A selection of gemstone pebbles made by tumbling rough rock with abrasive grit, in a rotating drum. The biggest pebble here is 40 mm long (1.6 inches).

A gemstone or gem (also called a precious or semi-precious stone, a fine gem, or jewel) is a piece of mineral, which, in cut and polished form, is used to make jewelry or other adornments.^[1][2] However certain rocks (such as lapis lazuli) and organic materials (such as amber or jet) are not minerals, but are still used for jewelry, and are therefore often considered to be gemstones as well. Most gemstones are hard, but some soft minerals are used in jewelry because of their luster or other physical properties that have aesthetic value. Rarity is another characteristic that lends value to a gemstone. Apart from jewelry, from earliest antiquity until the 19th century engraved gems and hardstone carvings such as cups were major luxury art forms; the carvings of Carl Fabergé were the last significant works in this tradition.

Characteristics and classification[link]

Spanish emerald and gold pendant at Victoria and Albert Museum

The traditional classification in the West, which goes back to the Ancient Greeks, begins with a distinction between precious and semi-precious stones; similar distinctions are made in other cultures. In modern usage the precious stones are diamond, ruby, sapphire and emerald, with all other gemstones being semi-precious.^[3] This distinction reflects the rarity of the respective stones in ancient times, as well as their quality: all are translucent with fine color in their purest forms, except for the colorless diamond, and very hard,^[4] with hardnesses of 8–10 on the Mohs scale. Other stones are classified by their color, translucency and hardness. The traditional distinction does not necessarily reflect modern values, for example, while garnets are relatively inexpensive, a green garnet called Tsavorite, can be far more valuable than a mid-quality emerald.^[5] Another unscientific term for semi-precious gemstones used in art history and archaeology is hardstone. Use of the terms 'precious' and 'semi-precious' in a commercial context is, arguably, misleading in that it deceptively implies certain stones are intrinsically more valuable than others, which is not the case.

In modern times gemstones are identified by gemologists, who describe gems and their characteristics using technical terminology specific to the field of gemology. The first characteristic a gemologist uses to identify a gemstone is its chemical composition. For example, diamonds are made of carbon (C) and rubies of aluminium oxide (Al₂O₃). Next, many gems are crystals which are classified by their crystal system such as cubic or trigonal or monoclinic. Another term used is habit, the form the gem is usually found in. For example diamonds, which have a cubic crystal system, are often found as octahedrons.

Gemstones are classified into different groups, species, and varieties. For example, ruby is the red variety of the species corundum, while any other color of corundum is considered sapphire. Emerald (green), aquamarine (blue), red beryl (red), goshenite (colorless), heliodor (yellow), and morganite (pink) are all varieties of the mineral species beryl.

Gems are characterized in terms of refractive index, dispersion, specific gravity, hardness, cleavage, fracture, and luster. They may exhibit pleochroism or double refraction. They may have luminescence and a distinctive absorption spectrum.

Material or flaws within a stone may be present as inclusions.

Gemstones may also be classified in terms of their "water". This is a recognized grading of the gem's luster and/or transparency and/or "brilliance".^[6] Very transparent gems are considered "first water", while "second" or "third water" gems are those of a lesser transparency.^[7]

Value[link]

Jewelry made with amber

There is no universally accepted grading system for gemstones. Diamonds are graded using a system developed by the Gemological Institute of America (GIA) in the early 1950s. Historically, all gemstones were graded using the naked eye. The GIA system included a major innovation: the introduction of 10x magnification as the standard for grading clarity. Other gemstones are still graded using the naked eye (assuming 20/20 vision).^[8]

A mnemonic device, the "four Cs" (color, cut, clarity and carats), has been introduced to help the consumer understand the factors used to grade a diamond.^[9] With modification, these categories can be useful in understanding the grading of all gemstones. The four criteria carry different weight depending upon whether they are applied to colored gemstones or to colorless diamond. In diamonds, cut is the primary determinant of value, followed by clarity and color. Diamonds are meant to sparkle, to break down light into its constituent rainbow colors (dispersion), chop it up into bright little pieces (scintillation), and deliver it to the eye (brilliance). In its rough crystalline form, a diamond will do none of these things; it requires proper fashioning and this is called "cut". In gemstones that have color, including colored diamonds, it is the purity and beauty of that color that is the primary determinant of quality.

Physical characteristics that make a colored stone valuable are color, clarity to a lesser extent (emeralds will always have a number of inclusions), cut, unusual optical phenomena within the stone such as color zoning, and asteria (star effects). Color zoning is the uneven distribution of coloring within a gem. The Greeks, for example, greatly valued asteria in gemstones, which were regarded as a powerful love charm, and Helen of Troy was known to have worn star-corundum.^[10]

Historically, gemstones were classified into precious stones and semi-precious stones. Because such a definition can change over time and vary with culture, it has always been a difficult matter to determine what constitutes precious stones.^[11]

Aside from the diamond, the ruby, sapphire, emerald, pearl (strictly speaking not a gemstone) and opal^[11] have also been considered to be precious. Up to the discoveries of bulk amethyst in Brazil in the 19th century, amethyst was considered a precious stone as well, going back to ancient Greece. Even in the last century certain stones such as aquamarine, peridot and cat's eye have been popular and hence been regarded as precious.

Nowadays such a distinction is no longer made by the trade.^[12] Many gemstones are used in even the most expensive jewelry, depending on the brand name of the designer, fashion trends, market supply, treatments, etc. Nevertheless, diamonds, rubies, sapphires and emeralds still have a reputation that exceeds those of other gemstones.

Rare or unusual gemstones, generally meant to include those gemstones which occur so infrequently in gem quality that they are scarcely known except to connoisseurs, include andalusite, axinite, cassiterite, clinohumite and red beryl.

Gem prices can fluctuate heavily (such as those of tanzanite over the years) or can be quite stable (such as those of diamonds). In general per carat prices of larger stones are higher than those of smaller stones, but popularity of certain sizes of stone can affect prices. Typically prices can range from 1USD/carat for a normal amethyst to US$20,000–50,000 for a collector's three carat pigeon-blood almost "perfect" ruby.

Grading[link]

Enamelled gold, amethyst and pearl pendant, about 1880, Pasquale Novissimo (1844–1914), V&A Museum number M.36-1928

There is a number of^[12] laboratories which grade and provide reports on gemstones.

• International Gemological Institute (IGI), independent laboratory for grading and evaluation of diamonds, jewelry and colored stones.
• Gemological Institute of America (GIA), the main provider of education services and diamond grading reports.
• Hoge Raad voor Diamant (HRD Antwerp), The Diamond High Council, Belgium is one of Europe's oldest laboratories. Its main stakeholder is the Antwerp World Diamond Centre.
• American Gemological Society (AGS) is not as widely recognized nor as old as the GIA.
• American Gem Trade Laboratory which is part of the American Gem Trade Association (AGTA), a trade organization of jewelers and dealers of colored stones.
• American Gemological Laboratories (AGL), owned by Christopher P. Smith.
• European Gemological Laboratory (EGL), founded in 1974 by Guy Margel in Belgium.
• Gemmological Association of All Japan (GAAJ-ZENHOKYO), Zenhokyo, Japan, active in gemological research.
• Gemmological Institute of Thailand (GIT) is closely related to Chulalongkorn University
• Gemmology Institute of Southern Africa, Africa's premium gem laboratory.
• Asian Institute of Gemmological Sciences (AIGS), the oldest gemological institute in South East Asia, involved in gemological education and gem testing.
• Swiss Gemmological Institute (SSEF), founded by Henry Hänni, focusing on colored gemstones and the identification of natural pearls.
• Gübelin Gem Lab] the traditional Swiss lab founded by Eduard Gübelin.

Each laboratory has its own methodology to evaluate gemstones. A stone can be called "pink" by one lab while another lab calls it "Padparadscha". One lab can conclude a stone is untreated, while another lab might conclude that it is heat-treated.^[12] To minimise such differences, seven of the most respected labs, AGTA-GTL (New York), CISGEM (Milano), GAAJ-ZENHOKYO (Tokyo), GIA (Carlsbad), GIT (Bangkok), Gübelin (Lucerne) and SSEF (Basel), have established the Laboratory Manual Harmonisation Committee (LMHC), for the standardization of wording reports, promotion of certain analytical methods and interpretation of results. Country of origin has sometimes been difficult to determine, due to the constant discovery of new source locations. Determining a "country of origin" is much more difficult than determining other aspects of a gem (such as cut, clarity etc.).^[13]

Gem dealers are aware of the differences between gem laboratories and will make use of the discrepancies to obtain the best possible certificate.^[12]

Cutting and polishing[link]

Raw gemstones

A rural Thai gem cutter

A few gemstones are used as gems in the crystal or other form in which they are found. Most however, are cut and polished for usage as jewelry. The picture to the left is of a rural, commercial cutting operation in Thailand. This small factory cuts thousands of carats of sapphire annually. The two main classifications are stones cut as smooth, dome shaped stones called cabochons, and stones which are cut with a faceting machine by polishing small flat windows called facets at regular intervals at exact angles.

Stones which are opaque such as opal, turquoise, variscite, etc. are commonly cut as cabochons. These gems are designed to show the stone's color or surface properties as in opal and star sapphires. Grinding wheels and polishing agents are used to grind, shape and polish the smooth dome shape of the stones.^[14]

Gems which are transparent are normally faceted, a method which shows the optical properties of the stone's interior to its best advantage by maximizing reflected light which is perceived by the viewer as sparkle. There are many commonly used shapes for faceted stones. The facets must be cut at the proper angles, which varies depending on the optical properties of the gem. If the angles are too steep or too shallow, the light will pass through and not be reflected back toward the viewer. The faceting machine is used to hold the stone onto a flat lap for cutting and polishing the flat facets.^[15] Rarely, some cutters use special curved laps to cut and polish curved facets.

Color[link]

The color of any material is due to the nature of light itself. Daylight, often called white light, is actually all of the colors of the spectrum combined. When light strikes a material, most of the light is absorbed while a smaller amount of a particular frequency or wavelength is reflected. The part that is reflected reaches the eye as the perceived color. A ruby appears red because it absorbs all the other colors of white light (green and blue), while reflecting the red.

The same material can exhibit different colors. For example ruby and sapphire have the same chemical composition (both are corundum) but exhibit different colors. Even the same gemstone can occur in many different colors: sapphires show different shades of blue and pink and "fancy sapphires" exhibit a whole range of other colors from yellow to orange-pink, the latter called "Padparadscha sapphire".

This difference in color is based on the atomic structure of the stone. Although the different stones formally have the same chemical composition, they are not exactly the same. Every now and then an atom is replaced by a completely different atom (and this could be as few as one in a million atoms). These so called impurities are sufficient to absorb certain colors and leave the other colors unaffected.

For example, beryl, which is colorless in its pure mineral form, becomes emerald with chromium impurities. If you add manganese instead of chromium, beryl becomes pink morganite. With iron, it becomes aquamarine.

Some gemstone treatments make use of the fact that these impurities can be "manipulated", thus changing the color of the gem.

Treatment[link]

Gemstones are often treated to enhance the color or clarity of the stone. Depending on the type and extent of treatment, they can affect the value of the stone. Some treatments are used widely because the resulting gem is stable, while others are not accepted most commonly because the gem color is unstable and may revert to the original tone.^[16]

Heat[link]

A treble clef with gemstones

Heat can improve gemstone color or clarity. The heating process has been well known to gem miners and cutters for centuries, and in many stone types heating is a common practice. Most citrine is made by heating amethyst, and partial heating with a strong gradient results in ametrine—a stone partly amethyst and partly citrine. Much aquamarine is heated to remove yellow tones and change the green color into the more desirable blue or enhance its existing blue color to a purer blue.^[17]

Nearly all tanzanite is heated at low temperatures to remove brown undertones and give a more desirable blue/purple color. A considerable portion of all sapphire and ruby is treated with a variety of heat treatments to improve both color and clarity.

When jewelry containing diamonds is heated (for repairs) the diamond should be protected with boracic acid; otherwise the diamond (which is pure carbon) could be burned on the surface or even burned completely up. When jewelry containing sapphires or rubies is heated, it should not be coated with boracic acid or any other substance, as this can etch the surface; they do not have to be "protected" like a diamond.

Radiation[link]

This unreferenced section requires citations to ensure verifiability.

Virtually all blue topaz, both the lighter and the darker blue shades such as "London" blue, has been irradiated to change the color from white to blue. Most greened quartz (Oro Verde) is also irradiated to achieve the yellow-green color.

Waxing/oiling[link]

Emeralds containing natural fissures are sometimes filled with wax or oil to disguise them. This wax or oil is also colored to make the emerald appear of better color as well as clarity. Turquoise is also commonly treated in a similar manner.

Fracture filling[link]

Fracture filling has been in use with different gemstones such as diamonds, emeralds and sapphires. In 2006 "glass filled rubies" received publicity. Rubies over 10 carat (2 g) with large fractures were filled with lead glass, thus dramatically improving the appearance (of larger rubies in particular). Such treatments are fairly easy to detect.

Synthetic and artificial gemstones[link]

Some gemstones are manufactured to imitate other gemstones. For example, cubic zirconia is a synthetic diamond simulant composed of zirconium oxide. Moissanite, also a synthetic stone, is another example. The imitations copy the look and color of the real stone but possess neither their chemical nor physical characteristics. Moissanite actually has a higher refractive index than diamond and when presented beside an equivalently sized and cut diamond will have more "fire" than the diamond.

However, lab created gemstones are not imitations. For example, diamonds, ruby, sapphires and emeralds have been manufactured in labs to possess identical chemical and physical characteristics to the naturally occurring variety. Synthetic (lab created) corundums, including ruby and sapphire, are very common and they cost only a fraction of the natural stones. Smaller synthetic diamonds have been manufactured in large quantities as industrial abrasives, although larger gem-quality synthetic diamonds are becoming available in multiple carats.^[18]

Whether a gemstone is a natural stone or a lab-created (synthetic) stone, the characteristics of each are the same. Lab-created stones tend to have a more vivid color to them, as impurities are not present in a lab and do not modify the clarity or color of the stone.^{[citation needed]}

See also[link]

Gemology and Jewelry portal

• List of gemstones
• List of gemstone species

Notes[link]

External links[link]

Wikimedia Commons has media related to: Gemstones

• Farlang online library of gemological books
• Gemmology Institute of Southern Africa
• International Gem Society
• Gemological Institute of America

This biographical article needs additional citations for verification. It includes attribution to IMDb, which may not be a reliable source for biographical information. Please help by adding additional, reliable sources for verification. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (October 2011)

Nicholas James Hodgson (born 20 October 1977) is the drummer, backing vocalist and principal song-writer of English indie band Kaiser Chiefs.

He attended St. Mary's Catholic High School, Menston with Nick Baines and Simon Rix. He then went onto Trinity & All Saints University College in Horsforth, Leeds. There he studied geography. He later met Ricky Wilson and Andrew White (Whitey) at a soul night at Move On Up underneath the T&C in Leeds. Together they formed Runston Parva, later to be called Parva and now Kaiser Chiefs.

Together with bandmate Ricky Wilson, Nick started the Leeds club night Pigs "to give us something to look forward to", and after giving the rest of the band a mix CD with songs he had been playing at Pigs, they formed Kaiser Chiefs, scrapping all their old songs and changing "the way we play, the way we dress, basically everything we could change without changing... our faces"^[1]

He worked with Duran Duran and producer Mark Ronson on the Duran Duran album All You Need Is Now, co-writing the track "Too Bad You're So Beautiful".

References[link]

External links[link]

• Nick Hodgson at the Internet Movie Database

Dr. Henry Walton "Indiana" Jones, Jr.^[12] is a fictional character and the protagonist of the Indiana Jones franchise. George Lucas and Steven Spielberg created the character in homage to the action heroes of 1930s film serials. The character first appeared in the 1981 film Raiders of the Lost Ark, to be followed by Indiana Jones and the Temple of Doom in 1984, Indiana Jones and the Last Crusade in 1989, The Young Indiana Jones Chronicles from 1992 to 1996, and Indiana Jones and the Kingdom of the Crystal Skull in 2008. Alongside the more widely known films and television programs, the character is also featured in novels, comics, video games, and other media. Jones is also featured in the theme park attraction Indiana Jones Adventure, which exists in similar forms at Disneyland and Tokyo DisneySea.

Jones is most famously played by Harrison Ford and has also been portrayed by River Phoenix (as the young Jones in The Last Crusade), and in the television series The Young Indiana Jones Chronicles by Corey Carrier, Sean Patrick Flanery, and George Hall. Doug Lee has supplied Jones's voice to two LucasArts video games, Indiana Jones and the Fate of Atlantis and Indiana Jones and the Infernal Machine, while David Esch supplied his voice to Indiana Jones and the Emperor's Tomb and John Armstrong in Indiana Jones and the Staff of Kings^[13].

Particularly notable facets of the character include his iconic look (bullwhip, fedora, and leather jacket), sense of humor, deep knowledge of many ancient civilizations and languages, and fear of snakes.

Indiana Jones remains one of cinema's most revered movie characters. In 2003, he was ranked as the second greatest movie hero of all time by the American Film Institute.^[14] He was also named the sixth greatest movie character by Empire magazine.^[15] Entertainment Weekly ranked Indy 2nd on their list of The All-Time Coolest Heroes in Pop Culture.^[16] Premiere magazine also placed Indy at number 7 on their list of The 100 Greatest Movie Characters of All Time.^[17] Since his first appearance in Raiders of the Lost Ark, he has become a worldwide star. On their list of the 100 Greatest Fictional Characters, Fandomania.com ranked Indy at number 10.^[18] In 2010, he ranked #2 on Time Magazine's list of the greatest fictional characters of all time, surpassed only by Sherlock Holmes.^{[citation needed]}

Appearances[link]

Indiana Jones is from Princeton, NJ and was first introduced in the 1981 film Raiders of the Lost Ark, set in 1936. The character is presented as an adventurer reminiscent of the 1930s film serial treasure hunters and pulp action heroes, whose research is funded by Marshall College (named after producer Frank Marshall)^[19] a fictional college in Connecticut, where he is a professor of archaeology. In this first adventure, he is pitted against the Nazis, traveling the world to prevent them from recovering the Ark of the Covenant (see also Biblical archaeology). He is aided by Marion Ravenwood and Sallah. The Nazis are led by Jones's archrival, a Nazi-sympathizing French archaeologist named René Belloq, and Arnold Toht, a sinister Gestapo agent.

The 1984 prequel, Indiana Jones and the Temple of Doom, set in 1935, took the character into a more horror-oriented story, skipping his legitimate teaching job and globe trotting, and taking place almost entirely in India. This time, Jones attempts to recover children and the Sankara stones from the bloodthirsty Thuggee cult. He is aided by Short Round and accompanied by Willie Scott (Kate Capshaw).

The third film, 1989's Indiana Jones and the Last Crusade, set in 1938, returned to the formula of the original, reintroducing characters such as Sallah and Marcus Brody, a scene from Professor Jones's classroom (he now teaches at Barnett College), the globe trotting element of multiple locations, and the return of the infamous Nazi mystics, this time trying to find the Holy Grail. The film's introduction, set in 1912, provided some back story to the character, specifically the origin of his fear of snakes, his use of a bullwhip, the scar on his chin, and his hat; the film's epilogue also reveals that "Indiana" is not Jones's first name, but a nickname he took from the family dog. The film was a buddy movie of sorts, teaming Jones with his father, often to comical effect. Although Lucas intended at the time to do five films, this ended up being the last for over eighteen years, as Lucas could not think of a good plot element to drive the next installment.^[20]

The 2008 film, Indiana Jones and the Kingdom of the Crystal Skull, became the latest film in the series. Set in 1957, 19 years after the third film, it pits an older, wiser Indiana Jones against Soviet agents bent on harnessing the power of a crystal skull associated with extraterrestrials discovered in South America by his former colleague Harold Oxley (John Hurt). He is aided in his adventure by an old lover, Marion Ravenwood (Karen Allen), and her son—a young greaser named Henry "Mutt" Williams (Shia LaBeouf), later revealed to be his biological child, Henry Jones III. There were rumors that LaBeouf will take over the Indy franchise.^[21] This film also reveals that Jones was recruited by the Office of Strategic Services (a predecessor department to the CIA) during World War II, attaining the rank of Colonel in the United States Army and running covert operations with MI6 agent George McHale on the Soviet Union.

Television[link]

From 1992 to 1996, George Lucas executive-produced a television series named The Young Indiana Jones Chronicles, which was designed as an educational program for children, spotlighting historical figures and important events, using the concept of a prequel to the films as a draw. The show featured a standard formula of a 93-year-old Jones (George Hall), wearing an eye patch, introducing a story, and then an adventure with either a 17-year-old Jones (Sean Patrick Flanery) or a 10-year-old Jones (Corey Carrier), and even a baby Indy (Neil "Boulie" Boulane). Historical figures featured on the show include Mustafa Kemal Atatürk, Leo Tolstoy, Pancho Villa, Charles de Gaulle, Mata Hari, Eliot Ness, Ernest Hemingway, Jiddu Krishnamurti, Patrick Pearse, Emperor Karl and Empress Zita of Austria-Hungary, Vladimir Lenin, T. E. Lawrence, Pablo Picasso, Igor Stravinsky, Winston Churchill, Herman Göring, Sigmund Freud, Theodore Roosevelt, Manfred von Richthofen, and John Ford, in such diverse locations as Egypt, India, China, and the whole of Europe.

One episode, "Young Indiana Jones and the Mystery of the Blues", is bookended by Harrison Ford, reprising his role as the character. Indiana loses one of his eyes sometime between 1957 and when the "Old Indy" segments take place.

The show provided some backstory for the films, as well as new information regarding the character. He was born July 1, 1899, and his middle name is Walton (Lucas's middle name). It is also mentioned that he had a sister called Suzie who died as an infant of fever, and that he eventually has a daughter and grandchildren who appear in some episode introductions and epilogues. His relationship with his father, first introduced in Indiana Jones and the Last Crusade, was further fleshed out with stories about his travels with his father as a young boy. A large portion of the series centered around his activities during World War I.

In 1999, Lucas removed the episode introductions and epilogues by George Hall for the VHS and DVD releases, as he re-edited the episodes into chronologically ordered feature-length stories. The series title was also changed to The Adventures of Young Indiana Jones.

Video games[link]

The character has appeared in several officially licensed games, including LEGO Indiana Jones video games, beginning with adaptations of Raiders of the Lost Ark, Temple of Doom, two adaptations of The Last Crusade (one with purely action mechanics, one with an adventure and puzzle based structure) and Indiana Jones' Greatest Adventures which included the storylines from all three of the original films.

Following this, the games branched off into original storylines with Indiana Jones in the Lost Kingdom, Indiana Jones and the Fate of Atlantis, Indiana Jones and the Infernal Machine, Indiana Jones and the Emperor's Tomb and Indiana Jones and the Staff of Kings.^[22] Emperor's Tomb sets up Jones's companion Wu Han and the search for Nurhaci's ashes seen at the beginning of Temple of Doom. The first two games were developed by Hal Barwood and starred Doug Lee as the voice of Indiana Jones; Emperor's Tomb had David Esch fill the role and Staff of Kings starred John Armstrong.

Indiana Jones and the Infernal Machine was the first Indy-based game presented in three dimensions, as opposed to 8-bit graphics and side-scrolling games before.

There is also a small game from Lucas Arts Indiana Jones and His Desktop Adventures. A video game was made for young Indy called Young Indiana Jones and the Instruments of Chaos, as well as a video game version of The Young Indiana Jones Chronicles.

Two Lego Indiana Jones games have also been released. Lego Indiana Jones: The Original Adventures was released in 2008^[23] and follows the plots of the first three films. It was followed by LEGO Indiana Jones 2: The Adventure Continues in late 2009. The sequel includes an abbreviated reprise of the first three films, but focuses on the plot of Indiana Jones and the Kingdom of the Crystal Skull.

Indiana Jones has also made cameo appearances as an unlockable character in the games Mercenaries: Playground of Destruction and Lego Star Wars: The Complete Saga.

Social gaming company Zynga introduced Indiana Jones to their "Adventure World" game in late 2011.^[24]

Theme parks[link]

Indiana Jones is featured at several Walt Disney theme park attractions. The Indiana Jones Adventure attractions at Disneyland and Tokyo DisneySea ("Temple of the Forbidden Eye" and "Temple of the Crystal Skull," respectively) place Indy at the forefront of two similar archaeological discoveries. These two temples each contain a wrathful deity who threatens the guests who ride through in World War II troop transports. The attractions, some of the most expensive of their kind at the time, opened in 1995 and 2001, respectively, with sole design credit attributed to Walt Disney Imagineering. Disney did not license Harrison Ford's likeness for the North American version; nevertheless, a differentiated Indiana Jones audio-animatronic character appears at three points in both attractions. However, the Indiana Jones featured in the DisneySea version does use Harrison Ford's likeness but uses Japanese audio for all of his speaking parts. In 2010, some of the Indy audio-animatronics at the Disneyland version have been replaced and now resemble Ford.^[25]

Disneyland Resort Paris also features an Indiana Jones-titled ride where people speed off through ancient ruins in a runaway mine wagon similar to that found in Indiana Jones and the Temple of Doom. Indiana Jones and the Temple of Peril is a looping roller coaster engineered by Intamin, designed by Walt Disney Imagineering, and opened in 1993.

The Indiana Jones Epic Stunt Spectacular! is a live show that has been presented in the Disney's Hollywood Studios theme park of the Walt Disney World Resort with few changes since the park's 1989 opening under a different name. The 25-minute show presents various stunts framed in the context of a feature film production, and recruits members of the audience to participate in the show. Stunt artists in the show re-create and ultimately reveal some of the secrets of the stunts of the Raiders of the Lost Ark films, including the well-known "running-from-the-boulder" scene. Stunt performer Anislav Varbanov was fatally injured in August 2009, while rehearsing the popular show.^[26] Also at Disney's Hollywood Studios, an audio-animatronic Indiana Jones appears in another attraction; during the The Great Movie Ride's Raiders of the Lost Ark segment.

Character description and formation[link]

In his role as a college professor of archaeology, Henry Jones Jr. is scholarly and learned in a tweed suit, lecturing on ancient civilizations. In Indiana Jones and the Kingdom of the Crystal Skull, it is revealed that Jones is influenced by the Marxist Archaeologist, Vere Gordon Childe, whose qualified acceptance of cultural diffusionism theory he propounds. Ironically, though Childe loathes fieldwork,^[27] Indy goes on to say, "If you want to be a good archaeologist, you gotta get out of the library." This is in tongue-in-cheek contrast to the previous film's comment, "Seventy percent of all archaeology is done in the library."

However, at the opportunity to recover important artifacts, Dr. Jones transforms into "Indiana," a "non-superhero superhero" image he has concocted for himself.^[28] Producer Frank Marshall said, "Indy [is] a fallible character. He makes mistakes and gets hurt. [...] That's the other thing people like: He's a real character, not a character with superpowers."^[29] Spielberg said there "was the willingness to allow our leading man to get hurt and to express his pain and to get his mad out and to take pratfalls and sometimes be the butt of his own jokes. I mean, Indiana Jones is not a perfect hero, and his imperfections, I think, make the audience feel that, with a little more exercise and a little more courage, they could be just like him."^[30] According to Spielberg biographer Douglas Brode, Indiana created his heroic figure so as to escape the dullness of teaching at a school. Both of Indiana's personas reject one another in philosophy, creating a duality.^[28] Harrison Ford said the fun of playing the character was because Indiana is both a romantic and a cynic,^[31] while scholars have analyzed Indiana as having traits of a lone wolf; a man on a quest; a noble treasure hunter; a hardboiled detective; a human superhero; and an American patriot.^[32]

Like many characters in his films, Jones has some autobiographical elements of Spielberg. Indiana lacks a proper father figure because of his strained relationship with his father, Henry Senior. His own contained anger is misdirected at the likes of Professor Abner Ravenwood, his mentor at the University of Chicago, leading to a strained relationship with Marion Ravenwood.^[28] The teenage Indiana bases his own look on a figure from the prologue of Indiana Jones and the Last Crusade, after being given his hat.^[33] Marcus Brody acts as Indiana's positive role model at the college.^[33] Indiana's own insecurities are made worse by the absence of his mother.^[34] In Indiana Jones and the Temple of Doom, the character becomes the father in a temporary family unit with Willie Scott and Short Round to survive. Indiana is rescued from the evil of Kali by Short Round's dedication. Indiana also saves many children from slavery.^[34]

Because of Indiana's strained relationship with his father, who was absent much of Indiana's youth searching for the Holy Grail, the character does not pursue the more spiritual aspects of the cultures he studies. Indiana uses his knowledge of Shiva to ultimately defeat Mola Ram.^[34] In Raiders, however, he is wise enough to close his eyes in the presence of God in the Ark of the Covenant. By contrast, his rival Rene Belloq dies horribly for having the audacity to try to communicate directly with God.^[28]

In Crusade's prologue, Indiana's intentions are revealed as prosocial, as he believes artifacts "belong in a museum." In the film's climax, Indiana undergoes "literal" tests of faith to retrieve the Grail and save his father's life. He also remembers Jesus as a historical figure – a humble carpenter – rather than an exalted figure when he recognizes the simple nature and tarnished appearance of the real Grail amongst a large assortment of much more ornately decorated ones. Henry Senior rescues his son from falling to his death when reaching for the fallen Grail, telling him to "let it go," overcoming his mercenary nature.^[33] The Young Indiana Jones Chronicles explains how Indiana becomes solitary and less idealistic after fighting in World War I.^[35] In Indiana Jones and the Kingdom of the Crystal Skull, Jones is older and wiser, whereas his sidekicks Mutt and Mac are youthfully arrogant and greedy, respectively.^[36]

Origins and inspirations[link]

Indiana Jones is modeled after the strong-jawed heroes of the matinée serials and pulp magazines that George Lucas and Steven Spielberg enjoyed in their childhoods (such as the Republic Pictures serials, and the Doc Savage series). Sir H. Rider Haggard's safari guide/big game hunter Allan Quatermain of King Solomon's Mines, who dates back to 1885, is a notable template for Jones.^[37] The two friends first discussed the project in Hawaii around the time of the release of the first Star Wars film.^[38] Spielberg told Lucas how he wanted his next project to be something fun, like perhaps a James Bond film. According to sources, Lucas responded to the effect that he had something "even better,"^[38] or that he "got that beat."^[39]

Two of the possible bases for "Indiana" Jones are Professor Challenger, created by Sir Arthur Conan Doyle in 1912 for his novel, The Lost World, who was in turn based on his Doyle physiology professor, Sir William Rutherford, an adventuring academic, albeit a zoologist/anthropologist.^{[citation needed]}

The character was originally named "Indiana Smith" (perhaps in a nod to the 1966 Western film Nevada Smith), after an Alaskan Malamute Lucas owned in the 1970s ("Indiana"); however, Spielberg disliked the name "Smith," and Lucas casually suggested "Jones" as an alternative based on the archaeologist Vendyl Jones.^[38]

Lucas has said on various occasions that Sean Connery's portrayal of British secret agent James Bond was one of the primary inspirations for Jones, a reason Connery was chosen for the role of Indiana's father in Indiana Jones and the Last Crusade.^[40][41]

Costume designer Deborah Nadoolman Landis said the inspiration for Indiana's outfit was Charlton Heston's Harry Steele in Secret of the Incas: "We did watch this film together as a crew several times, and I always thought it strange that the filmmakers did not credit it later as the inspiration for the series."^[42]

Historical Models[link]

Many people are said to be the real-life inspiration of the Indiana Jones character—although none of the following have been confirmed as inspirations by Lucas or Spielberg. There are some suggestions, listed here in alphabetical order by last name:

• Beloit College professor and paleontologist Roy Chapman Andrews.^[43]
• Italian archaeologist and circus strongman Giovanni Battista Belzoni (1778–1823).^[44]
• Yale University professor, historian, and explorer Hiram Bingham III, who rediscovered and excavated the lost city of Machu Picchu,^[45] and chronicled his find in the bestselling book The Lost City of the Incas in 1948.^[46]
• University of Chicago archaeologist Robert Braidwood.^[47]
• University of Chicago archaeologist James Henry Breasted.^[48]
• The British archaeologist Percy Fawcett, who spent much of his life exploring the jungles of northern Brazil, and who was last seen in 1925 returning to the Amazon Basin to look for the Lost City Of Z. A fictionalized version of Fawcett appears to Jones in the book Indiana Jones And The Seven Veils.^[7]
• British archaeologist and soldier T. E. Lawrence.^[49]
• The Northwestern University anthropologist, professor and adventurer William Montgomery McGovern.^[50]
• Frederick Albert Mitchell-Hedges.^[51]
• German archaeologist Otto Rahn.^[52]

Costume[link]

Upon requests by Spielberg and Lucas, the costume designer gave the character a distinctive silhouette through the styling of the hat; after examining many hats, the designers chose a tall-crowned, wide-brimmed fedora. As a documentary of Raiders pointed out, the hat served a practical purpose. Following the lead of the old "B"-movies that inspired the Indiana Jones series, the fedora hid the actor's face sufficiently to allow doubles to perform the more dangerous stunts seamlessly. Examples in Raiders include the wider-angle shot of Indy and Marion crashing a statue through a wall, and Indy sliding under a fast-moving vehicle from front to back. Thus it was necessary for the hat to stay in place much of the time.

The hat became so iconic that the filmmakers could only come up with very good reasons or jokes to remove it. If it ever fell off during a take, filming would have to stop to put it back on. In jest, Ford put a stapler against his head to stop his hat from falling off when a documentary crew visited during shooting of Indiana Jones and the Last Crusade. This created the urban legend that Ford stapled the hat to his head.^[53] Although other hats were also used throughout the movies, the general style and profile remained the same. Elements of the outfit include:

• The fedora was supplied by Herbert Johnson Hatters in England for the first three films. It was referred to as "The Australian Model" by costume designer Deborah Landis and was fitted with a Petersham bow.^[54] The fedora for Crystal Skull was made by Steve Delk and Marc Kitter of the Adventurebilt Hat Company of Columbus, Mississippi.
• The leather jacket, a hybrid of the "Type 440" and the A-2 jacket, was made by Leather Concessionaires (now known as Wested Leather Co.) for Raiders of the Lost Ark and Indiana Jones and the Last Crusade. For Indiana Jones and the Temple of Doom, jackets were made in-house at Bermans & Nathans in London based on a stunt jacket they provided for Raiders of the Lost Ark. Tony Nowak made the jacket for Indiana Jones and the Kingdom of the Crystal Skull.
• The bag was a modified Mark VII British gas mask bag, usually worn under the jacket with the exception of Crystal Skull where the bag was worn over the jacket.
• The whip was a 8 to 10 foot (2.4 to 3.0 m) bullwhip crafted by David Morgan for the first three films. The whips for Crystal Skull were crafted by a variety of people, including Terry Jacka, Joe Strain and Morgan (different lengths and styles were likely used in specific stunts).
• The pistol was usually a World War I-era revolver, including the Webley Government (Last Crusade and Crystal Skull), or a .45 ACP Smith & Wesson Hand Ejector 2nd model revolver (Raiders). He has also used an M1917 revolver (Temple of Doom), a Nagant M1895 (Young Indiana Jones), and a 9 mm Browning Hi-Power (Raiders).^[55] The weapon is carried in a military pattern flap holster.
• The shoes were made by Alden. A stock style (model 405) that had been a favorite of Ford's before the movies, they are still sold today (though in a redder (brick) shade of brown than seen in the movies) and are popularly known as "Indy Boots."^[56]

The fedora and leather jacket from Indiana Jones and the Last Crusade are on display at the Smithsonian's American History Museum in Washington, D.C.^[57] The collection of props and clothing from the films has become a thriving hobby for some aficionados of the franchise.^[58] Jones' whip was the third most popular film weapon, as shown by a 2008 poll held by 20th Century Fox, which surveyed approximately two thousand film fans.^[59]

Casting[link]

Originally, Spielberg suggested Harrison Ford; Lucas resisted the idea, since he had already cast the actor in American Graffiti, Star Wars, and The Empire Strikes Back, and did not want Ford to become known as his "Bobby De Niro" (in reference to the fact that fellow director Martin Scorsese regularly cast Robert De Niro in his films).^[38] During an intensive casting process, Lucas and Spielberg auditioned many actors, and finally cast then little-known actor Tom Selleck as Indiana Jones. Shortly afterward pre-production began in earnest on Raiders of the Lost Ark.^[38] However, CBS refused to release Selleck from his contractual commitment to Magnum, P.I. (which was gradually gaining momentum in the ratings), forcing him to turn down the role.^[38] One of CBS's concerns was that shooting for Magnum P.I. conflicted with shooting for Raiders, both of which were to begin about the same time. However, Selleck was to say later in an interview that shooting for Magnum P.I. was delayed and did not actually begin until shooting for Raiders had concluded.

After Spielberg suggested Ford again, Lucas gave in, and Ford was cast in the role less than three weeks before filming began.^[38]

Influence[link]

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Though some archaeologists criticize Indy's methods as befitting a "looter" rather more than a careful worker of precious sites, many have adopted the popular figure as something of a standard-bearer for their profession.^[60] The industry magazine Archaeology, believing that Jones, as one editor said, was "a horrible archaeologist but a great diplomat for archaeology,"^[60] named eight past and current archaeologists who they felt "embodied [Jones'] spirit" as recipients of the "Indy Spirit Awards" in 2008.^[61] That same year Ford himself was elected to the Board of Directors of the Archaeological Institute of America. Commenting that "understanding the past can only help us in dealing with the present and the future," Ford was praised by the association's president for his character's "significant role in stimulating the public's interest in archaeological exploration."^[62]

While himself a homage to various prior adventurers, aspects of Indiana Jones also directly influenced some subsequent characterizations:

• Lara Croft, the female archaeologist of the Tomb Raider series, was originally designed as a man, but was changed to a woman, partly because the developers felt that the original design was too similar to Indiana Jones.^[63] Paramount Pictures, which distributed the Indiana Jones film series, would later make two films based on the Tomb Raider games.
• Prince of Persia producer Ben Mattes explained that their "inspiration was anything Harrison Ford has ever done: Indiana Jones, Han Solo."^[64]
• The video game series Uncharted is also very heavily influenced and inspired by Indiana Jones. The main character, Nathan Drake, also shares many similarities with Indiana Jones himself, both visually and personality-wise. The design team felt the sources shared themes of mystery and "what-if scenarios" that romanticized adventure and aimed to include those in Uncharted.^[65]

References[link]

External links[link]

Wikiquote has a collection of quotations related to: Indiana Jones

• IndianaJones.com – the official Indiana Jones site
• Indiana Jones at the Internet Movie Database
• The Indiana Jones Wiki – A wiki devoted to Indiana Jones