WXRT was locally owned until 1995. It was then purchased by Westinghouse, which had acquired WMAQ 670 (which has since changed call letters to WSCR) a few years before. WXRT became part of the CBS conglomerate in 1996 when Westinghouse and CBS merged. CBS later merged with Infinity Radio, keeping the Infinity name for its radio division. CBS and Viacom would merge in 2000, making WXRT an Infinity Radio station whose parent companies were CBS and Viacom. In December 2005, Infinity Radio officially became CBS Radio in anticipation of the CBS/Viacom split up.
There has been remarkably little disc jockey turnover at XRT since it began in 1972. Terri Hemmert is the DJ who has been with XRT the longest, since 1973. Norm Winer, who worked at pioneering progressive rock radio stations WBCN in Boston and KSAN in San Francisco, has been the XRT Program Director for over 25 years.
On April 1, 1998, WXRT stated during its morning show with Lin Brehmer that it was now called WXXXRT, and that it was now a subsidiary of Playboy Enterprises. Brehmer, the normal morning show host, and his news anchor partner, Mary Dixon, very calmly and casually made the announcement several times throughout the show that day and made very little fuss about the change in ownership, trying to pawn it off as no big deal. The station's music format was now changed to include primarily 1980s dance music. Brehmer took extra care to mention the change in station call letters more than usual. Many of the conversations from angry listeners were recorded off-the-air that morning, and then edited together and played back the next day, April 2nd. Some of the conversations included Brehmer talking with people, letting them fume, and then asking the angry listener what day it was; this often resulted in the listener realizing they had been a victim of the hoax.
Also, during the 90's on April 1, WXRT announced its new studio, with a window to the street, at 380 N. Michigan Avenue. That address didn't exist, as it put the studio address in the middle of the Michigan Avenue bridge crossing the Chicago River.
In 2006, WXRT announced it would end its Saturday Morning Flashback program on April 1 of that year. Many listeners did not realize the importance of the proposed end date for the program as a clue that the announcement was a hoax.
XRT Category:Adult album alternative radio stations in the United States
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| Name | Syd Barrett |
|---|---|
| Background | solo_singer |
| Birth name | Roger Keith Barrett |
| Born | January 06, 1946 Cambridge, England |
| Died | July 07, 2006Cambridge, England |
| Instrument | Vocals, Guitar. |
| Genre | Blues, Psychedelic rock, psych folk, space rock |
| Occupation | guitarist, singer-songwriter, painter |
| Years active | 1964–1974 |
| Label | Harvest, EMI |
| Associated acts | Pink Floyd, Stars |
| Notable instruments | Danelectro DC-59Fender Esquire |
Barrett was active as a rock musician for about seven years, recording two albums with Pink Floyd and two solo albums before going into self-imposed seclusion lasting more than thirty years. His post rock-band life was as an artist and a keen gardener, ending with his death in 2006. A number of biographies have been written about him since the 1980s and Pink Floyd wrote and recorded many tributes to him after he left, the most known being the 1975 album Wish You Were Here.
Keen to help her son recover from his grief, Barrett's mother encouraged his band, The Mottoes, to perform in their front room. Roger Waters and Barrett were childhood friends, and Waters often visited such gigs. He enrolled in Camberwell Art School in South London in 1964, to study painting, before forming his first band in 1965.
While Pink Floyd began by playing cover versions of American R&B; songs (in much the same vein as contemporaries The Rolling Stones, The Yardbirds, and The Kinks), by 1966 they had carved out their own style of improvised rock and roll, which drew as much from improvised jazz as it did from British pop-rock, such as that championed by The Beatles. In that year, a new rock concert venue, the UFO, opened in London and quickly became a haven for British psychedelic music. Pink Floyd, the house band, was their most popular attraction, and, after making appearances at the rival Roundhouse, became the most popular musical group of the so-called "London Underground" psychedelic music scene.
By the end of 1966, Pink Floyd had gained a reliable management team in Andrew King and Peter Jenner (who went on to manage new wave band Ian Dury & The Blockheads). The duo befriended American expatriate Joe Boyd, the promoter of the UFO Club, who was making a name for himself as one of the more important entrepreneurs on the British music scene. Boyd produced a recording session for the group in January 1967 at Sound Techniques in Chelsea, which resulted in a demo of the single "Arnold Layne". King and Jenner took the song to the recording behemoth EMI, who were impressed enough to offer the band a contract, under which they would be allowed to record an album. The band accepted. By the time the album was released, "Arnold Layne" had reached number 20 on the British singles charts (despite a ban by Radio London) and the follow-up single, "See Emily Play", had done even better, peaking at number 6.
Their first three singles, including their third ("Apples and Oranges"), were written by Barrett, who also was the principal visionary/author of their critically acclaimed 1967 debut album, The Piper at the Gates of Dawn. The album's title was taken from the mystical "Pan" chapter of The Wind in the Willows. Of the eleven songs on The Piper at the Gates of Dawn, Barrett wrote eight and co-wrote another two.
The Piper at the Gates of Dawn was recorded intermittently between January and July 1967 in Studio 3 at Abbey Road Studios, and produced by former Beatles engineer Norman Smith. This was during same time at Abbey Road that The Beatles were recording Sgt. Pepper's Lonely Hearts Club Band in Studio 2 and the Pretty Things were recording S.F. Sorrow. When The Piper at the Gates of Dawn was released in August of that year it became a smash hit in the UK, hitting #6 on the British album charts (although it was not nearly so successful in the USA). However, as the band began to attract a large fan base, the mounting pressures on Barrett are thought to have contributed to his escalating psychological problems.
Through late 1967 and early 1968, Barrett's behaviour became increasingly erratic and unpredictable, partly as a consequence of his reported heavy use of psychedelic drugs, notably LSD. At a show at The Fillmore in San Francisco, during a performance of "Interstellar Overdrive", Barrett slowly detuned his guitar. The audience seemed to enjoy such antics, unaware of the rest of the band's consternation. Interviewed on the Pat Boone show during this tour, Syd's reply to Boone's questions was a 'blank and totally mute stare'; according to Nick Mason, 'Syd wasn't into moving his lips that day'. Before a performance in late 1967, Barrett reportedly crushed Mandrax tranquilliser tablets and an entire tube of Brylcreem into his hair, which subsequently melted down his face under the heat of the stage lighting, making him look like "a guttered candle". Nick Mason later disputed the Mandrax portion of this story, stating that "Syd would never waste good mandies".
During their disastrous abridged tour of the United States, guitarist David O'List from The Nice was called in to substitute for Barrett on several occasions when he was unable to perform or failed to appear. On their return to the UK, David Gilmour (a school friend of Barrett's) was asked to join the band as a second guitarist to cover for Barrett, whose erratic behaviour prevented him from performing. For a handful of shows David played and sang while Barrett wandered around on stage, occasionally deciding to join in playing. The other band members soon tired of Barrett's antics and, in January 1968, on the way to a show at Southampton University, the band elected not to pick Barrett up: one person in the car said, "Shall we pick Syd up?" and another said, "Let's not bother" (Gilmour interview in Guitar World, January 1995). The band's initial plan was to keep him in the group as a non-touring member— as Brian Wilson did for The Beach Boys, Barrett had, up until then, written the overwhelming bulk of their material, but this soon proved to be impractical.
There are many stories about Barrett's bizarre and intermittently psychotic behaviour, some known to be true. According to Roger Waters, Barrett came into what was to be their last practice session with a new song he had dubbed "Have You Got It, Yet?". The song seemed simple enough when he first presented it to his bandmates, but it soon became impossibly difficult to learn and they eventually realised that while they were practising it, Barrett kept changing the arrangement. He would then play it again, with the arbitrary changes, and sing "Have you got it yet?". Eventually they realised they never would and that they were simply bearing the brunt of Barrett's idiosyncratic sense of humour.
Barrett did not contribute material to the band after A Saucerful of Secrets was released in 1968. Of the songs he wrote for Pink Floyd after The Piper at the Gates of Dawn, only one ("Jugband Blues") made it to the band's second album; one ("Apples and Oranges") became a less-than-successful single, and two others ("Scream Thy Last Scream" and "Vegetable Man") were never officially released. Barrett supposedly spent time outside the recording studio, waiting to be invited in. He also showed up to a few gigs and glared at Gilmour. Barrett played slide guitar on "Remember a Day" (which had been first attempted during The Piper at the Gates of Dawn sessions), and also played on "Set the Controls for the Heart of the Sun". On 6 April 1968, the group officially announced Barrett was no longer a member of Pink Floyd.
The first album, The Madcap Laughs, was recorded in two sessions, both at Abbey Road Studios: a few tentative sessions took place between May and June 1968 (produced by Peter Jenner), while the bulk of the album was recorded between April and July 1969. The record was produced first by Malcolm Jones, a young EMI executive, and then by David Gilmour and Roger Waters. In his book "The Making of the Madcap Laughs," Jones states that "when Dave came to me and said that Syd wanted him and Roger to do the remaining parts of the album, I acquiesced." A few tracks on the album feature overdubs by members of the band Soft Machine. Barrett also played guitar on the sessions for Soft Machine founder Kevin Ayers' debut LP Joy of a Toy, although his performance on "Religious Experience" was not released until the album was reissued in 2003.
The second album, Barrett, was recorded more sporadically than the first, with sessions taking place between February and July 1970. The album was produced by David Gilmour and Richard Wright, featured Gilmour on bass guitar, Wright on keyboard and Humble Pie drummer Jerry Shirley.
Despite the numerous recording dates for his two solo albums, Barrett undertook very little musical activity between 1968 and 1972 outside the studio. On 24 February 1970, he appeared on John Peel's BBC radio programme Top Gear playing five songs—only one of which had been previously released. Three would be re-recorded for the Barrett album, while the song "Two of a Kind" was a one-off performance (the song appears on the 2001 compilation ) with the lyrics and composition having since been credited to Richard Wright. Barrett was accompanied on this session by David Gilmour and Jerry Shirley who played bass and percussion, respectively.
Gilmour and Shirley also backed Barrett for his one and only live concert during this period. The gig took place on 6 June 1970 at the Olympia Exhibition Hall, London, and was part of a Music and Fashion Festival. The trio performed four songs, playing for less than half an hour, and because of poor mixing, the vocals were inaudible until part-way through the last number. At the end of the fourth song, Barrett unexpectedly but politely put down his guitar and walked off the stage.
Barrett made one last appearance on BBC Radio, recording three songs at their studios on 16 February 1971. All three came from the Barrett album, and were presumably aired to encourage people to buy the record. After this session, he took a hiatus from his music career that lasted more than a year, although in an extensive interview with Mick Rock and Rolling Stone in December, he discussed himself at length, showed off his new 12-string guitar, talked about his American tour with Jimi Hendrix, and stated that he was frustrated in terms of his musical work because of his inability to find anyone good to play with.
In 1978, when the money ran out, he moved back to Cambridge to live with his mother. Barrett returned to live in London again in 1982, but this only lasted a few weeks, and he soon returned to Cambridge for good. Legend has it that Syd actually walked the 50 miles from London to Cambridge, and according to his sister, this is actually true. Until his death, Barrett still received royalties from his work with Pink Floyd from each compilation and some of the live albums and singles that featured his songs. Gilmour commented that he (Gilmour) "[made] sure the money [got] to him all right".
Although Barrett had not appeared or spoken in public since the mid-1970s, time did little to diminish interest in his life and work; reporters and fans still travelled to Cambridge to seek him out, despite his attempts to live a quiet life and public appeals from his family for people to leave him alone. Many photos of Barrett being annoyed by paparazzi when walking or biking, from the 1980s until his death in 2006, had been published in various media.
Apparently, Barrett was not happy being reminded about his past as a musician and the other members of Pink Floyd had no direct contact with him. He did go to his sister's house in November 2001 to watch the BBC Omnibus documentary made about him – reportedly he found some of it "too noisy", enjoyed seeing Mike Leonard (of Leonard's Lodgers) again (whom he called his 'teacher'), and enjoyed hearing "See Emily Play" again.
In 2006, his home in St. Margaret's Square was put on the market and reportedly attracted considerable interest. After over 100 showings, many by fans, it was sold to a French couple who bought it simply because they liked it; reportedly they knew nothing about Barrett. His other possessions were auctioned for £120,000. NME produced a tribute issue to Barrett the week after with a photo of him on the cover. In an interview with The Sunday Times, Barrett's sister revealed that he had written a book: "He read very deeply about the history of art and actually wrote an unpublished book about it, which I’m too sad to read at the moment. But he found his own mind so absorbing that he didn’t want to be distracted."
According to local newspapers, Barrett left approximately £1.7 million to his two brothers and two sisters. This sum was apparently largely acquired from royalties from Pink Floyd compilations and live recordings featuring songs he had written while with the band.
A tribute concert was held at the Barbican Centre, London on 10 May 2007 with Robyn Hitchcock, Captain Sensible, Damon Albarn, Chrissie Hynde, Kevin Ayers and his Pink Floyd bandmates performing (albeit not on stage at the same time.).
In 1993 EMI issued another release, Crazy Diamond, a box set of all three albums, each with further out-takes from his solo sessions that illustrated Barrett's inability or refusal to play a song the same way twice.
EMI also released The Best of Syd Barrett: Wouldn't You Miss Me? in the UK on 16 April 2001, and in the US on 11 September 2001. This was the first time his song "Bob Dylan Blues" was ever officially released, taken from a demo tape that David Gilmour had kept after an early 1970s recording session. Gilmour still has the tape, which also contains the unreleased "Living Alone" from the Barrett sessions. The 2010 compilation An Introduction To Syd Barrett includes the downloadable bonus track "Rhamadan", a 20 minute track recorded at one of Syd's earliest solo sessions, in May 1968.
A number of bootleg LPs, CDs and other recordings of Barrett's live and solo material exist.
For years the "off air" recordings of the BBC sessions with Barrett's Pink Floyd circulated, until an engineer who had taken a tape of the early Pink Floyd gave it back to the BBC—which played it during a tribute to John Peel on their website. During this tribute, the first Peel programme (Top Gear) was aired in its entirety. This show featured 1967 live versions of "Flaming", "Set the Controls for the Heart of the Sun", and a brief 90-second snippet of the instrumental "Reaction in G".
Barrett's free-form sequences of sonic carpets pioneered a new way to play the rock guitar. He played several different guitars during his tenure with Pink Floyd, including an old Harmony hollowbody electric, a Harmony acoustic, a Fender acoustic, a single-coil Danelectro 59 DC, several different Fender Telecasters, and a white Fender Stratocaster used in late 1967. A silver Fender Esquire with mirrored discs glued to the body was the guitar he was most often associated with and the guitar he "felt most close to." In 2008, The Trash Can Sinatras released a single in tribute to the life and work of Syd Barrett called "Oranges and Apples", from their 2009 album In The Music. Proceeds from the single go to the Syd Barrett Trust in support of arts in mental health.
A less obvious tribute to Barrett came in the form of the Crokodile Tears song,'Sixties guitar' which namechecks Emily (from,'See Emily play') and the writer being,'Seduced by the sixties guitar' (Syd's mirrored Fender). The video for the song went on to be shortlisted in the Cravefest International video competition and was directed by Graham (Jilted John / John Shuttleworth) Fellows. 'Sixties guitar' features on the Crokodile Tears album,'Gullibles Travels' and is available through i Tunes / Amazon.
Johnny Depp has shown interest in a biographical film based on Barrett's life.
Barrett is also portrayed briefly in the opening scene of Tom Stoppard's play Rock 'n' Roll (2006), performing "Golden Hair". His life and music, including the disastrous Cambridge Corn Exchange concert and his later reclusive lifestyle, are a recurring motif in the work. Barrett died during the play's run in London.
Barrett's use of psychedelic drugs, especially LSD, during the 1960s is well documented. In an article published in 2006, in response to notions that Barrett's problems were the result of such, Gilmour was quoted as saying: "In my opinion, his nervous breakdown would have happened anyway. It was a deep-rooted thing. But I'll say the psychedelic experience might well have acted as a catalyst. Still, I just don't think he could deal with the vision of success and all the things that went with it."
Many stories of Barrett's erratic behaviour off stage as well as on are also well-documented. In Saucerful of Secrets: The Pink Floyd Odyssey, author Nicholas Schaffner interviewed a number of people who knew Barrett before and during his Pink Floyd days. These included friends Peter and Susan Wynne-Wilson, artist Duggie Fields (with whom Barrett shared a flat during the late 1960s), June Bolan and Storm Thorgerson, among others.
"For June Bolan, the alarm bells began to sound only when Syd kept his girlfriend under lock and key for three days, occasionally shoving a ration of biscuits under the door." A claim of cruelty against Barrett committed by the groupies and hangers-on who frequented his apartment during this period was described by writer and critic Jonathan Meades. "I went [to Barrett's flat] to see Harry and there was this terrible noise. It sounded like heating pipes shaking. I said, 'What's up?' and he sort of giggled and said, 'That's Syd having a bad trip. We put him in the linen cupboard.'" Storm Thorgerson responded to this claim by stating "I do not remember locking Syd up in a cupboard. It sounds to me like pure fantasy, like Jonathan Meades was on dope himself.". The book has been recently criticized for its lack of fact checking and the incongruity of events described when scrutinized by secondary details of the recalled events.
According to Gilmour in an interview with Nick Kent, the other members of Pink Floyd approached psychiatrist R. D. Laing with the 'Barrett problem'. After hearing a tape of a Barrett conversation, Laing declared him "incurable".
After Barrett died, his sister, Rosemary Breen, spoke to biographer Tim Willis for The Sunday Times. She insisted that Barrett neither suffered from mental illness nor received treatment for it at any time since they resumed regular contact in the 1980s. She allowed that he did spend some time in a private "home for lost souls" — Greenwoods in Essex—but claimed there was no formal therapy programme there. Some years later, Barrett apparently agreed to sessions with a psychiatrist at Fulbourn psychiatric hospital in Cambridge, but Breen claimed that neither medication nor therapy was considered appropriate in her brother's case.
A series of events called The City Wakes was held in Cambridge in October 2008 to celebrate Barrett's life, art and music. Barrett's sister, Rosemary Breen, supported this, the first-ever series of official events in memory of her brother.
After the success of The City Wakes festival in 2008, arts charity Escape Artists announced plans to create a centre in Cambridge, using art to help people suffering from mental health problems. The charity has set up a trust to raise money for the centre and has started fundraising by auctioning a mosaic designed by Syd while he was a teenager growing up in Cambridge. The glass mosaic of two warriors was donated by Rosemary Breen, who was keen to help others affected by the problems that plagued her brother until his death in 2006.
Category:1946 births Category:2006 deaths Category:1960s singers Category:1970s singers Category:Alumni of Camberwell College of Arts Category:Cancer deaths in England Category:Deaths from diabetes Category:Deaths from pancreatic cancer Category:English guitarists Category:English male singers Category:English painters Category:English songwriters Category:Music from Cambridge Category:Outsider music Category:People from Cambridge Category:Pink Floyd members Category:Psych folk musicians Category:Slide guitarists Category:Protopunk musicians Category:Psychedelic rock musicians
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| Name | Quinn Sullivan |
|---|---|
| Background | non_vocal_instrumentalist |
| Born | March 26, 1999 |
| Origin | United States |
| Instrument | Guitar |
| Genre | Blues |
| Associated acts | Toe Jam Puppet Band |
| Url | http://www.quinnsullivan.me/ |
Sullivan began taking guitar lessons at age three. He has studied with Brian Cass of The Overclock Orchestra and the Toe Jam Puppet Band as well as Stan Belmarce. The first original song he wrote with Chris Waters was titled "Sing, Dance, Clap Your Hands". Sullivan first gained national media attention at age six when he appeared on The Ellen Degeneres Show. Sullivan gained more notoriety when Buddy Guy asked him to come on stage and play during a performance at the Zeiterion Theater in New Bedford, Massachusetts, in 2007. Quinn has since performed on stage with Guy as well as with B.B. King and has played in venues such as the Beacon Theatre in New York City, the Orpheum Theatre in Boston, and Buddy Guy’s Legends in Chicago. In 2008, Sullivan appeared on The Oprah Winfrey Show and was featured on NBC's The Today Show in July 2009. In 2009, Sullivan opened for Buddy Guy on his East Coast tour during the summer, played his own set at the popular summer music festival Lollapalooza, as well as the Austin City Limits Festival in October.
Sullivan makes a guest appearance on Buddy Guy’s Grammy-nominated album Skin Deep, released in 2008. Sullivan's solo can be heard on the track “Who’s Gonna Fill Those Shoes”. Sullivan's single, "Summer of Love", was released in 2009.
Category:1999 births Category:Living people Category:American blues guitarists Category:American rock guitarists
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| Name | Neil Young |
|---|---|
| Landscape | yes |
| Background | solo_singer |
| Birth name | Neil Percival Young |
| Alias | Bernard Shakey, Joe Canuck OC, OM (born November 12, 1945) is a Canadian singer-songwriter who is widely regarded as one of the most influential musicians of his generation. Young began performing as a solo artist in Canada in 1960, before moving to California in 1966, where he co-founded the band Buffalo Springfield along with Stephen Stills, and later joined Crosby, Stills & Nash as a fourth member in 1969. He then forged a successful and acclaimed solo career, releasing his first album in 1968; his career has since spanned over 40 years and 34 studio albums, with a continual and uncompromising exploration of musical styles. He has been inducted into the Hall of Fame twice: first as a solo artist in 1995, and secondly as a member of Buffalo Springfield in 1997. |
The 1982 album Trans, which incorporated vocoders, synthesizers, and electronic beats, was Young's first for new label Geffen Records (distributed at the time by Warner Bros. Records, whose parent Warner Music Group owns most of Young's solo and band catalog) and represented a distinct stylistic departure. Young later revealed that an inspiration for the album was the theme of technology and communication with his son Ben, who has severe cerebral palsy and cannot speak. An extensive tour preceded the release of the album, and was documented by the video Neil Young in Berlin, which saw release in 1986.
Young's next album, 1983's Everybody's Rockin', included several rockabilly covers and clocked in at less than twenty-five minutes in length. Young was backed by the Shocking Pinks for the supporting U.S. tour. Trans had already drawn the ire of label head David Geffen for its lack of commercial appeal, and with Everybody's Rockin' following only seven months later, Geffen Records sued Young for making music "unrepresentative" of himself. The album was also notable as the first for which Young made commercial music videos – Tim Pope directed the videos for "Wonderin'" and "Cry, Cry, Cry". Also premiered in 1983, though little seen, was the eclectic full-length comedy film Human Highway, co-directed and co-written by Young, and starring Young and members of Devo.
1984 was the first year without a Neil Young album since the start of Young's musical career with Buffalo Springfield in 1966. Young's lack of productivity was largely due to the ongoing legal battle with Geffen, although he was also frustrated that the label had rejected his 1982 country album Old Ways. It was also the year when Young's third child, his second with wife Pegi was born; his daughter Amber Jean, a child who was later diagnosed with inherited epilepsy. Young spent most of 1984 and all of 1985 touring for Old Ways with his country band, the International Harvesters. The album was finally released in an altered form midway through 1985. Young also appeared at that year's Live Aid concert in Philadelphia, collaborating with Crosby, Stills and Nash for the quartet's first performance for a paying audience in over ten years.
Young's last two albums for Geffen were more conventional in genre, although they incorporated production techniques like synthesizers and echoing drums that were previously uncommon in Young's music. Young recorded 1986's Landing on Water without Crazy Horse, but reunited with the band for the subsequent year-long tour and final Geffen album, Life, which emerged in 1987. Young's album sales dwindled steadily throughout the eighties; today Life remains his all-time-least successful studio album, with an estimated four hundred thousand sales worldwide.
Switching back to his old label Reprise Records, Young continued to tour relentlessly, assembling a new blues band called The Bluenotes in mid-1987 (a legal dispute with musician Harold Melvin forced the eventual rechristening of the band as Ten Men Working midway through the tour). The addition of a brass section provided a new jazzier sound, and the title track of 1988's This Note's For You became Young's first hit single of the decade. Accompanied by a video that parodied corporate rock, the pretensions of advertising, and Michael Jackson, the song was initially unofficially banned by MTV for mentioning the brand names of some of their sponsors. Young wrote an open letter, "What does the M in MTV stand for: music or money?" Despite this, the video was eventually named best video of the year by the network in 1989. By comparison, the major music cable network of Young's home nation, Muchmusic, ran the video immediately.
Young reunited with Crosby, Stills and Nash to record the 1988 album American Dream and play two benefit concerts late in the year, but the group did not embark upon a full tour. The album was only the second-ever studio record for the quartet.
Young's 1989 single "Rockin' in the Free World", which hit #2 on the U.S. charts, and accompanying album, Freedom, rocketed him back into the popular consciousness after a decade of sometimes-difficult genre experiments. The album's lyrics were often overtly political; "Rockin' in the Free World" deals with homelessness, terrorism, and environmental degradation, implicitly criticizing the government policies of President George H.W. Bush.
The use of heavy feedback and distortion on several Freedom tracks was reminiscent of the Rust Never Sleeps album, and foreshadowed the imminent rise of grunge. The rising stars of the genre, including Nirvana's Kurt Cobain and Pearl Jam's Eddie Vedder, frequently cited Young as a major influence, contributing to his popular revival. A tribute album called was released in 1989, featuring covers by alternative and grunge acts including Sonic Youth, Nick Cave, Soul Asylum, Dinosaur Jr, and the Pixies.
Young's 1990 album Ragged Glory, recorded with Crazy Horse in a barn on his Northern California ranch, continued this distortion-heavy aesthetic. Young toured for the album with Orange County, California country-punk band Social Distortion and alternative rock pioneers Sonic Youth as support, much to the consternation of many of his old fans. Weld, a two-disc live album documenting the tour, was released in 1991. Still enamored with the grunge scene, Young reconnected with Pearl Jam in 1995 for the live-in-the-studio album Mirror Ball and a tour of Europe with the band and producer Brendan O'Brien backing Young. 1995 also marked Young's induction into the Rock and Roll Hall of Fame, where he was inducted by Eddie Vedder.
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Young's next collaborative partner was filmmaker Jim Jarmusch, who asked Young to compose a soundtrack to his 1995 black and white western film Dead Man. Young's instrumental soundtrack was improvised while he watched the film alone in a studio. The death of longtime mentor, friend, and producer David Briggs in late 1995 prompted Young to reconnect with Crazy Horse the following year for the album and tour Broken Arrow. A Jarmusch-directed concert film and live album of the tour, Year of the Horse, emerged in 1997. From 1996–97 Young and Crazy Horse toured extensively throughout Europe and North America, including a stint as part of the H.O.R.D.E. Festival's sixth annual tour.
In 1998, Young renewed his collaboration with rock band Phish, sharing the stage at the annual Farm Aid concert and then at Young's Bridge School Benefit, where he joined headliners Phish for renditions of "Helpless" and "I Shall Be Released." Phish declined Young's later invitation to be his backing band on his 1999 North American tour.
The decade ended with the release in late 1999 of Looking Forward, another reunion with Crosby, Stills and Nash. The subsequent tour of the United States and Canada with the reformed super quartet earned $42.1 million, making it the eighth largest grossing tour of 2000.
In 2003, Young released Greendale, a concept album recorded with Crazy Horse members Billy Talbot and Ralph Molina. The songs loosely revolved around the murder of a police officer in a small town in California and its effects on the town's inhabitants. Young, under the pseudonym "Bernard Shakey", directed an accompanying film of the same name, featuring actors lip-synching to the music from the album. Young toured extensively with the Greendale material throughout 2003 and 2004, first with a solo, acoustic version in Europe, then with a full-cast stage show in North America, Japan, and Australia. Young began using biodiesel on the 2004 Greendale tour, powering his trucks and tour buses with the fuel. "Our Greendale tour is now ozone friendly,” Young said. “I plan to continue to use this government approved and regulated fuel exclusively from now on to prove that it is possible to deliver the goods anywhere in North America without using foreign oil, while being environmentally responsible.” Young spent the latter portion of 2004 giving a series of intimate acoustic concerts in various cities with his wife, who is a trained vocalist and guitar player.
In March 2005, while working on the Prairie Wind album in Nashville, Young was diagnosed with a brain aneurysm. He was treated successfully with a minimally invasive neuroradiological procedure, performed in a New York hospital on March 29. Two days afterwards, Young passed out on a New York street from bleeding from the femoral artery, which surgeons had used to access the aneurysm. The complication forced Young to cancel his scheduled appearance at the Juno Awards telecast in Winnipeg, but within months he was back on stage, appearing at the close of the Live 8 concert in Barrie, Ontario on July 2. During the performance, he debuted a new song, a soft hymn called "When God Made Me". Young's brush with death influenced Prairie Wind's themes of retrospection and mortality. The album's live premiere in Nashville was immortalized by filmmaker Jonathan Demme in the 2006 film .
Young's renewed activism manifested itself in the 2006 album Living With War, which was hastily recorded and released in less than a month. The album's overtly political songs rebuked U.S. President George W. Bush and the War in Iraq and included the provocatively titled "Let's Impeach the President". Crosby, Stills, Nash & Young reunited for the supporting "Freedom Of Speech Tour '06". CSNY Déjà Vu, a concert film of the tour directed by Young was released in 2008, along with an accompanying live album.
While Young had never been a stranger to eco-friendly lyrics, themes of environmentalist spirituality and activism became increasingly prominent in his work throughout the 1990s and 2000s, especially on Greendale and Living With War. The trend continued on 2007's Chrome Dreams II, with lyrics exploring Young's personal eco-spirituality. Also in 2007, Young accepted an invitation to participate in , contributing his version of "Walking to New Orleans".
In 2008, Young revealed his latest project, the production of a hybrid-engine 1959 Lincoln called Lincvolt. A new album loosely based on the Lincvolt project, Fork in the Road, was released on April 7, 2009. Unfortunately, the car caught fire in November, 2010, in a California warehouse, and along the way it burned an estimated $850,000 worth of Young's rock and roll memorabilia collection. Initial reports suggest the fire might have been triggered by an error in the vehicle's plug-in charging system. Young blamed the fire on human error and said he and his team were committed to rebuilding the car. "The wall charging system was not completely tested and had never been left unattended. A mistake was made. It was not the fault of the car," he said.
, England, on June 23 2009.]] A Jonathan Demme concert film from a 2007 concert at the Tower Theater in Upper Darby, Pennsylvania, called the Neil Young Trunk Show premiered on March 21, 2009, at the South by Southwest (SXSW) Film Conference and Festival in Austin, Texas. It was featured at the Cannes Film Festival on May 17, 2009 and was released in the US on March 19, 2010 to critical acclaim.
Young's most recent album appearance was on the album Potato Hole, released on April 21, 2009 by Memphis organ player Booker T. Jones, of Booker T. & the MG's fame. Young plays guitar on nine of the album's ten instrumental tracks, alongside Drive-By Truckers, who already had three guitar players, giving some songs on the album a total of five guitar tracks. Jones contributed guitars on a couple of tracks.
Young continues to tour extensively. In 2009, he headlined the Glastonbury Festival in Pilton, England, at Hard Rock Calling in London (where he was joined onstage by Paul McCartney for a rendition of "A Day in the Life") and, after years of unsuccessful booking attempts, the Isle of Wight Festival in addition to performances at the Big Day Out festival in New Zealand and Australia and the Primavera Sound Festival in Barcelona.
Young currently lives in La Honda, California on the 1500-acre (6 km²) Broken Arrow Ranch, purchased in 1970 for $350,000 and named after one of his early Buffalo Springfield songs.
Three performances from the Performance Series of the archives were released individually before The Archives Vol. 1. Live at the Fillmore East, a selection of songs from a 1970 gig with Crazy Horse, was released in 2006. Live at Massey Hall 1971, a solo acoustic set from Toronto's Massey Hall, saw release in 2007. Sugar Mountain - Live At Canterbury House 1968, an early solo performance and, chronologically, the first disc in the performance series, emerged late in 2008.
In an interview in 2008, Neil Young discussed Toast, an album originally recorded with Crazy Horse in San Francisco in 2000 but never released. The album will be part of the Special Edition Series of the Archives. No release date currently exists for Toast. Another album Young has mentioned as a possible release is Treasure, from 1985 sessions with the Harvesters.
On July 14, 2009, Young's first four solo albums were reissued as remastered HDCD discs and digital downloads as discs 1–4 of the Original Release Series of the Archives.
As one of the original founders of Farm Aid, he remains an active member of the board of directors. For one weekend each October, in Mountain View, California, he and his wife host the Bridge School Concerts, which have been drawing international talent and sell-out crowds for nearly two decades with some of the biggest names in rock having performed at the event including Tom Petty and the Heartbreakers, Bruce Springsteen, David Bowie, The Who, Red Hot Chili Peppers, Trent Reznor of Nine Inch Nails, Tom Waits, Metallica, Pearl Jam, Sonic Youth, The Smashing Pumpkins, and Sir Paul McCartney and Dave Matthews. The concerts are a benefit for the Bridge School, which develops and uses advanced technologies to aid in the instruction of children with disabilities. Young's involvement stems at least partially from the fact that both of his sons have cerebral palsy and his daughter, like Young himself, has epilepsy.
Young was nominated for an Oscar in 1994 for his song "Philadelphia" from the film Philadelphia. Bruce Springsteen won the award for his song "Streets of Philadelphia" from the same film. In his acceptance speech, Springsteen said that "the award really deserved to be shared by the other nominee's song." That same night, Tom Hanks accepted the Oscar for Best Actor and gave credit for his inspiration to the song "Philadelphia".
He was part owner of Lionel, LLC, a company that makes toy trains and model railroad accessories. In 2008 Lionel emerged from bankruptcy and his shares of the company were wiped out. At this time his status with Lionel is unknown, according to Lionel CEO Jerry Calabrese he is still a consultant for Lionel. He was instrumental in the design of the Lionel Legacy control system for model trains
Young has twice received honorary doctorates. He received an Honorary Doctorate of Music from Lakehead University in Thunder Bay, Ontario in 1992, and an Honorary Doctorate of Humane Letters from San Francisco State University in 2006. The latter honour was shared with his wife Pegi for their creation of the Bridge School. In 2006, Young was given Manitoba's highest civilian honour, when he was appointed to the Order of Manitoba. In 2009, he was then given Canada's highest civilian honour, when he was appointed to the Order of Canada.
Rolling Stone magazine in 2000, ranked Young thirty-fourth in its list of the 500 greatest artists of all time, and in 2003, included five of his albums in its list of 500 greatest albums of all time. In 2000, Young was inducted into Canada's Walk of Fame. In 2006, Paste magazine compiled a "Greatest Living Songwriters" list; Young was ranked second behind Bob Dylan. (While Young and Dylan have occasionally played together in concert, they have never collaborated on a song together, or played on each others' records). He ranked thirty-ninth on VH1's 100 Greatest Artist of Hard Rock that same year. The Rock and Roll Hall of Fame explained that while Young has "avoided sticking to one style for very long, the unifying factors throughout Young’s peripatetic musical journey have been his unmistakable voice, his raw and expressive guitar playing, and his consummate songwriting skill." Dave Matthews lists Neil Young as one of his favorite and most inspirational songwriters and covers his songs on occasion. The British Indie band The Bluetones named their number one debut album after the song "Expecting to Fly" (written by Young when still with Buffalo Springfield and have covered the song while touring. Young also inspired Oasis singer-songwriter Noel Gallagher, with Gallagher covering "My My, Hey Hey (Into the Black)" on the live album Familiar to Millions.
The Australian rock group Powderfinger named themselves after Young's song "Powderfinger" from Young's Rust Never Sleeps. The members of the Constantines have occasionally played Neil Young tribute shows under the name Horsey Craze. While in Winnipeg on November 2, 2008 during the Canadian leg of his tour, Bob Dylan visited Young's former home in River Heights, where Young spent his teenage years. Dylan was interested in seeing the room where some of Young's first songs were composed.
Jason Bond, an East Carolina University biologist, discovered a new species of trapdoor spider in 2007 and named it Myrmekiaphila neilyoungi after Young, his favorite singer (a previous similar case was the dinousaur Masiakasaurus knopfleri named after the musician Mark Knopfler of Dire Straits).
In 2001, Young was awarded the Spirit of Liberty award from the civil liberties group People for the American Way. Young was honored as the MusiCares Person of the Year on January 29, 2010, two nights prior to the 52nd Annual Grammy Awards. In addition was also nominated for two Grammy Awards; Best Solo Rock Vocal Performance ("Fork In The Road") and Best Boxed or Special Limited Edition Package ["Neil Young Archives Vol. I (1963–1972)"]. Young won the latter Grammy Award. In 2010, Young was ranked #26 in Gibson.com’s Top 50 Guitarists of All Time.
Other notable (or odd) instruments played by Young include:
Category:1945 births Category:Living people
Category:Anti-Iraq War activists Category:Anti-Vietnam War activists Category:Buffalo Springfield members Category:Canadian country guitarists Category:Canadian country rock musicians Category:Canadian country singers Category:Canadian film directors Category:Canadian folk guitarists Category:Canadian folk singers Category:Canadian male singers Category:Canadian Music Hall of Fame inductees Category:Canadian people of American descent Category:Canadian people of French descent Category:Canadian people of Irish descent Category:Canadian rock guitarists Category:Canadian rock singers Category:Canadian singer-songwriters Category:Canadian environmentalists Category:Canadian expatriate musicians in the United States Category:Crosby, Stills, Nash & Young members Category:Juno Award winners Category:Lead guitarists Category:Musicians from Manitoba Category:Writers from Manitoba Category:Members of the Order of Manitoba Category:Neil Young and Crazy Horse members Category:Musicians from Ontario Category:Writers from Ontario Category:Officers of the Order of Canada Category:People with epilepsy Category:People from Toronto Category:People from Winnipeg Category:Rock and Roll Hall of Fame inductees Category:1960s singers Category:1970s singers Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers
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| Name | Michael Palin |
|---|---|
| Caption | Palin in Trento, Italy in 2005 |
| Birth name | Michael Edward Palin |
| Birth date | May 05, 1943 |
| Birth place | Broomhill, Sheffield, England, United Kingdom |
| Spouse | Helen Gibbins(married 1966 – present) |
| Known for | Monty Python and Travel documentaries |
| Occupation | Actor, writer, television presenter, comedian |
| Years active | 1965–present |
| Website | Palin's Travels |
| Children | 3 |
Michael Edward Palin, CBE FRGS (born 5 May 1943) is an English comedian, actor, writer and television presenter best known for being one of the members of the comedy group Monty Python and for his travel documentaries. Palin wrote most of his comedic material with Terry Jones. Before Monty Python, they had worked on other shows such as The Ken Dodd Show, The Frost Report and Do Not Adjust Your Set. Palin appeared in some of the most famous Python sketches, including "Argument Clinic", "Dead Parrot", "The Lumberjack Song", "The Spanish Inquisition" and "Spam".
Palin continued to work with Jones after Python, co-writing Ripping Yarns. He has also appeared in several films directed by fellow Python Terry Gilliam and made notable appearances in other films such as A Fish Called Wanda, for which he won the BAFTA Award for Best Actor in a Supporting Role. In a 2005 poll to find The Comedian's Comedian, he was voted the 30th favourite by fellow comedians and comedy insiders.
After Python, he began a new career as a travel writer and travel documentarian. His journeys have taken him across the world, including the North and South Poles, the Sahara desert, the Himalayas and, most recently, Eastern Europe. In 2000 Palin was honoured as a Commander of the Order of the British Empire (CBE) for his services to television.
When he was five years old, Palin had his first acting experience at Birkdale playing Martha Cratchit in a school performance of A Christmas Carol. At the age of 10, Palin, still interested in acting, made a comedy monologue and read a Shakespeare play to his mother while playing all the parts. After his school days in 1962 he went on to read modern history at Brasenose College, Oxford. With fellow student Robert Hewison he performed and wrote, for the first time, comedy material at a university Christmas party. Terry Jones, also a student in Oxford, saw that performance and began writing together with Hewison and Palin. He also performed in the Oxford Revue with Jones.
In 1966 he married Helen Gibbins, whom he first met in 1959 on holiday in Southwold in Suffolk, where he has returned in recent years to live. This meeting was later fictionalised in Palin's play East of Ipswich. The couple have three children and a grandchild. His youngest child, Rachel (b.1975) is a BBC TV director, whose work includes Masterchef: The Professionals, shown on BBC2 throughout October and November 2010. While still a baby, his son William briefly appeared in Monty Python and the Holy Grail as "Sir Not-appearing-in-this-film".
After finishing university in 1965 Palin became a presenter on a comedy pop show called Now! for the television contractor Television Wales and the West. At the same time Palin was contacted by Jones, who had left university a year earlier, for assistance in writing a theatrical documentary about sex through the ages. Although this project was eventually abandoned, it brought Palin and Jones together as a writing duo and led them to write comedy for various BBC programmes, such as The Ken Dodd Show, The Billy Cotton Bandshow, and The Illustrated Weekly Hudd. They collaborated in writing lyrics for an album by Barry Booth called Diversions. They were also in the team of writers working for The Frost Report, whose other members included Frank Muir, Barry Cryer, Marty Feldman, Ronnie Barker, Ronnie Corbett, Dick Vosburgh, and future Monty Python members Graham Chapman, John Cleese and Eric Idle. Although the members of Monty Python had already encountered each other over the years, The Frost Report was the first time all the British members of Monty Python (its sixth member, Terry Gilliam, was at that time an American citizen) worked together. During the run of The Frost Report the Palin/Jones team contributed material to two shows starring John Bird: The Late Show and A series of Bird's. For A series of Bird's the Palin/Jones team had their first experience of writing narrative instead of the short sketches they were accustomed to conceiving.
Following The Frost Report the Palin/Jones team worked both as actors and writers on the show Twice a Fortnight with Graeme Garden, Bill Oddie and Jonathan Lynn, and the successful children's comedy show Do Not Adjust Your Set with Idle and David Jason. The show also featured musical numbers by the Bonzo Dog Doo-Dah Band, including future Monty Python musical collaborator Neil Innes. The animations for Do Not Adjust Your Set were made by Terry Gilliam, who joined the cast on Cleese's recommendation and began working with the Palin/Jones team for the first time. Eager to work with Palin sans Jones, Cleese later asked him to perform in How to Irritate People together with Chapman and Tim Brooke-Taylor. The Palin/Jones team were reunited for The Complete and Utter History of Britain.
During this period Cleese contacted Palin about doing the show that would ultimately become Monty Python's Flying Circus. On the strength of their work on The Frost Report and other programmes, Cleese and Chapman had been offered a show by the BBC, but Cleese was reluctant to do a two-man show for various reasons, among them Chapman's reputedly difficult personality. At the same time the success of Do Not Adjust Your Set had led Palin, Jones, Idle, and Gilliam to be offered their own series and, while it was still in production, Palin agreed to Cleese's proposal and brought along Idle, Jones, and Gilliam. Thus the formation of the Monty Python troupe has been referred to as a result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.
In Monty Python, Palin played various roles, which ranged from manic enthusiasm (such as the lumberjack of the Lumberjack Song, or host of the game show "Blackmail") to unflappable calmness (such as the Dead Parrot vendor, Cheese Shop proprietor, or Postal Clerk). As a straight man he was often a foil to the rising ire of characters portrayed by John Cleese. He also played timid, socially inept characters such as Arthur Putey, the man who sits idly by as a marriage counsellor (Eric Idle) makes love to his wife (Carol Cleveland), and a chartered accountant who wants to become a lion tamer. He also appeared as the "It's" man at the beginning of most episodes.
Palin frequently co-wrote sketches with Terry Jones, including "The Lumberjack Song" and "Spam". Palin also initiated the "Spanish Inquisition sketch", which included the catchphrase "''Nobody expects the Spanish Inquisition!"
In 1980, Palin co-wrote Time Bandits with Terry Gilliam. He also acted in the film.
In 1982, Palin wrote and starred in The Missionary, co-starring Maggie Smith. In it, he plays the Reverend Charles Fortescue, who is recalled from Africa to aid prostitutes.
In 1984, he reunited with Terry Gilliam to appear in Brazil. He appeared in the comedy film A Fish Called Wanda, for which he won the BAFTA Award for Best Actor in a Supporting Role.
He also assisted Campaign for Better Transport and others with campaigns on sustainable transport, particularly those relating to urban areas, and has been president of the campaign since 1986.
Palin has also appeared in serious drama. In 1991 Palin worked as producer and actor in the film American Friends based upon a real event in the life of his great grandfather, a fellow at St John's College, Oxford. In that same year he also played the part of a headmaster in Alan Bleasdale's Channel 4 drama series G.B.H..
Palin also had a small cameo role in Australian soap opera Home and Away. He played an English surfer with a fear of sharks, who interrupts a conversation between two main characters to ask whether there were any sharks in the sea. This was filmed while he was in Australia for the Full Circle series, with a segment about the filming of the role featuring in the series.
In 1994, Palin travelled through Ireland for the same series, entitled "Derry to Kerry". In a quest for family roots, he attempted to trace his great grandmother — Brita Gallagher — who set sail from Ireland 150 years ago during the Great Famine (1845-1849), bound for a new life in Burlington, New Jersey. The series is a trip along the Palin family line.
Starting in 1989, Palin appeared as presenter in a series of travel programmes made for the BBC. It was after the veteran TV globetrotter Alan Whicker and journalist Miles Kington turned down presenting the first of these, Around the World in 80 Days, that gave Palin the opportunity to present his first and subsequent travel shows. These programmes have been broadcast around the world in syndication, and were also sold on VHS tape and later on DVD:
Following each trip, Palin wrote a book about his travels, providing information and insights not included in the TV programme. Each book is illustrated with photographs by Basil Pao, the stills photographer who was on the team. (Exception: the first book, Around the World in 80 Days, contains some pictures by Pao but most are by other photographers.)
All seven of these books were also made available as audio books, and all of them are read by Palin himself. Around the World in 80 Days and Hemingway Adventure are unabridged, while the other four books were made in both abridged and unabridged versions, although the unabridged versions can be very difficult to find.
For four of the trips a photography book was made by Pao, each with an introduction written by Palin. These are large coffee-table style books with pictures printed on glossy paper. The majority of the pictures are of various people encountered on the trip, as informal portraits or showing them engaged in some interesting activity. Some of the landscape photos are displayed as two-page spreads.
Palin's travel programmes are responsible for a phenomenon termed the "Palin effect": areas of the world that he has visited suddenly become popular tourist attractions — for example, the significant increase in the number of tourists interested in Peru after Palin visited Machu Picchu. In a 2006 survey of "15 of the world's top travel writers" by The Observer, Palin named Peru's Pongo de Mainique (canyon below the Machu Picchu) his "favourite place in the world".
In November 2008, Palin presented a First World War documentary about Armistice Day, 11 November 1918, when thousands of soldiers lost their lives in battle after the war had officially ended. Palin filmed on the battlefields of northern France and Belgium for the programme, called The Last Day of World War One, produced for the BBC's Timewatch series.
On 2nd January 2011, Palin became the first person to sign the UK-based Campaign for Better Transport's Fair Fares Now campaign.
In honour of his achievements as a traveller, especially rail travel, Palin has two British trains named after him. In 2002, Virgin Trains' new £5m high speed Super Voyager train number 221130 was named "Michael Palin" - it carries his name externally and a plaque is located adjacent to the onboard shop with information on Palin and his many journeys. Also, National Express East Anglia have named a British Rail Class 153 (unit number 153335) after him. In 2008, he received the James Joyce Award of the Literary and Historical Society in Dublin.
Palin was instrumental in setting up the Michael Palin Centre for Stammering Children in 1993.
In recognition of his services to the promotion of geography, Palin was awarded the Livingstone Medal of the Royal Scottish Geographical Society in March 2009, along with a Fellowship to the Society.
In June 2009 Palin was elected for a three-year term as President of the Royal Geographical Society.
All his travel books can be read at no charge, complete and unabridged, on his website.
2009 Won - BAFTA Special Award as part of the Monty Python team for outstanding contribution to film and television
Category:1943 births Category:Living people Category:BAFTA Award for Best Supporting Actor Category:Alumni of Brasenose College, Oxford Category:Commanders of the Order of the British Empire Category:English comedians Category:English comedy writers Category:English diarists Category:English film actors Category:English screenwriters Category:English television actors Category:English television presenters Category:English television writers Category:English travel writers Category:Honorary Fellows of Brasenose College, Oxford Category:Monty Python members Category:Old Salopians Category:Old Birkdalians Category:People from Sheffield Category:People from Suffolk Category:Sheffield Legends
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| Name | Jason Thomas |
|---|---|
| Caption | Sgt. Thomas standing at the site of the ruined World Trade Center, several days after the attacks - from official Jason Thomas web site |
| Allegiance | |
| Branch | United States Marine Corps |
| Serviceyears | unknown |
| Rank | Sergeant |
| Unit | unknown |
| Battles | Operation Enduring Freedom - Afghanistan Operation Iraqi Freedom |
Jason Thomas (born ca. 1974) is a former U.S. Marine who located and rescued people after the September 11, 2001 attacks in New York City. With David W. Karnes, he helped find a pair of Port Authority Police officers buried in the rubble of the World Trade Center.
Thomas told the Associated Press: "Someone needed help. It didn't matter who," he said. "I didn't even have a plan. But I have all this training as a Marine, and all I could think was, 'My city is in need.'"
After hours of firefighting, assisting survivors and in some cases, praying over the dead, Thomas ran into another former Marine, Staff Sgt. Dave Karnes. Thomas presented a plan for a search-and-rescue mission of the area, and he and Karnes tried to enlist other soldiers on site to help. When they were told the mission was too dangerous, they decided to go by themselves. “I found a couple guys, but it wasn’t enough, to them, to start a search and rescue,” he said. “I remember myself and Karnes saying, ‘We’re going to start the search and rescue with or without you, because someone needs us.’”
Carrying little more than flashlights and an infantryman's shovel, they climbed the mountain of debris, skirting dangerous crevasses and shards of red-hot metal, calling out, "Is anyone down there? United States Marines!" It was dark before they heard a response. The two crawled into a deep pit to find two men, injured but alive. Thomas and Karnes found Will Jimeno and John McLoughlin, a pair of police officers buried in the rubble.
Thomas said he returned to Ground Zero every day to pitch in, before attempting to put the events behind him. He did not even tell his five children about his rescues. He had identified himself to Karnes and others only as "Sergeant Thomas."
On February 11, 2007, aired a special two-hour episode about Thomas and his family. Following the attacks, Thomas and his wife had moved their four children from New York to Whitehall, Ohio. The house they bought began to deteriorate and the show intervened to help them.
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| Name | Buddy Guy |
|---|---|
| Landscape | no |
| Alias | Friendly Chap |
| Background | solo_singer |
| Birth name | George Guy |
| Born | July 30, 1936Lettsworth, LouisianaUnited States |
| Instrument | Guitar, vocals |
| Genre | Chicago blues, electric blues |
| Occupation | Musician, songwriter |
| Years active | 1953–present |
| Label | Cobra, Chess, Delmark, Silvertone, MCA, Atlantic, MPS, Charly, Zomba Music Group, Jive, Vanguard, JSP Records, Rhino Records, Purple Pyramid, Flyright, AIM Recording Co., Alligator Records, Blues Ball Records |
| Associated acts | Junior Wells |
| Url | Official Website |
| Notable instruments | Fender Buddy Guy Signature Stratocaster |
George "Buddy" Guy (born July 30, 1936) is an American blues guitarist and singer. He is a critically acclaimed artist who has established himself as a pioneer of the Chicago blues sound, and has served as an influence to some of the most notable musicians of his generation. Guy is known, too, for his showmanship on stage, playing his guitar with drumsticks, or strolling into the audience while playing solos. He was ranked thirtieth in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time".
Guy’s early career was supposedly held back by both conservative business choices made by his record company (Chess Records) and "the scorn, diminishments and petty subterfuge from a few jealous rivals". Chess, Guy’s record label from 1959 to 1968, refused to record Buddy Guy’s novel style that was similar to his live shows. Leonard Chess (Chess founder and 1987 Rock and Roll Hall of Fame inductee) denounced Guy’s playing as "noise". In the early 1960s, Chess tried recording Guy as a solo artist with R&B; ballads, jazz instrumentals, soul and novelty dance tunes, but none were released as singles. Guy’s only Chess album, "Left My Blues in San Francisco", was finally issued in 1967. Most of the songs belong stylistically to the era's soul boom, with orchestrations by Gene Barge and Charlie Stepney. Chess used Guy mainly as a session guitarist to back Muddy Waters, Howlin' Wolf, Little Walter, Sonny Boy Williamson, Koko Taylor and others.
Buddy Guy appeared onstage at the April 1969 Supershow at Staines, England that also included Clapton, Led Zeppelin, Jack Bruce, Stephen Stills, Buddy Miles, Glen Campbell, Roland Kirk, and Jon HisemanThe Misunderstood Roland Kirk. Image: 1969 Supershow.
By the late 1960s, Guy's career was in decline. The heavy blues-rock scene he had helped inspire was flourishing without him. For the next two decades, Buddy Guy had to endure the neglect many blues and rock artists faced in their careers.There are now online videos of Buddy playing with Hendrix in the late 60s. As visionaries and pathfinders they are overlooked while their followers received the fame, recognition and fortune.
Guy's career finally took off during the blues revival period of the late 1980s and early 1990s. It was sparked by Clapton's request that Guy be part of the '24 Nights' all-star blues guitar lineup at London's Royal Albert Hall and Guy's subsequent signing with Silvertone Records.
While Buddy Guy's music is often labeled Chicago blues, his style is unique and separate. His music can vary from the most traditional, deepest blues to a creative, unpredictable and radical gumbo of the blues, avant rock, soul and free jazz that morphs at each night’s performance.
As New York Times pop music critic Jon Pareles noted in 2004:
Mr. Guy, 68, mingles anarchy, virtuosity, deep blues and hammy shtick in ways that keep all eyes on him... [Guy] loves extremes: sudden drops from loud to soft, or a sweet, sustained guitar solo followed by a jolt of speed, or a high, imploring vocal cut off with a rasp...Whether he's singing with gentle menace or bending new curves into a blue note, he is a master of tension and release, and his every wayward impulse was riveting.
In a revealing interview taped on April 14, 2000 for WRUW-FM Cleveland (a college station), Guy said "The purpose of me trying to play the kind of rocky stuff is to get airplay...I find myself kind of searching, hoping I'll hit the right notes, say the right things, maybe they'll put me on one of these big stations, what they call 'classic'...if you get Eric Clapton to play a Muddy Waters song, they call it classic, and they will put it on that station, but you'll never hear Muddy Waters."
in 2006.]]
Buddy Guy has been called the bridge between the blues and rock and roll. He is one of the historic links between Chicago electric blues pioneers Muddy Waters and Howlin' Wolf and popular musicians like Eric Clapton, Jeff Beck, Jimi Hendrix and Jimmy Page as well as later revivalists like Stevie Ray Vaughan. Vaughan stated that, "Without Buddy Guy, there would be no Stevie Ray Vaughan." Guitarist magazine observed: :Without Buddy Guy, the blues, not to mention rock as we know it, might be a heckuva lot less interesting today. Take the blues out of contemporary rock music—or pop, jazz and funk for that matter—and what you have left is a wholly spineless affair. A tasteless stew. Makes you shudder to think about it...
In addition, Guy's pathfinding guitar techniques also contributed greatly to rock and roll music. Guy’s guitar playing was loud and aggressive; used pioneering distortion and feedback techniques; employed longer solos; had shifts of volume and texture; and was driven by emotion and impulse. These lessons were eagerly learned and applied by the new wave of 1960s British artists and later became basic attributes of blues-rock music and its offspring, hard rock and heavy metal music. Jeff Beck realized in the early 1960s: “I didn't know a Strat could sound like that — until I heard Buddy's tracks on the Blues From Big Bill's Copa Cabana album” (reissue of 1963 Folk Festival Of The Blues album) and “It was the total manic abandon in Buddy's solos. They broke all boundaries. I just thought, this is more like it! Also, his solos weren't restricted to a three-minute pop format; they were long and really developed.
Clapton has stated that he got the idea for a blues-rock power trio while watching Buddy Guy's trio perform in England in 1965. Clapton later formed the rock band Cream, which was “the first rock supergroup to become superstars” and was also “the first top group to truly exploit the power-trio format, in the process laying the foundation for much blues-rock and hard rock of the 1960s and 1970s.
Eric Clapton said "Buddy Guy was to me what Elvis was for others." Clapton said in a 1985 Musician magazine article that "Buddy Guy is by far and without a doubt the best guitar player alive...if you see him in person, the way he plays is beyond anyone. Total freedom of spirit, I guess… He really changed the course of rock and roll blues."
Recalls Guy: "Eric Clapton and I are the best of friends and I like the tune "Strange Brew" and we were sitting and having a drink one day and I said ‘Man, that "Strange Brew"...you just cracked me up with that note.’ And he said ‘You should...cause it's your licks...’ " As soon as Clapton completed his famous Derek & the Dominos sessions (spawning "Layla") in October 1970, he co-produced (with Ahmet Ertegün and Tom Dowd) the Buddy Guy & Junior Wells Play The Blues album with Guy's longtime harp and vocal compatriot, Junior Wells. The record, released in 1972, is regarded by some critics as among the finest electric blues recordings of the modern era.
In recognition of Guy's influence on Hendrix's career, the Hendrix family invited Buddy Guy to headline all-star casts at several Jimi Hendrix tribute concerts they organized in recent years, "calling on a legend to celebrate a legend." Jimi Hendrix himself once said that “Heaven is lying at Buddy Guy’s feet while listening to him play guitar.”
Songs such as "Red House", "Voodoo Chile" and "Voodoo Child (Slight Return)" partly came from the sonic world that Buddy Guy helped to create. According to the Fender Players’ Club: “Almost ten years before Jimi Hendrix would electrify the rock world with his high-voltage voodoo blues, Buddy Guy was shocking juke joint patrons in Baton Rouge with his own brand of high-octane blues. Ironically, when Buddy’s playing technique and flamboyant showmanship were later revealed to crossover audiences in the late Sixties, it was erroneously assumed that he was imitating Hendrix."
Stevie Ray Vaughan once declared that Buddy Guy "plays from a place that I've never heard anyone play." Vaughan continued: :Buddy can go from one end of the spectrum to another. He can play quieter than anybody I've ever heard, or wilder and louder than anybody I've ever heard. I play pretty loud a lot of times, but Buddy's tones are incredible…he pulls such emotion out of so little volume. Buddy just has this cool feel to everything he does. And when he sings, it's just compounded. Girls fall over and sweat and die! Every once in a while I get the chance to play with Buddy, and he gets me every time, because we could try to go to Mars on guitars but then he'll start singing, sing a couple of lines, and then stick the mike in front of me! What are you gonna do? What is a person gonna do?!Jeff Beck affirmed: :Geez, you can’t forget Buddy Guy. He transcended blues and started becoming theater. It was high art, kind of like drama theater when he played, you know. He was playing behind his head long before Hendrix. I once saw him throw the guitar up in the air and catch it in the same chord. Beck recalled the night he and Stevie Ray Vaughan jammed with Guy at Buddy Guy’s Legends club in Chicago: “That was just the most incredible stuff I ever heard in my life. The three of us all jammed and it was so thrilling. That is as close you can come to the heart of the blues.” According to Jimmy Page: “Buddy Guy is an absolute monster” and “There were a number of albums that everybody got tuned into in the early days. There was one in particular called, I think, American Folk Festival Of The Blues, which featured Buddy Guy—he just astounded everybody.” Former Rolling Stones bassist Bill Wyman: “Guitar Legends do not come any better than Buddy Guy. He is feted by his peers and loved by his fans for his ability to make the guitar both talk and cry the blues… Such is Buddy’s mastery of the guitar that there is virtually no guitarist that he cannot imitate.” Guy has opened for the Rolling Stones on numerous tours since the early 1970s. Slash: "Buddy Guy is the perfect combination of R&B; and hardcore rock and roll." ZZ Top’s Billy Gibbons: "He (Buddy Guy) ain't no trickster. He may appear surprised by his own instant ability but, clearly, he knows what's up." Lonnie Brooks: “Buddy Guy is a master. He’s the bravest guitar player I’ve ever seen on a bandstand. He’ll pull you into his trap and kill you. He owns that bandstand and everyone knows it when Buddy’s up there."
Guy was a judge for the 6th and 8th annual Independent Music Awards to support independent artists.
Guy appeared and performed in an episode of the popular children's show, Jack's Big Music Show, as the "King of Swing".
In 2008, Buddy Guy was inducted into The Louisiana Music Hall of Fame while performing at Texas Club in Baton Rouge, Louisiana.
Category:1936 births Category:Living people Category:African American musicians Category:American blues singers Category:American blues musicians Category:American blues guitarists Category:Blues Hall of Fame inductees Category:Contemporary blues musicians Category:Musicians from Louisiana Category:Rock and Roll Hall of Fame inductees Category:People from Baton Rouge, Louisiana Category:United States National Medal of Arts recipients Category:Grammy Award winners Category:Chicago blues musicians Category:Electric blues musicians Category:Lead guitarists Category:Chess Records artists Category:Vanguard Records artists Category:Delmark Records artists Category:MCA Records artists Category:MPS Records artists Category:Atlantic Records artists Category:Charly Records artists Category:Jive Records artists Category:Zomba Group artists
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