The Monotones were a six-member American doo-wop vocal group in the 1950s. They are considered a one-hit wonder, as their only hit single was "The Book of Love", which peaked at #5 on the Billboard Top 100 in 1958.
The Monotones formed in 1955 when the seven original singers, all residents of the Baxter Terrace housing project in Newark, New Jersey, began performing covers of popular songs. They were:
Charles Patrick's brother James was originally a member, but he left soon after the group's formation.
They all began singing with the New Hope Baptist Choir, directed by Cissy Houston, who was related to the Patrick brothers. The group launched their career with a 1956 appearance on Ted Mack's Amateur Hour television program, winning first prize for their rendition of The Cadillacs' "Zoom". Soon afterwards, Charles Patrick was listening to the radio and heard a Pepsodent toothpaste commercial with the line "wonder where the yellow went." From there he got the idea for the line, "I wonder, wonder, wonder who!, who wrote the book of love", later working it up into a song with Davis and Malone. In September 1957, they recorded "Book Of Love", which was released on the Mascot label in December that year. The small record company could not cope with its popularity, and it was reissued on Chess Records' subsidiary Argo label in February 1958. It became a hit, eventually reaching #3 on the Billboard R&B chart and #5 on the pop charts. The record sold over one million copies. It also reached #5 in Australia; in the UK, the hit version was a cover version by The Mudlarks.
Monotones is a one-act ballet in two parts choreographed by Frederick Ashton to music by Erik Satie.
Monotones II was created first as a gala piece for a gala performance in aid of the Royal Ballet Benevolent Fund in 1965. Ashton had long been inspired by the Gymnopedies by Erik Satie of 1888 and took orchestrations by Claude Debussy and Roland-Manuel as the basis of a pas de trois for two men and one woman. The premiere was on 24 March 1965 with Vyvyan Lorrayne, Anthony Dowell, and Robert Mead.
The piece was a great success – so much so that in 1966 Ashton enlarged the piece so that it would be long enough to be performed in the normal repertory, by the addition of Monotones I, which formed an overture to the earlier work. This piece in many ways forms a mirror image of Monotones II. Based on Satie's Gnossiennes, it is another pas de trois, but in this case for two women and one man; the premiere was given by Antoinette Sibley, Georgina Parkinson, and Brian Shaw.
Ashton took his cues in choreographing the ballet from the form, structure and inspiration of Satie's music. The ternary structure of the Gymnopedies and Gnossiennes supports what has been referred to as a "trinitarian obsession" of Ashton's. The two sections of the work also represent a contrast between the earthiness of the Gnossiennes in Monotones I - where the characters wear green costumes, engage in weighty and accented lunges, and shield their eyes from the sun - and the celestial, infinite and seamless qualities of the Gymnopedies in Monotones II, where the dancers are white-costumed, lit from above, and perform suspended arabesques, the men lifting the woman to "walk on air."
Way back in the twenties
A very clever turkey found a way
To bring the people music,the radio
He called it:hey,hey
Come on girls
Put your headphones on
Hifi-stereo headphones
Stop it,I can´t control it
Ultra high and ultra low
Mono,mono
I'm looking for the way together
Mono,mono, mono
The music of today
Is just a drag
I still recall the fifties
When rock and roll was heavy
It was fine
My head looked like a lolly
Just like Buddy Holly
What a time
Rumble,wow and flutter
I don´t care just like my mother
Ultra light and ultra low,...
Since I´ve got a girlfriend
Disco come to no end
I get mad when I hear Perry Como
It really drives me mono
I feel sad
Hifi-stereo headphones
Stop it,I can´t control it
Ultra high and ultra low
This record can be played on every modern lightweight
pickup
The stereo sound however can be reproduced only when
stereo