Mauja is a village and Village Development Committee in Kaski District in the Gandaki Zone of northern-central Nepal. At the time of the 1991 Nepal census it had a population of 2,383 persons living in 486 individual households.
Shahid Kapoor (born 25 February 1981) is an Indian actor who appears in Bollywood films. He is also a trained dancer.
Starting off his career by working in music videos and advertisements, Kapoor made his Bollywood debut as a background dancer in Subhash Ghai's Taal (1999). Four years later, he made his acting debut in Ishq Vishk (2003) and won a Filmfare Award for Best Male Debut for his performance. Following through with films like Fida (2004) and Shikhar (2005), he had his first major commercial success with Sooraj R. Barjatya's Vivah (2006), his biggest commercial success, and followed it up with Jab We Met (2007) and Kaminey (2009), both of which earned him Best Actor nominations at the Filmfare ceremony.
Kapoor was born to actor Pankaj Kapoor and actor/classical dancer Neelima Azeem on 25 February 1981. Kapoor's parents divorced when he was 3. After the divorce, he lived with his mother and maternal grandparents in Junaghad. He shared a good relationship with his father and stepmother Supriya Pathak. As far as his religious affiliation is concerned, Kapoor has stated in an interview that while his father is a Sikh and his mother is a Muslim, both his parents have taught him that he "should look at all religions without hatred and have compassion for every human being whatever his religion may be," saying that he believes that "there is one God up above."
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Kareena Kapoor (pronounced [kəˈriːnaː kəˈpuːr]; born 21 September 1980), also known as Kareena Kapoor Khan, is an Indian actress who appears in Bollywood films. She is the daughter of actors Randhir Kapoor and Babita, and the younger sister of actress Karisma Kapoor. Noted for playing a variety of characters in a range of film genres—from contemporary romantic dramas to comedies—Kapoor has received six Filmfare Awards, and has established herself as a leading actress of Hindi cinema.[1][2]
After making her acting debut in the 2000 war drama Refugee, Kapoor's early years in the film industry were successful; she received a Filmfare nomination for Asoka (2001) and appeared in the melodrama Kabhi Khushi Kabhie Gham... the same year, one of her biggest commercial successes to date. This was followed by a series of commercial failures and repetitive roles, which garnered her negative reviews. She portrayed a sex worker in Chameli (2004), the turning point in her career, and starred in the critically acclaimed films Dev (2004) and Omkara (2006). Kapoor played the lead female role in the romantic comedy Jab We Met (2007, which earned her the Filmfare Award for Best Actress) and the dramedy 3 Idiots (2009, the highest-grossing Bollywood film of all time).
Married to actor Saif Ali Khan, Kapoor's off-screen life is the subject of widespread coverage in India. She is known in the Indian media for being publicly outspoken and assertive, and is recognised for her contributions to the film industry through her fashion style and film roles. In addition to film acting, Kapoor is a stage performer and has contributed as a co-author to three books: an autobiographical memoir, and two nutrition guides. She has also launched her own clothing line in association with the retail chain Globus.
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Born into a film family in Mumbai on 21 September 1980, Kapoor (often informally referred to as 'Bebo')[4] is the younger daughter of Randhir Kapoor and Babita (née Shivdasani);[5] her elder sister Karisma is also an actress. She is the granddaughter of actor and filmmaker Raj Kapoor and niece of actor Rishi Kapoor. According to Kapoor, the name "Kareena" was derived from the book Anna Karenina, which her mother read while she was pregnant with her.[6] She is of Punjabi descent on her father's side,[7] and Sindhi on her mother's side.[8]
Describing herself as a "very naughty [and] spoilt child", Kapoor's exposure to films from a young age kindled her interest in acting;[3] she was particularly inspired by the work of actors Nargis and Meena Kumari.[9] Despite her family background, her father disapproved of women entering films because he believed it conflicted with the traditional maternal duties and responsibility of women in the family.[10] This led to a conflict between her parents, and they separated.[11] She was then raised by her mother, who worked several jobs to support her daughters until Karisma debuted as an actress in 1991.[12] After living separately for several years, her parents reconciled in October 2007.[11] Kapoor remarked "My father is also an important factor in my life [...] [Al]though we did not see him often in our initial years, we are a family now."[12]
Kapoor attended Jamnabai Narsee School in Mumbai, followed by Welham Girls' School in Dehradun.[9] She attended the institution primarily to satisfy her mother, though later admitted to liking the experience.[3] According to Kapoor, she was a good student and received first-class honours in all subjects except mathematics.[3] After graduating from Welham she studied commerce for two years at Mithibai College in Vile Parle (Mumbai).[9] Kapoor then registered for a three-month summer course in microcomputers at Harvard University in the United States.[9] She later developed an interest in law, and enrolled at the Government Law College, Mumbai; during this period, she developed a long-lasting passion for reading.[9] However, after completing her first year, Kapoor decided to pursue her interest to become an actress.[13] She began training at an acting institute in Mumbai mentored by Kishore Namit Kapoor, a member of the Film and Television Institute of India (FTII).[14]
While training at the institute, Kapoor was cast as the female lead in Rakesh Roshan's Kaho Naa... Pyaar Hai (2000) opposite his son, Hrithik Roshan.[9] Several days into the filming, however, she abandoned the project; Kapoor later explained that she had benefited by not doing the film since more prominence was given to the director's son.[9] She debuted later that year alongside Abhishek Bachchan in J. P. Dutta's war drama Refugee. Set during the Indo-Pakistani war of 1971, the film centers on a man who illegally transports civilians back and forth across the border. Kapoor portrayed Naaz, a Bangladeshi girl who falls in love with Bachchan's character while illegally migrating to Pakistan with her family. Her performance was acclaimed by critics; Taran Adarsh of Bollywood Hungama wrote that Kapoor "has a magnetic personality, which will make the viewer fall in love with her instantly. What surprises you is the ease with which she emotes the most difficult of scenes [...] There is no denying the fact that she is a natural performer who is very camera friendly."[15] On the experience of acting in her first film, Kapoor described it as "tough ... [but] also a great learning experience".[9] Refugee was a moderate box-office success in India[16] and Kapoor's performance earned her the Filmfare Award for Best Female Debut.[17]
For her second release, Kapoor was paired opposite Tusshar Kapoor in Satish Kaushik's box office success Mujhe Kucch Kehna Hai (2001).[18] A review in The Hindu noted that based on her first two films, she was "definitely the actress to watch out for".[19] She next starred in Subhash Ghai's family drama Yaadein alongside Jackie Shroff and Hrithik Roshan, which received negative reviews and was unsuccessful at the box office.[18] Later that year, she appeared in Santosh Sivan's period epic Asoka opposite Shahrukh Khan. The film was selected for the Venice and 2001 Toronto International Film Festivals, and received generally positive reviews.[20] Kapoor's portrayal of Kaurwaki—a Kalingan princess, with whom Ashoka falls in love—received mixed reactions from critics; Rediff.com concluded that her presence in the film was primarily used for aesthetic purposes.[21] She later received her first nomination for Best Actress at the 47th Filmfare Awards.[17]
Kapoor's final release of 2001 was Kabhi Khushi Kabhie Gham... in which she featured part of an ensemble cast. Directed by Karan Johar, the melodrama became India's second highest-grossing film of the year and Kapoor's highest-grossing film to that point.[18] It also became one of the biggest Bollywood success of all time in the overseas market, earning over 1 billion (US${{#invoke:Math|precision_format| 17,200,000/1E6 | 0}} million) worldwide.[22] Kapoor's performance as Poo (a good-natured, superficial girl) was described by Taran Adarsh as "one of the main highlights of the film",[23] and earned her a Filmfare Best Supporting Actress nomination.[17]
During 2002 and 2003, Kapoor experienced a setback in her career. All six films in which she starred —Mujhse Dosti Karoge!, Jeena Sirf Merre Liye, Talaash: The Hunt Begins..., Khushi, Main Prem Ki Diwani Hoon, and the four-hour war epic LOC Kargil — were critically and commercially unsuccessful.[24][25] Critics described Kapoor's performances as unoriginal, repetitive, an uninspired;[5] they expressed concern that she was becoming typecast. These negative reviews motivated her to accept more challenging roles.[26][27]
The year 2004 marked Kapoor's work in a series of films that would bring her critical acclaim.[26] Under the direction of Sudhir Mishra, Kapoor essayed the role of a golden-hearted prostitute in Chameli, a film relating the story of a young prostitute who meets with a widowed investment banker (played by Rahul Bose). When Kapoor was initially offered the film she refused it, explaining that she would be uncomfortable in the role.[27] She relented when Mishra approached her for the second time, viewing it as an opportunity to demonstrate her acting range.[27] Chameli was well received by critics and the film marked a significant turning point in her career,[26] earning Kapoor the Filmfare Special Performance Award.[28] Indiatimes praised her "intuitive brilliance" and stated that she had exceeded all expectations.[29] Rediff.com, however, found her portrayal unconvincing and excessively stereotypical, describing her as "sounding more like a teenager playacting than a brash, hardened streetwalker" and comparing her mannerisms to a caricature.[30]
Kapoor next co-starred in Mani Ratnam's bilingual project Yuva alongside Ajay Devgan, Abhishek Bachchan, Vivek Oberoi, Rani Mukerji and Esha Deol. The film, consisting of three chapters, tells the story of six individuals linked by a car accident. Kapoor is featured in the third chapter as Oberoi's love interest (Mira, a witty young woman). In a Times of India review film critic Subhash K Jha described her role as "fey and insubstantial", but further stated that "she turns these character traits to her own advantage to create a girl who is at once enigmatic and all-there".[31] She then appeared alongside Amitabh Bachchan and Fardeen Khan in Govind Nihalani's critically acclaimed film Dev, which revolved around the 2002 Hindu-Muslim riots in the Indian state of Gujarat.[32] Kapoor's role was that of a Muslim victim named Aaliya, modelled after Zaheera Sheikh (a key witness in Vadodara's Best Bakery case).[32] It earned her a Filmfare Critics Award for Best Actress and nominations for Best Actress at various award ceremonies.[17] Taran Adarsh noted that she was "first-rate" and in particular noted her scene with Bachchan's character.[33]
Shortly afterwards, Kapoor was cast for the first time as a villain in the thriller Fida. Set against the backdrop of the Mumbai underworld, the film follows the story of an online heist in which her character, Neha Mehra, becomes involved. During the filming of Fida Kapoor began a romantic relationship with co-actor Shahid Kapoor, whom she later described as having "a major positive influence in my life".[34] Although the film was unsuccessful at the box office[35] Kapoor received positive reviews for her performance, and some critics noted a distinct progression from her earlier roles.[36] Her subsequent releases that year included Abbas-Mustan's thriller Aitraaz and Priyadarshan's comedy Hulchul, both of which were successful at the Indian box office.[35] Following the success of her last two releases, she was cast as the protagonist of the 2005 drama Bewafaa. The feature received mostly negative reviews, and Kapoor's portrayal of Anjali Sahai (an unfaithful woman) was not well received. Nikhat Kazmi of Indiatimes believed that to become a serious actress Kapoor was embodying a maturer, more-jaded character beyond her years in Bewafaa.[37] She then starred in Priyadarshan's romantic drama Kyon Ki, which was a box-office failure;[38] however, Kapoor's performance was generally well received by critics (with the BBC describing her as "a pure natural").[39]
In 2006, Kapoor appeared in three films. She first starred in the thriller 36 China Town, followed by the comedy Chup Chup Ke; both were moderately successful.[40] She next portrayed the character of Desdemona in Omkara, the Hindi adaptation of William Shakespeare's Othello. Directed by Vishal Bhardwaj, the film is a tragedy of sexual jealousy set against the backdrop of the political system in Uttar Pradesh.[41] It premiered at the 2006 Cannes Film Festival and was screened at the Cairo International Film Festival.[41][42] Omkara was received positively by critics, and Kapoor's portrayal earned her a fourth Filmfare Award and first Screen Award.[17] In a 2010 retrospective of the "Top 80 Iconic Performances" of Hindi cinema, Filmfare wrote that she was "brilliant" and praised her ability to "effortless[ly]" convey the various emotions her character went through.[43] Kapoor considered her role in Omkara as a "new benchmark" in her career, and compared her portrayal of Dolly with her own evolving maturity as a woman.[44]
Following Omkara, Kapoor took a short break from acting, as she felt that "nothing [was] challenging enough for me to say yes".[44] In an interview with The Times of India Kapoor commented, "In my initial years in the industry, I pushed myself to do a lot of work because I was greedy. I did some films—which I now regret—purely for the money. Today, I want to do selective films."[45]
Kapoor returned to film as the female protagonist Geet Dhillon, a vivacious Sikh girl with a zest for life, in the Imtiaz Ali-directed romantic comedy Jab We Met (2007). Featured opposite Shahid Kapoor, the film relates the story of two people with contrasting personalities who meet on a train and eventually fall in love. The film was received favourably by critics and became successful at the box office with gross earnings of 302.5 million (US${{#invoke:Math|precision_format| 5,203,000/1E6 | 1}} million).[47] Kapoor won several awards for her performance, including her second Screen Award and the Filmfare Award for Best Actress.[17] Rajeev Masand of CNN-IBN noted, "Uninhibited and spontaneous, Kareena Kapoor is the soul of this picture, its biggest strength, as she brings alive her character with not just those smart lines, but with the kind of candor actors seldom invest in their work."[48] While shooting for Jab We Met, Kapoor and Shahid ended their three-year relationship.[46] When asked by Mumbai Mirror, she stated "I hold him in utmost regard, and I hope one day we could be good friends. He is a great guy."[12]
The following year, Kapoor co-starred with Akshay Kumar, Saif Ali Khan and Anil Kapoor in Vijay Krishna Acharya's action-thriller Tashan. Although a poll (conducted by Bollywood Hungama) named it the most anticipated release of the year,[49] the film was a commercial and critical failure.[50] She next provided her voice for the character of Laila, the love interest of a street dog named Romeo, in the Yash Raj Films and Walt Disney Pictures animated film Roadside Romeo. She then appeared in Rohit Shetty's comedy Golmaal Returns, the sequel to the 2006 film Golmaal: Fun Unlimited. Part of an ensemble cast which included Ajay Devgan, Arshad Warsi and Tusshar Kapoor, Kapoor played a mistrustful wife who believed her husband was unfaithful. The film had an ambivalent reception from critics, and Kapoor received mixed reviews. The Indian Express believed the screenplay was derivative, concluding: "There is nothing particularly new about a suspicious wife keeping tabs on her husband, and there is nothing particularly new in the way Kareena plays it."[51] Golmaal Returns was a financial success with global revenues of 792.5 million (US${{#invoke:Math|precision_format| 13,631,000/1E6 | 0}} million).[22]
In 2009, Kapoor was cast as Simrita Rai (opposite Akshay Kumar) in Sabbir Khan's battle-of-the-sexes comedy Kambakkht Ishq. Set in Los Angeles, it was the first Indian film to be shot at Universal Studios and featured cameo appearances by Hollywood actors.[52] The film was poorly received by critics but became an economic success, earning over 840 million (US${{#invoke:Math|precision_format| 14,448,000/1E6 | 0}} million) worldwide;[22] a review in The Times of India described Kapoor's performance as "a complete let-down" and "unconvincing".[53] She next played the leading lady in the dramatic thriller Kurbaan, alongside Saif Ali Khan and Vivek Oberoi. The film (which marked the directorial debut of Rensil D'Silva) featured Kapoor as Avantika Ahuja, a woman who is confined to house arrest after discovering that her husband is a terrorist. Describing the film as "an emotionally draining experience", Kapoor explained that it was difficult to disconnect from her character.[54] The film was critically praised, and Kapoor received her fourth Filmfare Best Actress nomination.[17] According to Subhash K Jha, "Kurbaan belongs to Kareena Kapoor. In her most consistently pitched performance to date she pulls out all stops to play a betrayed wife with splendid sensitivity. Kareena accommodates her radiant beauty into an utterly credible character and performance. At her best, Kareena is incomparable. She proves it in Kurbaan."[55]
Kapoor's final release of the year was Rajkumar Hirani's drama 3 Idiots, a film loosely based on the novel Five Point Someone by Chetan Bhagat.[56] Co-starring alongside Aamir Khan, R. Madhavan and Sharman Joshi, Kapoor played Pia (a medical student and Khan's love interest). The film received critical acclaim and emerged as the highest-grossing Bollywood film of all time, grossing 2,025.7 million (US${{#invoke:Math|precision_format| 34,842,040/1E6 | 0}} million) in India.[57] It also did well internationally, earning over 1.08 billion (US${{#invoke:Math|precision_format| 18,576,000/1E6 | 0}} million), the biggest Bollywood success ever in the overseas market.[58] The Deccan Herald opined that Kapoor "brings a dollop of sunshine and feminine grace to an otherwise masculine tale. She is so spunky and spontaneous you wish there was room for more of her."[59] During the 55th Filmfare Awards, Kapoor received another Best Actress nomination for her role.[17]
In 2010, Kapoor appeared in the romantic comedy Milenge Milenge, a production delayed since 2005.[60] The feature garnered negative reviews and poor box-office returns. Kapoor's role was small, and not well received.[60] She next took a supporting role as career-oriented Shreya Arora in We Are Family, adapted from the 1998 Hollywood film Stepmom. Reaction to the film was lukewarm, but Kapoor's performance drew positive reviews and ultimately won her the Filmfare Award for Best Supporting Actress.[61] Priyanka Roy of The Telegraph praised Kapoor for "breath[ing] life and a new-found maturity into what is largely a uni-dimensional character".[62] At the end of the year, she reunited with director Rohit Shetty for Golmaal 3, a sequel to Golmaal Returns. Like its predecessor, the film received mixed reviews though emerged as the most successful entry in the Golmaal series, earning more than 1 billion (US${{#invoke:Math|precision_format| 17,200,000/1E6 | 0}} million) domestically.[63] For her portrayal of the tomboy Daboo, Kapoor received Best Actress nominations at various award ceremonies including Filmfare.[61]
Kapoor had further success in 2011 as the love interest of Salman Khan's character in the romantic drama Bodyguard, a remake of the 2010 Malayalam film of the same name. The film was not well received by critics, though became a financial success, with a domestic total of 1,409.5 million (US${{#invoke:Math|precision_format| 24,243,400/1E6 | 0}} million)—India's highest-earning film of the year.[64] A review in Mint dismissed Kapoor's role as the "sacrificial, ornamental [and] submissive female";[65] Mid Day referred to her as "bright", arguing that she "actually manages to bring her caricature of a role alive".[66] She next appeared in Anubhav Sinha's science fiction film Ra.One with Shahrukh Khan. The film, employing special effects previously unused in Bollywood, became the most expensive Hindi film ever produced.[67] Despite garnering mixed reviews, Ra.One became one of the biggest earners of the year with a worldwide total of over 2 billion (US${{#invoke:Math|precision_format| 34,400,000/1E6 | 0}} million), and Kapoor's fourth major commercial success in three years.[68]
The following year, Kapoor played the role of a carefree young woman, Riana Braganza, in Shakun Batra's directorial debut Ek Main Aur Ekk Tu (2012) with Imran Khan. Produced by Dharma Productions, the romantic comedy is set in Las Vegas and tells the story of two strangers who get married one night after getting drunk. In an interview with The Times of India, Kapoor explained that she was drawn to her character's qualities: "Riana knows what she is doing. Even though she does not have a house or a job, she is a positive person [...] very similar to the way I am."[69] The film received positive reviews and was an economic success, grossing a total of 530 million (US${{#invoke:Math|precision_format| 9,116,000/1E6 | 1}} million) in India and abroad.[70] The Hollywood Reporter found her "endearingly natural";[71] Sukanya Verma of Rediff.com asserted that "after doing ornamental roles in films like Bodyguard and Ra.One, it is nice to see the spunky actress in her element again since Jab We Met. Though vivacious, her Riana isn't a child-woman like Geet but a free-spirited, unflappable adult armed with plucky impulses and scrumptious smile that helps Rahul come-of-age and Ek Main Aur Ekk Tu worth a helping."[72] Her next appearance was in Agent Vinod, an espionage thriller directed by Sriram Raghavan. Kapoor was enthusiastic about the project, but it met with a tepid response and she was described as miscast.[73] When asked why she had taken the role, Kapoor described it as an opportunity to attempt something she had never done before.[74]
For her next feature, Kapoor was cast as the protagonist of Madhur Bhandarkar's Heroine, a drama revolving around the Bollywood film industry. Originally the first choice for the role, Kapoor was hesitant to take on the project when Bhandarkar approached her with the film's initial concept.[75] With reservations about the criticism her character might evoke, she was replaced by Aishwarya Rai.[75] Days after production began, Rai left the film (due to her pregnancy) and Bhandarkar re-approached Kapoor with the film. When the director reinforced his faith in her, she agreed to do the film after receiving the completed script.[75] Kapoor (who described her character of Mahi Arora—a fading star—as "bipolar and schizophrenic") refrained from taking on any other projects, since she found Heroine "very aggressive and tiring".[76] Bollywood Hungama observed it as her best work to date noting that "[t]hough her character is inconsistent [...] Kareena furnishes the heroine's character with a rare vulnerability and an exceptional inner life."[77] She later received Best Actress nominations at the annual Apsara, Filmfare, Screen and Stardust Award ceremonies.[61]
Following the release of Heroine, Kapoor married actor Saif Ali Khan on 16 October 2012.[78] Described as India's "wedding and social event of the year" in Rupa Subramanya's blog at The Wall Street Journal,[79] the wedding consisted of a five-day celebration period beginning with a pre-wedding bash at Kapoor's residence followed by a registered marriage in the presence of family and close friends.[78] A reception was later held at the Taj Mahal Palace & Tower hotel in Mumbai and the Lutyens Bungalow Zone in Delhi.[78]
At the end of the year, she co-starred alongside Aamir Khan and Rani Mukerji as the "tantalisingly seductive prostitute"[80] Rosie, in Reema Kagti's crime mystery Talaash: The Answer Lies Within. Set against the backdrop of Mumbai's red-light districts, it follows the travails of its personnel and principal, Inspector Surjan Singh Shekhawat (Khan) who is assigned the duty of solving a mysterious car accident. The film generated predominantly positive reviews with Kapoor being praised in particular. The Telegraph described her performance as "naughty [and] nonchalan[t]," played with "an unseen mix of oomph and emotion that becomes the [film's] centrepiece".[81] Talaash eventually emerged as a financial success with global revenues of 1.74 billion (US${{#invoke:Math|precision_format| 29,928,000/1E6 | 0}} million).[82]
In February 2013, Kapoor commenced filming for two projects: Prakash Jha's political drama Satyagraha and Punit Malhotra's romantic comedy Gori Tere Pyaar Mein.[83]
Kapoor has participated in several stage shows and world tours since 2002. Her first concert tour (Heartthrobs: Live in Concert (2002) with Hrithik Roshan, Karisma Kapoor, Arjun Rampal and Aftab Shivdasani) was successful in the United States and Canada.[84] At the end of that year, she performed with several other Bollywood stars at Kings Park Stadium in Durban, South Africa in the show Now or Never.[85] Four years later, Kapoor took part with six other Bollywood celebrities in the Rockstars Concert world tour. The concert was staged in 19 cities across the United Kingdom, the United States and Canada, and was a success.[86] In 2008 Kapoor performed in Shahrukh Khan's Temptation Reloaded 2008, a series of concerts in a number of countries. The show (which also featured Arjun Rampal, Katrina Kaif, Ganesh Hegde, Javed Ali and Anusha Dandekar) debuted at the Ahoy Rotterdam venue in Rotterdam, the Netherlands.[87] Several months later she again joined Khan, Rampal and Kaif to perform for an audience of 15,000 at Dubai's Festival City Arena.[88]
During her years in the film industry, Kapoor has been involved with various philanthropic endeavours. In November 2003 she performed at a fundraiser for the World Youth Peace Summit.[89] In 2005, she and other Bollywood stars participated in a concert to raise money for victims of the 2004 Indian Ocean earthquake and tsunami.[90] Later that year, she visited the desert heartland of Rajasthan to boost morale of jawan (infantry) troops in a special Holi weekend episode of the NDTV show, Jai Jawan. The programme consists of entertainers who visit Indian troops in isolated regions (with an NDTV crew).[91] During her 2010 appearance on the NDTV Greenathon, Kapoor adopted the village of Chanderi in Madhya Pradesh to provide it with electricity.[92] Kapoor later participated in UNESCO and FIFA's international campaign, 1GOAL Education for All.[93] In March 2011 Kapoor was appointed ambassador for the Shakti Campaign, a project launched by the NDTV television network to combat violence against women in commemoration of the 100th anniversary of International Women's Day.[94]
In August 2007, Kapoor was appointed spokesperson for Globus in a five-year contract.[95] In association with the retail chain, she became the first Indian actress to launch her own line of clothing.[96] Her collection made its debut several months later in stores across India, and was well received.[97] Following the end of her contract with Globus, Kapoor expressed a desire to work with a design house to release her clothing line internationally,[98] but later explained that those plans were on hold.[99]
In 2009, Kapoor collaborated with nutritionist Rujuta Diwekar on Don't Lose Your Mind, Lose Your Weight, a book which focused on the principles of healthy eating habits.[100] Published by Random House Publications, the book was well received by critics, and sold 10,000 copies within its first twenty days.[100] A follow-up titled, Women and The Weight Loss Tamasha, was released in January 2011. It addressed the weight loss concerns and eating habits of women in various parts of their life, and featured Kapoor in a voice-over for the audiobook.[101] The following year, she released her autobiographical memoir: The Style Diary of a Bollywood Diva (2012). Co-authored alongside Rochelle Pinto, it became the first book to be launched under the Shobhaa De imprint of Penguin Books—a set of series that included celebrity memoirs, guides and biographies.[102] In a review published by Mint, Shefalee Vasudev criticised Kapoor's writing style as "too-breezy" but further stated that it is "a well-produced book, reproducing chirpy little post-it notes and diet charts, punctuated with Bebo's stunning pictures from her private albums to fashion magazine covers."[103]
Known for her nonchalant relationship with the media, Kapoor has gained a reputation for discussing her private life with no reservations.[50][104] As a child she regularly attended award ceremonies and events with her family, and would also accompany Karisma on-set during filming.[4] In an interview with Filmfare, she explained that growing up in a film family helped her develop a sense of professionalism and dedication towards her craft.[105] Kapoor's private life has been the subject of media attention in India, with frequent press coverage of her weight and relationship with actor Saif Ali Khan.[50] The couple—dubbed "Saifeena" by the entertainment media—has been one of the country's most-reported celebrity stories since 2007.[106]
While a segment of the press has described Kapoor as friendly and extremely close to her family,[4] others have criticized her for being arrogant and vain—an image she gained in the wake of her superficial character, Poo, in Kabhi Khushi Kabhie Gham... (2001).[26] She subsequently featured in films portraying similar characters, and this further established her off- and on-screen personae.[5] Before the release of Chameli (2004) (in which she played a sex worker), Kapoor stated that "there is a certain image that people identify you with [and] [i]t always follows you whichever role you play. I am trying to transgress this image and become more screen-friendly than image-friendly."[108] Chameli helped Kapoor reinvent her on-screen persona,[26] and she later explained that her honesty and openness was often perceived by the media as arrogance.[109]
Kapoor is also known for her assertive and moody nature,[109][110] and her outspoken views and independence have been singled out for making major contributions to her career; they "add to her superstar aura".[111] In an early interview, she confessed to being an "introvert, yet [...] extremely candid and blunt", reasoning: "Total faith and complete belief in myself is my attitude towards life, films and virtually everything else. I am all about doing what I feel is right. It is not easy to pin me down as I can be a bundle of contradictions."[109] Journalist Subhash K Jha explained that while this approach has sometimes been at the cost of professional opportunities, it "makes her such a favourite among the generation that believes in self regard being the highest form of creativity [...] She lives for the moment and crams all her intensity into it, not sparing a single thought for what is gone and what is waiting around the corner."[112] Meanwhile, Anu Ahuja suggested that Kapoor's demeanour is an act; she is "cold and unapproachable so that no one will act funny with her".{{#invoke:Footnotes|sfn}}
Today, Kapoor is considered as one of the most popular Bollywood celebrities in India.[113] Her look and performances have established her as a style icon for young women.[10][114] In a 2009 poll conducted by the newspaper Daily News and Analysis Kapoor was voted one of India's most popular icons;[115] with her partner Saif Ali Khan, she was listed amongst the top celebrity endorsers for brands and products worldwide.[116] She became the only Indian actress to be featured on CNNGo's list of "Who Mattered Most in India",[2] and was later selected by Verve for its list of the country's most powerful women from 2008 to 2010.[117][118][119] In June 2010 Kapoor was described as "India's Most Beautiful Woman" by People;[2] Eastern Eye and Maxim named her as "Asia's Sexiest Woman" and "India's Hottest Woman" in 2011 and 2012 respectively.[120] The following year, she ranked seventh on Forbes' list of India's biggest entertainers[121] and was later selected by India Today for its list of the country's most influential women.[122]
According to media reports, Kapoor relies on her instincts and spontaneity as an actor.[110] She is known to commit heavily to each role, and refrains from rehearsing for a project.[110][123] Commenting on this, director Rajkumar Hirani said "I usually have a habit of conducting rehearsals for my actors, but she insisted on not having them as it would affect her spontaneity. She really surprised me with a couple of emotional scenes which we canned in just one take."[110] Karan Johar described Kapoor as a "natural", explaining that "she has no craft, grammar or process attached to her acting [...] It is a great sense of cinema that can keep her going."[110] According to Rensil D'Silva (who directed her in Kurbaan), "Kareena [..] is instinctive and has emotional intelligence. She absorbs the situation and performs accordingly. Discussing the scene, in fact, harms her."[124]
While discussing her career highlights in a 2010 article, Rediff.com noted: "[E]ven though a lot of her starring roles have been forgettable, [a] look at her filmography now, however, would show a more thoughtful selection of roles [...] playing to her strengths."[104] Her portrayal of a series of superficial characters at the start of her career were criticized; film historian Gyan Prakash explained that these roles "tended to infantilise her, packaging her as daddy's little girl, all bubble and no fizz".[27] Critics noted Chameli (2004) as her coming of age, claiming that "a new actor in her was discovered".[26] Following her portrayal of a variety of character types in Chameli, Dev (2004), Omkara (2006) and Jab We Met (2007), Kapoor was noted for her versatility.[1][50] In 2010, Filmfare Magazine included two of her performances—from Omkara and Jab We Met—in its list of "80 Iconic Performances". India Today labelled her "the most versatile female lead in the industry", noting that she "play[s] her roles with trademark spunk".[125]
Manjula Sen of The Telegraph wrote that although she has "the worst success ratio among her contemporaries", it does not affect her marketability.[50] Sen further explained that Kapoor's strength lies in her being versatile; she is "effortlessly honest in her performances. It is a candour that spills over in her personal conduct."[50] Writing for CNN-IBN, Rituparna Chatterjee spoke of her transformation to date: "[A]fter 40 films and 10 years of fighting off competition from some of the most versatile actors of her generation, Kareena has matured into a bankable actor reinventing herself with surprising ease."[126] In 2004, Kapoor placed third on Rediff's list of "Top Bollywood Female Stars".[127] She was later ranked seventh and fifth in 2005 and 2006, respectively, and returned to third place in 2007.[128][129][130] In January 2011, Kapoor placed fourth on Rediff's list of "Top 10 Actresses of 2000–2010".[131]
Year | Film | Role | Notes |
---|---|---|---|
2000 | Refugee | Nazneen "Naaz" Ahmed | Filmfare Award for Best Female Debut |
2001 | Mujhe Kucch Kehna Hai | Pooja Saxena | |
2001 | Yaadein | Isha Singh Puri | |
2001 | Ajnabee | Priya Malhotra | |
2001 | Asoka | Kaurwaki | Nominated—Filmfare Award for Best Actress |
2001 | Kabhi Khushi Kabhie Gham... | Pooja "Poo" Sharma | Nominated—Filmfare Award for Best Supporting Actress |
2002 | Mujhse Dosti Karoge! | Tina Kapoor | |
2002 | Jeena Sirf Merre Liye | Pooja / Pinky | |
2003 | Talaash: The Hunt Begins... | Tina | |
2003 | Khushi | Khushi Singh (Lali) | |
2003 | Main Prem Ki Diwani Hoon | Sanjana | |
2003 | LOC Kargil | Simran | |
2004 | Chameli | Chameli | Filmfare Award for Special Performance |
2004 | Yuva | Mira | |
2004 | Dev | Aaliya | Filmfare Critics Award for Best Actress |
2004 | Fida | Neha Mehra | |
2004 | Aitraaz | Priya Saxena / Malhotra | |
2004 | Hulchul | Anjali | |
2005 | Bewafaa | Anjali Sahai | |
2005 | Kyon Ki | Dr. Tanvi Khurana | |
2005 | Dosti: Friends Forever | Anjali | |
2006 | 36 China Town | Priya | |
2006 | Chup Chup Ke | Shruti | |
2006 | Omkara | Dolly Mishra | Filmfare Critics Award for Best Actress Nominated—Filmfare Award for Best Actress |
2006 | Don | Kamini | Cameo |
2007 | Kya Love Story Hai | Herself | Special appearance in song "It's Rocking" |
2007 | Jab We Met | Geet Dhillon | Filmfare Award for Best Actress |
2008 | Halla Bol | Herself | Special appearance |
2008 | Tashan | Pooja Singh | |
2008 | Roadside Romeo | Laila | Voice |
2008 | Golmaal Returns | Ekta | |
2009 | Luck by Chance | Herself | Special appearance |
2009 | Billu | Herself | Special appearance in song "Marjaani" |
2009 | Kambakkht Ishq | Simrita Rai | |
2009 | Main Aurr Mrs Khanna | Raina Khanna | |
2009 | Kurbaan | Avantika Ahuja / Khan | Nominated—Filmfare Award for Best Actress |
2009 | 3 Idiots | Pia Sahastrabudhhe | Nominated—Filmfare Award for Best Actress |
2010 | Milenge Milenge | Priya Malhotra | |
2010 | We Are Family | Shreya Arora | Filmfare Award for Best Supporting Actress |
2010 | Golmaal 3 | Daboo | Nominated—Filmfare Award for Best Actress |
2011 | Bodyguard | Divya | |
2011 | Ra.One | Sonia Subramaniam | |
2012 | Ek Main Aur Ekk Tu | Riana Braganza | |
2012 | Agent Vinod | Iram Parveen Bilal / Dr. Ruby Mendes |
|
2012 | Rowdy Rathore | Special appearance in song "Chinta Ta" | |
2012 | Heroine | Mahi Arora | Nominated—Filmfare Award for Best Actress |
2012 | Talaash: The Answer Lies Within | Rosie / Simran | |
2012 | Dabangg 2 | Special appearance in song "Fevicol Se" | |
2013 | Bombay Talkies | Herself | Special appearance in song "Apna Bombay Talkies" |
2013 | Satyagraha | Yasmin | Post-production |
2013 | Gori Tere Pyaar Mein | Filming |
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Wikimedia Commons has media related to: Kareena Kapoor |
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Persondata | |
---|---|
Name | Kapoor, Kareena |
Alternative names | Bebo |
Short description | Film actress |
Date of birth | 21 September 1980 |
Place of birth | Mumbai, Maharashtra, India |
Date of death | |
Place of death |
Shahrukh Khan (pronounced [‘ʃaːɦrəx ˈxaːn]; born 2 November 1965), often credited as Shah Rukh Khan and informally referred to as SRK, is an Indian film actor. Known as "The King of Bollywood", Khan has acted in over 70 Hindi films. He has won fourteen Filmfare Awards from thirty nominations for his work in Indian films and shares the record for the highest number of Best Actor awards with Dilip Kumar, eight wins. In 2005, the Government of India honoured him with the Padma Shri for his contributions towards Indian cinema.
After graduating with a Bachelor's degree in economics, he started his career appearing in theatre and several television serials in the late 1980s and later made his Hindi film debut in 1992 with Deewana. Early in his career he was recognised for his unconventional choice of negative roles in films such as Darr (1993), Baazigar (1993) and Anjaam (1994). Since then he has played leading roles in a wide variety of film genres, including romantic films, comedies, thrillers, action films, sport films, and historical dramas among others.
Jaswinder Singh Bains, more popularly known as Jazzy B, is a Punjabi language bhangra singer-songwriter. He was born on April 1, 1975 in Durgapur, Nawanshahrin tehsil of Jalandhar , Punjab, India. When he was 5 years old, his family moved to Vancouver, Canada. He now resides in Birmingham, England. He has released 12 studio albums, including two religious ones. He has collaborated on many tracks and two soundtracks.
In 2012 he will make his debut as an actor in the Punjabi Film titled Best of Luck with Punjabi Singer and Actor Gippy Grewal and Miss India Universe 2008 Simran Mundi.
Let me take you to this place
it's not so very far away
to meet the only peace of mind
Just follow me and take my hand
write a memo in the sand
sign you name and...
Come into my world
I'll be your beautiful girl
To sparkle like the water in the sky
Come into my world
I'll be your beautiful girl
This beautiful girl who's shining inside
The wind that whispers in you ear
Makes you laugh at the things you hear
You say you're happy as can be
Let's take a walk down to the shore
to find the memories from before
so sign you name and......
Come into my world
I'll be your beautiful girl
To sparkle like the diamond in the sky
Come into my world
I'll be your beautiful girl
This beautiful girl
who's shining from inside
Come into my world
I'll be your beautiful girl
To sparkle like the water in the sky
Come into my world
I'll be your beautiful girl
This beautiful girl
who's shining from inside
This beautiful girl
I was alone thinking I was just fine
I wasn't looking for anyone to be mine
I thought love was just a fabrication
a train that wouldn't stop at my station
Home alone, that was my consignment
solitary confinement
so when we met I was scirtling around you
I didn't know I was looking for love
until I found you
I didn't know I was looking for love
until I found you
I didn't know I was looking for love
until I found you
I didn't know I was looking for love
I didn't know I was looking for love
Cause there you stood, and I would
Oh, I wonder, could I say how I felt
and not be misunderstood
A thousand stars came into my system
I never knew how much I missed them
Slap on the map of my heart you landed
I was coy but you made me canded
and now the planets circle around you
I didn't know I was looking for love
until I found you
I didn't know I was looking for love
until I found you
I didn't know I was looking for love
until I found you
I didn't know I was looking for love
I didn't know I was looking for love
So we built from here with love
the foundation
in a world of tears
one consulation
and now your here
there's a full brass band
playing in me like wonderland
And if you left I'd be 2 foot small
and every tear would be a waterfall
soundless, boundless I surround you
I didn't know I was looking for love
Sometimes,
I find another world inside my mind
When I realize the crazy things we do
It makes me feel ashamed to be alive
It makes me want to run away and hide
Its all about the money,
its all about the dum dum duh dee dum dum
I dont think its funny
To see us fade away
Its all about the money,
its all about the dum dum duh dee dum dum
and I think we got it all wrong anyway
We find stranges ways,
of showing them how much we really care
When in fact we dont seem to care at all
This pretty world is gettin out of hand
So tell me how we failed to understand
Its all about the money,
its all about the dum dum duh dee dum dum
I dont think its funny
to see us fade away
Its all about the money,
its all about the dum dum duh dee dum dum
and I think we got it all wrong anyway
Its all about the money,
its all about the dum dum duh dee dum dum
I dont think its funny
To see us fade away
Its all about the money,
its all about the dum dum duh dee dum dum
and I think we got it all wrong anyway
The first time
she burned him with her eyes
He was drinking coffee
at the cafe she was working at
She didn't see him
she didn't look his way
He was making poses, but I guess
she didn't notice that
Oh Daniellas Eyes
oh, they drive him wild
Oh Daniellas Eyes
He was lost in Daniellas eyes
I can tell you no lies
It is true
and her eyes were beautiful
and green
the most beautiful eyes ever seen
Then last night
he passed outside her house
He could see the shadow
of somebody walking in the room
He closed his eyes
and wished himself inside
to the girl he loved so much
me....
all I wanted in my life was 2 be seen
it was all or nothing
nothing inbetween
I had to proove myself
stronger than my needs
In time
when I was giving up the fight 2 carry on
when all the happiness inside of me was gone
It didn˜ matter what I did cuz all was wrong.
There- a part of me
who just can˜ see
why you believe in a scum like me
I care no more
why can˜ u see
IŽ thinking of being loved
I feel
that I›e been holding on 2 long to history
my mistakes have been the same repetitively
it- a feeling of mistake and misery
A voice
always questioning everything I do
It- always there 2 make me feel a kinda?blue
makes me feel that I am nothing but a fool
Chorus
Instead
of being proud of all the good
things that I›e gone
I take a step aside, I hit and run
cuz I feel that I have fooled you all along
cuz when you look under the surface
you will see
that what you think is big and strong
is only me
IŽ a grown up now
whatever it means
the older I get the more it seems
I›e given up to be afraid
It was a matter of time
just a Milky Way
Not a crisis more like a transformation
another stop on a higher station
and what- the most important part
IŽ standin' up for what I like
Awakening
from within a dream
shifting moments
endless stream
receiving and giving
golden beam
IŽ awake in the truth
I am a dream
IŽ a woman now
and by all means
the stronger I get the less I seem
to be a judge , to fool myself
to live in the now it- all it means
Stick
Like popcorn
every cell is awake
'what used to be real
was just a fake
Chorus
In this town there's so many stations
tune is the one
that feels right for you
When you feel a little lonely, yeah
when you're feeling sad
I'm here to prove
that ain't that bad
Because
I am your radio
I sing you a song
Radio, radio
I song you a song
If you're willing to turn on me
Zapping and searching
creating vibrations
until you find your own
freaked out frequency
When you feel a little lonely, yeah
when you're feeling sad
I'm here to prove
that ain't that bad
Because
Repeat
Radio, radio
You're my radio
Repeat
Repeat
Looking back at history
youâ-e not different than the rest
If you think your life- a misery
you better stand the test
You think youâ-e in control
of all the good things you possess
but youâ-e technical and cold
and you look just like a mess
You see the picture
youâ-e having fun
but the adventure just has begun
Nothing is new under the sun
Nothing is new
under the sun
Nothing is new
under the sun
under the sun
The pattern is repeated
in the common things we find
inventions have been made
but weâ-e so limited in our minds
We think we have expaned
but DNA has got the plan
We find the right solution
the day we understand
You see the picture
well, I turned it on
and the adventure just has begun
Nothing is new under the sun
Chorus
Come with me to a land never seen
a place in your dream
The world of Makebelieve
come with me to a time never been
a feeling within
The world of Makebelieve
There is one place right here
there is one place for every mind
There are so many, so many ways
to get there
just open up your mind
and I will take you there
There comes a time, you?l discover
there comes a time when you learn to find
we got so many, so many ways
to get there
take a giant step
into the land of makebelieve
I will show you a place in your mind
it- easy to find
A world of Makebelieve
I will show you a sight for the blind
a world other kind
a World of Makebelieve
just open up your mind into the land of Makebelieve
Chorus
It can be anywhere
you just know that youâ-e there
when youâ-e in the land of Makebelieve
Who can say what is real?
Just believe what you feel
and you find your world of makebelieve
A Land of Makebelieve
Light years of hurting
and lifetimes of pain
feelings that haunt you with sorrow
You pushed the limits
by breaking away
we are deciples to follow
You were the light of my life
IŽ left to wonder out that night
when you decided to stop the fight
All I know
Your spirit keeps living within me
wherever I go
Your spirit keeps moving within me
Breaking every law that I know
Your spirit keeps running within me
Your spirit is...........
Higher dimensions
and stars in-between
it- easy to hear, you calling
Illusions of life
tell me how could it be
I feel so alive when IŽ falling
I see you
when I close my eyes
walking thru space and time
Climbing the stairs
just to touch the sky
Stick
Your spirit is:...........
the wine that IŽ drinking
the tears that I cry(deep in the ocean)
and all I believe in
in these dreams of mine
Chorus
your spirit is..
Woman in the mirror she- looking at her face
She- looking at reflections in so many ways
and nothing really matters cuz nothing is for real in a fairytale
Might have been a wizard that took her down the road that
lead her to the miracle of sounds in stereo so
now she- got directions so now she knows exactly witch way to go
'She is running hiding
searching ,finding
living, lying
and denying
Hoping , praying
loving, hating
healing, faking
then awaken
Climbing up the ladder cuz water- getting high
rivers overflowing and she is satisfied
no need to overdo it
it- better to escape that to be denied
no need to overdo it
it- better to escape than to be denied
Chorus
Water falling, out to sea
can˜ help laughing at my own misery
The table- turning
something new
I better see a spark of light
shining thru
IŽ breaking
falling
IŽ tired of this part I play
I better stop this now
Chorus
IŽ ready
(right about now)
IŽ ready
(screaming out loud)
IŽ ready
I really gotta go, really gotta go
IŽ ready
(Tell me are you with me?)
IŽ ready
(really really with me?)
IŽ ready
If you wanna go
If you wanna go?
Old reflections come from you
scenes of history
really nothing new
but it- time to face it
to say goodbye
no one likes to
but there- a reason why
IŽ breaking
falling
I wanna love and feel
and live the here and now
Chorus
Ricky Martin feat.
Meja - Lyrics
(E. Bazilian - R. Hyman)
Every endless night has a dawning day
Every darkest sky has a shining ray
And it shines on you baby can't you see
You're the only one who can shine for me
It's a private emotion that fills you tonight
And a silence falls between us
As the shadows steal the light
And wherever you may find it
Wherever it may lead
Let your private emotion come to me
Come to me
When your soul is tired
and your heart is weak
Do you think of love
as a one way street
Well it runs both ways,
open up your eyes
Can't you see me here,
how can you deny
It's a private emotion that fills you tonight...
Every endless night has a dawning day
Every darkest sky has a shining ray
It takes a lot to laugh as your tears go by
But you can find me here
till your tears run dry
It's a private emotion that fills you tonigt
No need to over do it
we might as well go thru it
Cuz I hear that youâ-e down
and I know what- on your mind
You think you got the answers
but you don˜ even know the questions
when you say that youâ-e right
could it be that youâ-e out of line
Words unspoken
by you and me
when the bond is broken
It all comes down to
Say what you mean, mean what you say
Don˜ put it off for another day
If you love what you do
doing what you love
then the quality time IŽ thinking of
won˜ get lost on the way
On a present delay
Youâ-e walking thru the fire
pushing it higher
when you can˜ see the woods for the trees
then you›e gone too far
You better take it easy
your words don˜ have to please me
and IŽ not afraid if you show
who you really are
Chorus
So now you live another lie
Oh, you didn˜ even try
Tell me why???
Tell me why???
Chorus
out
Once on a bitter morning I woke to reality
You were telling me the thruth of what you felt
I didn't wanna see but the devil would laugh at me
I didn't wanna face my big mistake
Our love had run out of time
And words were out of season
You would say I was blind, I'd say I've got my reasons
Sadly but it's true, that I can't talk to you
I'm here saying nothing, here saying nothing,
I'm here saying nothing
Since when I don't know
I'm here saying nothing, here saying nothing,
I'm here saying nothing
Got nothing to show
When it doesn't really matter what I do
I will turn the other way
Take a look deep inside you will find it was not that bad
Even though I know the odds were not so high
I know you well I see dark eyed pain inside
You must have gone through minor hell
But today I don't give attention to what you were saying
Living in a lie, it's another field you're playing
Funny but it's true, that I have for you
My best friend is myself
I don't need nobody else
to be there for me
care for me, and for my
best time is to be all alone
and just sit
thinking I'm in love with me
You might see a girl unhappy
but I could be a shining star
Feeling free in all my loneliness
You can always be my friend
but you can never be the one
My best friend is myself
I don't need nobody else
to be there for me
care for me, and for my
best time is to be all alone
and just sit
thinking I'm in love with me
Heaven knows that life is magic
Heaven knows I'm not alone
I can see how you relate to me
You say you wanna be my friend
so maybe you can be the one
My best friend is myself
I don't need nobody else
to be there for me
care for me, and for my
best time is to be all alone
and just sit
thinking I'm in love with me
So they say that I'm not laughing
well I do, I smile within
You're the only one to see through me
So if you wanna be my friend
Right, out of my life
out of this house
out of our home
and I'm all alone-now I'm all alone
Gone, gone like the wind
nothing can change me
deep within
what I feel is true, I'm a fool for you
How long
will it take for you to see
that in my reality
It ain't over
Why, oh why
ain't it worth another try
and if it hurts to say goodbye
It ain't over, oh no. It ain't over
I call out your name
I hear your voice
but nothing's the same
cause I'm all alone-yes I'm all alone
I tried to believe it
I tried to conseal it
but it just won't do, I'm a fool for you
How long
will it take for you to see
that in my reality
It ain't over
Why, oh why
ain't it worth another try
and if it hurts to say goodbye
It ain't over, oh no. It ain't over
How long
will it take for you to see
that in my reality
It ain't over
Why, oh why
ain't it worth another try
and if it hurts to say goodbye
I miss your love since you been gone
I find it hard to go on
The summer sky don't mean a thing
I thought I'd always be strong
There's a feeling inside
And it's making my heart cry 'cause
I'm missing you
And it's making me blue, yeah
I'm missing you but what can I do?
Thousand miles away from you
So here I am, and every thing's new
I should be happy in love
But all I know, I look deep in my eyes
I've never felt so alone
And this feeling inside
It's making my heart cry 'cause
I'm missing you
And it's making me blue, yeah
I'm missing you but what can I do?
Thousand miles away from you
So what's the meaning of this
To be living like this, it ain't no fun at all
I wonder where are you now
(I wonder where are you now)
I miss your love since you been gone
I find it hard to go on
And this feeling inside
Livin'all alone in a big apartment
I got cash, I'm independent
but who am I?
And where's the magic?
I've asked all the questions
but I never find the answer
not until I'm free, I can't stand it
I wanna make love to you
I'm tired of being told
(of) what to think or say or do
I wanna make love to you
I'm tired of it all
I just want someone to hold
Lovin' is a game in the year 2000
we've been told by the 90's trailers
You visit me, I visit you
in the future
We don't live together
all I gotta do is to read the paper
The monopoly of views, I can't stand it
I wanna make love to you
I'm tired of being told
(of) what to think or say or do
I wanna make love to you
I'm tired of it all
Here I walk down the avenue
looking at the pretty view
maybe there's a reason
I got my eyes on you
There you go like a moviestar
How I wonder who you are
Listen, babe, do you believe when I say?
You the kind of man walking out of my dreams
straight into my life(I wanna sing halleluja)
Ain't nothing in the whole wide world
I wouldn't do for you,
I wanna say yes to ya
So crazy am I, crazy 'bout you
How crazy are you?
So crazy am I, crazy 'bout you
how crazy are you, are you
Crazy 'bout me?
Been a while since I felt this strong
This time it just can't be wrong
Baby, you're the reason
I been waiting for so long
I reach out for you hands
Hey babe, there's no second chance
Trust me darling
Do you believe when I say?
I climb the rocky mountains
I swim the deepest sea(I wanna sing halleluja)
I said there's nothing that I wouldn't do for you
As princess of today I read too many fairytales
of how I thought life would be
And now the years have gone
I realized too many things
that you call reality
I am so glad I am home by the early morning breeze
I am so glad that I have all my darling friends
I wouldn˜ be what I am today
I wouldn˜ be here now
If you weren˜ there, If you weren˜ there
If you weren˜ there to stand by my side
I wouldn˜ be what I am today
I wouldn˜ be here now,
If you weren˜ there If you weren˜ there,
If you weren˜ there to stand by my side
As long as IŽ alive
I owe you with my gratitude
cause you taught me how to see
the value of my life
There- no one else I'd rather be
from this moment I?l be free
Bridge
I am so glad I am home by the rainbow and the sea
I am so glad that I have all my darling friends
Chorus
I don˜ need therapy
I don˜ need Disney (to be happy)
I don˜ need you to tell me
I don˜ need TV (to be happy)
I don˜ need to get laid
I don˜ need an upgrade(to be happy)
I don˜ need looks that won˜ fade
I don˜ need to get paid(to be happy)
Chorus
Hippies in the 60's
wore flowers in their hair
I can still feel the
love vibrations in the air
Hippies in the 60's
knew money isn˜ God
I wish I was there
I don˜ need celebrity
I don˜ need ecstasy (to be happy)
I don˜ need plastic surgery
I just wanna to be free(to be happy)
Sit on a granite boulder
let the sunshine warm your skin
Turn on,turn on, drop out, drop out
tune in
Chorus
I know you wish life would hurry up
and make all your dreams come true
Bring you fame, fortune and love
someone you can really talk to
But honey, the important things
you just can't force
Life has to follow
a natural course, so
Don't push the river
gotta go with the flow
Don't drive the wind
cause it's surely enough gonna blow
Don't push the river
gotta learn how to swim
you can have whatever you want
out of life
all you gotta do is
Jump in !
You may not know,
where the river goes
or where it all will end
Just when you think
that you are all alone
out of the blue come a new friend
so honey, don't you worry about
the way life is
whatever you need next
the river gives
IŽ living in a dream
a fairytale
I wonder what is real
and what is fake?
and what is true for me
is not for you
what- reality
what does it mean to you?
Go take a look around
in your everyday
to find that a miracle
is just a step away
Babysteps along the way
one little babystep every day
Babysteps along the way
one little babystep is OK
IŽ not too little IŽ not too much
simply human
with a female touch
I take babysteps along the way
I don˜ wanna pretend
that it- all under control
the more I try to learn
the less I know
I capture in my hand
an ancient soul
but I don˜ understand
the ultimate goal
I take a look around in my everyday
to find that a miracle
is just a step away
Chorus
I take
babysteps
Life couldn't be much better
It makes me wonder
Could it be the weather
It's so clear and blue
and the sun is shining
through my window
lighting up my bedroom
this early friday afternoon
April love
You're doing these things to me
April Love
You warm up my soul
April Love
so welcome to be with me
April Love
you're so welcome home
My April Love
Say do you see the flowers
now they wake up
I can hear the birds sing
our springtime song
Mother nature's washing
off her make up
with the water pouring
from the newborn stream
Do you see the flowers?
Makes me wonder
Could it be much better
Our springtime song
lighting up my bedroom
I get so weary sometimes
Of all the pain and the sorrow
There's too much on my mind
Where will the world be tomorrow
I can't sleep when I feel this tired
Funny how frustration breeds desire
Lay me down like a river tonight
Rush into me, rush into the sea
Lay me down in the naked moonlight
Quiet the currents that run inside of me
Lay med down, lay me down...
I held back for so long
Longer than anyone thought I could
In you I finally found
Somebody weird, somebody good
I didn't dare dream love could exist
I was scared to taste that deep a kiss
Lay me down like a river tonight
Rush into me, rush into the sea
Lay me down in the naked moonlight
Quiet the currents that run inside of me
Lay me down, lay me down...
I can't sleep when I feel this tired
Funny how frustration breeds desire
Lay me down like a river tonight
Rush into me, rush into the sea
Lay me down in the naked moonlight
Quiet the currents that run inside of me
Lay me down, lay me down...
Sometimes I find another world
inside my mind
when I realise
the crazy things we do
It makes me feel ashamed to be alive
It makes me wanna run away and hide
It's all 'bout the money
It's all 'bout the dum dum.......
And I don't think It's funny
to see us fade away
It's all 'bout the money
It's all 'bout the dum dum...
and I think we got it all wrong anyway
We find strange ways of showing
them how much we really care
when in fact
we just don't seem to care at all
This pretty world
is getting out of hand
So tell me how we fail to understand?
It's all 'bout the money
It's all 'bout the dum dum.......
And I don?t think It?s funny
to see us fade away
It's all 'bout the money
It's all 'bout the dum dum...
and I think we got it all wrong anyway
Anyway
Cause it's all 'bout the money
It's all 'bout the money
It's all 'bout the dum dum...
And I don't think it's funny
to see us fade away
It's all 'bout the money
It's all 'bout the dum dum...
and I think we got it all wrong
Anyway
It's all 'bout the money
It's all 'bout the dum dum...
And I don't think it's funny
to see us fade away
It's all 'bout the money
It's all 'bout the dum dum...
and I think we got it all wrong anyway
The footlights are fading
the last note is playing
And all the balloons are falling down
here on the inside
Where I go to hide
I'm not only who they see
Cause that is just another part of me
I wanna go home
Starting all over
it's been a long hard trip
and my soul is cold
I wanna go home
with the sun on my shoulder
I'm going home
on the Seven Sisters Road
One day I'm a dreamer
a sweet-dream believer
Then I'm as grounded as a tree
One minute I'm wisdom
so full of decision
The next I'm a river running free
Depends on who I wanna be
I wanna go home
Starting all over
It's been a long hard trip
and my soul is cold
I wanna go home
with the sun on my shoulder
I'm going home
on the Seven Sisters Road
On 7 different places
I am 7 different faces
Say can you find the heart of me?
I wanna go home
Starting all over
It's been a long hard trip
and my soul is cold
I wanna go home
with the sun on my shoulder
I'm going home
on the Seven Sisters Road
I'm going home
on the Seven Sisters Road
I'm going home
Can somebody tell me
how clouds can make you
forget a blue sky
Thought I'd hide in the rain
but you saw me cry
I used to be lonely
and love was something
just others had found
I thought no one could know me
'til you came around
The sun has so much power
splits right through the rain
I feel just like a flower
Totally insane, what do you say??
Do you believe
We can reach right on up to the rainbow?
Do you believe
in the colours you see when I smile?
Before I met you
so much in my life here was painful
But now I can see that my rainbow
will stay for a while
Baby, life is so precious
and time spins by so terribly fast
We gotta live each day
like it could be the last
The sun has so much power
splits right through the rain
I feel just like a flower
Totally insane, what do you say?
Do you believe
We can reach right on up to the rainbow?
Do you believe
in the colours you see when I smile?
Before I met you
so much in my life here was painful
But now I can see that my rainbow
will stay for a while
Put your arms around me, don't let go
You're itching from the fever
you get from your receiver
Forever gonna be there,
always tuning in the news
on your radio hoping for
a brainstorm bullet
Write a letter to a talk show,
hosted by a one eyed ghost
Don't deny imagination,
in a hopeless situation
Hide in your own pocket
Ride your silver rocket
Sing a simple song
Nothing can go wrong
Pop & Television turns you on
electric meditation strong enough
to be my little doll
Pop & Television sings your song
and never tells you
you are wrong,
and that's what really turns you on
Acting really brave,
cuz you know you got it made
another pop slave always
looking for a dream on your life screen,
a little something in between
You're throwing out yourself on the net,
rocking with a three legged mermaid
Sadness can be education,
madness perfect explanation
Hide in your own pocket
Ride your silver rocket
Sing a simple song
Nothing can go wrong
Pop & Television turns you on
electric meditation strong enough
to be my little doll
Pop & Television sings your song
and never tells you
you are wrong,
and that's what really turns you on
Buy your pleasure friend
Play it 'til the end
Then you start again
without the lonely desperation
a brand new guaranteed relation
You'll be a famous star
a perfect what you are
Funny situation
Enjoy your reputation, now
Pop & Television turns you on
electric meditation strong enough
to be my little doll
Pop &Television; sings your song
and never tells you
you are wrong,
It's invisible
things that we know
treasures we hide we can find
something to show us a sign
It's so vulnerable
the words that we say
doesn't come out as we planned
sometimes they're just in the way
Common things we take for granted
in our life
Silly games we play that blindfolds
our eyes
You should know that your a part of me
and it's plain to see
It's invisible
all I can say,
It's what you plan in you mind
secrets that you wanna find
So admirable
the courage you hold
giving me time to be strong
tells me that nothing is wrong
Common things we take for granted
in our life
Silly games we play that blindfolds
our eyes
You should know that your a part of me
and it's plain to see
Invisible (You take so many things for granted)
Unbelieveble(Yes, I know, I know)
So vulnerable(You know I don't wanna hurt you)
Cause I know
Common things we take for granted
in our life
Silly games we play that blindfolds
our eyes
You should know that your a part of me
Last night before you fell asleep
You whispered something to me
Was it just a dream?
I'm gonna listen to you close
Cause your butterfly kiss
Felt like a ghost
What are you trying to say to me?
What are you trying to say?
Everybody searching for intimacy
Everybody hurting for intimacy
We come into this world alone
From the higher darkness
The infinite unknown
We're only here a little while
And I feel safe and warm
When I see you smile
Baby don't move away from me
Baby don't pull away
Everybody searching for intimacy
Everybody hurting for intimacy
Remember when you were a child
and your mama
would hold you in her arms
and rock you to sleep
Now darling there's just you and I
Let's give each other everything
Baby, baby
Everybody searching for intimacy
Everybody hurting for intimacy
Baby come and lay down next to me...
Welcome to the fanclub of love
You, staring at the sky
wish upon a star
now I see what you are
I can see it on you face
It something 'bout a feeling inside
if you're lost in the fire
you've come to the right place
Welcome to the fanclub of love
Welcome to the fanclub of love
Like a force from above
You're the star of the show
Say, Welcome to the fanclub of love
Come, live a fantasy
and even if you're blind
you're old enough to see
Here is nothing too extreme
so you don't have to hide anymore
just open the door
and take care of your dream
Welcome to the fanclub of love
Welcome to the fanclub of love
Like a force from above
You're the star of the show
Say, Welcome to the fanclub of love
You've been waiting patiently
and finally here you are
You are knocking on the door
I see you reaching out for everything
you can grab with your hands
Now there's no need to worry
'bout the rest of your plans
Welcome to the fanclub of love
Welcome to the fanclub of love
Like a force from above
You're the star of the show
I woke up this morning with a
feeling of just feeling so fine
Could it be Mr Amour calling?
But I don't appreciate
You're too many nights
too many nights late
I wanna be the one and only
the only one who makes you come
to the garden of Eden
where we belong
But I don't appreciate
You're too many nights
too many nights late
Don't put me on standby
Sentimental loneliness
suffocating happiness
sets me on standby
I shouldn't be a part of this
I shouldn't be a part of this
What's the big deal of living lonely
Help me find the meaning of this
Better find an explanation
But I don't appreciate
You're too many nights
too many nights late
Do I hear a key in my door
Do I sense the feeling of you
Do I hear you say you're sorry?
But I don't appreciate
You're too many nights
too many nights late
So don't put me on standby
Sentimental loneliness
suffocating happiness
sets me on standby
I shouldn't be a part of this
I shouldn't be a part of this
I woke up this morning with a
feeling of just feeling so fine
I don't need an explanation
But I don't appreciate
You're too many nights late
too many nights late
But I guess it's OK
even though you're
too many nights
too many nights late
It's OK
you're too many nights
Who's giving you luxury
It's funny how circumstances
takes control
taking you places with your
mind and soul
Like springtime makes me feel better
taking me higher
Feeding my fantasy
(And it feels so good)
Yeah, it feels so good
Giving you luxury
It comes naturally
so babe don't thank me
I thank you
It?s so plain to see
Who's giving you luxury
Sit back and relax, just enjoy the ride
Forget about all the messed up
things outside
Like friendship, diggin'on deeper
Taking us higher
Feeding my fantasy
(And it feels so good)
Yes it feels so good
I'm giving yo luxury
It comes naturally
so baby don't thank me
I thank you
and it's so plain to see
Who's giving me luxury
(Open your eyes to see)
This world is turning round, round...
(We all making history)
How precious time is now
You're feeding my fantasy
I'm giving you luxury
It comes naturally
so baby don't thank me
I thank you
and it's so plain to see
Who's giving you luxury
So baby, baby
I thank you
and you thank me
and it's so plain to see
Who's giving you luxury
My , Oh my. Days are passing by
Little flowergirl today it's long ago
Memories,
starts to dance inside my head
A chapter of my past,just won't let me go
The mirror reminds me of how it used to be
Pictures are flashing and suddenly I see
How you walk into the room
Just like a flowergirl
Deep inside of me
I feel the flowergirl
Little flowergirl
So far away,
tell me why you could not stay
Was it me who forgot
or you who caused the change
Now I can see all those dreams that fade away
What does it mean, when you're coming back this way
And you walk into the room
just like a flowergirl
It couldn't be to soon
little flowergirl
Little flower
And here we are, standing face to face
And don't you go, cause now you found me
Pack Up Your Troubles
Maggie
Pack up your troubles in your old kit bag
And smile, smile, smile
While you've a lucifer to light your fag
Smile boys, that's the style
What's the use of worrying
It doesn't seem worthwhile
So pack up you troubles in your old kit bag
And smile, smile, smile.
(For the young, a lucifer was a match, a fag was a cigarette)
Buddy Howard
cbbuddy
worldnet.att.net
Dobro jutro srce mi se smiješi
Tebe neće s tobom samo griješi
Riješi utjehe meni nisu potrebne
Ne volim te više samo dalje od mene
Ne, ne, ja imam ono što se zove srce
zbog tebe ono traži svoje sunce
Ref.
Na jastuku za dvoje od iluzija
Misli sve su dalje, kilometrima
Putuje ljubav nekom drugom
Snove razbija
Na jastuku za dvoje sama sad sam ja
Koraci se nižu, kilometrima
Putuje ljubav nekom drugom
Snove razbija
Ne znam ko je on, al' cekaću ga ja
Welcome, sister
The club is open, sign it
Take this man but
Be prepared for crying
I ain't sad no more
You took away my lonesome blues
I was blind and stupid
When I spent my dreams
On him yea yea
And if I ever
If I ever meet him
No, I will never
I will never want him
Fairytales about love
This lady knows so well
There's no sound and music
in the broken bell
If someone does'nt
care about you
don't be sad and blue
Fairytales about love
this lady's learned so well
there's no sound and music
in the broken bell
If someone does'nt
care about you
just don't waste your time
never, never pray
you'd better run away