E-Werk in 2008

The E-Werk was a techno music club in Berlin, which was previously an electrical substation. Located near Checkpoint Charlie, it was for many years one of Berlin's most well known techno clubs. It closed on 24 July 1997.

The famous DJ Paul Van Dyk was resident here. Paul pays homage to the club by remixing one of his most famous tracks, "For An Angel" and titling the remix (E-Werk).

The refurbished building of the E-Werk was reopened in 2005 - the heritage-protected area provides a unique architecture for events on multiple floors as well as offering modern office space.

External links[link]

• Official website

This article about a Berlin building or structure is a stub. You can help Wikipedia by expanding it. v t e

Coordinates: 52°30′32″N 13°23′13″E / 52.50889°N 13.38694°E / 52.50889; 13.38694

Martin Lee Gore (born 23 July 1961)^[1] is an English songwriter, lyricist, singer, guitarist, keyboardist, remixer and DJ. He is a founding member of Depeche Mode and has written the vast majority of their songs. His work now spans over three decades. He is probably best known as the composer of hits such as "Personal Jesus", "Enjoy the Silence" and "I Feel You".

In addition to composing music and writing lyrics of the Depeche Mode songs, he has also sung some of them as the lead vocalist, and usually solo, (for example, "Somebody", "A Question of Lust", "One Caress", "Home", "The Things You Said", "Jezebel" and "Sweetest Perfection"), as evidenced by most of the Depeche Mode concerts, and has been a backing vocalist on many of the others.

In 1999 Gore received the Ivor Novello Award from the British Academy of Songwriters, Composers and Authors for "International Achievement".

Career[link]

Martin Gore of Depeche Mode outside a hotel, just before leaving for a concert. (Los Angeles, July 1986)

Gore was born at Dagenham, Essex, England. He left Nicholas School, Basildon, in 1977 and took a job as a bank cashier. During evenings, weekends and any other spare time, he was involved with the local band Norman and the Worms with school friend Phil Burdett who later went on to become a singer/songwriter himself.

In 1980, Gore met Andy "Fletch" Fletcher at the Van Gogh club. Fletcher recruited Gore into his band Composition of Sound along with Vince Clarke. Soon the band drafted Dave Gahan to be the lead singer after hearing him sing "Heroes" by David Bowie. Gahan is credited with the name "Depeche Mode" after seeing the phrase as a title of a French fashion magazine, which later considered taking them to court, but thought it would be good publicity for the magazine to let the band have the name.

Clarke left Depeche Mode in late-1981 shortly after the release of the debut album Speak & Spell. Gore sings lead vocals on several of the band's songs, notably ballads, his tenor voice providing a contrast to David Gahan's dramatic baritone. Clarke wrote most of Depeche Mode's first album, Speak & Spell. Gore contributed two tracks, "Tora! Tora! Tora!" and the instrumental "Big Muff". "Any Second Now (voices)" features Gore's first lead vocals for the band. When Clarke announced his departure from Depeche Mode in 1981, citing the pressures of fame and creative differences, Gore took over songwriting. Gore had been writing material since the age of twelve.

Songs Gore wrote for Depeche Mode's second album, A Broken Frame (1982) differed musically and lyrically from Clarke's. Gore's writing became gradually darker and more political on subsequent Depeche Mode albums.

Gore sometimes uses guitar, typically his Gretsch White Falcon or Gretsch Double Anniversary on Depeche Mode songs. The first time guitar was used as the main instrument was on "Personal Jesus", although he used small guitar parts on previous songs, such as "Behind the Wheel". Gore's guitar playing developed even more on Songs of Faith and Devotion. However in live performances, he switches his keyboards for his guitar on some older Depeche Mode songs, such as "Never Let Me Down Again" and "A Question of Time". In mid 1990 Gore stated –

NME – July 1990^[2]

On 27 May 1999 Gore was presented with an award for "International Achievement", by the British Academy of Songwriters, Composers and Authors, at the 44th Ivor Novello Awards, at The Grosvenor House Hotel in Park Lane. Gore was presented with his award by Daniel Miller, whose speech commended Gore's work as Depeche Mode's songwriter, and the fact that for nearly twenty years the band have managed to connect, through their music, with people all over the world. Other attendees at the music industry-only event included Rod Stewart and Robbie Williams.^[3][4]

Gore remains the primary songwriter for Depeche Mode.

Personal life[link]

Gore's biological father was a black GI stationed in Britain.^[5] Gore was raised by his stepfather and biological mother and, as an adult, met his father in the American South. Gore responds to the source's information and is quoted in Miller's book saying, "It brings up family traumas" and "It's one of those things I'd rather not talk about."

In an interview for Revolver Magazine from 2001, writer J.D. Considine quotes Andrew Fletcher: "Actually, his (Gore's) dad is American, and he's black and lives in Virginia" says Fletcher. "Since then, Martin's met his dad... He looks the spitting image of Martin." The article briefly addresses Gore's lyrics from "Goodnight Lovers" from Exciter, positing a possible racial connotation with line "When you're born a lover, you're born to suffer / Like all soul sisters and soul brothers." Considine also poses the question of whether Depeche Mode can be considered an "American band," based on where the members resided at time of writing in 2001 and also Gore's biological heritage.^[6]

Gore currently lives in Santa Barbara, California. He is now divorced from his wife of twelve years, lingerie designer and model Suzanne Boisvert-Gore. He has three children: two daughters Viva Lee Gore (born 6 June 1991) and Ava Lee Gore (born 21 August 1995) and a son Calo Leon Gore (born 27 July 2002).

Martin is Dean Michael Oldfield’s and Louis Hyde’s uncle, both from the band Basic, originated also from Basildon and playing synthpop influenced by Depeche Mode.

Solo discography[link]

Studio albums[link]

Extended plays[link]

Singles[link]

Covers and collaborations[link]

• Martin Gore played keyboard on two tracks from Annette & Inga Humpe, called "Happiness Is Hard To Take" & "Don't Know Where I Belong" from their 1985 album Humpe Humpe
• Martin contributes a cover of Leonard Cohen's "Coming Back To You" on the 1995 tribute album Tower of Song: A Tribute to Leonard Cohen
• Martin Gore sang backing vocals on the Client song "Overdrive" from their 2004 album City.
• He played guitar on the Gwen Stefani song "Wonderful Life" on her 2006 album The Sweet Escape.
• Gore collaborated on the band Onetwo's track "Cloud Nine" by playing the guitar and as songwriter of the song, which can be found on their 2007 album called Instead.
• On 16 June 2009, a French band called Nouvelle Vague released a cover of Depeche Mode song "Master and Servant" on their album 3, with leading vocal of Melanie Pain. The album credits added the label "feat. Martin Gore" to that song, since Gore sings the backing vocals.^[20]
• Martin Gore sang backing vocals on the 2010 Nitzer Ebb track "Once You Say", included on their Industrial Complex album.
• Also in 2010, Tim Simenon's Bomb the Bass album Back to Light was published, which is containing the instrumental "Milakia", co-written by Martin Gore during the Ultra sessions. Besides this Martin also played synthesiser on the track.^[21]
• The Compact Space´s album Nameless, the band formed by Depeche Mode´s collaborators Christian Eigner, Daryl Bamonte & singer Florian Kraemmer includes a track "The Unstoppable Collision" with Martin Gore on guitar, which was released in 2011.
• In 2011 Martin created the Siren-synth – Mutesound on the track "Uni Rec" of the album "Univrs" from the German glitch and minimalist techno artist Alva Noto.
• Martin sings lead vocals on Motor 2011's EP single "Man Made Machine" from their – similar as the single titled "Man Made Machine" 2012 album.

VCMG

Former Depeche Mode colleague Vince Clarke collaborated with Gore for the first time since 1981 as techno duo VCMG on an instrumental minimalist electronic dance album called Ssss, released on 12 March 2012. The first EP entitled Spock was first released worldwide exclusively on Beatport on 30 November 2011.^[22] The second EP Single Blip was once again first released exclusively on Beatport on 20 February 2012. Their third EP, "Aftermaths" has a release date set on 25 June 2012.

Remixes[link]

• 1994 Spirit Feel – "Rejoice" (Mystic Span Mix)
• 1995 Garbage – "Queer" (The Most Beautiful Woman in Town Mix)
• 1999 ON – "Soluble Words" (Sublingual Remix)
• 2003 Señor Coconut And His Orchestra – "Smooth Operator" (In-Disguise Remix)

Depeche Mode songs with Gore on lead vocals[link]

Depeche Mode's lead vocals are generally handled by David Gahan, but on occasion Gore will sing lead vocals. These are all the songs he sings in chronological order:

• Speak & Spell
  • "Any Second Now (voices)"
• Construction Time Again
  • "Pipeline"
• Some Great Reward
  • "It Doesn't Matter"
  • "Somebody"
• Black Celebration
  • "A Question of Lust"
  • "Sometimes"
  • "It Doesn't Matter Two"
  • "World Full of Nothing"
  • "Black Day" ["Stripped" single]
• Music for the Masses
  • "The Things You Said"
  • "I Want You Now"
  • "Route 66" (cover of a song by Bobby Troup [B-Side of "Behind the Wheel"]
• Violator
  • "Enjoy the Silence" (Harmonium version only) ["Enjoy the Silence" single]
  • "Sweetest Perfection"
  • "Blue Dress"
• Songs of Faith and Devotion
  • "Death's Door" [Until the End of the World soundtrack and Condemnation single]
  • "Judas"
  • "One Caress"
• Ultra
  • "Home"
  • "The Bottom Line"
• Exciter
  • "Comatose"
  • "Breathe"
• Playing the Angel
  • "Macro"
  • "Damaged People"
• Sounds of the Universe
  • "Jezebel"
  • "The Sun and the Moon and the Stars" (bonus track)

Duets[link]

These are songs where Gahan and Gore have around equal singing time, in chronological order. In some instances, both sing at the same time (ex: "Behind the Wheel"), and in others, Gahan sang the verses while Gore sang the chorus (ex: "Everything Counts").

This article may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. More details may be available on the talk page. (April 2009)

• A Broken Frame
  • "Shouldn't Have Done That"

• Construction Time Again
  • "Everything Counts"
  • "Shame"

• Some Great Reward
  • "People Are People"
  • "Something to Do"

• Catching Up with Depeche Mode
  • "Shake The Disease"
  • "Fly On The Windscreen"

• Black Celebration
  • "Here Is the House"
  • "Dressed in Black"
  • "Breathing in Fumes" [B-side to "Stripped"] (the transformed voice throughout the song is the one of Martin Gore)

• Music for the Masses
  • "Never Let Me Down Again"
  • "Behind the Wheel"
  • "Pleasure, Little Treasure" [B-side to "Never Let Me Down Again"]

• Violator
  • "Waiting for the Night"

• Songs of Faith and Devotion
  • "Higher Love"

• Ultra
  • "Insight"
  • "Surrender" [B-side to "Only When I Lose Myself"], albeit only towards the end of the track.

• Exciter
  • "Dream On"

• Playing the Angel
  • "The Sinner in Me"
  • "Nothing's Impossible"
  • "Newborn" [B-side to "A Pain That I'm Used To"]
  • "Free" [B-side to "Precious"]

• Sounds of the Universe
  • "Little Soul"
  • "Peace"
  • "Hole to Feed"
  • "Corrupt"
  • "Oh Well" [bonus track]

Live[link]

These are songs that Gore has sung lead live, although the studio versions are sung by Gahan, in chronological order of the song's first live performance by Gore. It includes his solo concerts in 2003. To date, the only Gore-lead song that was sung by Gahan live was "Route 66" which was the closer during the World Violation Tour.

• Little 15 (The World Violation Tour)
• Here is the House (The World Violation Tour)
• Condemnation (The Exotic Tour, Summer Tour '94, The Exciter Tour, Solo)
• Waiting for the Night (The Exotic Tour)
• Sister of Night (The Singles Tour, The Exciter Tour, Tour Of The Universe)
• Dressed in Black (The Exciter Tour, Tour Of The Universe)
• Surrender (The Exciter Tour, Solo)
• Only When I Lose Myself (Solo only)
• In Your Room (Solo only)
• Walking in My Shoes (Solo only)
• The Love Thieves (Solo only)
• Enjoy the Silence (Solo only)
• Shake the Disease (Solo, Touring the Angel, Tour Of The Universe)
• Leave in Silence (Touring The Angel)
• Little Soul (Tour Of The Universe)
• Freelove (Tour Of The Universe)
• Clean (Tour Of The Universe)
• Insight (Tour Of The Universe)

Sources[link]

• Malins, Steve. Depeche Mode : Black Celebration : The Biography. Andre Deutsch, 2007. ISBN 978-0-233-00178-4
• Miller, Jonathan. Stripped: Depeche Mode 2003, 2004, Omnibus Press ISBN 1-84449-415-2
• Tobler, John. NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd, 1992. CN 5585. ISBN 0-600-57602-7

References[link]

External links[link]

Wikimedia Commons has media related to: Martin Gore

• Martin Gore Interview in SPIN
• Martin Gore's DJ Chart from Beatport

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (May 2012)

Jamie Cullum
Cullum performing in 2011
Background information
Born	(1979-08-20) 20 August 1979 (age 32) Rochford, Essex, England, UK
Genres	Crossover jazz, power pop, blue-eyed soul, jazz-pop
Occupations	Musician, songwriter
Instruments	Vocals, piano, keyboards, guitar, bass, drums
Labels	UCJ, Candid, Decca, Verve (US), Verve Forecast (US), Deckdisc (BR)
Website	www.jamiecullum.com

Jamie Cullum (born 20 August 1979) is a British pop and jazz-pop singer-songwriter, of Anglo-Burmese and Jewish extraction. Though he is primarily a vocalist/pianist he also accompanies himself on other instruments including guitar and drums. Since April 2010, he has been presenting a weekly jazz show on BBC Radio 2, broadcast on Tuesdays from 19:00.^[1]

Early life[link]

Cullum was born in Rochford, Essex.^[2] He was brought up in Hullavington, Wiltshire.^[3]

His mother, Yvonne, is a secretary of Anglo-Burmese origin, whose family settled in North England after Burma's independence; his father, John Cullum, worked in finance. His paternal grandfather was a British Army officer, while his paternal grandmother was a Jewish refugee from Prussia who sang in Berlin nightclubs.

Education[link]

Cullum was educated at Grittleton House School, an independent school in the village of Grittleton, near the market town of Chippenham in Wiltshire, followed by the sixth form of Sheldon School, a state comprehensive school in the same county. He then rejected a place at the University of Oxford to go on to study English Literature and Film Studies at the University of Reading, where he graduated with First Class Honours.

Musical career[link]

With only £48 to produce it, Cullum released his first album, Jamie Cullum Trio—Heard it All Before, in 1999, of which 500 copies were made.^[4] Due to their rarity, original copies have sold for as much as £600 on eBay.^[5] The success of Heard it All Before resulted in Cullum being invited to appear on Geoff Gascoyne's album Songs of the Summer^{[citation needed]}.

After graduating from Reading University, Cullum released his best-selling album, Pointless Nostalgic, which stirred interest from Michael Parkinson^[6] and Melvyn Bragg.

Just after Cullum made his first television appearance, on Parkinson in April 2003, he signed a £1m contract^[7] for three albums with Universal, who beat Sony in a bidding war. Cullum's second studio album, Twentysomething, released in October 2003, went platinum and became the No. 1 selling studio album by a jazz artist in the United Kingdom. Cullum ended 2003 as the UK's biggest selling jazz artist of all time.^[7]

Although primarily a jazz musician, Cullum performs in a wide range of styles and is generally regarded as a "crossover" artist with his musical roots firmly based in jazz. Cullum draws his inspiration from many different musicians and listens to an eclectic mix of music from Miles Davis^[8] to Tom Waits and many more. Cullum has belonged to several bands, ranging from banging drums in a hip hop group to playing guitar in rock bands such as Raw Sausage and The Mystery Machine, in his teenage youth. Cullum names his elder brother, Ben Cullum, as his biggest musical influence, and the two continue to collaborate extensively.

Cullum is well known not only for his abilities on the piano, but also for his style and charisma^{[citation needed]}. One of the many things that features in Cullum's concerts is the Stomp box (not to be confused with an effect pedal for guitars), made from a small wooden block. The stompbox is used to amplify a musician's tapping foot. Cullum found this in Melbourne, Australia and uses it to enhance upbeat and fast-paced songs such as "Seven Nation Army", originally by The White Stripes and "Gold Digger", originally by Kanye West. He is also often found using a looping machine. This plays a heavy part in Cullum's versions of "Seven Nation Army" and "Teardrop" by Massive Attack. Cullum also beatboxes at most gigs.

As well as The White Stripes and Kanye West, Cullum has performed work by Massive Attack, Pharell, Rihanna, Pussycat Dolls, Radiohead, Gnarls Barkley, Elton John, Justin Timberlake, John Legend, Joy Division, Lady Gaga and many others. He has also performed with Kylie Minogue, Sugababes, Will.i.am, Burt Bacharach and The Heritage Orchestra.

Cullum never works to a set list and on average his gigs last just over two hours. The gigs are largely improvised, rooted in jazz but not solely consisting of jazz music.

Cullum has played at many large music festivals, including Glastonbury Festival (in 2004 and 2009), New Orleans Jazz & Heritage Festival (in 2005), Coachella 2005, 2006 South by Southwest, North Sea Jazz Festival, the Hollywood Bowl (performing with the Count Basie Orchestra) and the 2006 Playboy Jazz Festival. On 30 April 2006 Cullum played his biggest ever crowd on Queensday in the Netherlands.

In February 2012, Germany picked Roman Lob with "Standing Still", a composition by Cullum, along with Steve Robson, and Wayne Hector, as their entry for the Eurovision Song Contest.^[9]

[edit] Pointless Nostalgic

Pointless Nostalgic began life as a self-funded project and eventually got taken on by Candid Records, featuring a mix of standards, originals and contemporary covers. It was recorded in Spring 2001 at Clown's Pocket Studios, Bexley, by Derek Nash and co-produced by Geoff Gascoyne.

On the album, Cullum created covers of old classics with new arrangements of Warren and Burke's Devil May Care, Thelonious Monk's Well You Needn't and Gershwin's It Ain't Necessarily So.

The song as recorded by Cullum ("It Ain't Necessarily So") is also used in the film "The Anatomy Of Hate; A Dialogue To Hope " by Mike Ramsdell.

[edit] Twentysomething

Recorded at London's Mayfair Studio and released in 2004, Twentysomething contains a mix of jazz standards, contemporary tunes and ballads.

Due to the acoustic nature of the music, producer Stewart Levine chose to record and mix Twentysomething entirely on analogue tape. Since the album was recorded almost entirely "live" with no need to correct or improve performances, Levine saw no need for the infinite amount of tracks and computerised digital recording.

The album includes jazz standards "What a Diff'rence a Day Made", "Singin' in the Rain", and Cole Porter's "I Get a Kick out of You", modern takes on My Fair Lady's "I Could Have Danced All Night", Jeff Buckley’s "Lover, You Should Have Come Over", and Jimi Hendrix's "The Wind Cries Mary", as well as new tracks written by Cullum and his brother Ben, including the first single from the album All At Sea and the title track "Twentysomething".

[edit] Catching Tales

Cullum's third major label album, also produced by Stewart Levine, entitled Catching Tales, was released on 26 September 2005, in the United Kingdom and the Netherlands, and two weeks later in the United States, on 11 October. The American and French versions of Catching Tales do not include the track "Fascinating Rhythm", which appears on the European version. The first single released from the album, in the United Kingdom, was "Get Your Way", a collaboration with Dan The Automator that used a sample from the Thad Jones song "Get Out Of My Life, Woman". The second single released, in the United Kingdom and the Netherlands, was "Mind Trick", written by Cullum and his brother Ben. The third single from the album was the self-penned track "Photograph", which Cullum said was written on New Year's Day 2005 after he found a box of old photographs at his parents house.

A special edition version of Catching Tales was released in Europe, featuring a 20-minute documentary, including behind the scenes footage of Cullum recording the album and on the road footage, from across Europe. Catching Tales has also been released on double vinyl, as was the first single, "Get Your Way". A limited edition version of the "Get Your Way" single was released on red vinyl.

Cullum collaborated with Pharrell Williams. They recorded various songs together and it was thought that the track titled "Wifey" would make an appearance on Catching Tales, but this was prevented by legal and contractual problems. Cullum's vocals finally featured on Pharrell's debut solo album, on a track titled "You Can Do It Too", though Cullum is not credited as a featured artist.

Cullum performing at Colours of Ostrava, July 2009

Cullum toured in support of Catching Tales from the end of October 2005 to December 2006.

[edit] The Pursuit

On 4 June 2009, Cullum announced the title of his fourth studio album, The Pursuit. The album, which was released on 10 November 2009, is produced by Greg Wells,^[10] and the first single is "I'm All Over It", written by Deacon Blue frontman, Ricky Ross. The album was recorded at a Los Angeles studio, using songs that Cullum originally recorded at his Shepherd's Bush recording studio, Terrified Studios.^[11]

The Pursuit was recorded in a variety of places; Cullum's kitchen, a studio in L.A. and Terrified Studios (his own in Shepherd's Bush). Various musicians were also used in the recording process. Songs recorded in L.A. mostly used session musicians and sees Greg Wells and Cullum play various instrument including drums and bass. "Don't Stop The Music", the second single from the album (released as a download only in January 2010)^[12] was recorded with Chris Hill and Brad Webb.

From 2003 to 2008, Cullum played consistently with Geoff Gascoyne on bass, and Sebastiaan de Krom on drums. From 2003 until 2004 the trio was joined by Ben Castle on saxophone, John Hoare on trumpet, Barnaby Dickinson on trombone and Malcolm MacFarlane on guitar. Sam Wedgwood (guitarist, bassist and trumpeter) later joined Cullum on tour, for a little over a year. At the end of 2005 Cullum was joined by Tom Richards (saxophonist, occasional guitarist and percussion). Soon after that Sam Wedgwood left to pursue his own solo musical career. At the beginning of 2006 Rory Simmons (trumpeter and guitarist) joined the band as a replacement, bringing the total number of band members (including Cullum himself) to five.

In late 2009 Cullum replaced Geoff Gascoyne (bass) and Sebastiaan de Krom (drums) with Chris Hill (bass) and Brad Webb (drums).

Awards[link]

The British Jazz Awards first recognised Cullum's growing success by awarding him the "Rising Star" award, at the 2003 ceremony in July.^[7] At the 2004 BRIT Awards, Cullum was nominated in the "British Breakthrough Act" category. He performed live in the ceremony at Earl's Court, a duet with Katie Melua of The Cure's "The Lovecats". In the 2005 BRIT Awards, Cullum was nominated for two awards: "Best Male Artist" and "Best Live Act". In 2005 Cullum was nominated for a Grammy while taking BBC Radio 2 "Artist of the Year" honours at the BBC Jazz Awards (as voted for by listeners of Radio 2). In 2007 Cullum won the Ronnie Scotts Jazz Award for "Best British Male". He was also nominated for a Golden Globe Award for Best Original Song for his composition Gran Torino for the Clint Eastwood film Gran Torino.

Projects[link]

Cullum's early music career saw him playing three or four times a week at Pizza Express's restaurants throughout London, gaining exposure and later his big break with Universal. Cullum now supports the "Pizza Express Big Audition with Jamie Cullum" competition which gives singers, song writers and musicians a platform and a chance to win a £5000 prize and a residency at the restaurant chain's Dean Street Jazz Club. In 2011, 7,500 acts entered the competition and the final was held at the Addison's Rooms in Kensington on 23 November. The final was judged by Jamie Cullum himself, Sir Michael Parkinson, M People's Heather Small and other music critics. The winning act was Offbeat South, an urban group of 18-21 year olds from Croydon. The other finalists were Andy Lewis, Elle Watson, Palms 13 and The Yesberger Band.^[13]

Personal life[link]

Cullum married British food critic and former model Sophie Dahl in a private ceremony in England on 9 January 2010.^[14] On 11 September 2010, the couple confirmed that they were expecting a child.^[15] Their daughter, Lyra, was born on 2 March 2011.^[16]

He was the subject of BBC Radio 4's Desert Island Discs on 25 March 2012.

He is a supporter of Swindon Town F.C..^{[citation needed]}

Discography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Jamie Cullum

• Official website
• Official record label site
• Jamie Cullum at BBC Programmes