Sebastian Faulks
Faulks in 2008
Born	(1953-04-20) April 20, 1953 (age 59) Donnington, Berkshire
Nationality	British
Occupation	Journalist and Novelist
Known for	The French Trilogy
Spouse	Veronica (m. 1989)

Sebastian Charles Faulks CBE (born 20 April 1953) is a British novelist, journalist and broadcaster. He is best known for his historical novels set in France, The Girl at the Lion d'Or, Birdsong, and Charlotte Gray. He has also published novels with a contemporary setting (most recently A Week In December (2009)), and a James Bond sequel, Devil May Care. He is a team captain on BBC Radio 4 literary quiz The Write Stuff.

Biography[link]

Early life[link]

Faulks was born on 20 April 1953 in Donnington, Berkshire to Peter Faulks and Pamela (née Lawless).^[1] His father was a decorated soldier (he won the Military Cross), who later became a solicitor and judge. His brother Edward Faulks, Baron Faulks is a QC.^[2] He was educated at Elstree School, Reading and went on to Wellington College, Berkshire. He studied English at Emmanuel College, Cambridge where he was made an Honorary Fellow in 2007.^[3]

Career[link]

After graduating, Faulks lived in France for a year. When he returned to England he worked as a teacher at a private school in Camden Town, and then as a journalist.^[3] Faulks' first novel, A Trick of the Light, was published in 1984. He continued to work as a journalist, becoming the first literary editor of The Independent in 1986.^[4] He became deputy editor of the Independent on Sunday in 1989; in the same year he published The Girl at the Lion D'or, the first of his historical novels set in France. In 1991 he left The Independent, and wrote for various other papers.^[5]

Following the success of Birdsong (1993), Faulks quit journalism to write full-time.^[6] He has since published seven novels, the most recent being A Week in December (2009). His new novel, A Possible Life, will be published in 2012.^{[citation needed]} Faulks was elected a Fellow of the Royal Society of Literature in 1993 and appointed CBE for services to literature in 2002.^[7]

Faulks appears regularly on British TV and radio. He has been a regular team captain on BBC Radio 4's literary quiz The Write Stuff since 1998.^[8] The quiz involves the panellists each week writing a pastiche of the work of a selected author; Faulks has published a collection of his efforts as a book, Pistache (2006), which was described in The Scotsman as "a little treasure of a book. Faulks can catch, and caricature, another writers' fingerprints and foibles with a delicious precision that only a deep love of writing can teach".^[9] In 2011 Faulks presented a four-part BBC Two series called Faulks on Fiction, looking at the British novel and its characters.^[10] He also wrote a series tie-in book of the same name.

Personal life[link]

Faulks married Veronica (née Youlten) in 1989. They have two sons, William and Arthur, born 1990 and 1996 respectively, and one daughter, Holly, born 1992.^[1] Faulks is a fan of West Ham United football club.^[11] Debrett's lists his recreations as tennis and wine.^[8]

Novels[link]

The Literary Review has said that "Faulks has the rare gift of being popular and literary at the same time"; the Sunday Telegraph called him "One of the most impressive novelists of his generation ... who is growing in authority with every book".^[12] Faulks' 2005 novel, Human Traces, was described by Trevor Nunn as "A masterpiece, one of the great novels of this or any other century."^[4]

Faulks is best known for his three novels set in early twentieth-century France.The first, The Girl at the Lion d'Or, was published in 1989. This was followed by Birdsong (1993), and Charlotte Gray (1998). The latter two were bestsellers, and Charlotte Gray won the James Tait Black Memorial Prize.^[4] In April 2003 Birdsong came 13th in the BBC's Big Read initiative which aimed to identify Britain's best loved novels.^[13]

In 2007, Faulks published Engleby. Set in Cambridge in the 1970s, it is narrated by Cambridge University fresher Mike Engleby. Engleby is a loner, and the reader is led to suspect that he may be unreliable, particularly when a fellow student disappears. Faulks says of the novel's genesis, "I woke up one morning with this guy's voice in my head. And he was just talking, dictating, almost. And when I got to work, I wrote it down. I didn't know what the hell was going on; this wasn't an idea for a book".^[12] It was remarked upon as a change of direction for Faulks, both in terms of the near-contemporary setting and in the decision to use a first-person narrator.^[14] The book received a number of unfavourable reviews for its slow pacing and the dislikeable and "wearying" protagonist.^[14][15] However, it received praise from other quarters: the Daily Telegraph said the book was "distinguished by a remarkable intellectual energy: a narrative verve, technical mastery of the possibilities of the novel form and vivid sense of the tragic contingency of human life."^[16]

To mark the 2008 centenary of Ian Fleming's birth, the late author's estate in 2006 commissioned Faulks to write a new James Bond novel. Faulks has said of the commission, "I'd just finished Human Traces and it seemed ridiculous. You've just spent five years in a Victorian lunatic asylum and then you go on to James Bond. But I think their hope is they'll get two markets. The more I think about it, the more I think it was clever of them, because the mismatch is intriguing".^[12] The result, Devil May Care, became an immediate bestseller in the UK, selling 44,093 hardback copies within 4 days of release.^[17] The Observer^{[disambiguation needed ]} review of the novel said that "Faulks has done in some ways an absolutely sterling job. He has resisted pastiche", and blamed the book's weaknesses on the character of Bond as created by Fleming.^[18] The Scotsman review of the novel said, "To his credit, Faulks has imitated the haphazard plotting, sloppy characterisation, Colonel Blimp politics, sexist guff and basic incredulity of Ian Fleming to a tee. It's a Nuremberg Defence of a novel: Faulks was only following orders".^[9] Mark Lawson, writing in The Guardian, praised it as "a smart and enjoyable act of literary resurrection. Among the now 33 post-Fleming Bonds, this must surely compete with Kingsley Amis's for the title of the best".^[19]

Faulks' 2009 novel, A Week in December, takes place, in the seven days leading up to Christmas in December 2007. It focuses on the lives of a varied cast of characters living in London; Faulks himself has described the novel as "Dickensian" and cites Bleak House and Our Mutual Friend as influences, as well as New York novelists such as Tom Wolfe and Jay McInerny. The book was partly a response to the banking crisis. He chose to set it specifically in 2007 because "the whole world had changed: the banks were collapsing, we were facing Armageddon, and I understood then that I couldn't make this book right up to the moment[...] I chose that time because then the writing's on the wall, and it should be clear to anyone half-sensible that the game is up, but they're still going on."^[2] Other plot threads in the novel concern reality television, and Islamic militancy. While publicising the book, Faulks received some criticism for negative remarks he made about the Koran; he was quick to offer "a simple but unqualified apology to my Muslim friends and readers for anything that has come out sounding crude or intolerant. Happily, there is more to the book than that".^[20] Reviews for the novel were mixed. Tibor Fischer, in The Daily Telegraph, praised the novel's "comic élan", but felt it was "uneven" and criticised the character of John Veals as "lifeless".^[21] The London Review of Books was scathing about Faulks' criticisms of aspects of modern life: "This isn’t satire. It’s the background noise of breakfast radio, the endlessly repeated catalogue of modern ills, reassuring the nation’s listeners and confirming them in their view that what gets their goat is – yes – deserving of urgent public notice".^[22] Mark Lawson wrote in The Guardian, "an honest critic must surely conclude that Faulks has correctly identified the novel that needs to be written about these times, but may also have proved that British society is now so various that no single writer can capture all its aspects. However, in honourably failing to depict the entire state of the nation, Faulks has memorably skewered the British literary world."^[23]

Adaptations of novels[link]

In 2001 Charlotte Gray was made into a film starring Cate Blanchett and directed by Gillian Armstrong. In 2010 a stage version of Birdsong, adapted by Rachel Wagstaff (who had previously adapted The Girl at the Lion D'or for radio)^[24] and directed by Trevor Nunn, opened at the Comedy Theatre in London; the production ran for only 4 months. In 2012, Birdsong was made into a two-part BBC TV serial, written by Abi Morgan, directed by Philip Martin and starring Eddie Redmayne.^[25][26] This followed several abortive attempts to film the novel.^[27][28]

Honours and awards[link]

• 1994 British Book Awards Author of the Year.
• 1998 James Tait Black Memorial Prize for fiction (shortlist) for Charlotte Gray.
• 2002 Appointed a Commander of the Order of the British Empire (CBE), "For services to Literature".^[29]
• 2009 British Book Awards Popular Fiction Award for Devil May Care.

Bibliography[link]

• A Trick of the Light (1984)
• The Girl at the Lion D'or (1989)
• A Fool's Alphabet (1992)
• Birdsong (1993)
• The Fatal Englishman (1996)
• Charlotte Gray (1998)
• On Green Dolphin Street (2001)
• Human Traces (2005)
• Pistache (2006)
• Engleby (2007)
• Devil May Care (2008)
• A Week in December (2009)
• Faulks on Fiction: Great British Characters and the Secret Life of the Novel (2011)
• A Possible Life (2012)

References[link]

External links[link]

Wikimedia Commons has media related to: Sebastian Faulks

• The Guardian article "All in the Mind" 21 August 2005
• The Official Sebastian Faulks Homepage
• BBC interview (video, 45 mins) 30 August 2001
• Sebastian Faulks at Contemporary Writers
• Guardian profile of Faulks 13 July 2007
• 'Novel People', review of Faulks on Fiction in the Oxonian Review