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Lecture—Archaeological Exploration of Sardis
Friday, October 26, 2018, Menschel Hall, Harvard Art Museums
Since its founding in 1958 by Harvard and Cornell Universities, the Archaeological Exploration of Sardis has excavated, conserved, and published on aspects of the ancient city of Sardis in western Turkey from prehistoric through Islamic periods. The expedition is one of the longest running international projects sponsored at Harvard and is one of the oldest classical archaeological projects in the Mediterranean. Harvard students who participate in the program gain academic, professional, and cultural experience while contributing to archaeological research, conservation efforts, presentations, and publications related to the site.
As part of Worldwide Week at Harvard 2018, this event brings together the museums staff and Harvar...
published: 13 Nov 2018
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On View—Fragmentary Plaster Funerary Portraits from Roman Egypt
Co-curator of the exhibition "Funerary Portraits from Roman Egypt: Facing Forward," archaeologist Susanne Ebbinghaus takes us inside the galleries for a look at the unique sculptural plaster heards on display.
The exhibition "Funerary Portraits from Roman Egypt: Facing Forward," foregrounds scientific analysis and technical research conducted by staff in the Harvard Art Museums’ Straus Center for Conservation and Technical Studies. Come face to face with portraits of Egyptians who lived during the Roman period and discover what role these images played in funerary rituals as well as what modern technical study can reveal about ancient artistic practices.
TAKE A CLOSER LOOK:
+ Watch more about plaster heads in plaster: https://youtu.be/YNHRyxJEoHc
+Visit the exhibition "Funerary Portraits...
published: 16 Dec 2022
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A Surprise Library Haul!
The Books Mentioned:
Lady Hotspur by Tessa Gratton
Everything Trump Touches Dies by Rick Wilson
Symphony in C by Robert M. Hazen
Creating Real Life Figure in Polymer Clay by Katherine Dewey
Classical Sculpture by George M.A. Hanfmann
published: 13 Jan 2020
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Exhibition Preview—Social Fabrics: Inscribed Textiles from Medieval Egyptian Tombs
“Social Fabrics,” an exhibition opening at the Harvard Art Museums in January 2022, brings together a selection of Egyptian textiles from the ninth through twelfth centuries that are distinctive for the Arabic inscriptions woven, embroidered, or painted within them. In this talk, Curator Mary McWilliams will discuss key themes and share highlights of the exhibition in this sneak peek.
TAKE A CLOSER LOOK:
+ Read article “Unraveling the (Production) Secrets of an Egyptian Textile” by Julie Wertz: https://harvardartmuseums.org/article/unraveling-the-production-secrets-of-an-egyptian-textile
+ Watch Art Talk: Up Close and Personal—Looking at Ancient Textiles with Julie Wertz: https://vimeo.com/586376021
+ Cuff band with animals in interlocking scrolls, Late 4th-early 5th century, Textil...
published: 29 Apr 2022
-
Weekly Reads (January 24, 2020)
Books Mentioned:
Classical Sculpture by George M.A. Hanfmann
Creating Life Like Figures in Polymer Clay by Katherine Dewey
Symphony in C by Robert M. Hazen
Everything Trump Touches Dies by Rick Wilson
Running Against the Devil by Rick Wilson
American Oligarchy by Andrea Bernstein
Lady Hotspur by Tessa Gratton
published: 25 Jan 2020
-
Weekly Reads (January 17, 2020)
Books Mentioned:
Mythos by Stephen Fry
Imagined Life by James Trefil and Michael Summer
Symphony in C by Robert M. Hazen
Creating Life-Like Figures in Polymer Clay by Katherine Dewey
Classical Sculpture by George M.A. Hanfmann
Lady Hotspur by Tessa Gratton
Everything Trump Touches Dies by Rick Wilson
published: 18 Jan 2020
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Lecture—Animal-Shaped Vessels from the Ancient World with Robert Koehl & Kimberley Patton
Tuesday, October 2, 2018, Menschel Hall, Harvard Art Museums
In this lecture titled "Animal-Shaped Vessels from the Ancient World: Contexts & Meanings," leading scholars offer perspectives on the social and symbolic importance of the vessels featured in our special exhibition “Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings,” on view September 7, 2018 through January 6, 2019.
Robert Koehl, professor of classical and oriental studies at Hunter College (CUNY), gives an overview of the history of animal-shaped vessels in the Near East and Mediterranean during the Bronze Age. He examines the specific species of animals represented and address the different ways that zoomorphic vessels were used, focusing on their social and ritual significance.
Kimberl...
published: 22 Oct 2018
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Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings—An Introduction
Curator Susanne Ebbinghaus introduces our new special exhibition, “Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings,” on view September 7, 2018–January 6, 2019. The show presents a stunning range of elaborate animal-shaped vessels that span continents and millennia, vividly illustrating how ideas and artistic traditions were exchanged among cultures.
published: 31 Aug 2018
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Cult of Zeus Sosipolis and its temple in Magnesia
Subscribe to our E-Newsletter: https://www.ascsa.edu.gr/email-subscribe
Follow us on Facebook: https://www.facebook.com/ascsathens
0:00 Lecture Title
0:13 Introduction by Bonna D. Wescoat, Director of the American School of Classical Studies
4:26 Presentation by Görkem Kökdemir from the University of Ankara
53:40 Q&A; Session
1:12:43 Closing
About the lecture:
Before the excavations of Carl Humann (1890-1892), we had only the ancient sources and the city coins concerning the cult of Zeus in Magnesia on the Maeander. Humann’s excavation of the Agora in May 1892 revealed some of this important temple. The remains were reburied after Humann’s excavation, so that this remarkable building has only been represented by a few architectural blocks in museums in Istanbul and Berlin and a 20-page c...
published: 10 Nov 2023
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Persepolis in Color: Art Talk with Susanne Ebbinghaus & Katherine Eremin
People tend to think of ancient sculpture as colorless, as it appears today. But the carved surfaces were often vibrantly painted. Scientific analysis can help us envision the Persian capital city Persepolis in its original splendor.
Join curator and archaeologist Susanne Ebbinghaus, along with conservation scientist Katherine Eremin, as they discuss the color reconstruction of the 486–-460 BCE Persian limestone sculpture Ahuramazda in the winged disk, for installation in the Harvard Art Museums galleries.
TAKE A CLOSER LOOK:
+ Ahuramazda in the winged disk, from Persepolis (Iran), Achaemenid Persian, 486–-460 BCE. Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop, 1943.1062. https://hvrd.art/o/291721
SPEAKERS:
+ Katherine Eremin, Patricia Cornwell Sen...
published: 05 Oct 2021
1:21:21
Lecture—Archaeological Exploration of Sardis
Friday, October 26, 2018, Menschel Hall, Harvard Art Museums
Since its founding in 1958 by Harvard and Cornell Universities, the Archaeological Exploration of ...
Friday, October 26, 2018, Menschel Hall, Harvard Art Museums
Since its founding in 1958 by Harvard and Cornell Universities, the Archaeological Exploration of Sardis has excavated, conserved, and published on aspects of the ancient city of Sardis in western Turkey from prehistoric through Islamic periods. The expedition is one of the longest running international projects sponsored at Harvard and is one of the oldest classical archaeological projects in the Mediterranean. Harvard students who participate in the program gain academic, professional, and cultural experience while contributing to archaeological research, conservation efforts, presentations, and publications related to the site.
As part of Worldwide Week at Harvard 2018, this event brings together the museums staff and Harvard faculty and students involved in the project to discuss their work and to illuminate how team members from various fields and institutions around the world collaborate to advance research about Sardis.
Speakers include:
- Susanne Ebbinghaus, the George M.A. Hanfmann Curator of Ancient Art and Head of the Division of Asian and Mediterranean Art at the Harvard Art Museums
- Rowan Flad, the John E. Hudson Professor of Archaeology and Director of Undergraduate Studies in the Department of Anthropology at Harvard University
- Nicholas Cahill, Field Director of the Sardis expedition and the Simona and Jerome Chazen Distinguished Chair in Art History at the University of Wisconsin-Madison
- Bahadır Yıldırım, Expedition Administrator for Sardis at the Harvard Art Museums
- Frances Gallart Marques, the Frederick Randolph Grace Curatorial Fellow in Ancient Art at the Harvard Art Museums
- Panel of participating Harvard University students: Emma Humphrey ’21, Maria Boyle ’20, and Julia Judge, PhD Candidate in Classical Archaeology in the Department of Anthropology.
The excavation at Sardis is conducted with the permission and support of the Ministry of Culture and Tourism of the Republic of Turkey. Current conservation work at Sardis is also supported by an award provided by the United States Government, Department of State, U.S. Embassy Ankara. Worldwide Week at Harvard 2018 (October 22–26, 2018) showcased the remarkable breadth of Harvard’s global engagement. During Worldwide Week, Harvard schools, research centers, departments, and student organizations host academic and cultural events with global or international themes.
https://wn.com/Lecture—Archaeological_Exploration_Of_Sardis
Friday, October 26, 2018, Menschel Hall, Harvard Art Museums
Since its founding in 1958 by Harvard and Cornell Universities, the Archaeological Exploration of Sardis has excavated, conserved, and published on aspects of the ancient city of Sardis in western Turkey from prehistoric through Islamic periods. The expedition is one of the longest running international projects sponsored at Harvard and is one of the oldest classical archaeological projects in the Mediterranean. Harvard students who participate in the program gain academic, professional, and cultural experience while contributing to archaeological research, conservation efforts, presentations, and publications related to the site.
As part of Worldwide Week at Harvard 2018, this event brings together the museums staff and Harvard faculty and students involved in the project to discuss their work and to illuminate how team members from various fields and institutions around the world collaborate to advance research about Sardis.
Speakers include:
- Susanne Ebbinghaus, the George M.A. Hanfmann Curator of Ancient Art and Head of the Division of Asian and Mediterranean Art at the Harvard Art Museums
- Rowan Flad, the John E. Hudson Professor of Archaeology and Director of Undergraduate Studies in the Department of Anthropology at Harvard University
- Nicholas Cahill, Field Director of the Sardis expedition and the Simona and Jerome Chazen Distinguished Chair in Art History at the University of Wisconsin-Madison
- Bahadır Yıldırım, Expedition Administrator for Sardis at the Harvard Art Museums
- Frances Gallart Marques, the Frederick Randolph Grace Curatorial Fellow in Ancient Art at the Harvard Art Museums
- Panel of participating Harvard University students: Emma Humphrey ’21, Maria Boyle ’20, and Julia Judge, PhD Candidate in Classical Archaeology in the Department of Anthropology.
The excavation at Sardis is conducted with the permission and support of the Ministry of Culture and Tourism of the Republic of Turkey. Current conservation work at Sardis is also supported by an award provided by the United States Government, Department of State, U.S. Embassy Ankara. Worldwide Week at Harvard 2018 (October 22–26, 2018) showcased the remarkable breadth of Harvard’s global engagement. During Worldwide Week, Harvard schools, research centers, departments, and student organizations host academic and cultural events with global or international themes.
- published: 13 Nov 2018
- views: 4476
1:03
On View—Fragmentary Plaster Funerary Portraits from Roman Egypt
Co-curator of the exhibition "Funerary Portraits from Roman Egypt: Facing Forward," archaeologist Susanne Ebbinghaus takes us inside the galleries for a look at...
Co-curator of the exhibition "Funerary Portraits from Roman Egypt: Facing Forward," archaeologist Susanne Ebbinghaus takes us inside the galleries for a look at the unique sculptural plaster heards on display.
The exhibition "Funerary Portraits from Roman Egypt: Facing Forward," foregrounds scientific analysis and technical research conducted by staff in the Harvard Art Museums’ Straus Center for Conservation and Technical Studies. Come face to face with portraits of Egyptians who lived during the Roman period and discover what role these images played in funerary rituals as well as what modern technical study can reveal about ancient artistic practices.
TAKE A CLOSER LOOK:
+ Watch more about plaster heads in plaster: https://youtu.be/YNHRyxJEoHc
+Visit the exhibition "Funerary Portraits from Roman Egypt:" https://harvardartmuseums.org/funeraryportraits
+ Explore more via the exhibition digital tool: https://harvardartmuseums.org/tour/funerary-portraits-from-roman-egypt-facing-forward-2
+ Fragmentary Portrait of a Man, Late 2nd-early 3rd century CE, Egyptian Roman Imperial Period. Plaster with remains of paint and glass inlays. Harvard Art Museums, Gift of Dr. Robert Waelder, 1965.551. https://hvrd.art/o/287345
SPEAKER:
Susanne Ebbinghaus, Head of the Division of Asian and Mediterranean Art, and George M.A. Hanfmann Curator of Ancient Art.
---
Video: Recorded December 1, 2022. Videographer: Tara Metal/Krystle Brown. © President and Fellows of Harvard College. For questions related to permission for commercial use of this video, please contact the Department of Digital Imaging and Visual Resources at am_divr@harvard.edu.
#onview #shorts #harvardartmuseums
https://wn.com/On_View—Fragmentary_Plaster_Funerary_Portraits_From_Roman_Egypt
Co-curator of the exhibition "Funerary Portraits from Roman Egypt: Facing Forward," archaeologist Susanne Ebbinghaus takes us inside the galleries for a look at the unique sculptural plaster heards on display.
The exhibition "Funerary Portraits from Roman Egypt: Facing Forward," foregrounds scientific analysis and technical research conducted by staff in the Harvard Art Museums’ Straus Center for Conservation and Technical Studies. Come face to face with portraits of Egyptians who lived during the Roman period and discover what role these images played in funerary rituals as well as what modern technical study can reveal about ancient artistic practices.
TAKE A CLOSER LOOK:
+ Watch more about plaster heads in plaster: https://youtu.be/YNHRyxJEoHc
+Visit the exhibition "Funerary Portraits from Roman Egypt:" https://harvardartmuseums.org/funeraryportraits
+ Explore more via the exhibition digital tool: https://harvardartmuseums.org/tour/funerary-portraits-from-roman-egypt-facing-forward-2
+ Fragmentary Portrait of a Man, Late 2nd-early 3rd century CE, Egyptian Roman Imperial Period. Plaster with remains of paint and glass inlays. Harvard Art Museums, Gift of Dr. Robert Waelder, 1965.551. https://hvrd.art/o/287345
SPEAKER:
Susanne Ebbinghaus, Head of the Division of Asian and Mediterranean Art, and George M.A. Hanfmann Curator of Ancient Art.
---
Video: Recorded December 1, 2022. Videographer: Tara Metal/Krystle Brown. © President and Fellows of Harvard College. For questions related to permission for commercial use of this video, please contact the Department of Digital Imaging and Visual Resources at am_divr@harvard.edu.
#onview #shorts #harvardartmuseums
- published: 16 Dec 2022
- views: 67
12:45
A Surprise Library Haul!
The Books Mentioned:
Lady Hotspur by Tessa Gratton
Everything Trump Touches Dies by Rick Wilson
Symphony in C by Robert M. Hazen
Creating Real Life Figure in P...
The Books Mentioned:
Lady Hotspur by Tessa Gratton
Everything Trump Touches Dies by Rick Wilson
Symphony in C by Robert M. Hazen
Creating Real Life Figure in Polymer Clay by Katherine Dewey
Classical Sculpture by George M.A. Hanfmann
https://wn.com/A_Surprise_Library_Haul
The Books Mentioned:
Lady Hotspur by Tessa Gratton
Everything Trump Touches Dies by Rick Wilson
Symphony in C by Robert M. Hazen
Creating Real Life Figure in Polymer Clay by Katherine Dewey
Classical Sculpture by George M.A. Hanfmann
- published: 13 Jan 2020
- views: 25
49:38
Exhibition Preview—Social Fabrics: Inscribed Textiles from Medieval Egyptian Tombs
“Social Fabrics,” an exhibition opening at the Harvard Art Museums in January 2022, brings together a selection of Egyptian textiles from the ninth through twel...
“Social Fabrics,” an exhibition opening at the Harvard Art Museums in January 2022, brings together a selection of Egyptian textiles from the ninth through twelfth centuries that are distinctive for the Arabic inscriptions woven, embroidered, or painted within them. In this talk, Curator Mary McWilliams will discuss key themes and share highlights of the exhibition in this sneak peek.
TAKE A CLOSER LOOK:
+ Read article “Unraveling the (Production) Secrets of an Egyptian Textile” by Julie Wertz: https://harvardartmuseums.org/article/unraveling-the-production-secrets-of-an-egyptian-textile
+ Watch Art Talk: Up Close and Personal—Looking at Ancient Textiles with Julie Wertz: https://vimeo.com/586376021
+ Cuff band with animals in interlocking scrolls, Late 4th-early 5th century, Textile, Harvard Art Museums, Gift of Benjamin and Lilian Hertzberg, 2004.204. https://hvrd.art/o/54963
+ Large Cover or Shroud, 5th-6th century, Textile, Harvard Art Museums/Arthur M. Sackler Museum, Gift of The Hagop Kevorkian Foundation in memory of Hagop Kevorkian, 1975.41.28. https://hvrd.art/o/288851
SPEAKERS:
+ Mary McWilliams is the Norma Jean Calderwood Curator of Islamic and Later Indian Art, Harvard Art Museums;
+ Susanne Ebbinghaus, the George M.A. Hanfmann Curator of Ancient Art and Head of the Division of Asian and Mediterranean Art, offers introductory remarks.
---
This conversation was made possible by our generous supporters; an international community of art lovers who generously support the Harvard Art Museums’ mission to promote knowledge about and appreciation of art through exhibitions, teaching, research, professional training, and public education. Learn more https://www.harvardartmuseums.org/support.
Recorded April 1, 2021. © President and Fellows of Harvard College. For questions related to permission for commercial use of this video, please contact the Department of Digital Imaging and Visual Resources at am_divr@harvard.edu.
https://wn.com/Exhibition_Preview—Social_Fabrics_Inscribed_Textiles_From_Medieval_Egyptian_Tombs
“Social Fabrics,” an exhibition opening at the Harvard Art Museums in January 2022, brings together a selection of Egyptian textiles from the ninth through twelfth centuries that are distinctive for the Arabic inscriptions woven, embroidered, or painted within them. In this talk, Curator Mary McWilliams will discuss key themes and share highlights of the exhibition in this sneak peek.
TAKE A CLOSER LOOK:
+ Read article “Unraveling the (Production) Secrets of an Egyptian Textile” by Julie Wertz: https://harvardartmuseums.org/article/unraveling-the-production-secrets-of-an-egyptian-textile
+ Watch Art Talk: Up Close and Personal—Looking at Ancient Textiles with Julie Wertz: https://vimeo.com/586376021
+ Cuff band with animals in interlocking scrolls, Late 4th-early 5th century, Textile, Harvard Art Museums, Gift of Benjamin and Lilian Hertzberg, 2004.204. https://hvrd.art/o/54963
+ Large Cover or Shroud, 5th-6th century, Textile, Harvard Art Museums/Arthur M. Sackler Museum, Gift of The Hagop Kevorkian Foundation in memory of Hagop Kevorkian, 1975.41.28. https://hvrd.art/o/288851
SPEAKERS:
+ Mary McWilliams is the Norma Jean Calderwood Curator of Islamic and Later Indian Art, Harvard Art Museums;
+ Susanne Ebbinghaus, the George M.A. Hanfmann Curator of Ancient Art and Head of the Division of Asian and Mediterranean Art, offers introductory remarks.
---
This conversation was made possible by our generous supporters; an international community of art lovers who generously support the Harvard Art Museums’ mission to promote knowledge about and appreciation of art through exhibitions, teaching, research, professional training, and public education. Learn more https://www.harvardartmuseums.org/support.
Recorded April 1, 2021. © President and Fellows of Harvard College. For questions related to permission for commercial use of this video, please contact the Department of Digital Imaging and Visual Resources at am_divr@harvard.edu.
- published: 29 Apr 2022
- views: 346
10:13
Weekly Reads (January 24, 2020)
Books Mentioned:
Classical Sculpture by George M.A. Hanfmann
Creating Life Like Figures in Polymer Clay by Katherine Dewey
Symphony in C by Robert M. Hazen
Ever...
Books Mentioned:
Classical Sculpture by George M.A. Hanfmann
Creating Life Like Figures in Polymer Clay by Katherine Dewey
Symphony in C by Robert M. Hazen
Everything Trump Touches Dies by Rick Wilson
Running Against the Devil by Rick Wilson
American Oligarchy by Andrea Bernstein
Lady Hotspur by Tessa Gratton
https://wn.com/Weekly_Reads_(January_24,_2020)
Books Mentioned:
Classical Sculpture by George M.A. Hanfmann
Creating Life Like Figures in Polymer Clay by Katherine Dewey
Symphony in C by Robert M. Hazen
Everything Trump Touches Dies by Rick Wilson
Running Against the Devil by Rick Wilson
American Oligarchy by Andrea Bernstein
Lady Hotspur by Tessa Gratton
- published: 25 Jan 2020
- views: 26
11:23
Weekly Reads (January 17, 2020)
Books Mentioned:
Mythos by Stephen Fry
Imagined Life by James Trefil and Michael Summer
Symphony in C by Robert M. Hazen
Creating Life-Like Figures in Polymer C...
Books Mentioned:
Mythos by Stephen Fry
Imagined Life by James Trefil and Michael Summer
Symphony in C by Robert M. Hazen
Creating Life-Like Figures in Polymer Clay by Katherine Dewey
Classical Sculpture by George M.A. Hanfmann
Lady Hotspur by Tessa Gratton
Everything Trump Touches Dies by Rick Wilson
https://wn.com/Weekly_Reads_(January_17,_2020)
Books Mentioned:
Mythos by Stephen Fry
Imagined Life by James Trefil and Michael Summer
Symphony in C by Robert M. Hazen
Creating Life-Like Figures in Polymer Clay by Katherine Dewey
Classical Sculpture by George M.A. Hanfmann
Lady Hotspur by Tessa Gratton
Everything Trump Touches Dies by Rick Wilson
- published: 18 Jan 2020
- views: 6
1:32:08
Lecture—Animal-Shaped Vessels from the Ancient World with Robert Koehl & Kimberley Patton
Tuesday, October 2, 2018, Menschel Hall, Harvard Art Museums
In this lecture titled "Animal-Shaped Vessels from the Ancient World: Contexts & Meanings," leadin...
Tuesday, October 2, 2018, Menschel Hall, Harvard Art Museums
In this lecture titled "Animal-Shaped Vessels from the Ancient World: Contexts & Meanings," leading scholars offer perspectives on the social and symbolic importance of the vessels featured in our special exhibition “Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings,” on view September 7, 2018 through January 6, 2019.
Robert Koehl, professor of classical and oriental studies at Hunter College (CUNY), gives an overview of the history of animal-shaped vessels in the Near East and Mediterranean during the Bronze Age. He examines the specific species of animals represented and address the different ways that zoomorphic vessels were used, focusing on their social and ritual significance.
Kimberley Patton, professor of the comparative and historical study of religion at Harvard University, considers why vessels were shaped as animals—the heads of animals in particular. Delving deep into the human past through the archaeology of religion, she reveals the long history of human/animal symbolic interdependence, including through representations and reanimations, the manipulation of animal remains, metamorphosis, sacrifice, and the creation of composite beings.
Following their presentations, Koehl and Patton joins in conversation by the exhibition’s curator, Susanne Ebbinghaus, the George M.A. Hanfmann Curator of Ancient Art, and head of the Division of Asian and Mediterranean Art at the Harvard Art Museums.
Support for the lecture is provided by the M. Victor Leventritt Fund, which was established through the generosity of the wife, children, and friends of the late M. Victor Leventritt, Harvard Class of 1935. The purpose of the fund is to present outstanding scholars of the history and theory of art to the Harvard and Greater Boston communities. In addition, crucial support for the Animal-Shaped Vessels exhibition has been made possible in part by a major grant from the National Endowment for the Humanities: Exploring the Human Endeavor. In addition, the Harvard Art Museums are deeply grateful to the anonymous donor of a gift in memory of Melvin R. Seiden and to Malcolm H. Wiener (Harvard A.B. ’57, J.D. ’63) and Michael and Helen Lehmann for enabling us to mount this exhibition and to pursue the related research. This work was also made possible in part by the David M. Robinson Fund and the Andrew W. Mellon Publication Funds, including the Henry P. McIlhenny Fund.
https://wn.com/Lecture—Animal_Shaped_Vessels_From_The_Ancient_World_With_Robert_Koehl_Kimberley_Patton
Tuesday, October 2, 2018, Menschel Hall, Harvard Art Museums
In this lecture titled "Animal-Shaped Vessels from the Ancient World: Contexts & Meanings," leading scholars offer perspectives on the social and symbolic importance of the vessels featured in our special exhibition “Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings,” on view September 7, 2018 through January 6, 2019.
Robert Koehl, professor of classical and oriental studies at Hunter College (CUNY), gives an overview of the history of animal-shaped vessels in the Near East and Mediterranean during the Bronze Age. He examines the specific species of animals represented and address the different ways that zoomorphic vessels were used, focusing on their social and ritual significance.
Kimberley Patton, professor of the comparative and historical study of religion at Harvard University, considers why vessels were shaped as animals—the heads of animals in particular. Delving deep into the human past through the archaeology of religion, she reveals the long history of human/animal symbolic interdependence, including through representations and reanimations, the manipulation of animal remains, metamorphosis, sacrifice, and the creation of composite beings.
Following their presentations, Koehl and Patton joins in conversation by the exhibition’s curator, Susanne Ebbinghaus, the George M.A. Hanfmann Curator of Ancient Art, and head of the Division of Asian and Mediterranean Art at the Harvard Art Museums.
Support for the lecture is provided by the M. Victor Leventritt Fund, which was established through the generosity of the wife, children, and friends of the late M. Victor Leventritt, Harvard Class of 1935. The purpose of the fund is to present outstanding scholars of the history and theory of art to the Harvard and Greater Boston communities. In addition, crucial support for the Animal-Shaped Vessels exhibition has been made possible in part by a major grant from the National Endowment for the Humanities: Exploring the Human Endeavor. In addition, the Harvard Art Museums are deeply grateful to the anonymous donor of a gift in memory of Melvin R. Seiden and to Malcolm H. Wiener (Harvard A.B. ’57, J.D. ’63) and Michael and Helen Lehmann for enabling us to mount this exhibition and to pursue the related research. This work was also made possible in part by the David M. Robinson Fund and the Andrew W. Mellon Publication Funds, including the Henry P. McIlhenny Fund.
- published: 22 Oct 2018
- views: 1124
1:32
Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings—An Introduction
Curator Susanne Ebbinghaus introduces our new special exhibition, “Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings,” on view...
Curator Susanne Ebbinghaus introduces our new special exhibition, “Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings,” on view September 7, 2018–January 6, 2019. The show presents a stunning range of elaborate animal-shaped vessels that span continents and millennia, vividly illustrating how ideas and artistic traditions were exchanged among cultures.
https://wn.com/Animal_Shaped_Vessels_From_The_Ancient_World_Feasting_With_Gods,_Heroes,_And_Kings—An_Introduction
Curator Susanne Ebbinghaus introduces our new special exhibition, “Animal-Shaped Vessels from the Ancient World: Feasting with Gods, Heroes, and Kings,” on view September 7, 2018–January 6, 2019. The show presents a stunning range of elaborate animal-shaped vessels that span continents and millennia, vividly illustrating how ideas and artistic traditions were exchanged among cultures.
- published: 31 Aug 2018
- views: 554
1:13:11
Cult of Zeus Sosipolis and its temple in Magnesia
Subscribe to our E-Newsletter: https://www.ascsa.edu.gr/email-subscribe
Follow us on Facebook: https://www.facebook.com/ascsathens
0:00 Lecture Title
0:13 Intr...
Subscribe to our E-Newsletter: https://www.ascsa.edu.gr/email-subscribe
Follow us on Facebook: https://www.facebook.com/ascsathens
0:00 Lecture Title
0:13 Introduction by Bonna D. Wescoat, Director of the American School of Classical Studies
4:26 Presentation by Görkem Kökdemir from the University of Ankara
53:40 Q&A; Session
1:12:43 Closing
About the lecture:
Before the excavations of Carl Humann (1890-1892), we had only the ancient sources and the city coins concerning the cult of Zeus in Magnesia on the Maeander. Humann’s excavation of the Agora in May 1892 revealed some of this important temple. The remains were reburied after Humann’s excavation, so that this remarkable building has only been represented by a few architectural blocks in museums in Istanbul and Berlin and a 20-page chapter in the publication containing the studies and results of the excavations written in the beginning of the 20th century. New excavations carried out in the area of the temple in 2021-2023 have now unearthed some 75% of the original building, from its foundations to the many architectural blocks of its superstructure. In this paper, new evidence and knowledge of the cult of Zeus Sosipolis and its temple in Magnesia will be presented based on the scope of the new excavations, research, and approaches for the first time.
About the speaker:
Görkem Kökdemir is an Associate Professor in the Faculty of Language, History, and Geography, Department of Classical Archaeology, Ankara University. He finished his Ph.D. in the same department in 2009 with thesis “Propylon in Magnesia on the Meander.”
He was the co-director of the excavations of Magnesia on the Meander (Aydın-Turkey) with Prof. Orhan Bingöl, the director of the excavations for ten years. Since 2021, he has been appointed to be the director of the excavations of Magnesia on the Meander by the Turkish Ministry of Culture and Tourism.His primary research interests center on ancient architecture and architectural decorations, especially during the Hellenistic and Early Roman Imperial Period. While his current work concerns the excavation and publication of the Magnesia, he has also researched in Smintheion (Çanakkale-Turkey) on the architecture of the temple of Apollon Smintheus, Alabanda Apollon Temple.
Kökdemir was awarded the George M. A. and Ilse B. Hanfmann Fellowships by the American Research Institute of Turkey for his studies on Magnesia on the Meander; he visited Paris, Berlin, Rome, and Heidelberg for related work in 2007-2008.
He was also awarded the W.D.E. Coulson & Toni Cross Aegean Exchange Fellowship by the American Research Institute of Turkey for his new project about the Zeus Temple at Magnesia for the year of 2023 in Athens.
https://wn.com/Cult_Of_Zeus_Sosipolis_And_Its_Temple_In_Magnesia
Subscribe to our E-Newsletter: https://www.ascsa.edu.gr/email-subscribe
Follow us on Facebook: https://www.facebook.com/ascsathens
0:00 Lecture Title
0:13 Introduction by Bonna D. Wescoat, Director of the American School of Classical Studies
4:26 Presentation by Görkem Kökdemir from the University of Ankara
53:40 Q&A; Session
1:12:43 Closing
About the lecture:
Before the excavations of Carl Humann (1890-1892), we had only the ancient sources and the city coins concerning the cult of Zeus in Magnesia on the Maeander. Humann’s excavation of the Agora in May 1892 revealed some of this important temple. The remains were reburied after Humann’s excavation, so that this remarkable building has only been represented by a few architectural blocks in museums in Istanbul and Berlin and a 20-page chapter in the publication containing the studies and results of the excavations written in the beginning of the 20th century. New excavations carried out in the area of the temple in 2021-2023 have now unearthed some 75% of the original building, from its foundations to the many architectural blocks of its superstructure. In this paper, new evidence and knowledge of the cult of Zeus Sosipolis and its temple in Magnesia will be presented based on the scope of the new excavations, research, and approaches for the first time.
About the speaker:
Görkem Kökdemir is an Associate Professor in the Faculty of Language, History, and Geography, Department of Classical Archaeology, Ankara University. He finished his Ph.D. in the same department in 2009 with thesis “Propylon in Magnesia on the Meander.”
He was the co-director of the excavations of Magnesia on the Meander (Aydın-Turkey) with Prof. Orhan Bingöl, the director of the excavations for ten years. Since 2021, he has been appointed to be the director of the excavations of Magnesia on the Meander by the Turkish Ministry of Culture and Tourism.His primary research interests center on ancient architecture and architectural decorations, especially during the Hellenistic and Early Roman Imperial Period. While his current work concerns the excavation and publication of the Magnesia, he has also researched in Smintheion (Çanakkale-Turkey) on the architecture of the temple of Apollon Smintheus, Alabanda Apollon Temple.
Kökdemir was awarded the George M. A. and Ilse B. Hanfmann Fellowships by the American Research Institute of Turkey for his studies on Magnesia on the Meander; he visited Paris, Berlin, Rome, and Heidelberg for related work in 2007-2008.
He was also awarded the W.D.E. Coulson & Toni Cross Aegean Exchange Fellowship by the American Research Institute of Turkey for his new project about the Zeus Temple at Magnesia for the year of 2023 in Athens.
- published: 10 Nov 2023
- views: 208
40:45
Persepolis in Color: Art Talk with Susanne Ebbinghaus & Katherine Eremin
People tend to think of ancient sculpture as colorless, as it appears today. But the carved surfaces were often vibrantly painted. Scientific analysis can help ...
People tend to think of ancient sculpture as colorless, as it appears today. But the carved surfaces were often vibrantly painted. Scientific analysis can help us envision the Persian capital city Persepolis in its original splendor.
Join curator and archaeologist Susanne Ebbinghaus, along with conservation scientist Katherine Eremin, as they discuss the color reconstruction of the 486–-460 BCE Persian limestone sculpture Ahuramazda in the winged disk, for installation in the Harvard Art Museums galleries.
TAKE A CLOSER LOOK:
+ Ahuramazda in the winged disk, from Persepolis (Iran), Achaemenid Persian, 486–-460 BCE. Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop, 1943.1062. https://hvrd.art/o/291721
SPEAKERS:
+ Katherine Eremin, Patricia Cornwell Senior Conservation Scientist, Straus Center for Conservation and Technical Studies, Harvard Art Museums;
+ Susanne Ebbinghaus, George M.A. Hanfmann Curator of Ancient Art and Head, Division of Asian and Mediterranean Art, Harvard Art Museums.
+ Moderated by Soyoung Lee, Landon and Lavinia Clay Chief Curator of the Harvard Art Museums.
This talk is part of a series inspired by ReFrame, a museum-wide initiative to reimagine the function, role, and future of the university art museum. These talks examine difficult histories, foreground untold stories, and experiment with new approaches to the collections of the Harvard Art Museums, reflecting the concerns of our world today.
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Copyright Disclaimer: Any use of copyrighted content on this channel constitutes “fair use” pursuant to 17 U.S. Code § 107 as it is utilized for the purpose of criticism, comment, news reporting, teaching, scholarship, education and research.
Video Thumbnail Image: Visitors in gallery with color reconstruction of "Ahuramazda in the winged disk," from Persepolis (Iran), Achaemenid Persian, 486–-460 BCE. Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop, 1943.1062. Photo: Caitlin Cunningham Photography.
Recorded September 21, 2021. © President and Fellows of Harvard College. For questions related to permission for commercial use of this video, please contact the Department of Digital Imaging and Visual Resources at am_divr@harvard.edu.
https://wn.com/Persepolis_In_Color_Art_Talk_With_Susanne_Ebbinghaus_Katherine_Eremin
People tend to think of ancient sculpture as colorless, as it appears today. But the carved surfaces were often vibrantly painted. Scientific analysis can help us envision the Persian capital city Persepolis in its original splendor.
Join curator and archaeologist Susanne Ebbinghaus, along with conservation scientist Katherine Eremin, as they discuss the color reconstruction of the 486–-460 BCE Persian limestone sculpture Ahuramazda in the winged disk, for installation in the Harvard Art Museums galleries.
TAKE A CLOSER LOOK:
+ Ahuramazda in the winged disk, from Persepolis (Iran), Achaemenid Persian, 486–-460 BCE. Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop, 1943.1062. https://hvrd.art/o/291721
SPEAKERS:
+ Katherine Eremin, Patricia Cornwell Senior Conservation Scientist, Straus Center for Conservation and Technical Studies, Harvard Art Museums;
+ Susanne Ebbinghaus, George M.A. Hanfmann Curator of Ancient Art and Head, Division of Asian and Mediterranean Art, Harvard Art Museums.
+ Moderated by Soyoung Lee, Landon and Lavinia Clay Chief Curator of the Harvard Art Museums.
This talk is part of a series inspired by ReFrame, a museum-wide initiative to reimagine the function, role, and future of the university art museum. These talks examine difficult histories, foreground untold stories, and experiment with new approaches to the collections of the Harvard Art Museums, reflecting the concerns of our world today.
---
Copyright Disclaimer: Any use of copyrighted content on this channel constitutes “fair use” pursuant to 17 U.S. Code § 107 as it is utilized for the purpose of criticism, comment, news reporting, teaching, scholarship, education and research.
Video Thumbnail Image: Visitors in gallery with color reconstruction of "Ahuramazda in the winged disk," from Persepolis (Iran), Achaemenid Persian, 486–-460 BCE. Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop, 1943.1062. Photo: Caitlin Cunningham Photography.
Recorded September 21, 2021. © President and Fellows of Harvard College. For questions related to permission for commercial use of this video, please contact the Department of Digital Imaging and Visual Resources at am_divr@harvard.edu.
- published: 05 Oct 2021
- views: 1224