actual observations. During the Renaissance and Baroque periods, bathing was particularly popular as an allegory, which were observed in the ancient gods and nymphs bathing, such as with Titian and François Boucher. But the images of women bathing in the river were also found.

In the 19th century, the use of the bathing scene reached its high point in classicism, realism and impressionism. Edgar Degas, for example, painted over 100 paintings with a bathing theme. Sometimes painters worked with models, but especially in the 19th century, popular oriental themes and harem and turkish baths scenes were used. These were clearly based purely on the artists' imagination, because access by men to Islamic women were not generally permitted.^[6]

Known bathing scenes were painted by, among others:

• Lawrence Alma-Tadema
• William Adolphe Bouguereau
• François Boucher
• Paul Cézanne
• Lucas Cranach the Younger
• Edgar Degas
• Albrecht Dürer
• Anthonis van Dyck
• Jean-Léon Gérôme
• Jean-Auguste-Dominique Ingres
• Édouard Manet
• Pierre-Auguste Renoir
• Sebastiano Ricci
• Domenico Tintoretto
• Tizian
• Anders Zorn

• 

  Lucas Cranach, The Golden Age, 1530

• 

  Tizian, Actéon Surprises Diane in Her Bath, 1559

• 

  Wolfgang Heimbach, People Bathing, 1640

• 

  François Boucher, Diana Leaving Her Bath, 1742

• 

  Jean Auguste Dominique Ingres, The Turkish Bath, 1862

• 

  Jean-Léon Gérôme, The Bath, ca. 1880

• 

  Edgar Degas, After the Bath, ca. 1890

• 

  Lawrence Alma-Tadema, The Baths at Caracalla, 1899

• 

  Anders Zorn, Girls from Dalarna Having a Bath, 1906

See also[link]

• Balneotherapy
• Destination spa
• Navy shower
• Sea bathing
• Sentō
• Spas
• Thermae

References[link]

External links[link]

Look up bathing or bathe in Wiktionary, the free dictionary.

• Russian baths
• Japanese Bath- Photographs of Willy Puchner
• The Japanese bathing ritual
• The Straight Dope: Is good personal hygiene a recent invention?
• Bathing Your Baby
• History of soap and bathing
• A virtual exhibition about bathing in art, from Cranach to Fellini
• Tales of Toronto’s first Jewish shvitz

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Neetu Chandra
Neetu chandra at Dabboo Ratnani Calendar Launch on 2011.
Born	Neetu Chandra Patna, Bihar, India
Other names	Nitu Chandra
Occupation	Actress, model
Years active	2005–present

Neetu Chandra is an Indian theatre and film actress and model.

Early life and education[link]

Neetu Chandra was born in Patna, Bihar, India. A resident of Patliputra Colony, she did her schooling from the Notre Dame Academy, Patna,^[1] and dreamt of entering the modelling world. Her father, a businessman, was initially reluctant to let her pursue a career in showbiz but her mother, Neera, stood by her. Neetu attributes her success to her mother, a native of East Champaran in Bihar.^[2] She has appeared in several advertisements and videos for reputed firms since her graduation days in Delhi's IP College, University of Delhi.

Before entering the film Industry, Neetu was an avid sportsperson. She is a black belt holder in Taekwondo. She has represented India in Taekwondo, at the International Taekwondo Championship in Hong Kong in 1996, and in Korfball as well, at the Korfball World Championship in 1995 in New Delhi.^{[citation needed]}

Acting career[link]

She entered Hindi film industry in 2005 with Garam Masala in which she portrayed Sweety, an airhostess. She also acted in Telugu film Godavari in 2006.^{[citation needed]}

In 2007 she appeared in Madhur Bhandarkar's film, Traffic Signal. In preparation, Chandra in order to enter her character spent a whole week living on the streets of Mumbai and living by a traffic light.^[3]

In the year 2008, she had four releases by Directors, Dibakar Banerjee, Rahul Dholakia, Ashwini Dheer and Vikram. Her Tamil film, Yavarum Nalam with Madhavan released this year and was declared a major hit. Currently, Neetu is working on a major project, Jag Mundhra's Apartment.^{[citation needed]}

In 2011 she released Deswa, a Bhojpuri film which she produced and which was directed by her brother.^[4]

Other work[link]

Neetu Chandra was signed as the brand ambassador for the Hoop, a Gitanjali brand.^[5] She has also finished shooting a commercial for Mysore Sandal Soap. Neetu Chandra also appeared in music director Ismail Darbar's music video "Rasiya Saajan" along with Zubeen Garg.^[6]

Neetu Chandra is the Life Member of International Film And Television Club and International Film And Television Research Centre of Asian Academy of Film & Television.

In the media[link]

In 2008, 7Seas Technologies launched a 3D mobile game, Neetu — The Alien Killer, with Neetu Chandra as the lead character.^[7]

Neetu was featured on the cover of the January 2009 issue of Indian Maxim.^[8]

Filmography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Neetu Chandra

• Neetu Chandra at the Internet Movie Database

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (January 2011)

Born	Zahida Malik, Veena Malik Rawalpindi, Pakistan
Nationality	Pakistani
Occupation	Actress, Model
Years active	2000 – present
Parents	Mohammad Ali Malik, Zeenat Malik

Veena Malik (Urdu: وينا ملک, born Zahida Malik) is a Pakistani actress, model and comedienne. Over a span of ten years, she has worked with news channels and in movies.

Early life[link]

Veena Malik was born in Rawalpindi in the province of Punjab,^[1] to Ali Malik, and his wife, Zeenat Malik.^[2] . She holds a BA in Sociology, Psychology and Persian.^[1]

Career[link]

Films[link]

Before starting her career off as an actress, Malik worked as a comedian for several television shows and series. She made her acting debut alongside Shaan and Zara Sheikh in Askari's Tere Pyar Mein (2000), which was a box office hit. She played a supporting role in the film and was barely acknowledged. However, she appeared in a supporting role in Javed Sheikh's Yeh Dil Aap Ka Huwa (2002).

In 2003, Malik appeared in Indo-Pak cross venture Punjabi film Pind Di Kuri which failed to do so well, however, the film turned out be the first Indo-Pak venture film with a budget of approximately 70 million rupees. She also appeared in Askari's Sassi Punno (2003) alongside Sana and Moammar Rana, however the film failed to do well at Lahore's cinemas and further screenings had stopped in cinemas after a week of its release. She then appeared in Rafique's Jageer.

In 2005, she appeared in a short Punjabi film Bau Badmash (2005) which did not garner any recognition due to the lack of big stars. She then appeared in Reema Khan's Koi Tujh Sa Kahan (2005) which was a commercial success in Pakistan.In 2007, she won her first Lux Style Award for being the most stylish celebrity on the red carpet.^{[citation needed]}

In 2008, Malik appeared in Rafique's Punjabi film, Mohabbatan Sachiyan, alongside ex-fiancee Babrik Shah and newcomers Maria Khan and Adnan Khan. The film went on to become a commercial success.^[3] The same year, she appeared in Raza's Kabhi Pyaar Na Karna in a supporting role, but the film was a flop. Her last film of 2008 was Altaf's Ishq Beparwah, which also failed to impress the audience.

In 2010, she worked in Rafique's Main Jeena Tere Naal, and Beyg's debut comedy film Miss Duniya.^[4]

Television[link]

In 2002, she was called by Prime TV to host a show called Prime Gupshup^[5] for them ushering a new direction for her comedic skills and she improvised on the hour-long show occasionally mimicking actors.

She hosted the Geo TV show Hum Sub Umeed Say Hain, in which she was hailed for her comedic parodies.^[6]

Veena Malik performing to the tunes of Naheed Akhtar at the Lux Style Awards 2007.^[7]

In 2007, she graced the red carpet event of the Lux Style Awards and was awarded as being the ‘most stylish celebrity on the carpet’.^[7]

In October 2010, Malik appeared in the Indian television reality show Bigg Boss Season 4.^[8] She was evicted two weeks before the finals, and was one of the final six contestants out of the original fourteen who had participated.^[9] Malik was also part of the finale of the show.^[10] After her Bigg Boss stay, she was mentioned in the media as the voice of liberal muslims, including leading dailies, Daily Times,^[11] Express Tribune,^[12] and The Australian.^[13] Sabbah Hajim, from the Haji Amina Charity Trust in Jammu and Kashmir, writing in the magazine Tehelka, when comparing her with liberal rector of Darul Uloom Deoband, Ghulam Mohammad Vastanvi said, "these two newly public figures might teach Muslims to stop feeling eternally outraged."^[14]

In February 2011,^[15] Veena Malik became part of the Cricket World Cup reality show^[16] in Delhi, India, called "Big Toss." Big Toss was a reality game show with contestants and Malik as the captain of one team, against Rakhi Sawant^[17] and her team.

In March 2011, Malik engaged in a passionate debate with a mufti, who claimed she had engaged in immoral behaviour as a contestant on Bigg Boss, even though he admitted to not having watched the show. Malik countered pointing out the double standards of Pakistani media against women among other rebuttals.^[18]

FHM Images[link]

Controversy resulted in Pakistan over a nude image of Malik on the cover of FHM magazine India edition in which she had "ISI" written on her upper arm – the initials of Pakistan's Inter-Services Intelligence spy agency. ^[19] Malik says she was topless^[20] but did not pose completely nude,^[21] and has sued the magazine over the images.^[22]

Other works[link]

Malik has worked as a representative at the World Health Organization for two years. She also sponsors a child at the SOS Children's Village, an NGO based in Pakistan working with orphaned children.^[23]

Filmography[link]

Veena Malik on the sets of "Movers and Shakers"

Television[link]

Reality television[link]

As Contestant

References[link]

External links[link]

Wikimedia Commons has media related to: Veena Malik

• Official Website
• Veena, Vida, ViciExpress Tribune
• Veena Malik at the Internet Movie Database