| Ray Charles |
Ray Charles in 1990 |
| Background information |
| Birth name |
Ray Charles |
| Born |
(1930-09-23)September 23, 1930
Albany, Georgia, United States |
| Origin |
Greenville, Florida, United States |
| Died |
June 10, 2004(2004-06-10) (aged 73)
Beverly Hills, California, United States |
| Genres |
Rhythm and blues, soul, blues, soul blues, rock and roll, jazz, vocal jazz, country, pop, gospel |
| Occupations |
Composer, musician, arranger, bandleader |
| Instruments |
Vocals, piano, keyboards, alto saxophone, trombone |
| Years active |
1947–2004 |
| Labels |
Atlantic, ABC, Warner Bros., Swing Time, Concord, Columbia, Flashback |
| Associated acts |
The Raelettes, Quincy Jones, Betty Carter, Marvin Gaye, Billy Joel, James Brown, Little Richard |
| Website |
Official website |
Ray Charles Robinson (September 23, 1930 – June 10, 2004), known by his shortened stage name Ray Charles, was an American musician. He was a pioneer in the genre of soul music during the 1950s by fusing rhythm and blues, gospel, and blues styles into his early recordings with Atlantic Records.[1][2][3] He also helped racially integrate country and pop music during the 1960s with his crossover success on ABC Records, most notably with his Modern Sounds albums.[4][5][6] While with ABC, Charles became one of the first African-American musicians to be given artistic control by a mainstream record company.[2] Frank Sinatra called Charles “the only true genius in show business.”
The influences upon his music were mainly jazz, blues, rhythm and blues and country artists of the day such as Art Tatum, Nat King Cole, Louis Jordan, Charles Brown, Louis Armstrong. His playing reflected influences from country blues and barrelhouse, and stride piano styles.
Rolling Stone ranked Charles number ten on their list of "100 Greatest Artists of All Time" in 2004,[7] and number two on their November 2008 list of "100 Greatest Singers of All Time".[8] In honoring Charles, Billy Joel noted: "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley. I don't know if Ray was the architect of rock & roll, but he was certainly the first guy to do a lot of things . . . Who the hell ever put so many styles together and made it work?"[9]
Ray Charles Robinson was the son of Aretha Robinson, a sharecropper, and Bailey Robinson, a railroad repair man, mechanic and handyman.[10] Aretha Robinson was a devout Christian and the family attended the New Shiloh Baptist Church.[11] When Ray was an infant, his family moved from Albany, Georgia, where he was born, to the poor black community on the western side of Greenville, Florida. In his early years, Charles showed a curiosity for mechanical things and he often watched the neighborhood men working on their cars and farm machinery. His musical curiosity was sparked at Mr. Wiley Pit's Red Wing Cafe when Pit played boogie woogie on an old upright piano. Pit would care for George, Ray's brother, so as to take the burden off Williams. However, George drowned in the Williams' bath tub when he was four years old.[citation needed] After witnessing the death of his brother, Ray would feel an overwhelming sense of guilt later on in life.
Charles started to lose his sight at the age of five. He went completely blind by the age of seven, apparently due to glaucoma.[12][13] He attended school at the Florida School for the Deaf and the Blind in St. Augustine from 1937 to 1945,[14] where he developed his musical talent.[12] During this time he performed on WFOY radio in St. Augustine. His father died when he was 10 and his mother died five years after.
In school, Charles was taught only classical music, but he wanted to play the jazz and blues he heard on the family radio.[14] While at school, he became the school's premier musician. On Fridays, the South Campus Literary Society held assemblies where Charles would play piano and sing popular songs. On Halloween and Washington's birthday, the Colored Department of the school had socials where Charles would play. It was here he established "RC Robinson and the Shop Boys" and sang his own arrangement of "Jingle Bell Boogie."[15] He spent his first Christmas at the school, but later the staff pitched in so that Charles could return to Greenville, as he did each summer.
Henry and Alice Johnson, who owned a store not unlike Mr. Pit's store in Greenville, moved to the French town section of Tallahassee, just west of Greenville; and they, as well as Freddy and Margaret Bryant, took Charles in. He worked the register in the Bryants' store under the direction of Lucille Bryant, their daughter. It's said he loved Tallahassee and often used the drug store delivery boy's motorbike to run up and down hills using the exhaust sound of a friend's bike to guide him. Charles found Tallahassee musically exciting too and sat in with the Florida A&M University student band. He played with the Adderley brothers, Nat and Cannonball, and began playing gigs with Lawyer Smith and his Band in 1943 at the Red Bird Club and Deluxe Clubs in Frenchtown and roadhouse theaters around Tallahassee, as well as the Governor's Ball.[16]
After his mother died in 1946, Charles was 15 years old and didn't return to school. He lived in Jacksonville with a couple who were friends of his mother. For over a year, he played the piano for bands at the Ritz Theatre in LaVilla, earning $4 a night. Then he moved to Orlando, and later Tampa, where he played with a southern band called The Florida Playboys. This is where he began his habit of always wearing sunglasses, made by designer Billy Stickles.[17]
Charles had always played for other people, but he wanted his own band. He decided to leave Florida for a large city, but Chicago and New York City were too big. After asking a friend to look in a map and note the city in the United States that was farthest from Florida, he moved to Seattle in 1947[12] (where he first met and befriended, under the tutelage of Robert Blackwell, a 14-year-old Quincy Jones)[18][19] and soon started recording, first for the Down Beat label as the Maxin Trio with guitarist G.D. McKee and bassist Milton Garrett, achieving his first hit with "Confession Blues" in 1949. The song soared to No. 2 on the R&B charts. He joined Swing Time Records and under his own name ("Ray Charles" to avoid being confused with boxer Sugar Ray Robinson)[10] recorded two more R&B hits, "Baby, Let Me Hold Your Hand" (No. 5) in 1951 and "Kissa Me Baby" (No. 8) in 1952. The following year, Swing Time folded and Ahmet Ertegün signed him to Atlantic Records.[12]
Charles laid low from recording until early 1953 as Atlantic executives cleared out Charles' contract with Swingtime. Charles began recording jump blues and boogie-woogie style recordings as well as slower blues ballads where he continued to show the vocal influences of Nat "King" Cole and Charles Brown. "Mess Around" became Charles' first Atlantic hit in 1953 and he later had hits the following year with "It Should Have Been Me" and "Don't You Know". He also recorded the songs, "Midnight Hour" and "Sinner's Prayer". Some elements of his own vocal style showed up in "Sinner's Prayer", "Mess Around" and "Don't You Know".
Late in 1954, Charles recorded his own composition, "I Got a Woman" and the song became Charles' first number-one R&B hit in 1955 and brought him to national prominence.[20] The elements of "I Got a Woman" included a mixture of gospel, jazz and blues elements that would later prove to be seminal in the development of rock 'n' roll and soul music. He repeated this pattern throughout 1955 continuing through 1958 with records such as "This Little Girl of Mine", "Drown in My Own Tears", "Lonely Avenue", "A Fool For You" and "The Night Time (Is the Right Time)".
However, Charles didn't stop his ambitions of jazz recording a couple of instrumental jazz albums with vibraphonist Milt Jackson while also promoting his R&B career. By 1958, Charles was not only headlining black venues such as The Apollo Theater and The Uptown Theater but also bigger venues such as The Newport Jazz Festival. It was at the Newport festival where he cut his first live album. In 1956, Charles recruited a young all-female singing group named the Cookies, and reshaped them as The Raelettes. Before then, Charles had used his wife and other musicians to back him up on recordings such as "This Little Girl of Mine" and "Drown In My Own Tears". The Raelettes' first recording session with Charles was on the bluesy-gospel inflected "Leave My Woman Alone".
Charles in 1971. Photo: Heinrich Klaffs.
Charles reached the pinnacle of his success at Atlantic with the release of "What'd I Say", a complex song that combined gospel, jazz, blues and Latin music and a song that Charles would later say he composed spontaneously as he was performing in clubs and dances with his small band. Despite some radio stations banning the song because of its sexually suggestive lyrics, the song became a crossover top ten pop record, Charles' first record to do so.[21] Later in 1959, Charles recorded and released his first country song, a cover of Hank Snow's "Movin' On", and had recorded three more albums for the label including a jazz record (later released in 1961 as The Genius After Hours), a blues record (released in 1961 as The Genius Sings the Blues) and a traditional pop/big band record (The Genius of Ray Charles). The Genius of Ray Charles provided his first top 40 album entry where it peaked at #17 and was later held as a landmark record in Charles' career but Charles saw a bigger opportunity following his Atlantic contract expiring in the fall of 1959 when several big labels offered him record deals.
Choosing not to renegotiate his contract with Atlantic, Ray Charles signed with ABC-Paramount Records in November 1959, obtaining a much more liberal contract than other artists had at the time.[22] Following the success of "What'd I Say" and The Genius of Ray Charles, ABC offered Charles a $ 50,000 annual advance, higher royalties than previously offered and eventual ownership of his masters — a very valuable and lucrative deal at the time.[23] During his Atlantic years, Charles was heralded for his own inventive compositions, however, by the time of the release of the instrumental jazz LP Genius + Soul = Jazz (1960) for ABC's subsidiary label Impulse!, Charles had virtually given up on writing original material and had begun to follow his eclectic impulses as an interpreter.[21]
With his first hit single for ABC-Paramount, Charles received national acclaim and a Grammy Award for the Sid Feller-produced "Georgia on My Mind", originally written by composers Stuart Gorrell and Hoagy Carmichael, released as a single by Charles in 1960.[21][24] The song served as Charles's first work with Feller, who arranged and conducted the recording. Charles also earned another Grammy for the follow-up "Hit the Road Jack", written by R&B singer Percy Mayfield.[25] By late 1961, Charles had expanded his small road ensemble to a full-scale big band, partly as a response to increasing royalties and touring fees, becoming one of the few black artists to crossover into mainstream pop with such a level of creative control.[21][26] This success, however, came to a momentary halt in November 1961, as a police search of Charles's hotel room in Indianapolis, Indiana during a concert tour led to the discovery of heroin in his medicine cabinet. The case was eventually dropped, as the search lacked a proper warrant by the police, and Charles soon returned his focus on music and recording.[26]
The 1962 album, Modern Sounds in Country and Western Music and its sequel Modern Sounds in Country and Western Music, Vol. 2, helped to bring country into the mainstream of music. His version of the Don Gibson song, I Can't Stop Loving You topped the Pop chart for five weeks and stayed at No. 1 R&B for ten weeks in 1962. It also gave him his only number one record in the UK. In 1962, he founded his own record label, Tangerine Records, which ABC-Paramount promoted and distributed. He also had major pop hits in 1963 with "Busted" (US No. 4) and Take These Chains From My Heart (US No. 8). With the rise of younger soul performers such as James Brown, Otis Redding and Motown singers such as Smokey Robinson, Marvin Gaye and its own blind artist, Stevie Wonder, Charles' successes on the pop and R&B charts peaked after 1964 though he remained a huge concert draw.
By 1967, Charles' commercial success had begun peaking on both pop and R&B charts though he would remain a concert draw both in the states and overseas. In 1965, Charles' career after being arrested for a third time for heroin halted after he agreed to go to rehab to avoid jail time. Charles kicked his habit at a clinic in Los Angeles. After spending a year on parole, Charles reemerged on the charts in 1966 with a series of hits composed with the fledgling team of Ashford & Simpson including the dance number, "I Don't Need No Doctor" (later covered in a hard rock style by British supergroup Humble Pie), "Let's Go Get Stoned", which became his first #1 R&B hit in several years, and "Crying Time", which reached #6 on the pop chart and later helped Charles win a Grammy Award the following March.
In 1967, he had a top twenty hit with another ballad, "Here We Go Again".[29] Charles' renewed chart success, however, proved to be short lived and by the late 1960s his music was rarely played on radio stations partly due to the rise of psychedelic rock and harder forms of rock and R&B music and also due to Charles choosing to record pop standards and covers of then-modern day rock and soul hits as he had no desire to write due to him earning masters. Most of his recordings between 1966 and 1973 were either received well or poorly.[12] Nonetheless, Charles continued to have an active recording career. Charles' 1972 album, Message from the People, included his unique gospel-influenced version of "America the Beautiful". In 1974, he left ABC Records and recorded several albums on his own Crossover Records label. His 1975 recording of Stevie Wonder's hit, "Living for the City" later helped Charles win another Grammy.
In 1977, he reunited with Ahmet Ertegun and Jerry Wexler and re-signed to Atlantic Records where he recorded the album, True to Life. However, the label had now begun focusing on rock acts and some of the label's prominent soul artists such as Aretha Franklin were starting to be neglected. Charles stayed with his old label until 1980. In November 1977 he appeared as the host of NBC's Saturday Night Live.[30] In April of 1979, Charles' version of "Georgia On My Mind" was proclaimed the state song of Georgia. An emotional Charles performed the song on the floor of the state legislature.[12] Though he notably supported the civil rights movement and Martin Luther King, Jr. in 1960s, Charles would be criticized for performing at South Africa's Sun City resort in 1981 during an international boycott of its apartheid policy.[12] In 1983, Charles signed a contract with Columbia Records and recorded a string of country albums. Charles also began having a string of country hits often with duet singers such as George Jones, Chet Atkins, B.J. Thomas, Mickey Gilley, Hank Williams, Jr. and lifelong friend Willie Nelson, for which he recorded the #1 country duet, "Seven Spanish Angels". After 1987, his Columbia contract ended and Charles returned to recording pop music after signing with Warner Bros. Records. Prior to the release of his first Warner release, Would You Believe, Charles made a return on the R&B charts with a cover of The Brothers Johnson's "I'll Be Good to You", a duet with his lifelong buddy Quincy Jones and singer Chaka Khan. The song hit number-one on the R&B charts in 1990 and won Charles and Khan a Grammy for their dual work. Prior to this, Charles returned on the pop charts in another duet, with singer Billy Joel on the song, "Baby Grand" and in 1989, recorded a cover of the Southern All Stars' "Itoshi no Ellie", releasing it as "Ellie My Love" for a Japanese TV ad for Suntory releasing it in Japan where it reached #3 on its Oricon chart.[31] Charles' 1993 album, My World became his first album in some time to reach the Billboard 200 and his cover of Leon Russell's "A Song for You" gave him a charted hit on the adult contemporary chart as well as his twelfth and final Grammy he would receive in his lifetime.
By the beginning of the 1980s, Charles would reach younger audiences by appearances in various films and TV shows. In 1980, he made a cameo on the film, The Blues Brothers. While he never appeared on the show, Charles' version of "Night Time is the Right Time" was played during the popular "Cosby Show" episode, "Happy Anniversary". In 1985, he appeared among a slew of other popular musicians in the USA for Africa charity recording, "We Are the World". Charles' popularity increased among younger audiences in 1991 after he appeared where he popularized the catchphrase "You Got the Right One, Baby" The catchphrase came from a song that was composed by Kenny Ascher, Joseph C. Caro and Helary Jay Lipsitz.[32]
Charles also appeared at two Presidential inaugurations in his lifetime. In 1985, he performed for Ronald Reagan's second inauguration, and in 1993 for Bill Clinton's first.[33] In the late 1980s/early 1990s, Charles made appearances on the Super Dave Osbourne TV show, where he performed and appeared in a few vignettes where he was somehow driving a car, often as Super Dave's chauffeur. During the sixth season of Designing Women, Charles sang "Georgia on My Mind", instead of the song being rendered instrumentally by other musicians as in the previous five seasons. He also appeared in 4 episodes of the popular TV comedy The Nanny in Seasons 4 & 5 (1997 & 1998) as 'Sammy', in one episode singing "My Yiddish Mamma" to December romance and later fiancee of character Gramma Yetta, played by veteran actress Ann Guilbert. From 2001-2002, Charles appeared in commercials for the New Jersey Lottery to promote its "For every dream, there's a jackpot" campaign.
In 2003, Ray Charles headlined the White House Correspondents Dinner in Washington, D.C. where the President, First Lady, Colin Powell and Condoleezza Rice attended. He also presented one of his greatest admirers, Van Morrison, with his award upon being inducted in the Songwriters Hall of Fame and the two sang Morrison's song "Crazy Love". This performance appears on Morrison's 2007 album, The Best of Van Morrison Volume 3. In 2003 Charles performed "Georgia On My Mind" and "America the Beautiful" at a televised annual electronic media journalist banquet held in Washington, D.C. His final public appearance came on April 30, 2004, at the dedication of his music studio as a historic landmark in the city of Los Angeles.[12]
Charles was married twice and had 12 children with nine different women.[34][35] His first marriage to Eileen Williams was brief: July 31, 1951 to 1952. He had three children from his second marriage, to Della Beatrice Howard Robinson from April 5, 1955 to April 26, 1977. His long term girlfriend and partner at the time of his death was Norma Pinella. His first child, Evelyn, was born in 1950 to girlfriend Louise Mitchell. His three children with Della, Ray Charles, Jr., David and Robert, were born in 1955, 1958 and 1960 respectively. Another son, Charles Wayne, was born in 1959 during his six-year long affair with original Raelettes vocalist Margie Hendricks. In 1961, a daughter, Raenee, was born during an affair with Mae Mosely Lyles. Two years later, in 1963, Charles and Sandra Jean Betts welcomed daughter Sheila Raye Charles Robinson.[36] In 1966, a daughter named Alicia was born by a woman who remains unidentified to this day, followed by another daughter, Alexandra, born to a woman named Chantal Bertrand. Charles' next child, Vincent, came from a relationship with Arlette Kotchounian following his divorce from Della Howard in 1977. A year later, daughter Robyn was born to a woman named Gloria Moffett. Charles' youngest child, son Ryan Corey, was born in 1987 to Mary Anne den Bok.
Charles gave 10 of his 12 children checks for one million USD in December 2002 at a family luncheon, while the other two could not make it.[37]
On November 14, 1961, Charles was arrested on a narcotics charge in an Indiana hotel room, where he waited to perform. The detectives seized heroin, marijuana, and other items. Charles, then 31, stated that he had been a drug addict since the age of 16. While the case was dismissed because of the manner in which the evidence was obtained,[38] Charles's situation did not improve until a few years later. Individuals such as Quincy Jones and Reverend Henry Griffin felt that those around Charles were responsible for his drug use.
By 1964 Charles' drug addiction caught up with him and he was arrested for possession of marijuana and heroin. Following a self-imposed stay[38] at St. Francis Hospital in Lynwood, California, Charles received five years' probation. Charles responded to the saga of his drug use and reform with the songs "I Don't Need No Doctor", "Let's Go Get Stoned", and the release of his first album since having kicked his heroin addiction in 1966, Crying Time.[39][40]
Charles played chess using a special board with holes for the pieces and raised squares.[41] Charles referred to Willie Nelson as "my chess partner" in a 1991 concert.[42] In 2002, he played and lost to American Grandmaster and former U.S. Champion Larry Evans.[43]
Charles died on June 10, 2004 at 11:35 a.m. of liver disease at his home in Beverly Hills, California, surrounded by family and friends.[44][45] He was 73 years old. His body was interred in the Inglewood Park Cemetery.
His final album, Genius Loves Company, released two months after his death, consists of duets with various admirers and contemporaries: B.B. King, Van Morrison, Willie Nelson, James Taylor, Gladys Knight, Michael McDonald, Natalie Cole, Elton John, Bonnie Raitt, Diana Krall, Norah Jones, and Johnny Mathis. The album won eight Grammy Awards, including five for Ray Charles for Best Pop Vocal Album, Album of the Year, Record of the Year and Best Pop Collaboration with Vocals for "Here We Go Again" with Norah Jones, and Best Gospel Performance for "Heaven Help Us All" with Gladys Knight; he also received nods for his duets with Elton John and B.B. King. The album included a version of Harold Arlen's "Over the Rainbow", sung as a duet by Charles and Johnny Mathis; this record was played at his memorial service.[46]
Two more posthumous albums, Genius & Friends (2005) and Ray Sings, Basie Swings (2006), were released. Genius & Friends consisted of duets recorded from 1997 to 2005 with his choice of artists. Ray Sings, Basie Swings consists of archived vocals of Ray Charles from live mid-1970s performances added to new instrumental tracks specially recorded by the contemporary Count Basie Orchestra and other musicians. Charles's vocals recorded from the concert mixing board were added to new accompaniments to create a "fantasy concert" recording.
Charles possessed one of the most recognizable voices in American music. In the words of musicologist Henry Pleasants:
Sinatra, and Bing Crosby before him, had been masters of words. Ray Charles is a master of sounds. His records disclose an extraordinary assortment of slurs, glides, turns, shrieks, wails, breaks, shouts, screams and hollers, all wonderfully controlled, disciplined by inspired musicianship, and harnessed to ingenious subtleties of harmony, dynamics and rhythm... It is either the singing of a man whose vocabulary is inadequate to express what is in his heart and mind or of one whose feelings are too intense for satisfactory verbal or conventionally melodic articulation. He can’t tell it to you. He can’t even sing it to you. He has to cry out to you, or shout to you, in tones eloquent of despair — or exaltation. The voice alone, with little assistance from the text or the notated music, conveys the message.
Ray Charles is usually described as a baritone, and his speaking voice would suggest as much, as would the difficulty he experiences in reaching and sustaining the baritone's high E and F in a popular ballad. But the voice undergoes some sort of transfiguration under stress, and in music of gospel or blues character he can and does sing for measures on end in the high tenor range of A, B flat, B, C and ev in full voice, sometimes in an ecstatic head voice, sometimes in falsetto. In falsetto he continues up to E and F above high C. On one extraordinary record, "I’m Going Down to the River’ . . . he hits an incredible B flat . . . giving him an overall range, including the falsetto extension, of at least three octaves.[47]
In 1979, Charles was one of the first of the Georgia State Music Hall of Fame to be recognized as a musician born in the state.[48] Ray's version of "Georgia On My Mind" was made the official state song for Georgia.[49] In 1981, he was given a star on the Hollywood Walk of Fame and was one of the first inductees to the Rock & Roll Hall of Fame at its inaugural ceremony in 1986.[50] He received the Kennedy Center Honors in 1986.[51]
In 1987, he was awarded the Grammy Lifetime Achievement Award. In 1991, he was inducted to the Rhythm & Blues Foundation. In 1993, he was awarded the National Medal of Arts.[52] In 1998 he was awarded the Polar Music Prize together with Ravi Shankar in Stockholm, Sweden. In 2004 he was inducted to the Jazz Hall of Fame, and inducted to the National Black Sports & Entertainment Hall of Fame.[53] The Grammy Awards of 2005 were dedicated to Charles.
On December 7, 2007, Ray Charles Plaza was opened in Albany, Georgia, with a revolving, lighted bronze sculpture of Charles seated at a piano. Later that month, on December 26, 2007, Ray Charles was inducted into the Hit Parade Hall of Fame. He was also presented with the George and Ira Gershwin Award for Lifetime Musical Achievement, during the 1991 UCLA Spring Sing.[54]
In 2003, Charles was awarded an honorary degree by Dillard University. Upon his death, he endowed a professorship of African-American culinary history at the school, which is the first such chair in the nation.[55] A $20 million performing arts center at Morehouse College was named after Charles and was dedicated in September 2010.[56]
The biopic Ray, released in October 2004, portrays his life and career between 1930 and 1979 and stars Jamie Foxx as Charles. Foxx won the 2005 Academy Award for Best Actor for the role.
- ^ Unterberger, Richie. Biography: Ray Charles. Allmusic. Retrieved on 2009-11-26.
- ^ a b VH1 (2003), p. 210.
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- ^ "100 Greatest Artists of All Time. #10: Ray Charles". Van Morrison. Rolling Stone Issue 946. Rolling Stone. http://www.rollingstone.com/music/lists/100-greatest-artists-of-all-time-19691231/ray-charles-19691231. Retrieved 2010-06-13.
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- ^ Lydon, Michael, Ray Charles: Man and Music, Routledge, ISBN 0-415-97043-1, Routledge Publishing, January 22, 2004.
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- ^ Dahl, Bill (1954-11-18). "profile". Allmusic.com. http://www.allmusic.com/song/t2562634. Retrieved 2010-09-10.
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- ^ breath of life » RAY CHARLES / “I Can’t Stop Loving You”. Kalamu. Retrieved on 2008-08-13.
- ^ RS Biography - Ray Charles 1930-2004. Rolling Stone. Retrieved on 2008-08-14.
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- ^ List of best-selling international singles in Japan of 1989, Extract from the Year-End chart posted by oricon.
- ^ ASCAP Work ID: 570066694
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- ^ "Ray Charles' daughter, Sheila Raye Charles, on The Overnighter with Ewing Stevens". RadioLIVE.co.nz. http://www.radiolive.co.nz/Ray-Charles-daughter-Sheila-Raye-Charles-on-The-Overnighter-with-Ewing-Stevens/tabid/506/articleID/13773/Default.aspx. Retrieved 2010-07-01.
- ^ Ray Charles' Children Discuss Father's Unknown Generosity. Retrieved 2010-02-03.
- ^ a b "Show 16 - The Soul Reformation: More on the evolution of rhythm and blues. [Part 2] : UNT Digital Library". Digital.library.unt.edu. http://digital.library.unt.edu/ark:/67531/metadc19765/m1/. Retrieved 2010-09-18.
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- ^ Charles, Ray (2005) (in English). Genius & Friends (CD). Burbank, CA: Atlantic Records. Event occurs at Track 13 2:22.
- ^ "Chess News - GM Larry Melvyn Evans (1932 – 2010)". ChessBase.com. http://www.chessbase.com/newsdetail.asp?newsid=6814. Retrieved 2011-12-30.
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- ^ Pleasants, H. (1974). The Great American Popular Singers. Simon and Schuster
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- ^ "Lifetime Honors - National Medal of Arts". Nea.gov. http://www.nea.gov/honors/medals/medalists_year.html#93. Retrieved 2010-09-10.
- ^ "Hall of Fame". National Black Sports & Entertainment. 2004. http://www.harlemdiscover.com/halloffame. Retrieved 2006-11-25.
- ^ "Calendar & Events: Spring Sing: Gershwin Award". UCLA. http://www.uclalumni.net/CalendarEvents/springsing/Gershwin/winners.cfm.
- ^ Read, Mimi (February 23, 2005). "A Gift to Black Cuisine, From Ray Charles". New York Times. http://query.nytimes.com/gst/fullpage.html?res=9F00E0D91F3AF930A15751C0A9639C8B63&sec=&spon=&pagewanted=all. Retrieved 2010-10-11.
- ^ "Morehouse Cuts the Ribbon on the Ray Charles Performing Arts Center and Music Academic Building". Morehouse College. http://www.morehouse.edu/news/archives/002313.html. Retrieved 2010-10-11.
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Ray Charles
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Posthumous
studio creations |
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| Live albums |
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Notable
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Billboard Hot 100
Top 10 Singles |
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Other Billboard Charts
#1 singles |
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Grammy Awarded Works
(not included above) |
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| 1992–1999 |
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| 2000–2009 |
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| 2010–present |
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| 1980 |
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| 1981 |
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| 1982 |
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| 1983 |
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| 1984 |
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| 1985 |
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"Smooth"* by Santana (Rodney Holmes, Tony Lindsay, Karl Perazzo, Raul Rekow, Benny Rietveld, Carlos Santana, Chester Thompson) featuring Rob Thomas
engineered/mixed by David Thoener, produced by Matt Serletic (2000) |
"Beautiful Day"* by U2 (Bono, Adam Clayton, The Edge, Larry Mullen, Jr.)
engineered/mixed by Richard Rainey & Steve Lillywhite; produced by Brian Eno & Daniel Lanois (2001) |
"Walk On" by U2 (Bono, Adam Clayton, The Edge, Larry Mullen, Jr.)
engineered/mixed by Richard Rainey & Steve Lillywhite; produced by Brian Eno & Daniel Lanois (2002) |
"Don't Know Why"* by Norah Jones;
engineered/mixed by Jay Newland; produced by Arif Mardin, Jay Newland & Norah Jones (2003) |
"Clocks" by Coldplay (Guy Berryman, Jon Buckland, Will Champion, Phil Harvey, Chris Martin)
engineered/mixed by Coldplay, Ken Nelson & Mark Phythian; produced by Coldplay & Ken Nelson (2004) |
"Here We Go Again" by Ray Charles and Norah Jones
engineered/mixed by Al Schmitt, Mark Fleming, & Terry Howard; produced by John R. Burk (2005) |
"Boulevard of Broken Dreams" by Green Day (Billie Joe Armstrong, Mike Dirnt, Frank Edwin Wright III)
engineered/mixed by Chris Lord-Alge & Doug McKean, produced by Green Day & Rob Cavallo (2006) |
"Not Ready to Make Nice"* by Dixie Chicks (Martie Maguire, Natalie Maines, Emily Robison)
engineered/mixed by Chris Testa, Jim Scott & Richard Dodd; produced by Rick Rubin (2007) |
"Rehab"* by Amy Winehouse
engineered/mixed by Tom Elmhirst, Vaughan Merrick, Dom Morley, Mark Ronson & Gabriel Roth; produced by Mark Ronson (2008) |
"Please Read the Letter" by Alison Krauss and Robert Plant
engineered/mixed by Mike Piersante; produced by T-Bone Burnett (2009) |
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| Supernatural performed by Santana (Rodney Holmes, Tony Lindsay, Karl Perazzo, Raul Rekow, Benny Rietveld, Carlos Santana, Chester Thompson); engineered/mixed by Alvaro Villagra, Andy Grassi, Anton Pukshansky, Benny Faccone, Chris Theis, Commissioner Gordon, David Frazer, David Thoener, Glenn Kolotkin, Jeff Poe, Jim Gaines, Jim Scott, John Gamble, John Karpowich, John Seymour, Matty Spindel, Mike Couzzi, Steve Farrone, Steve Fontano, T-Ray, Tom Lord-Alge, Tony Prendatt & Warren Riker; produced by Alex Gonzales, Art Hodge, Charles Goodan, Clive Davis, Dante Ross, Dust Brothers, Fher Olvera, Jerry 'Wonder' Duplessis, K. C. Porter, Lauryn Hill, Matt Serletic, Stephen M. Harris & Wyclef Jean (2000) |
Two Against Nature performed by Steely Dan (Walter Becker, Donald Fagen); engineered/mixed by Dave Russell, Elliot Scheiner, Phil Burnett & Roger Nichols; produced by Donald Fagen & Walter Becker (2001) |
| O Brother, Where Art Thou? Soundtrack performed by Alison Krauss & Union Station (Barry Bales, Ron Block, Jerry Douglas, Alison Krauss, Dan Tyminski), Chris Sharp, Chris Thomas King, Emmylou Harris, Gillian Welch, Harley Allen, John Hartford, Mike Compton, Norman Blake, Pat Enright, Peasall Sisters (Hannah Peasall, Leah Peasall, Sarah Peasall), Ralph Stanley, Sam Bush, Stuart Duncan, The Cox Family (Evelyn Cox, Sidney Cox, Suzanne Cox, Willard Cox), The Fairfield Four (Nathan Best, Isaac Freeman, Robert Hamlett, James Hill, Joseph Rice, Wilson Waters, Jr.), The Whites (Buck White, Cheryl White, Sharon White) & Tim Blake Nelson; engineered/mixed by Mike Piersante & Peter Kurland; master engineered by Gavin Lurssen; produced by T-Bone Burnett (2002) |
Come Away with Me performed by Norah Jones; engineered/mixed by Jay Newland & S. Husky Höskulds; master engineered by Ted Jensen; produced by Arif Mardin, Craig Street, Jay Newland & Norah Jones (2003) |
| Speakerboxxx/The Love Below performed by OutKast (André 3000, Big Boi); engineered/mixed by Brian Paturalski, Chris Carmouche, Darrell Thorp, Dexter Simmons, John Frye, Kevin Davis, Matt Still, Moka Nagatani, Neal H. Pogue, Padraic Kernin, Pete Novak, Reggie Dozier, Robert Hannon, Terrence Cash & Vincent Alexander; master engineered by Bernie Grundman & Brian Gardner; produced by André 3000, Big Boi & Carl Mo (2004) |
Genius Loves Company performed by Ray Charles and Various Artists; engineered/mixed by Al Schmitt, Ed Thacker, Joel W. Moss, John Harris, Mark Fleming, Pete Karam, Robert Fernandez, Seth Presant & Terry Howard; master engineered by Doug Sax & Robert Hadley; produced by Don Mizell, Herbert Waltl, John R. Burk, Phil Ramone & Terry Howard (2005) |
| How to Dismantle an Atomic Bomb performed by U2 (Bono, Adam Clayton, The Edge, Larry Mullen, Jr.); engineered/mixed by Carl Glanville, Flood, Greg Collins, Jacknife Lee, Nellee Hooper, Simon Gogerly & Steve Lillywhite; master engineered by Arnie Acosta; produced by Brian Eno, Chris Thomas, Daniel Lanois, Flood, Jacknife Lee & Steve Lillywhite (2006) |
Taking the Long Way performed by Dixie Chicks (Martie Maguire, Natalie Maines, Emily Robison); engineered/mixed by Chris Testa, Jim Scott & Richard Dodd; master engineered by Richard Dodd; produced by Rick Rubin (2007) |
| River: The Joni Letters performed by Herbie Hancock; featuring Norah Jones, Joni Mitchell, Corinne Bailey Rae , Tina Turner ; produced by Herbie Hancock & Larry Klein; engineered/mixed by Helik Hadar; master engeineered by Bernie Grundman (2008) |
Raising Sand performed by Robert Plant & Alison Krauss; produced by T-Bone Burnett; engineered/mixed by Mike Piersante; master engeineered by Gavin Lurssen (2009) |
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| Persondata |
| Name |
Charles, Ray |
| Alternative names |
Robinson, Ray Charles |
| Short description |
Vocalist, musician, songwriter, arranger, bandleader |
| Date of birth |
September 23, 1930 |
| Place of birth |
Albany, Georgia, U.S. |
| Date of death |
June 10, 2004 |
| Place of death |
Beverly Hills, California, U.S. |
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