- published: 02 Jun 2010
- views: 151929
- author: DeutschMatheLehrer
2:34
The Beatles - Act Naturally
The Beatles - Act Naturally (Copyright 1965 EMI Records) "Act Naturally" is a song written...
published: 02 Jun 2010
author: DeutschMatheLehrer
The Beatles - Act Naturally
The Beatles - Act Naturally (Copyright 1965 EMI Records) "Act Naturally" is a song written by Johnny Russell and Voni Morrison, originally recorded by Buck Owens and the Buckaroos, whose version reached number 1 on the Billboard Country Singles chart in 1963, his first chart-topper. In 2002, Shelly Fabian of About.com ranked the song number 169 on her list of the Top 500 Country Music Songs. The song has been covered by many other artists, including Loretta Lynn and The Beatles. Russell, originally from Mississippi, was based in Fresno, California in the early 1960s. One night, some of his friends from Oklahoma planned to do a recording session in Los Angeles and asked him to join them. In order to do so, Russell had to break a date with his then-girlfriend. "When she asked me why I was going to LA, I answered, 'They are going to put me in the movies and make a big star out of me.' We both laughed." By 1963, Russell was writing with a woman named Voni Morrison, who also worked with a Bakersfield, California-based singer named Buck Owens. After Russell played "Act Naturally" for Morrison, she thought it would be a natural for Owens, and she told Russell that she could get him to record it. Because no one had yet recorded it, and Russell had an agreement with Morrison to share songwriting credits, he gave her partial credit, though her only role in the song was submitting it to Owens. The song features Ringo Starr on lead vocal, drums, and percussion, Paul McCartney on ...
2:17
Act Naturally
Buck Owens and The Buckaroos in 1969...
published: 06 Feb 2009
author: heywoodjosh
Act Naturally
Buck Owens and The Buckaroos in 1969
- published: 06 Feb 2009
- views: 178738
- author: heywoodjosh
2:35
Act Naturally-The Beatles
Act Naturally By The Beatles "Old,Nervous,And out of tune....RINGO" ----Ringo Starr hahhah...
published: 04 Nov 2008
author: TheBeatles11114
Act Naturally-The Beatles
Act Naturally By The Beatles "Old,Nervous,And out of tune....RINGO" ----Ringo Starr hahhahaha I love when Ringo sings. People say he can't sing,but I think he is pretty good. hhaha Gotto Love Him! Enjoy and Please Comment
- published: 04 Nov 2008
- views: 306006
- author: TheBeatles11114
2:55
The Beatles (Ringo Starr) - ''Act Naturally'' [Live]
The Beatles (Ringo Starr) - ''Act Naturally'' 1965 álbum ''Help!'', composição Morrison/Ru...
published: 08 Jul 2008
author: Lucastavaresqueiroz
The Beatles (Ringo Starr) - ''Act Naturally'' [Live]
The Beatles (Ringo Starr) - ''Act Naturally'' 1965 álbum ''Help!'', composição Morrison/Russel
- published: 08 Jul 2008
- views: 465917
- author: Lucastavaresqueiroz
1:59
Muppet Show: Act Naturally
"Act Naturally," was originally recorded by Buck Owens and was later a hit for The Beatles...
published: 27 Jul 2007
author: koosjebig
Muppet Show: Act Naturally
"Act Naturally," was originally recorded by Buck Owens and was later a hit for The Beatles in 1965. It was performed by the Muppets twice. * It was performed by Gonzo as the UK Spot on episode 405 of The Muppet Show. Gonzo sings "Act Naturally" to his reflection in a mirror. When his relection starts singing back to him, they (naturally) sing it as a duet. This version is included on the videos "The Very Best of the Muppet Show: Volume 2"
- published: 27 Jul 2007
- views: 164537
- author: koosjebig
2:27
Buck Owens & His Buckaroos - Act Naturally [Live] - 1966
Buck and the Boys tear it up at Carnegie Hall Musicians on the Audio track Buck Owens - Vo...
published: 08 Feb 2009
author: DangerousDonRich
Buck Owens & His Buckaroos - Act Naturally [Live] - 1966
Buck and the Boys tear it up at Carnegie Hall Musicians on the Audio track Buck Owens - Vocals, Guitar Don Rich - Harmony Vocals, Lead Electric Guitar Doyle Holly - Electric Bass Tom Brumley - Pedal Steel Guitar Willie Cantu - Drums
- published: 08 Feb 2009
- views: 502374
- author: DangerousDonRich
4:22
Ringo Starr & Buck Owens - Act Naturally - Clip - 1989
Clip promotionnel amusant du duo enregistré en 1989 par Ringo Starr et Buck Owens : "Act N...
published: 30 Aug 2007
author: strawberry198663
Ringo Starr & Buck Owens - Act Naturally - Clip - 1989
Clip promotionnel amusant du duo enregistré en 1989 par Ringo Starr et Buck Owens : "Act Naturally".
- published: 30 Aug 2007
- views: 185280
- author: strawberry198663
2:17
Act Naturally - A Tribute to Buck Owens
A tribute to one of the all time greats in Country Music....Buck Owens...
published: 07 Jun 2007
author: Treyvs
Act Naturally - A Tribute to Buck Owens
A tribute to one of the all time greats in Country Music....Buck Owens
- published: 07 Jun 2007
- views: 28212
- author: Treyvs
2:38
Dwight Yoakam - Act Naturally
Dwight plays Act Naturally in Burbank on May 15th, 2008....
published: 26 May 2008
author: TheRedDogSaloon
Dwight Yoakam - Act Naturally
Dwight plays Act Naturally in Burbank on May 15th, 2008.
- published: 26 May 2008
- views: 79575
- author: TheRedDogSaloon
3:16
WEB EXCLUSIVE: Ringo Starr & Conan Perform "Act Naturally" - CONAN on TBS
Ringo Starr & Conan join forces to cover a Buck Owens classic in this Team Coco web exclus...
published: 03 Feb 2012
author: teamcoco
WEB EXCLUSIVE: Ringo Starr & Conan Perform "Act Naturally" - CONAN on TBS
Ringo Starr & Conan join forces to cover a Buck Owens classic in this Team Coco web exclusive!
- published: 03 Feb 2012
- views: 18473
- author: teamcoco
2:47
Act Naturally: Behind The Scenes Featurette
Behind-the-scenes interviews, exclusive footage and making-of pics from the cast and crew ...
published: 06 Nov 2010
author: JP Riley
Act Naturally: Behind The Scenes Featurette
Behind-the-scenes interviews, exclusive footage and making-of pics from the cast and crew of Letter Blue's upcoming debut feature film, ACT NATURALLY. Coming soon! For more information, visit www.actnaturallymovie.com http Music: "Incredible But True" by Brent Puls, performed by Grammar.
- published: 06 Nov 2010
- views: 48087
- author: JP Riley
2:32
Act Naturally (remastered stereo)
the beatles' song "act naturally" from the 2009 stereo remastered album "Help!" lyrics: Th...
published: 13 Sep 2009
author: thesadieflower
Act Naturally (remastered stereo)
the beatles' song "act naturally" from the 2009 stereo remastered album "Help!" lyrics: They're gonna put me in the movies They're gonna make a big star out of me We'll make a film about a man that's sad and lonely And all I gotta do is act naturally Well, I'll bet you I'm gonna be a big star Might win an Oscar you can never tell The movies gonna make me a big star 'Cause I can play the part so well Well I hope you come and see me in the movies Then Ill know that you will plainly see The biggest fool that ever hit the big time And all I gotta do is act naturally We'll make the scene about a man that's sad and lonely And beggin down upon his bended knee I'll play the part but I won't need rehearsin All I have to do is act naturally Well, I'll bet you I'm gonna be a big star Might win an Oscar you can never tell The movies gonna make me a big star 'Cause I can play the part so well Well I hope you come and see me in the movies Then Ill know that you will plainly see The biggest fool that ever hit the big time And all I gotta do is act naturally
- published: 13 Sep 2009
- views: 4266
- author: thesadieflower
2:19
Buck Owens & His Buckaroos - Act Naturally
Buck Owens - Ranch Show (march 15 1966)...
published: 25 Nov 2010
author: TheQueenOfCountry
Buck Owens & His Buckaroos - Act Naturally
Buck Owens - Ranch Show (march 15 1966)
- published: 25 Nov 2010
- views: 52252
- author: TheQueenOfCountry
Vimeo results:
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let's feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
29:57
The Bridge
The Vision:
Back in October of 2009, I set out to make a film that would push my talents ...
published: 10 Sep 2010
author: Marlon Torres
The Bridge
The Vision:
Back in October of 2009, I set out to make a film that would push my talents as both a storyteller and a filmmaker. I wanted to create a film that would challenge myself and my audience, meshing both classical and experimental storytelling techniques from music, books, & films that have inspired me in one way or another. I wanted to make a film that didn’t do any spoon-feeding, where my audience would leave with questions as well as answers. It was a long a difficult road to get to this point and there were days where I felt that I was in way over my head but eight months later, I can proudly say I’ve finally completed my film “The Bridge” and it was an experience I would never forget.
The Inspiration:
The story of The Bridge was a story a cousin had told me when I was eight years old. It was a ghost story about two siblings on a bridge. I remember it haunting me for weeks and causing many sleepless nights under my sheets. Obviously, it had a lasting influence in my life. It had always been one of those stories that I wanted to adapt into a short film so when the opportunity finally came one day, I decided to pull to trigger.
When I was in film school, I would constantly fantasize about making some sort of epic period piece, especially one that took place during WW2. So when I decided I was going to make The Bridge, I instantly followed it up with “hell, why not make it into a WW2 movie”? I could have easily made this film as a contemporary piece but where would the fun be in that? I never do things because it’s easy; I do it because it’s hard. I love a challenge. I figured I could keep the same characters, themes, motifs, style, and wrap it around a WW2 setting. So I did.
Pre-production:
So it began. After a quick outline, I started writing the screenplay and, being a one-man crew at the time, I also started doing work on costumes and props. I lived and breathed WW2 24/7. I watched every WW2 movie and documentary I could get my hands on. I even got my hands some real WW2 letters to get a grasp on the era’s language. I felt like a student again and I loved it. I scoured eBay for every WW2 field gear I could afford to buy and the stuff I couldn’t get, I had them custom made cheaply in China. I wanted it to be detailed and authentic as possible while keeping my almost non-existing budget down. I remember coming home one day and having almost a couple dozen eBay packages on front door. It looked like the front door of the post office.
Casting:
The casting of The Bridge was actually one of the smoothest aspects of the entire process. I first went to my good friend Amy and asked her if she would like to help me produce the film. Having worked with each other before, I didn’t really have to ask twice. She was happy to be my first recruit.
For the leading role, I asked my good friend Pablo Soriano to take the part. Having worked with him before, we have a good understanding of each other. He is just a naturally gifted actor and he makes my job as a director so much easier. Plus, his puppy dog eyes make him a perfect protagonist.
For the leading female role, I went looking for a girl who had beautiful, almost hypnotic eyes. That’s when I spotted Leah in one my good friend’s music video. I called up Carlos and basically told him, “I need to have that girl for movie”. A few days later, she was on board.
I owe the discovery of Mike, the character who plays James Connolly, to my producer Amy. She had read the script and recommended him. I remember her telling me “Mike IS James”. Words that any director would love to hear and as usual, Amy was right.
So a couple months later, the script was complete, the costumes and props were ready, and the cast was cast. We were ready to shoot!
Production:
With our extremely limited budget, I knew right from day one that we were going to shoot “The Bridge” on DSLRs, specifically the Canon 7D and 5D Mark II. With this in mind, I knew (as also the DP of the film), I was going to push these cameras to its limits. I wasn’t going to let my equipment limit my vision of the film. I knew at the very beginning that I may or may not have a crappy movie in the end but hell, it’s gonna look damn good! We all know about the camera’s limitations but I wasn’t going to bitch and moan about it, I was going to work around it. I took it as a personal challenge to make these cameras work and I did.
About 75% of the film was shot with the 7D and the rest with the 5DM2. The main reason I shot with the 7D more was the 24p firmware update wasn’t available for the 5DM2 during the bulk of the shooting. I prefer the 5DM2’s full frame sensor the 7D cropped sensor.
Production, like any other shoot, had its ups and downs. Ours was mainly San Francisco’s unpredictable weather. You can blink and the bay area can go from miserable foggy weather (which is what I wanted for the film) to perfect summer beach party weather.
Also, being
1:58
THE BEGINNING OF INFINITY
By @jasonsilva and @notthisbody - Follow us on Twitter!
"The adjacent possible is a kind...
published: 02 Oct 2011
author: Jason Silva
THE BEGINNING OF INFINITY
By @jasonsilva and @notthisbody - Follow us on Twitter!
"The adjacent possible is a kind of shadow future, hovering on the edges of the present state of things, a map of all the ways in which the present can reinvent itself." - Steven Johnson
Other videos -
You are a RCVR - http://vimeo.com/27671433
To Understand Is To Perceive Patterns - http://vimeo.com/34182381
Imagination - http://vimeo.com/34902950
Abundance - http://vimeo.com/34984088
INSPIRATION:
This video is inspired, in part, by the ideas explored in David Deutsch’s new book, THE BEGINNING OF INFINITY. We hope it moves you.
"The topographical shape and the material constitution of the upper surface of the island of Manhattan, as it exists today, is much less a matter of geology than it is of economics and politics and human psychology. The effects of geological forces were trumped (you might say) by other forces — forces that proved themselves, in the fullness of time, physically stronger. Deutsch thinks the same thing must in the long run be true of the universe as a whole. Stuff like gravitation and dark energy are the sorts of things that determine the shape of the cosmos only in its earliest, and most parochial, and least interesting stages. The rest is going to be a matter of our own intentional doing.." - David Alpert on David Deutsch's new book.
"Some time in the last fifty thousand years, with the invention of culture, the biological evolution of humans ceased and evolution became an epigenetic, cultural phenomenon... technology is the real skin of our species. Humanity, correctly seen in the context of the last five hundred years, is an extruder of technological material. We take in matter that has a low degree of organization; we put it through mental filters, and we extrude jewelry, gospels, space shuttles. This is what we do. We are like coral animals embedded in a technological reef of extruded psychic objects." - Terence Mckenna
**
In our work, we use the tools of editing: we juxtapose 'transcalar' imagery, cutting and overlapping the very small and the very large... From the nano to the galactic, stretching and compressing time, we feature time lapse to reveal the repetitive and recurring patterns across different scales of reality. The aim is to provide multiple perspectives all at once, whose simultaneous presentation might cause spontaneous epiphanies. “These patterns are omnipresent, but only when we see these patterns in a more compressed mode of presentation to we start to attend to them as such.” -- This is KEY!
Paul Stamet's superb book, Mycelium Running, begins with a discussion of what Stamets calls the mycelial archetype. He compares the mushroom mycelium with the overlapping information-sharing systems that comprise the Internet, with the networked neurons in the brain, and with a computer model of dark matter in the universe. All share this densely intertwingled filamental structure.
A recent profile of Stephen Johnson on Dumbo Feather described his work like this:
“Johnson uses ‘The Long Zoom’ to define the way he looks at the world—if you concentrate on any one level, there are patterns that you miss. When you step back and simultaneously consider, say, the sentience of a slime mold, the cultural life of downtown Manhattan and the behaviour of artificially intelligent computer code, new patterns emerge."
On their own, these areas of study are fascinating. Together, a more profound view takes shape.
The article continues, "Put simply: cities are like ant colonies are like software is like slime molds are like evolution is like disease is like sewage systems are like poetry is like the neural pathways in our brain. Everything is connected.”
PERFORMING PHILOSOPHY:
Our stated goal is to re-ignite the art of the "performing philosophers" ... like Timothy Leary and Buckminster Fuller... A post on Space Collective wrote about “thinkers who act as substantial agents of change, who drastically alter the infocologies they interact with, in the process transforming and meshing the different dimensions in which our minds operate.”
We care about the pleasures derived in forming new connections, mash-ups and innovative solutions for the next step in human evolution.
We are working to articulate our understanding through the creation of recombinant media mashups meant to epiphanize audiences----the creating and sharing of awe; "performance philosophy" in an age of collapsing boundaries and exponential creativity.
The director of the Imaginary Foundation described our work as “some kind of Ontological DJ'ing, recompiling the source code of western philosophy by mixing and mashing it up into a form of recombinant creativity, which (hopefully) elevates our understanding from the dry and prosaic, into the sensual and transcendent.”
“The goal is to prove a fresh framework and a new narrative to fill our old storytelling needs in our ever-increasing process of self-description
Youtube results:
2:18
Buck Owens - Act Naturally
They're gonna make a big star out of Buck...
published: 09 Mar 2011
author: Gatorrock787
Buck Owens - Act Naturally
They're gonna make a big star out of Buck
- published: 09 Mar 2011
- views: 28391
- author: Gatorrock787
0:59
Act Naturally - Teaser Trailer
Teaser Trailer from Letter Blue Production's upcoming, debut, feature-film, "Act Naturally...
published: 26 Feb 2009
author: JP Riley
Act Naturally - Teaser Trailer
Teaser Trailer from Letter Blue Production's upcoming, debut, feature-film, "Act Naturally" CAST: Katie L. Hall Liz Lytle Susan May Pratt Josh McVaney Courtney Abbott KC Gleason Kat Namey Caitlin Wehrle and Alan Cox CREW: Co-Writer/Director:JP Riley Producer: Christine Sheaks Co-Writer/Co-Producer: Katie L. Hall Cinematographer: Dustin Pearlman Sound Design: Maya Kuper 1st Assistant Director: Emily Greenberg-Hogan Assoc. Producer: Chrissie Atkinson Editors: Brandon Labeots & JP Riley Additional Crew Credits: Jim Mulhearn Brock Wilbur Annie Levine Pat Bishop David Lassiter Dennis Noyse Natalie Poston Tom Schraeder Laura Turek For more info, visit: www.actnaturallymovie.com
- published: 26 Feb 2009
- views: 80299
- author: JP Riley
2:57
The Beatles - act naturally shea stadium HQ
...
published: 14 Nov 2010
author: clubpenguinBoy11
The Beatles - act naturally shea stadium HQ
- published: 14 Nov 2010
- views: 6376
- author: clubpenguinBoy11
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