- published: 07 Mar 2009
- views: 77768
- author: leahrozz
3:39
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what is matter?
Everything in the world is made up of solids, liquids and gases. These are known as the th...
published: 07 Mar 2009
author: leahrozz
what is matter?
Everything in the world is made up of solids, liquids and gases. These are known as the three states of matter. They are all substances that have mass and take up space because they have volume. All those things around you are made of matter, so are you, as are the Earth and stars in the sky. Solids, liquids and gases are made of molecules, which contain one or more atoms. In a solid, the molecules are bound together so strongly that its shape usually stays the same. In a liquid, the molecules are more loosely connected so that the liquid flows easily but has a level surface. In a gas the molecules move randomly in any direction so that the gas has no shape.
- published: 07 Mar 2009
- views: 77768
- author: leahrozz
6:18
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Metallica - Nothing Else Matters
Nothing Else Matters is the eighth song on the album Metallica (The Black Album). *NOTE* T...
published: 14 May 2009
author: Metallica2Heaven
Metallica - Nothing Else Matters
Nothing Else Matters is the eighth song on the album Metallica (The Black Album). *NOTE* This is a Metallica classic so I'm really sorry that I had to speed it up. Lyrics: So close no matter how far Couldn't be much more from the heart Forever trusting who we are And nothing else matters Never opened myself this way Life is ours, we live it our way All these words I don't just say And nothing else matters Trust I seek and I find in you Every day for us something new Open mind for a different view And nothing else matters Never cared for what they do Never cared for what they know, whoa But I know So close no matter how far Couldn't be much more from the heart Forever trusting who we are And nothing else matters Never cared for what they do Never cared for what they know, whoa but I know I never opened myself this way Life is ours, we live it our way All these words I don't just say And nothing else matters Trust I seek and I find in you Every day for us something new Open mind for a different view And nothing else matters Never cared for things they say Never cared for games they play I'd never cared for what they do I'd never cared for what they know And I know Yeah! So close no matter how far Couldn't be much more from the heart Forever trusting who we are And nothing else matters
- published: 14 May 2009
- views: 5897150
- author: Metallica2Heaven
4:06
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Akon - Don't Matter
Music video by Akon performing Don't Matter. (C) 2007 Universal Records & SRC Records Inc....
published: 16 Jun 2009
author: AkonVEVO
Akon - Don't Matter
Music video by Akon performing Don't Matter. (C) 2007 Universal Records & SRC Records Inc., a division of UMG Recordings
- published: 16 Jun 2009
- views: 63508349
- author: AkonVEVO
3:55
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Papa Roach - No Matter What - music video (@paparoach)
Check out the new single from the band's latest album, Time For Annihilation! www.facebook...
published: 02 Jun 2011
author: Papa Roach
Papa Roach - No Matter What - music video (@paparoach)
Check out the new single from the band's latest album, Time For Annihilation! www.facebook.com www.twitter.com www.paparoach.com
- published: 02 Jun 2011
- views: 2158716
- author: Papa Roach
4:12
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Skillet - Would It Matter (Lyrics)
The second song from deluxe edition of album Awake! Enjoy Lyrics: V1 if I wasnt here tomor...
published: 18 Nov 2009
author: AragornPk10
Skillet - Would It Matter (Lyrics)
The second song from deluxe edition of album Awake! Enjoy Lyrics: V1 if I wasnt here tomorrow would anybody care if my time was up Id wanna know You were happy I was there if I wasnt here tomorrow would anyone lose sleep if I wasnt hard and hollow Then maybe you would miss me Pre I know Im a mess and I wanna be someone Someone that Id like better I can never forget, so dont remind me of it forever Chorus What if I just pulled myself together Would it matter at all What if I just tried not to remember Would it matter at all All the chances that have passed me by Would it matter if I gave it one more try Would it matter at all V2 if I wasnt here tomorrow would anybody care Still stuck inside this sorrow I got nothin and going nowhere Post bridge I know Im a mess and I wanna be someone Someone that Id like better Can you help me forget, dont wanna feel like this forever Outro If I left tomorrow would anybody care Stuck in this sorrow Going nowhere
- published: 18 Nov 2009
- views: 3608015
- author: AragornPk10
4:38
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Frank Ocean - Pink Matter ft. Andre 3000
Add Me On Facebook: www.facebook.com www.facebook.com www.facebook.com Follow Me On Twitte...
published: 10 Jul 2012
author: FrankOceanHD
Frank Ocean - Pink Matter ft. Andre 3000
Add Me On Facebook: www.facebook.com www.facebook.com www.facebook.com Follow Me On Twitter: www.twitter.com ____________________________________________ Frank Ocean - Pink Matter ft. Andre 3000 Frank Ocean - Pink Matter Frank Ocean - Pink Matter Andre 3000 - Pink Matter Andre 3000 - Pink Matter
- published: 10 Jul 2012
- views: 3429331
- author: FrankOceanHD
6:26
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Metallica - Nothing Else Matters [Official Music Video]
SONG FACTS: Singer and rhythm guitarist "James Hetfield" wrote this song while he was on t...
published: 13 Sep 2010
author: dudeme12
Metallica - Nothing Else Matters [Official Music Video]
SONG FACTS: Singer and rhythm guitarist "James Hetfield" wrote this song while he was on the phone with his girlfriend at this time. Since he held the phone with one hand, he plucked the four open strings of a standard E-minor chord with the other, which eventually made up the first two bars of the song. The lyrics were also dedicated to his girlfriend, which talk about being "so close, no matter how far", indicating the bond they shared even when Hetfield was on tour. Initially, the song was not meant to go on the album, and Hetfield had written it for himself, but only after drummer Lars Ulrich heard it was it considered for the record. This is one of the few Metallica songs where James Hetfield played the guitar solo rather than Kirk Hammett. Hetfield explained this song to Mojo magazine December 2008. Said the Metcallica singer: "It's about being on the road, missing someone at home, but it was written in such a way, it connected with so many people, that it wasn't just about two people, it was about a connection with your higher power, lots of different things." Hetfield added: "I remember going to the Hell's Angels Clubhouse in New York, and they showed me a film that they'd put together of one of the fallen brothers, and they were playing Nothing Else Matters. Wow. This means a lot more than me missing my chick, right? This is brotherhood. The army could use this song. It's pretty powerful." Hetfield told Mojo that after penning this love ballad, he was initially ...
- published: 13 Sep 2010
- views: 5420703
- author: dudeme12
19:48
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TEDxDesMoines - Angela Maiers - You Matter
Angela Maiers is an education and technology consultant from Des Moines, Iowa who shares w...
published: 06 Aug 2011
author: TEDxTalks
TEDxDesMoines - Angela Maiers - You Matter
Angela Maiers is an education and technology consultant from Des Moines, Iowa who shares with us how two words can change a life. In the spirit of ideas worth spreading, TEDx is a program of local, self-organized events that bring people together to share a TED-like experience. At a TEDx event, TEDTalks video and live speakers combine to spark deep discussion and connection in a small group. These local, self-organized events are branded TEDx, where x = independently organized TED event. The TED Conference provides general guidance for the TEDx program, but individual TEDx events are self-organized.* (*Subject to certain rules and regulations)
- published: 06 Aug 2011
- views: 58096
- author: TEDxTalks
5:28
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Metallica - Nothing else matters lyrics
This wonderful song with the whole text. The rights of this song are not mine. Please watc...
published: 20 Apr 2008
author: xbamgirlx
Metallica - Nothing else matters lyrics
This wonderful song with the whole text. The rights of this song are not mine. Please watch: www.youtube.com
- published: 20 Apr 2008
- views: 3671377
- author: xbamgirlx
6:47
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(Metallica) Nothing Else Matters - Sungha Jung
Sungha Jung 2nd Album 'Irony' now availble at www.sunghajung.com Sungha http plays' Nothin...
published: 23 Jun 2010
author: jwcfree
(Metallica) Nothing Else Matters - Sungha Jung
Sungha Jung 2nd Album 'Irony' now availble at www.sunghajung.com Sungha http plays' Nothing else maatters' arranged by Tomi Paldanius. Sungha's 1st CD'Perfect Blue' is now available. Visit www.sunghajung.com
- published: 23 Jun 2010
- views: 7399953
- author: jwcfree
6:32
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Metallica-Nothing Else Matters
Metallica-The Black Album-Nothing Else Matters Formazione: James Hetfield: Chitarra,voce J...
published: 16 Jun 2010
author: Elia Blaszczykowski
Metallica-Nothing Else Matters
Metallica-The Black Album-Nothing Else Matters Formazione: James Hetfield: Chitarra,voce Jason Newsted:Basso Kirk Hammett:Chitarra Lars Ulrich:Batteria
- published: 16 Jun 2010
- views: 1967245
- author: Elia Blaszczykowski
3:09
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What if Money didn't matter
How do you like to spend your life? What do you desire? what if money didn't matter? What ...
published: 28 Oct 2012
author: Girish S
What if Money didn't matter
How do you like to spend your life? What do you desire? what if money didn't matter? What if money was no object? What would you like to do if money were no object?
- published: 28 Oct 2012
- views: 798448
- author: Girish S
Vimeo results:
6:22
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OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
3:30
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FUTURE PROOF
FUTURE PROOF - 2011 A/NZ PromaxBDA Opener
The DMC Initiative (DMCI) developed this piece ...
published: 24 Oct 2011
author: The DMCI
FUTURE PROOF
FUTURE PROOF - 2011 A/NZ PromaxBDA Opener
The DMC Initiative (DMCI) developed this piece as a response to the 2011 A/NZ PromaxBDA Conference title of Future Proof.
Our approach was to focus not on futuristic notions but to consider that which is timeless. People, the expression of self and the interactions between each other are timeless qualities relevant to creativity, no matter what the future holds.
The concept started quite fluidly, by briefing a variety of dancers, with individual performance styles, to develop choreography based on the concepts of growth, sharing, sending and receiving.
Directed by Nathan Drabsch, the performances were shot over one day using two RED Epic cameras, capturing the action at high speed. All design, editing and post production was done in-house by The DMCI team. We worked closely with composers and audio designers Mark Brandis & Jeff Black from ism studios, to create a unique score that perfectly compliments the performances.
As a whole, the focus is on the dancers as they create and interact with abstract forms in a vast unknown world. Their own movements determine the creation and final destruction of these elements. Their own paths of communication and creative expression have come full circle, and all that remains is the individual.
CREDITS
Created by The DMC Initiative (DMCI)
Contact: hello@thedmci.com.au
Creative Director / Director: Nathan Drabsch
Producer: Amy Nguyen
Editing, Design, 3D & Compositing: The DMCI - Brecon Littleford, Bernard Tan, Nathan Drabsch
AUDIO
Composition & Sound Design: Mark Brandis and Jeff Black @ ism studios
Contact: info@ismstudios.com.au
CREW
Director: Nathan Drabsch
DOP: Simon Chapman
Camera Operators: Aaron Haberfield & Glen Cogan (Enigma)
Producer: Amy Nguyen
Talent Co-Ordinator/Production: Briony Luschwitz (Motion Picture Company)
Gaffa/Lighting: Steve Scholfield
Best Boy: Andrew Ward
Hair Stylist: Elizabeth Vo
Make Up Artist: Angela Vien-Debetaz
Cameras supplied by Lemac and Enigma
DANCERS
Sarah Seville
Natasha Marconi
William Sanchez
Christopher Van Doren
Amy Campbell
Charles Bartley
Thi Nguyen
Contact:
hello@thedmci.com.au
+61 2 9439 4111
www.thedmci.com.au
19:21
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Zimoun : Compilation Video V.2.9 | Sound Sculptures & Installations, Sound Architectures
Zimoun : Sound Sculptures & Installations, Sound Architectrues
Compilation Video V.2.9 / L...
published: 24 Oct 2009
author: STUDIO ZIMOUN
Zimoun : Compilation Video V.2.9 | Sound Sculptures & Installations, Sound Architectures
Zimoun : Sound Sculptures & Installations, Sound Architectrues
Compilation Video V.2.9 / Last update: December 4, 2011
Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun's minimalist constructions effortlessly reverberates.
More works & information:
http://www.zimoun.ch
Next Events:
http://zimoun.ch/events.html
Newsletter:
http://www.zimoun.ch/newsletter.html
Facebook:
http://www.facebook.com/pages/Zimoun/134817185765
HD Video Archive:
http://vimeo.com/zimoun/videos/sort:plays
Galleries:
bitforms gallery nyc
http://www.bitforms.com
Galerie Denise René Paris
http://www.deniserene.com
_
«The sound sculptures and installations of Zimoun are graceful, mechanized works of playful poetry, their structural simplicity opens like an industrial bloom to reveal a complex and intricate series of relationships, an ongoing interplay between the «artificial» and the «organic». It‘s an artistic research of simple and elegant systems to generate and study complex behaviors in sound and motion. Zimoun creates sound pieces from basic components, often using multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns.» Tim Beck
«Zimoun is best compared to a watchmaker of a self-reproducing time constructing his own gauging station.» Radjo Monk
«The clean, elegant sound sculptures combine visual, sonic, and spatial elements in an organically balanced entirely artwork. Using simple and well- conceived mechanical systems, Zimouns‘s work transforms and activates the space.» Jury Prix Ars Electronica 2010
«Zimoun creates complex kinetic sound sculptures by arranging industrially produced parts according to seemingly simple rules. Using motors, wires, ventilators, etc.., he creates closed systems that develop their own behavior and rules similarly to artificial creatures. Once running, they are left to themselves and go through an indeterminable process of (de)generation.
These quasi autonomous creatures exist in an absolutely synthetic sphere of lifeless matter. However, within the precise, determinist systems creative categorioes suddenly reappear, such as deviation, refusal and transcience out of which complex patterns of behavior evolve.» Node10
«It is a poetic and humorous absurdity we find in Zimoun’s work, which opens up a wide, refreshing and enriching space for discoveries, associations and a multitude of approaches.» Nina Terry
«The components used in Zimoun’s work are simple, functional and raw, whereas only aesthetically high-level and purposefully chosen elements and materials are used in minimalist fashion. Through radical reduction, Zimoun creates works of art which allow for a plethora of associations without being pinned down to a specific direction. Radical abstraction functions rather like a code in the background of things, thus elegantly avoiding an insinuation of direct, concrete attribution. Thanks to the abundance of mechanical activity, the range of perception, possibilities and interpretations is wide open.» Amanda Neumann
«Indeed, one of the refreshing elements of this work is the immediacy with which one can understand the sound-making process, where each micro-event is present, visible, and concrete. Yet at the same time the resulting complexity of the total system, conjured before your eyes, defies any attempt to dissect it. You might find yourself feeling there is a «prime mover» at work behind the scenes, but in fact it is just the characteristic reaction of materials behaving together and in unison with the space of their activity. A magic of the real.» Xymara
_
Website:
http://www.zimoun.ch
_
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Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
Youtube results:
6:27
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Metallica - Nothing Else Matters (official video clip)
Click here: buygibson.com...
published: 22 Jun 2011
author: Paulo Lopes
Metallica - Nothing Else Matters (official video clip)
Click here: buygibson.com
- published: 22 Jun 2011
- views: 10729444
- author: Paulo Lopes
9:16
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Metallica - Nothing Else Matters - How to Play On Guitar - Guitar Lesson Tutorial part1
Request more www.guitarjamz.com...
published: 29 Dec 2009
author: martyzsongs
Metallica - Nothing Else Matters - How to Play On Guitar - Guitar Lesson Tutorial part1
Request more www.guitarjamz.com
- published: 29 Dec 2009
- views: 3239812
- author: martyzsongs
3:06
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Dark Matter
Physicists estimate that dark matter accounts for about twenty three percent of the known ...
published: 28 Dec 2012
author: scishow
Dark Matter
Physicists estimate that dark matter accounts for about twenty three percent of the known universe - the only problem is that no one really knows what it is... Like SciShow? www.facebook.com Follow Scishow! www.twitter.com References for this episode can be found in the Google document here: dft.ba
- published: 28 Dec 2012
- views: 163910
- author: scishow
2:43
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Music Video: ÆØÅ (Size Matters)
Music/Lyrics/Performers: Fridtjof StensÆth Josefsen Jakob SchØyen Andersen Mix: Rudi Simmo...
published: 24 Sep 2012
author: KollektivetTV2
Music Video: ÆØÅ (Size Matters)
Music/Lyrics/Performers: Fridtjof StensÆth Josefsen Jakob SchØyen Andersen Mix: Rudi Simmons Directing/Editing Mikael Samuelsen Online/Visuals BjØrn Amundlien Managing Editor Marit StØre Valeur - Se Kollektivet hver fredag kl. 17:55 på TV 2! Programmet ser du også gratis på TV 2 SUMO: webtv.tv2.no www.tv2.no/kollektivet Følg oss på Facebook: www.facebook.com
- published: 24 Sep 2012
- views: 2357840
- author: KollektivetTV2