Phonetics (from the , ''phōnē'', "sound, voice") is a branch of linguistics that comprises the study of the sounds of human speech, or—in the case of sign languages—the equivalent aspects of sign. It is concerned with the physical properties of speech sounds or signs (phones): their physiological production, acoustic properties, auditory perception, and neurophysiological status. Phonology, on the other hand, is concerned with the abstract, grammatical characterization of systems of sounds or signs.

The field of phonetics is a multiple layered subject of linguistics that focuses on speech. In the case of oral languages there are three basic areas of study:

''Articulatory phonetics'': the study of the production of speech sounds by the articulatory and vocal tract by the speaker

''Acoustic phonetics'': the study of the physical transmission of speech sounds from the speaker to the listener

''Auditory Phonetics'': the study of the reception and perception of speech sounds by the listener

These areas are inter-connected through the common mechanism of sound, such as wavelength (pitch), amplitude, and harmonics.

History

Phonetics was studied as early as 500 BC in ancient India, with account of the place and manner of articulation of consonants in his 5th century BC treatise on Sanskrit. The major Indic alphabets today order their consonants according to classification. The Ancient Greeks are credited as the first to base a writing system on a phonetic alphabet. Modern phonetics began with Alexander Melville Bell, whose ''Visible Speech'' (1867) introduced a system of precise notation for writing down speech sounds.

Phonetic transcription

The International Phonetic Alphabet(IPA) is used as the basis for the phonetic transcription of speech. It is based on the Latin alphabet and is able to transcribe most features of speech such as consonants, vowels, and suprasegmental features. Every documented phoneme available within the known languages in the world is assigned its own corresponding symbol.

The difference between phonetics and phonology

Phonology concerns itself with systems of phonemes, abstract ''cognitive'' units of speech sound or sign which distinguish the words of a language. Phonetics, on the other hand, concerns itself with the production, transmission, and perception of the ''physical'' phenomena which are abstracted in the mind to constitute these speech sounds or signs.

Using an Edison phonograph, Ludimar Hermann investigated the spectral properties of vowels and consonants. It was in these papers that the term ''formant'' was first introduced. Hermann also played back vowel recordings made with the Edison phonograph at different speeds in order to test Willis' and Wheatstone's theories of vowel production.

Relation to phonology

In contrast to phonetics, phonology is the study of how sounds and gestures pattern in and across languages, relating such concerns with other levels and aspects of language. Phonetics deals with the articulatory and acoustic properties of speech sounds, how they are produced, and how they are perceived. As part of this investigation, phoneticians may concern themselves with the physical properties of meaningful sound contrasts or the social meaning encoded in the speech signal (e.g. gender, sexuality, ethnicity, etc.). However, a substantial portion of research in phonetics is not concerned with the meaningful elements in the speech signal.

While it is widely agreed that phonology is grounded in phonetics, phonology is a distinct branch of linguistics, concerned with sounds and gestures as abstract units (e.g., features, phonemes, mora, syllables, etc.) and their conditioned variation (via, e.g., allophonic rules, constraints, or derivational rules). Phonology relates to phonetics via the set of distinctive features, which map the abstract representations of speech units to articulatory gestures, acoustic signals, and/or perceptual representations.

Subfields

Phonetics as a research discipline has three main branches:

articulatory phonetics is concerned with the articulation of speech: The position, shape, and movement of ''articulators'' or speech organs, such as the lips, tongue, and vocal folds.

acoustic phonetics is concerned with acoustics of speech: The spectro-temporal properties of the sound waves produced by speech, such as their frequency, amplitude, and harmonic structure.

auditory phonetics is concerned with speech perception: the perception, categorization, and recognition of speech sounds and the role of the auditory system and the brain in the same.

Transcription

Phonetic transcription is a system for transcribing sounds that occur in spoken language or signed language. The most widely known system of phonetic transcription, the International Phonetic Alphabet (IPA), uses a one-to-one mapping between phones and written symbols. The standardized nature of the IPA enables its users to transcribe accurately and consistently the phones of different languages, dialects, and idiolects. The IPA is a useful tool not only for the study of phonetics, but also for language teaching, professional acting, and speech pathology......

Applications

Application of phonetics include:

forensic phonetics: the use of phonetics (the science of speech) for forensic (legal) purposes.

Speech Recognition: the analysis and transcription of recorded speech by a computer system.

See also

Index of phonetics articles

International Phonetic Alphabet

Speech processing

Acoustics

Biometric word list

Phonetics departments at universities

X-SAMPA

ICAO spelling alphabet

Buckeye Corpus

Notes

References

External links

Comparative phonetics

IPA Trainer Online application to practice phonetics.

Translate English texts into IPA phonetics with PhoTransEdit.

the Web Site of the Phonetic Sciences Laboratory of the Université de Montréal.

The International Society of Phonetic Sciences (ISPhS)

A little encyclopedia of phonetics, Peter Roach, Professor of Phonetics, University of Reading, UK. (pdf)

The sounds and sound patterns of language U Penn

UCLA lab data

UCLA Phonetics Lab Archive

EGG and Voice Quality (electroglottography, phonation, etc.)

IPA handbook

IPA-SAM Phonetic Fonts

Speech Analysis Tutorial

Lecture materials in German on phonetics & phonology, university of Erfurt

Real-time MRI video of the articulation of speech sounds, from the USC Speech Articulation and kNowledge (SPAN) Group

Beginner's course in phonetics, with some exercises

Praat - Phonetic analysis software

SID- Speech Internet Dictionary

Extensive collection of phonetics resources on the Web (University of North Carolina)

Phonetics and Phonology (University of Osnabrueck)

Category:Phonetics

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name	Victor Borge
birth date	January 03, 1909
birth place	Copenhagen, Denmark
death date	December 23, 2000
death place	Greenwich, Connecticut, United States
occupation	Classical pianist, entertainer, comedian, humorist }}

Victor Borge ( ; 3 January 1909 – 23 December 2000), born Børge Rosenbaum, was a Danish comedian, conductor and pianist, affectionately known as ''The Clown Prince of Denmark'', ''The Unmelancholy Dane'', and ''The Great Dane''.

Biography

Early life and career

Borge was born Børge Rosenbaum in Copenhagen, Denmark, into a Jewish family. His parents, Bernhard and Frederikke Rosenbaum, were both musicians—his father a violist in the Royal Danish Orchestra and his mother a pianist. Like his mother, Borge began piano lessons at the age of two, and it was soon apparent that he was a prodigy. He gave his first piano recital when he was eight years old, and in 1918 was awarded a full scholarship at the Royal Danish Academy of Music, studying under Olivo Krause. Later on, he was taught by Victor Schiøler, Liszt's student Frederic Lamond, and Busoni's pupil Egon Petri.

Borge played his first major concert in 1926 at the Danish concert-hall Odd Fellow Palæet (''The Odd Fellow's Lodge building''). After a few years as a classical concert pianist, he started his now famous "stand up" act, with the signature blend of piano music and jokes. He married American Elsie Chilton in 1933, the same year he debuted with his revue acts. Borge started touring extensively in Europe, where he began telling anti-Nazi jokes.

When the Nazis occupied Denmark during World War II, Borge was playing a concert in Sweden, and managed to escape to Finland. He traveled to America on the USS ''American Legion'', the last neutral ship to make it out of Petsamo, Finland, and arrived 28 August 1940, with only 20 dollars (equal to $}} today), with $3 (equal to $}} today) going to the customs fee. Disguised as a sailor, Borge returned to Denmark once during the occupation to visit his dying mother.

Move to America

Even though Borge did not speak a word of English upon arrival, he quickly managed to adapt his jokes to the American audience, learning English by watching movies. He took the name of Victor Borge, and, in 1941, he started on Rudy Vallee's radio show, but was hired soon after by Bing Crosby for his ''Kraft Music Hall''.

From then on, fame rose quickly for Borge, who won Best New Radio Performer of the Year in 1942. Soon after the award, he was offered film roles with stars such as Frank Sinatra (in ''Higher and Higher''). While hosting ''The Victor Borge Show'' on NBC beginning in 1946, he developed many of his trademarks, including repeatedly announcing his intent to play a piece but getting "distracted" by something or other, making comments about the audience, or discussing the usefulness of Chopin's "Minute Waltz" as an egg timer. Or he would start out with some well-known classical piece like Beethoven's "Moonlight Sonata" and suddenly move into a harmonically suitable pop or jazz tune like Cole Porter's "Night and Day" or "Happy Birthday to You".

Borge's style

Among Borge's other famous routines is the "Phonetic Punctuation" routine, in which he recites a story, with full punctuation (comma, period, exclamation mark, etc.) as exaggerated onomatopoeic sounds. Another is his "Inflationary Language", where he incremented numbers embedded in words, whether they are visible or not ("once upon a time" becomes "twice upon a time", "wonderful" becomes "twoderful", "forehead" becomes "fivehead", "tennis" becomes "elevennis", "I ate a tenderloin with my fork" becomes "'I nine an elevenderloin with my five'k' and so on and so fifth").

Borge used physical and visual elements in his live and televised performances. He would play a strange-sounding piano tune from sheet music, looking increasingly confused; turning the sheet upside down, he would then play the actual tune, flashing a joyful smile of accomplishment to the audience (he had, at first, been literally playing the actual tune upside down). When his energetic playing of another song would cause him to fall off the piano bench, he would open the seat lid, take out the two ends of an automotive seatbelt, and buckle himself onto the bench, "for safety." Conducting an orchestra, he might stop and order a violinist who had played a sour note to get off the stage, then resume the performance and have the other members of the section move up to fill the empty seat while they were still playing. His musical sidekick in the 1950s, Leonid Hambro, was a well-known concert pianist. In 1968, classical pianist Şahan Arzruni joined him as his straightman, performing together on one piano a version of Liszt's Second Hungarian Rhapsody, considered a musical-comedic classic.

He also enjoyed interacting with the audience. Seeing an interested person in the front row, he would ask them, "Do you like good music?" or "Do you care for piano music?" After an affirmative answer, Borge would take a piece of sheet music from his piano and say, "Here is some", and hand it over. After the audience's laughter died down, he would say, "That'll be $1.95" (or whatever the current price might be). He would then ask whether the audience member could read music; if the member said yes, he would ask a higher price. If he got no response from the audience after a joke, he would often add "...when this ovation has died down, of course". The delayed punch line to handing the person the sheet music would come when he would reach the end of a number and begin playing the penultimate notes over and over, with a puzzled look. He would then go back to the person in the audience, retrieve the sheet music, tear off a piece of it, stick it on the piano, and play the last couple of notes from it.

Making fun of modern theater, he would sometimes begin a performance by asking if there were any children in the audience. There always were, of course. He would sternly order them out, then say, "We do have some children in here that means I can't do the second half in the nude. I'll wear the tie. (pause) The long one. (pause) The very long one, yes."

In his stage shows in later years, he would include a segment with opera singer Marilyn Mulvey. She would try to sing an aria, and he would react and interrupt, with such antics as falling off the bench in "surprise" when she hit a high note. He would also remind her repeatedly not to rest her hand on the piano. After the routine, the spotlight would fall upon Mulvey and she would sing a serious number with Borge accompanying in the background.

Later career

Borge appeared on ''Toast of the Town'' hosted by Ed Sullivan several times during 1948. He became a naturalized citizen of the United States the same year. He started the ''Comedy in Music '' show at John Golden Theatre in New York City on 2 October 1953. ''Comedy in Music'' became the longest running one-man show in the history of theater with 849 performances when it closed on 21 January 1956, a feat which placed it in the Guinness Book of World Records.

Continuing his success with tours and shows, Borge played with and conducted orchestras including Chicago Symphony Orchestra, the New York Philharmonic and London Philharmonic. Always modest, he felt honored when he was invited to conduct the Royal Danish Orchestra at the Royal Danish Theatre in Copenhagen, Denmark, in 1992.

His later television appearances included his "Phonetic Punctuation" routine on ''The Electric Company'' in a filmed sketch; he would also use it on the record to follow during the "Punctuation" song. He appeared several times on ''Sesame Street'' and was a guest star during the fourth season of ''The Muppet Show''.

Victor Borge continued to tour until his last days, performing up to 60 times per year when he was 90 years old.

Other endeavors

Borge made several appearances on the long running TV show ''What's My Line?'', both as a celebrity panelist, and as a contestant with the occupation "poultry farmer"; Starting in the 1950s, as a businessman, Borge raised and popularized Rock Cornish hens.

Borge helped start several trust funds, including the Thanks to Scandinavia Fund, which was started in dedication to those who helped the Jews escape the German persecution during the war.

Aside from his musical work, Borge wrote three books, ''My Favorite Intermissions'' and ''My Favorite Comedies in Music'' (both with Robert Sherman), and the autobiography ''Smilet er den korteste afstand'' ("The Smile is the Shortest Distance") with Niels-Jørgen Kaiser.

Family

After divorcing his wife Elsie, he married Sarabel Sanna Scraper in 1953 and they stayed married until her death at the age of 83 in September 2000.

Borge fathered five children (who occasionally performed with him): Ronald Borge and Janet Crowle with Elsie Chilton, and Sanna Feirstein, Victor Bernhard (Vebe) Jr., and Frederikke (Rikke) Borge with Sarabel.

Borge died in Greenwich, Connecticut, at the age of 91, after more than 75 years of entertaining. He died peacefully in his sleep a day after returning from a concert in Denmark. "It was just his time to go", Frederikke Borge said. "He's been missing my mother terribly." According to his wish, to mark his connection to both USA and Denmark a part of Victor Borge's ashes is interred at Putnam Cemetery in Greenwich, with a replica of Danish icon The Little Mermaid sitting on a large rock at the gravesite, the other part in Western Jewish Cemetery (Mosaisk Vestre Begravelsesplads), Copenhagen, Denmark.

Legacy

Borge received an honorary degree from Trinity College, Hartford in 1997.

When in 1998 the Royal Danish Orchestra celebrated its 550 year anniversary, Borge was appointed honorary member – at that time one of only 10 in the orchestra's history.

Borge received Kennedy Center Honors in 1999.

Victor Borge Hall, located in Scandinavia House in New York City, was named in Borge's honor in 2000, as was Victor Borges Plads ("Victor Borge Square") in Copenhagen in 2002. Celebrating Borge's Centennial in 2009 a statue was erected on the square.

Victor Borge: A Centennial Celebration

From 23 to 9 January May 2009, the life of Borge was celebrated by The American-Scandinavian Foundation with "Victor Borge: A Centennial Celebration." A television special about his life, ''100 Years of Music and Laughter,'' aired on PBS on 14 March 2009.

Discography

''Phonetic Punctuation Parts 1 and 2'' (1945, Columbia Records 36911, 78 rpm) ''The Blue Serenade / A Lesson in Composition'' (1945, Columbia Records 36912, 78 rpm) ''Brahms’ Lullaby / Grieg Rhapsody'' (1945, Columbia Records 36913, 78 rpm) ''A Mozart Opera by Borge / All The Things You Are'' (1945, Columbia Records 36914, 78 rpm) ''A Victor Borge Program'' (1946, Columbia Album C-111, 4 discs 78 rpm – a set containing the four previous releases) ''Unstarted Symphony / Bizet's Carmen'' (1947, Columbia Records 38181, 78 rpm) ''Intermezzo / Stardust'' (1947, Columbia Records 38182, 78 rpm) ''Rachmaninoff's Concerto No. 2 / Inflation Language'' (1947, Columbia Records 38183, 78 rpm) ''Clair de Lune / Vuggevise'' (1947, Columbia Records 38184, 78 rpm) ''An Evening with Victor Borge'' (1948 Columbia Album C-161, 4 discs 78 rpm – a set containing the four previous releases) ''A Victor Borge Program'' (1951, Columbia Records CL-6013, 10'' LP) ''Comedy in Music, Vol. 1'' (1954, Columbia Records CL-6292, 10'' LP) ''Comedy in Music, Vol. 2'' (1954, Columbia Records CL-6293, 10'' LP) ''Comedy in Music'' (1954, Columbia Records CL-554, LP) ''Caught in the Act'' (1955, Columbia Records CL-646, LP) ''Brahms, Bizet and Borge'' (1955, Columbia Records CL-2538, 10'' LP) ''½ Time På Dansk'' (1958, Fona 251 HI-FI, 10'' LP) ''The Adventures of Piccolo, Saxie and Company'' (1959, Columbia Records CL-1223, LP) ''The Adventures of Piccolo, Saxie and Company'' (1959, Coronet KLP 762, LP (AUS)) ''Victor Borge Plays and Conducts Concert Favorites'' (1959, Columbia Records CL-1305/CS-8113, LP) ''Borge's Back'' (1962, MGM E/SE-3995P, LP) ''Borge's Back'' (1962, MGM CS-6055, LP (UK)) ''Borgering on Genius'' (1962, MGM 2354029, LP – same material as ''Borge's Back'') ''Great Moments of Comedy'' (1964, Verve V/V6 15044, LP – same material as ''Borge's Back'') ''Victor Borge presents his own enchanting version of Hans Christian Andersen'' (1966, Decca DL7-34406 Stereo, LP)

''Comedy in Music'' (1972, CBS S 53140, LP)

''Victor Borge at His Best'' (1972, PRT Records COMP 5, 2 LPs) ''Victor Borge Live At The London Palladium'' (1972, Pye NSPL 18394, LP) ''My Favorite Intervals'' (1975, PYE NSPD 502, LP)

''13 Pianos Live in Concert'' (1975, Telefunken-Decca LC-0366)

''Victor Borge 50 Års Jubilæum'' (1976, Philips 6318035, LP)

''Victor Borge Show'' (1977, CBS 70082, LP, in Danish)

''Victor Borge Live in der Hamburger Musikhalle'' (1978, Philips 6305 369, LP)

''Victor Borge Live'' (1978, Starbox LX 96 004 Stereo, LP)

''Victor Borge – Live(!)'' (1992, Sony Broadway 48482, CD)

''The Piano & Humor of the Great Victor Borge'' (1997, Sony Music Special Products 15312, 3 CDs)

''The Two Sides of Victor Borge'' (1998, GMG Entertainment, CD)

''Caught in the Act'' (1999, Collectables Records 6031, CD)

''Comedy in Music'' (1999, Collectables Records 6032, CD)

''Phonetically Speaking – And Don't Forget The Piano'' (2001, Jasmine 120, CD)

''En aften med Victor Borge'' (2003, UNI 9865861, CD)

''I Love You Truly'' (2004, Pegasus (Pinnacle) 45403, CD)

''Victor Borge King of Comedy'' (2006, Phantom 26540, CD)

''Verdens morsomste mand: alle tiders Victor Borge'' (2006, UNI 9877560, CD)

''Unstarted Symphony'' (2008, NAX-8120859, CD)

''Comedy in Music'' (2009, SHO-227, CD)

Filmography

''Frk. Møllers Jubilæum'' (1937)

''Der var engang en Vicevært'' (1937)

''Alarm'' (1938)

''De tre måske fire'' (1939)

''Higher and Higher'' (1943)

''The Story of Dr. Wassell'' (1944)

''The Daydreamer'' (1966)

''The King of Comedy'' (1983)

References

Further reading

External links

A Tribute to Victor Borge.

A website dedicated to Victor Borge.

Victor Borge and the Bosendorfer Imperial Pianos with images, video and sound files provided by his management

Internet Archive: Victor Borge Collection

Category:1909 births Category:2000 deaths Category:People from Copenhagen Category:Danish Jews Category:Comedy musicians Category:American people of Danish descent Category:Danish comedians Category:Danish humorists Category:Danish pianists Category:Danish conductors (music) Category:Jewish actors Category:Jewish American musicians Category:Jewish comedians Category:Jewish comedy and humor Category:Kennedy Center honorees Category:Naturalized citizens of the United States Category:People from Greenwich, Connecticut Category:Danish emigrants to the United States Category:Humor in classical music

da:Victor Borge de:Victor Borge es:Víctor Borge fa:ویکتور بورگه fr:Victor Borge it:Victor Borge he:ויקטור בורגה hu:Victor Borge nl:Victor Borge ja:ヴィクター・ボーグ no:Victor Borge pl:Victor Borge pt:Victor Borge ru:Борге, Виктор fi:Victor Borge sv:Victor Borge zh:維托·埔柱

name	Dean Martin
background	solo_singer
birth name	Dino Paul Crocetti
alias	Dean MartinThe King of CoolDinoDino Martini
born	June 07, 1917Steubenville, Ohio, U.S.
died	December 25, 1995Beverly Hills, California, U.S.
genre	Big band, easy listening, pop standard, country
years active	1939–1995
occupation	Musician, singer-songwriter, actor, comedian, film producer
label	Capitol, Reprise }}

Dean Martin (June 7, 1917 – December 25, 1995), born Dino Paul Crocetti, was an American singer, film actor, television star and comedian. Martin's hit singles included "Memories Are Made of This", "That's Amore", "Everybody Loves Somebody", "Mambo Italiano", "Sway", "Volare" and smash hit "Ain't That a Kick in the Head?". Nicknamed the "King of Cool", he was one of the members of the "Rat Pack" and a major star in four areas of show business: concert stage/night clubs, recordings, motion pictures, and television.

Early life

Martin was born in Steubenville, Ohio, to Italian parents, Gaetano and Angela Crocetti (née Barra). His father was from Abruzzo, Italy, and his mother was an Italian of part Neapolitan and part Sicilian ancestry. Martin was the younger of two sons. His brother was named Bill. Martin spoke only Italian until he started school. He attended Grant Elementary School in Steubenville, and took up the drums as a hobby as a teenager. He was the target of much ridicule for his broken English and ultimately dropped out of Steubenville High School in the 10th grade because he thought that he was smarter than his teachers. He delivered bootleg liquor, served as a speakeasy croupier, was a blackjack dealer, worked in a steel mill and boxed as welterweight. He grew up a neighbor to Jimmy the Greek.

At the age of 15, he was a boxer who billed himself as "Kid Crochet". His prizefighting years earned him a broken nose (later straightened), a scarred lip, and many sets of broken knuckles (a result of not being able to afford the tape used to wrap boxers' hands). Of his twelve bouts, he would later say "I won all but eleven." For a time, he roomed with Sonny King, who, like Martin, was just starting in show business and had little money. It is said that Martin and King held bare-knuckle matches in their apartment, fighting until one of them was knocked out; people paid to watch.

Eventually, Martin gave up boxing. He worked as a roulette stickman and croupier in an illegal casino behind a tobacco shop where he had started as a stock boy. At the same time, he sang with local bands. Calling himself "Dino Martini" (after the then-famous Metropolitan Opera tenor, Nino Martini), he got his first break working for the Ernie McKay Orchestra. He sang in a crooning style influenced by Harry Mills (of the Mills Brothers), among others. In the early 1940s, he started singing for bandleader Sammy Watkins, who suggested he change his name to Dean Martin.

In October 1941, Martin married Elizabeth Anne McDonald. During their marriage (ended by divorce in 1949), they had four children. Martin worked for various bands throughout the early 1940s, mostly on looks and personality until he developed his own singing style. Martin famously flopped at the Riobamba, a high class nightclub in New York, when he succeeded Frank Sinatra in 1943, but it was the setting for their meeting.

Drafted into the United States Army in 1944 during World War II, Martin served a year stationed in Akron, Ohio. He was then reclassified as 4-F (possibly because of a double hernia; Jerry Lewis referred to the surgery Martin needed for this in his autobiography) and was discharged.

By 1946, Martin was doing relatively well, but was still little more than an East Coast nightclub singer with a common style, similar to that of Bing Crosby. He drew audiences to the clubs he played, but he inspired none of the fanatic popularity enjoyed by Sinatra.

Mafia connections

A biography on Martin entitled ''Dean Martin: King of the Road'' by Michael Freedland alleged he had links to the Mafia early in his career. According to this book, Martin was given help with his singing career by the Chicago Outfit who owned saloons in the city, and later performed in shows hosted by these bosses when he was a star. The mob bosses were Tony ("Joe Batters") Accardo and Sam Giancana. Freedland suggests Martin felt little sympathy for the Mafia and did them small favors only if it was not inconvenient for him. Another book, ''The Animal in Hollywood'' by John L. Smith, depicted Martin's longtime friendship with Mafia mobsters "Handsome Johnny" Roselli and Anthony ("The Animal") Fiato. Smith suggests that Fiato did Martin many favors, such as getting back money from two swindlers who had cheated Martin's ex-wife Betty out of thousands of dollars of her alimony.

Career

Teaming with Jerry Lewis

Martin attracted the attention of Metro-Goldwyn-Mayer and Columbia Pictures, but a Hollywood contract was not forthcoming. He met comic Jerry Lewis at the Glass Hat Club in New York, where both men were performing. Martin and Lewis formed a fast friendship which led to their participation in each other's acts and the ultimate formation of a music-comedy team.

Martin and Lewis's official debut together occurred at Atlantic City's 500 Club on July 24, 1946, and they were not well received. The owner, Skinny D'Amato, warned them that if they did not come up with a better act for their second show later that night, they would be fired. Huddling together in the alley behind the club, Lewis and Martin agreed to "go for broke", to throw out the pre-scripted gags and to improvise. Martin sang and Lewis came out dressed as a busboy, dropping plates and making a shambles of both Martin's performance and the club's sense of decorum until Lewis was chased from the room as Martin pelted him with breadrolls. They did slapstick, reeled off old vaudeville jokes, and did whatever else popped into their heads at the moment. This time, the audience doubled over in laughter. This success led to a series of well-paying engagements on the Eastern seaboard, culminating in a triumphant run at New York's Copacabana. Patrons were convulsed by the act, which consisted primarily of Lewis interrupting and heckling Martin while he was trying to sing, and ultimately the two of them chasing each other around the stage and having as much fun as possible. The secret, both said, is that they essentially ignored the audience and played to one another.

The team made its TV debut on the very first broadcast of CBS-TV network's ''Toast of the Town'' (later called ''The Ed Sullivan Show'') with Ed Sullivan and Rodgers & Hammerstein appearing on this same inaugural telecast of June 20, 1948. A radio series commenced in 1949, the same year Martin and Lewis were signed by Paramount producer Hal B. Wallis as comedy relief for the movie ''My Friend Irma''.

Their agent, Abby Greshler, negotiated for them one of Hollywood's best deals: although they received only a modest $75,000 between them for their films with Wallis, Martin and Lewis were free to do one outside film a year, which they would co-produce through their own York Productions. They also had complete control of their club, record, radio and television appearances, and it was through these endeavors that they earned millions of dollars.

In ''Dean & Me'', Lewis calls Martin one of the great comic geniuses of all time. But the harsh comments from the critics, as well as frustration with the formulaic similarity of Martin and Lewis movies, which producer Hal Wallis stubbornly refused to change, led to Martin's dissatisfaction. He put less enthusiasm into the work, leading to escalating arguments with Lewis. They finally could not work together, especially after Martin told his partner he was "nothing to me but a dollar sign". The act broke up in 1956, 10 years to the day from the first official teaming.

Martin's first solo film, ''Ten Thousand Bedrooms'' (1957), was a box office failure. He was still popular as a singer, but with rock and roll surging to the fore, the era of the pop crooner was waning.

The CBS film, ''Martin and Lewis'', a made-for-TV movie about the famous comedy duo, starred Jeremy Northam as Martin, and Sean Hayes as Lewis. It depicted the years from 1946–1956.

Solo career

Never totally comfortable in films, Martin wanted to be known as a real actor. Though offered a fraction of his former salary to co-star in a war drama, ''The Young Lions'' (1957), he was ecstatic to receive the part because it would be a dramatic showcase with the two most intriguing young actors of the period and he could learn from Marlon Brando and Montgomery Clift. Tony Randall already had the part, but talent agency MCA realized that with this movie, Martin would become a triple threat: they could make money from his work in night clubs, movies, and records. Martin replaced Randall and the film turned out to be the beginning of Martin's spectacular comeback. Success would continue as Martin starred alongside Frank Sinatra for the first time in a highly acclaimed Vincente Minnelli drama, ''Some Came Running'' (1958). By the mid '60s, Martin was a top movie, recording, and nightclub star, while Lewis' film career declined. Martin was acclaimed for his performance as Dude in ''Rio Bravo'' (1959), directed by Howard Hawks and also starring John Wayne and singer Ricky Nelson. He teamed up again with Wayne in ''The Sons of Katie Elder'' (1965), somewhat unconvincingly cast as brothers.

In 1960, Martin was cast in the motion picture version of the Judy Holliday hit stage play ''Bells Are Ringing''. Martin played a satiric variation of his own womanizing persona as Vegas singer "Dino" in Billy Wilder's comedy ''Kiss Me, Stupid'' (1964) with Kim Novak, and he was not above poking fun at his image in films such as the ''Matt Helm'' spy spoofs of the 1960s, in which he was a co-producer.

As a singer, Martin copied the styles of Harry Mills (of the Mills Brothers), Bing Crosby, and Perry Como until he developed his own and could hold his own in duets with Sinatra and Crosby. Like Sinatra, he could not read music, but he recorded more than 100 albums and 600 songs. His signature tune, "Everybody Loves Somebody", knocked The Beatles' "A Hard Day's Night" out of the number-one spot in the United States in 1964. This was followed by the similarly-styled "The Door is Still Open to My Heart", which reached number six later that year. Elvis Presley was said to have been influenced by Martin, and patterned "Love Me Tender" after his style. Martin, like Elvis, was influenced by country music. By 1965, some of Martin's albums, such as ''Dean "Tex" Martin,'' ''The Hit Sound Of Dean Martin,'' ''Welcome To My World'' and ''Gentle On My Mind'' were composed of country and western songs made famous by artists like Johnny Cash, Merle Haggard, and Buck Owens. Martin hosted country performers on his TV show and was named "Man Of the Year" by the Country Music Association in 1966. "Ain't That a Kick in the Head", a song Martin performed in ''Ocean's Eleven'' that never became a hit at the time, has enjoyed a spectacular revival in the media and pop culture.

For three decades, Martin was among the most popular acts in Las Vegas. Martin sang and was one of the smoothest comics in the business, benefiting from the decade of raucous comedy with Lewis. Martin's daughter, Gail, also sang in Vegas and on his TV show, co-hosting his summer replacement series on NBC. Though often thought of as a ladies' man, Martin spent a lot of time with his family; as second wife Jeanne put it, prior to the couple's divorce, "He was home every night for dinner."

The Rat Pack

As Martin's solo career grew, he and Frank Sinatra became close friends. In the late 1950s and early 1960s, Martin and Sinatra, along with friends Joey Bishop, Peter Lawford, and Sammy Davis, Jr. formed the legendary Rat Pack, so called by the public after an earlier group of social friends, the Holmby Hills Rat Pack centered on Humphrey Bogart and Lauren Bacall, of which Sinatra had been a member.

The Martin-Sinatra-Davis-Lawford-Bishop group referred to themselves as "The Summit" or "The Clan" and never as "The Rat Pack", although this has remained their identity in the popular imagination. The men made films together, formed an important part of the Hollywood social scene in those years, and were politically influential (through Lawford's marriage to Patricia Kennedy, sister of President John F. Kennedy).

The Rat Pack were legendary for their Las Vegas performances. For example, the marquee at the Sands Hotel might read DEAN MARTIN---MAYBE FRANK---MAYBE SAMMY. Las Vegas rooms were at a premium when the Rat Pack would appear, with many visitors sleeping in hotel lobbies or cars to get a chance to see the three men together. Their act (always in tuxedo) consisted of each singing individual numbers, duets and trios, along with much seemingly improvised slapstick and chatter. In the socially-charged 1960s, their jokes revolved around adult themes, such as Sinatra's infamous womanizing and Martin's legendary drinking, as well as many at the expense of Davis's race and religion. Davis famously practiced Judaism and used Yiddish phrases onstage, eliciting much merriment from both his stage-mates and his audiences. It was all good-natured male bonding, never vicious, rarely foul-mouthed, and the three had great respect for each other. The Rat Pack was largely responsible for the integration of Las Vegas. Sinatra and Martin steadfastly refused to appear anywhere that barred Davis, forcing the casinos to open their doors to African-American entertainers and patrons, and to drop restrictive covenants against Jews.

Posthumously, the Rat Pack has experienced a popular revival, inspiring the George Clooney/Brad Pitt "Ocean's" trilogy. An HBO film, ''The Rat Pack'', starred Joe Mantegna as Martin, Ray Liotta as Sinatra and Don Cheadle as Davis. It depicted their contribution to JFK's election in 1960.

The 1960s to 1980s

In 1965, Martin launched his weekly NBC comedy-variety series, ''The Dean Martin Show'', which exploited his public image as a lazy, carefree boozer. There he perfected his famous laid-back persona of the half-drunk crooner suavely hitting on beautiful women with hilarious remarks that would get anyone else slapped, and making snappy if slurred remarks about fellow celebrities during his famous roasts. During an interview he stated, and this may have been tongue-in-cheek, that he had someone record them on cassette tape so he could listen to them; this is evidenced by his comments to this effect on the British TV documentary 'Wine, Women and Song' which was aired in 1983.

The TV show was a success. Martin prided himself on memorizing whole scripts – not merely his own lines. He disliked rehearsing because he firmly believed his best performances were his first. The show's loose format prompted quick-witted improvisation from Martin and the cast. On occasion, he made remarks in Italian, some mild obscenities that brought angry mail from offended, Italian-speaking viewers. This prompted a battle between Martin and NBC censors, who insisted on more scrutiny of the show's content. The show was often in the Top Ten. Martin, deeply appreciative of the efforts of the show's producer, his friend Greg Garrison, later made a handshake deal giving Garrison, a pioneer TV producer in the 1950s, 50% ownership of the show. However, the validity of that ownership is currently the subject of a lawsuit brought by NBC Universal.

Despite Martin's reputation as a heavy drinker – a reputation perpetuated via his vanity license plates reading "DRUNKY" – he was remarkably self-disciplined. He was often the first to call it a night, and when not on tour or on a film location, liked to go home to see his wife and children. Phyllis Diller has said that Martin was indeed drinking alcohol onstage and not apple juice. She also commented that although he was not drunk, he was not really sober either, but had very strict rules when it came to performances. He borrowed the lovable-drunk shtick from Joe E. Lewis, but his convincing portrayals of heavy boozers in ''Some Came Running'' and Howard Hawks's ''Rio Bravo'' led to unsubstantiated claims of alcoholism. More often than not, Martin's idea of a good time was playing golf or watching TV, particularly westerns – not staying with Rat Pack friends Frank Sinatra and Sammy Davis, Jr. into the early hours of the morning.

Martin starred in and co-produced a series of four Matt Helm superspy comedy adventures. A fifth, ''The Ravagers'', was planned starring Sharon Tate and Martin in a dual role, one as a serial killer, but due to the murder of Tate and the decline of the spy genre the film was never made.

By the early 1970s, ''The Dean Martin Show'' was still earning solid ratings, and although he was no longer a Top 40 hitmaker, his record albums continued to sell steadily. His name on a marquee could guarantee casinos and nightclubs a standing-room-only crowd. He found a way to make his passion for golf profitable by offering his own signature line of golf balls. Shrewd investments had greatly increased Martin's personal wealth; at the time of his death, Martin was reportedly the single largest minority shareholder of RCA stock. Martin even managed to cure himself of his claustrophobia by reportedly locking himself in the elevator of a tall building and riding up and down for hours until he was no longer panic-stricken.

Martin retreated from show business. The final (1973–74) season of his variety show would be retooled into one of celebrity roasts, requiring less of Martin's involvement. After the show's cancellation, NBC continued to air the ''Dean Martin Celebrity Roast'' format in a series of TV specials through 1984. In those 11 years, Martin and his panel of pals successfully ridiculed and made fun of these legendary stars in this order: Ronald Reagan, Hugh Hefner, Ed McMahon, William Conrad, Kirk Douglas, Bette Davis, Barry Goldwater, Johnny Carson, Wilt Chamberlain, Hubert Humphrey, Carroll O'Connor, Monty Hall, Jack Klugman & Tony Randall, Zsa Zsa Gabor, Leo Durocher, Truman Capote, Don Rickles, Ralph Nader, Jack Benny, Redd Foxx, Bobby Riggs, George Washington, Dan Rowan & Dick Martin, Hank Aaron, Joe Namath, Bob Hope, Telly Savalas, Lucille Ball, Jackie Gleason, Sammy Davis Jr, Michael Landon, Evel Knievel, Valerie Harper, Muhammad Ali, Dean Martin, Dennis Weaver, Joe Garagiola, Danny Thomas, Angie Dickinson, Gabe Kaplan, Ted Knight, Peter Marshall, Dan Haggerty, Frank Sinatra, Jack Klugman, Jimmy Stewart, George Burns, Betty White, Suzanne Somers, Joan Collins, and Mr T. For nearly a decade, Martin had recorded as many as four albums a year for Reprise Records. That stopped in November 1974, when Martin recorded his final Reprise album - ''Once In A While,'' released in 1978. His last recording sessions were for Warner Brothers Records. An album titled ''The Nashville Sessions'' was released in 1983, from which he had a hit with "(I Think That I Just Wrote) My First Country Song", which was recorded with Conway Twitty and made a respectable showing on the country charts. A followup single "L.A. Is My Home" / "Drinking Champagne" came in 1985. The 1975 film ''Mr. Ricco'' marked Martin's final starring role, and Martin limited his live performances to Las Vegas and Atlantic City.

Martin seemed to suffer a mid-life crisis. In 1972, he filed for divorce from his second wife, Jeanne. A week later, his business partnership with the Riviera was dissolved amid reports of the casino's refusal to agree to Martin's request to perform only once a night. He was quickly snapped up by the MGM Grand Hotel and Casino, and signed a three-picture deal with MGM Studios. Less than a month after his second marriage had been legally dissolved, Martin married 26-year-old Catherine Hawn on April 25, 1973. Hawn had been the receptionist at the chic Gene Shacrove hair salon in Beverly Hills. They divorced November 10, 1976. He was also briefly engaged to Gail Renshaw, Miss World-U.S.A. 1969.

Eventually, Martin reconciled with Jeanne, though they never remarried. He also made a public reconciliation with Jerry Lewis on Lewis' Labor Day Muscular Dystrophy Association telethon in 1976. Frank Sinatra shocked Lewis and the world by bringing Martin out on stage. As Martin and Lewis embraced, the audience erupted in cheers and the phone banks lit up, resulting in one of the telethon's most profitable years. Lewis reported the event was one of the three most memorable of his life. Lewis brought down the house when he quipped, "So, you working?" Martin, playing drunk, replied that he was "at the Meggum" – this reference to the MGM Grand Hotel convulsed Lewis. This, along with the death of Martin's son Dean Paul Martin a few years later, helped to bring the two men together. They maintained a quiet friendship but only performed together again once, in 1989, on Martin's 72nd birthday.

Personal life

Martin was married three times. Martin's first wife, Betty McDonald, tried by all accounts to be a good wife and mother to their four children, but her efforts were ultimately undone by her alcoholism . It remains a matter of speculation whether her alcoholism led to the failure of the marriage, or whether Martin's infidelities led to Betty's alcoholism. Subsequent to their divorce, Martin gained custody of their children; Betty lived out her life in quiet obscurity in San Francisco. Their children were Stephen Craig (born June 29, 1942), Claudia Dean (March 16, 1944 - 2001 from breast cancer), Barbara Gail (born April 11, 1945) and Deana (Dina) (born August 19, 1948).

Martin's second wife was Jeanne Biegger. A stunning blonde, Jeanne could sometimes be spotted in Martin's audience while he was still married to Betty. Their marriage lasted twenty-four years (1949–1973) and produced three children. Their children were Dean Paul (November 17, 1951 - March 21, 1987; plane crash), Ricci James (born September 20, 1953) and Gina Caroline (born December 20, 1956).

Martin's third marriage, to Catherine Hawn, lasted three years. One of Martin's managers had spotted her at the reception desk of a hair salon on Rodeo Drive, then arranged a meeting. Martin adopted Hawn's daughter, Sasha, but their marriage also failed. Martin initiated divorce proceedings.

Martin's uncle was Leonard Barr, who appeared in several of his shows.

Later years and death

On December 1, 1983 while gambling at the Golden Nugget casino in Atlantic City, Martin and Sinatra intimidated the dealer and several employees into breaking New Jersey law by making the dealer deal the cards by hand instead of from a shoe. Although Sinatra and Martin were implicated as the cause of the violation, neither was fined by the New Jersey Casino Control Commission. The Golden Nugget received a $25,000 fine (which Sinatra paid, stating that it was his responsibility as he and Martin were the cause of the fine) and four employees including the dealer, a supervisor and pit boss were suspended from their jobs without pay.

Martin returned to films briefly with appearances in the two star-laden yet critically panned Cannonball Run movies. He also had a minor hit single with "Since I Met You Baby" and made his first music video, which appeared on MTV. The video was created by Martin's youngest son, Ricci.

On March 21, 1987, Martin's son, Dean Paul (formerly Dino of the '60s "teeny-bopper" rock group Dino, Desi & Billy), was killed when his F-4 Phantom II jet fighter crashed while flying with the California Air National Guard. A much-touted tour with Davis and Sinatra in 1988 sputtered. On one occasion, he infuriated Sinatra when he turned to him and muttered "Frank, what the hell are we doing up here?" Martin, who always responded best to a club audience, felt lost in the huge stadiums they were performing in (at Sinatra's insistence), and he was not interested in drinking until dawn after performances. His final Vegas shows were at Bally's Hotel in 1990. There he had his final reunion with Jerry Lewis on his 72nd birthday. Martin's last two TV appearances involved tributes to his former Rat Pack members. On December 8, 1989, he joined many stars of the entertainment industry in Sammy Davis, Jr's 60th anniversary celebration, which aired only a few weeks before Davis died from throat cancer. In December 1990, he congratulated Frank Sinatra on his 75th birthday special. By early 1995, Martin had officially retired from performing.

Martin, a life-long smoker, was diagnosed with lung cancer at Cedars Sinai Medical Center on 16 September 1993. He died of acute respiratory failure resulting from emphysema at his Beverly Hills home on Christmas morning 1995, at age 78. The lights of the Las Vegas Strip were dimmed in his honor.

Tributes and legacy

In 1996, Ohio Rte. 7, through Steubenville, was re-dedicated as "Dean Martin Boulevard." Road signs bearing an Al Hirschfeld caricature of Martin's likeness officially designate the stretch, along with a state historical marker, in the Gazebo Park at Route 7 and North Fourth Street.

An annual "Dean Martin Festival" celebration is held in Steubenville. Impersonators, friends and family of Martin, and various entertainers, many of Italian ancestry, appear.

In 2005, Las Vegas renamed Industrial Road as ''Dean Martin Drive.'' A similarly named street was dedicated in 2008 in Rancho Mirage, California.

Martin's family was presented a gold record in 2004 for ''Dino: The Essential Dean Martin'', his fastest-selling album ever, which also hit the iTunes Top 10. For the week ending December 23, 2006, the Dean Martin and Martina McBride duet of "Baby, It's Cold Outside" reached #7 on the R&R; AC chart. It also went to #36 on the R&R; Country chart - the last time Martin had a song this high in the charts was in 1965, with the song "I Will", which reached #10 on the Pop chart.

An album of duets, ''Forever Cool'', was released by Capitol/EMI in 2007. It features Martin's voice with Kevin Spacey, Shelby Lynne, Joss Stone, Big Bad Voodoo Daddy, Robbie Williams, McBride and others.

His footprints were immortalized at Grauman's Chinese Theater in 1964. Martin has three stars on the Hollywood Walk of Fame: One at 6519 Hollywood Boulevard, for movies; one at 1817 Vine, for recordings; and one at 6651 Hollywood Boulevard, for television.

In February 2009, Martin was honored with a posthumous Grammy award for Lifetime Achievement. Four of his surviving children, Gail, Deana, Ricci and Gina, were on hand to accept on his behalf. In 2009, Martin was inducted into the Hit Parade Hall of Fame.

Popular culture

A number of Dean Martin songs have constantly been featured across popular culture for decades. Hit songs such as "Ain't That a Kick in the Head", "Sway", "That's Amore", and Martin's signature song "Everybody Loves Somebody" (and many more) have been used in films (such as the Oscar-winning ''Logorama'', ''A Bronx Tale'', ''Casino'', ''Goodfellas'', and ''Return to Me''), television series (such as ''American Dad!'', ''Friends'', and ''House MD''), video games (such as ''The Godfather: The Game'', ''The Godfather II'', ''Fallout: New Vegas'', and ''Mafia II''), and even fashion shows (such as the Victoria's Secret Fashion Show 2008).

In film and television

In That '70s show episode, S-6/E-2 "Join Together." When the Forman's were throwing away all of their bad foods and drinks, because of Red's Heart Attack. Red's beloved beer and his meats were taken away and Red's Fresh mouth son, Eric said,"Whoa look at this, it looks like Dean Martin exploded!"

In the movie ''A Bronx Tale'', Martin's song, "Ain't That A Kick In The Head?", was featured during the scene when C was playing dice.

A Budweiser TV commercial that premiered during Super Bowl XLI featured Martin's "Ain't That A Kick In The Head?".

British actor Jeremy Northam portrayed the entertainer in a made-for-TV movie called, ''Martin and Lewis'', alongside Will & Grace's Sean Hayes as Jerry Lewis.

Martin was portrayed by Joe Mantegna in an HBO movie about Sinatra and Martin titled ''The Rat Pack''. Mantegna was nominated for both an Emmy Award and a Golden Globe Award for the role.

In the movie ''Return to Me'', three of his recordings are featured: "Good Morning, Life," "Buona Sera" and "Return to Me".

Danny Gans portrayed Martin in the miniseries ''Sinatra''.

In the pilot episode of ''White Collar'', Peter refers to Neal as "Dino", referencing the newly-found Sy Devore suits that Neal now wears – made famous by the "Rat Pack".

In the movie ''Pulp Fiction'', Mia Wallace and Vincent Vega go out to dinner at "Jack Rabbit Slim's" – she chooses "Martin and Lewis", and a $5 milkshake shows up.

In the movie ''Moonstruck'', Martin's recording of "That's Amore" plays over both the opening and closing credits.

In a Royal Automobile Club commercial, "Memories are Made of This" is sung.

In games and gambling

Martin is the subject of "Dean Martin's Wild Party", a video slot machine found in some casinos. The game features songs sung by Martin during the bonus game and the count-up of a player's winnings.

The 2010 video game, ''Fallout: New Vegas'', features Martin's "Ain't that a Kick in the Head?" throughout the game. It can be listened to on the "New Vegas" radio channel and heard on the loud speakers when you enter the Vegas Strip. The first quest of the game is also ironically named after the same song, as the player character is inflicted with a headshot wound.

Dean Martin's music is featured on the radios in the game Mafia II and Godfather II.

In music

A compilation album called, ''Amore!'', debuted at Number One on ''Billboard magazine'''s Top Pop Catalog Albums chart in its February 21, 2009 issue.

Other

In the Victoria's Secret Fashion Show 2008, "Ain't That A Kick In The Head?" was the opening song from the show.

Discography

Filmography

Features: {|class="wikitable" style="font-size: 90%;" border="2" cellpadding="4" background: #f9f9f9; |- align="center" ! style="background:#B0C4DE;" | Year ! style="background:#B0C4DE;" | Film ! style="background:#B0C4DE;" | Role ! style="background:#B0C4DE;" | Notes |- |1946 |''Film Vodvil: Art Mooney and Orchestra'' | |Short |- |1949 |''My Friend Irma'' |Steve Laird | |- |rowspan=3|1950 |''My Friend Irma Goes West'' |Steve Laird | |- |''At War with the Army'' |1st Sgt. Vic Puccinelli | |- |''Screen Snapshots: Thirtieth Anniversary Special'' | |Short |- |1951 |''That's My Boy'' |Bill Baker | |- |rowspan=4|1952 |''Sailor Beware'' |Al Crowthers | |- |''Jumping Jacks'' |Corp. Chick Allen | |- |''Road to Bali'' |Man in Lala's dream |Cameo (uncredited) |- |''The Stooge'' |Bill Miller | |- |rowspan=3|1953 |''Scared Stiff'' |Larry Todd | |- |''The Caddy'' |Joe Anthony | |- |''Money from Home'' |Herman 'Honey Talk' Nelson | |- |rowspan=2|1954 |''Living It Up'' |Dr. Steve Harris | |- |''3 Ring Circus'' |Peter 'Pete' Nelson | |- |rowspan=2|1955 |''You're Never Too Young'' |Bob Miles | |- |''Artists and Models'' |Rick Todd | |- |rowspan=3|1956 |''Screen Snapshots: Hollywood, City of Stars'' | |Short |- |''Pardners'' |Slim Mosely Jr. / Slim Mosely Sr. | |- |''Hollywood or Bust'' |Steve Wiley | |- |1957 |''Ten Thousand Bedrooms'' |Ray Hunter | |- |rowspan=2|1958 |''The Young Lions'' |Michael Whiteacre | |- |''Some Came Running'' |Bama Dillert (professional gambler) | |- |rowspan=2|1959 |''Rio Bravo'' |Dude ('Borachón') | |- |''Career'' |Maurice 'Maury' Novak | |- |rowspan=4|1960 |''Who Was That Lady?'' |Michael Haney |Nominated – Golden Globe Award for Best Actor – Motion Picture Musical or Comedy |- |''Bells Are Ringing'' |Jeffrey Moss | |- |''Ocean's Eleven'' |Sam Harmon | |- |''Pepe'' | |Cameo |- |rowspan=2|1961 |''All in a Night's Work'' |Tony Ryder | |- |''Ada'' |Bo Gillis | |- |rowspan=4|1962 |''Something's Got to Give'' |Nicholas 'Nick' Arden |(unfinished) |- |''Sergeants 3'' |Sgt. Chip Deal | |- |''The Road to Hong Kong'' |The 'Grape' on plutonium |Cameo (uncredited) |- |''Who's Got the Action?'' |Steve Flood | |- |rowspan=5|1963 |''38-24-36'' |Self | |- |''Come Blow Your Horn'' |The Bum |(uncredited) |- |''Toys in the Attic'' |Julian Berniers | |- |''4 for Texas'' |Joe Jarrett | |- |''Who's Been Sleeping in My Bed?'' |Jason Steel | |- |rowspan=3|1964 |''What a Way to Go!'' |Leonard 'Lennie' Crawley | |- |''Robin and the 7 Hoods'' |Little John | |- |''Kiss Me, Stupid'' |Dino | |- |rowspan=2|1965 |''The Sons of Katie Elder'' |Tom Elder | |- |''Marriage on the Rocks'' |Ernie Brewer | |- |rowspan=3|1966 |''The Silencers'' |Matt Helm | |- |''Texas Across the River'' |Sam Hollis | |- |''Murderers' Row'' |Matt Helm | |- |rowspan=2|1967 |''Rough Night in Jericho'' |Alex Flood | |- |''The Ambushers'' |Matt Helm | |- |rowspan=4|1968 |''How to Save a Marriage and Ruin Your Life'' |David Sloane | |- |''Bandolero!'' |Dee Bishop | |- |''Rowan & Martin at the Movies'' | |Short |- |''5 Card Stud'' |Van Morgan | |- |1969 |''The Wrecking Crew'' |Matt Helm | |- |1970 |''Airport'' |Capt. Vernon Demerest | |- |1971 |''Something Big'' |Joe Baker | |- |1973 |''Showdown'' |Billy Massey | |- |1975 |''Mr. Ricco'' |Joe Ricco | |- |1981 |''The Cannonball Run'' |Jamie Blake | |- |rowspan=2|1984 |''Cannonball Run II'' |Jamie Blake | |- |''Terror in the Aisles'' | |archival footage |}

References

Further reading

Arthur Marx. ''Everybody Loves Somebody Sometime (Especially Himself): The story of Dean Martin and Jerry Lewis'', New York, NY: Hawthorn Books, 1974, ISBN 978-0801524301

Lewis, Jerry and James Kaplan. ''Dean & Me (A Love Story)''. Doubleday, New York, 2005. ISBN 0-7679-2086-4

Tosches, Nick. ''Dino: Living High in the Dirty Business of Dreams''. Delta Trade Paperbacks, New York, 1992 (1st edition). ISBN 0-385-33429-X

Smith, John L. ''The Animal in Hollywood: Anthony Fiato's Life in the Mafia''. Barricade Books, New York, 1998. ISBN 1-56980-126-6

External links

Dean Martin at The Biography Channel

Cleveland.com: Homegrown Heroes: Dean Martin Timeline

Dean Works the room at the Sands

Jerry Lewis interview for the Archive of American Television

Dean Martin biography/discography on The Interlude Era site

Radio interview with Deana Martin WSLR

Dean Martin Roasts Johnny Carson

Dean Martin Roast Frank Sinatra

Dean Martin Roasts Don Rickles

Category:1917 births Category:1995 deaths Category:Actors from Ohio Category:Actors from Pittsburgh, Pennsylvania Category:American baritones Category:American military personnel of World War II Category:American comedians Category:American crooners Category:American film actors Category:American jazz musicians of Italian descent Category:American people of Sicilian descent Category:Burials at Westwood Village Memorial Park Cemetery Category:California Republicans Category:Cancer deaths in California Category:Capitol Records artists Category:Deaths from emphysema Category:Deaths from lung cancer Category:Deaths from respiratory failure Category:Musicians from Ohio Category:Musicians from Pittsburgh, Pennsylvania Category:Ohio Republicans Category:People from Steubenville, Ohio Category:Traditional pop music singers

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Rafael Casal (Born August 8, 1985) also known as Mr.Getback is an American writer, slam poet, recording artist, educator, and founding member of The Getback. Rafael Casal is a 2-time (Inter)National BNV Poetry Slam Finalist Champion and 3-Time cast member of Russell Simmons' Def Poetry on HBO, Rafael has shared the stage with the likes of Common, Talib Kweli, Mos Def, KRS-ONE, Floetry, Kanye West, Saul Williams, Alanis Morissette, De La Soul, Dead Prez, George Clinton, Carole King, & numerous others, performing in front of crowds of up to 30,000. He is the youngest child of Santiago & Toni Casal.

In 2008, Rafael released his full length debut LP As Good As Your Word, a collection of songs created during his apprenticeship to Bay Area producer One Drop Scott 3X Crazy, Too short, Mac Dre, E-40). Most recently, he was a featured writer for Handbook of Social Justice in Education by Bill Ayers, co-wrote The One Drop Rule; a Hip Hop theatre piece directed by GOLDIE award winner Marc Bamuthi Joseph in collaboration with San Francisco Jazz Ensemble and Alvin Ailey tap instructor Jason Samuels Smith. He has been featured on hundreds of websites, blogs and online journals across the world.

In 2009, Rafael is helping build the first HipHop Theatre program as Creative Director at the University of Wisconsin–Madison, while gearing up to debut his second LP release, MONSTER.

July 24, 2009 a [video] for his track titled "The Grinch's Lesson in Bay Area Slang" posted on YouTube by getbacknews.

Rafael Casal's MONSTER the prequel LP from Rafael Casal - Coming October 31, 2009

Rafael is also on Twitter

References

Category:American spoken word artists Category:American poets Category:Living people Category:1985 births