Badshahi Mosque
Basic information
Location	Lahore, Pakistan
Geographic coordinates	31°35′17.07″N 74°18′36.45″E / 31.588075°N 74.310125°E / 31.588075; 74.310125Coordinates: 31°35′17.07″N 74°18′36.45″E / 31.588075°N 74.310125°E / 31.588075; 74.310125
Affiliation	Islam
Province	Punjab
District	Lahore
Year consecrated	1671
Ecclesiastical or organizational status	Mosque
Leadership	Aurangzeb
Architectural description
Architectural type	Mosque
Architectural style	Islamic, Mughal
Completed	1673
Specifications
Capacity	100,000
Dome(s)	3
Minaret(s)	8 (4 major, 4 minor)
Minaret height	176 ft 4 in (53.75 m)

The Badshahi Mosque (Urdu: بادشاہی مسجد) or the 'Royal Mosque' in Lahore, commissioned by the sixth Mughal Emperor Aurangzeb in 1671 and completed in 1673, is the second largest mosque in Pakistan and South Asia and the fifth largest mosque in the world. Epitomising the beauty, passion and grandeur of the Mughal era, it is Lahore's most famous landmark and a major tourist attraction.

Capable of accommodating 5,000 worshippers in its main prayer hall and a further 95,000 in its courtyard and porticoes, it remained the largest mosque in the world from 1673 to 1986 (a period of 313 years), when overtaken in size by the completion of the Faisal Mosque in Islamabad. Today, it remains the second largest mosque in Pakistan and South Asia and the fifth largest mosque in the world after the Masjid al-Haram (Grand Mosque) of Mecca, the Al-Masjid al-Nabawi (Prophet's Mosque) in Medina, the Hassan II Mosque in Casablanca and the Faisal Mosque in Islamabad.

To appreciate its large size, the four minarets of the Badshahi Mosque are 13.9 ft (4.2 m) taller than those of the Taj Mahal and the main platform of the Taj Mahal can fit inside the 278,784 sq ft (25,899.9 m²) courtyard of the Badshahi Mosque, which is the largest mosque courtyard in the world.

In 1993, the Government of Pakistan recommended the inclusion of the Badshahi Mosque as a World Heritage Site in UNESCO's World Heritage List, where it has been included in Pakistan's Tentative List for possible nomination to the World Heritage List by UNESCO.^[1]

History[link]

Construction (1671–1673)[link]

Construction of the Badshahi Mosque was ordered in May 1671 by the sixth Mughal Emperor, Aurangzeb, who assumed the title Alamgir (meaning "Conqueror of the World"). Construction took about two years and was completed in April 1673.^[1]

The Badshahi Mosque was built opposite the Lahore Fort, emphasizing its stature in the Mughal Empire. It was constructed on a raised platform to avoid inundation from the nearby Ravi River during flooding. The mosque's foundation and structure was constructed using bricks and compacted clay. The structure was then clad with red sandstone tiles brought from a stone quarry near Jaipur in Rajasthan and its domes were clad with white marble.

The construction work was carried out under the supervision of Aurangzeb's foster brother, Muzaffar Hussain (also known as Fidai Khan Koka), who was appointed Governor of Lahore by Aurangzeb in May 1671 to specifically oversee the construction of the mosque and held that post until 1675. He was also Master of Ordnance to Aurangzeb. In conjunction with the building of the Badshahi Mosque, a new gate was built at the Lahore Fort opening into the Hazuri Bagh and facing the main entrance of the Badshahi Mosque, which was named Alamgiri Gate after Aurangzeb.

Inscribed in a marble tablet on the entrance of the Badshahi Mosque are the following words in Persian:

“The Mosque of Abul Muzaffar Muhy-ud-Din Muhammad Aurangzeb Alamgir, Victorious King, constructed and completed under the superintendence of the Humblest Servant of the Royal Household, Fidai Khan Koka, in 1084 A.H.”^[2]

Mosque under Mughal Rule (1673-1752)[link]

When it was completed in 1673, the Badshahi Mosque was not only the largest mosque in the Mughal Empire, but also the largest mosque in the world - a record it would hold for 313 years until 1986. It was also one of the largest buildings in the Mughal Empire and the world. On a clear day, it could be seen from a distance of 15 km. The Badshahi Mosque elevated Lahore to greater political, economic and cultural importance in the Mughal Empire.

Mosque under Sikh Rule (1799-1849)[link]

On 7 July 1799, the Sikh militia of the Sukerchakia chief, Ranjit Singh, took control of Lahore.^[3] After the capture of the city, the Badshahi Mosque was severely damaged when Ranjit Singh used its vast courtyard as a stable for his army's horses and its 80 hujras (small study rooms surrounding the courtyard) as quarters for his soldiers and as magazines for military stores. Ranjit Singh used the Hazuri Bagh, the enclosed garden next to the Mosque as his official royal court of audience.^[4]

In 1841, during the Sikh civil war, Ranjit Singh's son, Sher Singh, used the Mosque's large minarets for placement of zamburahs or light guns, which were placed atop the minarets to bombard the supporters of the Sikh Maharani Chand Kaur taking refuge in the besieged Lahore Fort, inflicting great damage to the Fort itself. In one of these bombardments, the Fort's Diwan-e-Aam (Hall of Public Audience) was destroyed (it was subsequently rebuilt by the British but never regained its original architectural splendour).^[5] During this time, Henri De la Rouche, a French cavalry officer employed in the army of Sher Singh,^[6] used a tunnel connecting the Badshahi Mosque to the Lahore Fort to temporarily store gunpowder.^[7]

Mosque under British Rule (1858-1947)[link]

When the British took control of India, they continued the Sikh practice of using the Mosque and the adjoining Fort as a military garrison. The 80 cells (hujras) built into the walls surrounding the Mosque's vast courtyard on three sides were originally study rooms, which were used by the Sikhs under Ranjit Singh to house troops and military stores. The British demolished them so as to prevent them from being used for anti-British activities and rebuilt them to form open arcades or dalans, which continue to this day.^[5]

Mosque's Return to Muslims and Restoration[link]

Sensing increasing Muslim resentment against the use of the Mosque as a military garrison, which was continuing since Sikh Rule, the British set up the Badshahi Mosque Authority in 1852 to oversee the restoration and return of the Mosque to Muslims as a place of religious worship. From 1852 onwards, piecemeal repairs were carried out under the supervision of the Badshahi Mosque Authority. Extensive repairs commenced from 1939 onwards. The blueprint for the repairs was prepared by the architect Nawab Zen Yar Jang Bahadur.

Mosque under Pakistan (1947-present)[link]

Restoration work at the Mosque continued after Lahore became part of the new Muslim State of Pakistan on 14 August 1947. By 1960, the Badshahi Mosque stood restored to its original condition at a total cost of 4.8 million rupees (1939–1960).

The Government of Pakistan established a small museum inside the Main Gateway Entrance of the Mosque. It contains relics of the Prophet Muhammad, his cousin Ali, and his daughter, Fatimah.

On the occasion of the 2nd Islamic Summit held at Lahore on February 22, 1974, thirty-nine heads of Muslim states offered their Friday prayers in the Badshahi Mosque, including, among others, Zulfiqar Ali Bhutto of Pakistan, King Faisal of Saudi Arabia, Muammar Gaddafi of Libya, Yasser Arafat of the Palestine Liberation Organization and Sabah III Al-Salim Al-Sabah of Kuwait. The prayers were led by Mawlānā Abdul Qadir Azad, the then Khatib of the Mosque.^[8]

In 1993, the Government of Pakistan recommended the inclusion of the Badshahi Mosque as a World Heritage Site in UNESCO's World Heritage List, where it has been included in Pakistan's Tentative List for possible nomination to the World Heritage List by UNESCO.^[1]

In 2000, the marble inlay in the Main Prayer Hall was repaired. In 2008, replacement work on the red sandstone tiles on the Mosque's large courtyard commenced, using red sandstone especially imported from the original source near Jaipur, Rajasthan, India.^[9]

Architecture & Design[link]

The architecture and design of the Badshahi Mosque closely resembles that of the smaller Jama Mosque in Delhi, India, which was built in 1648 by Aurangzeb's father and predecessor, Emperor Shah Jahan. Its design was inspired by Islamic, Persian, Central Asian and Indian influences. Like the character of its founder, the Mosque is bold, vast and majestic in its expression.

The steps leading to the Main Prayer Hall and its floor are in Sang-e-Alvi (variegated marble). The Main Prayer Hall is divided into seven sections by means of multi-foil arches supported on heavy piers, three of which bear the double domes finished externally in white marble. The remaining four sections are roofed with flat domes.

The interior of Main Prayer Hall is richly embellished with stucco tracery (Manbatkari), fresco work, and inlaid marble.

The exterior is decorated with stone carving as well as marble inlay on red sandstone, specially of lotiform motifs in bold relief. The embellishment has Indo-Greek, Central Asian and Indian architectural influence both in technique and motifs.

Badshahi Masjid at night

Layout of the mosque

The skyline is furnished by beautiful ornamental merlons inlaid with marble lining adding grace to the perimeter of the mosque. In its various architectural features like the vast square courtyard, the side aisles (dalans), the four corner minarets (minars), the projecting central transept of the prayer chamber and the grand entrance gate, is summed up the history of development of mosque architecture of the Muslim world over the thousand years prior to its construction in 1673.

The north enclosure wall of the Mosque was laid close to the Ravi River bank, so a majestic gateway could not be provided on that side and, to keep the symmetry the gate had to be omitted on the south wall as well. Thus, a four Aiwan plan like the earlier Jama Mosque in Delhi, could not be replicated at the Badshahi Mosque.

The walls were built with small kiln-burnt bricks laid in kankar, lime mortar (a kind of hydraulic lime) but have a veneer of red sandstone. The steps leading to the prayer chamber and its plinth are in variegated marble.

The main prayer chamber is very deep and is divided into seven compartments by rich engraved arches carried on very heavy piers. Out of the 7 compartments, three double domes finished in marble have superb curvature, whilst the rest have curvilinear domes with a central rib in their interior and flat roof above. In the eastern front aisle, the ceiling of the compartment is flat (qalamdani) with a curved border (ghalatan) at the cornice level.

The original floor of the courtyard was laid with small kiln-burnt bricks laid in the Mussalah pattern. The present red sandstone flooring was laid during the last major refurbishhment (1939–60). Similarly, the original floor of the main prayer chamber was in cut and dressed bricks with marble and Sang-i-Abri lining forming Mussalah and was also replaced by marble Mussalah during the last major repairs.

There are only two inscriptions in the Mosque:

• one on the main gateway entrance
• the other of Kalimah in the prayer chamber under the main high vault.

Dimensions[link]

• Courtyard: 528 ft 8 in (161.14 m) x 528 ft 4 in (161.04 m) (area: 278,784 sq ft (25,899.9 m²)) (the world's largest mosque courtyard) (compared to 186 × 186 ft (57 × 57 m) for the main platform of the Taj Mahal), divided into two levels: the upper and the lower. In the latter, funeral prayers can also be offered.
• Prayer Chamber: 275 ft 8 in (84.02 m) x 83 ft 7 in (25.48 m) x 50 ft 6 in (15.39 m) high, with its main vault 37 ft 3 in (11.35 m) x 59 ft 4 in (18.08 m) high but with the merlons 74 ft (22.555200 m). (area: 22,825 sq ft (2,120.5 m²))
• 4 Corner Minarets: 176 ft 4 in (53.75 m) high and 67 ft (20 m) in circumference, are in four stages and have a contained staircase with 204 steps (compared with 162.5 ft (49.5 m) for the minarats of the Taj Mahal).
• Central Dome: Diameter 65 ft (20 m) at bottom (at bulging 70 ft 6 in (21.49 m)); height 49 ft (15 m); pinnacle 24 ft (7.3 m) and neck 15 ft (4.6 m) high.
• 2 Side Domes: Diameter 51 ft 6 in (15.70 m) (at bulging 54 ft (16.46 m)); height 32 ft (9.8 m); pinnacle 19 ft (5.8 m); neck 9 ft 6 in (2.90 m) high.
• Gateway: 66 ft 7 in (20.29 m) x 62 ft 10 in (19.15 m) x 65 ft (20 m) high including domelets; vault 21 ft 6 in (6.55 m) x 32 ft 6 in (9.91 m) high. Its three-sided approach steps are 22 in number.
• Side Aisles (Dalans): 80 in number. Height above floor 23 ft 9 in (7.24 m); plinth 2 ft 7 in (0.79 m).
• Central Tank: 50 ft (15 m) x 50 ft (15 m) x 3 ft (0.91 m) deep (area: 2,500 sq ft (230 m²))

Architectural influence[link]

The Badshahi Mosque has architecturally influenced the design of the following mosques:

• Sheikh Zayed Mosque, Abu Dhabi, U.A.E.
• Sir Syed Masjid, Aligarh, India
• Taj-ul-Masajid, Bhopal, India

Gallery[link]

See also[link]

• Architecture of Lahore
• Wazir Khan Mosque

References[link]

External links[link]

Wikimedia Commons has media related to: Badshahi Masjid

• Architectural Review: Badshahi Mosque
• Asian Historical Architecture: Badshahi Mosque
• UNESCO Tentative Heritage List: Badshahi Mosque

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Aamir Khan
Aamir Khan at NDTV Greenathon in Yash Raj Studios, 2012
Born	Aamir Hussain Khan (1965-03-14) 14 March 1965 (age 47) Mumbai, Maharashtra, India
Occupation	Film actor, producer, director and writer
Years active	1973–1974, 1984, 1988–2001, 2005–present
Spouse	Reena Dutta (1986–2002) Kiran Rao (2005–present)
Children	3
Website
http://www.aamirkhan.com/

Aamir Hussain Khan (pronounced [ˈaːmɪr ˈxaːn]) (born 14 March 1965) is an Indian film actor, director and producer who has established himself as one of the leading actors of Hindi cinema.^[1][2][3]

Starting his career as a child actor in his uncle Nasir Hussain's film Yaadon Ki Baaraat (1973), Khan began his professional career eleven years later with Holi (1984) and had his first commercial success with Qayamat Se Qayamat Tak (1988). He received his first National Film Award as a Special Jury Award for his roles in the films Qayamat Se Qayamat Tak (1988) and Raakh (1989).^[4] After eight previous nominations during the 1980s and 1990s, Khan received his first Filmfare Award for Best Actor for his performance in the major grosser Raja Hindustani (1996)^[5][6] and later earned his second Best Actor award for his performance in the Academy Award-nominated Lagaan, which also marked the debut of his own production company.

Following a four-year break from acting, Khan made his comeback playing the title role in the historical Mangal Pandey: The Rising (2005), and later won a Filmfare Critics Award for Best Actor for his role in Rang De Basanti (2006). The following year, he made his directorial debut with Taare Zameen Par, for which he received a Filmfare Award for Best Director. This was followed by Ghajini (2008), which became the highest grossing film of that year, and 3 Idiots (2009), which became the highest-grossing Bollywood film of all-time, unadjusted for inflation.^[7] The Government of India honoured him with the Padma Shri in 2003 and the Padma Bhushan in 2010 for his contributions towards the arts.^[8][9][10]

On 30 November 2011, Khan was appointed as national brand ambassador of UNICEF to promote child nutrition.^[11]

Early life[link]

Khan was born in Bandra's Holy Family Hospital, Mumbai, India, to a Muslim^[12] family that has been actively involved in the Indian motion picture industry for several decades. His father, Tahir Hussain, was a film producer while his uncle, Nasir Hussain, was a film producer as well as a director and an actor. His family on his father´s side are originally from Herat, Afghanistan.^[13]

He is a descendant of the scholar and politician Maulana Abul Kalam Azad and a second cousin to former deputy chairperson and current member of Rajya Sabha Dr. Najma Heptulla.

Career[link]

Actor[link]

Khan began his film career at the age of 8, as a child actor in a home production, made by Nasir Hussain, titled Yaadon Ki Baaraat (1973)^[14] and Madhosh (1974). Eleven years later, he made his adult acting debut in a role that went quite unnoticed in Ketan Mehta's Holi (1984).

Khan's first notable leading role came in 1988 in the film Qayamat Se Qayamat Tak which was directed by his cousin and Nasir Hussain's son Mansoor Khan. This film was a breakthrough commercial success, effectively launching Khan's career as a leading actor. Having the typical 'chocolate hero' looks, he was publicised as a teen idol. He also starred in critically acclaimed film Raakh, for which Khan got his first National Award for Special Jury Award. After that, he went on to appear in several other films in the late '80s and early '90s: Dil (1990), which became the highest grossing film of the year,^[15] Dil Hai Ke Manta Nahin (1991), Jo Jeeta Wohi Sikandar (1992), Hum Hain Rahi Pyar Ke (1993) (for which he also wrote the screenplay), and Rangeela (1995). Most of these films were successful critically and commercially.^[16][17][18] Other successes include Andaz Apna Apna, co-starring Salman Khan. At the time of its release the movie was reviewed unfavorably by critics, but over the years has gained a cult status.^[19]

Khan at 2011 Berlin Film Festival

Khan continued to act in just one or two films a year, an unusual trait for a mainstream Hindi cinema actor. His only release in 1996 was the Dharmesh Darshan directed commercial blockbuster Raja Hindustani in which he was paired opposite Karisma Kapoor. The film earned him his first Filmfare Best Actor Award, after seven previous nominations, and went on to become the biggest hit of the year, as well as the third highest grossing Indian film of the 1990s.^[20] Khan's career had seemed to hit a plateau at this point of time, and most of the films to follow for the next few years were only partially successful. In 1997, he co-starred alongside Ajay Devgn, Kajol and Juhi Chawla in Ishq, which performed well at the box office. The following year, Khan appeared in the moderately successful Ghulam, for which he also did playback singing.^[21] John Mathew Matthan's Sarfarosh (1999), Khan's first release in 1999, was also moderately successful, gaining an above average box office verdict.^[22] The film was highly appreciated amongst the critics and Khan's role as a dedicated, honest and uncorrupted cop engaged in fighting border terrorism, was well received, as was his role in Deepa Mehta's art house film Earth. His first release for the new millennium, Mela, in which he acted alongside his real-life brother Faisal Khan, was both a box-office and critical bomb.^[23]

In 2001 he appeared in Lagaan. The film was a major critical and commercial success,^[24] and received a nomination for Best Foreign Language Film at the 74th Academy Awards. Additionally, the film gathered critical acclaim at several international film festivals, in addition to winning numerous Indian awards, including the National Film Awards. Khan himself won his second Filmfare Best Actor Award. The film continues to be one of the most popular Hindi films in the west.^{[citation needed]}

The success of Lagaan was followed by Dil Chahta Hai later that year, in which Khan co-starred with Akshaye Khanna and Saif Ali Khan, with Preity Zinta playing his love interest. The film was written and directed by the then newcomer Farhan Akhtar. According to critics, the film broke new grounds by showing Indian urban youth as they really are today. The characters depicted were modern, suave and cosmopolitan. The film did moderately well and was a success mostly in urban cities.^[24]

Khan then took a four year break citing personal problems, and returned in 2005 with Ketan Mehta's Mangal Pandey: The Rising playing the title role of a real-life sepoy and a martyr who helped spark the Indian Rebellion of 1857 or the 'First War of Indian Independence'.^{[citation needed]}

Rakeysh Omprakash Mehra's award-winning Rang De Basanti was Khan's first release in 2006. His role was critically acclaimed,^[25] earning him a Filmfare Critics Award for Best Actor and various nominations for Best Actor. The film went on to become one of the highest grossing films of the year,^[26] and was selected as India's official entry to the Oscars. Although the film was not shortlisted as a nominee for the Oscar, it received a nomination for Best Foreign Film at the BAFTA Awards in England. Khan's work in his next movie, Fanaa (2006) co-starred with Kajol was also appreciated,^[27] and the film went on to become one of the highest grossing Indian films of 2006.^[26]

His 2007 film, Taare Zameen Par was also produced by him and marked his directorial debut. The film, which was the second offering from Aamir Khan Productions, starred Khan in a supporting role as a teacher who befriends and helps a dyslexic child. It opened to excellent responses from critics and audiences alike. Khan's performance was well-received, although he was particularly applauded for his directing.^{[citation needed]}

In 2008, Khan appeared in the movie Ghajini. The film was a major commercial success^[28] and became the highest grossing Bollywood movie of that year. For his performance in the film, Khan received several Best Actor nominations at various award ceremonies as well as his fifteenth Filmfare Best Actor nomination.^{[citation needed]}

In 2009, Khan appeared in the commercially and critically acclaimed film 3 Idiots as Ranchodas Chanchad which became Bollywood's highest grossing film^[7] and won multiple Filmfare Awards including Best Picture.^[29] Around August, 2011, Khan started talks with Siddhartha Basu's BIG Synergy, to host a talk show, similar to the Oprah Winfrey show.^[30] On May 6, 2012, the highly anticipated show Satyamev Jayate debuted in English and all major Indian languages and received both popular and critical praise for its dicussions on various social issues like female foeticide, child sexual abuse and dowry plaguing Indian society.

Aamir is being paid Rs. 3 crore rupees per episode as to host the Satyamev Jayate and it makes him the highest paid host in Indian television industry. ^[31] This show has already received the highest TRP and dubbed as one of biggest hits on the Indian television after Ramayan.

Producer[link]

Khan at a promotional event for Taare Zameen Par

In 2001 Khan set up a production company known as Aamir Khan Productions. Its first film was Lagaan. The movie was released in 2001, starring Khan as the lead actor. The film was selected as India's official entry to the 74th Academy Awards in the Best Foreign Language Film category. It was eventually chosen and nominated in that category but lost to No Man's Land. The film won numerous awards at several Indian award functions such as Filmfare and IIFA, and won the National Film Award for Most Popular Film, an award shared between Khan and the film's director, Ashutosh Gowariker.^[32] Khan later commented on the loss of Lagaan at the Oscars: "Certainly we were disappointed. But the thing that really kept us in our spirits was that the entire country was behind us".

In 2007 he produced the drama Taare Zameen Par which marked his directorial debut. Khan also played a supporting role in the film, sharing the screen with the debut of child actor Darsheel Safary. The film was initially conceived of and developed by the husband and wife team, Amole Gupte and Deepa Bhatia. It was a story of a young child who suffers in school until a teacher identifies him as dyslexic. The movie was critically acclaimed,^[33] as well as a box office success. Taare Zameen Par won the 2008 Filmfare Best Movie Award as well as a number of other Filmfare and Star Screen Awards. Khan's work won him two awards at the Filmfare, the Best Movie and the Best Director awards, which established his status as a competent filmmaker in Bollywood.

In 2008, Khan launched his nephew Imran Khan's debut in the film Jaane Tu... Ya Jaane Na under his production house. The film was a big hit in India, and eventually earned Khan another nomination for Best Movie at the Filmfare.^[34]

In 2011, Khan released his home production Dhobi Ghat.^[35] which was directed by his wife Kiran Rao.

Television[link]

Khan made his television debut with his social issue based talk show Satyamev Jayte which started airing on 6 May 2012. The show will went live simultaneously on Star Plus, Star World and national broadcaster Doordarshan on the 11 A.M. Sunday slot in eight languages, being the first ever show to do so in India.^[36] The show opened to highly positive reviews and feedback from various eminent personalities such as social activists, media houses, doctors, film and television personalities, and Khan was praised for his effort, describing the show as a movement.^[37] In her review, Ritu Singh of IBN Live stated that, "Aamir Khan deserves an applause for bringing up such a sensitive issue and presenting it in a hard hitting way. The amount of research Aamir and his team has put into the show was clearly visible with the facts and figures presented. Every aspect of the issue was covered with great diligence."^[38] Parmita Uniyal from Hindustan Times praised the content and Khan for "step[ing] in to do what journalists are supposed to do – make a difference. The show is a classic example of that."^[39] 84 million people watched the show, making it, to date, the highest rated show on Indian television.^[40]

Humanitarian and political causes[link]

In April 2006, Aamir participated in the demonstrations put up by the Narmada Bachao Andolan committee with their leader Medha Patkar after the Gujrat government's decision to raise the height of the Narmada dam. He quoted to support adivasis, who might got displaced from their homes.^[41] Later he faced protests and a partial ban on his film Fanaa but the Prime Minister of India, Manmohan Singh supported him by saying Everyone has the freedom of expression. If someone says something on a particular subject, that doesn't mean you should start protesting.^[42] Aamir also lended his support to Janlokpal Bill Movement led by Anna Hazare in August 2011.^[43]

He has been supporting common causes and in the same row when asked about views on entertainment tax in 2012 budget Aamir said, I don't want any reduction in that, all I expect is focus on education and nutrition.^[44] He quitted GOI's copyrights panels in February 2010 after facing sharp differences with other members.^[45] He journeyed to diverse parts of India, mostly to small towns during promotion of 3 Idiots saying film makers from Mumbai don’t understand small town India,^[46] which was an connecting to India experience, which is extended in his debut TV show Satyamev Jayate.

Personal life[link]

Khan married Reena Dutta, who had a small part in Qayamat Se Qayamat Tak, on 18 April 1986. They have two children, a son named Junaid and a daughter, Ira. Reena was involved briefly in Khan's career when she worked as a producer for Lagaan. In December 2002, Khan filed for divorce, ending the 15-year marriage. Reena took custody of both children.^[47] On 28 December 2005, Khan married Kiran Rao who had been an assistant director to Ashutosh Gowariker during the filming of Lagaan.^[48] Khan is a follower of spiritual leader J. P. Vaswani.^[49]

Though nominated many times, Khan does not attend any Indian film award ceremony as he feels "Indian film awards lack credibility".^[50] In 2007, Khan was invited to have a wax imitation of himself put on display at Madame Tussauds in London.^[51] However, Khan declined stating that, "It's not important to me... people will see my films if they want to. Also, I cannot deal with so many things, I have bandwidth only for that much."^[52] But he finally gave a nod to attend the Dadasaheb Phalke Academy Awards, to be presented on 3 May 2012.^[53] But, Aamir Khan, who was supposed to attend the awards ceremony, gave it a last-minute miss.^[54]

In 2007, Khan lost a custody battle for his younger brother Faisal to their father, Tahir Hussain.^[55] His father passed away on 2 February 2010.^[56]

In a 2009 interview, Khan states that he tends to take an independent approach to the world of filmmaking, noting that he does not "do different things; I try to do it in a different manner. I think every person should follow his/her dream and try and make it possible to create an ability to achieve it backed by its practicality." He has also indicated that he is more interested in the process of filmmaking than in the end result: "For me, the process is more important, more joyful. I would like to have my entire concentration on the process right from the first step."

On 5 December 2011, Khan and his wife Kiran Rao announced the birth of their son, Azad Rao Khan,^[57] through a surrogate mother.^[58]

Filmography[link]

Actor[link]

Producer[link]

Writer/Director[link]

See also[link]

• List of Indian film actors

References[link]

Further reading[link]

• Crerar, Simon. "Aamir Khan on Making it in Bollywood^{[dead link]}." The Times, 15 January 2010.
• Bamzai, Kaveree. Aamir Khan: Mr Blockbuster^{[dead link]}. India Today, 7 January 2010. Retrieved 23 November 2011

External links[link]

Wikimedia Commons has media related to: Aamir Khan

• Official website
• Aamir Khan at the Internet Movie Database