Barry Anderson Richards (born 21 July 1945) is a former South African batsman. A right-handed "talent of such enormous stature", Richards is considered one of South Africa's most successful cricketers.^[1][2] He was able to play only four Test matches - all against Australia - before South Africa's exclusion from the international scene in 1970. Even in that brief career, against a competitive Australian attack, Richards scored 508 runs at the high average of 72.57. Richards' contribution in that series was instrumental in the 4-0 win that South Africa inflicted on the side, captained by Bill Lawry. His first century, 140, was scored in conjunction with Graeme Pollock's 274 in a famous 103-run partnership.^[1]

With such limited international exposure, Richards plied his trade in first class cricket between 1964 and 1983, becoming a prolific batsman with 28,358 runs. He scored 80 centuries, including a best of 356, at an overall average of 54.74. He also scored 8,506 one day runs, with 16 further centuries. Wisden Cricketer of the Year for 1969, Richards scored runs for Gloucestershire, Hampshire, Natal, South Australia, Transvaal and in World Series Cricket, and has been described as "one of the finest talents of the 20th century" further to which "the merest suggestion that he does not belong among the definitive all-time greats will spark violence in most bars in South Africa."^[1][2]

Early life[link]

Richards was born in Durban, Natal Province, Union of South Africa and attended Clifton Preparatory School and the Durban High School and for many years played club cricket for DHS Old Boys' Club. He played in the Natal Nuffield week side from 1961 to 1964, and for South African schools from 1962 to 1964, scoring a century against the Western Province first class team. The national selectors had their eyes on him early, and he played for a South African Colts XI against the touring MCC side in 1964-65, scoring 63, and later in the tour for an Invitation XI. When the Australians toured in 1966-67, he scored 107 in 160 minutes for a strong South African XI against them before the First Test, but despite several failures by the top-order batsmen in the Test series, he was unable to break into the national side.

County Cricket[link]

Richards was a prolific scorer in county cricket for many years for Hampshire. He scored 2395 runs in his first season, 1968, more than anybody else in the country. From 1970, Richards established one of the most successful opening partnerships for that county, along with West Indian batsman Gordon Greenidge. In June 1973 he walked out to open Hampshire's innings with Gordon Greenidge during a John Player League match against Sussex in Portsmouth with a bright orange bat as part of a marketing ploy. The MCC quickly banned the innovation.

Sheffield Shield[link]

In 1970-71, as an overseas player for South Australia, Richards scored 325 runs in a single day against Western Australia off an attack that included Dennis Lillee, Graham McKenzie, Tony Lock and Tony Mann.^[3] In that season he hit 1538 runs in 10 matches at an average of 109.86.

Currie Cup/SuperSport Series[link]

Returning home to play for Natal in the next 4 seasons, he scored heavily in the Currie Cup, 1089 runs in (1971–72), 1064 runs in (1972–73), 898 runs in (1973–74) and 868 runs in (1975–76). Richards is the only player to have scored a 1000 runs in a Currie Cup season, each season consisting of only 8 matches.

Amongst his other achievements was scoring 155 not out in a score of 215-3 off 40 overs in the John Player League v Yorkshire County Cricket Club at Hull on 7 June 1970. This achievement was put into further perspective when Yorkshire replied with 74-9 off their 40 overs.^[4]

Other International ventures[link]

He did have the opportunity for international cricket in World Series Cricket in the winters of 1977-78 and 1978-79 in Australia playing 5 Supertests for the World XI scoring 554 runs in 5 matches. This included two centuries including 207 scored v WSC Australia on 27 January 1978 at Gloucester Park, Perth.^[5]

In South Africa, Richards was player of the year in 1968. He also played for South Africa in 6 unofficial "Tests", captaining the team twice. In 1984 he came out of retirement to play against the rebel West Indian touring team in South Africa. Trevor Bisseker wrote this:^{[citation needed]}

"Playing at Newlands, he held the stadium enthralled for an hour, as he simply carved up everything that was delivered at him. He played with all the time in the world and the decisive quality of a master craftsman at work. Alas the spell was broken. His concentration seem to snap and the inevitable end came. That innings put Richards into his right perspective. He was the closest thing to an insurance policy against defeat that anybody could take out. Certainly, if somebody had to bat for one's life, one would choose Richards ahead of the other world greats of the 1970s, and that includes his illustrious West Indian namesake and Graeme Pollock."

Later life and career[link]

He is set to become the president of Hampshire, following the death of incumbent Colin Ingleby-Mackenzie.^[6]

For a number of seasons he commentated for the South African Broadcasting Corporation as well as South Africa's MNet Supersport, before parting ways after a dispute. He has also commentated in the UK for Test Match Special, Channel 4 and Five.

Richards was chosen by Dickie Bird in his autobiography as a member of his Dream team, from all players he ever saw. Richards was also chosen by Sir Don Bradman as a member of his 20th century team as an opening batsman.

Notes[link]

External links[link]

• Player profile: Barry Richards from ESPNcricinfo

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2012)

Alice Cooper
Cooper at the Scream Awards, 2007
Background information
Birth name	Vincent Damon Furnier
Born	(1948-02-04) February 4, 1948 (age 64) Detroit, Michigan, United States
Genres	Rock, hard rock, heavy metal, shock rock
Occupations	Singer-songwriter, actor, DJ
Instruments	Vocals, harmonica, guitar
Years active	1964–present
Labels	Straight, Warner Bros., Atlantic, MCA, Epic, Spitfire, Eagle, New West
Website	www.alicecooper.com

Alice Cooper (born Vincent Damon Furnier; February 4, 1948)^[1] is an American rock singer, songwriter, and musician whose career spans more than four decades. With a stage show that features guillotines, electric chairs, fake blood, boa constrictors, and baby dolls, Cooper has drawn equally from horror movies, vaudeville, and garage rock to pioneer a grandly theatrical and violent brand of heavy metal designed to shock.^[2]

Originating in Detroit in the late 1960s, Alice Cooper was originally a band consisting of Furnier on vocals and harmonica, lead guitarist Glen Buxton, Michael Bruce on rhythm guitar, Dennis Dunaway on bass guitar, and drummer Neal Smith. The original Alice Cooper band broke into the international music mainstream with the 1971 hit "I'm Eighteen" from the album Love It to Death, which was followed by the even bigger single "School's Out" in 1972. The band reached their commercial peak with the 1973 album Billion Dollar Babies.

Furnier's solo career as Alice Cooper, adopting the band's name as his own name, began with the 1975 concept album Welcome to My Nightmare; in 2011 he released Welcome 2 My Nightmare, his 19th album as a solo artist, and his 26th album in total. Expanding from his Detroit rock roots, in his career Cooper has experimented with a number of musical styles, including conceptual rock, art rock, hard rock, New Wave, pop rock, experimental rock and industrial rock.

Alice Cooper is known for his social and witty persona offstage; The Rolling Stone Album Guide has called him the world's most "beloved heavy metal entertainer".^[3] Cooper is credited with helping to shape the sound and look of heavy metal, and he is regarded as being the artist who "first introduced horror imagery to rock'n'roll, and whose stagecraft and showmanship have permanently transformed the genre".^[4] Away from music, Cooper is a film actor, a golfing celebrity, a restaurateur and, since 2004, a popular radio DJ with his classic rock show Nights with Alice Cooper.

In 2011 the original Alice Cooper band was inducted into The Rock and Roll Hall of Fame.^[5]

Early life[link]

Cooper was born as Vincent Damon Furnier in Detroit, Michigan, the son of Ella Mae (née McCart) and Ether Moroni Furnier. His father was a lay preacher in the Church of Jesus Christ (also known as the Bickertonite Church) which, historically, is a branch of the Latter Day Saint movement.^[6] He has French Huguenot, Sioux Native American, English, Scottish, and Irish ancestry,^[7] and was named after one of his uncles (Vincent Collier Furnier) and the writer Damon Runyon.^[8] His paternal grandfather, Thurman Sylvester Furnier, was an apostle in the Church of Jesus Christ (Bickertonite). Vincent Furnier was active in his church at the ages of 11 and 12.^[9][10]

While growing up in Detroit, Furnier attended Washington Elementary School, then Nankin Mills Jr. High, now Lutheran High School Westland. Following a series of childhood illnesses, Furnier moved with his family to Phoenix, Arizona, where he attended Cortez High School in north Phoenix.^[11] Vincent had gained admission into the University of Arizona, University of Colorado and University of California-Davis – he declined all these offers.^{[citation needed]}

Recording career[link]

1960s[link]

In 1964 sixteen year-old Furnier was eager to take part in the local annual letterman's talent show, so he gathered fellow cross-country teammates to form a group for the show.^[12] They named themselves The Earwigs. Because they did not know how to play any instruments at the time, they dressed up like The Beatles and mimed their performance to Beatles songs. As a result of winning the talent show and loving the experience of being onstage, the group immediately proceeded to learn how to play instruments they acquired from a local pawn shop. They soon renamed themselves The Spiders, featuring Furnier on vocals, Glen Buxton on lead guitar, John Tatum on rhythm guitar, Dennis Dunaway on bass guitar and John Speer on drums.^{[citation needed]} Musically, the group was inspired by artists such as The Beatles, The Rolling Stones, The Who, The Kinks, The Doors and The Yardbirds. For the next year the band performed regularly around the Phoenix area with a huge black spider's web as their backdrop, the group's first stage prop. In 1965 they recorded their first single, "Why Don't You Love Me" (originally performed by The Blackwells), with Furnier learning the harmonica for the song.^{[citation needed]}

In 1966 The Spiders graduated from high school, and after North High School footballer Michael Bruce replaced John Tatum on rhythm guitar, the band scored a local No. 1 radio hit with "Don't Blow Your Mind", an original composition from their second single release. By 1967 the band had begun to make regular road trips to Los Angeles to play shows. They soon renamed themselves The Nazz and released the single "Wonder Who's Lovin' Her Now", backed with future Alice Cooper track "Lay Down And Die, Goodbye". At around this time drummer John Speer was replaced by Neal Smith. By the end of the year the band had relocated to Los Angeles.^{[citation needed]}

In 1968 upon learning that Todd Rundgren also had a band called Nazz, the band was again in need of another stage name. Believing that the group needed a gimmick to succeed, and that other bands were not exploiting the showmanship potential of the stage, Furnier chose "Alice Cooper" as the band's name and adopted this stage name as his own. Cooper later stated that the name change was one of his most important and successful career moves.^[13]

Nonetheless, at the time Cooper and the band realized that the concept of a male playing the role of a villain, a woman killer, in tattered women's clothing and wearing make-up, would have the potential to cause considerable social controversy and grab headlines. In 2007 in his book Alice Cooper, Golf Monster Cooper stated that his look was inspired in part by film. One of the band's all-time favorite movies was What Ever Happened to Baby Jane starring Bette Davis. "In the movie, Bette wears disgusting caked makeup smeared on her face and underneath her eyes, with deep, dark, black eyeliner." Another movie the band watched over and over was Barbarella. "When I saw Anita Pallenberg playing the Great Tyrant in that movie in 1968, wearing long black leather gloves with switchblades coming out of them, I thought, 'That's what Alice should look like'. That, and a little bit of Emma Peel from The Avengers".^[14]

The classic Alice Cooper group line-up consisted of singer Alice Cooper (Vincent Furnier), lead guitarist Glen Buxton, rhythm guitarist Michael Bruce, bassist Dennis Dunaway and drummer Neal Smith. With the exception of Smith, who graduated from Camelback High School (which is referred to in the song "Alma Mater" on the album School's Out), all of the band members were on the Cortez High School cross-country team, and many of Cooper's stage effects were inspired by their cross-country coach, Emmett Smith^[15] (one of Smith's class projects was to build a working guillotine for slicing watermelons). Cooper, Buxton and Dunaway were also art students, and their admiration for the works of surrealist artists such as Salvador Dalí would further inspire their future stage antics.^{[citation needed]}

One night after an unsuccessful gig at the Cheetah club in Venice, California, where the band emptied the entire room of patrons after playing just ten minutes, they were approached and enlisted by music manager Shep Gordon, who ironically saw the band's negative impact that night as a force that could be turned in a more productive direction. Shep then arranged an audition for the band with composer and renowned record producer, Frank Zappa, who was looking to sign bizarre music acts to his new record label, Straight Records. For the audition Zappa told them to come to his house "at 7 o'clock." The band mistakenly assumed he meant 7 o'clock in the morning. Being woken up by a band willing to play that particular brand of psychedelic rock at seven in the morning impressed Zappa enough to sign them to a three-album deal. Another Zappa-signed act, the all-female GTOs, who liked to "dress the Cooper boys up like full size Barbie dolls," played a major role in developing the band's early onstage look.^[16][17]

Cooper's first album Pretties for You (released in 1969) had a slight psychedelic feel. Although it touched the US charts for one week at No. 193, it was ultimately a critical and commercial failure.

Alice Cooper's "shock rock" reputation apparently developed almost by accident at first. An unrehearsed stage routine involving Cooper, a feather pillow and a live chicken garnered attention from the press; the band decided to capitalize on the tabloid sensationalism, creating in the process a new subgenre, shock rock. Cooper claims that the infamous "Chicken Incident" at the Toronto Rock and Roll Revival concert in September 1969 was an accident. A chicken somehow made its way onto the stage into the feathers of a feather pillow they would open during Cooper's performance, and not having any experience around farm animals, Cooper presumed that, because the chicken had wings, it would be able to fly.^[18] He picked it up and threw it out over the crowd, expecting it to fly away. The chicken instead plummeted into the first few rows occupied by disabled people in wheelchairs, who reportedly proceeded to tear the bird to pieces.^[19]

The next day the incident made the front page of national newspapers, and Zappa phoned Cooper and asked if the story, which reported that he had bitten off the chicken's head and drunk its blood on stage, was true. Cooper denied the rumor, whereupon Zappa told him, "Well, whatever you do, don't tell anyone you didn't do it",^[20] obviously recognizing that such publicity would be priceless for the band.^[21]

The band have later claimed that this period was highly influenced by Pink Floyd, and especially the album Piper at the Gates of Dawn. Glen Buxton could listen to Syd Barrett's guitar for hours at a time.^[22]

1970s[link]

Despite the publicity from the Chicken Incident, the band's second album, Easy Action, released in June 1970, met with the same fate as its predecessor. At around this time the band, fed up with Californians' indifference to their act, relocated to Cooper's birthplace, Detroit, where their bizarre stage act was much better received by the crowds of the Midwest states who were accustomed to the similar hard rock styles of local bands such as The Stooges and The MC5. Despite this, Cooper still managed to receive a cream pie in the face when performing at the Cincinnati Pop Festival. Detroit would remain their steady home base until 1972. "L.A. just didn’t get it," Cooper stated. "They were all on the wrong drug for us. They were on acid and we were basically drinking beer. We fit much more in Detroit than we did anywhere else."^[23]

Alice Cooper appeared at the Woodstock-esque, Strawberry Fields Festival near Toronto, Ontario in August 1970. The band's mix of glam and increasingly violent stage theatrics stood out in stark contrast to the bearded, denim-clad hippie bands of the time.^[24] As Cooper himself stated: "We were into fun, sex, death and money when everybody was into peace and love. We wanted to see what was next. It turned out we were next, and we drove a stake through the heart of the Love Generation".^[25]

In autumn 1970 the Alice Cooper group teamed with producer Bob Ezrin for the recording of their third album Love It to Death. This was the final album in their Straight Records contract and the band's last chance to create a hit. That first success came with the single "I'm Eighteen", released in November 1970, which reached number 21 on the Billboard Hot 100 in early 1971. Not long after the album's release in January 1971 Warner Bros. Records purchased Alice Cooper's contract from Straight and re-issued the album, giving the group a higher level of promotion.^{[citation needed]}

Love It to Death proved to be their breakthrough album, reaching number 35 on the U.S. Billboard 200 album charts. It would be the first of eleven^[26] Alice Cooper group and solo albums produced by Ezrin, who is widely seen as being instrumental in helping to create and develop the band's definitive sound.^[27]

The group's 1971 tour featured a stage show involving mock fights and gothic torture modes being imposed on Cooper climaxing with a staged execution by electric chair, with the band sporting tight, sequined, and color-contrasting glam rock-style costumes made by prominent rock fashion designer Cindy Dunaway (sister of band member Neal Smith, and wife of band member Dennis Dunaway). Cooper's androgynous stage role had developed to present a villainous side, portraying a potential threat to modern society. The success of the band's single and album, and their tour of 1971, which included their first tour of Europe (audience members reportedly included Elton John and a pre-Ziggy David Bowie), provided enough encouragement for Warner Bros. to offer the band a new multi-album contract.

Their follow-up album Killer, released in late 1971, continued the commercial success of Love It to Death and included further single success with "Under My Wheels", "Be My Lover" in early 1972, and "Halo of Flies" which became a Top 10 hit in the Netherlands in 1972. Thematically, Killer expanded on the villainous side of Cooper's androgynous stage role, with its music becoming the soundtrack to the group's morality-based stage show, which by then featured a boa constrictor hugging Cooper on-stage, the murderous axe chopping of bloodied baby dolls, and execution by hanging at the gallows. Back then, the real criticism was aimed at questioning the artists' sexual ambiguity, rather than the stage gore.^{[citation needed]} In January 1972, Cooper was again asked about his peculiar name, and told talk show hostess Dinah Shore that he took the name from a "Mayberry RFD" character.^{[citation needed]}

The summer of 1972 saw the release of the single "School's Out". It went Top 10 in the US, was a No. 1 single in the UK, and remains a staple on classic rock radio to this day. The album School's Out reached No. 2 on the US charts and sold over a million copies. The band now relocated to their new mansion in Greenwich, Connecticut.^[28] With Cooper's on-stage androgynous persona completely replaced with brattiness and machismo, the band solidified their success with subsequent tours in the US and Europe, and won over devoted fans in droves while at the same time horrifying parents and outraging the social establishment.^{[citation needed]} In the United Kingdom, Mary Whitehouse, a well-known campaigner for values of morality and decency, succeeded in having the BBC ban the video for "School's Out"^{[citation needed]} and Member of Parliament Leo Abse petitioned Home Secretary Reginald Maudling to have the group banned altogether from performing in the country.^[29]

In February 1973 Billion Dollar Babies was released worldwide and became the band's most commercially successful album, reaching No. 1 in both the US and UK. "Elected", a late-1972 Top 10 UK hit from the album, which inspired one of the first MTV-style story-line promo videos ever made for a song (three years before Queen's promotional video for "Bohemian Rhapsody"), was followed by two more UK Top 10 singles, "Hello Hooray" and "No More Mr. Nice Guy", the latter of which was the last UK single from the album; it reached No. 25 in the US.^{[citation needed]} The title track, featuring guest vocals by Donovan, was also a US hit single. Around this time Glen Buxton left Alice Cooper briefly due to his waning health.

The group in 1973.

With a string of successful concept albums and several hit singles, the band continued their gruelling schedule and toured the US once again. Continued attempts by politicians and pressure groups to ban their shocking act only served to fuel the myth of Alice Cooper further and generate even greater public interest.^{[citation needed]} Their 1973 US tour broke box office records previously set by The Rolling Stones and raised rock theatrics to new heights; the multi-level stage show by then featured numerous special effects, including Billion Dollar Bills, decapitated baby dolls and mannequins, a dental psychosis scene complete with dancing teeth, and the ultimate execution prop and highlight of the show: the guillotine. The guillotine and other stage effects were designed for the band by magician James Randi, who appeared on stage during some of the shows as executioner. The Alice Cooper group had now reached its peak and it was among the most visible and successful acts in the industry. Beneath the surface, however, the repetitive schedule of recording and touring had begun to take its toll on the band, and Cooper, who was under the constant pressure of getting into character for that night's show, was consistently sighted nursing a can of beer.

Muscle of Love, released at the end of 1973, was to be the last studio album from the classic line-up, and marked Alice Cooper's last UK Top 20 single of the 1970s with "Teenage Lament '74". An unsolicited theme song was recorded for the James Bond movie The Man with the Golden Gun, but a different song of the same name by Lulu was chosen instead. By 1974, the Muscle of Love album had not matched the top-charting success of its predecessor, and the band began to have constant disagreements. For various reasons the band decided to take a hiatus.

During this time Cooper relocated back to Los Angeles and started appearing regularly on TV shows such as Hollywood Squares, and Warner Bros. released the Alice Cooper's Greatest Hits compilation album. It featured classic style artwork and reached the US Top 10, performing better than Muscle of Love. However, the band's 1974 feature film Good to See You Again, Alice Cooper (consisting mainly of 1973 concert footage with 'comedic' sketches woven throughout to a faint storyline), released on a minor theatrical run mostly to drive-in theaters, saw little box office success.

In 1975 Alice released his first solo album, Welcome to My Nightmare. To avoid legal complications over ownership of the group name, Alice Cooper had by then become the singer's new legal name. The success of the solo album marked the final break with the original members of the band with Cooper collaborating with their producer Bob Ezrin, who recruited Lou Reed's backing band, including guitarists Dick Wagner and Steve Hunter, to play on the album. Spearheaded by the US Top 20 hit ballad, "Only Women Bleed", the album was released by Atlantic Records in March of that year and became a Top 10 hit for Cooper. It was a concept album that was based on the nightmare of a child named Steven, featuring narration by classic horror movie film star Vincent Price (who several years after Welcome to My Nightmare guested on Michael Jackson's "Thriller"), and serving as the soundtrack to Cooper's new stage show, which now included more theatrics than ever (including an 8-foot-tall (2.4 m) furry Cyclops which Cooper decapitates and kills).

Cooper (second from right) laughs at Mae West's words after the opening of her last movie in 1978.

By this time, however, alcohol was clearly affecting Cooper's performances. During the Welcome to My Nightmare tour in Vancouver, and only a few songs into the routine, Cooper tripped over a foot-light, staggered a few paces, lost his bearings, and plunged head-first off the stage and onto the concrete floor of the Pacific Coliseum. Some fans, thinking it was all part of the act, reached through the barriers to pull at his blood-matted hair before bouncers could pull him away for help. He was taken to a local hospital, where medical staff stitched his head wound and provided him with a skullcap. Cooper returned to the venue a couple of hours later and tried to perform two more songs, but within minutes he had to call it a night.

Accompanying the album and stage show was the TV special The Nightmare, starring Cooper and Vincent Price, which aired on US prime-time TV in April 1975. The Nightmare (which was later released on home video in 1983 and gained a Grammy Awards nomination for Best Long Form Music Video) was regarded as another groundbreaking moment in rock history. Adding to all that, a concert film, also called Welcome to My Nightmare produced, directed and choreographed by the West Side Story cast member David Winters and filmed live at London's Wembley Arena in September 1975, was released to theaters in 1976.^[30][31] Though it failed at the box office, it later became a midnight movie favorite and a cult classic.

Such was the immense success of Cooper's solo project that he decided to continue alone as a solo artist, and the original band became officially defunct. It was also during this time that Cooper co-founded the legendary drinking club The Hollywood Vampires.

Cooper in 1978.

Following the 1976 US No. 12 ballad hit "I Never Cry";^[32] two albums, Alice Cooper Goes to Hell and Lace and Whiskey; and the 1977 US No. 9 ballad hit "You and Me", it became clear from many performances during his 1977 US tour that Cooper was in dire need of help with his alcoholism (at his alcoholic peak it was rumored that Cooper was consuming up to two cases of Budweiser and a bottle of whiskey a day). Following the tour, Cooper had himself hospitalized in a New York sanitarium for treatment, during which time the live album The Alice Cooper Show was released.

In 1978 a sobered Cooper used his experience in the sanitarium as the inspiration for the semi-autobiographical album From the Inside, which he co-wrote with Bernie Taupin. The release spawned another US Top 20 hit "How You Gonna See Me Now", yet another ballad. The subsequent tour's stage show was based inside an asylum, and was filmed for Cooper's first home video release, The Strange Case of Alice Cooper, in 1979. Around this time, Cooper performed "Welcome to My Nightmare", "You and Me" and "School's Out" on The Muppet Show (episode # 307) on March 28, 1978 (he played one of the devil's henchmen trying to dupe Kermit the Frog and Gonzo into selling their souls). He also appeared in an against-typecasting role as a piano-playing disco bellboy in Mae West's final film, Sextette, and as a villain in the film Sgt. Pepper's Lonely Hearts Club Band. Cooper also led celebrities in raising money to remodel the famous Hollywood Sign in California. Cooper himself contributed over $27,000 to the project, buying an O in the sign in memory of friend and comedian Groucho Marx.

1980s[link]

Cooper's albums from the beginning of the 1980s, Flush the Fashion, Special Forces, Zipper Catches Skin and DaDa, were not as commercially successful as his past releases. Flush the Fashion, produced by Queen producer Roy Thomas Baker, had a thick, edgy New Wave musical sound that baffled even long-time fans, though it still yielded the US Top 40 hit "(We're All) Clones". The album Special Forces featured a more aggressive but consistent form of New Wave style, and included a new version of "Generation Landslide". The following album, Zipper Catches Skin was a more power pop-oriented recording, with lots of quirky high-energy guitar-driven songs. While those three albums engaged the experimental New Wave sound with energetic results, 1983 marked the return collaboration of producer Bob Ezrin and guitarist Dick Wagner with the haunting epic DaDa, the final album in his Warner Bros. contract.

In 1983 after the recording of DaDa, Cooper was re-hospitalized for alcoholism. In a deathly state of health he moved back to Phoenix to save his marriage from collapse, and so that he could receive the support of family and friends. Cooper was finally clean and sober by the time DaDa and The Nightmare home video (of his 1975 TV Special) were released in the fall of that year; however, both releases performed below expectations. Even with The Nightmare scoring a nomination for 1984's Grammy Award for Best Long Form Music Video (he lost to Duran Duran), it was not enough for Warner Bros. to keep Cooper on their books, so in 1984 Cooper became a "free agent" for the first time in his career.

After over a year on hiatus, during which time he spent being a full-time father, perfecting his golf swing every day on the golf course, and finding time to star in the Spanish B-grade horror movie production Monster Dog, Cooper sought to pick up the pieces of his musical career. In 1985 he met and began writing songs with guitarist Kane Roberts. Cooper was subsequently signed to MCA Records, and appeared as guest vocalist on Twisted Sister's song "Be Chrool To Your Scuel". A video was made for the song, featuring Cooper donning his black snake-eyes make-up for the first time since 1979. But any publicity it may have generated toward Cooper's return to the music scene was cut short as the video was promptly banned because of its graphically gory make-up (by Tom Savini), and because of the innumerable zombies in the video and their insatiable appetite for gorging on human flesh.

In 1986 Alice Cooper officially returned to the music industry with the album Constrictor. The album spawned the hits "He's Back (The Man Behind the Mask)" (the theme song for the movie Friday the 13th Part VI: Jason Lives; in the video of the song Cooper was given a cameo role as a deranged psychiatrist) and the fan favorite "Teenage Frankenstein". The Constrictor album was a catalyst for Cooper to make (for the first time since the 1982 Special Forces tour) a triumphant return to the road, on a tour appropriately entitled The Nightmare Returns. The Detroit leg of this tour, which took place at the end of October 1986during Halloween, was captured on film as The Nightmare Returns, and is viewed by some as being the definitive Alice Cooper concert film.^[33] The concert, which received rave reviews in the rock music press,^[34] was also described by Rolling Stone magazine as bringing "Cooper's violent, twisted onstage fantasies to a new generation". The Constrictor album was followed by Raise Your Fist and Yell in 1987, which had an even rougher sound than its predecessor, as well as the Cooper classic "Freedom". The subsequent tour of Raise Your Fist and Yell, which was heavily inspired by the slasher horror movies of the time such as the Friday the 13th series and Nightmare on Elm Street, served up a shocking spectacle similar to its predecessor, and courted the kind of controversy, especially in Europe, that recalled the public outrage caused by Cooper's public performances in America in the early 1970s.

In Britain Labour M.P. David Blunkett called for the show to be banned, saying "I'm horrified by his behaviour – it goes beyond the bounds of entertainment" (even though Blunkett has been blind from birth).^[35] The controversy spilled over into the German segment of the tour, with the German government actually succeeding in having some of the gorier segments of the performance removed.^[36] It was also during the London leg of the tour that Cooper met with a near fatal accident during the hanging execution sequence at the end of the show.^[37]

Constrictor and Raise Your Fist and Yell were recorded with lead guitarist Kane Roberts and bassist Kip Winger, both of whom would leave the band by the end of 1988 (although Kane Roberts played guitar on "Bed of Nails" on 1989's album Trash).

In 1987 Cooper made a brief appearance as a vagrant in the horror movie Prince of Darkness, directed by John Carpenter. His role had no lines and consisted of generally menacing the protagonists before eventually impaling one of them with a bicycle frame. Cooper also appeared at WrestleMania III, escorting wrestler Jake 'The Snake' Roberts to the ring. After the match was over, Cooper got involved and threw Jake's snake Damien at The Honky Tonk Man's manager Jimmy Hart. Jake considered the involvement of Cooper to be an honor, as he had idolized Cooper in his youth and was still a huge fan.

In 1988, Cooper's contract with MCA Records expired and he signed with Epic Records. Then in 1989 his career finally experienced a legitimate revival with the Desmond Child produced and Grammy-nominated album Trash, which spawned a hit single "Poison", which reached No. 2 in the UK and No. 7 in the US, and a worldwide arena tour.

1990s[link]

1991 saw the release of Cooper's 19th studio album, Hey Stoopid, again featuring several of rock music’s glitterati guesting on the record. Released as glam metal's popularity was on the wane, and just before the explosion of grunge, it failed to have the same commercial impact as its predecessor. The same year also saw the release of the video Alice Cooper: Prime Cuts which chronicled his entire career using in depth interviews with Cooper himself, Bob Ezrin, and Shep Gordon. One critic has noted that Prime Cuts demonstrates how Cooper had used (in contrast to similar artists who succeeded him) themes of satire and moralisation to such good effect throughout his career.^[38] It was in the Prime Cuts video that Bob Ezrin delivered his own summation of the Alice Cooper persona: "He is the psycho killer in all of us. He's the axe murderer, he's the spoiled child, he's the abuser, he's the abused; he's the perpetrator, he's the victim, he's the gun slinger, and he's the guy lying dead in the middle of the street".^[39]

By the early 1990s Cooper had become a genuine cultural icon, guesting on records by the most successful bands of the time, such as the Guns N' Roses album Use Your Illusion I, on which he shared vocal duties with Axl Rose on the track "The Garden"; making a brief appearance as the abusive stepfather of Freddy Krueger in the Nightmare On Elm Street film Freddy's Dead: The Final Nightmare (1991).

Cooper made a famous cameo appearance in the 1992 hit comedy film Wayne's World. Cooper and his band first appear onstage performing "Feed My Frankenstein" from Hey Stoopid. Afterwards at a backstage party, the movie's main characters Wayne and Garth discover that when offstage Cooper is a calm, articulate intellectual when he and his band discuss the history of Milwaukee in surprising depth. In a now famous scene, Wayne and Garth respond to an invitation to hang out with Cooper by kneeling and bowing reverently before him while chanting "We're not worthy! We're not worthy!"

In 1994 Cooper released The Last Temptation, his first concept album since DaDa. The album deals with issues of faith, temptation, alienation and the frustrations of modern life, and has been described as "a young man's struggle to see the truth through the distractions of the 'Sideshow' of the modern world".^[40] Concurrent with the release of The Last Temptation was a three-part comic book series written by Neil Gaiman, fleshing out the album's story. This was to be Cooper’s last album with Epic Records, and his last studio release for six years, though during this period the live album A Fistful of Alice^[41] was released, and in 1997 he lent his voice to the first track of Insane Clown Posse's The Great Milenko. In 1999, the four-disc box set The Life and Crimes of Alice Cooper appeared, which contained an authorized biography of Cooper, Alcohol and Razor Blades, Poison and Needles: The Glorious Wretched Excess of Alice Cooper, All-American, written by Creem magazine editor Jeffrey Morgan.

During his absence from the recording studio, Cooper toured extensively every year throughout the latter part of the 1990s, including, in 1996, South America, which he had not visited since 1974. Also in 1996, Cooper sang the role of Herod on the London cast recording of the musical Jesus Christ Superstar.^[42]

He also made an appearance on an episode of That 70s Show, at the end of which he and two other (minor) guest characters parody Dungeons & Dragons.

2000s[link]

Cooper in 2004 on a film set in L.A.

The first decade of the 21st century saw a sustained period of activity from Alice Cooper. In the decade that he turned sixty, he toured extensively and released (after a significant break) a steady stream of studio albums to favorable critical acclaim. During this period Cooper was also recognized and awarded in various ways: he received a Rock Immortal award at the 2007 Scream Awards;^[43] was given a star on the Hollywood Walk of Fame in 2003;^[44] he received (in May 2004) an honorary doctoral degree from Grand Canyon University;^[45] was given (in May 2006) the key to the city of Alice, North Dakota;^[46] he won the living legend award at the 2006 Classic Rock Roll of Honour event;^[47] and he won the 2007 Mojo music magazine Hero Award.

The lengthy break between studio albums ended in 2000 with Brutal Planet, which was a return to horror-lined heavy metal, with industrial rock, and with subject matter thematically inspired by the brutality of the modern world, set in a dystopian post-apocalyptic future, and also inspired by a number of news stories that had recently appeared on the CNN news channel.^[48] The album was produced by Bob Marlett, with longtime Cooper production collaborator Bob Ezrin returning as executive producer. The accompanying world tour, which included Cooper's first concert in Russia, was a resounding success, introducing Alice Cooper to a new audience and producing the live home video, Brutally Live, in 2001. During one memorable episode in Brutally Live, Britney Spears (being played by Alice Cooper's real life daughter, Calico), and representing "everything that my audience hates – the softening of rock and roll...the sweetness of it" is executed by Cooper.

Brutal Planet was succeeded by the sonically similar and widely acclaimed sequel Dragontown, which saw Bob Ezrin back at the helm as producer. The album has been described as leading the listener down "a nightmarish path into the mind of rock's original conceptual storyteller"^[49] and by Cooper himself as being "the worst town on Brutal Planet". Like The Last Temptation, both Brutal Planet and Dragontown are albums which explore Cooper's personal faith perspective (born again Christianity). It is often cited in the music media that Dragontown forms the third chapter in a trilogy begun with The Last Temptation;^[50] however, Cooper has indicated that this in fact is not the case.^[51]

Cooper again adopted a leaner, cleaner sound for his critically acclaimed^[52] 2003 release The Eyes of Alice Cooper. Recognizing that many contemporary bands were having great success with his former sounds and styles, Cooper worked with a somewhat younger group of road and studio musicians who were very familiar with his oeuvre of old. However, instead of rehashing the old sounds, they updated them, often with surprisingly effective results. The resulting Bare Bones tour adopted a less-orchestrated performance style that had fewer theatrical flourishes and a greater emphasis on musicality. The success of this tour helped support the growing recognition that the classic Cooper songs were exceptionally clever, tuneful and unique.

Cooper's radio show, Nights with Alice Cooper, began airing on January 26, 2004 in several US cities. The program showcases classic rock, Cooper's personal stories about his life as a rock icon and interviews with prominent rock artists. The show is broadcast on nearly 100 stations in the US and Canada,^[53] and has also been broadcast all over the world. In 2005 Alice Cooper was inducted into the Michigan Rock and Roll Legends online Hall of Fame.^[54] Two of the hit recordings of the original Alice Cooper band have been voted Legendary Michigan Songs: "Eighteen" in 2008, and "School's Out" in 2009.^[55]

A continuation of the songwriting approach adopted on The Eyes of Alice Cooper was again adopted by Cooper for his 24th studio album, Dirty Diamonds, released in 2005. Dirty Diamonds became Cooper's highest charting album since 1994's The Last Temptation.^[56] The Dirty Diamonds tour launched in America in August 2005 after several European concerts, including a performance at the Montreux Jazz Festival in Switzerland on July 12. Cooper and his band, including Kiss drummer Eric Singer, were filmed for a DVD released as Alice Cooper: Live at Montreux 2005. One critic, in a review of the Montreux release, commented that Cooper was to be applauded for "still mining pretty much the same territory of teenage angst and rebellion" as he had done more than thirty years previously.^[57]

In December 2006 the original Alice Cooper band reunited to perform six classic Alice Cooper songs at Cooper's annual charity event in Phoenix, entitled "Christmas Pudding".^[58]

On July 1, 2007 Cooper performed a duet with Marilyn Manson at the B'Estival event in Bucharest, Romania.^[59] The performance represented a reconciliation between the two artists; Cooper had previously taken issue with Manson over his overtly anti-Christian on-stage antics and had sarcastically made reference to the originality of Manson's choosing a female name and dressing in women's clothing.^[48] Cooper and Manson have been the subject of an academic paper on the significance of adolescent antiheroes.^[60]

In January 2008 he was one of the guest singers on the new Avantasia album The Scarecrow, singing the 7th track, "The Toy Master". In July 2008, after lengthy delays, Cooper released Along Came a Spider, his 25th studio album. It was Cooper's highest charting album since 1991's Hey Stoopid, reaching No. 53 in the US and No. 31 in the UK. The album, visiting similar territory explored in 1987's Raise Your Fist and Yell, deals with the nefarious antics of a deranged serial killer named "Spider" who is on a quest to use the limbs of his victims to create a human spider. The album generally received positive reviews from music critics, though Rolling Stone magazine opined that the music on the record sorely missed Bob Ezrin's production values.^[61] The resulting Theatre of Death tour of the album (during which Cooper is executed on four separate occasions) was described in a long November 2009 article about Cooper in The Times as "epic" and featuring "enough fake blood to remake Saving Private Ryan".

2010s[link]

In January 2010, it was announced that Alice would be touring with Rob Zombie on the "Gruesome Twosome" tour.^[62] In May 2010, Cooper made an appearance during the beginning of the season finale of the reality-show American Idol, in which he sang "School's Out".^[63]

With his daughter and former band member Dick Wagner, Cooper scored the music for the indie horror flick Silas Gore.^[64]

During 2010, Cooper began working on a new album, dubbed Welcome 2 My Nightmare, a sequel to the original Welcome to My Nightmare.^[65] In a Radio Metal interview, he said that "We'll put some of the original people on it and add some new people [...] I'm very happy with working with Bob (Ezrin) again."^[65]

On December 15, 2010, it was announced Cooper and his former band would be inducted into the Rock and Roll Hall of Fame. The official Rock and Roll Hall of Fame induction ceremony took place March 14, 2011 where Cooper was inducted by fellow horror-rocker Rob Zombie. Original members Bruce, Cooper, Dunaway, and Smith all made brief acceptance speeches and performed "I'm Eighteen" and "School's Out" live together, with Steve Hunter filling in for the late Glen Buxton. Alice showed up for the event wearing a (presumably fake) blood-splattered shirt and had a live giant albino boa snake wrapped around his neck.^[5][66] Cooper told Rolling Stone magazine that he was "elated" by the news and that the nomination had been made for the original band, as "We all did go to the same high school together, and we were all on the track team, and it was pretty cool that guys that knew each other before the band ended up going that far".^[67]

On March 10, 2011, Jackson Browne, David Crosby, Graham Nash, Alice Cooper, Jennifer Warnes and others performed at a benefit concert in Tucson, Arizona benefiting The Fund for Civility, Respect and Understanding, a foundation that raises awareness about and provides medical prevention and treatment services to people with mental disorders.^[68] In June 2011 Cooper took his place in the Reasonably Priced Car at the BBC auto show Top Gear.^[69]

Cooper supported Iron Maiden on tour from June to July 21.^[70]

Style and influences[link]

During an interview for the program Entertainment USA in 1986 Cooper stunned interviewer Jonathan King by stating that The Yardbirds were his favorite band of all time.^[71] Perhaps King should not have been so taken aback, as Cooper had as far back as 1969 said that it was music from the mid-sixties, and particularly from British bands The Beatles, The Who, and The Rolling Stones, as well as The Yardbirds, that had the greatest influence on him.^[72] Cooper would later pay homage to The Who by singing "I'm A Boy" for A Celebration: The Music of Pete Townshend and The Who in 1994 at Carnegie Hall in New York, and performing a cover of "My Generation" on the Brutal Planet tour of 2000.

During an interview with Ozzy Osbourne from radio program Nights with Alice Cooper on May 22, 2007, Cooper again affirmed his debt of gratitude to these bands, and to The Beatles in particular. During their discussion, Cooper and Osbourne bemoaned the often inferior quality of songwriting coming from contemporary rock artists. Cooper stated that in his opinion the cause of the problem was that certain modern bands "had forgotten to listen to The Beatles".

On the 25th anniversary DVD of Cabaret, Liza Minnelli stated that Cooper had told her that his whole career was based on the movie Cabaret.^{[citation needed]}

Evidence of Cooper's eclectic tastes in classic and contemporary rock music can be seen in the track listings of his radio show; in addition, when he appeared on the BBC Radio 2 program Tracks of My Years in September 2007, he listed his favorite tracks of all time as being: "19th Nervous Breakdown" (1966) by The Rolling Stones; "Turning Japanese" (1980) by The Vapors; "My Sharona" (1979) by The Knack; "Beds Are Burning" (1987) by Midnight Oil; "My Generation" (1965) by The Who; "Welcome to the Jungle" (1987) by Guns N' Roses; "Rebel Rebel" (1974) by David Bowie; "Over Under Sideways Down" (1966) by The Yardbirds; "Are You Gonna Be My Girl" (2003) by Jet; and "A Hard Day's Night" (1964) by The Beatles,^[73] and when he appeared on Desert Island Discs in 2010 he chose the songs "Happenings Ten Years Time Ago" by The Yardbirds; "I Get Around" by The Beach Boys; "I'm a Boy" by The Who; "Timer" by Laura Nyro; "21st Century Schizoid Man" by King Crimson; "Been Caught Stealing" by Jane's Addiction; "Work Song" by The Paul Butterfield Blues Band and "Ballad of a Thin Man" by Bob Dylan.^[74]

Rob Zombie, former front man of White Zombie, claims his first "metal moment" was seeing Alice Cooper on Don Kirshner's Rock Concert.^[75] Zombie has also claimed to have been heavily influenced by Cooper's costumes.^[76]

In a 1978 interview with Rolling Stone, Bob Dylan stated, "I think Alice Cooper is an overlooked songwriter".^[77]

In the foreword to Alice Cooper's CD retrospective box set The Life and Crimes of Alice Cooper, John Lydon of The Sex Pistols pronounced Killer as the greatest rock album of all time, and in 2002 Lydon presented his own tribute program to Cooper on BBC radio. Lydon told the BBC that "I know the words to every Alice Cooper song. The fact is, if you can call what I have a musical career, it all started with me miming to I'm Eighteen on a jukebox".^[78][79]

The Flaming Lips are longtime Alice Cooper fans and used the bass line from "Levity Ball" (an early song from the 1969 release Pretties for You) for their song "The Ceiling Is Bending". They also covered "Sun Arise" for an Alice Cooper tribute album. (Cooper's version, which closes the album Love It to Death, was itself a cover of a Rolf Harris song.)

In 1999 Cleopatra Records released Humanary Stew: A Tribute to Alice Cooper featuring a number of contributions from rock and metal all-star collaborations, including Dave Mustaine, Roger Daltrey, Ronnie James Dio, Slash, Bruce Dickinson, and Steve Jones.^[80] The album was notable for the fact that it was possible to assemble a different supergroup for each cover version on the record, which gave an indication of the depth of esteem in which Cooper is held by other eminent musicians within the music industry.

A song by alternative rock group They Might Be Giants from their 1994 album John Henry entitled "Why Must I Be Sad?" mentions 13 Cooper songs, and has been described as being "from the perspective of a kid who hears all of his unspoken sadness given voice in the music of Alice Cooper; Alice says everything the kid has been wishing he could say about his alienated, frustrated, teenage world".^[81]

Such unlikely non-musician fans of Cooper included Groucho Marx and Mae West, who both reportedly saw the early shows as a form of vaudeville revue,^[82] and artist Salvador Dalí, who on attending a show in 1973 described it as being surreal, and made a hologram, First Cylindric Chromo-Hologram Portrait of Alice Cooper's Brain.^[83][84]

Personal life[link]

Cooper, a huge fan of The Simpsons, was asked to contribute a storyline for the September 2004 edition of Bongo Comics's Bart Simpson's Treehouse of Horror, a special Monsters of Rock issue that also included stories plotted by Gene Simmons, Rob Zombie and Pat Boone.^[85] Cooper's story featured Homer Simpson being a Jason Voorhees, Friday the 13th style killer and Alice and the citizens of Springfield are being stalked by Homer.

On June 20, 2005, ahead of his June–July 2005 tour, Cooper had a wide-ranging interview with interviewer of celebrities Andrew Denton for the Australian ABC Television's Enough Rope. Cooper discussed various issues during a revealing and frank talk, including the horrors of acute alcoholism and his subsequent cure, being a Christian, and his social and work relationship with his family.^[86] During the interview, Cooper remarked "I look at Mick Jagger and he's on an 18-month tour and he's six [sic] years older than me, so I figure, when he retires, I have six more years. I will not let him beat me when it comes to longevity."^[87]

The actual ownership of the Alice Cooper name is an example of the value of a single copyright or trademark. Since "Alice Cooper" was originally the name of the band, and not the lead singer (cf. Uriah Heep, Jethro Tull, Amy Meredith, etc.), and it was actually owned by the band as whole, Cooper paid, and continues to pay, a yearly royalty to his original bandmates for the right to use the name commercially.

Cooper is a fan of the NHL Phoenix Coyotes.^[88] On February 18, 2012 the Coyotes gave away his bobblehead in a promotion for the first 10,000 fans for a game with the Dallas Stars.^[89]

Relationships and family[link]

In the period when the Alice Cooper group was signed to Frank Zappa's Straight label, Miss Christine of the GTOs became Cooper's girlfriend. Miss Christine (real name: Christine Frka), who had actually recommended Zappa to the group, died on November 5, 1972 of an overdose.^[90]

Another long-time girlfriend of Cooper's was Cindy Lang, with whom he lived for several years. They separated in 1975. Lang sued Cooper for palimony, and they eventually settled out of court in the early 1980s.^[91][92]

After his separation from Lang, Cooper was briefly linked with actress Raquel Welch.^[93] Cooper then reportedly left Welch, however, to marry, on March 20, 1976, ballerina instructor/choreographer Sheryl Goddard, who performed in the Alice Cooper show from 1975 to 1982. In November 1983, at the height of Cooper's alcoholism, Sheryl filed for divorce, but by mid-1984, she and Cooper had reconciled.^[94] The couple has remained together since. In a 2002 television interview, Cooper claimed that he had "never cheated" on his wife in all the time they had been together. In the same interview, he also claimed that the secret to a lasting and successful relationship is to continue going out on dates with your partner.^[95] The couple have three children: elder daughter Calico Cooper (born 1981), an actress and singer who has been performing in the Alice Cooper show since 2000; son Dash (b. 1985), a student at Arizona State University, and also plays in a band called Runaway Phoenix; and younger daughter Sonora Rose (b. 1993).

Drug recovery[link]

In 1986, Megadeth was asked to open for Cooper for dates on his US Constrictor tour. After noticing the hardcore abuse of alcohol and other drugs in the band, Cooper personally approached the band members to try to help them control their abuse, and he has stayed close to front man Dave Mustaine, who considers Cooper to be his "godfather".^[96] Since overcoming his own addiction to alcohol in the mid-1980s, Cooper has continued to help and counsel other rock musicians with addiction problems. "I've made myself very available to friends of mine – they're people who would call me late at night and say, 'Between you and me, I've got a problem.'"^[97] In recognition of the work he has done in helping other addicts in the recovery process, Cooper received in 2008 the Stevie Ray Vaughan Award at the fourth annual MusiCares MAP Fund benefit concert in Los Angeles.^[98]

Religion and politics[link]

Although he originally tended to shy away from speaking publicly about his religious beliefs, Cooper has in recent years been vocal about his faith as a born-again Christian.^[99]

Throughout his career, Cooper's philosophy regarding politics is that politics should not be mixed with rock music. He has usually kept his political views to himself, and in 2010 said "I am extremely non-political. I go out of my way to be non-political. I'm probably the biggest moderate you know. When John Lennon and Harry Nilsson used to argue politics, I was sitting right in the middle of them, and I was the guy who was going 'I don't care.' When my parents would start talking politics, I would go in my room and put on The Rolling Stones or The Who on as long as I could to avoid politics. And I still feel that way".^[67] On occasion he has spoken out against musicians who promote or opine on politics; for example, in the run-up to the 2004 presidential election, he told the Canadian Press that the then crop of rock stars campaigning for and touring on behalf of Democratic candidate John Kerry were committing "treason against rock n' roll". He also added that upon seeing the list of musicians who supported Kerry, "if I wasn't already a Bush supporter, I would have immediately switched. Linda Ronstadt? Don Henley? Geez, that's a good reason right there to vote for Bush."^[100]

Love of golf[link]

Cooper has on several occasions credited golf as having played a major role in helping him to overcome his addiction to alcohol,^[101] and has even gone as far to say that when he took up golf, it was a case of replacing one addiction with another.^[102][103] The importance that the game has had in his life is also reflected in the title to his 2007 autobiography, Alice Cooper, Golf Monster.^[104] Cooper, who has participated in a number of Pro-Am competitions,^[105] plays the game six days a week, off a handicap of two.^[74] Since 1997 he has hosted an annual golf competition, the Alice Cooper Celebrity AM Golf Tournament, all proceeds from which go to his charity, the Solid Rock Foundation. In 2005 while playing with manager Shep Gordon on The Champion Course in Palm Beach Gardens, Florida, Cooper recorded an impressive round of two-over par 74 on the world-class course. Cooper has also appeared in commercials for Callaway Golf equipment, was a guest of veteran British player and broadcaster Peter Alliss on A Golfer's Travels.^[106] He wrote the foreword to the Gary McCord book "Ryder Cup" and participated in the second All*Star Cup in South Wales.^[107] In an interview with VH1, friend and fellow golfer Pat Boone said that Cooper was "'this close' to being a pro".

Discography[link]

See: Alice Cooper discography

Awards and nominations[link]

Grammy Awards

Filmography[link]

See: Alice Cooper filmography

List of Alice Cooper band personnel[link]

Current

• Alice Cooper – vocals, guitar, harmonica (1963–present)
• Chuck Garric – bass guitar, vocals (2002–present)
• Ryan Roxie – guitar, vocals (1996–2006, 2012-presemt)
• Tommy Henriksen – guitar, vocals (2011–present)
• Orianthi – guitar, vocals (2011–present)
• Glen Sobel – drums, percussion (2011–present)

Past

Notes[link]

References[link]

• Alice Cooper, Keith Zimmerman (2007). Alice Cooper, Golf Monster: A Rock 'n' Roller's 12 Steps to Becoming a Golf Addict. Crown Publishers. ISBN 0-307-38265-6. 
• Alice Cooper, Steven Gaines (1976). Me, Alice: The Autobiography of Alice Cooper. Putnam. ISBN 0-399-11535-8. 
• Wolfgang Heilemann, Sabine Thomas (2005). Alice Cooper: Live on Tour, Studio, Backstage. Schwarzkopf & Schwarzkopf. ISBN 3-89602-651-8. 
• Michael Bruce, Billy James (2000). No More Mr. Nice Guy: The Inside Story of the Original Alice Cooper Group. SAF Publishing Ltd. ISBN 0-946719-32-2. 
• Bob Greene (1974). Billion Dollar Baby. Simon & Schuster. ISBN 978-0-689-10616-3. 
• Jeffrey Morgan (1999). Alcohol and Razor Blades, Poison and Needles: The Glorious Wretched Excess of Alice Cooper, All-American. (Reproduced on the Alice Cooper official website). 

External links[link]

Wikiquote has a collection of quotations related to: Alice Cooper

Wikimedia Commons has media related to: Alice Cooper

• Official website
• Official Nights with Alice Cooper website
• Alice Cooper Artist Page @ VH1.com
• Alice Cooper at Allmusic.com

This article or section is in the process of an expansion or major restructuring. You are welcome to assist in its construction by editing it as well. If this article or section has not been edited in several days, please remove this template. This article was last edited by [[User:|]] ([[User talk:|talk]] | contribs) 0 seconds ago . (Purge)

Saeed Anwar (Urdu: سعید انور; born September 6, 1968 in Karachi, Sind) is a former Pakistani left-handed opening batsman and ocasional Slow left arm orthodox bowler who played international cricket between 1989 and 2003. He played 55 Test matches scoring 4052 with the help of eleven centuries while in 247 One Day Internationals (ODIs) he made 8824 runs. He made twenty centuries in ODIs which are the most than any other pakistani batsman in the format.^[1][2]

In February 1999, Anwar became the third Pakistani to carry his bat through a Test innnings, following father and son Nazar Mohammed and Mudassar Nazar. He scored 188 not out - single-handedly beating his team's previous innings (185), when he mad a duck, and contributing 60 per cent of a total of 316.^[3][4] It was also the highest Test score by a Pakistani on Indian soil which was surpassed by Younis Khan (267) in 2005.^[4][5][6] He is most notable for scoring 194 runs against India in Chennai in 1997, then the highest, and now the joint third highest individual score in a ODI.^[7][8]

Personal life[link]

Saeed Anwar graduated from NED University of Engineering and Technology, Karachi in 1989 and is an engineer by profession. He was planning to go to the United States for his Master's studies before becoming a professional test Cricketer.

He faced a personal tragedy in 2001, when his daughter died after a prolonged illness.^[9] As a result he turned to religion.^[10] He made his return to Cricket after a long hiatus and was one of the most consistent Pakistani batsmen in the 2003 World Cup.

On 15 August 2003, he announced his retirement from Cricket after he was dropped from the squad for the upcoming One-Day International tournament in Sharjah.^[11] He devoted his life to preaching Islam across Pakistan with the Tablighi Jamaat. He led the funeral prayers for his former team mate Wasim Akram's spouse, Huma Akram, in Lahore.^[12] He is also believed to be responsible for Yousuf Youhana's conversion to Islam in 2005. Youhana was the only Christian on the Pakistan cricket team till then and was said to be heavily influenced by Aanwar and the Tablighi Jamaat.

International career[link]

An opening batsman capable of annihilating any bowling attack on his day, Anwar was an attacking batsman in ODI matches and once settled in Test matches, scored quickly and all over the field. His success came from good timing. Anwar became famous for his trademark flick. He was able to lift a ball that had pitched outside off stump for six over midwicket. Anwar's timing and ability to score quick runs made him a crowd favourite. He was named as a Wisden Cricketer of the Year in 1997.^[14]

Anwar was the first Pakistani batsman to score a century against India on Indian soil in a ODI match. He has the highest Test batting average (59.06) of any Pakistani against Australia, and once scored three consecutive centuries against them. He scored a classic century against South Africa in Durban, which allowed Pakistan to win a Test match for the first time in South Africa.

One Day International Career[link]

Under the captaincy on Imran Khan, Anwar started his international career on January 1, 1989 with a ODI match played at WACA Ground which Pakistan lost to West Indies. He scored only 3 runs in the match.^[15]

On 21 May 1997 in Chennai, Anwar scored 194 against India in India in an ODI match.^[16] Charles Coventry equalled the feat on 16 August 2009, against Bangladesh.^[17] This was the highest individual score by any batsman in the world till Sachin Tendulkar scored an unbeaten 200 against South Africa on 24 February 2010 which later was surpassed by Virender Sehwag's 219.

Anwar is a member of the exclusive club of batsmen who have scored three successive hundreds in ODIs, with hundreds against Sri Lanka, West Indies and Sri Lanka during the 1993–94 Champions Trophy in Sharjah. He scored two successive hundreds on three other occasions in his career, and was the first batsman to complete this feat in ODIs.^[18]

Test Career[link]

Records[link]

Anwar (194) and Charles Coventry (194*) shared the record for highest individual score in an ODI match until it was overtaken by India's Sachin Tendulkar (200*) against South Africa cricket team on 24 February 2010 and Virender Sehwag's 219 against West Indies on 8 December 2011 at Indore. Anwar has scored two or more successive hundreds on four occasions. He holds the highest Test batting average (59.06) of any Pakistani against Australia in Test matches, and made 20 hundreds in One Day Internationals as a Pakistan opening batsman.

Saeed Anwar's career performance graph.

Centuries scored by Saeed Anwar[link]

One Day International centuries[link]

• In the column Runs, * indicates being not out
• The column title Match refers to the Match Number of the player's career

One Day International centuries of Saeed Anwar^[19]

	Runs	Match	Against	City/Country	Venue	Year
[1]	126	12	Sri Lanka	Adelaide, Australia	Adelaide Oval	1990
[2]	101	20	New Zealand	Lahore, Pakistan	Gaddafi Stadium	1990
[3]	110	34	Sri Lanka	Sharjah, UAE	Sharjah Cricket Association Stadium	1993
[4]	107	39	Sri Lanka	Sharjah, UAE	Sharjah Cricket Association Stadium	1993
[5]	131	40	West Indies	Sharjah, UAE	Sharjah Cricket Association Stadium	1993
[6]	111	41	Sri Lanka	Sharjah, UAE	Sharjah Cricket Association Stadium	1993
[7]	104*	65	Australia	Rawalpindi, Pakistan	Rawalpindi Cricket Stadium	1994
[8]	103*	76	Zimbabwe	Harare, Zimbabwe	Harare Sports Club	1995
[9]	115	107	Sri Lanka	Nairobi, Kenya	Nairobi Gymkhana Club	1996
[10]	104*	112	New Zealand	Sharjah, UAE	Sharjah Cricket Association Stadium	1996
[11]	112*	113	Sri Lanka	Sharjah, UAE	Sharjah Cricket Association Stadium	1996
[12]	194	121	India	Chennai, India	MA Chidambaram Stadium	1997
[13]	108*	136	West Indies	Lahore, Pakistan	Gaddafi Stadium	1997
[14]	104	139	India	Sharjah, UAE	Sharjah Cricket Association Stadium	1997
[15]	140	145	India	Dhaka, Bangladesh	Bangabandhu National Stadium	1998
[16]	103	178	Zimbabwe	London, United Kingdom	Kennington Oval	1999
[17]	113*	179	New Zealand	Manchester, United Kingdom	Old Trafford Cricket Ground	1999
[18]	105*	210	Sri Lanka	Nairobi, Kenya	Gymkhana Club Ground	2000
[19]	104	211	New Zealand	Nairobi, Kenya	Gymkhana Club Ground	2000
[20]	103	246	India	Centurion, South Africa	Centurion Park	2003

Test Cricket centuries[link]

• In the column Runs, * indicates being not out
• The column title Match refers to the Match Number of the player's career

Test Cricket centuries of Saeed Anwar^[20]

	Runs	Match	Against	City/Country	Venue	Year
[1]	169	3	New Zealand	Wellington, New Zealand	Basin Reserve	1994
[2]	136	5	Sri Lanka	Colombo, Sri Lanka	P Saravanamuttu Stadium	1994
[3]	176	17	England	London, United Kingdom	The Oval	1996
[4]	107	21	New Zealand	Rawalpindi, Pakistan	Rawalpindi Cricket Stadium	1996
[5]	118	28	South Africa	Durban, South Africa	Kingsmead	1998
[6]	145	32	Australia	Rawalpindi, Pakistan	Rawalpindi Cricket Stadium	1998
[7]	126	33	Australia	Peshawar, Pakistan	Arbab Niaz Stadium	1998
[8]	188*	38	India	Kolkata, India	Eden Gardens	1999
[9]	119	41	Australia	Brisbane, Australia	Brisbane Cricket Ground	1999
[10]	123	47	Sri Lanka	Galle, Sri Lanka	Galle International Stadium	2000
[11]	101	55	Bangladesh	Multan, Pakistan	Multan Cricket Stadium	2001