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Name | Saul Bass |
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Birth date | May 08, 1920 |
Birth place | New York City, New York, United States |
Death date | April 25, 1996 |
Occupation | Graphic designer, title designer |
Saul Bass (May 8, 1920 – April 25, 1996) was an American graphic designer and filmmaker, but he is best known for his design on animated motion picture title sequences.
During his 40-year career he worked for some of Hollywood's greatest filmmakers, including most notably Alfred Hitchcock, Otto Preminger, Stanley Kubrick and Martin Scorsese. Amongst his most famous title sequences are the animated paper cut-out of a heroin addict's arm for Preminger's The Man with the Golden Arm, the text racing up and down what eventually becomes a high-angle shot of the United Nations building in Alfred Hitchcock's North by Northwest, and the disjointed text that raced together and was pulled apart for Psycho (1960).
Saul Bass designed the sixth AT&T; Bell System logo. He also designed AT&T;'s "globe" logo after the breakup of the Bell System. Bass also designed Continental Airlines' 1968 "jetstream" logo which became the most recognized airline industry logo of the 1970s.
For Alfred Hitchcock, Bass provided effective, memorable title sequences, employing kinetic typography, for North by Northwest, Vertigo, working with John Whitney, and Psycho. It was this kind of innovative, revolutionary work that made Bass a revered graphic designer. His later work with Martin Scorsese saw him move away from the optical techniques that he had pioneered and move into computerized titles, from which he produced the title sequence for Casino.
He designed title sequences for 40 years, for films as diverse as Spartacus (1960), The Victors (1963), It's a Mad, Mad, Mad, Mad World (1963) and Casino (1995). He also designed title sequences for films such as Goodfellas (1990), Doc Hollywood (1991), Cape Fear (1991) and The Age of Innocence (1993), all of which feature new and innovative methods of production and startling graphic design.
Selected logos by Saul Bass and respective dates (note that links shown point to articles on the entities themselves, and not necessarily to the logos):
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He received an unintentionally backhanded tribute in 1995, when Spike Lee's film Clockers was promoted by a poster that was strikingly similar to Bass's 1959 work for Preminger's film Anatomy of a Murder. Designer Art Sims claimed that it was made as an homage, but Bass regarded it as theft. The cover art for the White Stripes' single The Hardest Button to Button is clearly inspired by the Bass poster for The Man with the Golden Arm. The original Tahi poster for Pen-ek Ratanaruang's Last Life in the Universe is also influenced by Bass' work.
Bill Krohn's recent work of scholarship on Hitchcock's production of Psycho (Hitchcock At Work, Phaidon Press), validates that Bass in his capacity as a graphic artist did indeed have a significant influence on the visual design of that famous scene. Hitchcock had asked Bass to produce storyboards for the shower-murder scene and a later murder scene (which was truncated). For this, Bass received a credit as Pictorial Consultant as well as Title Designer.
Krohn noted that Bass's 48 drawings introduced key aspects of the final shower-murder scene, namely the fact that the attacker would be seen as a silhouette, the shower curtain torn down, a high angle shot of the murder scene with the curtain rod used as a barrier and also the famous shot of the transition from the drainage hole of the bathtub to Marion Crane's dead eye which as Krohn notes is reminiscent of Bass's iris titles for Vertigo. Krohn also concludes that Bass did not literally direct the shower-murder scene, proving Hitchcock's presence on the set throughout the shooting of that scene conclusively. Also, as Janet Leigh points out in Stephen Rebello's book Alfred Hitchcock and the Making of Psycho, Hitchcock met with Bass and gave him detailed instructions concerning the scene, from which Bass then developed storyboard pictorial ideas — therefore the authorship of the fundamental sequence is clearly Hitchcock's. The shower scene was shot with two cameras at least part of the time and Hitchcock working from the paradigms set up by Bass's storyboards would trim the shot footage into a proper montage that he believed would produce the right emotions on the audience. Hitchcock showed a rough cut of the scene during production to his editor George Tomasini and even brought a Moviola on the set to gauge the exact sequence of scenes which ultimately was shaped according to his decision and approval.
In 1964, Bass directed a short film titled The Searching Eye and shown during the 1964 New York World's Fair, coproduced with Sy Wexler. He also directed a montage “dream” sequence in the 1966 film Grand Prix directed by John Frankenheimer and later made a short documentary film called Why Man Creates, which won an Academy Award in 1968. That film was broadcast on the first episode of the television newsmagazine 60 Minutes, on September 24 of that year.
In 1974, he made his only feature length film as a director, the visually splendid though little-known science fiction film Phase IV, a "Quiet, haunting, beautiful, [...] and largely overlooked, science-fiction masterwork".
:"Design is thinking made visual."
Category:1920 births Category:1996 deaths Category:AIGA Medalists Category:Typographers Category:American graphic designers Category:Film poster artists Category:Logo designers Category:Film and television title designers Category:Directors of Best Documentary Short Subject Academy Award winners Category:People from New York City
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Name | Harry Belafonte |
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Born | New York City, New York, U.S. |
Background | solo_singer |
Birth name | Harold George Belafonete Jr. |
Years active | 1949–2007 |
Label | RCA Victor CBS EMI Island |
Genre | Calypso, vocal, folk |
Occupation | Actor, activist, singer |
While primarily known for his Calypso songs, Belafonte has recorded in many genres, including blues, folk, gospel, show tunes, and American standards. His second-best hit, which came immediately after "The Banana Boat Song," was the novelty tune "Mama Look at Bubu," also known as "Mama Look a Boo-Boo" (originally recorded by Lord Melody in 1956), in which he sings humorously about misbehaving and disrespectful children. It reached number eleven on the pop chart.
Belafonte continued to record for RCA through the 1950s to the 1970s. Two live albums, both recorded at Carnegie Hall in 1959 and 1960, enjoyed critical and commercial success. He was one of many entertainers recruited by Frank Sinatra to perform at the Inaugural gala of President John F. Kennedy in 1961. That same year he released his second Calypso album, Jump Up Calypso, which went on to become another million seller. During the 1960s he introduced a number of artists to American audiences, most notably South African singer Miriam Makeba and Greek singer Nana Mouskouri. His album Midnight Special (1962) featured the first-ever recorded appearance by a then young harmonica player named Bob Dylan.
As The Beatles and other stars from Britain began to dominate the U.S. pop charts, Belafonte's impact as a commercial force diminished; 1964's Belafonte at The Greek Theatre was his last album to appear in Billboard's Top 40. His last hit single, A Strange Song, was released in 1967, and peaked at number 5 on the Adult contemporary music charts. Belafonte has received a Grammy Award for the albums Swing Dat Hammer (1960) and An Evening with Belafonte/Makeba (1965). The latter album dealt with the political plight of black South Africans under Apartheid. He has been awarded six Gold Records.
Belafonte's album output in the 1970s slowed after leaving RCA. From the mid-1970s to early 1980s he spent the greater part of his time touring the world, visiting such places as Japan, Europe, and Cuba. His involvement in USA for Africa during the mid-1980s resulted in renewed interest in his music, culminating in a record deal with EMI. He subsequently released his first album of original material in over a decade, Paradise in Gazankulu, in 1988. The album contains ten protest songs against the South African former Apartheid policy, and is his last studio album to date. In the same year, Belafonte, as UNICEF Goodwill Ambassador attended a symposium in Harare, Zimbabwe to focus world attention on child survival and development in Southern African countries. As part of the symposium, he performed a concert for UNICEF. A Kodak video crew filmed the concert, which was released as a 60-minute concert video entitled "Global Carnival". It features many of the songs from the album Paradise in Gazankulu and some of his classic hits. Also in 1988, Tim Burton used two of Belafonte's songs in his movie ''Beetlejuice, "The Banana Boat Song" and "Jump in the Line".
Following a lengthy recording hiatus, An Evening with Harry Belafonte and Friends, a soundtrack and video of a televised concert were released in 1997 by Island Records. The Long Road to Freedom, An Anthology of Black Music, a huge multi-artist project recorded during the 1960s and 1970s while he was still with RCA, was finally released by the label in 2001. The album was nominated for the 2002 Grammy Awards for Best Boxed Recording Package, for Best Album Notes and for Best Historical Album. number on The Muppet Show.]]
Belafonte was the first black man to win an Emmy, with his first solo TV special Tonight with Belafonte (1959). During the 1960s he appeared in a number of TV specials, alongside such artists as Julie Andrews, Petula Clark, Lena Horne, and Nana Mouskouri. He was also a guest star on a memorable episode of The Muppet Show in 1978, in which he sang his signature song "Day-O" on television for the very first time. However, the episode is best known for Belafonte singing the spiritual song, "Turn the World Around," that is performed with Muppets designed like African tribal masks. It has become one of the most famous performances in the series. It was reported to be Jim Henson's favorite episode, and Belafonte did a reprise of the song at Henson's memorial in 1990. "Turn the World Around" was also included in the 2005 official hymnal supplement of the Unitarian Universalist Association, "Singing the Journey."
Belafonte received the Kennedy Center Honors in 1989. He was awarded the National Medal of Arts in 1994 and he won a Grammy Lifetime Achievement Award in 2000. He has continued to perform sell-out concerts globally through the 1950s to the 2000s. Due to illness he was forced to cancel a reunion tour with Nana Mouskouri, planned for the spring and summer of 2003, following a tour in Europe. He gave his last concert on the 25th of October 2003, a benefit concert for the Atlanta Opera. In a 2007 interview he stated that he has since retired from performing.
Feeling dissatisfied with the film roles available to him, he abandoned film in favour of his musical career during the 1960s. In the early 1970s Belafonte briefly resurfaced in a number of films among which are two films in which he starred alongside Sidney Poitier: Buck and the Preacher (1972) and Uptown Saturday Night (1974). In 1984, Belafonte produced and scored the musical film Beat Street, dealing with the rise of hip-hop culture. Belafonte would not star in a major film again until the mid-1990s, when he appeared alongside John Travolta in the race-reverse drama White Man's Burden (1995); and in Robert Altman's jazz age drama Kansas City (1996), the latter of which garnered him the New York Film Critics Circle Award for Best Supporting Actor. He also starred as an Associate Justice of the Supreme Court of the United States in the TV drama Swing Vote (1999). In late 2006, Belafonte appeared in the role of Nelson, a friend of an employee of the Ambassador Hotel played by Anthony Hopkins, in Bobby, Emilio Estevez's ensemble drama about the assassination of Robert Kennedy.
with Sidney Poitier (left) and Charlton Heston. ]] During "Freedom Summer" in 1964, Belafonte bankrolled the Student Non-Violent Coordinating Committee, flying to Mississippi that August with $60,000 in cash and entertaining crowds in Greenwood with his "Banana Boat Song". In 1968, Belafonte appeared on a Petula Clark primetime television special on NBC. In the middle of a song, Clark smiled and briefly touched Belafonte's arm, which made the show's sponsor, Plymouth Motors, nervous. Plymouth wanted to cut out the segment, but Clark, who had ownership of the special, told NBC that the performance would be shown intact or she would not allow the special to be aired at all. American newspapers published articles reporting the controversy and, when the special aired, it grabbed high viewing figures. Belafonte appeared on The Smothers Brothers Comedy Hour and performed a controversial "Mardi Gras" number with footage intercut from the 1968 Democratic National Convention riots. CBS censors deleted the entire segment from the program.
In 1985, he was one of the organizers behind the Grammy Award winning song "We Are the World", a multi-artist effort to raise funds for Africa, and performed in the Live Aid concert that same year. In 1987, he received an appointment to UNICEF as a goodwill ambassador. Following his appointment, Belafonte traveled to Dakar, Senegal, where he served as chairman of the International Symposium of Artists and Intellectuals for African Children. He also helped to raise funds – alongside more than 20 other artists – in the largest concert ever held in sub-Saharan Africa. In 1994 he went on a mission to Rwanda and launched a media campaign to raise awareness of the needs of Rwandan children.
In 2001 he went to South Africa to support the campaign against HIV/AIDS. In 2002, Africare awarded him the Bishop John T. Walker Distinguished Humanitarian Service Award for his efforts to assist Africa. In 2004 Belafonte went to Kenya to stress the importance of educating children in the region. Belafonte has been involved in prostate cancer advocacy since 1996, when he was diagnosed and successfully treated for the disease. On June 27, 2006, Belafonte was the recipient of the BET Humanitarian Award at the 2006 BET Awards. He was named one of nine 2006 Impact Award recipients by AARP The Magazine. Belafonte has been a longtime critic of U.S. foreign policy. He began making controversial political statements on this subject in the early 1980s. He has, at various times, made statements opposing the U.S. embargo on Cuba; praising Soviet peace initiatives; attacking the U.S. invasion of Grenada; praising the Abraham Lincoln Brigade; honoring Ethel and Julius Rosenberg and praising Fidel Castro. Belafonte is additionally known for his visit to Cuba which helped ensure hip-hop’s place in Cuban society. According to Geoffrey Baker’s article “Hip hop, Revolucion! Nationalizing Rap in Cuba,” in 1999, Belafonte met with representatives of the rap community immediately before meeting with Fidel Castro. This meeting resulted in Castro’s personal approval of (and hence the government’s involvement in), the incorporation of rap into his country’s culture. In a 2003 interview, Belafonte reflected upon this meeting’s influence:
“When I went back to Havana a couple years later, the people in the hip-hop community came to see me and we hung out for a bit. They thanked me profusely and I said, why? and they said, because, your little conversation with Fidel and the Minister of Culture on hip-hop led to there being a special division within the ministry and we've got our own studio.”
Belafonte was involved in the anti-Apartheid movement. He was the Master of Ceremonies at a reception honoring African National Congress President Oliver Tambo at Roosevelt House, Hunter College, in New York City. The reception was held by the American Committee on Africa (ACOA) and The Africa Fund. In December 2007 he endorsed John Edwards for the 2008 Presidential Election. At the ACLU of Northern California's annual Bill of Rights Day Celebration In December 2007, Belafonte gave the keynote address and was awarded the Chief Justice Earl Warren Civil Liberties Award. On October 19, 2007, Belafonte represented UNICEF on Norwegian television to support the annual telethon (TV Aksjonen) in support of that charity and helped raise a world record of $10 per inhabitant of Norway. Belafonte was also an ambassador for the Bahamas. He is on the board of directors of the Advancement Project.
The 2011 Sundance Film Festival will feature the documentary film "Sing Your Song", a biographical film focusing on Belafonte's contribution to and his leadership in the civil rights movement in America and his endeavours to promote social justice globally.
Belafonte used the quote to characterize former United States Secretaries of State Colin Powell and Condoleezza Rice, both African-Americans. Powell and Rice both responded, with Powell calling the remarks "unfortunate" and Rice saying "I don't need Harry Belafonte to tell me what it means to be black."
The comment was brought up again in an interview with Amy Goodman for Democracy Now! in 2006. In January 2006, Belafonte led a delegation of activists including actor Danny Glover and activist/professor Cornel West to meet with President of Venezuela Hugo Chávez. In 2005, Chávez, an outspoken Bush critic, initiated a program to provide cheaper heating fuel for poor people in several areas of the United States. Belafonte supported this initiative. During the meeting with Chávez, Belafonte was quoted as saying, "No matter what the greatest tyrant in the world, the greatest terrorist in the world, George W. Bush says, we're here to tell you: Not hundreds, not thousands, but millions of the American people... support your revolution." Belafonte and Glover met again with Chávez in 2006. The comment ignited a great deal of controversy. Hillary Clinton refused to acknowledge Belafonte's presence at an awards ceremony that featured both of them. AARP, which had just named him one of its 10 Impact Award honorees 2006, released this statement following the remarks: "AARP does not condone the manner and tone which he has chosen and finds his comments completely unacceptable." During a Martin Luther King, Jr. Day speech at Duke University in 2006, Belafonte compared the American government to the 9/11 hijackers, saying, "What is the difference between that terrorist and other terrorists?" In response to criticism about his remarks, Belafonte asked, "What do you call Bush when the war he put us in to date has killed almost as many Americans as died on 9/11 and the number of Americans wounded in war is almost triple? [...] By most definitions Bush can be considered a terrorist." When he was asked about his expectation of criticism for his remarks on the war in Iraq, Belafonte responded: "Bring it on. Dissent is central to any democracy."
In another interview, Belafonte remarked that while his comments may have been "hasty", nevertheless he felt the Bush administration suffered from "arrogance wedded to ignorance," and its policies around the world were "morally bankrupt". In January 2006, in a speech to the annual meeting of the Arts Presenters Members Conference, Belafonte referred to "the new Gestapo of Homeland Security" saying, "You can be arrested and have no right to counsel!" During the Martin Luther King, Jr. Day speech at the Duke University in January 2006, Belafonte said that if he could choose his epitaph, it would be, "Harry Belafonte, Patriot."
On March 8, 1957, Belafonte married his second wife, Julie Robinson (former dancer with the Katherine Dunham Company). They have two children, David and Gina Belafonte. David Belafonte (a former model) is an Emmy-winning producer and the executive director of the family-held company Belafonte Enterprises Inc. A music producer, he has been involved in most of Belafonte's albums and tours. He is married to Danish model and singer Malena Belafonte, born Mathiesen, who won silver in Dancing with the Stars in Denmark in 2009. Gina is a TV and film actress and has worked with her father as coach and producer in more than six films. Gina is one of the founding members of The Gathering For Justice, an inter-generational, intercultural non-profit organization working to reintroduce nonviolence to stop child incarceration. She is married to actor Scott McCray.
In April 2008, Belafonte married his third wife, Pamela Frank.
Belafonte lived in a 16-room apartment at 300 West End Avenue (corner of 74th Street) in New York City for 50 years. He moved out in 2007, and sold his entire-fifth-floor apartment to Abigail Disney. She in turn sold it to two separate buyers in 2009, and it is being remodeled into two separate apartments.
In October 1998, Belafonte contributed a letter to Liv Ullmann's book Letter to My Grandchild.
Category:American anti-war activists Category:American folk singers Category:American male singers Category:American socialists Category:International activists against apartheid in South Africa Category:Calypsonians Category:Emmy Award winners Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:American musicians of Jamaican descent Category:World music musicians Category:Jubilee Records artists Category:RCA Victor artists Category:Kennedy Center honorees Category:New York Democrats Category:People from Manhattan Category:Tony Award winners Category:United States National Medal of Arts recipients Category:1927 births Category:Living people
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Name | Pearl Bailey |
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Caption | Pearl Bailey in St. Louis Woman (1946) |
Birthname | Pearl Mae Bailey |
Birth date | March 29, 1918 |
Birth place | Southampton County, Virginia, U.S. |
Death date | August 17, 1990 |
Occupation | Actress, singer |
Death place | Philadelphia, Pennsylvania, U.S. |
Yearsactive | 1946–1989 |
Spouse |
Pearl Mae Bailey (March 29, 1918 – August 17, 1990) was an American actress and singer. After appearing in vaudeville, she made her Broadway debut in St. Louis Woman in 1946. She won a Tony Award for the title role in the all-black production of Hello, Dolly! in 1968. In 1986, she won a Daytime Emmy award for her performance as a fairy godmother in the ABC Afterschool Special, Cindy Eller: A Modern Fairy Tale.
Her rendition of "Takes Two to Tango" hit the top ten in 1952.
She made her stage-singing debut when she was 15 years old. Her brother Bill Bailey was beginning his own career as a tap dancer, and suggested she enter an amateur contest at Philadelphia’s Pearl Theater. She entered, won first prize, later won a similar contest at Harlem’s famous Apollo Theater, and decided to pursue a career in entertainment.
In 1967, Bailey and Cab Calloway headlined an all-black cast version of Hello, Dolly! The touring version was so successful, producer David Merrick took it to Broadway where it played to sold-out houses and revitalized the long running musical. Bailey was given a special Tony Award for her role and RCA made a second original cast album.. That is the only recording of the score to have an overture which was written especially for that recording.
A passionate fan of the New York Mets, Bailey sang the national anthem at Shea Stadium prior to game 5 of the 1969 World Series, and appears in the Series highlight film showing her support for the team. She also sang the national anthem prior to game 1 of the 1981 World Series between the New York Yankees and Los Angeles Dodgers at Yankee Stadium.
During the 1970s she had her own television show, and she also provided voices for animations such as Tubby the Tuba (1976) and Disney's The Fox and the Hound (1981). She returned to Broadway in 1975, playing the lead in an all-black production of Hello, Dolly!. She earned a B.A. in theology from Georgetown University in Washington, D.C., in 1985.
Later in her career, Bailey was a fixture as a spokesperson in a series of Duncan Hines commercials, singing "Bill Bailey (Won't You Come Home)".
Bailey, a Republican, was appointed by President Richard Nixon as America's "Ambassador of Love" in 1970. She attended several meetings of the United Nations and later took part in a campaign ad for President Gerald Ford in the 1976 election.
She was awarded the Bronze Medallion (New York City award) in 1968 and a Presidential Medal of Freedom on October 17, 1988.
Bailey is paid tribute in the TV show American Dad!, where the high school that Steve Smith attends is called Pearl Bailey High School.
Category:African American actors Category:African American singers Category:American female singers Category:American film actors Category:American musical theatre actors Category:American stage actors Category:American voice actors Category:Cardiovascular disease deaths in Pennsylvania Category:Daytime Emmy Award winners Category:Georgetown University alumni Category:Musicians from Virginia Category:Presidential Medal of Freedom recipients Category:People from Newport News, Virginia Category:Tony Award winners Category:Vaudeville performers Category:Virginia Republicans Category:Pennsylvania Republicans Category:1918 births Category:1990 deaths
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Name | Diahann Carroll |
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Caption | photo by Carl Van Vechten, 1955 |
Birth name | Carol Diahann Johnson |
Birth date | July 17, 1935 |
Birth place | Bronx, New York, U.S. |
Spouse | Vic Damone (1987-1996)Robert DeLeon (1975-1977)Fredde Glusman (1973-1973)Monte Kay (1956-1963) |
Years active | 1954–present |
Occupation | Actress/Singer |
Website | http://diahanncarroll.net |
Diahann Carroll (born July 17, 1935, in New York, New York) is an American actress and singer.
Having appeared in some of the earliest major studio films to feature black casts such as Carmen Jones and Porgy and Bess, she starred in 1968's Julia, one of the first series on American television to star a black woman in a non-stereotypical role. Later she created the role of Dominique Deveraux on the popular prime time soap opera, Dynasty.
She is the recipient of numerous stage and screen awards and nominations. Carroll has been married four times and became the mother of a daughter in 1960. She is a breast cancer survivor and activist.
Carroll is best known for her title role in the 1968 television series Julia, which made her the first African American actress to star in her own television series where she did not play a domestic worker. She was nominated for an Emmy Award in 1969, and won the Golden Globe Award for Best Actress In A Television Series” in 1968. Her first Emmy nomination had come in 1963 for Naked City. Some of her other earlier work included appearances on shows hosted by Jack Paar, Merv Griffin, Johnny Carson, Judy Garland and Ed Sullivan, and on The Hollywood Palace variety show.
In 1984, Carroll joined the nighttime soap opera Dynasty as the jetsetter Dominique Deveraux, half-sister of Blake Carrington played by actor John Forsythe. Her high profile role on Dynasty also reunited her with actor Billy Dee Williams, who briefly played her onscreen husband Brady Lloyd. Carroll remained on the show until 1987, simultaneously making several appearances on its short-lived spinoff, The Colbys.
She received her third Emmy nomination in 1989 for the recurring role of Marion Gilbert in A Different World. In 2006, she appeared in the television medical drama Grey's Anatomy as Jane Burke, the demanding mother of Dr. Preston Burke.
Carroll starred as the crazed silent movie star Norma Desmond in the Canadian production of Andrew Lloyd Webber's musical version of the classic film Sunset Boulevard.
In December 2008, Carroll was cast in USA Newtork’s series White Collar as June, the savvy widow who rents out her guest room to Neal Caffrey.
Carroll will be featured in UniGlobe Entertainment's breast cancer docudrama entitled, 1 a Minute, scheduled for release in 2010.
In 1973, Carroll surprised the press by marrying Las Vegas boutique owner Fred Glusman. She and British television host and producer David Frost had been dating at the time, and were actually engaged. Several weeks later, she filed for divorce, charging Glusman with physical abuse. In 1975, she married Robert DeLeon, a managing editor of Jet magazine. She was widowed two years later when DeLeon was killed in a car crash. Carroll's fourth and last marriage was to singer Vic Damone in 1987. The union, which Carroll admitted was turbulent, saw a legal separation in 1991, a reconciliation, and finally divorce in 1996.
As a breast cancer activist and survivor, she invited a camera crew into her treatment room for a national broadcast special to draw attention to the disease.
Category:1935 births Category:Living people Category:African American actors Category:American female singers Category:American stage actors Category:American television actors Category:Best Drama Actress Golden Globe (film) winners Category:Breast cancer survivors Category:Fiorello H. LaGuardia High School of Music & Art and Performing Arts alumni Category:Actors from New York Category:People from the Bronx Category:Tony Award winners Category:RCA Victor artists Category:African American television actors
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