André Godard

André Godard (21 January 1881 – 31 July 1965) was an archaeologist, architect and historian of French and Middle Eastern Art. He also served as director of Iranian Archeological Service (IAS) (Edāre-ye kol-e 'atiqāt).

Life

Godard was born in Chaumont. A graduate of the École des Beaux-Arts of Paris, he studied Middle Eastern archaeology, particularly that of Iran, and later became known for designing the National Museum of Iran, where he was appointed inaugural director in 1936. He was also instrumental in the design of Tehran University campus.

He made his first trip to the Middle East in 1910 with Henri Violle. Together, they began to excavate the ancient ruins of Samarra, located in modern-day Iraq. The ruins were fully excavated a few years later by German-born archaeologist Ernst Herzfeld. Godard returned to his architectural studies in 1912, focusing on Islamic architecture of Egypt.

After World War I, Godard married Yeda Reuilly. The Delegation of French Archaeology in Afghanistan was subsequently founded in 1922, so Godard and his new wife accompanied the organization to not-yet-excavated regions. They consequently studied Bâmiyân, which was later permitted to be exhibited at the central Buddhist shrine of the Guimet Museum, in 1925.

French New Wave

The New Wave (French: La Nouvelle Vague) is a blanket term coined by critics for a group of French filmmakers of the late 1950s and 1960s.

Although never a formally organized movement, the New Wave filmmakers were linked by their self-conscious rejection of the literary period pieces being made in France and written by novelists, along with their spirit of youthful iconoclasm, the desire to shoot more current social issues on location, and their intention of experimenting with the film form. "New Wave" is an example of European art cinema. Many also engaged in their work with the social and political upheavals of the era, making their radical experiments with editing, visual style and narrative part of a general break with the conservative paradigm. Using portable equipment and requiring little or no set up time, the New Wave way of filmmaking presented a documentary style. The films exhibited direct sounds on film stock that required less light. Filming techniques included fragmented, discontinuous editing, and long takes. The combination of objective realism, subjective realism, and authorial commentary created a narrative ambiguity in the sense that questions that arise in a film are not answered in the end.

New Wave

New Wave may refer to:

Movements in film

Movements in music

Jean-Luc Godard

Jean-Luc Godard (French: [ʒɑ̃lyk ɡɔdaʁ]; born 3 December 1930) is a French-Swiss film director, screenwriter and film critic. He is often identified with the 1960s French film movement La Nouvelle Vague, or "New Wave".

Like his New Wave contemporaries, Godard criticized mainstream French cinema's "Tradition of Quality", which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." To challenge this tradition, he and like-minded critics started to make their own films. Many of Godard's films challenge the conventions of traditional Hollywood in addition to French cinema. He is often considered the most radical French filmmaker of the 1960s and 1970s; his approach in film conventions, politics and philosophies made him arguably the most influential director of the French New Wave. Along with showing knowledge of film history through homages and references, several of his films expressed his political views; he was an avid reader of existential and Marxist philosophy.