The following is a list of fictional Star Wars ground vehicles, including tanks, landspeeders, and assault units.

Armored Assault Tank (AAT)

The AAT is a Trade Federation vehicle that appears in , , and the Star Wars Expanded Universe. Early drafts of The Phantom Menace described the Trade Federation's invasion of Naboo being led by "armored attack craft" that resembled helicopters. The final version's forward curve is based on the curve of a shovel, and parts of it are intended to suggest animalistic traits.

BARC speeder

The BARC speeder appears in Revenge of the Sith and is a playable vehicle in , and Star Wars Galaxies. They perform cavalry, scouting and mounted infantry roles and are armed with a single, or sometimes two, blasters. Inexpensive, lightweight, easy to maintain and able to fill various functions, they are a widespread mainstay of many armed organisations, governments and major armed forces.

Bongo

The Gungan "bongo" submarine is a transport in The Phantom Menace. Obi-Wan Kenobi (Ewan McGregor), Qui-Gon Jinn (Liam Neeson), and Jar Jar Binks (Ahmed Best) use a bongo to travel from the underwater city of Otah Gunga to the Naboo capital of Theed.

Industrial Light & Magic's Doug Chiang devised the submarine's squid-like propeller design. This assembly was then merged with the design for a manta-shaped underwater transport written out of an earlier draft of the story. West End Games based their "HAVw A5 Juggernaut" design on Johnson's sketches. The larger, more heavily-armed vehicle that appears in Revenge of the Sith is labeled "HAVw A6". Cloud cars inserted into the films' Special Edition releases were computer-generated. They are a large, amphibious heavily armored droid, mainly used for amphibibous assaults, troop transport, and as a main battle tank on worlds with rough terrain. They can be fitted with nearly any type of armament from heavy laser cannons, to blaster cannons, and even guided missles to perform almost any combat function. When given voice modulators, they are put to use policing potenially rebellious worlds owned by the Corporate Alliance as well as to crush civilian insurrections.

Coruscant air taxi

Air taxis appear throughout the Coruscant cityscapes in the prequel trilogy and in Return of the Jedi.

Droid gunship

Droid gunships appear at the Battle of Kashyyyk in Revenge of the Sith and . Their circular shape is designed to be reminiscent of the Trade Federation ships seen in The Phantom Menace. These ships were originally intended to appear in the movie's opening space battle, but were ultimately depicted as aircraft.

Flash speeder

The Naboo Royal Security Forces use Flash speeders in The Phantom Menace.

Gian speeder

The Naboo Royal Security Forces use Gian speeders in The Phantom Menace. They are larger, heavier counterparts to the NRSF Flash Speeders, and are used mainly for skirmishes against pirates and smugglers. However, they are still modified civilian landspeeeders, and prove relatively useless against Trade Federation tanks. They are painted purple, carry one medium blaster cannon, and have seating for four NRSF officers. They also have light armour plating for protection against hand-held blasters, but there is little protection for the vehicles occupants.

Hailfire droid

Hailfire droids are mobile missile platforms that appear in Attack of the Clones. They consisted of two large wheels with a low-fixed base that had two glowing red optical receptors and two large missile boxes to store it's large arsenal of heat-seeking missiles, which glowed purple as they traveled through the air. It was large and towered over many infantry units in battle. It's main chassis was rounded and brown, while the wheels had ridges and were a gray shade.

Homing spider droid

The OG-9 homing spider droid appears in Attack of the Clones and is a playable vehicle in Battlefront II. During post-production, the droid was referred to as "Commerce Guild droid B."

Landspeeder

Landspeeders are antigravity vehicles that appear throughout the films and Expanded Universe in both civilian and military roles.

Multi-troop transport (MTT)

MTTs carry and deploy Trade Federation battle droids on Naboo in The Phantom Menace. As with the AAT, parts of the MTT are intended to suggest animalistic traits. Lucas requested the MTT have locomotive-type qualities and be capable of knocking down everything in its path; consequently, the MTT has battering rams and locomotive components. It became a Confederacy ship once more before being scaled down, turned into a speeder, and becoming a Republic craft. Lucas turned to footage of helicopter-troop deployment when conceiving the LAAT; the vehicle was originally labeled the "Jedi attack helicopter". The vehicle's ultimate appearance is based on the Russian Mil Mi-24 helicopter. Code 3 Collectibles released a die-cast gunship two years later.

Sail barge

A sail barge delivers Jabba the Hutt and his entourage to the sarlacc pit in Return of the Jedi. Illustrator Ralph McQuarrie designed the ship to appear more utilitarian in comparison to early designs, which made the ship reminiscent of a Baroque sea craft. A , -tall full-scale sail barge set was erected in Yuma, Arizona; it was one of the largest Star Wars sets created. For shots involving the vehicle's movement, ILM used a 125-centimeter radio-controlled model. card game items, and Hasbro and Micro Machines toys.

Self-propelled heavy artillery (SPHA)

Self-propelled heavy artillery first appear in Attack of the Clones. The vehicle was initially design on treads, but Lucas suggested that it be equipped with legs like the AT-TEs that fight alongside it. The SPHA was referred to as "Clone Tank A" during production. The STAP's design also relates back to Lucas' 1973 idea of ridable "jet-sticks"; a draft of The Phantom Menace refers to the vehicles as STAPS, or Single Troop Armed Pogo Sticks. It was modified to be a nautical-type vehicle, and then transitioned to become more utilitarian.

Snowspeeder

Rebel pilots fly snowspeeders against the Galactic Empire's walkers in The Empire Strikes Back.

Speeder bike

Speeder bikes first appear in a chase scene in , and later in the prequel trilogy.

Swamp speeder

Swamp speeders appear in Revenge of the Sith. TJ Frame, who worked on the swamp speeder concept soon after joining the art department, initially designed the craft to be appear reminiscent of fanboats.

Swoop bike

Swoop bikes are high-speed racing craft that appear in the films and Expanded Universe.

V-wing airspeeder

An airspeeder that first saw service with the New Republic at the Battle of Mon Calamari.

Walkers

Wheel bike

General Grievous rides a wheel bike in Revenge of the Sith. Grievous' vehicle is similar to another wheel bike that appears in the cartoon. One concept for Grievous' vehicle was for it to include "tank-like chariots"; at another point, the vehicle was going to be another droid. The addition of a rotor came late in production; some printed works do not depict this component. Although mostly depicted through computer-generated imagery, a full-size mockup of the gunner's seat was created for a closeup of the tail gunner.

World Devastator

World Devastators appear in the Dark Empire comic series and the video game.

References

External links

Index of Vehicle Archive at starwars.com

* Category:Star Wars lists

Name	Mohammed Rafi
Background	solo_singer
Born	December 24, 1924 Kotla Sultan Singh, Punjab, British India
Died	July 31, 1980 Mumbai, Maharashtra, India
Origin	Indian
Instrument	Vocalist
Genre	Indian classical, ghazal, playback singing
Occupation	Hindi and regional playback singer
Years active	1944–1980

Mohammed Rafi (, }}; December 24, 1924 – July 31, 1980), was an Indian playback singer whose career spanned four decades. He won 5 National Awards and 6 Filmfare Awards. In 1967, he was honoured with the Padma Shri by the Government of India.

In a career spanning about 40 years, Rafi sang over 26,000 film songs. His songs ranged from classical numbers to patriotic songs, sad lamentations to highly romantic numbers, qawwalis to ghazals and bhajans, and from slow melancholic tunes to fast fun filled songs. He had a strong command of Hindi and Urdu and a powerful range that could accommodate this variety. He sang in many Indian languages including Hindi, Konkani, Urdu, Bhojpuri, Oriya, Punjabi, Bengali, Marathi, Sindhi, Kannada, Gujarati, Telugu, Maghi, Maithili and Assamese. He also recorded a few English, Persian, Spanish and Dutch songs.

An article in Times of India, published on July 24, 2010 sums up his voice as, "If there are 101 ways of saying "I love you" in a song, Mohammed Rafi knew them all. The awkwardness of puppy love, the friskiness of teen romance, the philosophy of unrequited love and the anguish of heartbreak - he could explore every crevice of ardour. It wasn't just love, his voice could capture the navras of life - a failed poet's melancholy, a fiery unionist's vim, a debt-ridden farmer's despair, really anybody at all.Rafi, whose career spanned nearly four decades, was a singer for every season and every reason."

Early years and background

Mohammed Rafi was born the youngest of six sons of Hajji Ali Mohammad at Kotla Sultan Singh, a village near Amritsar in Punjab (British India). Rafi, whose nickname was Pheeko, started singing by imitating chants of a fakir in his village. It was his brother-in-law Mohammed Hameed who spotted the talent in Rafi and encouraged him. Rafi learnt classical music from Ustad Bade Ghulam Ali Khan, Ustad Abdul Wahid Khan, Pandit Jiwanlal Matto and Firoze Nizami.

Rafi's first public performance came at the age of 13, when he was allowed to sing at a concert featuring K. L. Saigal. In that same year, Rafi was invited by All India Radio Lahore station to sing for them. He made his professional debut in the Shyam Sunder-directed 1941 film Gul Baloch and the Bombay film, Gaon Ki Gauri, the following year.

Rafi also did brief roles in movies like Laila-Majnu (1945) and Jugnu. In Laila-Majnu, he was seen singing ‘tera jalwa’ as a part of the chorus.

Advent in Bombay

In 1944, Rafi moved to Bombay (now Mumbai),The brothers took up a ten-by-ten-feet room in the crowded downtown Bhendi Bazar area. Here poet Tanvir Naqvi introduced him to some of film producers including Abdur Rashid Kardar, Mehboob Khan and actor-director Nazeer.

In 1948, after the assassination of Mahatma Gandhi, the team of Husanlal Bhagatram-Rajendra Krishan-Rafi had overnight created the song ‘Suno suno ae duniyawalon, Bapuji ki amar kahani…’. and "Khabar Kisi ko Nahiin, woh kidhar Dekhte (Beqasoor, 1950), etc.

Recording career

He associated with many music directors of his time, most notably Naushad. In the late 1950s and 1960s, Rafi worked with other composers of the era such as O. P. Nayyar, Shankar Jaikishan and S.D. Burman.

Association with Naushad

As per Naushad, Rafi came to him with a letter of recommendation from Naushad's father. Rafi’s first song for Naushad was "Hindustan ke hum hain" ("We belong to Hindustan") for the film Pehle Aap in 1944. The first song for the duo was the soundtrack of the movie Anmol Ghadi (1946). Before Rafi, Naushad’s favorite singer was Talat Mahmood. Once Naushad found Talat smoking during a recording. He was annoyed and hired Rafi to sing all the songs of the movie Baiju Bawra.

Rafi's association with Naushad helped the former establish himself as one of the most prominent playback singers in Hindi Cinema.

Association with S D Burman

S. D. Burman patronized Rafi as the singing voice of Dev Anand and Guru Dutt. Rafi worked with Burman in movies like Pyaasa (1957), Kaagaz Ke Phool (1959), Tere Ghar ke Saamne (1962), Guide (1965), Aradhana (1969), and Abhimaan (1973). S. D. Burman was also another music director besides Naushad who used Rafi prolifically to sing for most of his songs.

Association with Shankar-Jaikishan

Rafi and Shankar Jaikishan was a partnership in the Hindi film industry. Under Shankar-Jaikishan, Rafi produced some of his songs for actors like Shammi Kapoor and Rajendra Kumar. Out of six Filmfare awards, Rafi won three for S-J songs, viz., "Teri pyari pyari soorat ko", "Baharon phool barsao", and "Dil ke jharokhe mein". The song "Yahoo! Chahe koi mujhe junglee kahe" was sung by Rafi, only to be matched a fast-paced orchestra and a composition by Shankar Jaikishan. S-J made Rafi give playback for Kishore Kumar in the film Shararat ("Ajab hai daastan teri yeh zindagi"). Rafi sang a total of 341 numbers (216 solo) for Shankar-Jaikishan.

Ravi and Rafi produced several other songs, in the films China Town (1962), Kaajal (1965), and Do Badan (1966).

Association with Madan Mohan

Madan Mohan was another composer whose favorite singer was Rafi. Rafi's first solo with Madan Mohan in Ankhen (1950), "Hum ishq mein barbad hain barbad rahenge". The song "Jawaaniyan yeh mast mast" and the title song "Yun to humne lakh hansee dekhe hain, tumsa nahin dekha" of the film Tumsa Nahin Dekha. They were followed by songs like "Taareef karoon kya uski jisne tumhe banaya" from Kashmir ki Kali.

Association with Laxmikant-Pyarelal

The composer duo Laxmikant-Pyarelal (L-P) also patronized Rafi as one of their singers, right from their very first film, Parasmani (1963). Both Rafi and L-P won the Filmfare Awards for the song "Chahoonga main tujhe saanjh savere" from Dosti (1964). Rafi sang a total of 369 numbers (186 solo) for L-P. He sang for many male stars in Hindi films. In 1965, he was honoured by the Government of India with the Padma Sri award. Rafi recorded two Hindi songs in English on 7" release in 1968. He also sang a song in Creole while on his visit to Mauritius in the late 1960s. Later, at the insistence of S. D. Burman, the two decided to reconcile and sing duets.

Guiness World Records

During his last years, Rafi was involved in a controversy over Lata Mangeshkar's introduction in to the Guinness Book of World Records. In a letter dated June 11, 1977 to the Guinness Book of World Records, Rafi had challenged the claim that Lata Mangeshkar has recorded the maximum number of songs ("not less than 25,000" according to Guinness). After receiving a reply from Guinness, in a letter dated November 20, 1979, he wrote: "I am disappointed that my request for a reassessment vis-a-vis Ms Mangeshkar's reported world record has gone unheeded.".

In an interview to BBC recorded in Nov 1977, Rafi claimed to have sung 25,000 to 26,000 songs till then. According to the available figures, Rafi has sung 4,516 Hindi film songs, 112 non-Hindi film songs, and 328 private (non-film) songs from 1945 to 1980.

At the same period Kishore Kumar's popularity increased due to the songs he sang, controversially, for the film Aradhana in Mohd Rafi`s absence during Rafi's Hajj pilgrimage in 1969. The music for Aradhana was composed by S. D. Burman, and he had used Rafi as the male playback voice for the first two recorded duets, "Baaghon Mein Bahaar Hai" and "Gunguna Rahen Hain Bhanwre". Some of Rafi's songs of the early 1970s were with music directors like Laxmikant Pyarelal, Madan Mohan, R. D. Burman and S. D. Burman. These include "Tum mujhe Yun Bhula na Paoge" (a signature song of Rafi in 1971) from Pagla Kahin Ka, "Yeh Duniya Yeh Mehfil" from Heer Ranjha (1970), "Jhilmil Sitaron ka" from Jeevan Mrityu (a duet with Lata Mangeshkar, 1970), "Gulabi Aankhen" from The Train (1970), "Yeh Jo Chilman Hain" and "Itna to Yaad Hain Mujhe" from Mehboob Ki Mehndi (1971), "Mera mann tera pyasa" Gambler, "Chalo Dildar Chalo" from 1972 released Pakeezah, "Chura Liya Hain Tumne" from Yaadon Ki Baarat (a duet with Asha Bhosle, 1973), "Na tu Zameen Ke liye" from 1973 released Dilip Kumar movie Dastan, "Tum Jo Mil Gaye Ho" from Hanste Zakhm (1973), "teri bindiya re", from Abhimaan(1973) and "Aaj mausam bada beimaan hai" from Loafer (1973).

Later years

Rafi made a comeback as a leading singer in the mid-1970s. In 1974, he won the Film World magazine Best Singer Award for the song "Teree Galiyon Mein Na Rakhenge Qadam Aaj Ke Baad" (Hawas, 1974) composed by Usha Khanna. His last song was "Shaam phir kyun udaas hai dost" (Aas Paas), which he had recorded with Laxmikant-Pyarelal few hours before his death. He was survived by four sons (Saeed Rafi, Khalid Rafi, Hamid Rafi, Shahid Rafi), three daughters (Parveen, Nasreen, Yasmin) and 18 grandchildren.

Rafi was buried at the Juhu Muslim cemetery. It was one of the biggest funeral processions Mumbai had ever witnessed, with over 10,000 people attending.

In 2010, his tomb was demolished to make space for new bodies. Fans of Mohammed Rafi who arrive twice a year at his tomb, on December 24 and July 31, to mark his birth and death anniversary, use the coconut tree nearest to his grave as a marker.

He was a teetotaller, a highly religious and extremely humble person. He was a devout Muslim. Once, when a lesser-known composer Nisar Bazmi (who had migrated from Pakistan) didn’t have enough money to pay him, Rafi charged a fee of one rupee and sang for him. He also helped producers financially. As Laxmikant (of the Laxmikant-Pyarelal duo) once observed – “He always gave without thinking of the returns”.

Legacy

The government of India announced a two-day public holiday on his death, honouring him.

Rafi's song from the film Gumnaam (1965), "Jaan Pehechan Ho", was used on the soundtrack of Ghost World (2001). The film opens with the lead character dancing around in her bedroom to a video of Gumnaam.

His "Aaj Mausam Bada Beiman Hai" is featured in the 2001 film Monsoon Wedding.

His song "Mera Man Tera Pyasa" (Gambler, 1970) has been used as one of the soundtracks in the Jim Carrey-Kate Winslet starrer Eternal Sunshine of the Spotless Mind (2004). This song is played in the background in Kate Winslet's character's home while the lead pair are having a drink - at approx 00.11.14 runtime.

Several of Rafi's unreleased songs will be used for an upcoming film titled Sorry Madam.

A documentary about Rafi’s life is under production by The Films Division of India.

In the summer of 2008, the City of Birmingham Symphony Orchestra released a double CD entitled Rafi Resurrected comprising 16 songs by Rafi. Bollywood playback singer Sonu Nigam provided the vocals for this project and toured with the CBSO in July 2008 at venues including the English National Opera in London, Manchester's Apollo Theatre and Symphony Hall, Birmingham.

The Padma Shri Mohammed Rafi Chowk in the Bandra suburb of Mumbai and Pune (extending MG Road) is named after Rafi. The same Poll voted "Man re, tu kahe na Dheer Dhare" (Chitralekha, 1964), sung by Rafi as the #1 song. Three songs tied up for the #2 place and two of them were sung by Rafi. The songs were "Tere Mere Sapne Ab Ek Rang Hain" (Guide, 1965) and "Din Dhal Jaye, hai raat na jaye" (Guide, 1965).

This poll was published in Outlook Magazine, the jury of which included many people in the Indian music industry; Abhijeet, Adesh Srivastava, Alisha Chinai, Anu Malik, Ehsaan, Gulzar, Hariharan, Himesh Reshammiya, Jatin, Javed Akhtar, Kailash Kher, Kavita Krishnamurthy, Khayyam, Kumar Sanu, Lalit, Loy, Mahalaxmi Iyer, Mahendra Kapoor, Manna Dey, Prasoon Joshi, Rajesh Roshan, Sadhna Sargam, Sameer, Sandesh Shandilya, Shaan, Shankar, Shantanu Moitra, Shreya Ghoshal, Sonu Nigam and Talat Aziz.

In an article in Times of India, Rafi is described as "a versatile singer, who could render classical, rock and roll, indeed any kind of song with ease, he was Hindi film's favourite male voice through the 1950s and 1960s". Music director Rajesh Roshan, who composed some of the songs with Rafi, remembers him as "a warm-hearted simple person with no ego".

Music lovers have appealed to the Government of India to honour the singer, posthumously, with Bharat Ratna (India's Highest Civilian Award)

Veteran actor Shammi Kapoor said, "I am incomplete without Mohammad Rafi. I used to often go for the recoding of my song, which was sung by Mohammad Rafi, only because I used to like telling him how I would perform on this song on screen so that he can sing it that way. Even he liked my involvement".

On September 22, 2007, a shrine to Rafi designed by artist Tasawar Bashir was unveiled on Fazeley Street, Birmingham, UK. Bashir is hoping that Rafi will attain sainthood as a result.

Singers like Shabbir Kumar, Mohammed Aziz and, more recently, Sonu Nigam, who made a name by adopting his style, perhaps owe their entire careers to Rafi.

After his death, seven Hindi movies have been dedicated to Mohd Rafi; Allah Rakha, Mard, Coolie, Desh-Premee, Naseeb, Aas-Paas and Heeralal-Pannalal.

Personal life

In 1945, Rafi married his cousin Bilquis, in his village. He was very much a family man, following a recording-room to home to recording-room itenerary. He never attended filmy parties, did not smoke or drink. He used to perform his riyaz (musical practise) from 3 AM to 7 AM without fail. His only indulgences were playing carom and badminton and flying kites. Rafi has rendered the maximum number of songs for the music director duo Laxmikant-Pyarelal—a total of 369 numbers, 186 of them being solos. The song “ajab hai dasta teri ae zindagi…” was first given to Kishore Kumar to sing and he sung the first half of antara but in the second half, he faced some trouble and after many retakes, he was unable to give the effect that Shankar Jaikishan wanted, and finally the song was given to Rafi to sing. A man, sentenced to be hanged until dead, was asked what his last wish was. The man asks that he be allowed to listen to “O duniya ke rakhwale, sun dard bare mere naale; jeewan apna wapas lele, jeewan dene wale“. During a concert in Raipur with Shankar-Jaikishan, the audience kept on demanding "once more".. Even the musicians in the orchestra were tired. Finally, Rafi sang five songs with just Harmonium as a musical instrument. Then, he sang the National Anthem In the earlier years, Filmare used to have only One Best Singer Award (no distinction between a male or female singer). Rafi won it six times.

Awards

; Honorary 1948 - Rafi received a silver medal from the Indian Prime Minister Jawaharlal Nehru, on the first anniversary of the Indian Independence Day. | "Chahunga Main Tujhe" | Dosti | Laxmikant-Pyarelal | Majrooh Sultanpuri |- | 1966 | "Babul Ki Duaae " | Neel Kamal | Bombay Ravi | Sahir Ludhianvi |- | 1977 Winner: {| class="wikitable sortable" |- ! Year ! Song ! Film ! Music director ! Lyricist |- | 1960 | "Chaudhvin Ka Chand Ho" | Chaudhvin Ka Chand | Bombay Ravi | Shakeel Badayuni |- | 1961 | "Teri Pyaari Pyaari Surat Ko" | Sasural | Shankar Jaikishan | Shailendra |- | 1964 | "Chahunga Main Tujhe" | Dosti | Laxmikant-Pyarelal | Majrooh Sultanpuri |- | 1966 | "Baharo Phool Barsao" | Suraj | Shankar Jaikishan | Shailendra |- | 1968 | "Dil Ke Jharoke Mein" | Brahmachari | Shankar Jaikishan | Shailendra |- | 1977 | "Kya Hua Tera Wada" | Hum Kisi Se Kum Nahin | Rahul Dev Burman | Majrooh Sultanpuri |}

Nominated: | Dosti | Laxmikant Pyarelal | Majrooh Sultanpuri |- | 1966 | Arzoo | Shankar Jaikishan | Hasrat Jaipuri |}

;Sur Sringar Award

Winner {| class="wikitable sortable" |- ! Year ! Film ! Music director ! Lyricist |- | 1964 | Chitralekha | Roshan | Sahir Ludhyanvi |}

References

External links

Mohammed Rafi at the Internet Movie Database

Category:1924 births Category:1980 deaths Category:Bollywood playback singers Category:Indian film singers Category:Indian Muslims Category:People from Amritsar Category:Indian male singers Category:Filmfare Awards winners Category:Deaths from myocardial infarction Category:Recipients of the Padma Shri Category:Punjabi people Category:Indian musicians Category:Indian singers Category:People from Mumbai Category:Marathi-language singers

Region	Islamic Scholar
Era	Modern era
Color	#B0C4DE
Name	Tariq Jameel
Birth date	1953
Native town	TulambahMian Channnu
School tradition	Hanafi, Sunni, Deobandi
Notable ideas	Basic principles and practices of Islam and Global brotherhood
Associations	Member of the Tablighi Jamaat

Maulana Tariq Jameel (}})(born 1953) is a well known Islamic scholar from Pakistan. His native town is Tulambah near Mian Channu. His father belonged to the Muslim Rajputs community , was an agriculturist and was a respected person in his field and the local area.

Tariq Jameel was born and raised in Mian Channu and is the son of a feudal agriculturist also referred to as "Mian" (Lord) in Pakistan. In his childhood he lived a relatively modest life but religion was not a major part of his life and his family in particular. It wasn't until he pursued his M.B.B.S. in Lahore that his focus shifted towards Islam. After completing his Higher Secondary School education (a.k.a F.Sc in some regions of Pakistan) in pre-medical (equivalent to A 'levels') from Government College University Lahore, he took admission in King Edward Medical College in Lahore. He intended to do his M.B.B.S., but his leanings towards spirituality soon urged him to switch to Islamic education. He then went on to receive Islamic education from Jamia Arabia, Raiwind (near Lahore), Pakistan where he studied Quran, Hadith, Sharia, Tasawwuf, logic and Fiqh.

Transition towards Islam

His proclivitards Islam grew during hostel life in Lahore and can mainly be attributed to the group members of Tablighi Jamaat who he became friends with during his college life.

He regularly delivers lectures and speeches encouraging people to follow Islamic values and principles and put them into practice in their everyday life. He emphasizes non-political, non-violent, non-sectarian Islam. He has travelled extensively for this cause and delivered thousands of lectures all over the world. To quench his thirst for knowledge, he mastered the ability to understand and fluently speak Arabic and travelled extensively to numerous Islamic countries. His charming appearance combined with a strong voice and a fine ability to deliver religious lectures soon catapulted him to fame and within a few years he became one of the most profound and inspiring preachers of Islam in the Urdu language.

Rise to fame

Due to his sermons and simple and modest lifestyle, Tariq Jameel commands respect from Muslims all over the world. He has a simple, eloquent and distinctive style of explaining the purpose of human life and its creation and often uses scientific examples to support his argument. He has delivered lectures to all types of communities in the society with the attendees being doctors, engineers, professors, businessmen, landlords, government officials, TV/film artists, ministers/politicians and sports celebrities. His untiring efforts brought real Islamic values in the lives of some of the greatest Pakistani cricketing legends such as Saeed Anwar, Inzamam-ul-Haq, Mohammad Yousuf, Saqlain Mushtaq, Mushtaq Ahmed and Saleem Malik. He has also been the main paradigm for Junaid Jamshed since his inspiring volte-face towards Islam. Tariq Jameel is also a student of the late Mufti Yousuf Ludhianvi another deoband scholar.

Islamic teachings

As opposed to the general misconception, Islam is a religion of supreme peace and security. Tariq Jameel’s lectures incorporate a wide range of issues of Islam and social concern. He especially emphasizes on self-purification, avoidance of violent ways, observance of Allah’ orders and to follow Hazrat Muhammad (SM)’sunnah. He repeatedly asks Muslims to do tawba (to be penitent for past sins and to retreat from wrong ways of life-leading) and to come back to the right path leaving the wrong one. He is a staunch critic of moral degeneration, indecent practices and shamelessness that have established its stronghold among young generation of Muslims.

See also

Tablighi Jamaat

Haji Abdulwahab

Junaid Jamshed

External links

Maulana Tariq Jameel (Also Molana Tariq Jamil) Urdu MP3 Islamic Lectures Bayans

Checkout the latest Video Bian of Maulana Tariq Jamil Sahib in Attock City, 10th May, 2010

Latest Lectures of Maulana Tariq Jameel from in HQ MP3 Format

A complete list of all of Maulana Tariq Jamils speeches. Over 1250 Lectures

Tariq Jamil Web Site

References

Category:1953 births Category:Living people Category:Islamic studies scholars Category:Muslim scholars of Islam Category:Muslim scholars Category:Pakistani scholars Category:Ravians

Name	Asha Bhosle
Background	solo_singer
Birth name	Asha Mangeshkar
Born	September 08, 1933Sangli, Bombay Presidency, British India
Genre	Pop, folk, Indian classical music
Occupation	Singer, playback singer
Years active	1943–present

Asha Bhosle () (born September 8, 1933) is an Indian singer. She is one of the best-known and most highly regarded Hindi playback singers in India, although she has a much wider repertoire. Her career started in 1943 and has spanned over six decades. She has done playback singing for over 1000 Bollywood movies, and among other activities she has recorded many private albums and has participated in numerous concerts in India and abroad. Bhosle is the sister of playback singer Lata Mangeshkar.

Renowned for her voice range and often credited for her versatility, Bhosle's work includes film music, pop, ghazals, bhajans, traditional Indian Classical music, folk songs, qawwalis, Rabindra Sangeets and Nazrul Geetis. She has sung in over 18 languages including Assamese, Hindi, Urdu, Telugu, Marathi, Bengali, Gujarati, Punjabi, Tamil, English, Russian, Czech, Nepali, Malay and Malayalam.

In 2006, Asha Bhosle stated that she had sung over 12,000 songs, a figure repeated by several other sources. The World Records Academy, an international organization which certifies world records, recognized her as the "Most Recorded Artist" in the world, in September 2009.

Biography

Asha Bhosle was born in the small hamlet of Goar in Sangli, Bombay Presidency (now in Maharashtra), into the musical family of Master Deenanath Mangeshkar. Her father was a theater actor and classical singer. When she was nine years old, her father died. The family moved from Pune to Kolhapur and then to Mumbai. She and her elder sister Lata Mangeshkar began singing and acting in films to support their family. She sang her first film song Chala Chala Nav Bala for the Marathi movie Majha Bal (1943). The music for the film was composed by Datta Dawjekar. She made her Hindi film debut when she sang the song Saawan aaya for Hansraj Behl's Chunariya (1948). Her first solo Hindi film song was for the movie Raat Ki Raani (1949).

At the age of 16, she eloped with 31-year-old Ganpatrao Bhosle, marrying him against her family's wishes. Ganpatrao was sister Lata's personal secretary. The marriage failed miserably. Her husband and in-laws mistreated her. After a few years of marriage, Bhosle was turned out (around 1960) by a suspicious Ganpatrao and she went to her maternal home with two children and pregnant with her third child, Anand. She continued to sing in films to earn money.

At that time, prominent playback singers like Geeta Dutt, Shamshad Begum and Lata Mangeshkar (her sister) monopolized the singing for the "heroine" roles and the big films, whilst Asha Bhosle used to get the assignments they did not take: singing for the bad girls and vamps, or songs in the second-grade movies. In the 1950s, she sang more songs than most other playback singers in Bollywood (not counting Lata), yet most of these were in low budget B or C-grade films. Her earliest songs were composed by A R Qureshi, Sajjad Hussain and Ghulam Mohammed, most of which failed to do well. Some of the most popular Asha Bhosle-Helen numbers are Piya Tu Ab To Aaja (Caravan), O Haseena Zulfon Wali (Teesri Manzil), and Yeh Mera Dil (Don).

By the 1980s, Asha Bhosle had been stereotyped as a "cabaret singer" and a "pop crooner". In Rekha-starrer Umrao Jaan, she proved her versatility by singing ghazals like Dil cheez kya hai, In aankhon ki masti ke, Ye kya jagah hai doston and Justju jiski thi. The music director Khayyam, had lowered her pitch by half a note. Asha herself was surprised that she could sing so differently. The ghazals won her the first National Award of her career. A few years later, she won another National Award for the song Mera Kuchh Saamaan from Ijaazat (1987).

In 1995, a 62-year-old Asha Bhosle did playback for young actress Urmila Matondkar in the movie Rangeela. The soundtrack featured songs like Tanha Tanha and Rangeela Re sung by her, and composed by music director A. R. Rahman, who went on to record many more songs with her.

As late as 2005, 72-year-old Asha Bhosle's numbers for the Tamil film Chandramukhi and the pop song Lucky Lips for Salman Khan-starrer were chartbusters. Some of the other popular Tamil songs sung by Bhosle are Oh! Butterfly, September Maadham and Vennila Vennila.

In October 2004, The Very Best of Asha Bhosle, The Queen of Bollywood, a compilation album of songs recorded by Bhosle for albums and Bollywood films that were released during 1966-2003, was released.

Partnership with music directors

;O.P. Nayyar

Music director O. P. Nayyar's association with Asha Bhosle is part of Bollywood lore. He was the composer who first gave Asha her own distinct identity. Many people have speculated about a romantic relationship between the two.

Nayyar first met Asha in 1952, at the music recording of Chham Chhama Chham. He first called her for a film called Mangu (1954), and gave her a big break in CID (1956). However, it was the success of Naya Daur (1957), that made the duo very popular. After 1959, she was emotionally and professionally involved with Nayyar.

The team of O.P. Nayyar and Asha Bhosle is best remembered for their breezy and sometimes sirenish songs. Some good examples of their sensuous numbers are Aaiye meherbaan picturised on Madhubala (Howrah Bridge, 1958) and Yeh hai reshmi zulfon ka andhera picturised on Mumtaz (Mere Sanam, 1965). They recorded songs for many hit movies like Naya Daur (1957), Tumsa Nahin Dekha (1957), Howrah Bridge (1958), Ek Musafir Ek Hasina (1962), Kashmir Ki Kali (1964), etc. Some of their most popular songs include Aao huzur tumko (Kismat), Jaaiye aap kahan (Mere Sanam) etc. O.P. Nayyar used the Asha Bhosle-Mohammad Rafi duo for his most popular duets. some of these songs include Ude jab jab zulfein teri (Naya Daur). Main pyaar ka rahi hoon (Ek Musafir Ek Haseena), Deewana Hua Baadal, Ishaaron hi isharon mein (Kashmir Ki Kali) etc.

Asha recorded her last song for O.P. Nayyar in the movie Pran Jaye Par Vachan Na Jaye (1974). The solo number Chain se got many awards, but it was not included in the movie.

They split on August 5, 1972. It is not clear what made them part their ways. On being asked the reason for their parting, O P Nayyar once said, "I know astrology very well. I knew that one day I had to part with her. Something also happened, that upset me, so I left her." She gives the credit for her first big break to B. R. Chopra, the producer of Naya Daur.

;Khayyam Another music director who recognized Bhosle's talent early was Khayyam. His partnership with Asha Bhosle dates back to his first movie Biwi (1948). Khayyam gave her some good assignments in the 1950s, including Dard and Phir Subah Hogi. But the team is chiefly remembered for the songs of Umrao Jaan.

;Ravi Music composer Ravi considered Asha one of his favorite singers. She sang for his first movie Vachan (1955). The melodious lullaby from the movie, Chandamama door ke became an overnight hit among young mothers in India. Ravi got her to sing bhajans for the movies Gharana, Grihasti, Kajal and Phool Aur Patthar, at a time when most of the composers remembered her only when they needed to record B-grade songs picturized on the vamps or the side-heroines. Ravi and Asha Bhosle recorded a variety of songs, including the popular funny duet with Kishore Kumar - C A T...Cat maane billi (Dilli Ka Thug). The bhajan Tora man darpan (Kajal) is considered one of Asha Bhosle's best songs.

They also recorded songs for many popular movies like Waqt, Chaudhvin Ka Chand, Gumrah, Bahu Beti, China Town, Aadmi Aur Insaan, Dhund, Humraaz, and Kajal with her. For Chaudhvin Ka Chand, Ravi wanted Geeta Dutt (the wife of producer Guru Dutt) to sing the songs. But when she backed out, Guru Dutt insisted that Asha Bhosle sing the songs. During this period, S D Burman used Asha Bhosle as his lead female voice. She and S D Burman gave many hit songs in movies such as Kaala Pani, Kaala Bazaar, Insaan Jaag Utha, Lajwanti, Sujata and Teen Deviyaan (1965). They recorded many songs together after 1962 as well. Most famous of these songs were Asha Bhosle's duets with Mohammed Rafi and Kishore Kumar. The song Ab ke baras in Bimal Roy's Bandini (1963) consolidated her position as a lead singer. The seductive song Raat Akeli Hai from Jewel Thief (1967), picturised on Tanuja, became very popular.

;Rahul Dev Burman (Pancham) Asha first met Rahul Dev Burman (a.k.a. "Pancham") when she was a mother of two and he was in 10th grade having dropped out to pursue music. Their partnership was first noticed in Teesri Manzil (1966). She went on to record a variety of songs with him - cabarets, rock, disco, ghazals, Indian classical music and many more.

In the 1970s, Asha Bhosle and Pancham's youthful, Western songs took Bollywood music by storm - the raunchy cabaret Piya tu ab to aaja (Caravan, 1971, picturized on Helen), the rebellious Dum Maro Dum ( Hare Rama Hare Krishna, 1971), the sexy Duniya mein (Apna Desh, 1972), the romantic Chura Liyaa Hai Tumne (Yaadon Ki Baaraat, 1973). Pancham also recorded many hit duets with Asha Bhosle and Kishore Kumar - Jaane jaan, dhoondhta phir raha (Jawani Diwani), Bhali bhali si ek soorat (Buddha Mil Gaya) etc.

In 1980s, Pancham and Asha Bhosle recorded subtle numbers for films like Ijaazat (1987)- Mera kuch saaman, Khaali haath shaam aayi hai, Katra Katra. They also recorded the popular duet O Maria (Saagar). Mera Kuchch saamaan, the R.D. Burman composition for Gulzar's Ijaazat won her the National Award for Best Singer.

Asha Bhosle used to call R D Burman "Bubs". She married him in 1980. Their partnership lasted until his death.

RD Burman made her sing some of the most legendary songs in Bengali language as well, namely Mohuyae Jomechhe Aaj mou go,Chokhe Chokhe kotha bolo Chokhhe naame brishti(Bengali version of Jaane Kya Baat hai), Baanshi sune ki ghore thaka jaye,Sondhya Belae tumi aami,Aaj Gungun gun gunje amar (Bengali version of Pyaar Deewana hota hai),etc.

;Ilaiyaraaja The prolific south Indian film composer Ilaiyaraaja began employing Asha Bhosle's vocals in the early 1980s, their earliest collaboration being for the film Moondram Pirai (1982) (or Sadma, its Hindi remake in 1983). Their association continued, mostly through the latter half of the 1980s and early 1990s. Some of their notable songs from this period include Shenbagamae (Enga Ooru Paattukkaaran, 1987, Tamil). In 2000, Asha sung Ilaiyaraaja's theme song for Kamal Haasan's political film Hey Ram. The song, Janmon Ki Jwala (or Aparna's Theme), was a duet with ghazal singer Hariharan.

;A. R. Rahman A. R. Rahman is given the credit for Asha Bhosle's 'comeback' with Rangeela (1994). Songs like Tanha Tanha and Rangeela Re were chartbusters. She and Rahman went on to record more hits like Mujhe Rang De (Thakshak), Radha Kaise Na Jale (Lagaan, duet with Udit Narayan), Kahin Aag Lage (Taal), O Bhanware (Daud, duet with K. J. Yesudas), Venilla Venilla (Iruvar,1999), Dhuan Dhuan (Meenaxi,2004). Naushad, later in his life, also admitted that he has been unfair to Asha Bhonsle. Asha has also worked with other noted Bollywood composers like Jatin Lalit, Bappi Lahiri, Kalyanji Anandji, Usha Khanna, Chitragupt, and Roshan.

Non-Bollywood music

Private albums

In a rare feat, noted lyricist, Gulzar, music director, R.D. Burman and Asha Bhosle, came together in 1987, to create a double album, titled, Dil Padosi Hai, which was released on September 8, 1987, Asha Bhosle's birthday. In 1995, Asha underwent the gatha bandan (thread-tying) ceremony with Hindustani classical music maestro Ali Akbar Khan to learn a classical repertoire held within the Maihar gharana (stylistic school of Indian classical music), as handed down to Khan by his father Allauddin Khan (the guru of Ravi Shankar). Later, Asha and Ustad Ali Akbar Khan recorded eleven fixed compositions (or bandishes) in California for Legacy, a private album that won them a Grammy Award nomination.

In 1990s, Asha experimented with the remixed R D Burman songs. She was criticized by many, including Khayyam for tampering with old melodies. Nevertheless, albums like Rahul And I became quite popular. In 1997, Asha did a private Indipop album Janam Samjha Karo with Leslie Lewis. The album was hugely popular and won her many awards including the 1997 MTV Award.

Asha had been once asked by the director B R Ishaara to compose music for one of his films, but she had politely declined. In 2002, she turned music composer with the album Aap Ki Asha, an eight-song music and video album. The lyrics were written by Majrooh Sultanpuri (his last lyrics) and the music was composed by Asha herself. The album was released by Sachin Tendulkar on May 21, 2001 at a lavish party in Mumbai. The album received mixed reviews.

Asha had spotted Pakistani singer Adnan Sami's talent when he was about 10 years old. At that time was performing in London, with R D Burman. It was she who had asked him to pursue his interests in music seriously. When Adnan grew up and became a professional musician, Asha sang the title duet with him for his best-selling album Kabhi to nazar milao. The two came together again in the album Barse Badal. The album comprises eight songs, based on Indian Classical music. She contributed the song Yun Na Thi to the recording Womad Talking Book Volume Four: An Introduction to Asia 1 on Womad Records.

Asha has sung ghazals for many albums like Meraj-E-Ghazal, Aabshar-E-Ghazal and Kashish. In 2005, Asha released a self-title album (Asha), a tribute to the four ghazal maestros - Mehdi Hassan, Ghulam Ali, Farida Khanum and Jagjit Singh. The album features eight of her favorite ghazals like Farida Khanum’s Aaj Jaane Ki Zid Na Karo, Ghulam Ali’s Chupke Chupke, Aawargi and Dil Mein Ek Lahar, Jagjit Singh’s Ahista Ahista and Mehdi Hassan’s Ranjish Hi Sahi, Rafta Rafta and Mujhe Tum Nazar Se. These classic ghazals were recreated with modern sounds by the musician Pandit Somesh Mathur. The album was aimed at the younger generation, who, according to Asha, are "turned off" by the traditional sounds of tabla and sarangi.

Numerous compilations of Asha's songs have been released as well. To commemorate her 60th birthday, in 1993 EMI India released three cassettes: Bala Main Bairagan Hoongi (devotional songs), The Golden Collection: Memorable Ghazals (non-film ghazals by composers such as Ghulam Ali, R D Burman and Nazar Hussain), and The Golden Collection: The Ever Versatile Asha Bhosle (44 popular film songs).

In 2006, she recorded an album Asha and Friends, singing duets, with film actors Sanjay Dutt and Urmila Matondkar and famous cricket player Brett Lee, with whom she sang, You're the One for Me (Haan Main Tumhara Hoon). All these songs composed by Shamir Tandon were shot on video by journalist turned director S Ramachandran.

Concerts and collaborations with foreign artists

In 1980s and 1990s, Asha went globe-trotting, staging concerts in Canada, Dubai, UK, U.S. and many other countries. In 1989, during a world tour, she performed in 13 US cities in 20 days. Immediately after this, she had an already sold-out concert scheduled in Stockholm, Sweden. Due to the stressful schedule, Asha suffered a massive attack of colitis, together with fever, cough and weakness. In Stockholm, a pre-concert crisis meeting was called, attended by Asha's son (and manager) Anand and the sponsors. It was decided that the orchestra will play many instrumental tracks, the accompanying singers like Suresh Wadkar will shoulder the load, and Asha will make a small appearance. But Asha rejected all such proposals, and sang at the concert with great difficulty, in a not-so-good voice. Her first set of six Bollywood songs did not receive any response from the audience, which consisted mostly of Indian and Pakistani expats. Before the start of the second set of songs, a fan in the crowd requested her to sing a Marathi song. Asha obliged and sang Naach-naachuni ati mi damale ("I'm very tired of this endless dancing"). When the song ended, the auditorium erupted with claps and the encores started. After the concert, Asha was in bed for a month, recuperating from overexertion. In October 2002, she did a concert with Sudesh Bhosle and others, in London, for "Help the Aged" to help raise funds for older people in India. In 2007 she toured the USA, Canada, and West Indies in a tour called "The Incredibles". In this tour, she was accompanied by singers Sonu Nigam, Kunal Ganjawala and Kailash Kher. This tour went on to hold more than 20 concerts and was originally scheduled for only 12.

In the mid-1980s, Asha sang with Boy George (Bow down mister) and Stephen Lauscombe. In 1997, she sang a love song with the boy band Code Red, at the age of 64. She also recorded the song The Way you Dream (One Giant Leap, ) with Michael Stipe that was used in the English movie, Bulletproof Monk. The song was also released on the self-titled album 1 Giant Leap for 2002.

In 1997, the British band Cornershop paid tribute to Asha with their song Brimful of Asha, an international hit which was later remixed by Fatboy Slim. In 2001, the CD single of Nelly Furtado's "I'm Like A Bird" included a "Nellie vs. Asha Remix" created by Digital Cutup Lounge.

In 2003, British opera pop singer Sarah Brightman sampled her song "Dil Cheez Kya Hai" on her album Harem. It was used as the intro for her song "You Take My Breath Away".

In 2005, American string quartet Kronos Quartet re-recorded the R D Burman compositions like Chura Liya, Piya Tu, Mera Kuchh Saaman among others and got Asha to sing them. Despite her age (she had crossed 70), she recorded three to four songs in a day, leaving the quartet members stupefied. On August 23, 2005, You've stolen my heart - Songs From R D Burman's Bollywood was released in US. The album was nominated for Grammy Awards 2006 in the category of "Best Contemporary World Music Album". Earlier, in 1990s, a friend had introduced David Harrington of Kronos Quartet to the song Aaj ki raat. Harrington was mesmerised, and the song ended up on the album Kronos Caravan.

Also in 2005, The Black Eyed Peas sampled her songs "Ae Naujawan Sab Kuchh Yahan" (Apradh, 1972) and "Yeh Mera Dil Pyaar Ka Diwana" (Don, 1978) in their hit single "Don't Phunk with My Heart". In late 2006, Asha collaborated with Australian test cricket star, Brett Lee. The single, You're the One for Me debuted at number 4 on the charts and reached a peak position of number 2.

In 2006 Asha Bhosle recorded one song for the soundtrack of Pakistani movie Mein Ek Din Laut Kay Aaaonga. singing the song Dil Key Taar Bajey with famous Pakistani pop singer Jawad Ahmed. The song was aired as the part of the film's promotional campaign and became very popular, featuring on top music charts.

Personal life

Asha's house is situated in Prabhukunj Apt on Peddar Road area of South Mumbai. She has three children and five grandchildren. The eldest of her three children is Hemant Bhosle (named after Hemant Kumar), spent most of his early years as a pilot and quit to have a brief career as a music director. Asha's daughter Varsha, who is younger than Hemant, worked as a columnist for The Sunday Observer and Rediff. The youngest child is Anand Bhosle, who has studied business and film direction. He manages Asha's career. Her grandson, Chaitanya (Chintu) Bhosle (Hemant's son) also ventured in the world of music, as a member of a successful boy band, "Band of Boys". Her sisters Lata and Usha Mangeshkar are playback singers. The other two siblings, sister Meena Mangeshkar and brother Hridayanath Mangeshkar are music directors.

Asha is an excellent cook and cooking is her favorite hobby. She often gets flooded with requests by Bollywood celebrities for kadai ghosht and biryani and has rarely turned down a request. In fact, her paya curry, Goan fish curry and dal are very popular with the Kapoor family of Bollywood. Once, when asked in a Times of India interview, what if her singing career had not taken off, she said "I would have become a cook. I'd have cooked in four houses and made money."

Asha is a successful restaurateur and runs restaurants in Dubai and Kuwait, called Asha's. Asha's offers traditional north-western Indian cuisine. It has a presence in the Wafi City development in Dubai, as well as three restaurants in Kuwait, at The Avenues Mall, the Marina Mall and a brand new third outlet at the Spoons Complex. Other restaurants can be found in Abu Dhabi's Khaldiya Mall, Doha's Villagio and Bahrain's City Center Mall, with future outposts planned for Dubai's Mall of the Emirates and Cairo, Egypt. Asha Bhosle has a 20% stake in the business. Asha is not involved in day-to-day running of the restaurant which is looked after by the Wafi Group. She takes care of the kitchen and the décor. She personally trained the chefs for almost six months. According to a December 2004 report in the Menu Magazine, Russell Scott, a former head of Harry Ramsden's (the fish and chips chain), secured the UK rights to the Asha's brand and planned to open up to 40 restaurants over the next five years. As part of her chain of restaurants, Asha's, Ashatai has recently opened a new restaurant in Birmingham, UK.

Asha's fashion statement is white sarees with sparkling embroidery, pearls around her neck and diamonds. Harrington of Kronos Quartet said "The first time I met Ashaji she was dressed in the most beautiful sari with diamonds and looked very regal. Then I looked down and saw that she was wearing tennis shoes! I thought I love this woman."

Asha is a good mimicry artist as well. At a concert at World Trade Center in Dubai on April 22, 2004, she mimicked the song Kabhi To Nazar Milaao in the voices of Noor Jehan, Lata Mangeshkar and Ghulam Ali.

Nowadays, apart from singing and her restaurant, Asha is also working on her autobiography.

Rivalry with Lata Mangeshkar

Asha's sibling rivalry with her sister Lata Mangeshkar is often talked about, in spite of their insistence that these are just tales.

Lata considered Asha's act of eloping with her lover as irresponsible, leaving her alone to sing and earn for the family. This led to tensions among them. Asha herself accepted in an interview Asha said about the movie — "To have two women in long plaits, take a couple of incidents and exaggerate them into a 3-hour film is such a waste of time." She won her first two awards in 1967 and 1968, when Lata Mangeshkar still used to accept the award (Mangeshkar asked not to be considered for the award nominations after 1969 to promote new talent). After receiving the award in 1979, Bhosle emulated her elder sister and requested that her name not be considered for the nominations hereafter. Despite this, Bhosle is the most frequent winner of this award to date, tying with Alka Yagnik. She was later given a Special Award for Rangeela in 1996, and the Filmfare Lifetime Achievement Award in 2001. Following is the list of her Filmfare Awards:

Filmfare Best Female Playback Award:

1968: "Garibon ki Suno" (Dus Lakh, 1966)

1969: "Parde Mein Rehne Do" (Shikar, 1968)

1972: "Piya Tu Ab To Aaja" (Caravan, 1971)

1973: "Dum Maro Dum" (Hare Rama Hare Krishna, 1972)

1974: "Hone Lagi Hain Raat" (Naina, 1973)

1975: "Chain Se Humko Kabhi" (Pran Jaye Par Vachan Na Jaye, 1974)

1979: "Yeh Mera Dil" (Don, 1978)

Other Awards:

1996 - Special Award (Rangeela, 1995)

2001 - Filmfare Lifetime Achievement Award

;National Film Awards Asha has won the National Film Award for Best Female Playback Singer twice:

1981: Dil Cheez Kya Hai (Umrao Jaan)

1986: Mera Kuch Samaan (Ijaazat)

;Other awards Asha has won numerous other awards, some of which include: 1987: Nightingale Of Asia Award (from the Indo–Pak Association, UK).

1999: Lata Mangeshkar Award (Government of Maharashtra)

2000: Singer of the Millennium (Dubai).

2000: Zee Gold Bollywood Award (for Mujhe Rang De from Thakshak).

2001: MTV Award (for Kambakht Ishq).

2002: BBC Lifetime Achievement Award (presented by the UK Prime Minister Tony Blair).

2002: Zee Cine Award for Best Playback Singer - Female (for Radha Kaise Na Jale from Lagaan).

2002: Zee Cine Special Award for Hall of Fame.

2002: Screen Videocon Award (for Radha Kaise Na Jale from Lagaan).

2002: Sansui Movie Award (for Radha Kaise Na Jale from Lagaan).

2003: Swaralaya Yesudas Award for outstanding contributions to Indian music. 2005: MTV Immies, Best Female Pop Act for Aaj Jaane Ki Zid Na Karo. 2005: Most Stylish People in Music.

;Honours and recognitions

In 1997, Asha became the first Indian singer to be nominated for the Grammy Award, for Legacy, an album with Ustad Ali Akbar Khan.

She has received seventeen Maharashtra State Awards.

She received the Dadasaheb Phalke Award in 2000 for her outstanding contribution to Indian cinema.

She holds honorary doctorates from the University of Amravati and University of Jalgaon in Literature.

She has received The Freddie Mercury Award for Outstanding Achievement in Arts.

The Birmingham Film Festival paid her a special tribute in November 2002.

She was honoured with the Padma Vibhushan by the Government of India.

She was among top 20 music icons of the past 50 years by CNN.

Footnotes and references

Further reading

External links

Asha Bhosle: The Voice Of Bollywood And More - audio report by NPR

Category:1933 births Category:Living people Category:Bengali-language singers Category:Bollywood playback singers Category:Dadasaheb Phalke Award recipients Category:English-language singers Category:Female guitarists Category:Gujarati-language singers Category:Hindi-language singers Category:Indian female singers Category:Indian film singers Category:Indian guitarists Category:Kollywood playback singers Category:Marathi-language singers Category:Marathi playback singers Category:Nepali-language singers Category:People from Maharashtra Category:Recipients of the Padma Vibhushan Category:Russian-language singers Category:Tamil-language singers