Janam
Directed by	Mahesh Bhatt
Produced by	Mukesh Bhatt
Written by	Mahesh Bhatt (Story and screenplay) Suraj Sanim (Dialogues)
Starring	Kumar Gaurav Anupam Kher Anita Kanwar Shernaz Patel
Music by	Ajit Verman
Cinematography	Pravin Bhatt
Editing by	Renu Saluja
Release date(s)	1985
Country	India
Language	Hindi

Janam ("Birth") is a 1985 Hindi film directed and written by Mahesh Bhatt. It is one of the autobiographical films Bhatt created in the early part of his career.

Overview[link]

Janam was created after Mahesh Bhatt's acclaimed films Arth (1982) and Saaransh (1984), and established Mahesh Bhatt as a promising new director of the Indian film industry, long before he ventured into his more commercial endeavours.

This film was followed by other films with similar themes from Bhatt's personal life, including Naam (1986), Zakhm (1998) and Woh Lamhe (2006), films for which he provided the story.

Cast[link]

• Kumar Gaurav
• Anupam Kher
• Shernaz Patel
• Kitu Gidwani
• Anita Kanwar
• Deepak Qazir

External links[link]

• Janam at the Internet Movie Database

This article may contain wording that merely promotes the subject without imparting verifiable information. Please remove or replace such wording, unless you can cite independent sources that support the characterization. (December 2011)

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Shammi Kapoor (Hindi: शम्मी कपूर; born Shamsher Raj Prithviraj Kapoor; 21 October 1931.^[4][5] – 14 August 2011) was an Indian film actor and director. He was a prominent lead actor in Hindi cinema from the late 1950s until the early 1970s and played supportng roles from 1974 to 2011.

Shammi Kapoor is hailed as one of the most entertaining lead actors that Hindi cinema has ever produced and his notable films include Tumsa Nahin Dekha, Dil Deke Dekho, Junglee, Dil Tera Diwana, Professor, China Town, Rajkumar, Kashmir Ki Kali, Janwar, Teesri Manzil, An Evening in Paris, Bramhachari, Andaz and Vidhaata. He received the Filmfare Best Actor Award in 1968 for his performance in Brahmachari and Filmfare Award for Best Supporting Actor for Vidhaata in 1982.

Early life[link]

This unreferenced section requires citations to ensure verifiability.

He was given the name Shamsher Raj Kapoor at his birth in Mumbai to film and theatre actor Prithviraj Kapoor and Ramsharni Kapoor née Mehra.^[4] Shammi was the second of the three sons born to Prithviraj (the other two being Raj Kapoor and Shashi Kapoor), both successful Bollywood actors. Though born in Mumbai, he spent a major portion of his childhood in Kolkata, where his father was involved with New Theatres Studios, acting in films. It was in Kolkata that he did his Montessory and Kindergarten. After coming back to Mumbai, he first went to St. Joseph's Convent (Wadala) and then, to Don Bosco School. He finished his matric schooling from New Era School at Hughes Road.

Kapoor had a short stint at Ruia College, in Matunga, Mumbai, after which he joined his father’s theatrical company Prithvi Theatres. He entered the cinema world in 1948, as a junior artiste, at a salary of Rs. 50 per month, stayed with Prithvi Theatres for the next four years and collected his last pay check of Rs. 300, in 1952. He made his debut in Bollywood in the year 1953, when the film Jeevan Jyoti was released. It was directed by Mahesh Kaul and Chand Usmani was Kapoor’s first heroine.

Film career[link]

Kapoor started out with serious roles but with Filmistan's Nasir Hussain directed Tumsa Nahin Dekha (1957) opposite Ameeta and Dil Deke Dekho (1959) with Asha Parekh, he attained the image of a light-hearted, and stylish playboy. Tall, athletic, lively, fair complexioned, green-eyed and with handsome features, Shammi was a heartthrob, and his good looks and physique complemented his image. Both the films were debut films of the respective actresses Ameeta and Asha Parekh and both went on to be big hits and are regarded as classics.

With Junglee (1961) his new image was cemented and his subsequent films were all in this genre. He particularly chose Mohammed Rafi as his playback voice. In his early career in fifties, he had often played second fiddle to established heroines like Madhubala in films such as Rail Ka Dibba (1953) and Naqab, with Nutan in Laila Majnu, with Shyama in Thokar and with Nalini Jaywant in Hum Sab Chor Hain though none of them except Thokar clicked at the box office. But producers after 1960 apart from the actresses from southern India, loved pairing Shammi with new heroines, three of them became huge stars in their own right in Hindi films: Asha Parekh, Saira Banu, and Sharmila Tagore.^[6] Of all his heroines, he said that Sharmila Tagore, Rajshree, and Asha Parekh were easy to work with.^[7] Sharmila Tagore and Saira Banu made their Bollywood debuts with Shammi Kapoor in Kashmir Ki Kali and Junglee respectively^[8] He and Asha Parekh were paired together in four films, the most successful being besides debut film of Asha Parekh, the murder mystery Teesri Manzil (1966) and the romance film Jawan Mohabbat.

In the early fifties he accepted serious roles in women oriented films like Shama Parwana (1954) with Suraiya, comedy flick Mem Sahib (1956) with Meena Kumari and thrillers like Chor Bazar (1954), which were all successful at the box office and in the tragic love story Mirza Sahiban with (1957) (a box office flop) opposite Shyama, but did not gain recognition and fame among the masses. Other than the above hits, he had fifteen films as flops to his credit till 1957. The other hits in late fifties included Mujrim (1958), Char Dil Char Rahen, Raat Ke Raahi (1959). His performances in K A Abbas' Char Dil Char Raahein (1959) and Kidar Sharma's Rangeen Raatein (1956) were also noteworthy but remained underfeted.^[9] It was only after triple success of Tumsa Nahi Dekha (1957), Ujala and Dil Dil Deke Deko (both 1959), that he became popular with the audience and became a star. In the first half of the 1960s, Kapoor was seen in successful films like College Girl, Basant, Singapore, Boy Friend, Professor, Dil Tera Diwana, Vallah Kya Baat Hai, Pyar Kiya To Darna Kya, China Town, Kashmir Ki Kali, Bluff Master, Janwar and Rajkumar. Although nominated before, in 1968, he received the first Filmfare Best Actor award of his career for the film Bramhachari. He made a unique place for himself in the industry as he was the only dancing hero in Hindi films from the late fifties till early seventies. Saira Banu said in an interview "At the time when Dilip sahab, Raj Kapoor and Dev Anand ruled the industry, it was Shammi Kapoor who created a niche for himself with his unique dance moves. He used to say he didn't know how to dance but he would just listen to the music and feel it. He was the only 'dancing hero' at that time."^[10] He used to compose dancing steps by himself in the songs picturised on him and never needed a choreographer. This earned him the name of Elvis Presley of India.^[2][11]

His pairing opposite Southern heroines were always a success at the box office. He delivered hits opposite B. Saroja Devi like Pyaar Kiya To Darna Kya and Preet Na Jane Reet, with Padmini gave Singapore (1960 film), opposite Vyjayanthimala had hits like College Girl and Prince (1969 film). In the sixties his successful run continued until new romantic icon Rajesh Khanna entered the scene in 1969.^[12] However Shammi did have commercial successes in late sixties, like Budtameez and Sachaai with Sadhana, Latt Saheb with Nutan and Tumse Achha Kaun Hai with Babita.

In the 1970s, Kapoor’s weight problem proved an obstacle in his path of success and ended his career as a romantic hero as his films started failing. His last hit film, in which he played the lead role, was Andaz (1971). As his career as hero ended, Shammi started playing charcater roles in films from 1974. Shammi played Saira Banu's father in Zameer (1974), when he had been her leading man a decade earlier in Junglee (1961) and Bluff Master (1964).In 1974, he donned the hat of a director and made Manoranjan in 1974 and Bundal Baaz (1976). However, both the films failed to create magic at the box office though were critically acclaimed and have developed a cult fan following over the years. His directorial venture Manoranjan (1974), a movie inspired from Irma La Douce, had Sanjeev Kumar in lead role and Shammi played a supporting role himself. In Bundal Baaz (1976) he casted Rajesh Khanna in the main lead and Shammi played the role of a genie in the film. Critics hailed these 2 films as classics and to be ahead of its time. In the 1980s and 1990s, he continued to play supporting roles in many films and won a Filmfare Best Supporting Actor Award for his performance in Vidhaata (1982). His notable roles as a character actor were in Hero, Vidhaata, Hukumat, Batwara, Tahalka, Chamatkar, Namak and Prem Granth. He got the opportunity to do some films in other languages such as Bengali and Tamil in the nineties. He did a social melodrama serial called Chattan aired on Zee TV for more than a year in the 1990s. He eventually cut down on film appearances by the late 1990s and early 2000s and made his appearances in the 1999 Salman Khan and Urmila Matondkar starrer Jaanam Samjha Karo, 2002 release Waah! Tera Kya Kehna and the delayed 2006 release Sandwich. He made his last appearance in Imtiaz Ali's directorial venture Rockstar co-starring his grand-nephew Ranbir Kapoor, the grandson of his brother Raj Kapoor.

Film director Shakti Samanta directed Shammi Kapoor in six hit films like Singapore, Pagla Kahin Ka, China Town, Kashmir Ki Kali, An Evening In Paris and Jaane Anjane and quoted in an interview “I found Shammi to be a thoroughly good man. Even in his heydays, he was humble."^[13]

Personal life[link]

Shammi Kapoor, in 1953, dated Nadia Gamal, a belly dancer from Cairo.^[14] Shammi quoted in an interview that "We met in Ceylon and we were in love. Somehow things did not work out and she went back to Cairo."^[15] Kapoor met Geeta Bali in 1955, during the shooting of the film Rangeen Raaten, where he was the leading actor and she played a cameo. Geeta Bali was a well established actress and a popular star at this point of time and Shammi had not tasted any success. They fell in love during the outdoor stints of the movie at Ranikhet, an ancient Army based hill-station in the Kumaon region, but since she was a year older to him and had acted with his elder brother in Bawren Nain and his father in Anand Math, they were skeptical. Four months after they first met, they married at Banganga Temples, near Napean Sea Road of Mumbai with Hari Walia as the sole witness. They informed their parents only after their marriage. Geeta Bali also did cameo in Shammi starrer Mujrim (1958). They were paired together in Miss Coca Cola, a box office dud and Coffee House. After their marriage Geeta Bali acted in 14 films and retired from the film industry. Geeta Bali's last film as a lead was Jab Se Tumhe Dekha Hai opposite Pradeep Kumar, in which Shammi Kapoor and Shashi Kapoor made special appearances.

Shammi and Geeta lived a life of bliss in the coming years. They had a son, Aditya Raj Kapoor, on 1 July 1956, at Shirodkar's Hospital, Mumbai, a year after they were married. Five years later, in 1961, they had a daughter, Kanchan.

Tragedy struck in 1965, during the filming of Teesri Manzil. Geeta died of small pox, leaving Shammi with two small children.

In 1969, he married Neela Devi Gohil from the former royal family of Bhavnagar in Gujarat. He was gaining weight rather significantly now and this ended his career as a romantic hero in the early 1970s. Andaz (1971) was one of his last hits.

Shammi Kapoor was the founder and chairman of Internet Users Community of India (IUCI). He had also played a major role in setting up internet organizations like the Ethical Hackers Association. Kapoor also maintained a website dedicated to the Kapoor family.^[16]

In 2006, he told interviewers that he underwent dialysis three times a week. Irrepressible even then, this punishing regimen has failed to depress him. Rather, he said that he was thankful to God for giving him so much.

He died of renal failure around 5:15am on 14 August 2011 at Mumbai's Breach Candy hospital, where he was undergoing treatment for chest infection.^[17]

Death[link]

Kapoor was admitted to Breach Candy Hospital, Mumbai on 7 August 2011 suffering from chronic renal failure. His condition remained serious for next few days and he was kept on ventilator support.^[18] He died on 14 August 2011, 05:15 am IST, of chronic renal failure, aged 79.^[19][20] Funeral was held on Monday, 15 August at Banganga cremation ground, Malabar Hill, Mumbai. Aditya Raj Kapoor, the actor's son, performed the last rites at the cremation. The entire Kapoor family were present to pay their last respects, including his younger brother Shashi Kapoor, sister in law Krishna Kapoor, grand nephew Ranbir Kapoor, nephews Rishi, Randhir and Rajiv, Randhir's wife Babita and grand nieces Karishma Kapoor and Kareena Kapoor.^[21] Bollywood personalities Vinod Khanna, Shatrughan Sinha, Subhash Ghai, Amitabh Bachchan, Ramesh Sippy, Danny Denzongpa, Prem Chopra, Anil Kapoor, Saif Ali Khan, Govinda, Aamir Khan, Rani Mukherjee, Shahrukh Khan, Kabir Bedi and Priyanka Chopra were among those who attended the funeral.^[22]

Awards, nominations and other recognition[link]

• 1962 – Filmfare Nomination as Best Actor--Professor^[23]
• 1968 – Filmfare Best Actor Award, Brahmachari^[24]
• 1982 – Filmfare Best Supporting Actor Award, Vidhata^[25]
• 1995 – Filmfare Lifetime Achievement Award^[26]
• 1998 – Kalakar Awards – Special Award for "contribution in Indian Cinema"^[27]
• 1999 – Zee Cine Award for Lifetime Achievement
• 2001 – Star Screen Lifetime Achievement Award
• 2001 – Anandalok Awards Lifetime Achievement Award
• 2002 – Invaluable Contribution To Indian Cinema at the IIFA.^[28]
• 2005 – Lifetime Achievement Award at the Bollywood Movie Awards^[29]
• 2008 – Lifetime Achievement Award for his contribution to Indian cinema at the Pune International Film Festival (PIFF).^[30]
• 2009 – Phalke Legend Actor Award by the Dadasaheb Phalke Academy [1]^{[dead link]}
• Recipient of the prestigious Living Legend Award by the Federation of Indian Chamber of Commerce and Industry (FICCI) in recognition of his outstanding contribution to the Indian entertainment industry.^[31]
• Rashtriya Gaurav Award^[32]

Partial filmography[link]

^[33]

Further reading[link]

• The Kapoors: the first family of Indian cinema, by Madhu Jain. Penguin, Viking, 2005. ISBN 0-670-05837-8.

References[link]

External links[link]

Wikimedia Commons has media related to: Shammi Kapoor

• Shammi Kapoor's Personal Website
• Shammi Kapoor Official Fan Club
• Shammi Kapoor at the Internet Movie Database
• Shammi Kapoor on Twitter
• Shammi Kapoor's Official Video Blog^{[dead link]}

This article is an orphan, as few or no other articles link to it. Please introduce links to this page from related articles; suggestions may be available. (January 2010)

AS Irani (full name and details unknown) was an Indian cricketer who played for Maharashtra.

Having played in miscellaneous matches for Parsees and Poona, between 1931 and 1933, Irani made a single first-class appearance, during the 1934-35 season, against Bombay. From the tailend, he scored 4 not out in the only innings in which he batted.

Irani took figures of 1-33 from 16 overs of bowling.

External links[link]

• AS Irani at Cricket Archive

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This biographical article related to Indian cricket is a stub. You can help Wikipedia by expanding it. v t e

Lata Mangeshkar
Mangeshkar in 2008
Background information
Born	(1929-09-28) September 28, 1929 (age 82) Indore, Central India Agency, British India
Genres	Film music (playback singing)
Occupations	Singer
Instruments	Vocals
Years active	1942–present

Lata Mangeshkar (born September 28, 1929) is a singer from India. She is one of the best-known and most respected playback singers in India.^[1][2] Mangeshkar's career started in 1942 and has spanned over six and a half decades. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages and foreign languages, though primarily in Hindi. She is the elder sister of singer Asha Bhosle, Hridayanath Mangeshkar, Usha Mangeshkar and Meena Mangeshkar. She is the second vocalist to have ever been awarded the Bharat Ratna, India's highest civilian honour.^[3]

Mangeshkar was featured in the Guinness Book of World Records from 1974 to 1991 for having made the most recordings in the world. The claim was that she had recorded approximately 25,000 solo, duet, and chorus-backed songs in 20 Indian languages between 1948 to 1974. Over the years, while several sources have supported this claim, others have raised concerns over its veracity, claiming that this number was highly exaggerated and that Mangeshkar's younger sister, Asha Bhosle, had more song recordings than she had.^[4][5] In 2011 Guinness officially acknowledged Bhosle as the most recorded artist in music history.^[6]

Early life[link]

Lata Mangeshkar was born in Sikh Mohalla,^[7] in the princely state of Indore, part of the Central India Agency (now part of Madhya Pradesh). Her father, Pandit Deenanath Mangeshkar who belonged to a Gomantak Maratha Samaj family from Goa, was a classical singer and theater actor. Her mother Shevanti (Shudhamati) who was from Thalner, Maharashtra, was Deenanath's second wife. The family's last name used to be Hardikar; Deenanath changed it to Mangeshkar in order to identify his family with his native town, Mangeshi in Goa. Lata was named "Hema" at her birth. Her parents later renamed her Lata after a female character, Latika, in one of her father's plays, BhaawBandhan.^[8] Lata is the eldest child of her parents. Meena, Asha, Usha and Hridayanath are her siblings in sequence.

Mangeshkar took her first lessons from her father. At the age of five, she started to work as an actress in her father's musical plays (Sangeet Natak in Marathi). On the first day in the school, she started teaching songs to other children. When the teacher stopped her, she was so angry that she stopped going to the school.^[8] Other sources cite that she left school because they would not allow her to bring Asha with her, as she would often bring her younger sister with her.

Singing career[link]

Early career in the 1940s[link]

In 1942, when Mangeshkar was 13, her father died of heart disease. Master Vinayak (Vinayak Damodar Karnataki), the owner of Navyug Chitrapat movie company and a close friend of the Mangeshkar family, took care of them

Mangeshkar sang the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari" which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi-language movie Kiti Hasaal (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie Pahili Mangalaa-gaur (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar.^[8] Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the Marathi film, Gajaabhaau (1943). Mangeshkar moved to Mumbai in 1945 when Master Vinayak's company moved its headquarters there. She started taking lessons in Hindustani classical music from Ustad Amanat Ali Khan . She sang “Paa Lagoon Kar Jori” for Vasant Joglekar's Hindi-language movie Aap Ki Seva Mein (1946),^[8] which was composed by Datta Davjekar. Mangeshkar and her sister Asha played minor roles in Vinayak's first Hindi-language movie, Badi Maa (1945). In that movie, Lata also sang a bhajan, “Maata Tere Charnon Mein.” She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, Subhadra (1946).

Following the partition of India in 1947, Ustad Amanat Ali Khan migrated to newly formed Pakistan, so Mangeshkar started to learn classical music under Amanat Khan Devaswale. Pandit Tulsidas Sharma, a pupil of Ustad Bade Ghulam Ali Khan, also trained her.

After Vinayak's death in 1948, music director Ghulam Haider mentored her as a singer. Haider introduced Mangeshkar to producer Sashadhar Mukherjee, who was working then on the movie Shaheed (1948), but Mukherjee dismissed Mangeshkar's voice as "too thin."^[8] An annoyed Haider responded that in the coming years the producers and the directors would "fall at Lata's feet" and "beg her" to sing in their movies. Haider gave Lata her first major break with the song “Dil Mera Toda,” from the movie Majboor (1948).^[8]

Initially, Mangeshkar is said to have imitated the acclaimed singer Noor Jehan, but later she developed her own style of singing.^[8] Lyrics of songs in Hindi movies are primarily composed by Urdu poets and contain a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly disapproving remark about Mangeshkar's Maharashtrian accent while singing Hindi/Urdu songs; so for a period of time, Lata took lessons in Urdu from an Urdu teacher named Shafi.^[9]

One of her first major hits was “Aayega Aanewaala,” a song in the movie Mahal (1949), which was composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.

1950s[link]

Mangeshkar as a young woman

In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana and Heer), Shankar-Jaikishan, Naushad, S. D. Burman, C. Ramchandra, Hemant Kumar, Salil Chowdhury, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna.

Mangeshkar sang many raga-based songs for Naushad in movies such as Baiju Bawra (1952), Mughal-E-Azam (1960), and Kohinoor (1960). Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for Aag, Aah (1953), Shree 420 (1955), and Chori Chori (1956). Before 1957, composer Sachin Dev (S. D.) Burman chose Mangeshkar as the leading female singer for his musical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.^[8]

Mangeshkar won a Filmfare Best Female Playback Award for Salil Chowdhury's composition “Aaja Re Pardesi,” from Madhumati (1958). In the early fifties, Lata Mangeshkar's association with C. Ramchandra produced songs in movies such as Anarkali, Albela, Asha, Pehli Jhhalak, Shin Shinkai Bublaa Boo, Azad and Amardeep. For Madan Mohan, she performed for films like Adalat, Railway Platform, Dekh Kabira Roya and Chacha Zindabad.

1960s[link]

Mangeshkar's song "Pyar Kiya To Darna Kya" from Mughal-E-Azam (1960), composed by Naushad and picturized on Madhubala, still remains famous . The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh" from Dil Apna Aur Preet Parai (1960) was composed by Shankar-Jaikishan and picturized on Meena Kumari.

In 1961, Mangeshkar recorded two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev. In 1962, she was awarded her second Filmfare Award for the song "Kahin Deep Jale Kahin Dil" from Bees Saal Baad, composed by Hemant Kumar.

On June 27, 1963, against the backdrop of the Sino-Indian War, Mangeshkar sang the patriotic song "Aye Mere Watan Ke Logo" (literally, "Oh, People of My Country") in the presence of Jawaharlal Nehru, the then Prime Minister of India. The song, composed by C. Ramchandra and written by Pradeep, is said to have brought the Prime Minister to tears.^[8][10]

In 1963, Mangeshkar returned to collaboration with S. D. Burman. She also sang for R. D. Burman's very first film Chhote Nawaab and later for his films such as Bhoot Bangla (1965), Pati Patni (1966), Baharon ke Sapne (1967) and Abhilasha (1969). She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" from Guide (1965), and "Hothon Pe Aisi Baat" from Jewel Thief (1967).

During the 1960s, Lata Mangeshkar continued her association with Madan Mohan which included the songs "Aap Ki Nazron Ne Samjha" from Anpadh (1962), "Lag Ja Gale" and "Naina Barse Rim Jhim" from Woh Kaun Thi? (1964), "Woh Chup Rahen To" from Jahan Ara (1964), and "Tu Jahan Jahan Chalega" from Mera Saaya (1966).

The 1960s also witnessed the beginning of Mangeshkar's association with Laxmikant-Pyarelal, the music directors for whom she sang the most popular songs in her career. She sang for Parasmani (1963) which was their first film together.

She also sang several playback songs for Marathi films, composed by Marathi music directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke and herself (under the name Anandghan). During the 1960s and 1970s, she also sang several Bengali songs, composed by music directors like Salil Chowdhury and Hemant Kumar.

In this period Lata Mangeshkar has recorded duets with Mukesh, Manna Dey, Mohammed Rafi, and Kishore Kumar.

1970s[link]

In 1972, Meena Kumari's last film, Pakeezah released. It featured popular songs including "Chalte Chalte" and "Inhi Logon Ne" sung by Lata Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S. D. Burman's last films, including "Rangeela Re" from Prem Pujari (1970), "Khilte Hain Gul Yahaan" from Sharmeelee (1971), and "Piya Bina" from Abhimaan (1973).

Lata Mangeshkar's most notable songs in 1970s were composed by Laxmikant-Pyarelal (Laxmi-Pyare) and Rahul Dev Burman^{[citation needed]}. She recorded several songs composed by Laxmi-Pyare in 1960s and 1970s, many of them written by the lyricist Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang(1971), and Aandhi (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi and Gulzar.

In 1973, she won the National Film Award for Best Female Playback Singer for the song "Beeti Na Bitai" from the film Parichay, composed by R. D. Burman, and written by Gulzar. In 1974, she sang her only Malayalam song "Kadali Chenkadali" for the film Nellu, composed by Salil Chowdhury, and written by Vayalar Ramavarma. In 1975, she again won the national award, this time for the song "Roothe Roothe Piya" from the film Kora Kagaz, composed by Kalyanji-Anandji.

From 1970s onwards, Lata Mangeshkar has also staged many concerts in India and abroad, including several charity concerts. Her first concert overseas was at the Royal Albert Hall, London, in 1974. She also released an album of Mirabai's bhajans, Chala Vaahi Des, composed by her brother Hridayanath Mangeshkar. Some of the bhajans in the album include "Saanware Rang Raachi" and "Ud Jaa Re Kaaga". In the early 70s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (koli-geete), an album of Ganesh aartis (all composed by her brother Hridaynath) and an album of abhangs of Sant Tukaram composed by Shrinivas Khale.

In late 1970s and early 1980s, she worked with the children of composers she had earlier worked with. Some of these composers included Rahul Dev Burman (son of Sachin Dev Burman), Rajesh Roshan (son of Roshan), Anu Malik (son of Sardar Malik), and Anand-Milind (sons of Chitragupt).

1980s onwards[link]

From 1980s onwards, Lata Mangeshkar worked with music directors including Shiv-Hari, Ram Laxman, and A. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh.

In 1990, Mangeshkar launched her own production house for Hindi movies which produced the Gulzar-directed movie Lekin.... She won her third National Film Award for Best Female Playback Singer for her rendition of the song "Yaara Sili Sili" from the film, which was composed by her brother Hridayanath. During the 1990s, she recorded with music directors including Jatin-Lalit and Nadeem-Shravan. She has sung for Rajshri Productions, including Maine Pyar Kiya (1989) and Hum Aapke Hain Koun..! (1994).

Mangeshkar has sung for almost all the Yash Chopra films and films from his production house Yash Raj Films at that time, including Chandni (1989), Lamhe (1991), Darr (1993), Yeh Dillagi (1994), Dilwale Dulhaniya Le Jayenge (1995), Dil To Pagal Hai (1997) and later on Mohabbatein (2000), Mujhse Dosti Karoge (2002) and Veer Zaara (2004).

A. R. Rahman recorded a few songs with Mangeshkar during this period, including "Jiya Jale" (Dil Se..), "Khamoshiyan Gungunane Lagin" (One Two Ka Four), "Ek Tu Hi Bharosa" (Pukar), "Pyaara Sa Gaon" (Zubeidaa), "Lukka chuppi" (Rang de Basanti) and "O Paalanhaare" (Lagaan). She made an appearance in the film Pukar singing this song.

In 1999, Lata Eau de Parfum, a perfume brand named after her, was launched.^[11]

In 1999, Mangeshkar was nominated as a member of Rajya Sabha.^[12] However, she did not attend the Rajya Sabha sessions regularly, inviting criticism from several members of the House, including the Deputy Chairperson Najma Heptullah, Pranab Mukherjee and Shabana Azmi.^[13][14] She stated the reason for her absence as ill-health; it was also reported that she had not taken a salary, allowance or a house in Delhi for being a Member of Parliament.^[13][15]

In 2001, Lata Mangeshkar was awarded Bharat Ratna, India's highest civilian honor. In the same year, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranjali, which was crafted by Adora, an Indian diamond export company. Five pieces from the collection raised £105,000 at a Christie's auction, and a part of the money was donated for the 2005 Pakistan earthquake relief.^[16] Also in 2001, she recorded her first Hindi song with the composer Ilaiyaraaja, for the film Lajja; she had earlier recorded Tamil and Telugu songs composed by Ilaiyaraaja.

Lata Mangeshkar's song "Wada Na Tod" is in the film Eternal Sunshine of the Spotless Mind (2004) and on the film's soundtrack.

On June 21, 2007, she released an album Saadgi, featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.^[17]

Lata Mangeshkar records songs for Madhur Bhandarkar Kitne Ajeeb Rishte Hain Yahan Par for Page 3 (2005), Daata Sun Le for Jail (2009) and, Kyun Yahan Hota Hai was recorded years ago for Corporate (2006), but is only being used in Heroine (2012).^{[18] [19]}

Non-singing career[link]

Music direction[link]

Lata Mangeshkar composed music for the first time in 1955 for Marathi movie Ram Ram Pavhane. Later in 1960s, she composed music for following Marathi movies under the pseudonym of Anand Ghan.^[20]

• 1960 - Ram Ram Pavhana
• 1963 - Maratha Tituka Melvava
• 1963 - Mohityanchi Manjula
• 1965 - Sadhi Manase
• 1969 - Tambadi Mati

She won Maharashtra State Government's Best Music Director Award for the film Sadhi Manase. The song "Airanichya Deva Tula" from the same film received best song award.^{[citation needed]}

Production[link]

Lata Mangeshkar has produced four films:

• 1953 - Vaadal (Marathi)
• 1953 - Jhaanjhar (Hindi), co-produced with C. Ramchandra
• 1955 - Kanchan (Hindi)
• 1990 - Lekin... (Hindi)

Awards and recognitions[link]

Lata Mangeshkar has won several awards and honors, including Bharat Ratna (India's Highest Civilian Award), Padma Bhushan (1969), Padma Vibhushan (1999), Dada Saheb Phalke Award (1989), Maharashtra Bhushan Award (1997),^[21] NTR National Award (1999), Bharat Ratna (2001), ANR National Award (2009), three National Film Awards, and 12 Bengal Film Journalists' Association Awards. She has also won four Filmfare Best Female Playback Awards. In 1969, she made the unusual gesture of giving up the Filmfare Best Female Playback Award, in order to promote fresh talent. She was later awarded Filmfare Lifetime Achievement Award in 1993.

In 1984, the State Government of Madhya Pradesh instituted the Lata Mangeshkar Award in honour of Lata Mangeshkar. The State Government of Maharashtra also instituted a Lata Mangeshkar Award in 1992.

In 1974, The Guinness Book of Records listed Lata Mangeshkar as the most recorded artist in the history, stating that she had reportedly recorded "not less than 25,000 solo, duet and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammed Rafi, who was claimed to have sung around 28,000 songs.^[4][22] After Rafi's death, in its 1984 edition, the Guinness Book of World Records stated Lata Mangeshkar's name for the "Most Recordings", but also stated Rafi's claim. The later editions of Guinness Book stated that Lata Mangeshkar had sung no fewer than 30,000 songs between 1948 and 1987.^[23]

Although the entry has not been printed in Guinness editions since 1991, several sources claim that she has recorded thousands of songs, with estimates ranging up to figures as large as 50,000.^[24][25] However, even the earliest Guinness claim of 25,000 songs (between 1948–1974) was claimed to be exaggerated by several other sources, with one of them stating that the number of songs sung by Lata Mangeshkar in Hindi films till 1991 was found to be 5250.^[26][27][28] Mangeshkar herself stated that she does not keep a record of the number of songs recorded by her, and that she did not know from where Guinness Book editors got their information.^[29] In 2011 Asha Bhosle was officially acknowledged by Guinness as the most recorded artist in music history, surpassing Mangeshkar.^[6]

See also[link]

• Playback singer
• Asha Bhosle
• List of Indian playback singers
• Bollywood songs

References[link]