An alphabet is a standard set of letters (basic written symbols or graphemes) which is used to write one or more languages based on the general principle that the letters represent phonemes (basic significant sounds) of the spoken language. This is in contrast to other types of writing systems, such as logographies, in which each character represents a word, morpheme or semantic unit, and syllabaries, in which each character represents a syllable.

A true alphabet has letters for the vowels of a language as well as the consonants. The first true alphabet is believed to be the Greek alphabet,^[1][2] which is a modified form of the Phoenician alphabet. In other types of alphabet either the vowels are not indicated at all, as was the case in the Phoenician alphabet (such systems are known as abjads), or else the vowels are shown by diacritics or modification of consonants, as in the devanagari used in India and Nepal (these systems are known as abugidas or alphasyllabaries).

There are dozens of alphabets in use today, the most common being the Latin alphabet^[3] (which was derived from the Greek). Many languages use modified forms of the Latin alphabet, with additional letters formed using diacritical marks. While most alphabets have letters composed of lines (linear writing), there are also exceptions such as the alphabets used in Braille, fingerspelling, and Morse code.

Alphabets are usually associated with a standard ordering of their letters. This makes them useful for purposes of collation, specifically by allowing words to be sorted in alphabetical order. It also means that their letters can be used as an alternative method of "numbering" ordered items, in such contexts as numbered lists.

Etymology[link]

The English word alphabet came into Middle English from the Late Latin word alphabetum, which in turn originated in the Ancient Greek ἀλφάβητος (alphabētos), from alpha and beta, the first two letters of the Greek alphabet.^[4] Alpha and beta in turn came from the first two letters of the Phoenician alphabet, and originally meant ox and house respectively.

History[link]

A Specimen of typeset fonts and languages, by William Caslon, letter founder; from the 1728 Cyclopaedia.

Middle Eastern scripts[link]

The history of the alphabet started in ancient Egypt. By the 27th century BCE Egyptian writing had a set of some 24 hieroglyphs which are called uniliterals,^[5] to represent syllables that begin with a single consonant of their language, plus a vowel (or no vowel) to be supplied by the native speaker. These glyphs were used as pronunciation guides for logograms, to write grammatical inflections, and, later, to transcribe loan words and foreign names.^[6]

A specimen of Proto-Sinaitic script, one of the earliest (if not the very first) phonemic scripts

In the Middle Bronze Age an apparently "alphabetic" system known as the Proto-Sinaitic script is thought by some to have been developed in the Sinai peninsula during the 19th century BCE, by Canaanite workers in the Egyptian turquoise mines.^[7] Others suggest the alphabet was developed in central Egypt during the 15th century BCE for or by Semitic workers, but only one of these early writings has been deciphered and their exact nature remains open to interpretation.^[8] Based on letter appearances and names, it is believed to be based on Egyptian hieroglyphs.^[8] This script had no characters representing vowels. An alphabetic cuneiform script with 30 signs including three which indicate the following vowel was invented in Ugarit before the 15th century BCE. This script was not used after the destruction of Ugarit.^[9]

The Proto-Sinaitic script eventually developed into the Phoenician alphabet, which is conventionally called "Proto-Canaanite" before ca. 1050 BCE.^[10] The oldest text in Phoenician script is an inscription on the sarcophagus of King Ahiram. This script is the parent script of all western alphabets. By the tenth century two other forms can be distinguished namely Canaanite and Aramaic. The Aramaic gave rise to Hebrew.^[11] The South Arabian alphabet, a sister script to the Phoenician alphabet, is the script from which the Ge'ez alphabet (an abugida) is descended. Note that the scripts mentioned above are not considered proper alphabets, as they all lack characters representing vowels. These vowelless alphabets are called abjads, currently exemplified in scripts including Arabic, Hebrew, and Syriac. The omission of vowels was not a satisfactory solution and some "weak" consonants were used to indicate the vowel quality of a syllable (matres lectionis). These had dual function since they were also used as pure consonants.^[12]

The Proto-Sinatic or Proto Canaanite script and the Ugaritic script were the first scripts with limited number of signs, in contrast to the other widely used writing systems at the time, Cuneiform, Egyptian hieroglyphs, and Linear B. The Phoenician script was probably the first phonemic script^[8][10] and it contained only about two dozen distinct letters, making it a script simple enough for common traders to learn. Another advantage of Phoenician was that it could be used to write down many different languages, since it recorded words phonemically.

The script was spread by the Phoenicians, across the Mediterranean.^[10] In Greece, the script was modified to add the vowels, giving rise to the ancestor of all alphabets in the West. The indication of the vowels is the same way as the indication of the consonants, therefore it was the first true alphabet. The Greeks took letters which did not represent sounds that existed in Greek, and changed them to represent the vowels. The vowels are significant in the Greek language, and the syllabical Linear B script which was used by the Mycenaean Greeks from the 16th century BCE had 87 symbols including 5 vowels. In its early years, there were many variants of the Greek alphabet, a situation which caused many different alphabets to evolve from it.

European alphabets[link]

Codex Zographensis in the Glagolitic alphabet from Medieval Bulgaria

The Greek alphabet, in its Euboean form, was carried over by Greek colonists to the Italian peninsula, where it gave rise to a variety of alphabets used to write the Italic languages. One of these became the Latin alphabet, which was spread across Europe as the Romans expanded their empire. Even after the fall of the Roman state, the alphabet survived in intellectual and religious works. It eventually became used for the descendant languages of Latin (the Romance languages) and then for most of the other languages of Europe.

Some adaptations of the Latin alphabet are augmented with ligatures, such as æ in Old English and Icelandic and Ȣ in Algonquian; by borrowings from other alphabets, such as the thorn þ in Old English and Icelandic, which came from the Futhark runes; and by modifying existing letters, such as the eth ð of Old English and Icelandic, which is a modified d. Other alphabets only use a subset of the Latin alphabet, such as Hawaiian, and Italian, which uses the letters j, k, x, y and w only in foreign words.

Another notable script is Elder Futhark, which is believed to have evolved out of one of the Old Italic alphabets. Elder Futhark gave rise to a variety of alphabets known collectively as the Runic alphabets. The Runic alphabets were used for Germanic languages from CE 100 to the late Middle Ages. Its usage is mostly restricted to engravings on stone and jewelry, although inscriptions have also been found on bone and wood. These alphabets have since been replaced with the Latin alphabet, except for decorative usage for which the runes remained in use until the 20th century.

The Old Hungarian script is a contemporary writing system of the Hungarians. It was in use during the entire history of Hungary, albeit not as an official writing system. From the 19th century it once again became more and more popular.

The Glagolitic alphabet was the initial script of the liturgical language Old Church Slavonic and became, together with the Greek uncial script, the basis of the Cyrillic script. Cyrillic is one of the most widely used modern alphabetic scripts, and is notable for its use in Slavic languages and also for other languages within the former Soviet Union. Cyrillic alphabets include the Serbian, Macedonian, Bulgarian, and Russian alphabets. The Glagolitic alphabet is believed to have been created by Saints Cyril and Methodius, while the Cyrillic alphabet was invented by the Bulgarian scholar Clement of Ohrid, who was their disciple. They feature many letters that appear to have been borrowed from or influenced by the Greek alphabet and the Hebrew alphabet.

Asian alphabets[link]

Beyond the logographic Chinese writing, many phonetic scripts are in existence in Asia. The Arabic alphabet, Hebrew alphabet, Syriac alphabet, and other abjads of the Middle East are developments of the Aramaic alphabet, but because these writing systems are largely consonant-based they are often not considered true alphabets.

Most alphabetic scripts of India and Eastern Asia are descended from the Brahmi script, which is often believed to be a descendent of Aramaic.

Zhuyin on a cell phone

In Korea, the Hangul alphabet was created by Sejong the Great^[13] Hangul is a unique alphabet: it is a featural alphabet, where many of the letters are designed from a sound's place of articulation (P to look like widened mouth, L sound to look like tongue pulled in, etc.); its design was planned by the government of the time; and it places individual letters in syllable clusters with equal dimensions, in the same way as Chinese characters, to allow for mixed script writing^{[citation needed]} (one syllable always takes up one type-space no matter how many letters get stacked into building that one sound-block).

Zhuyin (sometimes called Bopomofo) is a semi-syllabary used to phonetically transcribe Mandarin Chinese in the Republic of China. After the later establishment of the People's Republic of China and its adoption of Hanyu Pinyin, the use of Zhuyin today is limited, but it's still widely used in Taiwan where the Republic of China still governs. Zhuyin developed out of a form of Chinese shorthand based on Chinese characters in the early 1900s and has elements of both an alphabet and a syllabary. Like an alphabet the phonemes of syllable initials are represented by individual symbols, but like a syllabary the phonemes of the syllable finals are not; rather, each possible final (excluding the medial glide) is represented by its own symbol. For example, luan is represented as ㄌㄨㄢ (l-u-an), where the last symbol ㄢ represents the entire final -an. While Zhuyin is not used as a mainstream writing system, it is still often used in ways similar to a romanization system—that is, for aiding in pronunciation and as an input method for Chinese characters on computers and cell phones.

European alphabets, especially Latin and Cyrillic, have been adapted for many languages of Asia. Arabic is also widely used, sometimes as an abjad (as with Urdu and Persian) and sometimes as a complete alphabet (as with Kurdish and Uyghur).

Types[link]

The term "alphabet" is used by linguists and paleographers in both a wide and a narrow sense. In the wider sense, an alphabet is a script that is segmental at the phoneme level—that is, it has separate glyphs for individual sounds and not for larger units such as syllables or words. In the narrower sense, some scholars distinguish "true" alphabets from two other types of segmental script, abjads and abugidas. These three differ from each other in the way they treat vowels: abjads have letters for consonants and leave most vowels unexpressed; abugidas are also consonant-based, but indicate vowels with diacritics to or a systematic graphic modification of the consonants. In alphabets in the narrow sense, on the other hand, consonants and vowels are written as independent letters. The earliest known alphabet in the wider sense is the Wadi el-Hol script, believed to be an abjad, which through its successor Phoenician is the ancestor of modern alphabets, including Arabic, Greek, Latin (via the Old Italic alphabet), Cyrillic (via the Greek alphabet) and Hebrew (via Aramaic).

Examples of present-day abjads are the Arabic and Hebrew scripts; true alphabets include Latin, Cyrillic, and Korean hangul; and abugidas are used to write Tigrinya Amharic, Hindi, and Thai. The Canadian Aboriginal syllabics are also an abugida rather than a syllabary as their name would imply, since each glyph stands for a consonant which is modified by rotation to represent the following vowel. (In a true syllabary, each consonant-vowel combination would be represented by a separate glyph.)

All three types may be augmented with syllabic glyphs. Ugaritic, for example, is basically an abjad, but has syllabic letters for /ʔa, ʔi, ʔu/. (These are the only time vowels are indicated.) Cyrillic is basically a true alphabet, but has syllabic letters for /ja, je, ju/ (я, е, ю); Coptic has a letter for /ti/. Devanagari is typically an abugida augmented with dedicated letters for initial vowels, though some traditions use अ as a zero consonant as the graphic base for such vowels.

The boundaries between the three types of segmental scripts are not always clear-cut. For example, Sorani Kurdish is written in the Arabic script, which is normally an abjad. However, in Kurdish, writing the vowels is mandatory, and full letters are used, so the script is a true alphabet. Other languages may use a Semitic abjad with mandatory vowel diacritics, effectively making them abugidas. On the other hand, the Phagspa script of the Mongol Empire was based closely on the Tibetan abugida, but all vowel marks were written after the preceding consonant rather than as diacritic marks. Although short a was not written, as in the Indic abugidas, one could argue that the linear arrangement made this a true alphabet. Conversely, the vowel marks of the Tigrinya abugida and the Amharic abugida (ironically, the original source of the term "abugida") have been so completely assimilated into their consonants that the modifications are no longer systematic and have to be learned as a syllabary rather than as a segmental script. Even more extreme, the Pahlavi abjad eventually became logographic. (See below.)

Thus the primary classification of alphabets reflects how they treat vowels. For tonal languages, further classification can be based on their treatment of tone, though names do not yet exist to distinguish the various types. Some alphabets disregard tone entirely, especially when it does not carry a heavy functional load, as in Somali and many other languages of Africa and the Americas. Such scripts are to tone what abjads are to vowels. Most commonly, tones are indicated with diacritics, the way vowels are treated in abugidas. This is the case for Vietnamese (a true alphabet) and Thai (an abugida). In Thai, tone is determined primarily by the choice of consonant, with diacritics for disambiguation. In the Pollard script, an abugida, vowels are indicated by diacritics, but the placement of the diacritic relative to the consonant is modified to indicate the tone. More rarely, a script may have separate letters for tones, as is the case for Hmong and Zhuang. For most of these scripts, regardless of whether letters or diacritics are used, the most common tone is not marked, just as the most common vowel is not marked in Indic abugidas; in Zhuyin not only is one of the tones unmarked, but there is a diacritic to indicate lack of tone, like the virama of Indic.

The number of letters in an alphabet can be quite small. The Book Pahlavi script, an abjad, had only twelve letters at one point, and may have had even fewer later on. Today the Rotokas alphabet has only twelve letters. (The Hawaiian alphabet is sometimes claimed to be as small, but it actually consists of 18 letters, including the ʻokina and five long vowels.) While Rotokas has a small alphabet because it has few phonemes to represent (just eleven), Book Pahlavi was small because many letters had been conflated—that is, the graphic distinctions had been lost over time, and diacritics were not developed to compensate for this as they were in Arabic, another script that lost many of its distinct letter shapes. For example, a comma-shaped letter represented g, d, y, k, or j. However, such apparent simplifications can perversely make a script more complicated. In later Pahlavi papyri, up to half of the remaining graphic distinctions of these twelve letters were lost, and the script could no longer be read as a sequence of letters at all, but instead each word had to be learned as a whole—that is, they had become logograms as in Egyptian Demotic. The alphabet in the Polish language contains 32 letters.

The largest segmental script is probably an abugida, Devanagari. When written in Devanagari, Vedic Sanskrit has an alphabet of 53 letters, including the visarga mark for final aspiration and special letters for kš and jñ, though one of the letters is theoretical and not actually used. The Hindi alphabet must represent both Sanskrit and modern vocabulary, and so has been expanded to 58 with the khutma letters (letters with a dot added) to represent sounds from Persian and English.

The largest known abjad is Sindhi, with 51 letters. The largest alphabets in the narrow sense include Kabardian and Abkhaz (for Cyrillic), with 58 and 56 letters, respectively, and Slovak (for the Latin script), with 46. However, these scripts either count di- and tri-graphs as separate letters, as Spanish did with ch and ll until recently, or uses diacritics like Slovak č. The largest true alphabet where each letter is graphically independent is probably Georgian, with 41 letters.

Syllabaries typically contain 50 to 400 glyphs (though the Múra-Pirahã language of Brazil would require only 24 if it did not denote tone, and Rotokas would require only 30), and the glyphs of logographic systems typically number from the many hundreds into the thousands. Thus a simple count of the number of distinct symbols is an important clue to the nature of an unknown script.

Alphabetical order[link]

Alphabets often come to be associated with a standard ordering of their letters, which can then be used for purposes of collation – namely for the listing of words and other items in what is called alphabetical order.

The basic ordering of the Latin alphabet (ABCDEFGHIJKLMNOPQRSTUVWXYZ) is well established, although languages using this alphabet have different conventions for their treatment of modified letters (such as the French é, à, and ô) and of certain combinations of letters (multigraphs). In French, these are not considered to be additional letters for the purposes of collation. However, in Icelandic, the accented letters such as á, í, and ö are considered to be distinct letters of the alphabet. In Spanish, ñ is considered a separate letter, but accented vowels such as á and é are not. The ll and ch were also considered single letters, but in 1994 the Real Academia Española changed collating order so that ll is between lk and lm in the dictionary and ch is between cg and ci, and in 2010 the tenth congress of the Association of Spanish Language Academies changed it so they were no longer letters at all^[14][15]

In German, words starting with sch- (constituting the German phoneme /ʃ/) would be intercalated between words with initial sca- and sci- (all incidentally loanwords) instead of this graphic cluster appearing after the letter s, as though it were a single letter—a lexicographical policy which would be de rigueur in a dictionary of Albanian, i.e. dh-, ë-, gj-, ll-, rr-, th-, xh- and zh- (all representing phonemes and considered separate single letters) would follow the letters d, e, g, l, n, r, t, x and z respectively. Nor is, in a dictionary of English, the lexical section with initial th- reserved a place after the letter t, but is inserted between te- and ti-. German words with umlaut would further be alphabetized as if there were no umlaut at all—contrary to Turkish which allegedly adopted the German graphemes ö and ü, and where a word like tüfek, "gun", would come after tuz, "salt", in the dictionary.

The Danish and Norwegian alphabets end with æ—ø—å, whereas the Swedish, Finnish and Estonian ones conventionally put å—ä—ö at the end.

It is unknown whether the earliest alphabets had a defined sequence. Some alphabets today, such as the Hanuno'o script, are learned one letter at a time, in no particular order, and are not used for collation where a definite order is required. However, a dozen Ugaritic tablets from the fourteenth century BCE preserve the alphabet in two sequences. One, the ABCDE order later used in Phoenician, has continued with minor changes in Hebrew, Greek, Armenian, Gothic, Cyrillic, and Latin; the other, HMĦLQ, was used in southern Arabia and is preserved today in Ethiopic.^[16] Both orders have therefore been stable for at least 3000 years.

The historical order was abandoned in Runic and Arabic, although Arabic retains the traditional "abjadi order" for numbering.

The Brahmic family of alphabets used in India use a unique order based on phonology: The letters are arranged according to how and where they are produced in the mouth. This organization is used in Southeast Asia, Tibet, Korean hangul, and even Japanese kana, which is not an alphabet.

Names of letters[link]

The Phoenician letter names, in which each letter was associated with a word that begins with that sound, continue to be used to varying degrees in Samaritan, Aramaic, Syriac, Hebrew, Greek and Arabic. The names were abandoned in Latin, which instead referred to the letters by adding a vowel (usually e) before or after the consonant (the exception is zeta, which was retained from Greek). In Cyrillic originally the letters were given names based on Slavic words; this was later abandoned as well in favor of a system similar to that used in Latin.

Orthography and pronunciation[link]

When an alphabet is adopted or developed for use in representing a given language, an orthography generally comes into being, providing rules for the spelling of words in that language. In accordance with the principle on which alphabets are based, these rules will generally map letters of the alphabet to the phonemes (significant sounds) of the spoken language. In a perfectly phonemic orthography there would be a consistent one-to-one correspondence between the letters and the phonemes, so that a writer could predict the spelling of a word given its pronunciation, and a speaker could predict the pronunciation of a word given its spelling. However this ideal is not normally achieved in practice; some languages (such as Spanish and Finnish) come close to it, while others (such as English) deviate from it to a much larger degree.

The pronunciation of a language often evolves independently of its writing system, and writing systems have been borrowed for languages they were not designed for, so the degree to which letters of an alphabet correspond to phonemes of a language varies greatly from one language to another and even within a single language.

Languages may fail to achieve a one-to-one correspondence between letters and sounds in any of several ways:

• A language may represent a given phoneme with a combination of letters rather than just a single letter. Two-letter combinations are called digraphs and three-letter groups are called trigraphs. German uses the tesseragraphs (four letters) "tsch" for the phoneme [tʃ] and "dsch" for [dʒ], although the latter is rare. Kabardian also uses a tesseragraph for one of its phonemes.
• A language may represent the same phoneme with two different letters or combinations of letters. An example is modern Greek which may write the phoneme [i] in six different ways: ⟨ι⟩, ⟨η⟩, ⟨υ⟩, ⟨ει⟩, ⟨οι⟩, and ⟨υι⟩ (although the last is rare).
• A language may spell some words with unpronounced letters that exist for historical or other reasons. For example, the spelling of the Thai word for "beer" [เบียร์] retains a letter for the final consonant "r" present in the English word it was borrowed from, but silences it. Otherwise, according to Thai pronunciation rules, the word might be pronounced more like "bean".
• Pronunciation of individual words may change according to the presence of surrounding words in a sentence (sandhi).
• Different dialects of a language may use different phonemes for the same word.
• A language may use different sets of symbols or different rules for distinct sets of vocabulary items, such as the Japanese hiragana and katakana syllabaries, or the various rules in English for spelling words from Latin and Greek, or the original Germanic vocabulary.

National languages generally elect to address the problem of dialects by simply associating the alphabet with the national standard. However, with an international language with wide variations in its dialects, such as English, it would be impossible to represent the language in all its variations with a single phonetic alphabet.

Some national languages like Finnish, Turkish, Serbo-Croatian (Serbian, Croatian and Bosnian) and Bulgarian have a very regular spelling system with a nearly one-to-one correspondence between letters and phonemes. Strictly speaking, these three languages lack a word corresponding to the verb "to spell" (meaning to split a word into its letters), the closest match being a verb meaning to split a word into its syllables. Similarly, the Italian verb corresponding to 'spell', compitare^{[dubious – discuss]}, is unknown to many Italians because the act of spelling itself is rarely needed: Italian spelling is highly phonemic. In standard Spanish, it is possible to tell the pronunciation of a word from its spelling, but not vice versa; this is because certain phonemes can be represented in more than one way, but a given letter is consistently pronounced. French, with its silent letters and its heavy use of nasal vowels and elision, may seem to lack much correspondence between spelling and pronunciation, but its rules on pronunciation, though complex, are actually consistent and predictable with a fair degree of accuracy.

At the other extreme, are languages such as English, where the spelling of many words simply has to be memorized as they do not correspond to sounds in a consistent way. For English, this is partly because the Great Vowel Shift occurred after the orthography was established, and because English has acquired a large number of loanwords at different times, retaining their original spelling at varying levels. Even English has general, albeit complex, rules that predict pronunciation from spelling, and these rules are successful most of the time; rules to predict spelling from the pronunciation have a higher failure rate.

Sometimes, countries have the written language undergo a spelling reform to realign the writing with the contemporary spoken language. These can range from simple spelling changes and word forms to switching the entire writing system itself, as when Turkey switched from the Arabic alphabet to a Turkish alphabet of Latin origin.

The sounds of speech of all languages of the world can be written by a rather small universal phonetic alphabet. A standard for this is the International Phonetic Alphabet.

See also[link]

References[link]

Bibliography[link]

• Coulmas, Florian (1989). The Writing Systems of the World. Blackwell Publishers Ltd.. ISBN 0-631-18028-1. http://books.google.com/?id=VOywmavmZ3UC. 
• Daniels, Peter T.; Bright, William (1996). The World's Writing Systems. Oxford University Press. ISBN 0-19-507993-0.  Overview of modern and some ancient writing systems.
• Driver, G. R. (1976). Semitic Writing (Schweich Lectures on Biblical Archaeology S.) 3Rev Ed. Oxford University Press. ISBN 0-19-725917-0. 
• Haarmann, Harald (2004). Geschichte der Schrift (2nd ed.). München: C. H. Beck. ISBN 3-406-47998-7 
• Hoffman, Joel M. (2004). In the Beginning: A Short History of the Hebrew Language. NYU Press. ISBN 0-8147-3654-8. http://www.newjewishbooks.org/ITB/toc.html.  Chapter 3 traces and summarizes the invention of alphabetic writing.
• Logan, Robert K. (2004). The Alphabet Effect: A Media Ecology Understanding of the Making of Western Civilization. Hampton Press. ISBN 1-57273-523-6. 
• McLuhan, Marshall; Logan, Robert K. (1977). Alphabet, Mother of Invention. Etcetera. Vol. 34, pp. 373–383
• Millard, A. R. (1986). "The Infancy of the Alphabet". World Archaeology 17 (3): 390–398. DOI:10.1080/00438243.1986.9979978 
• Ouaknin, Marc-Alain; Bacon, Josephine (1999). Mysteries of the Alphabet: The Origins of Writing. Abbeville Press. ISBN 0-7892-0521-1. 
• Powell, Barry (1991). Homer and the Origin of the Greek Alphabet. Cambridge University Press. ISBN 0-521-58907-X. 
• Powell, Barry B. 2009. Writing: Theory and History of the Technology of Civilization, Oxford: Blackwell. ISBN 978-1-4051-6256-2
• Sacks, David (2004) (PDF). Letter Perfect: The Marvelous History of Our Alphabet from A to Z. Broadway Books. ISBN 0-7679-1173-3. http://www.uca.edu.ar/esp/sec-ffilosofia/esp/docs-institutos/s-cehao/boletin/damqatum3_eng2007.pdf. 
• Saggs, H. W. F. (1991). Civilization Before Greece and Rome. Yale University Press. ISBN 0-300-05031-3.  Chapter 4 traces the invention of writing

External links[link]

Look up alphabet in Wiktionary, the free dictionary.

• The Origins of abc
• "Language, Writing and Alphabet: An Interview with Christophe Rico", Damqātum 3 (2007)
• Alphabetic Writing Systems
• Michael Everson's Alphabets of Europe
• Evolution of alphabets, animation by Prof. Robert Fradkin at the University of Maryland
• How the Alphabet Was Born from Hieroglyphs—Biblical Archaeology Review

Chubb Rock (born Richard Simpson on May 28, 1968 in Kingston, Jamaica) is a New York-based rapper who released several commercially successful hip hop albums in the early 1990s. A former National Merit Scholar, Chubb Rock was a pre-med student who dropped out of Brown University to pursue his musical career.^[1]

1990s and earlier[link]

Discovered and produced by his first cousin DJ / Producer Howie Tee, Chubb Rock first appeared on the national scene with his 1988 self-titled debut "Chubb Rock" and 1989's "And the winner is..." The latter produced the minor hit "Ya Bad Chubbs" which garnered air play on Yo! MTV Raps during that time.

His 1991 release entitled The One, reached #13 on Billboard's "Top Hip-Hop/R&B" chart for that year. Three singles from that release, "Treat'em Right", "Just The Two Of Us" and "The Chubbster", made it to #1 on Billboard's "Top Rap Single" chart list for the same year.

The following year saw the release of I Gotta Get Mine Yo, a release which features guest performances from Grand Puba Maxwell and Poke. This release also helped fledgling music producers Trackmasters, on their rise to prominence, as they handled production duties on the recording. Chubb Rock also makes an appearance on MC Serch's 1992 song, "Back to The Grill."

Chubb Rock was a member of the 1995 incarnation of the Crooklyn Dodgers, a rap act that also featured O.C. and Jeru The Damaja. His backup dancers started their own group, A.T.E.E.M, and released their debut A Hero Ain't Nothin' But A Sandwich in 1992 on Select Records.

In 1996, he appeared on the Red Hot Organization's compilation CD, America is Dying Slowly, alongside Wu-Tang Clan, Coolio, and Fat Joe, among others. The album, meant to raise awareness of the AIDS epidemic among African-American men, was heralded as a masterpiece by The Source magazine.

2000s and on[link]

Chubb Rock's work in the 2000s has been limited to only a few songs. He appears on a song for Raptivism Records' "No More Prisons" project with Lil' Dap of Group Home and Ed O.G., and also worked with Mr. Len on the song "Dummy Smacks", where he says, "Some people thought I was gone... never that!" He made an appearance alongside Vast Aire on the 2007 Zimbabwe Legit album House of Stone with the song "Wake Up".

In 2008, his single "Treat em right" was ranked number 82 on VH1's 100 Greatest Songs of Hip Hop. Chubb Rock also released Obama We Believe in support of President Barack Obama. His most recent appearance was on the K'naan single "ABC's". He also collaborated with Polish rapper eMCeeM on a track for his album To dopiero poczatek.

February 2009 Chubb Rock can be heard on his new single "Back In" featuring Wordsmith and Kimia Collins.

His latest album "Bridging The Gap", a collaboration with Wordsmith, was released on July 14, 2009.

Chubb Rock is featured in the new single "Summertime Anthem" by Eric Roberson in which they filmed the video on the streets of Bed-Stuy, Brooklyn, New York where he credited his wife and manager, KeKe Simpson, for putting the duo together.

Chubb Rock also released a new EP in September 2011.

In 2011 Chubb Rock appeared with his wife and childhood sweetheart of 24 years, KeKe "Diamond" Simpson on the NBC game show The Marriage Ref.

Discography[link]

Albums[link]

Singles[link]

References[link]

External links[link]

• Chubb Rock at Allmusic
• Discogs: Chubb Rock

India.Arie
Background information
Birth name	India Arie Simpson
Born	(1975-10-03) October 3, 1975 (age 36) Denver, Colorado United States
Origin	Atlanta, Georgia
Genres	Soul, R&B, neo soul, blues, folk, pop
Occupations	Musician, songwriter, record producer
Instruments	Vocals, guitar, flute, keyboard
Years active	2000–present
Labels	Motown (1999–2007) SoulBird / Universal Republic (2007–present)
Website	www.indiaarie.com www.soulbird.com

India.Arie (born India Arie Simpson; October 3, 1975) is a Grammy Award-winning American singer-songwriter and record producer .^[1] She has sold over 3.3 million records in the U.S. and 10 million worldwide. She has won four Grammy Awards from her 15 nominations, including Best R&B Album.

Background[link]

Simpson was born in Denver, Colorado. Her musical skills were encouraged by both parents early in life. Her mother Joyce is a former singer (she was signed to Motown as a teenager and opened for Stevie Wonder and Al Green)^[2] and is now her stylist. She has an older brother named J'On. After her parents divorced, Simpson's mother moved the family to Atlanta, Georgia when she was thirteen.^[3] Simpson had taken up a succession of musical instruments throughout her schooling in Denver, but her interest in the guitar while attending the Savannah College of Art and Design, in Savannah, led to a personal revelation about songwriting and performing. "When I started tapping into my own sensitivity, I started to understand people better. It was a direct result of writing songs", she said at the press release of her debut album, Acoustic Soul.

Co-founding the Atlanta-based independent music collective Groovement EarthShare (Groovement was the collective artists' name and EarthShare was their independent label name), her one-song turn on a locally-released compilation led to a second-stage gig at the 1998 Lilith Fair. In 1999, a Universal/Motown music scout spotted her and made an introduction to former Motown CEO Kedar Massenberg. Arie resides in Atlanta, Georgia.

Musical career[link]

Acoustic Soul was released on March 27, 2001 and debuted at number ten on the U.S. Billboard 200 and number three on the Top R&B/Hip-Hop Albums. Within months, without the concentrated radio airplay that typically powers pop and rap albums, Acoustic Soul was certified double platinum, selling 2,180,000 copies in the U.S. and 3,000,000 copies worldwide. Arie performed a duet with rock singer-guitarist John Mellencamp on the song "Peaceful World" for his 2001 album Cuttin' Heads. While Arie and the album were nominated for seven Grammy awards in 2002, they won no awards, losing in five of seven categories to Alicia Keys. She closed the ceremony with a performance of her song "Video". Arie performed a duet with jazz singer Cassandra Wilson on the song "Just Another Parade" for her 2002 album Belly of the Sun.

Arie followed the success of her debut on September 24, 2002 with the release of Voyage to India. It debuted at number six on the Billboard 200 and number one on the R&B chart. In 2003 it won her two Grammy Awards in 2003—"Best R&B Album" and Best Urban/Alternative Performance" for the song "Little Things". Soon after its release, Voyage to India was certified platinum selling 1,400,000 copies^{[citation needed]}in the U.S. and 2,300,000 worldwide^{[citation needed]}.

On September 12, 2005, Arie performed "Just 4 2day", a song written for her appearance on the debut of The Tyra Banks Show.^[4]She also performed "What About the Child", a song that did not air but was made available as a one-dollar Internet download to support child victims of Hurricanes Katrina and Rita.^[5] Arie is also featured on Stevie Wonder's album A Time to Love, released on October 18, 2005. Arie and Wonder duet on the title track "A Time to Love", written by Arie, which was nominated for "Best Pop Collaboration with Vocals" at the 2006 Grammy Awards. Three years earlier, their rendition of Mel Tormé's 1944 classic "The Christmas Song", recorded for the holiday TV commercial for retailer Target, had been nominated for the same category, making it the first song created and financed exclusively for a commercial to be nominated for a Grammy Award.^[6]

India.Arie performing in Lokeren Belgium, August 3, 2004

Arie's third studio album, Testimony: Vol. 1, Life & Relationship, was released on June 27, 2006. It gave Arie her first number-one spot on the Billboard 200 and was her second chart-topper on the R&B charts. This album was also the first number-one album for Motown in twelve years^{[citation needed]}. Its first-week sales of 161,000 copies are Arie's best sales week to date and was certified gold in August 2006, selling 730,000 in US and 1,300,000 worldwide. "I Am Not My Hair" was the most successful release from Testimony: Vol. 1., reaching the U.S. Billboard Hot 100 at #97 and the UK Singles Chart at #65. Arie collaborated with Akon for her song "I Am Not My Hair". On the April 16, 2007 episode of The Oprah Winfrey Show entitled "After Imus: Now What?", Arie guest-starred as a panelist. Arie performed a duet with singer Anthony David for his song "Words" for his 2008 album Acey Duecy.

Her next album, Testimony: Vol. 2, Love & Politics was released on Tuesday, February 10, 2009. It debuted at No. 3 on the Billboard 200, and No. 2 on the R&B chart. Within this CD, Arie collaborated with such artists as Sezen Aksu, Keb Mo, Gramps Morgan and Musiq Soulchild to fulfill her self-proclaimed desire to "do projects with people who are making music that is meaningful, with a lot of integrity and a lot of sonic diversity". Arie also identified this CD as her first to to write and sing songs without worrying about public opinion after a much-needed vacation to Hawaii. The album was her first produced and released after her departure from Motown to Universal Records.^[7] Arie performed "Video" with British singer Adele at the 2009 VH1 Divas. Arie is one of over 70 artists singing on "We Are the World: 25 for Haiti", a charity single in aid of the 2010 Haiti earthquake. Arie contributed vocals to "Imagine" for the 2010 Herbie Hancock album, The Imagine Project along with Seal, P!nk, Jeff Beck, Konono N°1, Oumou Sangare and others.^[8]

Arie at the Nobel Peace Prize Concert in 2010.

India.Arie's new album, a work produced in collaboration with Israeli singer Idan Raichel is due to be released in summer, 2012.^[9]

Discography[link]

Studio albums[link]

• 2001: Acoustic Soul
• 2002: Voyage to India
• 2006: Testimony: Vol. 1, Life & Relationship
• 2009: Testimony: Vol. 2, Love & Politics
• 2012: Open Door

Awards[link]

India.Arie on the red carpet VH1 Divas 2009.

Grammy Awards[link]

The Grammy Awards are awarded annually by the National Academy of Recording Arts and Sciences. Arie has won four awards from twenty-one nominations, including Album of the Year, Record of the Year, Song of the Year and Best New Artist, she lost all. In 2002, She got record Most Nominations in One Night without winning with received seven nominations.

BET Awards

2002 - Best Female R&B Artist (Won)

2003 - Best Female R&B Artist (Won)

MTV Video Music Award

2001 - MTV2 Award for "Video" (Nominated)

Soul Train Music Award

2003 - Female R&B/Soul Single for "Little Things" (Nominated)

Tours[link]

Headlining

• Voyage to World Tour (2002/03)
• Testimony Tour (2006/10)

Opening act

• Lovers Rock Tour (2001)

Filmography[link]

• 2002: Soul Food - Herself "Lovers and Other Strangers"
• 2003: American Dreams - ....Nina Simone "Act of Contrition"
• 2003: The Bernie Mac Show - Herself "Raging Election"
• 2004: Tinseltown TV - Herself
• 2006: One on One - Herself "I Love L.A"
• 2011: Pastor Brown - Lateefah

Theater[link]

In 2009, India.Arie portrayed Nina Simone in a staged reading at the Roundabout Theatre Company of the upcoming Broadway musical "Soul Doctor", about the life of Shlomo Carlebach written by Daniel Wise.

References[link]

External links[link]

Wikimedia Commons has media related to: India.Arie

• Official website