Dame Shirley Bassey
Shirley Bassey at Wembley Arena, 2006
Background information
Birth name	Shirley Veronica Bassey
Born	(1937-01-08) 8 January 1937 (age 75) Tiger Bay, Cardiff, Wales
Genres	Popular music
Occupations	Singer
Instruments	Vocals
Years active	1953–present
Labels	Philips, Columbia, United Artists, Decca, Geffen
Website	www.dameshirleybassey.com

Dame Shirley Bassey, DBE (born 8 January 1937^[1]), is a Welsh singer. She found fame in the mid-1950s and was "one of the most popular female vocalists in Britain during the last half of the 20th century".^[2][3] In the US, in particular, she is best known for recording the theme songs to the James Bond films Goldfinger (1964), Diamonds Are Forever (1971), and Moonraker (1979) and is the only artist to record more than one Bond theme song. Bassey is also a UNESCO Artist for Peace.^[2][4][5]

Birth to 1959[link]

"Born above a brothel in a docklands slum",^[6] Shirley Veronica Bassey was the sixth and last child of Eliza Jane Start^[7] and Henry Bassey in Tiger Bay, Cardiff, Wales (now called Cardiff Bay), of paternal Nigerian and maternal English descent.^[2][8][9] Bassey's mother also had four children from previous relationships, two of whom lived in the Bassey household. Eliza had married previously, to Alfred Metcalfe, and upon her marriage to Bassey, Eliza Jane Metcalfe listed Alfred Metcalfe as her father on the marriage registry. It has thus been theorized that she never divorced Alfred, and that her marriage to Bassey was bigamous.^[10] Eliza and Henry's second child died in infancy, so Shirley was born into a household of three sisters, two half-sisters, and one brother.^[11] A year later her father was arrested and charged with having sex with a minor, was tried, imprisoned for five years, then deported.^[12] After Henry's arrest, Eliza and the children moved to the nearby steelworking district of Splott.^[13]

As a preteen attending Moorland Road School, Bassey's strong voice was noticed by teachers and students alike, though without encouragement: "...everyone told me to shut up. Even in the school choir the teacher kept telling me to back off till I was singing in the corridor! [A classmate] recalled her singing 'Can't help lovin' that man of mine' from Showboat with such feeling that she made [their] teacher uncomfortable."^[14] After leaving Splott Secondary Modern School at the age of 14, Bassey first found employment packing at a local factory while singing in local public houses and clubs in the evenings and weekends.^[15]

In 1953, Bassey signed her first professional contract, to sing in a touring variety show Memories of Jolson, a musical based on the life of Al Jolson.^[16] She next took up a professional engagement in Hot from Harlem, which ran until 1954. By this time Bassey had become disenchanted with show business, and had become pregnant at 16 with her elder daughter, Sharon—the father has not been identified—^[6] so she went back to waiting tables in Cardiff.

In 1955, a chance recommendation to Michael Sullivan, a booking agent, put Bassey firmly on course for her destined career. He saw talent in Bassey, and decided he would make her a star. She toured various theatres until she was seen by Jack Hylton whose interest in her put her firmly on the road to stardom. He invited her to star in Al Read's Such Is Life at the Adelphi Theatre in London's West End. During the show's run, Philips A&R and record producer Johnny Franz spotted her on television, was impressed, and offered her a recording deal. Bassey recorded her first single, entitled "Burn My Candle", and Philips released it in February 1956, when Bassey was 19. Owing to the suggestive lyrics, the BBC banned it, but it sold well nonetheless, backed with her powerful rendition of "Stormy Weather". Further singles followed, and in February 1957, Bassey had her first hit with "The Banana Boat Song", which reached No. 8 in the UK Singles Chart.^[17] During that year, she also recorded under the direction of American producer Mitch Miller in New York for the Columbia label, producing the single "If I Had a Needle and Thread" b/w "Tonight My Heart She Is Crying". She then travelled to Las Vegas to make her American stage début at El Rancho Vegas.^[18] In mid-1958, she recorded two singles that would become classics in the Bassey catalogue. "As I Love You" was released as the B-side of another ballad, "Hands Across the Sea"; it did not sell well at first, but after a chance appearance at the London Palladium things began to pick up. In January 1959, it reached No. 1 and stayed there for four weeks. It thus became the first number 1 single by a Welsh artist.^[19] Bassey also recorded "Kiss Me, Honey Honey, Kiss Me" at this point, and while "As I Love You" raced up the charts, so too did this record, with both songs being in the top three at the same time. A few months later, Bassey signed to EMI's Columbia label, and the second phase in her recording career had begun.

1960 to 1979[link]

In the early and mid-1960s, Bassey had numerous hits on the UK charts, and five albums in the Top 15. Her 1960 recording of "As Long As He Needs Me" from Lionel Bart's Oliver! reached No. 2, and had a chart run of 30 weeks.^[5] On 13 November 1960, Bassey made her début performance on American television, appearing on The Ed Sullivan Show.^[20] In 1962, Bassey's collaboration with Nelson Riddle and his orchestra produced the album Let's Face the Music (No. 12) and the single "What Now My Love" (No. 5). Other Top Ten hits of the period included her second No. 1, the double A-side "Reach for the Stars"/"Climb Ev'ry Mountain" (1961), "I'll Get By" (also 1961), and a cover version of the Ben E. King hit "I (Who Have Nothing)" in 1963.^[17] During this period, Bassey appeared on the cover of Ebony magazine, and sang at a Washington gala celebrating the end of President Kennedy's second year in office.^[21]

In 1965, Bassey enjoyed her only U.S. Top 40 Billboard Hot 100 hit with the title song of the James Bond film, Goldfinger. The single peaked at No. 8, while the original soundtrack of Goldfinger hit No. 1 in the U.S. that same year. Also in 1965, she sang the title track for the spoof James Bond film The Liquidator, and had a Top 20 live album recorded during a sell-out run at London's Pigalle.

From 1964 onwards the "Goldfinger" single had a lasting impact on her career: writing for the sleeve notes of Bassey's 25th Anniversary Album, Clayton (1978) notes that: "Acceptance in America was considerably helped by the enormous popularity of ("Goldfinger")...But she had actually established herself there as early as 1961, in cabaret in New York. She was also a success in Las Vegas...'I suppose I should feel hurt that I've never been really big in America on record since "Goldfinger"...But, concertwise, I always sell out.'..."^[22] This was reflected in the fact that Bassey had only one solo LP to reach the Top 20 in a US chart (R&B, Live at Carnegie Hall), and she was technically a one-hit wonder, making only one appearance in the Top 40 of the Billboard Hot 100, "Goldfinger". But in the aftermath of "Goldfinger" her UK sales started to falter as well: only two of her singles would enter the UK Top 40 until 1970. She had signed to United Artists, and her first album on that label, 1966's I've Got a Song for You, spent one week on the chart; from there until 1970, only two albums would chart, one of those a compilation. In 1967 came the release of one of her best-known singles "Big Spender", although it charted just outside the UK Top 20.^[17]

Bassey started living as a tax exile in 1968, and was not permitted to work in Britain for almost two years.^[9][23] Also in 1968, at the Sanremo Festival in Italy, she performed "La vita", an Italian song by Bruno Canfora and Antonio Amurri, with some lyrics re-written in English by Norman Newell for her performance. Her version of the song with chorus sung in Italian became a Top 40 hit on the Italian chart, and Bassey recorded several songs in Italian, some appearing on a 1968 Italian album titled La vita.^[24] (Later, Newell would write English lyrics for the rest of "La vita", and the result was "This Is My Life".) But her UK sales continued to suffer.

Bassey performing in Germany in 1973

Bassey's UK comeback came in 1970, leading to one of the most successful periods of her career. In this year, she returned to the UK with a record breaking run of performances at the Talk of the Town nightclub. Also in that year, she released the album Something, which showcased a new Bassey style, a shift from traditional pop to more contemporary songs and arrangements (the single of the same name was more successful in the UK charts than the original Beatles recording - the only artist to have achieved this), though Bassey would never completely abandon what had been her forte, standards, show tunes, and torch songs. "Something" was also a Top 10 U.S. hit on the Adult Contemporary chart. Other singles of this period included the top ten hit "Never Never Never" (1973) – the latter reaching the Top 10 in the U.S. Adult Contemporary Chart, the UK Top 10 and and number one in Australia and South Africa. The success of "Something" (single No. 4, album No. 5) spawned a series of successful albums on the UA label, including Something Else (1971), And I Love You So (1972), I Capricorn (1972), Never Never Never (1973), Good, Bad but Beautiful (1975), Love, Life and Feelings (1976), You Take My Heart Away (1977) and Yesterdays (1978). Bernard Ighner wrote and duetted with Bassey for the track "Davy" on the Nobody Does It Like Me album (1974). Additionally, two of Bassey's earlier LPs entered the charts, 1967's And We Were Lovers (re-issued as Big Spender), and 1962's Let's Face the Music (re-issued as What Now My Love). Two compilations, The Shirley Bassey Singles Album (1975) and 25th Anniversary Album (1978) both made the UK top three: The Shirley Bassey Singles Album her highest charting album at number two and earning a gold disc, and 25th Anniversary Album going platinum.^[17][25]

Between 1970 and 1979, Bassey had 18 hit albums in the UK Albums Chart.^[5] Her 1978 album The Magic Is You featured a portrait by the photographer, Francesco Scavullo. In 1973, her sold-out concerts at New York's Carnegie Hall were recorded and released as a two-LP set, Shirley Bassey: Live at Carnegie Hall. This album and the majority of her recordings from this period have been re-mastered and released on CD by EMI and BGO Records. In 1971, she recorded the theme song for Diamonds Are Forever. The recording featured as part of Sydney, Australia's 2007 New Year's celebration.

Bassey appeared on the Morecambe and Wise Christmas Show, broadcast on Christmas Day in 1971.^[26] In 1976, Bassey starred in the six-episode The Shirley Bassey Show, the first of her television programs for the BBC, followed by a second series of six episodes in 1979. The final show of the first series was nominated for the Golden Rose of Montreux in 1977. The series featured guests including Neil Diamond, Michel Legrand, The Three Degrees and Dusty Springfield; filmed in various locations throughout the world as well as in the studio. In 1978, Bassey pleaded guilty to being drunk and disorderly "after shouting abuse in the street and pushing a policeman".^[4] Bassey closed out the decade with her third title theme for the Bond films, Moonraker (1979).

1980 to 1999[link]

Throughout most of the 1980s, Bassey focused on charitable work and performing occasional concert tours throughout Europe, Australia, and the United States, having ended her contract with EMI-United Artists and taking what she referred to as 'semi-retirement'. In 1982 Bassey recorded an album entitled All by Myself and made a TV special for Thames Television called A Special Lady with guest Robert Goulet. In 1983 she recorded a duet with Alain Delon, "Thought I'd Ring You", which became a hit single in Europe. Bassey was now recording far less often but released an album in 1984 of her most famous songs, I Am What I Am, performed with the London Symphony Orchestra conducted by Carl Davis. In 1986, she released a single and video to support the London Tourist Board, "There's No Place Like London", co-written by Lynsey de Paul and Gerard Kenny. In 1987 she recorded an album of James Bond themes, The Bond Collection, but was apparently unhappy with the results so she declined to release it. (Five years later it was released anyway, Bassey sued in court, and all unsold copies were withdrawn).^[27] Also in 1987, Bassey provided vocals for Swiss artists Yello on "The Rhythm Divine", a song co-written by Scottish singer Billy Mackenzie.^[2] In 1989, she released an album sung entirely in Spanish, La Mujer. In the latter mid-1980s Bassey had started working with a vocal coach, a former opera singer, and her 1991 album Keep the Music Playing displayed a grand, operatic pop style on several songs (perhaps also influenced by her album with the LSO seven years earlier).

In 1994 EMI released the five-CD box set Bassey – The EMI/UA Years 1959 – 1979. The accompanying booklet opened with a poem by Marc Almond. In 1996, Bassey collaborated with Chris Rea in the film La Passione, appearing in the film as herself and releasing the single "'Disco' La Passione". The remix of this single proved a major club hit throughout Europe^{[citation needed]}, though charting just outside the UK top 40.^[17] Bassey released a new recording the following year, "History Repeating", written for her by the Propellerheads and scoring a No. 1 on the UK Dance Chart, and No. 10 on the US Dance Chart.^[28] It was also a top ten hit in Italy.^[24] The liner notes of the Propellerheads' album Decksandrumsandrockandroll included the lines "We would like to extend our maximum respect to Shirley Bassey for honouring us with her performance. We are still in shock ..." Bassey celebrated her 60th birthday in 1997 with two open-air concerts, at Castle Howard and Althorp Park, and another TV special. The resulting live album The Birthday Concert received a Grammy Award nomination for Best Traditional Pop Vocal Performance.^[29] On 7 October 1998 in Egypt, Bassey performed for a benefit at an open air concert close to the Sphinx and the Great Pyramid.

In the 1998 film Little Voice, Bassey was one of three central figures along with Marilyn Monroe and Judy Garland, and Bassey's track "Goldfinger" featured in the movie. Jane Horrocks, the lead actress in the film, went on to impersonate Bassey both on record and television, as well as during a UK tour.

In 1998 Bassey was sued in a breach of contract case by her former personal assistant, who also accused Bassey of hitting her and making an ethnic slur. Bassey won the case.^[4] The episode was lampooned by Alexander Baron in his one-act play, The Trial of Shirley Bassey.

The following year, she performed the official song for the rugby World Cup, "World in Union", with Bryn Terfel at the opening ceremony at The Millennium Stadium, Cardiff, wearing a gown designed on the Welsh flag. Their single made the Top 40, and Bassey contributed two more songs to the official album Land of My Fathers, which reached No. 1 on the UK compilations chart, and went silver.^[25][30]

2000 to date[link]

In 2001, Bassey was principal artiste at the Duke of Edinburgh's 80th Birthday celebration. On 3 June 2002 Shirley Bassey was one of a prestigious line up of artists including Elton John, Paul McCartney, Queen, The Corrs, Annie Lennox, Eric Clapton, Tony Bennett, Cliff Richard, Joe Cocker, Rod Stewart, Ricky Martin, Phil Collins and Tom Jones who performed at the Queen’s 50th Jubilee Party at Buckingham Palace. Then, in 2003, Bassey celebrated 50 years in show business, releasing the CD Thank You for the Years, which was another Top 20 album. A gala charity auction of her stage costumes at Christie's, Dame Shirley Bassey: 50 Years of Glittering Gowns, raised £250,000 (US$500,000) for the Dame Shirley Bassey Scholarship at the Royal Welsh College of Music and Drama and the Noah's Ark Children's Hospital Appeal.^[31] Bassey topped the bill at the 2005 Royal Variety Performance, introducing her new song "The Living Tree".

Two popular Audiences with Shirley Bassey have aired on British television, one in 1995 that attracted more than 10 million viewers in the UK, with the most recent in 2006. Bassey returned to perform in five arenas around the UK in June the same year, culminating at Wembley. She also performed a concert in front of 10,000 people at the Bryn Terfel Faenol Festival in North Wales broadcast by BBC Wales.

Marks & Spencer signed her for their Christmas 2006 James Bond-style television advertising campaign. Bassey is seen in a glamorous Ice Palace singing a cover version of Pink's song "Get the Party Started", wearing an M&S gown.

"The Living Tree", written, produced and originally recorded by the group Never the Bride, was released as a single on 23 April 2007, marking Bassey's 50th anniversary in the UK Singles Chart – and the record for the longest span of Top 40 hits in UK chart history.^[5] Bassey performed a 45 minute set at the 2007 Glastonbury Festival wearing a pink Julien Macdonald dress, and customised Wellington boots.^[32] A new album, Get the Party Started, was subsequently released on 25 June 2007 and entered the UK Albums Chart at No. 6.^[17] The single of the title song reached No. 3 on the U.S. Dance Chart.^[33] The same year, Bassey performed "Big Spender" with Elton John at his annual White Tie and Tiara Ball to raise money for The Elton John AIDS Foundation.^[34] In 2007, Bassey performed in Fashion Rocks in aid of The Prince's Trust at the Royal Albert Hall.

From left to right: Sting, Debbie Harry, Lady Gaga, Elton John, Bassey and Bruce Springsteen at Carnegie Hall 2010

She was rushed to hospital in Monaco on 23 May 2008 to have an emergency operation on her stomach after complaining of abdominal pains. She was forced to pull out of the Nelson Mandela 90th Birthday Tribute concert because of her illness.^[35] A biography, Diamond Diva, was published in 2008. In 2009 her granddaughter appeared on The X Factor.^[36]

In 2009, Bassey recorded the album, The Performance, with James Bond composer David Arnold as co-producer (with Mike Dixon). A number of artists wrote songs expressly for Bassey, including Manic Street Preachers, Gary Barlow, KT Tunstall, Pet Shop Boys, Nick Hodgson of the Kaiser Chiefs, John Barry and Don Black.

Bassey headlined at the BBC Electric Proms on 23 October 2009, in her only full live set of 2009.^[4][37]

In November 2009, she performed several of the new songs from The Performance on various TV shows: The Graham Norton Show, The Paul O'Grady Show and as the guest singer on Strictly Come Dancing.

Bassey performed at the Rainforest Foundation Fund 21st Birthday concert at Carnegie Hall, New York City on 13 May 2010.

On 30 March 2011, Bassey performed at a gala celebrating the 80th birthday of Mikhail Gorbachev.^[38] She also performed at the Classical Brit Awards in 2011, singing "Goldfinger" in tribute to John Barry.^[39]

On 21 May 2011, Bassey became the godmother of P&O Cruise's latest ship Adonia at the naming ceremony in Southampton, England.

On 20 June 2011, Bassey sang "Diamonds Are Forever" and "Goldfinger", accompanied by the Royal Philharmonic Orchestra, at the John Barry Memorial Concert the Royal Albert Hall in London.

On 29 September 2011, the BBC broadcast a 70 minute drama, entitled Shirley, depicting Bassey's early life and career.^[40] Ruth Negga played the title role.

Personal life[link]

Bassey has been married twice, her husbands being:

• Kenneth Hume (died 1967), a gay film producer, whom she married in 1961.^[6][41] The couple separated in 1964 and divorced in 1965, in the wake of the singer's affair with actor Peter Finch. Bassey then announced to the press that she and Finch would not be marrying, telling the press, "It simply wouldn't work out. Just now I am not ready for marriage to anyone. I feel I have to be free".^[42] A year later, Hume sued the actor and another man, John McAuliffe, for being "indiscreet" with the singer.^[43] Both Finch and McAuliffe were cited as co-respondents in the Hume-Bassey divorce.^[44] For her part, Bassey was named as co-respondent in 1965 when Finch's wife, South African actress Yolande Turner, divorced the actor.^[45]

• Sergio Novak, the assistant manager of the Excelsior Hotel in Rome, Italy. Bassey and Novak were married from 1968 until they divorced in 1979.^[46] Novak served as Bassey's manager throughout this time. With Novak she adopted her grand-nephew, Mark.^[8][9]

The fathers of Bassey's two daughters, Sharon Bassey (aka Sharon Novak, born 1954) and Samantha Bassey (aka Samantha Novak, born 1963), are unknown.^[47][48] However, Bassey's first husband suggested that Samantha, born during the couple's marriage, was the result of an affair between Bassey and Peter Finch. In 1965, according to an article in Jet, "There is a big dispute in London over who is the father of tempestuous singer Shirley Bassey's baby. Although one-time boy friend English actor Peter Finch agreed that the child may not belong to Shirley's divorced husband, Kenneth Hume, Finch insists it does not belong to him ... "^[43][49]

In 1985, Samantha Novak, age 21, was found dead in the River Avon in Bristol, England. Bassey has always maintained that the death of her daughter was not a suicide.^[4] On 24 March 2010, Avon and Somerset Police confirmed they were undertaking fresh inquiries into the death of Novak, and specifically claims that the convicted killer Michael Moffat was involved in her death.^[50] However, in October 2010 it was reported that the investigation came to an end and concluded that there "is no evidence of any criminal act involved" in Novak's death.^[51]

Bassey's granddaughter Tatjana Novak-Kimsey, daughter of the singer's one-time estranged son, Mark Novak, was a contestant on The X Factor.^[52] (In a 2009 interview, Bassey stated that she and her son had reconciled.)^[4]

Bassey has four grandsons through her daughter, Sharon Novak.^[53]

Bassey currently resides in Monte Carlo.

Awards and achievements[link]

"For services to entertainment", Bassey was created a Dame Commander of the Order of the British Empire (DBE) on 31 December 1999 by Queen Elizabeth II.^[54] She was invited to perform in 2002 at the Party at the Palace, a public celebration of the Queen's Golden Jubilee. She was awarded France's top honour, the Legion d'Honneur, to signify her popularity and importance in the culture of France.

• 1972 (1972) – Best Female Singer – TV Times
• 1973 (1973) – Best Female Singer – TV Times
• 1974 (1974) – Best Female Entertainer – American Guild of Variety Artists
• 1976 (1976) – Best Female Singer – Music Week
• 1976 (1976) – 22-day British tour to mark twenty years as a recording artist
• 1976 (1976) – EMI Award for twenty years as a recording artist – UK
• 1977 (1977) – Best British Female Solo Artist in the previous 25 years – BRIT Award
• 1977 (1977) – Golden Rose of Montreux nomination for The Shirley Bassey Show
• 1991 (1991) – Walk of Fame, Star Boulevard – plaque unveiled in Rotterdam^[55]
• 1993 (1993) – CBE – Commander of the Order of the British Empire
• 1995 (1995) – Showbusiness Personality of the Year – Variety Club of Great Britain
• 1997 (1997) – Grammy nomination – The Birthday Concert (recorded live at Althorp Park)
• 1998 (1998) – Longest run by a solo artist (ten shows) – Royal Festival Hall, London
• 1999 (1999) – Légion d'Honneur – France
• 1999 (1999) – Madam Tussaud's waxwork unveiled in London (second model in Las Vegas)
• 2000 (2000) – DBE – Dame Commander of the Order of the British Empire
• 2000 (2000) – Most Successful British Female Singer – Guinness Book of Records^{[citation needed]}
• 2003 (2003) – Outstanding Contribution to Music – National Music Awards, UK^[56]
• 2003 (2003) – Lifetime Achievement Award (inaugural award) – Western Mail Welsh Woman of the Year Awards^[57]
• 2004 (2004) – 100 Great Black Britons, Bassey voted into the top ten
• 2004 (2004) – Artist for Peace Award – UNESCO
• 2005 (2005) – Avenue of Stars – plaque unveiled in London
• 2008 (2008) – "Goldfinger" – United Artists single (1964) inducted into the Grammy Hall of Fame^[58]

Discography[link]

Bibliography[link]

• Miss Shirley Bassey - John L. Williams (2010)
• Shirley Bassey: Diamond Diva – Peter Hogan (2008)
• Cardiff: Rebirth of a Capital (Foreword by Shirley Bassey) – Ungersma, Hurn (2005)
• Shirley Bassey: Welsh History Stories – Evans, Stokes, ap Emlyn, ap Emlyn (2003)
• Shirley Bassey: An appreciation – Muriel Burgess (1998, reprinted 1999)
• My Life on Record and in Concert – Shirley Bassey (Bloomsbury, 1998)
• The Trial of Shirley Bassey – A Play in One Act – Alexander Baron (1998)
• Shirley Bassey: This Is My Life (Piano/vocal/guitar) – Sheet music book
• Shirley Bassey: You're the Voice (Piano/vocal/guitar) – Sheet music book
• Guinness Book of British Hit Singles – 14th Edition – ISBN 0-85156-156-X
• Guinness Book of British Hit Singles – 16th Edition – ISBN 0-85112-190-X
• Guinness Book of British Hit Albums – 7th Edition – ISBN 0-85112-619-7
• The Book of Golden Discs – 2nd Edition – ISBN 0-214-20512-6
• The Guinness Book Of 500 Number One Hits – ISBN 0-85112-250-7

See also[link]

	Book: Shirley Bassey
Wikipedia books are collections of articles that can be downloaded or ordered in print.

• List of best-selling music artists

References[link]

External links[link]

Wikimedia Commons has media related to: Shirley Bassey

• Dame Shirley Bassey — official website
• Shirley Bassey discography at Discogs
• Shirley Bassey at the Internet Movie Database
• The Bassey Blog — fansite
• Diamond Bassey — fansite
• The Songs of Shirley Bassey (archived site) — interviews with Shirley Bassey, plus an extensive discography
• The Dame Shirley Bassey Message Board — forum fansite
• Shirleybassey.nl — extensive CD discography with tracklists
• Shirley Bassey biography on BBC Wales
• Event data as RDF

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The Allman Brothers Band
Background information
Origin	Jacksonville, Florida, U.S.A.
Genres	Southern rock, blues rock, folk rock, hard rock, blues
Years active	1969–1976, 1978–1982, 1989–present
Labels	Capricorn, PolyGram, Arista, Epic, Sanctuary
Associated acts	Gov't Mule, The Dead, The Derek Trucks Band, Derek and the Dominos, Hour Glass, Great Southern, Sea Level
Website	www.allmanbrothersband.com
Members
Gregg Allman Butch Trucks Jai Johanny "Jaimoe" Johanson Warren Haynes Marc Quiñones Oteil Burbridge Derek Trucks
Past members
Duane Allman Dickey Betts Berry Oakley Chuck Leavell Lamar Williams Dan Toler David Goldflies David "Frankie" Toler Mike Lawler Allen Woody Johnny Neel Jack Pearson Jimmy Herring

The Allman Brothers Band is an American rock/blues band once based in Macon, Georgia. The band was formed in Jacksonville, Florida, in 1969 by brothers Duane Allman (slide guitar and lead guitar) and Gregg Allman (vocals, organ, songwriting), who were supported by Dickey Betts (lead guitar, vocals, songwriting), Berry Oakley (bass guitar), Butch Trucks (drums), and Jai Johanny "Jaimoe" Johanson (drums).^[1] While the band has been called the principal architects of Southern rock,^[2] they also incorporate elements of blues, jazz, and country music, and their live shows have jam band-style improvisation and instrumental songs.

The band achieved its artistic and commercial breakthrough in 1971 with the release of At Fillmore East, featuring extended renderings of their songs "In Memory of Elizabeth Reed" and "Whipping Post" and often considered one of the best live albums ever made. George Kimball of Rolling Stone magazine hailed them as "the best damn rock and roll band this country has produced in the past five years."^[3] A few months later, group leader Duane Allman was killed in a motorcycle accident. The group survived that and the death of bassist Oakley in another motorcycle accident a year later; with replacement members Chuck Leavell and Lamar Williams, the Allman Brothers Band achieved its peak commercial success in 1973 with the album Brothers and Sisters and the hit single "Ramblin' Man". Internal turmoil overtook the band soon after; the group dissolved in 1976, reformed briefly at the end of the decade with additional personnel changes, and dissolved again in 1982.

In 1989, the group reformed with some new members and has been recording and touring since. A series of personnel changes in the late 1990s was capped by the departure of Betts. The group found stability during the 2000s with bassist Oteil Burbridge, Warren Haynes and Derek Trucks, (the nephew of their drummer), serving as its guitarists, and became renowned for their month-long string of shows in New York City each spring. The band has been awarded eleven gold and five platinum albums between 1971 and 2005^[4] and was inducted into the Rock and Roll Hall of Fame in 1995. Rolling Stone ranked them 52nd on their list of the 100 Greatest Artists of All Time in 2004.^[5]

Band history[link]

Beginnings[link]

The band was formed in Macon, GA, and consisted of Duane and Gregg Allman, Dickey Betts, Berry Oakley, Butch Trucks, and Jai Johanny Johanson.^[1] Brothers Duane and Gregg Allman grew up in Daytona Beach, Florida, and had been playing music publicly since the early 1960s. They formed a garage band called the Escorts in 1963, which evolved into the Allman Joys in 1965.^[6] From there the brothers formed Hour Glass and moved to Los Angeles. The Hour Glass released two failed albums on Liberty Records in 1967 and 1968.^[1][6] They were all released from the contract except Gregg, who Liberty thought might have some commercial potential.^[6] Gregg and Duane had previously met Butch Trucks and his band The 31st of February while touring as the Allman Joys, and decided to record an album with them in September 1968, shortly after the breakup of Hour Glass. This album was eventually released as Duane & Greg Allman on the Bold Records label in 1972. Duane Allman played on Wilson Pickett's hit version of "Hey Jude" and became the primary session guitarist for FAME Studios in Muscle Shoals, Alabama, recording with Aretha Franklin, King Curtis, Percy Sledge, and others.^[6] Allman started jamming with Dickey Betts, Butch Trucks and Berry Oakley in Jacksonville. Eddie Hinton, with whom Duane Allman had played in Muscle Shoals, was considered to play guitar, but Hinton refused in order to join the Muscle Shoals studio band.^{[citation needed]} Duane brought in Jaimoe, a drummer he had played with in the past.

Jaimoe, percussionist

Gregg was in Los Angeles, fulfilling the Hour Glass contract with Liberty Records. He was summoned back to Jacksonville.

Duane Allman playing guitar at the Fillmore East, 1971

The Allman Brothers Band played numerous shows in the South before releasing their debut album, The Allman Brothers Band in 1969 to critical acclaim. It featured future jam standards "Whipping Post" and a 12/8 time slide guitar tour de force "Dreams". A cult following began to build.

Idlewild South was released in 1970 to critical success and improved sales. Produced by Tom Dowd it featured the upbeat "Revival" and the moody-but-resolute "Midnight Rider". After completing the Idlewild South sessions Duane Allman joined Eric Clapton and his ad hoc Derek and the Dominos to record the classic Layla and Other Assorted Love Songs.

1971 saw the release of a live album, At Fillmore East, recorded on Friday and Saturday March 12 and March 13 of that year at the legendary rock venue the Fillmore East. The album was another huge hit. Rolling Stone listed At Fillmore East as number 49 on of The 500 Greatest Albums of All Time.^[7] It showcased the band's mix of jazz, classical music, hard rock, and blues, with arrangements propelled by Duane's and Betts' dual lead guitars, Oakley's long, melodic "third guitar" bass runs, the rhythm section's pervasively percussive yet dynamically flexible foundation, and Gregg Allman's gritty Ray Charles-like vocals and piano/organ play which all completed the band's wall of sound. The rendering of Blind Willie McTell's "Statesboro Blues" was a straight-ahead opener, the powerful "Whipping Post" (with its famous 11/4 bass opening) became the standard for an epic jam that never lost interest, while the ethereal-to-furious "In Memory of Elizabeth Reed" invited comparisons to John Coltrane and Miles Davis.^[8][9]

The Allman Brothers were the last act to play the Fillmore East before it closed in June 1971. The final shows achieved legendary status, partly due to bands literally playing all night; in 2005 Gregg Allman would relate how the jamming musicians lost track of time, not realizing it was dawn until the side doors of the Fillmore were opened and the morning light poured in.

The band continued to tour; decades later, a special-order recording of one of their final concerts in this lineup, S.U.N.Y. at Stonybrook: Stonybrook, NY 9/19/71, would be released.^[10] It reveals that Duane Allman's slide guitar playing on "Dreams" and other songs was touching the farthest reaches of both that instrument and his imagination.^[10]

Loss and triumph[link]

Dickey Betts on guitar

Duane Allman died not long after the Fillmore East album was certified gold, killed in a motorcycle accident on October 29, 1971 in Macon, Georgia, when he collided with the rear of a flatbed truck that had turned in front of him. The group decided to carry on. The album continued to gain FM radio airplay, with stations even playing 13-minute and 23-minute selections.

Dickey Betts filled Duane's former role in completing the last album Duane participated in, Eat a Peach, released in February 1972. The album was often softer ("Blue Sky", "Little Martha") and wistful in tone ("Melissa", "Ain't Wastin' Time No More"), capped by the 34-minute "Mountain Jam" reverie taken from the Fillmore East concerts. Writer Greil Marcus described parts of Eat a Peach as an "after-the-rain celebration... ageless, seamless... front-porch music stolen from the utopia of shared southern memory."

The group played some concerts as a five-man band, then decided to add Chuck Leavell, a pianist, to gain another lead instrument but without, however, directly replacing Duane. This new configuration debuted on November 2, 1972, on ABC's In Concert late-night television program.

Days later, on November 11, 1972, Berry Oakley died from head injuries he received in another motorcycle accident near Napier Avenue and Inverness Street, only three blocks from the site of Duane's accident the previous year. The common retelling that it was at exactly the same site as Duane's death is incorrect, as is the legend that the Eat a Peach album is named for what was being carried by the truck involved in Allman's accident.^[11] Both Duane and Berry were 24 years old, yet another coincidence.

Oakley was replaced by Lamar Williams at the end of 1972, in time to finish the next album, Brothers and Sisters, released in August 1973.

Dickey Betts was becoming the group's unofficial leader.^[6] Brothers and Sisters included the group's best known hits, "Ramblin' Man" and "Jessica", both written by Betts; the former reached #2 on the Billboard Hot 100 as a single, while the latter was a seven-minute instrumental hit.

The Allman Brothers Band had become one of the top concert draws in the country. Probably their most celebrated performance of the era took place on July 28, 1973 at the Summer Jam at Watkins Glen outside Watkins Glen, New York, in a joint appearance with The Grateful Dead and The Band. An estimated 600,000 people made it to the racetrack where this massive outdoor festival took place.

In the wake of the Allman Brothers Band's success, many other Southern rock groups rose to prominence, including the Marshall Tucker Band (who played as the Allman Brothers Band's opening act for many shows on their 1973 tour) and Lynyrd Skynyrd.

Another peak of the Allmans' success came on New Year's Eve, 1973, when promoter Bill Graham arranged for a nationwide radio broadcast of their concert from San Francisco's Cow Palace. New arrangements of familiar tunes such as "You Don't Love Me" went out over the airwaves, as the show stretched out over three sets, with Boz Scaggs sitting in, along with Grateful Dead members Jerry Garcia and Bill Kreutzmann (Allmans and Grateful Dead members guested at each other's shows multiple times in the early 1970s).

Turmoil and dissolution[link]

Gregg Allman, playing organ and singing

Personality conflicts started to tear the band apart, however. Gregg Allman and Dickey Betts both began solo careers, while Allman married Cher, separated quickly, reconciled, and eventually separated again, all in a storm of publicity; drug abuse took its toll on the entire band. Musically, Betts and Leavell were pulling in opposite directions, with Allman trying to mediate.

The tension resulted in the uneven Win, Lose or Draw (1975), with some members not participating on all tracks or doing so only from afar. The few stand-out tracks included a stop-start take on Muddy Waters' "Can't Lose What You Never Had", Betts' instrumental "High Falls", and Allman's Jackson Browne-influenced title song.

The band managed to limp along until 1976, when Gregg Allman was arrested on federal drug charges and agreed to testify against a friend and tour manager and bodyguard for the band, John "Scooter" Herring. Leavell, Johanson, and Williams formed Sea Level, while Betts worked on his solo career. All four swore that they would never work with Allman again.

Meanwhile, Capricorn Records released a compilation album, The Road Goes On Forever, and a poorly received live album, Wipe the Windows, Check the Oil, Dollar Gas. Neither sold very well.

The group reformed in 1978 and released the strong Enlightened Rogues (1979). It featured new members Dan Toler (guitar) and David Goldflies (bass), who replaced Leavell and Williams, both of whom concentrated on Sea Level instead. "Crazy Love" was a minor hit single, and the instrumental "Pegasus" got some airplay, but overall The Allman Brothers Band was no longer as popular as before, and financial woes plagued both the group and Capricorn Records, which collapsed in 1979. PolyGram took over the catalogue, and the Allman Brothers Band signed to Arista Records. The group released a pair of critically slammed albums, firing Jaimoe in the process, and then disbanded once again in early 1982.

Allman quickly formed the Gregg Allman Band with the Toler brothers Dan and David ("Frankie") (drums) in 1982 and began touring small venues and clubs. Betts, Leavell, Trucks and Goldflies formed the band Betts Hall Leavell Trucks (BHLT). Neither garnered attention from any record labels. BHLT would dissolve two years later.

The Allman Brothers Band reunited in 1986 for a pair of benefit concerts for promoter Bill Graham in New York and Macon. Allman, Betts, Trucks, Jaimoe, Leavell, and Dan Toler performed together but no subsequent reunion plans for the band were made. The following year, the Gregg Allman Band and the Dickey Betts Band co-headlined a theatre and club tour. After each band played a set of music, Betts, Allman and the Tolers performed a closing set of Allman Brothers music together.

In 1987, Epic Records signed both Allman and Betts to separate solo contracts. The Gregg Allman Band had a surprise FM hit single with the title track to the 1987 album I'm No Angel. Just Before the Bullets Fly quickly followed from Allman in 1988. The Dickey Betts Band, including Warren Haynes, was also formed during this time and released the album Pattern Disruptive in 1988. This series of collaboration among bandmembers and interest from a major label during the late 1980s laid the groundwork for the next era of Allman Brothers Band activity and success.

Revival[link]

Warren Haynes, vocalist and guitarist

In 1989 The Allman Brothers reunited and returned to popular consciousness of the American public, spurred by Gregg's recent FM radio success, the release of archival material by PolyGram, and the start of regular appearances on the American summer outdoor amphitheatre circuit. Warren Haynes (guitar, vocals), Johnny Neel (keyboards and harmonica), and Allen Woody (bass guitar) joined originals Allman, Betts, Jaimoe and Trucks. Leavell opted to go on tour again with the Rolling Stones, with whom he has been a touring member since 1982.

After the 20th Anniversary tour, the band signed to Epic Records and released Seven Turns (1990), which got excellent reviews. This was followed by Neel's departure and a series of moderately-selling, but critically well-received albums including Shades Of Two Worlds (1991) and Where It All Begins (1994, certified Gold by the RIAA 1998), both featuring new percussionist Marc Quiñones. Warren Haynes and Allen Woody formed their own side project Gov't Mule in 1994. In 1995, the band was inducted into the Rock and Roll Hall of Fame and in 1996 they won the Grammy Award for Best Rock Instrumental Performance for "Jessica". When Haynes and Woody decided to concentrate full-time on Gov't Mule in 1997, Haynes was replaced on guitar by Jack Pearson, while Woody was replaced on bass by Oteil Burbridge. Derek Trucks, nephew of original Brother Butch Trucks, replaced Pearson in 1999.

In 2000, the band forced Dickey Betts out for "personal and professional reasons." For this tour, he was replaced by Jimmy Herring. Betts then filed a lawsuit against the other three original members and the summer separation turned into a permanent divorce. Also in 2000, former bassist Allen Woody was found dead on August 26. The band did release the live CD Peakin' at the Beacon that year which chronicled the now-annual March tradition of a many-night stand at the Beacon Theater in New York City. The band has sold out the 2900-seat Upper West Side Manhattan theatre 188 times since 1989. The tradition is known as the "Beacon Run" among fans, who travel from across the United States, Canada and Western Europe to see these annual March and April shows.

2000s onward[link]

Derek Trucks playing slide guitar, 2009

Warren Haynes began appearing with the Allmans again in 2000 and rejoined full-time in 2001, while also maintaining his active schedule with Gov't Mule. (Haynes also toured during this time and later in the decade with former members of the Grateful Dead). Haynes' return marked a new period of stability and productivity for the band after nearly four years of lineup shifts. The Haynes-produced Hittin' the Note was released in 2003 to popular and critical acclaim, as was the Live At the Beacon Theatre DVD film (2003, certified Platinum 2004). The live CD One Way Out (2004) also chronicled the Beacon concerts.

The Allman Brothers garnered back to back Grammy Award nominations in 2003 and 2004 in the category of Best Rock Instrumental for performances of "Instrumental Illness" from Hittin' The Note and One Way Out. In 2003, Rolling Stone magazine named Duane Allman, Warren Haynes, Dickey Betts, and Derek Trucks to their list of the 100 Greatest Guitarists of All Time,^[12] with Allman coming in at #2 and Trucks being the youngest guitarist on their list.

The Warren Haynes and Derek Trucks lineup continued the band's connection with younger music fans via concert pairings with popular jam bands The String Cheese Incident, moe, and Dave Matthews Band among others. The Allman Brothers Band continue to be a major attraction at the Bonnaroo Music Festival since 2003. Since 2005, the Allmans have staged their own two day Wanee Music Festival at the Spirit of the Suwannee Music Park in Live Oak, Florida. The Allmans, Gov't Mule and The Derek Trucks Band perform on different stages along with younger roots artists including the North Mississippi Allstars, Robert Randolph and The Family Band, Medeski, Martin and Wood, Devon Allman's Honeytribe, Nickel Creek, Mofro and others.

Allman Brothers songs have been used in various advertising campaigns and television programs, with the most well-known use being that of "Jessica" used in both the 1977 and 2002 formats of the BBC television series Top Gear. "Jessica" was also used in the film Field of Dreams. It was also the opening song of a famous radio show in the State of Bavaria, Germany during the 70s known as "Club 16" (http://peterhammer.de/sound4/br/club16outro.html with an example while the show ends. )

Oteil Burbridge, bass guitarist, 2005

The band cancelled their Beacon run for 2008 due to Gregg Allman recovering from hepatitis C treatments,^[13] but they were back on the road that summer for the amphitheater circuit. On November 20, 2008, The Allman Brothers Band received the Legend Of Live Award at the 2008 Billboard Touring Awards ceremony in New York.^[14] The award recognized "a touring professional who has had a significant and lasting impact on the concert industry."^[15] At the ceremony, Gregg Allman talked about his brother Duane, saying: "It happens to be today would have been his 62nd birthday and I'm sure he's looking down on this and is really proud of us. We'll keep coming back until we can't come back no more."^[14]

The Allman Brothers Band celebrated their 40th anniversary in 2009.^[15] That year's Beacon run also marked the 20th anniversary of their appearances in that venue; and the band focused on paying tribute to Duane, inviting guest appearances from those who had played with him.^[13] The 15-night stand was considered to be the best Beacon run of all,^[16] highlighted by two nights of the first-ever stage appearance of Eric Clapton with the band and performances of numbers from Layla and Other Assorted Love Songs.^[16] Guests on other nights included members of the Grateful Dead, Phish, Levon Helm and his band, and represented genres from bluesman Buddy Guy to jazz great Lenny White to rap-rock-country eccentric Kid Rock.^[16] On March 26, three days after the actual anniversary of the band's 1969 forming, what's been known as the "Legendary Jacksonville Jam", the band featured no guests but performed their first two albums in their entirety.^[16]

In March 2010, The Allman Brothers Band's New York run changed venues from the Beacon Theater to the far uptown United Palace Theatre, but in March 2011, the Allman Brothers returned to the Beacon Theater, playing their 200th show there on March 26.

In 2012, the Allman Brothers Band was awarded the Grammy Lifetime Achievement Award.

Awards and recognition[link]

Guest appearances during the "Beacon Run" are common. Here Eric Clapton joins the band in March 2009 to play songs from 1970's classic Layla and Other Assorted Love Songs, which had featured Duane Allman.

• Grammy Award for Best Rock Instrumental Performance, 1996, "Jessica"
• Grammy Lifetime Achievement Award, 2012
• Inducted into the Rock and Roll Hall of Fame, 1995
• Rolling Stone Magazine's "Greatest...of All Time" lists:
  • 100 Greatest Artists of All Time (2004): #52^[17]
  • 500 Greatest Albums of All Time (2003): #49 for At Fillmore East^[18]
  • 100 Greatest Guitarists of All Time (2003):
    • #2 Duane Allman^[19]
    • #23 Warren Haynes^[20]
    • #58 Dickey Betts^[21]
    • #81 Derek Trucks^[22]
  • 100 Greatest Guitarists of All Time (2011):
    • #9 Duane Allman^[23]
    • #16 Derek Trucks^[24]
    • #61 Dickey Betts^[25]

Discography[link]

• The Allman Brothers Band (1969)
• Idlewild South (1970)
• At Fillmore East (1971)
• Eat a Peach (1972)
• Brothers and Sisters (1973)
• Win, Lose or Draw (1975)
• Wipe the Windows, Check the Oil, Dollar Gas (1976)
• Enlightened Rogues (1979)
• Reach for the Sky (1980)
• Brothers of the Road (1981)
• Seven Turns (1990)
• Shades of Two Worlds (1991)
• An Evening with the Allman Brothers Band: First Set (1992)
• Where It All Begins (1994)
• An Evening with the Allman Brothers Band: 2nd Set (1995)
• Peakin' at the Beacon (2000)
• Hittin' the Note (2003)
• One Way Out (2004)^[26]

Lineups[link]

Original members in bold.

See also[link]

• Almost Famous
• List of rock instrumentals
• Gregg Allman Band
• Sea Level
• Gov't Mule
• The Derek Trucks Band
• The Allman Brothers Band Museum (the "Big House")
• Red Dog Long Term Roadie and supporter of the band.

References[link]

Further reading[link]

• The Allman Brothers Band: Dreams liner notes
• Freeman, Scott. Midnight Riders: The Story of the Allman Brothers Band, Little, Brown & Co. 1995.
• Reynolds, Dean. The Complete Allman Brothers Band Discography, 2000.
• Leavell, Chuck with J. Marshall Craig. Between Rock and a Home Place, Macon, GA: Mercer University Press, 2004.
• Perkins, Willie. No Saints, No Saviors, Macon, GA: Mercer University Press, 2005.
• Poe, Randy. Skydog: The Duane Allman Story, Milwaukee, WI: Backbeat Books, 2006.
• Reid, Jan. Layla and Other Assorted Love Songs by Derek and the Dominos (Rock of Ages). New York: Rodale, Inc., 2006.

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (March 2012)

Wikimedia Commons has media related to: The Allman Brothers Band

• Official web site
• Founding Member Dickey Betts' website
• Flying Frog Records - Butch Trucks' jamband label
• Chuck Leavell's website - former keyboardist
• David Goldflies' website - former bassist
• The Allman Brothers Band at the New Georgia Encyclopedia
• The Allman Brothers Band Legends of Southern Rock at Swampland.com
• The Allman Brothers Band at RollingStone.com
• 2009 Concert Photo Gallery

Annie Haslam
Annie Haslam performing with Renaissance at Ottawa Bluesfest, July 2010
Background information
Birth name	Ann Haslam
Born	(1947-06-08) 8 June 1947 (age 65)
Origin	Bolton, Lancashire, England
Genres	Progressive rock, Pop, Folk
Occupations	Singer, songwriter, painter
Years active	1971–present
Labels	White Dove Sire Records Warner Bros. Records Weinerworld Epic Records Virgin Records (Japan) Voiceprint Records Transatlantic Records
Associated acts	Renaissance, Nevada
Website	AnnieHaslam.com

Annie Haslam (born 8 June 1947, Bolton, Lancashire) is an English progressive rock vocalist and songwriter.

Originally a fashion student, she began studying under opera singer Sybil Knight in 1970 and developed her five-octave vocal range.^{[citation needed]} In February 1971, she became the new lead singer of Renaissance, after answering an advertisement in a magazine, and auditioning for the band in Surrey.^[1]

In 1977, she began her solo career with her album Annie in Wonderland, produced by Roy Wood who played most of the musical instruments, and who also duetted with her on one track, and also performed on the Intergalactic Touring Band album. Haslam and Wood were engaged to be married for four years, which she later described as "Four of the funniest years of my life".^[2] She has since released eight studio albums, three of which were released through her own record label, White Dove. She has also collaborated with Steve Howe on a number of projects.

In 1993 she was diagnosed with breast cancer, which she survived and which became the inspiration for her 1994 album, Blessing in Disguise.^[3]

Her 2006 Live Studio Concert, was also released as her first solo DVD. Haslam released an EP called Night and Day, her first solo recording for some years, with Welsh rock band Magenta in 2006.

Haslam currently resides in Central Bucks County, Pennsylvania.

Solo discography[link]

• 1977: Annie in Wonderland
• 1985: Still Life
• 1989: Annie Haslam
• 1994: Blessing in Disguise
• 1995: Supper's Ready: (Genesis tribute Album) (guest vocalist)
• 1995: Tales From Yesterday (Yes tribute Album) (guest vocalist)
• 1998: Live Under Brazilian Skies
• 1999: The Dawn of Ananda
• 1999: Portraits of Bob Dylan by Steve Howe (album) (guest vocalist)
• 2000: It Snows in Heaven Too
• 2002: One Enchanted Evening
• 2005: Icon by John Wetton & Geoff Downes (album) (guest vocalist)
• 2006: Miles of Music by Bob Miles (guest vocalist)
• 2006: Live Studio Concert
• 2006: Night and Day EP with Magenta written for Haslam by Rob Reed and Christina Booth
• 2007: Woman Transcending

References[link]

External links[link]

• AnnieHaslam.com – Official page
• Annie Haslam Interview with Alison Steele, August 1989
• CD Baby's 2007 page on Woman Transcending with extensive notes by Haslam and her updated biography

One Man may refer to:

• One Man (album), a 1998 album by Mark King
• One Man (film), a 1977 Canadian film
• One Man (horse), an Irish Thoroughbred racehorse
• One Man, a 2002 album by American R&B singer Tank

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Man are a rock band from South Wales whose style is a mixture of West Coast psychedelia, progressive rock, blues and country-rock. Formed in 1968 as a reincarnation of Welsh rock harmony group ‘’The Bystanders’’, Man are renowned for the extended jams in their live performances, and having had numerous line up changes.

The Bystanders[link]

Man evolved out of The Bystanders, a successful close harmony pop group from Merthyr Tydfil who played numerous club residencies in Wales, often playing several clubs a night. The Bystanders issued eight singles, including "98.6" (#45 in UK Singles Chart, in February 1967)^[1] which featured in the 2009 film, The Boat That Rocked (although Keith's version was the bigger hit, reaching #24 in the UK) and "When Jesamine Goes", written by their manager Ronnie Scott and Marty Wilde under the pseudonyms of Frere Manston and Jack Gellar, which was later covered by The Casuals as "Jesamine" and got to #2 in the UK Chart. They also recorded sessions of cover versions for the BBC as rules restricting needle time required "live" performances between the records during the 1960s; ^[2] becoming regulars on the ’’Jimmy Young Show’’, "The David Symonds Show" and others.

When formed in 1962 The Bystanders included Owen Money, then known as Gerry Braden,^[3] but he was replaced by Vic Oakley, giving the classic line up of Micky Jones (guitar), Ray Williams (bass), Jeff Jones (drums), Clive John (aka Clint Space) (keyboards) and Vic Oakley (vocals). By 1968 the other members wanted to change musical direction to a more psychedelic/American west-coast guitar sound, so Oakley left, to be replaced by Deke Leonard; and the band changed its name to Man.^[4]

Pye years[link]

Man were initially signed to Pye Records, for whom they recorded their first two albums:- Revelation noted for the simulated orgasm on "Erotica", which received a UK ban,^[5] and 2 Ozs of Plastic with a Hole in the Middle. Whilst mixing the second album, Leonard left, and was replaced by Martin Ace from Leonard’s previous band, Dream. At this time, Man were recording three demo sessions a week for Leeds Music, including Down the Dustpipe which they taught to Status Quo.^[6]

Man then toured Europe, predominantly Germany, where they supported Chicago, but on their return, were stopped as suspected terrorists, then jailed for drugs offences in Belgium. Leonard then rejoined, but Ace stayed on as a multi-instrumentalist. Shortly after, Ray Williams and Jeff Jones were fired, with Terry Williams joining on drums and Ace moving to bass. Leonard, Ace and Terry Williams having been together in “Dream”, this was seen by some as a take-over.^[6]

A bootleg of the first gig by this line up, October 1970 in Hamburg, was issued as To Live for to Die and was later re-bootlegged by the band.^[7] Despite good reviews in Britain Two Ounces of Plastic ... was more popular in Germany, so the band spent a year in Germany, where, having to play 4–5 hours a night, most numbers became extended jams.

United Artists years[link]

Their manager, Barrie Marshall, obtained a new record contract with Andrew Lauder of United Artists Records, for whom the band recorded the eponymous Man album, which received mixed reviews. Their media break came when outperforming Soft Machine, Yes and Family at a concert in Berlin, but they continued to play on the continent.^[8] Having appeared on the United Artists sampler album, All Good Clean Fun, they undertook a tour of Switzerland, to promote the album, together with Help Yourself and Leicester band Gypsy.

The next album Do You Like It Here Now, Are You Settling In? recorded at Rockfield Studios by Kingsley Ward, received good reviews, and the band played German TV and Iceland with Badfinger.^[9] Constant touring was creating internal pressures, and in January 1972, John left the band, to form “Iowerth Pritchard and the Neutrons” with Phil Ryan and Will Youatt.

The new four piece supported Hawkwind and Brinsley Schwarz at a charity gig at The Roundhouse on 13 February 1972, recorded and issued as Greasy Truckers Party, a limited edition double album which rapidly became a collectors' item.^[10] United Artists' A&R man, Andrew Lauder, persuaded them to follow this up with a live album.^[11] Live at the Padget Rooms, Penarth was recorded on 8 April 1972. It was sold at a reduced price and only 8000 copies were pressed, which sold out in a week, making it No 1 in the “budget” album chart.^[12] Man recorded the first of their three Peel Sessions on 29 August 1972, (the others being 18 September 1973 & 31 October 1974)^[13]

The band then tried to write a new studio album, but lacked inspiration. Martin Ace left, to form "The Flying Aces" with his wife George, so Micky Jones and Terry Williams sacked Leonard, and John rejoined together with his new band members, Ryan (keyboards) and Youatt (bass).^[14] The new band recorded Be Good to Yourself at Least Once a Day which received good reviews. A party on 19 December 1972, with Dave Edmunds, Help Yourself, The Flying Aces and others, was issued as Christmas at the Patti, a double 10” album, which again topped the “budget” album chart, but on tour John fell out with Micky Jones, and left again.

The four-piece started to record Back Into The Future, but felt the need for a second guitarist, so Alan “Tweke” Lewis joined from Wild Turkey. On 24 June 1973 they recorded the live half of this double album at Man’s spiritual London home, The Roundhouse, backed by the Gwalia Male Voice Choir, who had previously sung with Man at The Oval,^[15] when they supported Frank Zappa. The album initially sold well, rising to No 23,^[16] and again, this was tipped to be album that would make the band, but pressing was restricted by a lack of plastic during the oil crisis. The follow-up tour had Deke Leonard’s Iceberg as support. During the tour, Micky Jones and Leonard discussed a new Man line-up, so when Ryan and Youatt left to form The Neutrons in December 1973, Leonard disbanded Iceberg and rejoined Man along with two former members of Help Yourself; Malcolm Morley (keyboards) and Ken Whaley (bass), who had also played in Iceberg.^[8]

The next album Rhinos, Winos and Lunatics was produced by Roy Thomas Baker, noted for his work with Queen, and spent 4 weeks in the UK album chart, peaking at No 24.^[16] In March/April 1974 Man supported Hawkwind on The 1999 Party, a 5 week US tour. At the Los Angeles Whisky a Go Go on 12 March, Jim Horn joined on saxophone, which was issued as a bonus disc with the reissue of the Rhinos ... Album in 2007. The 21 April gig in Chicago, was recorded for radio, and issued on CD as The 1999 Party Tour in 1997, but omits Morley from the credits, although he is on the recording.

Morley left the day before recording started on the next album Slow Motion. Before the album was released, the band toured the UK (again with Badfinger) and USA in August–October 1974. They returned to the USA in March 1975, to promote the album by touring with REO Speedwagon and New Riders of the Purple Sage, but the tour collapsed on the first night. A new US tour, with REO Speedwagon and Blue Öyster Cult broke up two-thirds of the way through.^[8] Additional dates were arranged, but most were cancelled when Micky Jones developed pneumonia, so the final gigs were to be at the San Francisco Winterland. These were a great success, and promoter Bill Graham paid them a bonus, and rebooked them, but Whaley had had enough, and left.^[17]

Martin Ace flew out as a stand in, and the band met and rehearsed with John Cipollina of Quicksilver Messenger Service, who played with them at Winterland, and agreed to play a UK tour. On this tour, the Roundhouse gig was recorded, but it is rumoured that Micky Jones had to over-dub Cipollina’s guitar, as it was out of tune, before the Maximum Darkness album could be released.^[18] The album eventually reaching no 25 in the UK album chart.^[16] and Martin Ace continued as “stand in” bassist, until the end of a French tour, with Hawkwind, Gong and Magma, when he returned to the Flying Aces.

MCA[link]

The band changed label to MCA Records, Ryan rejoined on keyboards, but as no bass players they knew were available, the band had to audition for the first time in their history. Auditions went badly, until the final audition, of John McKenzie of Global Village Trucking Company, who was immediately offered the job.^[19] They then recorded The Welsh Connection which reached No 40 in the UK Album Chart^[16] and was toured in March/April 1976 in Britain and June/July in the US. During the US tour differences arose again, and on the subsequent European tour Ryan and McKenzie announced they would be leaving, and the rest of the band agreed to call it a day.^[19] The MCA record deal, however, was for 3 albums, but nobody was willing to contribute new material, and their attempts at covers were poor, so MCA eventually agreed to a live farewell album. All's Well That Ends Well was recorded at the Roundhouse on 11–13 December, although the final gig was in Slough on 16 December 1976. The band agreed that they “would never, ever, be one of those bands who reformed in a futile attempt to recapture past glories ...”.^[20]

Interval[link]

After the 1976 break up, band members undertook numerous projects, often with other former members.

Martin Ace[link]

Ace left Man before The Welsh Connection to reform The Flying Aces with his wife George (guitar), Mickey Gee (guitar), Phil Ryan (keyboards) and Stuart Halliday (drums). Ryan returned to Man and Halliday joined ‘’Alkatraz’’ being replaced first by Dave Charles, (ex Help Yourself) and then Mike Gibbins (ex Badfinger)

In the 1980s Ace & Micky Jones occasionally backed Welsh Elvis impersonator, Peter Singh in The Screaming Pakistanis and Ace also played with guitarist David Tipton with John 'Pugwash' Weathers (ex Gentle Giant) on drums.^[21]

Micky Jones[link]

Shortly after the break-up, Micky Jones recorded some demos with John McKenzie (bass), Malcolm Morley (guitar & keyboards) and Derek Ballard (drums). In 1978 he formed the Micky Jones Band, with Tweke Lewis (guitar), Steve Dixon (drums), Al McLaine (bass) and Steve Gurl (ex Wild Turkey & Babe Ruth) (keyboards).

Lewis & Gurl left, so Jones, Dixon & McLaine continued as three-piece Manipulator occasionally known as ‘’The Acidtones’’. In 1981 Jones disbanded Manipulator and formed The Flying Pigs with Mick Hawksworth (bass) and Phil Little (drums).^[22]

Deke Leonard[link]

Leonard reformed Iceberg, with Lincoln Carr (bass) and Terry Williams (when not playing with Rockpile). He still had a record contract and initially recorded with Martin Ace and Terry Williams, but needed two attempts to complete the album ‘'Before Your Very Eyes’', release of which was delayed for five years, when EMI took over United Artists.^[23] A later line up included 2 musicians Leonard had played with in Help Yourself, Richard Treece (guitar & bass) and B.J. Cole (pedal steel guitar), plus Reg Isadore (drums). Leonard took up writing, and briefly moved to the USA, where he worked on a Walter Egan album.

Leonard formed The Force with Sean Tyla (ex Ducks Deluxe) (guitar), Micky Groome (bass) and Paul Simmons (drums). Their album Force's First also included Terry Williams and Martin Ace. The Force disbanded after Tyla suffered severe stage fright in 1982, and Leonard reformed the band as another Iceberg^[23]

John McKenzie[link]

McKenzie initially joined Ryan and Pete Brown, before joining Steve Hillage appearing on some tracks of the ‘'Live Herald'’ album. He then became a session/backing musician, touring with Dr John, Albert Lee, Davy Spillane, The Christians, Seal, Alison Moyet and Everything but the Girl and recording with Bob Dylan, The Pretenders, Eurythmics, David Bowie, Mary Coughlan, Paul Brady, Moya Brennan, Andrea Corr, Damien Rice, and Wham.

Phil Ryan[link]

Ryan rejoined his former Piblokto partner Pete Brown and briefly formed The Brown & Ryan Band with McKenzie (bass), Taff Williams (ex Neutrons) (guitar) and Steve Jones (drums). A second line up of Pete Brown, Phil Ryan, Taff Williams, Dill Katz (bass) and Jeff Seopardie (drums) known as both ‘’Pete Brown and the Interoceters’’ and ‘’Ray Gammond and the Interoceters’’ recorded some tracks issued on Pete Brown’s 1984 album ‘’Party in the Rain’’. He also played a few gigs with the Flying Aces.^[21]

Ryan then moved to Denmark, where his wife Bolette came from, and wrote music for films and TV

Terry Williams[link]

On the breakup of Man, Williams immediately joined Rockpile with Dave Edmunds, Nick Lowe and Billy Bremner. They continued until 1982, issuing several successful albums & singles and touring the USA and Europe. Williams briefly worked with Meat Loaf, before receiving an offer from Dire Straits, who he was still working with, when Man reformed.^[21]

Reformed[link]

The band reformed in 1983, with a line-up of Micky Jones and Deke Leonard on guitars, Martin Ace on bass and John “Pugwash” Weathers (formerly of Gentle Giant) on drums. This line up was to stay constant until 1996, except from a short spell, when Weathers was unwell, and Rick Martinez temporarily took over

After rehearsals, their first gig was on All Fools Day at the Marquee Club in London, and in June they recorded Friday 13th (Picasso PIK 001) at The Marquee, but this comprised old numbers, not new material. Not having a recording contract to promote them, albums were issued on several labels, e.g. Friday 13th was also issued as Live at the Marquee (Great Expectations PIPCD 055) and Talk about a Morning (Dressed to Kill DRESS 600). Later that year they played the Reading Festival which was recorded for Tommy Vance’s Friday Rock Show and released as Live At Reading '83 in 1993.^[24]

In 1983, they also recorded an album of new material in Germany, but fell out with the producer, who was also the album’s promoter, so the album was never issued.^[25] The first studio album to be issued, The Twang Dynasty was issued in 1992 and included the track "Fast and Dangerous" which was used on trailers for Paul Whitehouse’s Fast Show, although the band were not paid for this.^[25]

Their performance at 1994’s Glastonbury Festival was issued as Live 1994 - Official Bootleg (and reissued as Live Official Bootleg), and in 1995 they recorded Call Down The Moon issued on the Hypertension label, and produced by the band and Ron Sanchez – a US musician and DJ, who had long championed their cause.

Weathers left in 1996, allegedly because Gentle Giant were about to reform,^[26] and was replaced by returning drummer Terry Williams, who in the interim, had served in bands such as Dire Straits. Williams recorded some tracks, later released on the Undrugged album, and then Leonard suffered a minor stroke, so the band played a few gigs as a 3 piece. When Leonard returned in 1997, Williams left, to be replaced by drummer Bob Richards formerly of The Wild Family and The Adrian Smith Band.

Former keyboardist Phil Ryan returned in 1998 taking the band back to the classic 5-piece line-up, which recorded a live double album at The Star Club, Oberhausen, West Germany, in March that year. Ryan played a major role in producing 2000's Endangered Species, but then had to withdraw from the band for personal reasons. Ryan was replaced by Gareth Llewellyn Thorrington, who missed the recording of Down Town Live at the Down Town Blues Club, Hamburg, in May 2001, as his flight was cancelled due a bomb-scare, but appeared on part of the Undrugged album (an “unplugged” album with a twist in the title), which had been started in 1996, and was finally issued in 2002. Undrugged has some classic covers, including Brian Wilson's Sail on Sailor and Ray Charles's Georgia On My Mind both lead vocals being by Micky Jones.

In 2002 Micky Jones was diagnosed with a brain tumour and had to take time off for treatment. Micky's place was temporarily taken by his son George Jones, but when Micky had recovered enough to rejoin, in 2004, Leonard decided to leave, again, so George became a permanent member of the band. In 2005, Micky Jones' health deteriorated due to the re-occurrence of his brain tumour^[22] and he was replaced by Martin Ace's son Josh Ace.

In 2006, the album Diamonds and Coal was released, after which Thorrington was sacked, and the band continued as a 4-piece. The 40th anniversary tour in 2008, saw the return of Ryan on keyboards, giving a multi-generational line up, with two early members (Martin Ace and Phil Ryan), two sons of early members (George Jones and Josh Ace) and Bob Richards, who had been in the band since 1997. This line up also recorded a studio album, but before this was mixed, the band split.^[27] Josh Ace, Martin Ace and Phil Ryan recruited James Beck (guitar, vocals) and Rene Robrahn (drums, vocals) to the new line up and wiped parts of the album to replace George Jones. Bob Richards parts were kept on as they were unable to record over them, due to the lack of a click track. This latest album Kingdom of Noise was finally released in June 2009.^[28]

After leaving Man, Micky Jones continued to perform for a while, but was then diagnosed with another tumour, he spent the next year and a half in and out of hospital, his health meant he remained at a care home in Swansea for the next 3 years until he died peacefully, at the age of 63, on 10 March 2010.^[29][30][31] Fans paid tribute to Micky Jones online,^[32] calling Man the greatest Welsh band of all time.

Clive John, AKA Clint Space, another of the founding members, died after a long fight against emphysema on 24 August 2011.^[33]

Discography[link]

For a full discography see "The Manband Archive". In August 2011 this listed 412 releases, on 71 labels, in 24 countries.^[34]

Band member timeline[link]

 id:guitar      value:yellow       legend:Guitar
 id:bass        value:yellowgreen    legend:Bass
 id:drums       value:powderblue2  legend:Drums
 id:keys       value:orange      legend:Keyboards
 id:lines       value:black        legend:Albums

 bar:Micky      text:"Micky Jones"
 bar:Deke    text:"Deke Leonard"
 bar:Ray   text:"Ray Williams"
 bar:Jeff   text:"Jeff Jones"
 bar:Clive    text:"Clive John"
 bar:Martin   text:"Martin Ace"
 bar:Terry      text:"Terry Williams"
 bar:Will     text:"Will Youatt"
 bar:Phil  text:"Phil Ryan"
 bar:Tweke     text:"Tweke Lewis"
 bar:Ken    text:"Ken Whaley"
 bar:Malc    text:"Malcolm Morley
 bar:Cippo     text:"John Cippolina"
 bar:John     text:"John McKenzie"
 bar:Pugwash     text:"John Weathers"
 bar:Rick     text:"Rick Martinez"
 bar:Bob     text:"Bob Richards"
 bar:Gareth     text:"Gareth Thorrington"
 bar:George     text:"George Jones"
 bar:Josh     text:"Josh Ace"
 bar:James     text:"James Beck"
 bar:Rene     text:"Rene Robrahn"

 width:10 textcolor:black align:left anchor:from shift:(10,-4)
 bar:Micky     from:01/11/1968 till: 16/12/1976 color:guitar
 bar:Deke    from:01/11/1968 till: 15/08/1969 color:guitar
 bar:Deke    from:16/03/1970 till: 15/04/1972 color:guitar
 bar:Deke    from:01/01/1974 till: 16/12/1976 color:guitar
 bar:Ray   from:01/11/1968 till:15/10/1970 color:bass
 bar:Jeff   from:01/11/1968 till:15/10/1970 color:drums
 bar:Clive    from:01/11/1968 till:15/01/1972 color:keys
 bar:Clive    from:16/04/1972 till:15/04/1973 color:guitar
 bar:Martin   from:16/08/1969 till:15/10/1970 color:guitar
 bar:Martin   from:16/10/1970 till:15/04/1972 color:bass
 bar:Martin   from:16/03/1975 till:31/08/1975 color:bass
 bar:Terry      from:16/10/1970 till: 16/12/1976 color:drums
 bar:Will     from:16/04/1972 till:31/12/1973 color:bass
 bar:Phil   from:16/04/1972 till:31/12/1973 color:keys
 bar:Phil     from:01/10/1975 till: 16/12/1976 color:keys
 bar:Tweke    from:16/06/1973 till:31/12/1973 color:guitar
 bar:Ken    from:01/01/1974 till:15/03/1975      color:bass
 bar:Malc    from:01/01/1974 till:15/07/1974 color:keys
 bar:Cippo    from:01/05/1975 till: 31/07/1975     color:guitar
 bar:John     from:01/10/1975 till:16/12/1976 color:bass
 bar:Micky     from:01/04/1983 till: 30/06/2002 color:guitar
 bar:Deke    from:01/04/1983 till: 30/06/1996 color:guitar
 bar:Martin    from:01/04/1983 till: end   color:bass
 bar:Pugwash    from:01/04/1983 till: 31/12/1986 color:drums
 bar:Terry    from:01/03/1987 till: 15/02/1988 color:drums
 bar:Pugwash    from:06/02/1988 till: 30/11/1989 color:drums
 bar:Terry    from:01/01/1990 till: 31/01/1990 color:drums
 bar:Rick    from:01/02/1990 till: 31/10/1990 color:drums
 bar:Pugwash    from:01/11/1990 till: 31/12/1995 color:drums
 bar:Terry    from:01/01/1996 till: 31/01/1997 color:drums
 bar:Deke    from:01/02/1997 till: 30/06/2004 color:guitar
 bar:Bob    from:01/02/1997 till: 31/12/2008 color:drums
 bar:Phil    from:01/01/1998 till: 30/06/2000 color:keys
 bar:Gareth    from:01/07/2000 till: 01/11/2006 color:keys
 bar:George    from:01/07/2002 till: 31/12/2008 color:guitar
 bar:Micky     from:01/07/2004 till: 30/06/2005 color:guitar
 bar:Josh     from:01/07/2005 till: end     color:guitar
 bar:Phil    from:01/07/2008 till: end     color:keys
 bar:James    from:01/01/2009 till: end     color:guitar
 bar:Rene    from:01/01/2009 till: end     color:drums

 at:01/01/1969 color:black layer:back
 at:01/09/1969 color:black layer:back
 at:01/03/1971 color:black layer:back
 at:01/11/1971 color:black layer:back
 at:28/04/1972 color:black layer:back
 at:01/09/1972 color:black layer:back
 at:01/10/1972 color:black layer:back
 at:01/04/1973 color:black layer:back
 at:01/09/1973 color:black layer:back
 at:01/05/1974 color:black layer:back
 at:01/10/1974 color:black layer:back
 at:01/09/1975 color:black layer:back
 at:01/03/1976 color:black layer:back
 at:01/03/1977 color:black layer:back
 at:01/01/1984 color:black layer:back
 at:14/11/1992 color:black layer:back
 at:01/03/1995 color:black layer:back
 at:01/07/1998 color:black layer:back
 at:12/07/2000 color:black layer:back
 at:01/04/2002 color:black layer:back
 at:23/11/2006 color:black layer:back
 at:09/06/2009 color:black layer:back

References[link]

Further reading[link]

• Leonard D. (1996 & Rev. 2001) Rhinos, Winos & Lunatics. Northdown Publishing ISBN 1-900711-00-1 & ISBN 1-900711-09-1
• Leonard D. (2000) Maybe I Should’ve Stayed in Bed? Northdown Publishing ISBN 1-900711-09-5

External links[link]

• Comprehensive fan site
• Original fan site
• Micky Jones Official site
• Deke Leonard Official site
• The Harvard Man Home Page
• Tribute Album download page
• Man at Discogs.com