This article has multiple issues. Please help improve it or discuss these issues on the talk page. It needs additional citations for verification. Tagged since July 2007. It may contain original research. Tagged since September 2007. Its neutrality is disputed. Tagged since June 2011.

240px
Location(s)	Great Stage Park, Manchester, Tennessee, USA
Years active	2002–present
Date(s)	June 7–10, 2012
Genre	Indie rock, Jam bands, Jazz, Americana, Bluegrass, Country, Folk, Gospel, Alternative rock, Hip hop, Reggae, Metal, Electronica, Funk, R&B, Stoner Rock
Website	Official website

The Bonnaroo Music and Arts Festival is an annual four day music festival created and produced by Mark Barr and AC Entertainment, held at Great Stage Park on a 700-acre (2.8 km²) farm in Manchester, Tennessee, USA. It hosted its tenth annual event June 9–12, 2011. The main attractions of the festival are the multiple stages of live music, featuring a diverse array of musical styles including indie rock, world music, hip hop, jazz, americana, bluegrass, country music, folk, gospel, reggae, electronica, and other alternative music. The festival began with a primary focus on jam bands and folk rock, but has diversified greatly in recent years but continues to pay tribute to its roots. Past notable acts include Phish, Stevie Wonder, The White Stripes, Dave Matthews Band, Neil Young, Pearl Jam, Tom Petty, The Dead, The Allman Brothers Band, James Brown, The Flaming Lips, Willie Nelson, Bob Dylan, Radiohead, Buffalo Springfield, Arcade Fire, The Strokes, The Black Crowes, and Widespread Panic. The festival features craftsmen and artisans selling unique products, food and drink vendors, a comedy tent, silent disco, cinema tent, and ferris wheel.

The festival was named one of the "50 Moments That Changed Rock & Roll" by Rolling Stone Magazine.^[1] and "Festival of the Decade" by Consequence of Sound and amongst the 10 Best Festivals by GQ Magazine.

History[link]

The word Bonnaroo, popularized by New Orleans R&B singer Dr. John with his 1974 album Desitively Bonnaroo,^[2] means "a really good time." It is a Ninth Ward slang construction taken from the French "bon" meaning "good," and "rue" from the French "street," translating to "the best on the streets."^[3] The name was chosen both for its literal meaning and to honor the rich Louisiana music tradition.

The first Bonnaroo took place in 2002 and took inspiration from music festivals like Coachella and Glastonbury. With no traditional advertising, the festival sold out in nearly two weeks. By 2003, the festival had been named by Rolling Stone as one of the top 50 moments in rock & roll. Comedy acts like Jim Breuer were first added in 2005. In 2007, Bonnaroo purchased the land for the festival, creating Great Stage Park with all of its iconic features. A permanent main stage was installed in 2010.^[4]

Economy[link]

On January 10, 2007, Bonnaroo organizers Superfly Productions and AC Entertainment purchased a major portion of the site where the annual music festival is held. The purchase of 530 acres (2.1 km²) encompassed all of the performance areas and much of the camping and parking area used for the annual festival; the festival will continue to lease another 250 acres (1.0 km²) that currently serve as additional parking and camping. Since its inception, Bonnaroo has contributed more than $1 million directly to Coffee County organizations. In addition to annual charitable contributions, the festival's activities provide annual revenue to the county. Measured in a 2005 study, the economic impact of the event on Coffee County was more than $14 million in business revenues and more than $4 million in personal income.^[5] The Bonnaroo music festival makes most of its income from the fans.

Environmentalism[link]

Bonnaroo promotes itself as a sustainable festival. ^[6] As a reward for sending a letter to a legislator in support of climate change legislation, the Natural Resources Defense Council gave 17 free downloads from various Bonnaroo artists.^[7] A Greener Festival has recognized Bonnaroo's efforts for the past three years.^[8] There is a defined process, which includes a self-evaluation and an audit from Greener Festival auditors during Bonnaroo. ^[9]

Accolades[link]

In 2008, it was named "Best Festival" by Rolling Stone magazine, calling it "the ultimate over-the-top summer festival." ^[10]

One of “50 moments that changed rock & roll” – Rolling Stone

“Bonnaroo has revolutionized the modern rock festival” – The New York Times ^[11]

“Festival of the Year” – Pollstar

“Best festival of the summer” – SPIN ^[12]

“The culmination of a musical movement” – USA Today ^[13]

“The concert event of the summer” – USA Today

“Music and subculture melted together into a pot of creative bubbling energy” – CNN ^[14]

“Bonnaroo: Three days of musical history in the making” - AP

Venues[link]

The official venues located at Bonnaroo often change from year to year. The following are a few of the more permanent venues.

Which Stage at the Bonnaroo Music Festival in Manchester, TN.

• Centeroo - The Central area of Bonnaroo. Serviced by two main entrances, nearly all of the festival activity is enclosed in this area. Various merchants and activities supplement the plethora of music related activities located within Centeroo. While Centeroo is open 24 hours a day, musical artists generally only play from noon until the evening, followed by the unopposed headlining act. Afterwards, there are late-night sets, usually running from midnight until the early morning, sometimes as late as 5 or 6 AM.
• What Stage - The main stage of the festival is also the largest. What Stage is open from approximately noon until midnight (late night sets usually over by 3am). Traditionally, the headlining act each day will play on the What Stage with no other acts performing on any other stages.
• Which Stage - The second stage, Which Stage, is generally one of the last stages to finish before the headlining act each night. After the headlining act performs, a late night show generally follows here.
• This Tent, That Tent, and The Other Tent - These three tents serve as a combined tertiary tier for musical performances. Late night shows also generally occur in all three of these venues, along with the yearly Superjam, a one-off combination of various musicians performing at the festival.
• Comedy Tent - This tent is reserved strictly for comedy acts, such as stand up comedians.

Various other small tents and stages also exist, such as the Solar Stage, Lunar Stage, Sonic Stage, and the Cinema tent. See the Bonnaroo website for further details on these venues.

Activities[link]

Some graffiti by artist Ryan McCauley on the Graffiti Wall, which separates Centeroo from the campsites.

Available to the Bonnaroo public throughout the week are various activity tents. These tents become most popular with the night crowd, with such activities set up as The Silent Disco tent and several other club or bar-themed venues. In the Silent Disco, each person upon entering the tent is given a set of headphones that syncs with the DJ and the music, so everyone is listening to the same song through the headphones while appearing from the outside to be dancing to no music at all. Other activities include the Comedy Tent where comedians from Mike Birbiglia to Flight of the Conchords have performed. The Cinema tent, showing a variety of mainstream and independent movies, is also popular as it is one of the air conditioned tents, and the Broo’ers Festival tent is a popular attraction featuring a variety of breweries from all over the United States. Outside the big tents, Planet Roo hosts a variety of non-profit organizations sharing information on healthy lifestyles and resource conservation, and Splash-a-Roo (a giant slip-n-slide area) and a giant mushroom fountain provide a practical way to beat the heat. Bonnaroo creators designated the wall surrounding Centeroo, colloquially called "the Graffiti Wall", as a place for street artists to paint whatever they feel like painting.

Activities like these,along with great food vendors and unique shopping, provide an easy and fun way to hang around the Centeroo in between music performances. In 2009, Bonnaroo debuted the Bungaloo, a community art project that invited festival goers to paint a small tile that was then affixed to 10 foot water drops suspended between The Other Tent and This Tent. For each tile painted, the festival-goer could vote for the charity of their choice. Bungaloo, a new online paint company, made a $1000 donation to the charity with the most votes.

Bonnaroo Music Festival by year[link]

• 2012 Bonnaroo Music Festival
• 2011 Bonnaroo Music Festival
• 2010 Bonnaroo Music Festival
• 2009 Bonnaroo Music Festival
• 2008 Bonnaroo Music Festival
• 2007 Bonnaroo Music Festival
• 2006 Bonnaroo Music Festival
• 2005 Bonnaroo Music Festival
• 2004 Bonnaroo Music Festival
• 2003 Bonnaroo Music Festival
• 2002 Bonnaroo Music Festival

Notes[link]

External links[link]

Wikimedia Commons has media related to: Bonnaroo Music & Arts Festival

• Bonnaroo.com Official Bonnaroo Music & Arts Festival website
• GreatStagePark.com Official Site of Bonnaroo Property
• Inforoo.com The Unofficial Bonnaroo Message Board
• BehindTheRoo.com A Bonnaroo 2011 Documentary
• Survival Guide Leo's Unofficial Bonnaroo Survival Guide
• Faces of Bonnaroo: 2009 @ Swigged!
• How Do You Roo? A Survivor's Pocket Guide to Bonnaroo (Lulu, 2010) The first (and only) unofficial guidebook to the Bonnaroo Music & Arts Festival

M.I.A. performing at the Outside Lands Music and Arts Festival.

Music festival in Nickelsdorf, Austria

A music festival is a festival oriented towards music that is sometimes presented with a theme such as musical genre, nationality or locality of musicians, or holiday. They are commonly held outdoors, and are often inclusive of other attractions such as food and merchandise vending machines, performance art, and social activities. The Pythian Games at Delphi included musical performances, and may be one of the earliest festivals known.^[1] During the Middle Ages festivals were often held as competitions.

Many festivals are annual, or repeat at some other interval. Some, including many rock festivals, are held only once. Some festivals are organized as for-profit concerts and others are benefits for a specific cause.

Another type of music festival is the educative type, organised annually in local communities, regionally or nationally, for the benefit of amateur musicians of all ages and grades of achievement. While entrants perform prepared pieces in the presence of an audience which includes competitors, the essential feature of this type of festival is that each participant receives verbal and written feedback, there and then, from a highly qualified, professional adjudicator — someone whom they might never meet in any other way. They also usually receive a certificate, classified according to merit, and some may win trophies. The competitive element is often played down, however, as the important aspect is that participants can learn from one another. Such festivals aim to provide a friendly and supportive platform for musicians to share in the excitement of making music. For many they provide a bridge between lessons & examinations and performing confidently in public.

The world's largest music festival is Summerfest, which is held for eleven days every year in Milwaukee, Wisconsin. Each year, it attracts between 800,000 and 1,000,000 spectators. The Woodstock Festival in 1969 drew nearly 500,000 attendees, and the Polish spin-off Przystanek Woodstock drew 700,000 in 2011. The oldest annual Music Festival in the world is Pinkpop Festival from the Netherlands.

Lists of music festivals[link]

Lists of music festivals in:

• Australia
• Belgium
• Canada
• Caribbean
• Germany
• Ireland
• Israel
• Italy
• Malawi
• The Netherlands
• New Zealand
• Poland
• Romania
• South Korea
• Spain
• United Kingdom
• United States

Lists of music festivals by genre:

• List of jazz festivals
• List of metal festivals
• List of rock and DJ festivals

See also[link]

• Christian music festival

References[link]

External links[link]

Kirk Hammett
Hammett performing live with Metallica on 29th August 2010
Background information
Birth name	Kirk Lee Hammett
Born	(1962-11-18) November 18, 1962 (age 49) San Francisco, California, USA
Genres	Heavy metal, thrash metal, hard rock, speed metal
Occupations	Musician, songwriter
Instruments	Guitar, sitar, bass
Years active	1979–present
Labels	Warner Bros., Elektra, Vertigo, Megaforce
Associated acts	Metallica, Exodus, Spastik Children
Website	www.metallica.com
Notable instruments
ESP KH-2 and KH-3 Signature models

Kirk Lee Hammett (born November 18, 1962) is the lead guitarist and a songwriter in the heavy metal band Metallica and has been a member of the band since 1983. Before joining Metallica he formed and named the band Exodus. In 2003, Hammett was ranked 11th on Rolling Stone's list of The 100 Greatest Guitarists of All Time.^[1] In 2009, Hammett was ranked number 15 in Joel McIver's book The 100 Greatest Metal Guitarists.^[2]

Biography[link]

Early life (1962–1980)[link]

Hammett was born on November 18, 1962 in San Francisco to a Filipina mother Teofila "Chefela" Oyao and an Irish Merchant Marine father.^[3] He attended De Anza High School in Richmond, California. While attending De Anza High School he met Les Claypool of Primus and they remain close friends.

After purchasing a 1978 Fender Stratocaster copy, Hammett attempted to customize his sound with various guitar parts, eventually buying a 1974 Gibson Flying V. Hammett also took a job at Burger King as a youth before quitting once he saved enough money for his Marshall amplifier.

Exodus (1980–1983)[link]

Hammett's musical interests eventually drew him into the fledgling thrash metal genre. In 1980, he formed the band Exodus with vocalist Paul Baloff, guitarist Gary Holt, bassist Geoff Andrews, and drummer Tom Hunting. He played on Exodus' 1982 Demo. Exodus was an influential band in the Bay Area thrash movement.

Metallica (1983–present)[link]

In 1983 Hammett was invited to join Metallica following the dismissal of the band's original lead guitarist Dave Mustaine, who went on to form the band Megadeth. This was prior to the recording of Kill 'Em All. At the time Hammett was taking private lessons from guitar virtuoso Joe Satriani.

Hammett has written and contributed riffs for Metallica songs since the mid-1980s (particularly in the 1990s during the Load era). One of these riffs, used in "Enter Sandman" became one of Metallica's most popular songs. It was the first track and first single on Metallica's self-titled Black Album and was ranked 399th on Rolling Stone's list of the greatest songs of all time.^[4] The bridge for "Creeping Death" was originally an Exodus riff that Hammett took with him to Metallica.

In 1986, during the band's European leg of their tour to support "Master of Puppets", Hammett, and bassist Cliff Burton had a dispute over sleeping arrangements, and it was decided by a card draw, in which Burton won by picking the Ace of Spades, once the draw was completed, Burton looked at Hammett, and stated "I want your bunk," to which Hammett stated that he might be able to sleep better in the front of the bus. Early the following morning, the tour bus slid off the road, and overturned, killing Burton. Hammett once stated in an interview that he once thought that it easily could've been him, instead of Burton.

Hammett is known for always having his picking hand taped up. During the course of a full tour, due to constantly palm muting and fast picking, the palm of his hand takes abuse.^[5]

Hammett's playing style is noted for his extensive use of the wah-wah pedal in his solos. Hammett says "The wah-wah is an extension of my personality." Hammett's use of the wah-pedal hadn't been featured in recent Metallica solos, but has seen a resurgence in his solos on the newest album Death Magnetic, in songs like "The Unforgiven III."

Hammett initially wanted to have guitar solos on Metallica's 2003 album, St. Anger, but drummer Lars Ulrich and producer Bob Rock thought that the solos did not sound right in the songs. He later admitted himself, "We tried to put in solos but they sounded like an afterthought so we left them out".

On April 4, 2009, Kirk, along with Metallica bandmates Lars Ulrich, James Hetfield, and Robert Trujillo and former Metallica bandmates Jason Newsted and the late Cliff Burton, were inducted into the Rock And Roll Hall Of Fame. In 2009 Hammett supplied the foreword to British author Joel McIver's book To Live Is To Die: The Life And Death Of Metallica's Cliff Burton.^[6]

Personal life[link]

Hammett has been married twice. His first marriage to ex-wife Rebecca lasted 3 years, having ended in 1990, during the recording of The Black Album. Hammett has been married to his second wife Lani, whom he married in 1998. They have two sons, Angel (b. September 29, 2006), and Vincenzo (b. June 28, 2008).

He and his family currently reside in San Francisco.

Between the end of touring promoting the Black Album and the start of touring in promotion of Load, he studied at San Francisco State University, focusing on Film and Asian Arts.^[7]

Other appearances[link]

In 2005, Hammett was featured playing the guitar roles on the Carlos Santana track "Trinity" alongside steel-pedal guitarist, Robert Randolph.

In 2006, Hammett voiced himself on The Simpsons ("The Mook, the Chef, the Wife and Her Homer"). He also provided various voices on the Adult Swim show Metalocalypse, including a two fingered fan ("The Curse of Dethklok"), The Queen of Denmark ("Happy Dethday"), and a Finnish barkeep ("Dethtroll"). He also appeared as a guest in an episode of Space Ghost: Coast to Coast titled "Jacksonville", alongside fellow Metallica member James Hetfield.

In 2010, Hammett played with Nicolas Abou Chedid on Nico's solo album.

Hammett played guitar on the track "Satan" with Orbital for the Spawn: The Album soundtrack released in July 1997.

After performing a set with Metallica at Bonnaroo in June 2008, Hammett played one song with My Morning Jacket and a couple songs with the annual Superjam collaboration, which also included Les Claypool and members of Gogol Bordello playing primarily Tom Waits songs.

He also appeared on the "Kichigai" E.P. by punk band Septic Death. He played additional lead guitar on the title track.

He appeared as a guest guitarist on K'Naan's "If Rap Gets Jealous" off of the Troubadour album.^[8]

Hammett is one of the main characters in Guitar Hero: Metallica, along with the rest of the current line-up of Metallica.

Hammett can be seen in the background in Primus' "John the Fisherman" video fishing off of Les Claypool's boat.

Hammett appeared in an episode of Jon Benjamin Has a Van as an actor and guitarist.

Equipment[link]

Guitars[link]

In 2007, ESP Guitar Company announced the release of a 20th Anniversary Limited KH-20 Guitar to celebrate 20 years of relationship with Kirk Hammett (based upon the KH-2 guitar with some modification). Only 41 guitars were in production, with the price at $9,999 USD a piece.

In January 2009, ESP also announced the rare release of Hammett's famous "ouija" guitar, which was very limited and for 2009 only.^[9]

Kirk Hammett in 2010

Kirk Hammett's current tour guitars:

• ESP M-II "Zorlac" - This was the starting line for the whole KH series. It features a vertical skull & crossbones as opposed to the horizontal ones featured on today's KH's, and an upside down Jackson Guitars style headstock which is what Hammett originally intended. However, Jackson Guitars threatened law suits if this model was ever sold. As a result, the headstock was changed to the typical ESP style, but flipped upside down.^[10][11]
• ESP M-II Standard - EMG and Seymour Duncan, Kirk used this a lot in the studio and live.
• ESP KH-2 "Bride of Frankenstein" - New for 2009.^[12]
• ESP KH-4 Chrome - New for 2009. A remake of his former KH-4 guitar, with a chrome pickguard, chrome hardware, and chrome EMG pickups.^[13]
• ESP MII-NT - New for 2009. It is custom finished with Occult-themed graphics.
• ESP KH-2 "Skully" - Hammett's main touring guitar. This signature model is based upon the modifications he made to his M-II.^[14]
• ESP KH-2 M-II "Boris Karloff Mummy" #I - This has been Hammett's favourite guitar for many years. It features the Boris Karloff Mummy I graphic of which Hammett owns the rights to. It will not be released by ESP. Hammett has 2 of these guitars, one with Eye of Horus inlays and the other with hieroglyphics inlays.^[15]
• ESP KH-2 M-II "Ouija" - This guitar contains 2 spelling errors. It sports the words "WILLIAM FUED TALKING BAARD SET" but it in fact should say "WILLIAM FULD TALKING BOARD SET". Hammett also now plays a White Version of this guitar on tour.^[16][17]
• ESP KH-2 M-II "Greenburst" A standard KH-2 with a custom green sunburst finish, green inlays, and green logo.
• ESP KH-3 Eclipse - Pushead Spider graphic. It is taken from a classic Les Paul Jr. shape with a Floyd Rose vibrato and EMG pickups.^[18]
• ESP Flying V copy - Cherry Red with white pickguard and gold hardware. Kirk uses this live mostly for the song Seek & Destroy.^[19]
• ESP Michael Schenker Flying V ^[20]
• ESP VIPER Baritone;; Used for performances of The Unnamed Feeling
• Gibson 1968 Les Paul Custom - Mostly on ballads such as "Fade to Black" and "Welcome Home (Sanitarium)".^[21]
• Gibson Les Paul Standard - Used on songs from St. Anger.^[22]
• Ibanez RG - Used during the Wherever We May Roam American and European tour. It was used as a stunt guitar and for Deep Purple covers.
• Jackson Randy Rhoads Model RR1T - Custom-Made specifically for Hammett. It is usually tuned one step down from standard tuning, and used for songs like "Sad but True" and "The Memory Remains".^[23]
• TC Customs Death Magnetic Flying V - Used in the "World Magnetic Tour." ^[24]
• Teuffel Birdfish - Designed and produced by German guitar designer/builder, Ulrich Teuffel. The model is limited (500 made) and is made to amplify sound using various pickups. This guitar is used live for "The Judas Kiss".^[25]
• Teuffel Tulsa

On the 25th anniversary of Metallica's debut album Kill 'Em All,Hammett appears on the cover of Feb. 2008's Guitar World sporting his new custom ESP. This model is the KH20, the 20th anniversary model from ESP.Guitar World - Covers Archive

In the video for "One", Hammett is seen using what is most likely an ESP Vintage Plus. It appears however to be modified; it has a Floyd Rose tremolo, which could have been Hammett's own work or a custom model.^[26]

Amplifiers and cabinets[link]

Throughout Metallica's career, Hammett has used a range of different amplifiers. For the first two albums, he used Marshall amplifiers and cabinets, with occasional effects. For the recording of Metallica's third album, Master of Puppets (1986), he and James Hetfield bought a Mesa/Boogie MarkIIC+ amplifier, and used Mesa/Boogie Dual Rectifier heads. Even when he made his move Randall Amplifiers in 2007, he still used Mesa/Boogie amps in his setup, and still does to this day. He currently uses 2 rackmounted Dual Rectifier 2-channel heads in tandem with his Randalls.

In September 2007, Randall Amplifiers announced a partnership with Hammett to design a line of signature amps, heads, combos and preamp modules.^[27]

In December 2011, it was announced by Fortin Amps that they would team up with Randall to start a new line of tube amps based on the Fortin Meathead amplifier. Hammett is currently using a prototype of the amp that he used for the Big 4 show at Yankee Stadium and for all of the shows in India and Asia, and was recently sent a second prototype.^[28]

Hammett has also been seen using a wide range of different amplifiers in the studio and during live performances.

Effects[link]

To avoid problems with pedals being damaged during live performances, Hammett keeps his effect pedals in a rack along with his amplifiers and his tech controls them through a pedalboard sidestage. The pedal controller allows him to change between different effect pedals and amplifiers.

In 2008, Jim Dunlop started working in partnership with Hammett to create a signature Wah-wah pedal, the KH95. It is now available to buy in stores.

Accessories[link]

Discography[link]

Death Angel[link]

• Kill as One (Demo) (Producer)

Headbanged[link]

• Metal Militia (Demo)

Exodus[link]

• 1982 Demo (1982)

Metallica[link]

• Kill 'Em All (1983)
• Ride the Lightning (1984)
• Master of Puppets (1986)
• ...And Justice For All (1988)
• Metallica (1991)
• Load (1996)
• ReLoad (1997)
• St. Anger (2003)
• Death Magnetic (2008)

See also[link]

• ESP Kirk Hammett

References[link]

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (March 2012)

This article uses bare URLs for citations. Please consider adding full citations so that the article remains verifiable. Several templates and the Reflinks tool are available to assist in formatting. (Reflinks documentation) (September 2011)

External links[link]

• Kirk Hammett at IMDB

Wikimedia Commons has media related to: Kirk Hammett

• Metallica's Gear
• Encyclopedia Metallica
• USA Today article on the documentary Some Kind of Monster
• Rock 'n' Roll Hall of Fame: Metallica FuseTV

"Weird Al" Yankovic
"Weird Al" Yankovic performing live in concert during his 2010 tour
Background information
Birth name	Alfred Matthew Yankovic
Also known as	"Weird Al" Yankovic
Born	(1959-10-23) October 23, 1959 (age 52)[1] Downey, California
Origin	Lynwood, California, United States
Genres	Parody, comedy, polka
Occupations	Record producer, satirist, parodist, singer-songwriter, musician, director, producer, actor
Instruments	Vocals, accordion, keyboards, theremin
Years active	1976–present
Labels	RCA, Capitol, Scotti Brothers, Volcano
Associated acts	Dr. Demento
Website	weirdal.com

Alfred Matthew "Weird Al" Yankovic (pronunciation: /ˈjæŋkəvɪk/;^[2] born October 23, 1959) is an American singer-songwriter, music producer, accordionist, actor, comedian, writer, satirist, and parodist. Yankovic is known for his humorous songs that make light of popular culture and that often parody specific songs by contemporary musical acts. Since his first-aired comedy song in 1976, he has sold more than 12 million albums (as of 2007),^[3] recorded more than 150 parody and original songs,^[4][5][6] and has performed more than 1,000 live shows.^[7] His works have earned him three Grammy Awards among nine nominations, four gold records, and six platinum records in the United States. Yankovic's first top ten Billboard album (Straight Outta Lynwood) and single ("White & Nerdy") were both released in 2006, nearly three decades into his career.

Yankovic's success comes in part from his effective use of music video to further parody popular culture, the song's original artist, and the original music videos themselves, scene-for-scene in some cases. He directed later videos himself and went on to direct for other artists including Ben Folds, Hanson, Black Crowes, and The Presidents of the United States of America. In addition to recording his albums, Yankovic wrote and starred in the film, UHF, and television show, The Weird Al Show. He has also made guest appearances on many television shows, in addition to starring in Al TV specials on MTV.^[1]

Early life[link]

Alfred was born in Downey, California, and raised in the town of Lynwood. He is the only child of Nick Louis Yankovic (June 4, 1917 – April 9, 2004)^[8] and Mary Elizabeth (née Vivalda; February 7, 1923 – April 9, 2004).^[8] His father was born in Kansas City, Kansas of Yugoslavian^[8][9] descent, and began living in California after serving during World War II;^[10][11] he believed "the key to success" was "doing for a living whatever makes you happy" and often reminded his son of this philosophy.^[10] Nick Yankovic married Mary Elizabeth Vivalda in 1949. Mary, who was of Italian and English descent, and had come to California from Kentucky, gave birth to Alfred ten years later.^[10]

Al's first accordion lesson, which sparked his career in music, was on the day before his sixth birthday. A door-to-door salesman traveling through Lynwood offered the Yankovic parents a choice of accordion or guitar lessons at a local music school. Yankovic claims the reason his parents chose accordion over guitar was "They figured there should be at least one more accordion-playing Yankovic in the world", referring to Frankie Yankovic, to whom he is not related directly.^[12] Yankovic said that "[his] parents chose the accordion because they were convinced it would revolutionize rock."^[9] He continued lessons at the school for three years before continuing to learn on his own.^[8] Yankovic's early accordion role models include Frankie Yankovic and Myron Floren (the accordionist on The Lawrence Welk Show).

In the 1970s, Yankovic was a big fan of Elton John and claims John's Goodbye Yellow Brick Road album "was partly how I learned to play rock 'n roll on the accordion."^[10] As for his influences in comedic and parody music, Yankovic lists artists including Tom Lehrer, Stan Freberg, Spike Jones, Allan Sherman, Shel Silverstein and Frank Zappa "and all the other wonderfully sick and twisted artists that he was exposed to through the Dr. Demento Radio Show."^[8][13] Other sources of inspiration for his comedy come from Mad magazine,^[10] Monty Python,^[14] and the Zucker, Abrahams and Zucker parody movies.^[15]

Yankovic began kindergarten a year earlier than most children, and he skipped the second grade. "My classmates seemed to think I was some kind of rocket scientist so I was labeled a nerd early on", he recalls.^[10] As his unusual schooling left him two years younger than most of his classmates, Yankovic was not interested in sports or social events at school. He was valedictorian of his senior class.^[10] Yankovic was active in his school's extracurricular programs, including the National Forensic League, a play based upon Rebel Without a Cause, the yearbook (for which he wrote most of the captions), and the Volcano Worshippers club, "which did absolutely nothing. We started the club just to get an extra picture of ourselves in the yearbook."^[10]

Yankovic attended California Polytechnic State University in San Luis Obispo where he earned a degree in architecture.^[9]

Career[link]

Dr. Demento and early fame[link]

Yankovic received his first exposure via southern California and syndicated comedy radio personality Dr. Demento's radio show, saying "If there hadn't been a Dr. Demento, I'd probably have a real job now."^[16] In 1976, Dr. Demento spoke at Yankovic's school where the then 16 year old Yankovic gave him a homemade tape of original and parody songs performed on the accordion in Yankovic's bedroom into a "cheesy little tape recorder". The tape's first song was "Belvedere Cruisin'", about his family's Plymouth Belvedere, was played on Demento's comedy radio show, launching Yankovic's career. Demento said "'Belvedere Cruising' might not have been the very best song I ever heard, but it had some clever lines [...] I put the tape on the air immediately.".^[10][17] Yankovic also played at local coffeehouses, saying:

It was sort of like amateur music night, and a lot of people were like wannabe Dan Fogelbergs. They'd get up on stage with their acoustic guitar and do these lovely ballads. And I would get up with my accordion and play the theme from 2001. And people were kind of shocked that I would be disrupting their mellow Thursday night folk fest.^[18]

During Yankovic's sophomore year as an architecture student at Cal Poly at San Luis Obispo, he became a disc jockey at the university's radio station, KCPR. Yankovic said he had been nicknamed Weird Al by fellow students and "took it on professionally" as his persona for the station.^[10] In 1978, he released his first recording (as Alfred Yankovic), "Take Me Down", on the LP, Slo Grown, as a benefit for the Economic Opportunity Commission of San Luis Obispo County. The song mocked famous nearby landmarks such as Bubblegum Alley and the fountain toilets at the Madonna Inn.

In mid-1979, shortly before his senior year, "My Sharona" by The Knack was on the charts and Yankovic took his accordion into the restroom across the hall from the radio station (to take advantage of the echo chamber acoustics) and recorded a parody titled "My Bologna". He sent it to Dr. Demento, who played it to good response from listeners. Yankovic met The Knack after a show at his college and introduced himself as the author of "My Bologna". The Knack's lead singer, Doug Fieger, said he liked the song and suggested that Capitol Records vice president Rupert Perry release it as a single.^[10] "My Bologna" was released as a single with "School Cafeteria" as its B-side, and the label gave Yankovic a six-month recording contract. Yankovic, who was "only getting average grades" in his architecture degree, began to realize that he might make a career of comedic music.^[10]

On September 14, 1980, Yankovic was a guest on the Dr. Demento Show, where he was to record a new parody live. The song was called "Another One Rides the Bus", a parody of Queen's hit, "Another One Bites the Dust". While practicing the song outside the sound booth, he met Jon "Bermuda" Schwartz, who told him he was a drummer and agreed to bang on Yankovic's accordion case to help Yankovic keep a steady beat during the song. They rehearsed the song just a few times before the show began.^[10] "Another One Rides the Bus" became so popular that Yankovic's first television appearance was a performance of the song on The Tomorrow Show (April 21, 1981) with Tom Snyder. On the show, Yankovic played his accordion, and again, Schwartz banged on the accordion case and provided comical sound effects.

Band and fame[link]

1981 brought Yankovic on tour for the first time as part of Dr. Demento's stage show. His stage act in a Phoenix, Arizona, nightclub caught the eye of manager Jay Levey, who was "blown away".^[10] Levey asked Yankovic if he had considered creating a full band and doing his music as a career. Yankovic admitted that he had, so Levey held auditions. Steve Jay became Yankovic's bass player, and Jay's friend Jim West played guitar. Schwartz continued on drums. Yankovic's first show with his new band was on March 31, 1982.^[7] Several days later, Yankovic and his band were the opening act for Missing Persons.

Yankovic recorded "I Love Rocky Road", (a parody of "I Love Rock 'n' Roll" as recorded by Joan Jett and The Blackhearts) which was produced by Rick Derringer, in 1982. The song was a hit on Top 40 radio, leading to Yankovic's signing with Scotti Brothers Records. In 1983, Yankovic's first self-titled album was released on Scotti Bros. He released his second album "Weird Al" Yankovic in 3-D in 1984. The first single "Eat It", a parody of the Michael Jackson song "Beat It", became popular, thanks in part to the music video, a shot-for-shot parody of Jackson's "Beat It" music video, and what Yankovic described as his "uncanny resemblance" to Jackson. Peaking at number 12 on the Billboard Hot 100 on April 14, 1984,^[19] "Eat It" remained Yankovic's highest-charting single until "White & Nerdy" placed at number 9 in October 2006.^[20]

In 1985, Yankovic co-wrote and starred in a mockumentary of his own life titled The Compleat Al, which intertwined the facts of his life up to that point with fiction. The movie also featured some clips from Yankovic's trip to Japan and some clips from the Al TV specials. The Compleat Al was co-directed by Jay Levey, who would direct UHF four years later. Also released around the same time as The Compleat Al was The Authorized Al, a biographical book based on the film. The book, resembling a scrapbook, included real and fictional humorous photographs and documents.

Yankovic and his band toured as the opening act for The Monkees in mid-1987 for their second reunion tour of North America. Yankovic claims to have enjoyed touring with The Monkees, despite the fact "the promoter gypped us out of a bunch of money."^[21]

Yankovic also appeared on the Wendy Carlos recording of Prokofiev's "Peter and the Wolf" as the narrator in 1988. The album also included a sequel of Camille Saint-Saëns's composition The Carnival of the Animals titled the "Carnival of the Animals Part II", with Yankovic providing humorous poems for each of the featured creatures in the style of Ogden Nash, who had written humorous poems for the original. Rubén Valtierra joined the band on keyboards in 1991, allowing Yankovic to concentrate more on singing and increasing his use of the stage space during concerts.

A factual biographical booklet of Yankovic's life, written by Dr. Demento, was released with the 1994 box set compilation Permanent Record: Al in the Box.^[10] The Dr. Demento Society, which issues yearly Christmas re-releases of material from Dr. Demento's Basement Tapes, often includes unreleased tracks from Yankovic's vaults, such as "Pacman", "It's Still Billy Joel To Me" or the live version of "School Cafeteria".

New look and career to present[link]

On January 24, 1998, Yankovic had LASIK eye surgery to correct his extreme myopia.^[22] In the same period, he shaved off his moustache and grew out his hair, thus radically changing his signature look (he had previously shaved his mustache in 1983 for the video of "Ricky" to resemble Desi Arnaz and 1996 for the "Amish Paradise" video). Yankovic reasoned, "If Madonna's allowed to reinvent herself every 15 minutes, I figure I should be good for a change at least once every 20 years."^[23] He parodied the reaction to this "new look" in a commercial for his nonexistent MTV Unplugged special. The commercial featured Yankovic in the short-haired wig from the music video for Hanson's "River", claiming his new look was an attempt to "get back to the core of what I'm all about", that being "the music".^[24]

Three of his latest albums feature the longest songs Yankovic has ever released. The "Albuquerque" track from Running with Scissors is 11 minutes and 23 seconds; "Genius in France" from Poodle Hat runs for 8 minutes and 56 seconds; "Trapped in the Drive-Thru" from Straight Outta Lynwood is 10 minutes and 53 seconds long. Before 2007 (apart from a one-off performance of "Albuquerque" in Albuquerque, New Mexico),^[25] these "epic" songs were not performed live in their entirety due to their length and complexity. (See Live performances for details)

Yankovic has also started to explore digital distribution of his songs. On October 7, 2008, Yankovic released to the iTunes Store "Whatever You Like", a parody of the T.I. song of the same title, which Yankovic said he had come up with two weeks before. Yankovic said that the benefit of digital distribution is that "I don't have to wait around while my songs get old and dated—I can get them out on the Internet almost immediately."^[26] In 2009, Yankovic released four more songs: "Craigslist" on June 16, "Skipper Dan" on July 14, "CNR" on August 4, and "Ringtone" on August 25. These five digitally released songs were packaged as a digital EP titled Internet Leaks, with "Whatever You Like" retroactively included in the set.^[27]

In 2011, Yankovic completed his thirteenth studio album. This album, titled Alpocalypse, is his first studio album since Straight Outta Lynwood, and was released on June 21, 2011.^[28] The album contains the five songs from the previous Internet Leaks digital download release, a polka medley called "Polka Face", a song called "TMZ" for which Bill Plympton created an animated music video, and five other new songs.^[29][30]

Yankovic had reported an interest in parodying Lady Gaga's material,^[31] and on April 20 announced that he had written and recorded a parody of "Born This Way" titled "Perform This Way", to be the lead single for his new album. However, upon first submitting it to Lady Gaga's manager for approval (which Yankovic does as a courtesy), he was not given permission to release it commercially. As he had previously done under similar circumstances (with his parody of James Blunt's "You're Beautiful"), Yankovic then released the song for free on the internet. Soon afterwards, Gaga's manager admitted that he had denied the parody of his own accord without forwarding the song to his client, and upon seeing it online, Lady Gaga granted permission for the parody. Yankovic has stated that all of his proceeds from the parody and its music video will be donated to the Human Rights Campaign, to support the human rights themes of the original song.^[32][33]

Yankovic was also a judge for the 10th annual Independent Music Awards to support independent artists' careers.^[34]

Personal life[link]

Yankovic married Suzanne Krajewski in 2001; their daughter, Nina, was born in 2003.^[35] They also have a pet cockatiel named Bo Veaner^[8] and dog named Bambu. They used to have a pet poodle, named Bela (pictured atop Yankovic's head on the cover of his album, Poodle Hat). Yankovic identifies as Christian and has stated that a couple from his church appeared on the cover of Poodle Hat.^[36][37]

Yankovic changed his diet to become a vegan in 1992, after a former girlfriend gave him the book Diet for a New America and he felt "it made [...] a very compelling argument for a strict vegetarian diet."^[38] When asked how he can "rationalize" performing at events such as the Great American Rib Cook-Off when he is a vegan, he replied, "The same way I can rationalize playing at a college even though I’m not a student anymore."^[39]

In 2004, Yankovic's parents were found dead in their Fallbrook, California, home, apparently the victims of accidental carbon monoxide poisoning from their fireplace that had been recently lit. The flue was closed, which trapped the carbon monoxide gas inside the house, suffocating them.^[35] Several hours after his wife notified him of his parents' death, Yankovic went on with his concert in Mankato, Minnesota,^[40] saying that "since my music had helped many of my fans through tough times, maybe it would work for me as well" and that it would "at least ... give me a break from sobbing all the time." Although Yankovic played the concert as planned, a scheduled meet and greet following the concert was canceled.^[41][42]

Music career[link]

While Yankovic's song parodies (such as "Eat It") have resulted in success on the Billboard charts (see List of singles by "Weird Al" Yankovic), he recorded an equally large number of original humorous songs ("You Don't Love Me Anymore" and "One More Minute").^[8] His work depends largely on the satirizing of popular culture, including television (see The TV Album), movies ("The Saga Begins"), food (see The Food Album), popular music ("Bohemian Polka", "Polkarama"), and sometimes issues in contemporary news ("Headline News"). Yankovic claims he has no intention of writing "serious" music. In his reasoning, "There's enough people that do unfunny music. I'll leave the serious stuff to Paris Hilton and Kevin Federline."^[43]

Although many of Yankovic's songs are parodies of contemporary radio hits, it is rare that the song's primary topic lampoons the original artist as a person, or the song itself. Most Yankovic songs consist of the original song's music, with a separate, unrelated set of amusing lyrics. Yankovic considered that his first true satirical song was "Smells Like Nirvana", which references unintelligible lyrics in Nirvana's "Smells Like Teen Spirit".^[44] Other satirical songs include "Achy Breaky Song", which refers to the song "Achy Breaky Heart", "(This Song's Just) Six Words Long", which refers to the repetitious lyrics in "Got My Mind Set on You", the unreleased "It's Still Billy Joel to Me", and Perform This Way", set to Lady Gaga's "Born This Way".

Yankovic's humor normally lies more in creating unexpected incongruity between an artist's image and the topic of the song, contrasting the style of the song with its content (such as the songs "Amish Paradise", "White & Nerdy", and "You're Pitiful"), or in pointing out trends or works which have become pop culture clichés (such as "eBay" and "Don't Download This Song").

Yankovic is the sole writer for all his songs and, for "legal and personal reasons", does not accept parody submissions or ideas from fans.^[8] There exists, however, one exception to this rule in the case of "Like a Surgeon". Madonna was reportedly talking with a friend and happened to wonder aloud when Yankovic was going to turn her "Like a Virgin" into "Like a Surgeon". Madonna's friend was a mutual friend of Yankovic's manager, Jay Levey, and eventually Yankovic himself heard the story from Levey.^[10]

Unlike other parody artists such as Allan Sherman, Yankovic strives to keep the backing music in his parodies the same as the original. While Sherman reproduced them orchestrally, Yankovic and his band essentially play the original song with new lyrics. Instead of using instrumental versions of the original songs, Yankovic and his band transcribe the original song by ear and re-record the song for Yankovic's parody version.^[45] Sometimes artists whose work Yankovic parodies perform on the recordings,i.e. Dire Straits members Mark Knopfler and Guy Fletcher perform on Yankovic's parody of Dire Straits' "Money for Nothing" and "Money for Nothing/Beverly Hillbillies*".

Yankovic also includes a medley of various songs on most albums, each one reinterpreted as a polka, with the choruses or memorable lines of various songs juxtaposed for humorous effect. Yankovic has been known to say that converting these songs to polka was "...the way God intended". Because the polkas have become a staple of Yankovic's albums, he has said he tries to include one on each album because "fans would be rioting in the streets, I think, if I didn't do a polka medley."^[46]

Some of Yankovic's original songs are "style parodies" for which he chooses a band's entire body of work to honor/parody, rather than any single hit by that band. Such bands include Rage Against the Machine with "I'll Sue Ya" (which features many aspects of the hit song "Killing in the Name"), Devo with "Dare to Be Stupid", Talking Heads with "Dog Eat Dog", Frank Zappa with "Genius in France", Nine Inch Nails with "Germs", and Queen with "Ringtone".^[47] Others are style parodies in the style of a genre of music, rather than a specific band (for example, country music with "Good Enough For Now" and charity records with "Don't Download This Song").

Yankovic has contributed original songs to several films ("This Is the Life" from Johnny Dangerously; "Polkamon" from the movie Pokémon: The Movie 2000, and a parody of the James Bond title sequence in Spy Hard), in addition to his own film, UHF. Other songs of his have appeared in films or television series as well, such as "Dare to Be Stupid" in The Transformers: The Movie.

One of Yankovic's recurring jokes involves the number 27. It is mentioned in the lyrics of several songs, and seen on the covers for Running With Scissors, Poodle Hat^[48] and Straight Outta Lynwood. He had originally just pulled the number 27 as a random figure to use in filling out lyrics, but as his fans started to notice the reuse of the number after the first few times, he began to purposely drop references to 27 within his lyrics, videos, and album covers. He explains that "It's just a number I started using that people started attaching a lot of importance to."^[49] Other recurring jokes revolve around the names Bob (the Al TV interviews often mention the name,^[50] and a song called "Bob" is featured on Poodle Hat), Frank (e.g. "Frank's 2000" TV"), and the surname "Finkelstein" (e.g. the music video for "I Lost on Jeopardy", or Fran Drescher's character, Pamela Finkelstein, in UHF). Also, a hamster called Harvey the Wonder Hamster is a recurring character in The Weird Al Show and the Al TV specials, as well as the subject of an original song on Alapalooza. Other recurring jokes include Yankovic borrowing, or being owed, $5. In a number of Al TV interviews, he often asks if he can borrow $5, being turned down every time. This motif also occurs in "Why Does This Always Happen to Me?", in which his deceased friend owes him $5. Another recurring joke is his attraction to female nostrils or nostrils in general. This also appears in numerous Al TV interviews as well as in several of his songs ("Albuquerque" and "Wanna B Ur Lovr" to name a few.) Yankovic also asks his celebrity guests if they could "shave his back for a nickel." This also appears in the song "Albuquerque". Yankovic has also put two backmasking messages into his songs. The first, in "Nature Trail to Hell", said "Satan Eats Cheez Whiz"; the second, in "I Remember Larry", said "Wow, you must have an awful lot of free time on your hands."^[51]

Yankovic's career in novelty and comedy music has outlasted many of his "mainstream" parody targets, such as Toni Basil, MC Hammer, and Men Without Hats.^[52][53] Yankovic's continued success (including the top 10 single "White & Nerdy" and album Straight Outta Lynwood in 2006) has enabled him to escape the one-hit wonder stigma often associated with novelty music.^[54]

Music videos[link]

While Yankovic's musical parodies generally do not include references to the songs or the artists of the original songs, Yankovic's music videos will sometimes parody the original song's music video in whole or in part. Most notably, the video for "Smells Like Nirvana" uses an extremely similar set to Nirvana's "Smells Like Teen Spirit", including using several of the same actors. This video contended with "Smells like Teen Spirit" at the 1992 MTV Video Music Awards for Best Male Video. Other videos that draw directly from those of the original song include "Eat It", "Fat", "Money for Nothing/Beverly Hillbillies*", "Bedrock Anthem", "Headline News", "It's All about the Pentiums", "Amish Paradise", "Like a Surgeon", and "White & Nerdy". The video for "Dare to Be Stupid" is, as stated by Yankovic, a style parody in general of Devo videos.^[55]

Several videos have included appearances by notable celebrities in addition to Yankovic and his band. Dr. Demento appeared in several of Yankovic's earlier videos, such as "I Love Rocky Road" and "Ricky". Actor Dick Van Patten is featured in both "Smells Like Nirvana" and "Bedrock Anthem"; Drew Carey, Emo Philips and Phil LaMarr appeared in "It's All About the Pentiums"; Keegan-Michael Key, Jordan Peele, Donny Osmond, Judy Tenuta and Seth Green appeared in "White & Nerdy"; and Ruth Buzzi and Pat Boone appeared in "Gump". The video for "I Lost on Jeopardy" includes an appearance by Greg Kihn, the artist whose song, "Jeopardy", was being parodied, along with Don Pardo and Art Fleming, Jeopardy's original announcer and host, as themselves. Florence Henderson played Yankovic's Amish wife in "Amish Paradise".

While most videos that Yankovic creates are aired on music channels such as MTV and VH1, Yankovic worked with animation artists to create music videos for release with extended content albums. The DualDisc version of Straight Outta Lynwood features six videos set to songs from the release, including videos created by Bill Plympton and John Kricfalusi; one video, "Weasel Stomping Day" was created by the producers of the show Robot Chicken, and aired as a segment of that program. As of fall 2010, Yankovic is again collaborating with Bill Plympton to create a video for a new song ("TMZ") which will appear on his upcoming album.^[30]

Reactions from original artists[link]

Under the "fair use" provision of U.S. copyright law, affirmed by the United States Supreme Court, one does not need permission to record a parody.^[56] However, as a personal rule, and as a means of maintaining good relationships within the music community, Yankovic has always requested permission from the original artist before recording his parodies.^[8] He claims that only about two to three percent of the artists he approaches for parody permission deny his requests.^[57] Also, according to Stanford Libraries, fair use is unlikely to justify a parody song that parodies more than a few lines of song lyrics from an existing song.^[58]

Positive[link]

Michael Jackson was a big fan of Yankovic, and Yankovic claimed Jackson "had always been very supportive" of his work.^[57] Jackson twice allowed him to parody his songs ("Beat It" and "Bad" became "Eat It" and "Fat", respectively). When Jackson granted Yankovic permission to do "Fat", Jackson allowed him to use the same set built for his own "Badder" video from the Moonwalker video. Though Jackson allowed "Eat It" and "Fat", he requested that Yankovic not record a parody of "Black or White", titled "Snack All Night", because he felt the message was too important. This refusal, coming shortly after the commercial failure of Yankovic's movie UHF in theaters, had initially set Yankovic back; he later recognized this as a critical time, as in searching for new parodies, he came across Nirvana and leading to a revitalization of his career with "Smells Like Nirvana".^[57] Yankovic has performed a concert-only parody "Snack All Night" in some of his live shows.^[25] Yankovic had a cameo appearance, along with many other celebrities, in Jackson's music video for "Liberian Girl".

Yankovic performing "The Saga Begins" in Auckland, New Zealand on March 10, 2007.

Dave Grohl of Nirvana said that the band felt they had "made it" after Yankovic recorded "Smells Like Nirvana", a parody of the grunge band's smash hit, "Smells Like Teen Spirit".^[8] On his Behind the Music special, Yankovic stated that when he called Nirvana frontman Kurt Cobain to ask if he could parody the song, Cobain gave him permission, then paused and asked, "Um... it's not gonna be about food, is it?" Yankovic responded with, "No, it'll be about how no one can understand your lyrics." According to members of Nirvana interviewed for Behind the Music, when they saw the video of the song, they laughed hysterically. Additionally, Cobain described Yankovic as "a musical genius".^[59]

Mark Knopfler approved Yankovic's parody of the Dire Straits song "Money for Nothing" for use in the film UHF on the provision that Knopfler himself be allowed to play lead guitar on the parody which was later titled "Money for Nothing/Beverly Hillbillies*".^[60] Yankovic commented on the legal complications of the parody in the DVD audio commentary for UHF, explaining "We had to name that song 'Money for Nothing 'slash' Beverly Hillbillies 'asterisk' because the lawyers told us that had to be the name. Those wacky lawyers! What ya gonna do?"^[61] The Permanent Record: Al in the Box booklet referred to the song's "compound fracture of a title."^[10] When a fan asked about the song's title, Yankovic shared his feelings on the title, replying "That incredibly stupid name is what the lawyers insisted that the parody be listed as. I'm not sure why, and I've obviously never been very happy about it."^[62]

The Presidents of the United States of America were so pleased with "Gump", Yankovic's parody of their song "Lump", that they ended the song with his last line instead of their own ("And that's all I have to say about that") on the live recording of "Lump" featured on the compilation album Pure Frosting. In 2008, Yankovic directed the music video for their song "Mixed Up S.O.B."

Don McLean was reportedly pleased with "The Saga Begins", a parody of "American Pie", and told Yankovic that the parody's lyrics sometimes enter his mind during live performances.^[63] His parody not only replicates the music from the original Don McLean song, but it replicates the multi-layered rhyming structure in the verses and chorus. Additionally, George Lucas loved the song and a Lucasfilm representative told Yankovic, "You should have seen the smile on his face."^[64]

Chamillionaire was also very pleased, even putting Yankovic's parody "White & Nerdy" (a parody of "Ridin'") on his official MySpace page before it was on Yankovic's own page. Chamillionaire stated in an interview, "He's actually rapping pretty good on it, it's crazy [...] I didn't know he could rap like that. It's really an honor when he does that. [...] Weird Al is not gonna do a parody of your song if you're not doing it big."^[65] In September 2007, Chamillionaire credited "White & Nerdy" for his recent Grammy win, stating "That parody was the reason I won the Grammy, because it made the record so big it was undeniable. It was so big overseas that people were telling me they had heard my version of Weird Al's song."^[66]

In 2011, Yankovic was initially denied permission to parody Lady Gaga's "Born This Way" for his song "Perform This Way" for release on a new album, but through his release of the song on YouTube and subsequent spread via Twitter, Lady Gaga and her staff asserted that her manager had made the decision without her input, and Gaga herself gave Yankovic permission to proceed with the parody's release.^[57][67] Gaga considered herself "a huge Weird Al fan",^[68] and she stated that the parody was a "rite of passage" for her musical career and considered the song "very empowering".^[69]

Negative[link]

One of Yankovic's most controversial parodies was 1996's "Amish Paradise", based on "Gangsta's Paradise" by hip-hop artist Coolio, which, in turn, was based on "Pastime Paradise" by Stevie Wonder. Reportedly, Coolio's label gave Yankovic the impression that Coolio had granted permission to record the parody, but Coolio maintains that he never did. While Coolio claimed he was upset, legal action never materialized, and Coolio accepted royalty payments for the song. After this controversy, Yankovic has always made sure to speak directly with the artist of every song he parodied. At the XM Satellite Radio booth at the 2006 Consumer Electronics Show Yankovic and Coolio made peace. On his website, Yankovic wrote of this event, "I don’t remember what we said to each other exactly, but it was all very friendly. I doubt I’ll be invited to Coolio’s next birthday party, but at least I can stop wearing that bulletproof vest to the mall."^[70]

In 2003, Yankovic was denied permission to make a video for "Couch Potato", his parody of Eminem's "Lose Yourself":

Last year, Eminem forced me to halt production on the video for my 'Lose Yourself' parody because he somehow thought that it would be harmful to his image or career.^[71]

For the Poodle Hat Al TV special, Yankovic raised the question of artistic expression in a fake interview with Eminem. As Yankovic has always done for his Al TV specials, he edited the footage of a previous Eminem interview and inserted himself asking questions for comic effect.^[72]

Refused parodies[link]

On numerous occasions, Prince has refused Yankovic permission to record parodies of his songs. Yankovic has stated in interviews that he has "approached him every few years [to] see if he's lightened up."^[73] Yankovic related one story where, prior to the American Music Awards where he and Prince were assigned to sit in the same row, he got a telegram from Prince's lawyers, demanding he not make eye contact with the artist.^[57]

Led Zeppelin guitarist Jimmy Page is a self-proclaimed Yankovic fan, but when Yankovic wished to create a polka medley of Led Zeppelin songs, Page refused.^[74] Yankovic was, however, allowed the very rare opportunity to re-record a sample of "Black Dog" for a segment of "Trapped in the Drive-Thru".^[75]

Paul McCartney, also a Yankovic fan, refused Yankovic permission to record a parody of Wings' "Live and Let Die", titled "Chicken Pot Pie", because McCartney is a vegetarian and found the parody to be in bad taste.^[76]

In 2006, Yankovic gained James Blunt's permission to record a parody of "You're Beautiful". However, after Yankovic had recorded "You're Pitiful", Blunt's label, Atlantic Records, rescinded this permission, despite Blunt's personal approval of the song.^[57] The parody was pulled from Yankovic's Straight Outta Lynwood due to his label's unwillingness to "go to war" with Atlantic. Yankovic released the song as a free download on his MySpace profile, as well as his official website, and plays it in concert, since it was not Blunt himself objecting to the parody.^[77]

Live performances[link]

Weird Al wearing his "Atlantic Records Sucks" shirt during a performance of "You're Pitiful", on August 8, 2007, at the Ohio State Fair.

Yankovic often describes his live concert performances as "a rock and comedy multimedia extravaganza"^[78] with an audience that "ranges from toddlers to geriatrics."^[43] Apart from Yankovic and his band performing his classic and contemporary hits, staples of Yankovic's live performances include a medley of parodies, many costume changes between songs, and a video screen on which various clips are played during the costume changes.^[78] A concert from Yankovic's 1999 tour for the Running with Scissors album ("Touring with Scissors") was released on VHS in 1999 and on DVD in 2000.^[5] Titled "Weird Al" Yankovic Live!, the concert was recorded at the Marin County Civic Center in San Rafael, California, on October 2, 1999.^[79] For legal reasons, video clips (apart from those for Yankovic's own music videos) could not be shown for the home release, and unreleased parodies were removed from the parody medley for the performance.^[80]

2003 saw Yankovic on tour overseas for the first time. Before 2003, Yankovic and his band had toured only the United States and parts of Canada.^[7] Following the success of Poodle Hat in Australia, Yankovic performed eleven shows in Australia's major capital cities and regional areas in October of that year.^[81] Yankovic returned to Australia and toured New Zealand for the first time in 2007 to support the Straight Outta Lynwood album. On September 8, 2007, Yankovic performed his 1,000th live show at Idaho Falls, Idaho.^[7]

He performed his first ever European mini-tour, including an appearance at the All Tomorrow's Parties music festival in Minehead, England in December 2010. Yankovic was picked to perform by the Canadian band Godspeed You Black Emperor who curated the festival's lineup. Yankovic played three other dates in the UK around his festival appearance before performing a single date in the Netherlands.^{[citation needed]}

Other work[link]

[edit] UHF

In 1989, Yankovic starred in a full-length feature film, co-written by himself and manager Jay Levey, and filmed in Tulsa, Oklahoma called UHF. A satire of the television and film industries, also starring Michael Richards, Fran Drescher, and Victoria Jackson, it brought floundering studio Orion their highest test scores since the movie RoboCop.^[82] However, it was unsuccessful in theaters.^{[citation needed]}

The film has since become a cult classic, with out-of-print copies of the VHS version selling for up to $100 on eBay until the release of the DVD in 2002.^{[citation needed]} Yankovic occasionally shows clips from the film at his concerts (to which MGM, the film's current owner, initially objected in the form of a cease and desist letter).^[83] In an apparent attempt to make it more accessible to overseas audiences, where the term UHF is used less frequently to describe TV broadcasts, the film was titled The Vidiot From UHF in Australia and parts of Europe.^[84]

UHF shows the creation of Yankovic's signature food—the Twinkie Wiener Sandwich. The snack consists of an overturned Twinkie split open as a makeshift bun, a hot dog, and Easy Cheese put together and dipped in milk before eating. Yankovic has stated that he has switched to using tofu hot dogs since becoming a vegetarian, but still enjoys the occasional Twinkie Wiener Sandwich.^[85]

Notable television appearances[link]

Yankovic had a TV series called The Weird Al Show, which aired from September 1997 to December 1997 on CBS. Though the show appeared to be geared at children, the humor was really more for his adult fans (as such, it is often compared to Pee-wee's Playhouse). The entire series was released on DVD by Shout! Factory on August 15, 2006.

Yankovic has hosted Al TV on MTV and Al Music on MuchMusic many times, generally coinciding with the release of each new album. For Poodle Hat, Al TV appeared on VH1 for the first time. A recurring segment of Al TV involves Yankovic manipulating interviews for comic effect. He inserts himself into a previously conducted interview with a musician, and then manipulates his questions, resulting in bizarre and comic responses from the celebrity.

VH1 produced a Behind the Music episode on Yankovic. His two commercial failures (his film UHF and his 1986 album Polka Party!) were presented as having a larger impact on the direction of his career than they really had. Also, Coolio's later disapproval of "Amish Paradise" was played up as a large feud. Much was also made over his apparent lack of a love life, though he got married shortly after the program aired. The episode was updated and re-released in early 2012 as part of the "Behind the Music Remastered" series.

Yankovic has done voice-overs for a number of animated series. He appeared in a 2003 episode of The Simpsons, singing "The Ballad of Homer & Marge" (a parody of John Mellencamp's "Jack and Diane") with his band. The episode, "Three Gays of the Condo", in which Marge hires Yankovic to sing the aforementioned song to Homer in an attempt to reconcile their marriage, later won an Emmy Award for "Outstanding Animated Program (For Programming Less Than One Hour)". Yankovic also had a cameo in a 2008 episode, titled "That '90s Show", during which he records a parody of Homer's grunge hit "Shave Me" titled "Brain Freeze" (Homer's song, "Shave Me", was itself a parody of Nirvana's "Rape Me") making Yankovic one of only a handful of celebrities to appear twice on the show playing themselves. He appeared in the animated Adult Swim show Robot Chicken, which provided him with a music video for the song "Weasel Stomping Day".^[86][87] Yankovic is the voice for Squid Hat on the Cartoon Network show, The Grim Adventures of Billy & Mandy. He is also the announcer of the cartoon's eponymous video game adaptation. Yankovic had a guest appearance voicing Wreck-Gar, a waste collection vehicle Transformer in the Transformers: Animated cartoon series;^[88] previously, Yankovic's "Dare to Be Stupid" song was featured in the 1986 animated film The Transformers: The Movie, during the sequence in which the Wreck-Gar character was first introduced; as such, the song is referenced in the episode. He also plays local TV talent show host Uncle Muscles on several episodes of Tim and Eric Awesome Show, Great Job along with other appearances on the show. Weird Al has also supplied the voice of one-shot character 'Petroleum Joe' on The Brak Show. He also voiced himself on a Back at the Barnyard episode, and he appeared as a ringmaster who helps the regular characters of Yo Gabba Gabba organize a circus in a 2007 episode of the children's show. In 2012, Al was extensively featured in the sixth season episode of 30 Rock called "Kidnapped by Danger", where Jenna tries to come up with a "Weird Al-proof" song.^[89]