Nadia is a female given name of Slavic / Eastern European origin. See Nadia (given name).

Nadia may refer to:

People[link]

In sports[link]

• Nadia Comăneci (born 1961), Romanian Olympic gold medal-winning gymnast
• Nadia Cortassa (born 1978), Italian triathlete
• Nadia Dandolo (born 1962), Italian long-distance runner
• Nadia Davy Jamaican sprinter
• Nadia Petrova (born 1982), professional tennis player from Russia
• Nadia Styger (born 1978), Swiss alpine skier

In film and television[link]

• Nadia Almada (born 1977), Portuguese reality television star, winner of Big Brother UK
• Nadia Bjorlin (born 1980), American actress
• Nadia Di Cello (born 1989), Argentine actress
• Nadia Chambers (born 1968), Welsh actress
• Nadia Chan (born 1971), Hong Kong actress and singer
• Nadia Farès (born 1973), French actress
• Nadia Khan (born 1979), Pakistani TV actress and producer
• Nadia Litz (born 1976), Canadian actress
• Nadia López (born 1983), Mexican singer and reality television star
• Nadia Lutfi (born 1938), Egyptian actress
• Nadia Sawalha (born 1964), English actress and television presenter
• Nadia Tass (born 1956), Australian film director and producer
• Nadia Turner (born 1977), contestant on American Idol season 4
• Fearless Nadia (1908–1996), Indian actress and stuntwoman

Other[link]

• Princess Nadia of Leiningen (born 1991), 129th in line to the British throne
• Nadia Abu El Haj, assistant professor at Barnard College
• Nadia Bakhurji, Saudi interior designer who announced her candidacy in the 2005 Saudi elections
• Nadia Boulanger (1887-1979), French composer, conductor and teacher
• Nadia McCaffrey, founder of Angel Staff and anti-Iraq War activist
• Nadia Wheatley, Australian author of Five Times Dizzy
• Nadia Yassine (born 1958), founder and head of the feminine branch of the Moroccan Islamist movement Al Adl Wa Al Ihssane
• Nadia Younes (1946–2003), Egyptian national who worked for the UN and the WHO, victim of the Canal Hotel bombing

Fictional characters[link]

• Nadia, in the computer game Command & Conquer: Red Alert
• Nadia Yassir, from the TV series 24
• Nadia Jazeem, on the TV series Lost
• Nadia Santos, on the TV series Alias
• Princess Nadia, a character in the SNES/PS1 game Chrono Trigger
• Nadia, in the anime TV series El Cazador de la Bruja
• Nadia, in the American Pie film series
• Nadia, a Russian mail order bride in the 2002 film Birthday Girl
• Nadia Chernyshevski, in Kim Stanley Robinson's Mars trilogy
• Nadia, in Pandorum

Other uses[link]

• Nadia district, in the West Bengal state of India
• Nadia (1984 film), a made-for-television biopic of Nadia Comăneci
• Nadia: The Secret of Blue Water, an anime by Gainax

See also[link]

• Nadine (disambiguation)
• Nadezhda (disambiguation)
• Nadja (disambiguation)
• Nadya
• Nadzieja
• Slavic names

This disambiguation page lists articles associated with the same title. If an internal link led you here, you may wish to change the link to point directly to the intended article.

Nitin Sawhney
Nitin Sawhney in Lisbon, 24th Feb 2009
Background information
Born	1964 England
Origin	Rochester, Kent, England
Genres	Jazz, Drum and bass, Hip Hop, Orchestra, Trip Hop
Occupations	Producer, Songwriter, Multi-instrumentalist, DJ, Orchestral Composer
Website	NitinSawhney.com

Nitin Sawhney (born 1964) is an Indian-British musician, producer and composer. His critically acclaimed work combines Asian and other worldwide influences with elements of jazz and electronica and often explores themes such as multiculturalism, politics and spirituality. Sawhney is also active in the promotion of arts and cultural matters, and is a patron of numerous film festivals, venues, and educational institutions.

Early years[link]

Nitin Sawhney was raised in Rochester, Kent, England. As a child Sawhney studied piano, classical and flamenco guitar, sitar and tabla. He attended Sir Joseph Williamson's Mathematical School, where he experienced racist comments, violence, and bullying from peers and community members who belonged to the National Front. He sought refuge in his music practice. ^[1]

Subsequently, he studied law at Liverpool University for a short time.^[2]

It was during this period that Sawhney met up with an old school friend, acid-jazz keyboard-player James Taylor. Sawhney then toured as part of The James Taylor Quartet.^[3] This experience led to him forming his own band, The Jazztones. He also joined forces with tabla player and DJ/producer Talvin Singh to form the Tihai Trio.^[4]

After dropping out of university, Sawhney took up a position with a firm of accountants called Day Smith and Hunter in Maidstone, Kent. He trained to become a chartered accountant but found that his music was proving too much of a distraction and quit after about two years. Sawhney moved to London, where he met Sanjeev Bhaskar; together they created the comedy team The Secret Asians. The pair were given a show on BBC Radio, which eventually grew into the award-winning BBC TV sketch show Goodness Gracious Me.^[5] Refocusing on music, Sawhney's solo career began in 1993, when he released his debut album, Spirit Dance on his own label.^[6]

Solo career[link]

Sawhney has released eight studio albums to date. His final album for Outcaste records, 1999's Beyond Skin, was his breakthrough, earning a Mercury Prize nomination^[7] and winning the South Bank Show's award for Popular Music.^[6] Subsequently, Richard Branson's V2 Records signed Sawhney to a six-album deal, and released Prophesy in 2001. The album went on to win a MOBO Award,^[8] an EMMA^[9] and the BBC Radio 3 World Music Award.^[10] In 2004 Sawhney issued two remix collections, All Mixed Up and FabricLive.15, released worldwide by London nightclub Fabric and featuring samples of Gipsy Kings' Nicolas Reyes vocals. Sawhney’s album, Philtre, released in May 2005, was awarded the BBC Radio 3 Culture Crossing Award.^[11]

2007 saw the release of In the Mind Of… Nitin Sawhney, the first release in District 6's new compilation series.

Scores[link]

In recent years Sawhney has been commissioned to write the scores for a number of different projects. He has established himself as an in-demand composer for film and television. His music for Channel 4’s Second Generation saw him nominated for the Ivor Novello Award for Film and TV Composition.^[12] He has also scored ads for the likes of Nike and Sephora.^[11] In 2006, Sawhney composed a new symphony to accompany Franz Osten's 1929 silent film, A Throw of Dice, which premiered with the London Symphony Orchestra at the Barbican, London.^[13] More recent works include scores for Oscar-nominated director Mira Nair's adaptation of Jhumpa Lahiri's, The Namesake,^[14] as well as Natural Fantasia for the BBC.^[15]

This work for film and television has led to recognition within the classical world as well. In 2001, Sawhney composed "Neural Circuits" for the Britten Sinfonia, a collaboration that has continued in the years since.^[16] In 2002, he worked with Akram Khan and Anish Kapoor, scoring the music to Khan’s choreographed work Kaash, which toured worldwide between 2002–2003.^[17] In 2004, Sawhney was commissioned by the City of Birmingham Symphony Orchestra to compose a new piece for their Harmony Project.^[18] His most recent scores include the new adaptation of Mahabharata by the Olivier Award winning writer Stephen Clarke,^[19] Simon McBurney's A Disappearing Number for Complicite,^[20] and first-time theatrical director Jonathan Holmes' Fallujah.^[21]

Sawhney produced the music for the Ninja Theory video games Heavenly Sword and Enslaved: Odyssey to the West (both starring Andy Serkis) and will also score Fifth Beatle, a major studio film currently in production.

Collaborations and remixes[link]

Sawhney has remixed a wide variety of artists over the years, including Sting, Natacha Atlas, Nusrat Fateh Ali Khan, Jeff Beck, Julian Lloyd Webber, Tina Grace and Paul McCartney (for McCartney's The Fireman project). He also collaborated with Paul McCartney on a song called "My Soul", which appeared on Sawhney's London Undersound album and on various Robert Miles projects such as Miles Gurtu and Organik. His own work has been remixed by 4hero, Talvin Singh, MJ Cole and Quantic. He produced several songs on Cheb Mami's album Dellali. Last year he co-produced the second album from songwriter Get Cape. Wear Cape. Fly entitled Searching for the Hows and Whys released through Atlantic Records. During 2006-2007, Nitin Sawhney wrote the music for Akram Khan and Sidi Larbi Cherkaoui's dance piece "Zero Degrees"; Antony Gormley created the set.

Awards[link]

1998

• EMMA Award for Displacing The Priest

2000

• Asian Pop Award for Best Mainstream Fusion Act for Beyond Skin
• Technics Mercury Music Prize Nomination for album of the year for Beyond Skin
• South Bank Award for Popular Music for Beyond Skin

2001

• BBC Asia Award for Music for Prophesy
• MOBO Award for Prophesy
• Boundary Crossing Award, BBC Radio 3 Music Awards for Prophesy

2002

• Media Personality of the Year nomination, RIMA Awards
• EMMA Award for Prophesy
• Muso Award for Prophesy

2003

• Commission for Racial Equality Award

2004

• Ivor Novello Award Nomination for Best Film Score for TV

2005

• Boundary Crossing Award, BBC Radio 3 Music Awards for Philtre

2006

• Honorary Graduate Degree from South Bank University, London

2007

• Honorary Degree of Doctor of Music from the University of Kent

2008

• Companionship From the Liverpool Institute for Performing Arts in recognition of his contribution to the world of art and entertainment.
• UK Asian Music Awards - "Commitment to Scene"^[22]

2009

• UK Asian Music Awards - "Best Alternative Act"^[23]

Additional information[link]

Much of Sawhney's attention remains focused on the areas of education and community building, accepting the role of Artist in Residence for no less than five separate performing arts organisations across Great Britain and Asia. Sawhney joined Sir George Martin as a patron of the British Government's Access-to-Music programme,^[24] and he is also patron of the Raindance East Film Festival and the British Independent Film Awards.^[25] Sawhney appears regularly as an arts and current affairs commentator on topical discussion and news programs such as the BBC's Newsnight, Newsnight Review, and HardTalk. He has also written for UK national broadsheet newspapers: The Guardian, The Telegraph, The Independent, and The Observer.

Discography[link]

Albums[link]

• Spirit Dance (1994) World Circuit
• Migration (1995) Outcaste Records
• Displacing the Priest (1996) Outcaste Records
• Beyond Skin (1999) Outcaste Records
• Prophesy (2001) V2/BMG
• Human (2003) V2
• Philtre (2005) V2
• London Undersound (2008) Cooking Vinyl
• Last Days of Meaning (2011)

Compilations[link]

• Introducing Nitin Sawhney (1999) Outcaste
• FabricLive.15 (2004) Fabric
• All Mixed Up (2004) V2
• In the Mind of... (2007) District 6

Scores[link]

References[link]

External links[link]

• Official Nitin Sawhney Website
• Official Nitin Sawhney Myspace page
• BBC: Nitin Sawhney
• Performance of Songbird (Koyal) by Julian Lloyd Webber
• Interview with Graham Brown-Martin for Trace Magazine
• Indepth interview with Nitin Sawhney by Ashanti OMkar
• Interview with Nitin Sawhney from the German site www.theinder.net
• Article about the track "My Soul"
• Nitin Sawhney writes score for Human Planet series

Nadia Ali
Nadia Ali in 2011
Background information
Birth name	Nadia Ali
Born	(1980-08-03) August 3, 1980 (age 31) Libya
Origin	Queens, New York, U.S.
Genres	Electronic dance music, trance, house
Occupations	Singer-songwriter
Instruments	Vocals
Years active	2001–present
Labels	Smile in Bed
Associated acts	iiO, Armin van Buuren, Morgan Page, Avicii, Starkillers, Sultan & Ned Shepard
Website	nadiaali.com

Nadia Ali (Urdu: نادیہ علی; born August 3, 1980) is a Pakistani American singer-songwriter, born in Libya and raised in Queens, New York. She gained attention as the frontwoman and songwriter of the band iiO, after their 2001 hit "Rapture" reached No. 2 on the UK Singles Chart.^[1] The song also charted across several countries in Europe.^[2] Their 2006 single, "Is It Love?", reached the top of the Billboard Hot Dance Club Play Chart.^[3]

After embarking on a solo career in 2005, Ali became successful as an oft-requested vocalist in electronic dance music. She released her debut album Embers in 2009. Critics praised her unique songwriting, which combined electronica with ballads, Eastern and acoustic music. Three singles from the album reached the top-ten of the Billboard Hot Dance Club Play Chart, including the No. 1 hit, "Love Story".^[4][5][6] The song was also nominated at the 25th International Dance Music Awards at the Winter Music Conference, while "Fantasy" was nominated for a Grammy award.^[7][8]

In 2010, she released a remix compilation titled Queen of Clubs Trilogy to mark her decade-long career as a singer-songwriter. "Rapture" was re-released as the only single from the compilation and the song was once again a chart success in Europe.^[9] Ali released the single "Pressure" with Starkillers and Alex Kenji in 2011, which became a club and festival anthem and received an International Dance Music Award.^[10] She has also collaborated with several notable producers and DJs, such as Armin van Buuren, Schiller, BT and John Creamer & Stephane K. Ali is currently working on her second studio album titled Phoenix, which is due to be released in 2012.

Life and career[link]

1980–2005: Early life and iiO[link]

Nadia Ali was born in Libya to Pakistani parents in 1980. The family relocated when she was five years old and she was subsequently raised in Queens, New York.^[11][12] An eight year old Ali used any opportunity she could get to sing after a friend heard her humming a Madonna song at school and complimented her.^[13] While continuing singing as a hobby and for the thrill of performing and receiving no formal vocal training, she had also started writing poems and songs for her friends by the time she was 15.^[11] As a teenager her interest in dance music developed after visiting nightclubs in Manhattan and inspired her to dream that she would one day be featured on one of the records playing in the club.^[14]

Ali started working in the New York offices of Versace when she was 17, where she attracted attention by singing at the Christmas parties.^[11] A colleague from Versace introduced her to producer Markus Moser, who was looking for a female singer to collaborate on some of his original production for a girl group in Germany.^[13] The two teamed up with Moser working on production, while Ali wrote the lyrics and vocals for the songs.^[15] Her first song was the single "Rapture", which she wrote in 30 minutes based on an encounter with an Australian nightclub patron.^[16] A demo of the song was first played at the New York club Twilo in 2001 and received early support from influential DJ Pete Tong who played the demo on his show on BBC Radio 1. The song eventually became an Ibiza favourite after support from prominent DJ's such as Sasha, Danny Tenaglia and Sander Kleinenberg during the summer season.^[17] Released in late 2001 by Ministry of Sound, the single became a commercial success peaking at No. 2 on UK Singles Chart and Billboard's Hot Dance Club Play Chart, while charting in several countries in Europe.^[1][2][3] The success of "Rapture", Ali said, caused the formation of iiO as the music they were initially working on was quite different from dance music and were asked to come up with a project name to promote the single.^[18] They originally named themselves Vaiio after the Sony VAIO laptop Ali used to write the lyrics on.^[2] The duo toured internationally and released several more singles, including "At the End", "Runaway", "Smooth", and "Kiss You". Their first studio album, Poetica followed in 2005.^[4]

Ali left the group in 2005 to pursue a solo career, while Moser continued to release iiO material featuring her on vocals. Most notably, these releases include the 2006 single "Is It Love?", which reached No. 1 in America on the Billboard Hot Dance Club Play Chart,^[3] the 2007 remix album Reconstruction Time: The Best Of iiO Remixed^[4] and the 2011 studio album Exit 110.^[4] When asked about her decision to pursue a solo career, she said her time with iiO was a great learning experience but she decided to leave because she didn't want to restrict herself to one style of music but explore her creativity and also to have the freedom to collaborate with others artists.^[19]

Her decision to pursue a career as a singer was not initially encouraged by her Pakistani parents who were academically inclined and wanted her to pursue a more stable career. She has said since then they have evolved and are one of her biggest supporters.^[12] Speaking of her identity as a Pakistani and Muslim woman, she has said it is very important to her to set an example that they are able to contribute positively and capable of taking their career into their own hands. Explaining further, she said that she feels it as her responsibility to any women who are sometimes stereotyped to show that they can contribute to arts or any professional field.^[11] Her ethnicity, she has stated, has been an advantage and helped her stand out in the entertainment industry.^[20] She has said that over the years, she has met South Asian women who have told her that her story has inspired them to pursue something they loved.^[21]

[edit] 2006–09: Embers

Nadia Ali performing at Avalon, Boston in 2006

Ali started working on her debut solo album soon after leaving iiO, a process which took her four years. She attributed the delay to her busy tour schedule and the fact that she was still learning and "trying to establish her identity as a songwriter and co-producer".^[18][22] Her first solo release was the 2006 single, "Who is Watching?", a collaboration with Dutch DJ Armin van Buuren, which appeared on his album Shivers.^[23] She has described "Who is Watching?" as one of her most meaningful songs, the song described one's struggle to reach the top, only to realise once one is there how lonely it is and how one has forgotten their priorities and the important people in their life.^[24] This was followed by "Something to Lose" in 2006, a duet with singer-songwriter Rosko, produced by John Creamer & Stephane K and released by Ultra Records. The track was licensed to Roger Sanchez's Release Yourself, Vol. 5, as well as Sharam Tayebi of Deep Dish for his Global Underground debut Dubai.^[25][26]

In June 2008, she released "Crash and Burn", the first single from her solo album. The single became a club success peaking at No. 6 on Billboard's Hot Dance Club Play Chart.^[5] She released the second single, "Love Story" from the as-yet untitled album in February 2009. It topped Billboard Hot Dance Club Play Chart in April 2009 and was nominated for the Best Progressive/House Track at the 2010 International Dance Music Awards at the Winter Music Conference.^[6][7] Ali was featured on MTV Iggy in March 2009, where she recorded three live acoustic videos, performing "Rapture", "Crash and Burn" and "Love Story".^[27]

The third single "Fine Print" was released in July 2009. Ali announced that the single preceded the release of her debut solo album Embers.^[28] The single peaked at No. 4 on Billboard's Hot Dance Club Play Chart.^[29] Embers was released in September 2009. Co-produced by Sultan & Ned Shepard, Alex Sayz and Scott Fritz, Ali self-released the album on her own label, Smile in Bed Records.^[22] Embers generally received positive reviews, Chase Gran from About.com called it a "well rounded, gourmet album with impressive songs".^[30] Gail Navarro from Racket magazine complimented Ali on her songwriting saying, "It wasn’t just her sultry sound mixed in together with that enchanting singing voice; her songwriting got me hook, line and sinker".^[31] Speaking about the self-release of the album, she has cited her creative independence and the pressure of deadlines as the main reasons why she created her own record label.^[32][33] She chose to release her singles and albums digitally citing the nature of the electronic music audience with the listener choosing to click a button and getting music instantly and the traditional method of distribution deals in the United States.^[32]

Ali released two collaborations in 2009, the first "Better Run" with Tocadisco was released on his album TOCA 128.0 FM and "12 Wives In Tehran" with Serge Devant was released on his album Wanderer.^[34][35]

[edit] 2010–2011: Queen of Clubs Trilogy

Ali's first release in 2010 was the track "Try", a collaboration with German producer Schiller, chosen as the lead single from his album Atemlos, the music video premiered on YouTube in February 2010.^[36] In April 2010, Ali released "Fantasy", the fourth single from Embers. The track was chosen as a single by her fans after a poll conducted by Ali on her Facebook page.^[22] The music video for "Fantasy" was set to the Morgan Page remix, which served as a prologue to Ali's next project; Queen of Clubs Trilogy: The Best of Nadia Ali Remixed. Speaking about the project, Ali mentioned that she wanted a remix compilation, which spanned the 10 years of her career from her one-half as iiO, to her solo album and collaborations.^[37] Explaining the name of the concept, she said she wanted to incorporate her upbringing in Queens and the fact that her music is predominantly played in nightclubs.^[38] Using that inspiration, she decided to use the playing card "Queen of Clubs" as the title, portraying herself as the Queen, a move she described as "audacious" but something she felt she could prove because she had the substance.^[37] The package was broken into three releases: Ruby Edition (August 2010), Onyx Edition (October 2010) and Diamond Edition (December 2010). It featured collaborations with, and remixes by, Armin van Buuren, Gareth Emery and Avicii amongst several other prominent DJs and producers.^[39]

I think the fact that it (electronic dance music) is mostly male dominated makes females stand out that much more if they are driven enough. I believe anything is possible with hard work.

– Nadia Ali^[40]

With a decade-long career, MTV described Ali as one of the "enduring empresses" of electronic dance music and the Queen of Clubs Trilogy as "aptly titled".^[41] Noted for being the "definitive" and "unmistakable" voice of dance music, she is said to have "enriched" and "invigorated" the genre.^[21][42] Ali has went on to become an oft-requested collaborator by DJs and producers.^[22] She was praised for acquiring notability in a male and DJ-dominated genre where vocalists serve as supporting acts.^[40][43] In December 2010 she received her first Grammy nomination when the Morgan Page remix of "Fantasy" was nominated in the Best Remixed Recording, Non-Classical category.^[8]

Her first track with iiO, "Rapture" was re-released as a single from Queen of Clubs Trilogy with remixes by Tristan Garner, Gareth Emery and Avicii. A new music video for the track was shot based on the "Queen of Clubs" theme and released on January 24, 2011.^[44] The song peaked at No. 3 on the Romanian Top 100 chart, while charting in other European countries.^[9]

Nadia Ali performing at Armin Only in Poland

Throughout 2010, Ali's collaborations with DJs and producers were released. These included remixes of her upcoming collaboration "That Day" with Dresden and Johnston, which were released on compilation albums. The next, "The Notice" with Swiss duo Chris Reece was released on July 13 on all digital retailers.^[45] Ali was featured on the track "Feels So Good" on Armin van Buuren's fourth album Mirage. Released as the fifth single from the album, the song was voted as the Best Trance Track at the 27th International Dance Music Awards in the Best Trance Song category.^[10][46] She was also a featured guest on his Armin Only tour.^[12]

During 2011, Ali announced the release of collaborations with several DJs and producers. The first of these was "Call My Name" with the duo Sultan & Ned Shepard, released by Harem Records on February 9. "Call My Name" was a club success, charting at No. 5 on Billboard Hot Dance Club Play Chart.^[47] The second track "Pressure", a collaboration with Starkillers and Alex Kenji was released on February 15 by Spinnin' Records.^[48] The Alesso remix of "Pressure" became a club and festival anthem and received support from notable DJs such as Armin van Buuren, Tiesto, Swedish House Mafia and Calvin Harris and was voted the Best Progressive House Track at the 27th International Dance Music Awards.^[10][49]

In April, iiO released the studio album Exit 110, which featured Ali on vocals. She distanced herself from the album and stated she had no involvement in the project besides her vocals and words from nearly 10 years ago being used for the songs.^[50] She described it as "interesting" that there was new material featuring her released by iiO when she hadn't worked with Moser since 2005.^[19] She further said that she hadn't spoken with Moser since her departure and when asked whether the split of iiO was amicable, she refused to explain the circumstances surrounding the dissolution of the duo.^[19] On May 23, her next collaboration, "Free To Go" with Alex Sayz was released by Zouk Recordings.^[51] She was featured on Sander van Doorn's second studio album Eleve11 on the track "Rolling the Dice", a collaboration between van Doorn, Sidney Samson and her.^[52] Her next release was the single "Believe It" with the German duo Spencer & Hill, which was released on October 3 by Wall Recordings.^[53] She collaborated once again with Starkillers on the single "Keep It Coming", which was released on December 26 by Spinnin' Records.^[54]

[edit] 2012–present: Phoenix

As of November 2010, Ali had begun working on her second studio album.^[12] A music video for the lead single from the album, "When It Rains", was released on her YouTube channel on August 17 2011 with a release date to be announced.^[55] She attributed the delay in the release of the album once again on her busy touring schedule citing the demand to perform live particularly in the United States.^[56][57] However, beginning in February 2012 she took 40 days off to finalise the album, which she said would be titled Phoenix.^[56] She chose the name as an allusion to what she felt was a relaunch of her career.^[58] Explaining the creative process behind the album, she said she chose to work with a mix of international producers in an effort to combine the North American understanding of good songwriting with the European expertise in production to create a high energy dance album catered for her dance music fans.^[57][59] She said she had tried to bring together the DJs who she had released songs with in the last few years to make one cohesive compilation.^[58] The theme of the album, she elaborated, was trying to get the listener to understand the "artist personality" and the singer-songwriter behind the music.^[59]

Her first release in 2012 was "This Is Your Life", the fourth single from Swiss DJ EDX's album On The Edge.^[60] That was followed by "Carry Me", a collaboration with Morgan Page on his third studio album, In the Air.^[61] Her next release will be "Must Be The Love", the lead single from BT's upcoming eighth studio album, which was a collaboration between him, Arty and Ali.^[62]

Musical style and influences[link]

Ali is perhaps best known for her characteristic voice and vocal abilities.^[21][31][63] Reema Kumari Jadeja from MOBO described her work as "masterfully encapsulating euphoric and melancholic, Ali’s signature music style sees Eastern mystique caressed with intelligent electronica and fortified with soul".^[21] The songs on Embers were likened to Madonna's work in her prime and a "modern re-intepretation" of Stevie Nicks. Billboard praised her voice for having "too much life on its own".^[42][31][63] Ali has been influenced by an eclectic mix of artists, which she credits to her Eastern background and upbringing in Queens.^[18][33] She listed alternative, folk, Indian and Pakistani music as her biggest influences.^[16][18] Some of her vocal and songwriting influences, she said, were Stevie Nicks, Nusrat Fateh Ali Khan, Madonna, Sade and Bono.^[13][16][32]

	"Crash and Burn" (2008) noicon "Crash and Burn" combines Ali's signature music styles: Eastern, electronic and acoustic
Problems listening to this file? See media help.

Her debut album was noted for a blend of electronica, acoustic and Middle Eastern melodies.^[30] Speaking about Embers, Ali said she did not want a typical dance record and chose to experiment, particularly with the number of ballads on the album.^[18] Meanwhile, her second album Phoenix, she said would be a more "high-energy" dance album, where while she maintained her characteristic vocal style, she also experimented with the musical style.^[58] She said while working on the album she was inspired and influenced by indie pop and the styles of Avicii, R3hab and Skrillex.^[58] Ali has collaborated with DJs from a broad range of genres and styles in electronic dance music. Some of the resulting work has been described as minimal trance,^[64] "sad disco"^[36] and "mainstream pop".^[45]

She has been praised for her songwriting, describing personal experiences with people, which "hit a powerful and striking chord" with the listener.^[31] Ali has said she almost always prefers to sing a song she has written herself and that the best songs are mostly written when they narrate a true account.^[13][14] The songs on Embers, Ali has stated, describe the relationships she has experienced and the emotions they have left behind.^[40] The song "Fantasy", she said, summed her up how she likes to be recognised, "an emotional songwriter who loves being a part of electronic music".^[22] Ali has said in the future she would like to focus more on production and songwriting and has written songs for Tocadisco, Avicii, Hardwell, Sultan & Ned Shepard, EDX and Pete tha Zouk.^[21][24]

Discography[link]

Studio albums

• Embers (2009)
• Phoenix (2012)

Compilations

• Queen of Clubs Trilogy: Ruby Edition (2010)
• Queen of Clubs Trilogy: Onyx Edition (2010)
• Queen of Clubs Trilogy: Diamond Edition (2010)

Awards and nominations[link]

References[link]