A justice of the peace (JP) is a puisne judicial officer elected or appointed by means of a commission to keep the peace. Depending on the jurisdiction, they might dispense summary justice or merely deal with local administrative applications in common law jurisdictions. Justices of the peace are appointed or elected from the citizens of the jurisdiction in which they serve, and are (or were) usually not required to have a formal legal education in order to qualify for the office. Some jurisdictions have varying forms of training for JPs (for example Arizona, Victoria, and the United Kingdom).

History

In 1195, Richard I ("the Lionheart") of England commissioned certain knights to preserve the peace in unruly areas. They were responsible to the king for ensuring that the law was upheld, and preserved the "king's peace", and were known as "keepers of the peace".

An act of 1327 had referred to "good and lawful men" to be appointed in every county in the land to "guard the peace"; such individuals were first referred to as conservators of the peace, or wardens of the peace. The title "justice of the peace" derives from 1361,http://www.opsi.gov.uk/RevisedStatutes/Acts/aep/1361/caep_13610001_enm_1 in the reign of King Edward III Plantagenet. The "peace" to be guarded is the "king's peace" or (currently) queen's peace, the maintenance of which is the duty of the Crown under the royal prerogative. Justices of the peace still use the power conferred or re-conferred on them in 1361 to bind over unruly persons "to be of good behaviour." The bind over is not a punishment, but a preventive measure, intended to ensure that people thought likely to offend will not do so. The justices' alternative title of "magistrate" dates from the sixteenth century, although the word had been in use centuries earlier to describe some legal officials of Roman times.

The Municipal Corporations Act 1835 stripped the power to appoint normal JPs from those municipal corporations that had it. This was replaced by the present system, where the Lord Chancellor nominates candidates with local advice, for appointment by the Crown.

Until the introduction of elected county councils in the 19th century, JPs, in Quarter Sessions, also administered the county at a local level. They fixed wages, regulated food supplies, built and controlled roads and bridges, and undertook to provide and supervise locally those services mandated by the Crown and Parliament for the welfare of the county.

Being an unpaid office, undertaken more for the sake of renown and to confirm the justice's standing within the community, the justice was typically a member of the gentry. The Justices of the Peace conducted arraignments in all criminal cases, and tried misdemeanours and infractions of local ordinances and bylaws. Towns and boroughs with enough burdensome judicial business that could not find volunteers for the unpaid role of Justice of the Peace had to petition the Crown for authority to hire a paid stipendiary magistrate.

In the centuries from the Tudor period until the onset of the Industrial Revolution, the JPs constituted a major element of the English (later British) government system, which had been termed sometimes squirearchy (i.e., dominance of the land-owning gentry). For example, historian Tim Blanning notes that while in Britain the royal prerogative was decisively curbed by the Bill of Rights 1689, in practice the central government in London had a greater ability to get its policies implemented in the rural outlying regions than could contemporary absolute monarchies such as France - a paradox due especially to JPs belonging to the same social class as the Members of Parliament and thus having a direct interest in getting laws actually enforced and implemented on the ground.

Women in Britain were not allowed to become JPs until 1919, the first woman being Ada Summers, the Mayor of Stalybridge, who was a JP by virtue of her office. Now in Britain 50% of JPs are women. Emily Murphy of Edmonton, Canada, preceded her by some three and a half years.

In special circumstances, a Justice of the Peace can be the highest governmental representative, so in fact 'gubernatorial', in a colonial entity. This was the case in the Tati Concessions Land, a gold-mining concession (territory) in the Matabele kingdom, until its annexation by the British Bechuanaland protectorate.

:''See also:'' Justice of the peace (Russian Empire)

Modern use

Australia

A justice of the peace in Australia is typically someone of good stature in the community who is authorised to witness and sign statutory declarations and affidavits and to certify copies of original documents. Criteria for appointment vary widely, depending on the state. For example, in Queensland, a justice of the peace (qualified) must complete an exam prior to being eligible for appointment, whereas in Victoria, a person need only prove good character by way of references.

Generally speaking, a justice of the peace cannot act in relation to a document which is to be used in a foreign country. One exception to this, however, is that countries in the Commonwealth frequently accept documents so certified, but this is largely dependent on local legislation.

Documents which are to be used in a foreign country that does not provide for a foreign JP to witness them should be dealt with by a notary public. This is the same for all countries where the office of justice of the peace exists. Notaries public are often solicitors or barristers, and the best way to locate one is to contact your local law society.

Queensland

In the state of Queensland, a "Justice of the Peace (qualified)" has the additional powers to issue search warrants, arrest warrants, justices examination orders, and (in conjunction with another Justice of the Peace (qualified) constitute a magistrates' court and exercise powers to remand defendants in custody, grant bail, and adjourn court hearings. A justice of the peace can also be consulted to file a Justice's Examination Order, which compels psychiatric evaluation.

Some justices are appointed as Justice of the Peace (magistrates' court), usually in remote aboriginal communities, to perform many of the functions that might otherwise fall to a stipendiary magistrate.

In Queensland, a Commissioner for Declarations (C.Dec) has powers limited to witnessing documents, witnessing statutory declarations, witnessing affidavits, witnessing and administering oaths and affirmations.

Victoria

Justices of the Peace and bail justices are appointed to serve a semi-judicial function in all areas of the Victorian community. The main official roles they play in the Victorian community include witnessing statutory declarations, witnessing affidavits and hearing bail matters outside court hours (bail justices only).

Justices of the peace

Justices of the peace (JPs) provide a service to the community as independent witnesses of statutory declarations, powers of attorney and affidavits. JPs are recommended by the state Attorney-General and appointed by the Governor-in-Council, and it is their job to authorise and witness statutory declarations and affidavits within the state of Victoria. There are currently more than 4,000 JPs serving in all areas of the state.

Bail justices

The role of a bail justice is to hear bail applications (under the Bail Act 1977) and to hear applications for interim accommodation orders for children (under the Children and Young Persons Act 1989) within Victoria. Bail justices, once appointed, may remain in their role until they turn 70 years of age (although they must be under 65 at the time of their appointment). They are often required to attend call outs and rule on bail applications or protection applications for children in danger on weekends and late at night when the courts are closed, but they can also witness Victorian statutory declarations and affidavits. Candidates must successfully complete a three-day training course run by Victoria Police, the Magistrates' Court, and the Department of Justice. Bail justices also have some limited powers under federal legislation, including the power to conduct interstate extradition hearings and extending question time for federal police.

Source: http://www.justice.vic.gov.au/

New South Wales

Justices of the Peace perform few judicial functions, if any, in New South Wales. Those justices employed by the Attorney-General's Department can issue some kinds of warrant, and perform minor judicial functions such as granting bail outside normal court sitting hours. These powers are increasingly being transferred to Registrars of the Local Court, who (usually, but not always) have legal qualifications.

This aspect aside, Justice of the Peace in NSW typically receive statutory declarations and affidavits - primarily administrative tasks.

Justices of the peace can be located in courthouses, municipal councils, and many public service offices. Previously a lifetime appointment, the term was limited to five years from 8 December 2003 at which time all previous lifetime appointments lapsed.

South Australia

In South Australia, there are two types of justices: Justice of the Peace and special justices.

A Justice of the Peace (JP) in South Australia is typically someone of good stature in the community who is authorised to witness and sign statutory declarations, affidavits, waiver rights, search warrants, drug warrants, divorce documents, and to certify copies of original documents and to witness the signing of power of attorney and guardianship documents, providing the JP is satisfied with the capability of the signatory.

A Special Justice (SJ) is a higher level of Justice of the Peace in South Australia; they sit casually on the bench of the magistrates' court hearing cases in the petty division.

The South Australian Attorney-General has set up a web site to locate Justices of the Peace: . The majority of metropolitan and many regional Councils (Local Government authorities) have a rotational Justice of the Peace in residence at nominated times.

Belgium

In Belgium the Justice of the peace is the small claims court, with competence in civil, commercial and family law.

Canada

In Canada, Justice of the Peace (Justices) play a key role in the administration of justice at the provincial level. Justices are appointed by the lieutenant governors of Canada's provinces, and by the commissioners of Canada's territories, on the advice of their relevant premier or Attorney General.

Canada is a vast country and Justices are often the only magistrates in some regions. In the Northwest Territories, Justices are regularly assigned to hear federal crimes. However, in more populated provinces Justices usually preside over bail hearings and provincial offences courts. When not in a court session, a Justice can perform other judicial functions, such as issuing search warrants.

In Ontario, Justices perform a wide variety of duties related to criminal and regulatory law, at the federal, provincial and municipal levels. Current information on the role of a Justice in Ontario can be found at role of Justices in Ontario. Information on qualifications and selection criteria can be found at Qualifications for Justices in Ontario.

In British Columbia, pursuant to the ''Provincial Court Act'', all judges are Justices of the Peace, and hence all of them are Peace Officers.

Canada holds the distinction of having made the first appointment in the then British Empire of a woman as a magistrate, namely Emily Murphy, who was sworn in as a police magistrate in the Women's Court of the City of Edmonton (Alberta) on 19 June, 1916.

Hong Kong

In Hong Kong, the historical functions of Justices of the Peace have been replaced by full-time, legally qualified magistrates. Nowadays, Justices of the Peace are essentially titles of honour given by the Government to community leaders, and to certain officials while they are in their terms of offices. They have no judicial functions, and their main duties include visiting prisons, institutions for young offenders and drug addicts, psychiatric hospitals, remand homes, places of refuge, reception and detention centres, administering statutory declarations, and serving as members of advisory panels.

India

In India, Justices of the Peace do exist , but they no longer occupy a prominent post. Among the famous JPs were Diwan Bahadur-Pranimitra Shri.Jayantilal N. Mankar (Mankad) www.ivu.org, Kavasji Jamshedji Petigara.

Ireland

Justices of the peace existed in Ireland prior to 1922, sitting in a bench under the supervision of resident magistrates at Petty Sessions to try minor offences summarily, and with a County Court Judge (in his capacity of Chairman of Quarter Sessions) and jury to try more serious offences at Quarter Sessions. In the Irish Free State the position was effectively abolished by the District Justices (Temporary Provisions) Act 1923 and permanently abolished by the Courts of Justice Act 1924. Their judicial powers were replaced by full time, legally qualified District Justices (now called District Judges) and their quasi judicial powers by lay peace commissioners. Peace commissioners may sign statutory declarations and affidavits, and may issue search warrants to the Garda Síochána (Irish police).

Jamaica

A Justice of the Peace (JP), according to the Ministry of Justice, is a person of unquestionable integrity who seeks to promote and protect the rights of the individual and helps to provide justice to persons in a particular community. Additionally, the JP serves as a justice in petty court sessions, attends juvenile court sessions, issues summonses, considers applications for bail, explains and signs legal documents, sits on licensing panels, and gives counsel/advice. Any Jamaican citizen that can speak and write English is eligible to become a JP. Any club/organisation/citizen can recommend someone to become JP for a community. JPs are chosen under the Governor-General's discretion.

Malaysia

In Malaysia, Justices of the Peace have largely been replaced in magistrates' courts by legally qualified (first-class) stipendiary magistrates. However, state governments continue to appoint Justices of the Peace as honours. In 2004, some associations of Justices of the Peace pressed the federal government to allow Justices of the Peace to sit as second-class magistrates in order to reduce the backlog of cases in the courts.

New Zealand

A Justice of the Peace in New Zealand is someone of good stature in the community who is authorized to witness and sign statutory declarations and affidavits.

They also have certain powers to issue search warrants, and (in conjunction with another Justice of the Peace) may try minor criminal trials in the district court and exercise powers to remand defendants in custody, grant bail, and adjourn court hearings. They are nominated for office by local Members of Parliament.

Singapore

A Justice of the Peace in Singapore derives his powers from statute law. He is appointed by the President of the Republic of Singapore, under the provisions of section 11(l) of the Subordinate Courts Act (Cap.321). The President may revoke the appointment of any Justice of the Peace. A newly appointed Justice of the Peace is required by section 17 of the Subordinate Courts Act, to take the oath of office and allegiance as set out in the Schedule to the Subordinate Courts Act, before exercising the functions of his office.

Sri Lanka

Justice of the Peace (JP) is an honorary post, with authorization to witness and sign statutory declarations and affidavits. JPs are chosen under the Minister of Justice's discretion. Any citizen of Sri Lanka can apply to the Ministry of Justice giving his or her credentials to be appointed as a Justice of the Peace. However, the applicant should be one who has served the public and carries out social service and should be of good standing. The Cabinet Secretary is an ''ex officio'' Justice of the Peace for the district of Colombo.

United Kingdom

England and Wales

A magistrates' court in England and Wales is composed of a bench of (usually three) JPs or magistrates, who dispense summary justice: that is they decide on offences which carry up to six months in prison, to a maximum of a year of imprisonment over not less than two indictable offences. They are advised on points of law and procedure by a legally qualified Justices' Clerk and their assistants. No formal qualifications are required but magistrates need intelligence, common sense, integrity and the capacity to act fairly. Membership is widely spread throughout the local area and drawn from all walks of life. All magistrates are carefully trained before sitting and continue to receive training throughout their service. Magistrates are unpaid volunteers but they may receive allowances to cover travelling expenses and subsistence. Lay justices or magistrates must sit for a minimum of 26 sessions (half-days) per year, but some sit as much as a day a week, or possibly more.

In addition to the lay justices, there are a small number of ''district judges (magistrates' court)'', formerly known as ''stipendiary magistrates''. These are legally qualified, full-time members of the magistracy and hear cases alone, without any other magistrates on the bench. It is important to distinguish the district judge (magistrates' court) from the district judges who usually sit in the county court.

Magistrates' courts today can deal with minor offences (fines of up to £15,000, and imprisonment of up to 9 months or 15 months for consecutive sentences) and handle over 95% of the criminal cases in England and Wales and Northern Ireland. With more serious offences, magistrates are responsible for indictment and committal to the Crown Court (a task in former times dealt with by a grand jury). Magistrates also have a civil jurisdiction, such as a family jurisdiction. Although they had a licensing jurisdiction dealing liquor, betting and clubs licensing applications, this was transferred under the Licensing Act 2003 to local authorities. The Magistrates now act in licensing matters only as an appeal court from the decisions of the local authority.

Cardiff Magistrates Court is the only court in the country which deals with offences under the Companies Act, such as for late filing of accounts or directors offences. Westminster Magistrates Court has special responsibilities for dealing with all terrorism and extradition offences throughout the UK

Until the Courts Act 2003 came into force, magistrates were tied to a particular area (see Magistrates' Courts' Committees, commission area, petty sessions area). This has now been changed such that they are assigned to local justice areas, but less strongly.

The Courts Act provides the current framework for appointment of the justices, which is done by the Lord Chancellor in the name of Her Majesty. Justices can also be removed by the same mechanism. District Judges (Magistrates' Court) - previously known as Stipendiary Magistrates - must have a 7 years' general legal qualification, and are appointed by Her Majesty on the advice of the Lord Chancellor.

Before 1714, magistrates were liable to be approached at any time and in any place by people legally recognised as paupers, appealing for aid if parish authorities refused to provide any. It was relatively common for these magistrates to write out, on the spot, an Order requiring aid to be granted.

Scotland

Within the Scottish legal system Justices of the Peace are lay magistrates who currently sit in the Justice of the Peace Courts. These courts were introduced in 2009 as a replacement for the District Courts (established in 1975), which in turn replaced burgh police courts. Justices sit alone or in threes with a qualified legal assessor as convener or clerk of court. They handle many cases of breaches of the peace, drunkenness, minor assaults, petty theft, and offences under the Civic Government (Scotland) Act 1982.

In Glasgow, the volume of business requires the employment of three solicitors as "stipendiary magistrates" who sit in place of the lay justices. The stipendiary magistrates' court has the same sentencing power as the summary sheriff court. However, in 2006, the Scottish Government announced its intention to unify the management of the sheriff and district courts in Scotland, but retaining lay justices, as part of its initiative to create a unified judiciary under the Lord President.

Northern Ireland

In Northern Ireland, the situation inititally continued as it had in pre-1922 Ireland. However, justices of the peace no longer sat out of petty sessions after 1935 (Summary Jurisdiction and Criminal Justice Act (Northern Ireland) 1935). From then until 2005, Magistrates' Courts in Northern Ireland consisted of legally-qualified Resident Magistrates (now known as District Judges (Magistrates' Courts)) sitting alone. Justices of the peace are confined to the power to conduct committal hearings, bind persons over to the peace, sign warrants, summons, and other official documents. They are appointed by the Minister for Justice on the recommendation of a committee in each County Court Division.

The Justice (Northern Ireland) Act 2002 introduced a new office of Lay Magistrate, to sit alongside resident magistrates at magistrates' courts. Unlike in England and Wales, "Lay Magistrate" is the official title of the position, to distingish from justices of the peace who do not sit in the Magistrates' Courts. The first Lay Magistrates were appointed in 2005. The District Judge (Magistrates' Court), who is a barrister or solicitor of at least seven years standing, presides over the bench. In Northern Ireland, the justices clerk is called the Clerk of Petty Sessions and does not advise the bench as they do in England and Wales. There are 21 Petty Sessions Districts in Northern Ireland.

United States

In some U.S. states, the Justice of the Peace is a judge of a court of limited jurisdiction, a magistrate, or a quasi-judicial official with certain statutory or common law magisterial powers.

The Justice of the Peace typically presides over a court that hears misdemeanor cases, traffic violations, and other petty criminal infractions. The Justice of the Peace may also have authority over cases involving small debts, landlord and tenant disputes, or other small claims court proceedings. Proceedings before Justices of the Peace are often faster and less formal than the proceedings in other courts. In some jurisdictions a party convicted or found liable before a Justice of the Peace may have the right to a trial de novo before the judge of a higher court rather than an appeal strictly considered.

A justice of the peace also performs civil marriages. While states generally recognize marriages applied for under any relevant statutes and officiated under a religious leader or equivalent authority with adequate witnesses present, a justice of the peace can typically oversee a marriage union directly.

Some states have special qualifications or unique features for the office.

Arizona

A justice of the peace has the same jurisdiction as a municipal magistrate with respect to traffic and misdemeanor cases and restraining orders. Additionally, JP court hears civil law suits up to a limit of $10,000, small claims cases, and issues evictions, called writs of forcible or special detainer. Justices, also called judges of the Justice Court, are elected in partisan elections for four year terms from specific districts called precincts. They have the same authority and responsibility as all other judges in the state with respect to performing marriages, administrating oaths, adhering to the code of judicial conduct, and all aspects of justice administration. However, Arizona law doesn't require justices of the peace to be lawyers. Many justices of the peace are not law trained although all are required by the Arizona Supreme Court to complete a course at the Arizona Judicial College. As with JPs, municipal judges in Arizona are not required to be lawyers.

Massachusetts, Connecticut, Vermont

Justices of the Peace in the Commonwealth of Massachusetts are often called on to perform marriages and, especially, same-sex marriages which certain religious officials are not willing to oversee. Justices of the Peace in Connecticut can preside over same-sex marriages. Unlike Massachusetts, Connecticut JPs are not penalized for refusing to perform such ceremonies.

Justices of the Peace in Connecticut, Massachusetts, and Vermont have the same general oath-giving powers as a notary public.

New Hampshire

New Hampshire Justices of the Peace are commissioned magisterial officers, appointed by the Governor and Executive Council to terms of five years, with the power to administer oaths, acknowledge instruments, perform marriage ceremonies and, effective January 1, 2008, solemnize civil unions for same-sex couples. They may also order compulsory mental examinations for good cause, act as a magisterial official regarding enforcement complaints on orders for isolation or quarantine issued by the Commissioner of Health and Human Services, administer oaths of office to public officials, take depositions and issue subpoenas. New Hampshire Justices of the Peace are also authorized, upon a showing of probable cause supported by affidavit, to issue arrest warrants, search warrants, administrative inspection warrants and by court appointment, to fix and receive bail in criminal cases.

Arkansas

A Justice of the Peace is an elected official equivalent to a county commissioner or county supervisor. Arkansas JPs sit on a county quorum court, composed of 9, 11, 13 or 15 JPs. The quorum court is a part-time body, elected from single-member districts, that has overall responsibility for county affairs. Among their responsibilities are passing the budget, creating new ordinances (at the misdemeanor level), setting property tax millage levels, and working with other elected officials. The full-time elected county administrator, who presides over the quorum court, is the county judge. Neither JPs nor the county judge have any judicial authority, though they do have the power to preside over civil marriages. Justices of the Peace are elected every two years to these partisan offices.

Replacement of justice of the peace courts by other courts

In many states, the office of justice of the peace has been abolished or transferred to another court, such as the magistrate court. In larger cities, cases may be heard in a municipal court which has jurisdiction only within that city. Most efforts to abolish the office of Justice of the Peace have been led by the American Bar Association, which views non-lawyer judges as no longer necessary, as there are now far more persons with formal legal education than in the past when Justices of the Peace were first used.

California formerly had Justice of the Peace courts staffed by lay judges, but began phasing them out after a landmark 1974 decision in which the Supreme Court of California unanimously held that it was a violation of federal due process (under the Fourteenth Amendment to the U.S. Constitution) to allow a non-lawyer to preside over a criminal trial which could result in incarceration of the defendant. The Court specifically recognized that in the aftermath of ''Gideon v. Wainwright'' (1963), it made no sense to allow a case to be tried before a layperson incapable of understanding the legal arguments of the attorney to whom the defendant was entitled under ''Gideon''. The remaining justice courts (as well as municipal courts) were eliminated by the passage of Proposition 220 in June 1998, which merged all lower courts within the state judicial branch into the superior courts (the courts of general jurisdiction). Under current California law, all California judges must be licensed attorneys.

Notably, the Supreme Court of the United States sharply disagreed with California's analysis of the Fourteenth Amendment in the landmark case of ''North v. Russell'', , in which the Court held that Kentucky's use of nonlawyer judges in its police courts was ''not'' a violation of the Fourteenth Amendment guarantees of due process and equal protection of the laws.

See also

District Courts of Scotland

Notary public

Magistrate

Courts of Canada

Justice Courts (New York)

Solicitor General (disambiguation)

Peace Commissioner the office that replaced Justice of the Peace in Ireland

Notes

External links

Category:Judiciary of England and Wales Category:Common law Category:Gubernatorial titles Category:Legal professions

ca:Jutjat de pau de:Schiedsamt el:Ειρηνοδικείο es:Juez de paz fr:Justice de paix en Belgique it:Giudice di pace lb:Friddensgeriicht (Lëtzebuerg) nl:Vredegerecht ja:治安判事 no:Fredsdommer pl:Sędzia pokoju pt:Juiz de paz ru:Мировой суд fi:Rauhantuomari sv:Fredsdomare uk:Мирові суди zh-yue:太平紳士 zh:太平紳士

name	Just Whitney
type	studio
artist	Whitney Houston
cover	Whitney Houston- Just Whitney Cover.jpg
border	yes
released	November 25, 2002 (International)December 10, 2002 (U.S)
recorded	2001–2002
genre	R&B;, pop, hip hop, dance
length	39:0843:17 (bonus remix edition)
label	Arista
producer	Antonio "L.A." Reid (exec.) Eivan "Ricco" Bj (exec.) Babyface Bobby Brown Whitney Houston Missy Elliott Charile "CSUN" Bereal Kenyn Bereal Ted Bishop Gordon Chambers Rob Fusari Ricky Minor Troy Taylor Muhammad2G Kevin "She'kspere" Briggs
reviews
last album	''Love, Whitney''(2001)
this album	''Just Whitney''(2002)
next album	''One Wish: The Holiday Album''(2003)
misc	}}

''Just Whitney'' is the fifth studio album by American recording artist Whitney Houston, released on December 10, 2002 in North America by Arista Records. The album was first studio album in four years, since her 1998 set ''My Love Is Your Love'', and after signing her new $100 million Arista contract.

It received mixed reviews from critics, and debuted at number nine of the ''Billboard'' 200, and number three of Top R&B;/Hip-Hop Albums, with sales of 205,147 copies in the first week, not only beating her previous high first-week sales of 177,284 units with ''Waiting to Exhale Soundtrack Album'' but also logged her highest debut sales out of her SoundScan-era solo albums.

It spawned four official singles ㅡ three of which were Hot Dance Club Play toppers. Since its release, ''Just Whitney...'' has gone onto sell/ship more than 3 million units worldwide and has also earned Platinum certification in the U.S. and Switzerland and gold in France, Brazil and other countries. The album's sales in U.S. stands at 737,000 units.

Background and production

''Just Whitney'' is Houston's fifth studio album, that she recorded after renewing her contract with Arista for a record $100 million. It is mixed with soulful and R&B; ballads to dance songs. Houston said that she wanted to make a "very soul oriented" album, something she felt was missing on the radio. It was a departure in style from her previous album ''My Love Is Your Love'', which was blended with hip hop and reggae jams. Regarding the album's recording sessions L.A. Reid, with whom Houston was working, said She started to work with Kenneth "Babyface" Edmonds, with whom she had worked in her previous albums, Kevin Briggs who produced songs for Destiny's Child, TLC and others. Other major producers included Missy Elliot, who worked with Houston on her previous effort My Love Is Your Love, Teddy Bishop, Gordon Chambers, Rob Fusari and Troy Taylor. Her then husband, Bobby Brown also co-produced one of the tracks along with Jerry Mohammed. Andre Lewis, who met Houston through Brown, also contributed to the project. In addition to these producers, Houston also worked with Rodney Jerkins and Jimmy Jam and Terry Lewis, but their works did not make the album.

In an interview with ''Billboard'', Houston said that the whole recording process was "very loose". She said that she would listen to tracks and Reid would recommend the producers. She also said that she really enjoyed the process, because she got some "really great creative" material. About the process, Reid said, Recording took place in various locations including Atlanta Premier Recordings in Atlanta, Capitol Studios in California, Crossways Studios in New Jersey, The Hit Factory-Criteria in Miami and many other locations.

Musically, the album is a mixture of music ranging from R&B; and soul to dance. According to Houston, |}} She also said that she wanted to give something to the fans, songs which they can sing along to and love the melody. She also incorporated samples into her songs such as in "One of Those Days" ㅡ album's second single, which sampled The Isley Brothers' song "Between the Sheets". She also covered Debby Boone's classic "You Light Up My Life". The album also contains the rock influenced "Tell Me No", which was produced by Babyface, who also produced some other songs on the album including the ballad "Try It on My Own" and dance-pop song "Love That Man" ㅡ both of which became singles. The song "Whatchulookinat" was produced by Brown and Mohammad 2G and became the project's lead single. The lyrics of the song co-written by Houston herself was taken by critics as an answer to the media for preoccupying her private life and personal travails.

Critical reception

Upon its release, ''Just Whitney'' received mixed reviews from critics, with aggregated reviews on Metacritic awarding the album 53 out of 100. Stephen Thomas Erlewine of Allmusic commented that ''Just Whitney'' was "an assertion that she [Houston]'s returning to her basics." He also said that the album was a measured attempt to salvage a career that's on the verge of destruction. He concluded by saying, "It would be a good standard-issue Whitney album if it wasn't for her disarming, defensive attempt to defuse every rumor hurled in her direction." ''Billboard'' reviewed the album commenting that "''Just Whitney...'' appears and sounds more like a work-in-progress than a finished disk" and said that the album showcased an artist simply going through the motions and her voice lacked emotion and verve." Steve Jones of ''USA Today'' graded the album two-and-half stars out of four, giving a mixed review saying, "At her best, Houston is full of sass and attitude and, most of all, joy. But with so much emphasis on what's bothering her, you can't help but wonder whether the thrill is gone."

Joan Anderman of ''The Boston Globe'' reviewed the album neutrally writing, "[''Just Whitney...''] is as unlikely to get her career back on track" and marked the album as a "shiny, heartless undertaking." Tom Sinclair of ''Entertainment Weekly'' graded the album a B- and noted that ''Just Whitney...'' had a refreshingly "old-school vibe." He also commented, "Whatever her personal problems, our gal sounds plucky and on top of her game. Still, in her third decade as a diva, Houston remains a formidable role model for ''American Idol'' wannabes." Robert Hilburn of ''Los Angeles Times'' graded the album one and half stars out of five commenting, "''Just Whitney'' suffers from the sense of career desperation that surrounded Michael Jackson's recent CDs. She and four dozen writers and producers work so hard finding another hit, they lose track of the human qualities that made her music so formidable." Jon Caramanica of ''Rolling Stone'' said that the album "lacked any fire whatsoever." He also commented on Houston's cover of "You Light Up My Life" saying, "this cover, only shows an artist vainly trying to reach for what her future once could have been" and graded the album two stars out of five.

Jon Pareles of ''New York Times'' wrote, "Ms. Houston's voice sails and spirals through breathy ballads, staccato constructions and big-build anthems; she's strategic and improvisatory at the same time." He summarized by saying that even when she [Houston]'s seething, she's graceful. Sal Cinquemani of ''Slant Magazine'' rated the album two-and-half stars out of five, being disappointed in the fact that ''Just Whitney...'' was not geared to recapture the crossover R&B; success of her previous album ''My Love Is Your Love.''

But, Angus Batey from Yahoo! Music UK & Ireland graded the album seven stars out of ten commenting, "[...]this is a cogent, compact and really quite good record, one that mixes upbeat, perhaps slightly clinical R&B; with uber-ballads and occasional snatches of what appears to be an attempt at intimacy." Craig Seymour of ''Atlanta Journal and Constitution'' reviewed the album gave a favorable review stating, "On ''Just Whitney...'', her first album since 1998, Houston off as everything she wasn't during her recent TV interview with Diane Sawyer: warm, lucid, open and sharp. Keysha Davis of BBC gave a favorable review commenting, "With one of the exceptional voices in contemporary music, her latest album, aptly titled ''Just Whitney'' sees the diva return to her former glory with a combination of high-voltage ballads and smooth-liqueur R&B.; [...]Whitney's return to big ballads will hopefully ensure that this pop princess will be able to lead the rest of her life like a clichéd fairy tale - happily ever after." Mike Bell from Jam! Showbiz, was also favorable in his review, saying "Maybe because of everything that's happened in her past, maybe because of the sideshow, she has the ability to give the songs real feeling, real life." In addition, he stated that her voice was in fine form, "showcasing those incredible pipes that launched a thousand imitators." He concluded by saying, "And it shows up all of those followers with recent releases ㅡ including Mariah Carey and Celine Dion ㅡ because not only does Houston have the lungs, but she has the soul."

Commercial performance

On the week ending December 28, 2002, ''Just Whitney...'' debuted and peaked at number nine on the ''Billboard'' 200 and number three on Top R&B;/Hip-Hop Albums, becoming Houston's fourth and fifth top ten studio album on each chart, respectively. The album sold 205,147 copies, an amount higher than her previous record of 177,284 copies with ''Waiting to Exhale: Original Soundtrack Album'', in its first week, thus earning Houston's highest first week sales of her career in the Nielsen Soundscan era at that time. The album spent twenty six weeks on the charts. It was certified Platinum by the RIAA for shipments exceeding one million copies. According to Nielsen Soundscan, the album has sold 737,000 copies in the United States.

''Just Whitney...'' was a moderate hit worldwide, unlike her previous sets. In Australia, the album reached number twenty-two on the ARIA Urban Albums Chart. The album debuted at number eighty-five on the Canadian Albums chart, selling 3,000 copies in its first week. In Austria, it entered the albums chart on December 8, 2002 at its peak position of number thirty-three. In Switzerland, the album saw its second highest peak, when it debuted at number ten on the charts. It was certified Platinum by the IFPI Switzerland for shipment/sales of 30,000 copies or more. In France, the album charted at number twenty-five and was certified Gold, for shipment of 50,000 copies. In Netherlands, it peaked at number seventy on the albums chart. Apart from this, ''Just Whitney...'' was certified Gold in Brazil for shipment/sales of 40,000 copies or more. In other countries, the album failed to chart or peaked outside top forty and thus became a moderate seller. In the UK, it peaked at number seventy-six and has sold 42,114 copies there. The album has sold about three million copies worldwide. The single became a moderate success worldwide, peaking inside the top forty in most countries. In the U.S., it became her tenth Hot Dance Club Play topper. The corresponding music video was also considered as Houston's answer to the media for getting too deep into her personal life. The video showed a white set with cameras all over, following Houston's every move. The set was also full with old movie cameras and people dressed as reporters and photographers. Houston is shown dancing in front of them.

"One of Those Days" was the album's second single and was released on February 4, 2003. The song received positive reviews from critics. It sampled The Isley Brothers' song "Between the Sheets." The single was a moderate success in the U.S., peaking inside top eighty of the charts. The accompanying music video's plot revolved around Houston and her friends, having a day for themselves and getting away from stress.

"Try It on My Own" became the project's third single and was released on February 11, 2003. The song received acclaim from critics as well as fans; most of them who named it as the album's highlight. The song, like its predecessors, was a moderate success and topped ''Billboard'' Hot Dance Music/Club Play chart. It also reached the top ten on the U.S. Adult Contemporary charts. Internationally, the song performed fair. A music video was released to promote the single.

"Love That Man" was the fourth and final single from the album, released on May 20, 2003. It became another Dance Club chart-topping single, but failed to make the Hot 100. No accompanying video was released for the single.

Promotion

To promote the album, Houston appeared on the 2002 MTV Europe Music Awards, performing her new single "Whatchulookinat". She also appeared on the 2003 ''VH1 Divas Duets: An Honors Concert for the VH1 Save the Music Foundation'' and performed her hits including two songs from the album; "My Love" and "Try It on My Own". Apart from these, she also performed live on ''Good Morning America''. No major tours were arranged to support the album.

Accolades

Soul Train Lady of Soul Awards

|- | align="center"|2003 || align="center"|''Just Whitney'' || align="center"|R&B;/Soul Album of the Year, Solo ||

Track listing

Retrieved from Allmusic {{tracklist | extra_column = Producer(s) | writing_credits = yes | title1 = One of Those Days | writer1 = Kevin Briggs, O'Kelly Isley, Jr., Rudolph Isley, Ronald Isley, Ernie Isley, Marvin Isley, Chris Jasper, Dwight Reynolds, Patrice Stewart | extra1 = Kevin Briggs | length1 = 4:10 | title2 = Tell Me No | writer2 = Babyface, Kandi Burruss, Holly Lamar, Annie Roboff | extra2 = Babyface | length2 = 3:44 | title3 = Things You Say | writer3 = Charlie Bereal, Kenny Bereal, Missy Elliott, Tweet | extra3 = CKB , Missy Elliott | length3 = 4:13 | title4 = My Love | note4 = featuring Bobby Brown | writer4 = Ted Bishop, Gordon Chambers, Greg Charley | extra4 = Gordon Chambers, Ted Bishop | length4 = 3:28 | title5 = Love That Man | writer5 = Babyface, Rob Fusari, Calvin Gaines, Eritza Laues, Bill Lee, Balewa Muhammad | extra5 = Babyface, Rob Fusari | length5 = 3:28 | title6 = Try It on My Own | writer6 = Babyface, Jason Edmonds, Carole Bayer Sager, Aleese Simmons, Nathan Walton | extra6 = Babyface | length6 = 4:39 | title7 = Dear John Letter | writer7 = Briggs, Dwight Reynolds, Patrice Stewart | extra7 = Briggs | length7 = 4:34 | title8 = Unashamed | writer8 = Darius Good, Luke Paterno, Stephanie Salzman, Troy Taylor | extra8 = Troy Taylor, Darius Good, Luke Paterna | length8 = 3:38 | title9 = You Light Up My Life | writer9 = Joe Brooks | extra9 = Babyface, Rickey Minor | length9 = 3:42 | title10 = Whatchulookinat | writer10 = Tammie Harris, Houston, Andre Lewis, Muhammad, Harry Palmer, Christopher Stain, Deborah Harry, Lawrence Parker, Jesse West | extra10 = Bobby Brown, Muhammad 2G | length10 = 3:33 }}

⁺On International Editions, "Try It on My Own" is labelled as "On My Own".

Credits and personnel

Obtained from Allmusic ;Personnel

Whitney Houston – vocals, background vocals

Babyface – acoustic guitar, keyboard, background vocals

Ted Bishop – keyboard

Bobby Brown – vocals

Kevin "Shekspere" Briggs – MIDI

Gordon Chambers – background vocals

Greg Charley – guitar

Nathan East – bass

Sherree Ford-Payne – background vocals

Sharlotte Gibson – background vocals

Gary Houston – background vocals

Kenya Ivey – background vocals

Latrelle – background vocals

Ricky Lawson – drums

Wayne Linsey – Fender Rhodes

Bill Meyers – string conductor

Greg Phillinganes – piano

Antonique Smith – background vocals

Michael Hart Thompson – guitar

Tweet – background vocals

Randy Waldman – string conductor

;Production

Vocal producers: Gordon Chambers, Troy Taylor, Tweet

Engineers: Ted Bishop, Paul Boutin, Kevin "She'kspere" Briggs, Terrence Cash, Cortez Farris, Kevin Guarnieri, Scott Kieklak, Mike White

Assistants: Tom Bender, Matt Brown, Steve Fisher, Steve Genewick, Jimmy Hoyson, Marc Stephen Lee, Josean Posey, Dennis Rivadeneira, Craig "Niteman" Taylor

Mixing: Kevin "KD" Davis, Jon Gass, Mick Guzauski, Manny Marroquin

Mastering: Herb Powers

A&R;: Joey Arbagey, Shawndella Taylor, Theresa Wilson

Production coordination: Melanie Byrd, Ivy Skoff

Programming: Troy Taylor

Drum programming: Babyface, Ted Bishop

String engineer: Tommy Vicari, Jeffrey "Woody" Woodruff

Arrangers: Ted Bishop, Kevin "She'kspere" Briggs

Rhythm arrangements: Troy Taylor

String arrangements: Bill Meyers, Randy Waldman

Cocal arrangement: Ted Bishop, Gordon Chambers, Whitney Houston

Creative director: Joe-Mama Nitzberg

Art direction: Jeffrey Schulz

Design: Jeffrey Schulz

Photography: Sheryl Nields

Make-up: Roxanna Floy

Hair stylist: Ellin La Var

Stylist: Patti Wilson

Charts and certifications

Chart positions

!Chart (2002)	!Peakposition
Canadian Albums Chart
UK Albums Chart
US R&B;/Hip-Hop Albums

Year-end charts

{|class="wikitable sortable" !Chart (2003) !Position |- |U.S. ''Billboard'' 200 |align="center"|101 |- |U.S. R&B;/Hip-Hop Albums |align="center"|30 |}

Certifications

! Region	! Provider	!
France	align="center"
Switzerland	align="center"
United States	align="center"
Worldwide	! 3 million

References

External links

''Just Whitney...'' at Whitney Houston's official website

[[Category:2002 albums">Music recording sales certification ! Sales/shipments Brazil align="center" France align="center" Switzerland align="center" United States align="center" Worldwide ! 3 million

References

External links

''Just Whitney...'' at Whitney Houston's official website

[[Category:2002 albums Category:Albums produced by Missy Elliott Category:Whitney Houston albums Category:Arista Records albums

es:Just Whitney... it:Just Whitney sw:Just Whitney... pt:Just Whitney... fi:Just Whitney sv:Just Whitney tr:Just Whitney

birth name	Whitney Elizabeth Houston
background	solo_singer
birth date	August 09, 1963
birth place
death date	February 11, 2012
death place
instrument	Vocals, piano
genre	R&B;, soul, pop, dance, gospel
occupation	Singer, actress, model, film producer, record producer, songwriter
years active	1977–2012
label	Arista, RCA
associated acts	Cissy Houston, Dionne Warwick, Aretha Franklin, Jermaine Jackson, Mariah Carey, Enrique Iglesias, Bobby Brown
website	130pxWhitney Houston's Autograph }}

Whitney Elizabeth Houston (August 9, 1963 – February 11, 2012) was an American recording artist, actress, producer, and model. In 2009, the ''Guinness World Records'' cited her as the most-awarded female act of all-time. Houston was also one of the world's best-selling music artists, having sold over 170 million albums, singles and videos worldwide. She released seven studio albums and three movie soundtrack albums, all of which have diamond, multi-platinum, platinum or gold certification. Houston's crossover appeal on the popular music charts, as well as her prominence on MTV, starting with her video for "How Will I Know", influenced several African-American female artists to follow in her footsteps.

Houston is the only artist to chart seven consecutive No. 1 ''Billboard'' Hot 100 hits. She is the second artist behind Elton John and the only female artist to have two number-one ''Billboard'' 200 Album awards (formerly "Top Pop Album") on the ''Billboard'' magazine year-end charts. Houston's 1985 debut album ''Whitney Houston'' became the best-selling debut album by a female act at the time of its release. The album was named ''Rolling Stone''s best album of 1986, and was ranked at number 254 on ''Rolling Stone''s list of the 500 Greatest Albums of All Time. Her second studio album ''Whitney'' (1987) became the first album by a female artist to debut at number one on the ''Billboard'' 200 albums chart.

Houston's first acting role was as the star of the feature film ''The Bodyguard'' (1992). The film's original soundtrack won the 1994 Grammy Award for Album of the Year. Its lead single "I Will Always Love You", became the best-selling single by a female artist in music history. With the album, Houston became the first act (solo or group, male or female) to sell more than a million copies of an album within a single week period under Nielsen SoundScan system. The album makes her the top female act in the top 10 list of the best-selling albums of all time, at number four. Houston continued to star in movies and contribute to their soundtracks, including the films ''Waiting to Exhale'' (1995) and ''The Preacher's Wife'' (1996). ''The Preacher's Wife'' soundtrack became the best-selling gospel album in history.

On February 11, 2012, Houston was found dead in her guest room at the Beverly Hilton Hotel, in Beverly Hills, California, of causes not immediately known. News of her death, the day before and after the 2012 Grammy Awards, featured prominently in American and international media.

Life and career

1963–1976: Early life

Whitney Houston was born in what was then a middle-income neighborhood in Newark, New Jersey, the second child of Army serviceman and entertainment executive John Russell Houston, Jr. (September 13, 1920 – February 2, 2003), and gospel singer Cissy Houston (née Emily Drinkard). She was of African American, Native American and Dutch descent. Her mother, along with cousins Dionne Warwick and Dee Dee Warwick, godmother Darlene Love and honorary aunt Aretha Franklin were all notable figures in the gospel, rhythm and blues, pop, and soul genres. She met her honorary aunt at age 8, or 9, when her mother took her to a recording studio. Houston was raised a Baptist, but was also exposed to the Pentecostal church. After the 1967 Newark riots, the family moved to a middle-class area in East Orange, New Jersey, when she was four.

At the age of 11, Houston began to follow in her mother's footsteps and started performing as a soloist in the junior gospel choir at the New Hope Baptist Church in Newark, where she also learned to play the piano. Her first solo performance in the church was "Guide Me, O Thou Great Jehovah". When Houston was a teenager, she attended Mount Saint Dominic Academy, a Catholic girls' high school in Caldwell, New Jersey, where she met her best friend Robyn Crawford, whom she described as the "sister she never had". While Houston was still in school, her mother continued to teach her how to sing. In addition to her mother, Franklin, and Warwick, Houston was also exposed to the music of Chaka Khan, Gladys Knight, and Roberta Flack, most of whom would have an impact on her as a singer and performer.

1977–1984: Early career

Houston spent some of her teenage years touring nightclubs where her mother Cissy was performing, and she would occasionally get on stage and perform with her. In 1977, at age 14, she became a backup singer on the Michael Zager Band's single "Life's a Party". In 1978, at age 15, Houston sang background vocals on Chaka Khan's hit single "I'm Every Woman", a song she would later turn into a larger hit for herself on her monster-selling ''The Bodyguard'' soundtrack album. She also sang back-up on albums by Lou Rawls and Jermaine Jackson.

In the early 1980s, Houston started working as a fashion model after a photographer saw her at Carnegie Hall singing with her mother. She appeared in ''Seventeen'' and became one of the first women of color to grace the cover of the magazine. She was also featured in layouts in the pages of ''Glamour'', ''Cosmopolitan'', ''Young Miss'', and appeared in a Canada Dry soft drink TV commercial. Her striking looks and girl-next-door charm made her one of the most sought after teen models of that time. While modeling, she continued her burgeoning recording career by working with producers Michael Beinhorn, Bill Laswell and Martin Bisi on an album they were spearheading called ''One Down'', which was credited to the group Material. For that project, Houston contributed the ballad "Memories", a cover of a song by Hugh Hopper of Soft Machine. Robert Christgau of ''The Village Voice'' called her contribution "one of the most gorgeous ballads you've ever heard". She also appeared as a lead vocalist on one track on a Paul Jabara album, entitled ''Paul Jabara and Friends'', released by Columbia Records in 1983.

Houston had previously been offered several recording agencies (Michael Zager in 1980, and Elektra Records in 1981), however her mother declined the offers stating her daughter must first complete high school. In 1983, Gerry Griffith, an A&R; representative from Arista Records, saw her performing with her mother in a New York City nightclub and was impressed. He convinced Arista's head Clive Davis to make time to see Houston perform. Davis too was impressed and offered a worldwide recording contract which Houston signed. Later that year, she made her national televised debut alongside Davis on ''The Merv Griffin Show''.

Houston signed with Arista in 1983, but did not begin work on her album immediately. The label wanted to make sure no other label signed the singer away. Davis wanted to ensure he had the right material and producers for Houston's debut album. Some producers had to pass on the project due to prior commitments. Houston first recorded a duet with Teddy Pendergrass entitled "Hold Me" which appeared on his album, ''Love Language''. The single was released in 1984 and gave Houston her first taste of success, becoming a Top 5 R&B; hit. It would also appear on her debut album in 1985.

1985–1986: Rise to international prominence

With production from Michael Masser, Kashif, Jermaine Jackson, and Narada Michael Walden, Houston's debut album ''Whitney Houston'' was released in February 1985. ''Rolling Stone'' magazine praised Houston, calling her "one of the most exciting new voices in years" while ''The New York Times'' called the album "an impressive, musically conservative showcase for an exceptional vocal talent". Arista Records promoted Houston's album with three different singles from the album in the US, UK and other European countries. In the UK, the dance-funk "Someone for Me", which failed to chart in the country, was the first single while "All at Once" was in such European countries as the Netherlands and Belgium, where the song reached the top 5 on the singles charts, respectively.

In the US, the soulful ballad "You Give Good Love" was chosen as the lead single from Houston's debut to establish her in the black marketplace first. Outside the US, the song failed to get enough attention to become a hit, but in the US, it gave the album its first major hit as it peaked at No. 3 on the US ''Billboard'' Hot 100 chart, and No. 1 on the Hot R&B; chart. As a result, the album began to sell strongly, and Houston continued promotion by touring nightclubs in the US. She also began performing on late-night television talk shows, which were not usually accessible to unestablished black acts. The jazzy ballad "Saving All My Love for You" was released next and it would become Houston's first No. 1 single in both the US and the UK. She was then an opening act for singer Jeffrey Osborne on his nationwide tour. "Thinking About You" was released as the promo single only to R&B-oriented; radio stations, which peaked at number ten on the US R&B; Chart. At the time, MTV had received harsh criticism for not playing enough videos by black, Latino, and other racial minorities while favoring white acts. The third US single, "How Will I Know", peaked at No. 1 and introduced Houston to the MTV audience thanks to its video. Houston's subsequent singles from this, and future albums, would make her the first African-American female artist to receive consistent heavy rotation on MTV.

By 1986, a year after its initial release, ''Whitney Houston'' topped the ''Billboard'' 200 albums chart and stayed there for 14 non-consecutive weeks. The final single, "Greatest Love of All", became Houston's biggest hit at the time after peaking No. 1 and remaining there for three weeks on the Hot 100 chart, which made her debut the first album by a female artist to yield three No. 1 hits. Houston was No. 1 artist of the year and ''Whitney Houston'' was the No. 1 album of the year on the 1986 ''Billboard'' year-end charts, making her the first female artist to earn that distinction. At the time, Houston released the best-selling debut album by a solo artist. Houston then embarked on her world tour, ''Greatest Love Tour''. The album had become an international success, and was certified 13× platinum (diamond) in the United States alone, and has sold a total of 25 million copies worldwide.

At the 1986 Grammy Awards, Houston was nominated for three awards including Album of the Year. She was not eligible for the Best New Artist category due to her previous hit R&B; duet recording with Teddy Pendergrass in 1984. She won her first Grammy award for Best Pop Vocal Performance, Female for "Saving All My Love for You". At the same award show, she performed that Grammy-winning hit, that performance later winning her an Emmy Award for Outstanding Individual Performance in a Variety or Music Program.

Houston won seven American Music Awards in total in 1986 and 1987, and an MTV Video Music Award. The album's popularity would also carry over to the 1987 Grammy Awards when "Greatest Love of All" would receive a Record of the Year nomination. Houston's debut album is listed as one of ''Rolling Stone''s 500 Greatest Albums of All Time and on The Rock & Roll Hall of Fame's Definitive 200 list. Houston's grand entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to ''USA Today''. Following Houston's breakthrough, doors were opened for other African-American female artists such as Janet Jackson and Anita Baker to find notable success in popular music and on MTV.

1987–1991: ''Whitney'', ''I'm Your Baby Tonight'' and "The Star Spangled Banner"

With many expectations, Houston's second album, ''Whitney'', was released in June 1987. The album again featured production from Masser, Kashif and Walden as well as Jellybean Benitez. Many critics complained that the material was too similar to her previous album. ''Rolling Stone'' said, "the narrow channel through which this talent has been directed is frustrating". Still, the album enjoyed commercial success. Houston became the first female artist in music history to debut at number one on the ''Billboard'' 200 albums chart, and the first artist to enter the albums chart at number one in both the US and UK, while also hitting number one or top ten in dozens of other countries around the world. The album's first single, "I Wanna Dance With Somebody (Who Loves Me)", was also a massive hit worldwide, peaking at No. 1 on the ''Billboard'' Hot 100 chart and topping the singles chart in many countries such as Australia, Germany and the UK. The next three singles, "Didn't We Almost Have It All", "So Emotional", and "Where Do Broken Hearts Go" all peaked at number one on the US Hot 100 chart, which gave her a total of seven consecutive number one hits, breaking the record of six previously shared by The Beatles and The Bee Gees. Houston became the first female artist to generate four number-one singles from one album. ''Whitney'' has been certified 9× Platinum in the US for shipments of over 9 million copies, and has sold a total of 20 million copies worldwide.

At the 30th Grammy Awards in 1988, Houston was nominated for three awards, including Album of the Year, winning her second Grammy for Best Female Pop Vocal Performance for "I Wanna Dance With Somebody (Who Loves Me)". Houston also won two American Music Awards in 1988 and 1989, respectively, and a Soul Train Music Award. Following the release of the album, Houston embarked on the ''Moment of Truth World Tour'', which was one of the ten highest grossing concert tours of 1987. The success of the tours during 1986–87 and her two studio albums ranked Houston No. 8 for the highest earning entertainers list according to ''Forbes'' magazine. She was the highest earning African-American woman overall and the third highest entertainer after Bill Cosby and Eddie Murphy.

Houston was a supporter of Nelson Mandela and the anti-apartheid movement. During her modeling days, the singer refused to work with any agencies who did business with the then-apartheid South Africa. On June 11, 1988, during the European leg of her tour, Houston joined other musicians to perform a set at Wembley Stadium in London to celebrate a then-imprisoned Nelson Mandela's 70th birthday. Over 72,000 people attended Wembley Stadium, and over a billion people tuned in worldwide as the rock concert raised over $1 million for charities while bringing awareness to apartheid. Houston then flew back to the US for a concert at Madison Square Garden in New York City in August. The show was a benefit concert that raised a quarter of a million dollars for the United Negro College Fund. In the same year, she recorded a song for NBC's coverage of the 1988 Summer Olympics, "One Moment in Time", which became a Top 5 hit in the US, while reaching number one in the UK and Germany. With her world tour continuing overseas, Houston was still one of the top 20 highest earning entertainers for 1987–88 according to ''Forbes'' magazine.

In 1989, Houston formed The Whitney Houston Foundation For Children, a non-profit organization that has raised funds for the needs of children around the world. The organization cares for homelessness, children with cancer or AIDS, and other issues of self-empowerment. With the success of her first two albums, Houston was undoubtedly an international crossover superstar, the most prominent since Michael Jackson, appealing to all demographics. However, some black critics believed she was "selling out". They felt her singing on record lacked the soul that was present during her live concerts.

At the 1989 Soul Train Music Awards, when Houston's name was called out for a nomination, a few in the audience jeered. Houston defended herself against the criticism, stating, "If you're gonna have a long career, there's a certain way to do it, and I did it that way. I'm not ashamed of it". Houston took a more urban direction with her third studio album, ''I'm Your Baby Tonight'', released in November 1990. She produced and chose producers for this album and as a result, it featured production and collaborations with L.A. Reid and Babyface, Luther Vandross, and Stevie Wonder. The album showed Houston's versatility on a new batch of tough rhythmic grooves, soulful ballads and up-tempo dance tracks. Reviews were mixed. ''Rolling Stone'' felt it was her "best and most integrated album". while ''Entertainment Weekly'', at the time thought Houston's shift towards an urban direction was "superficial".

The album contained several hits: the first two singles, "I'm Your Baby Tonight" and "All the Man That I Need" peaked at number one on the ''Billboard'' Hot 100 chart; "Miracle" peaked at number nine; "My Name Is Not Susan" peaked in the top twenty; "I Belong to You" reached the top ten of the US R&B; chart and garnered Houston a Grammy nomination; and the sixth single, the Stevie Wonder duet "We Didn't Know", reached the R&B; top twenty. The album peaked at number three on the ''Billboard'' 200 and went on to be certified 4× platinum in the US while selling twelve million total worldwide.

In 1990, Houston was the spokesperson for a youth leadership conference hosted in Washington, D.C. She had a private audience with President George H. W. Bush in the Oval Office to discuss the associated challenges.

With America entangled in the Persian Gulf War, Houston performed "The Star Spangled Banner" at Super Bowl XXV at Tampa Stadium on January 27, 1991. Due to overwhelming response to her rendition, it was released as a commercial single and video of her performance, and reached the Top 20 on the US Hot 100, making her the only act to turn the national anthem into a pop hit of that magnitude (Jose Feliciano's version reached No. 50 in November 1968). Houston donated all her share of the proceeds to the American Red Cross Gulf Crisis Fund. As a result, the singer was named to the Red Cross Board of Governors.

Her rendition was considered the benchmark for singers and critically acclaimed. ''Rolling Stone'' commented that "her singing stirs such strong patriotism. Unforgettable", and the performance ranked No. 1 on the 25 most memorable music moments in NFL history list. VH1 listed the performance as one of the greatest moments that rocked TV. Following the attacks on 9/11, it was released again by Arista Records, all profits going towards the firefighters and victims of the attacks. This time it peaked at No. 6 in the Hot 100 and was certified platinum by the Recording Industry Association of America.

Later in 1991, Houston put together her ''Welcome Home Heroes'' concert with HBO for the soldiers fighting in the Persian Gulf War and their families. The free concert took place at Naval Station Norfolk in Norfolk, Virginia in front of 3,500 servicemen and women. HBO descrambled the concert so that it was free for everyone to watch. Houston's concert gave HBO its highest ratings ever. She then embarked on the ''I'm Your Baby Tonight World Tour''.

1992–1994: Marriage to Bobby Brown and ''The Bodyguard''

Throughout the 1980s, Houston was romantically linked to American football star Randall Cunningham and actor Eddie Murphy, whom she dated. She then met R&B; singer Bobby Brown at the 1989 Soul Train Music Awards. After a three-year courtship, the two were married on July 18, 1992. On March 4, 1993, Houston gave birth to their daughter Bobbi Kristina Houston Brown, her only child, and his fourth. Brown would go on to have several run-ins with the law, including some jail time.

With the commercial success of her albums, movie offers poured in, including offers to work with Robert De Niro, Quincy Jones, and Spike Lee; but Houston felt the time wasn't right. Houston's first film role was in ''The Bodyguard'', released in 1992 and co-starring Kevin Costner. Houston played Rachel Marron, a star who is stalked by a crazed fan and hires a bodyguard to protect her. ''USA Today'' listed it as one of the 25 most memorable movie moments of the last 25 years in 2007. Houston's mainstream appeal allowed people to look at the movie color-blind.

Still, controversy arose as some felt the film's advertising intentionally hid Houston's face to hide the film's interracial relationship. In an interview with ''Rolling Stone'' in 1993, the singer commented that "people know who Whitney Houston is – I'm black. You can't hide that fact." Houston received a Razzie Award nomination for Worst Actress. ''The Washington Post'' said Houston is "doing nothing more than playing Houston, comes out largely unscathed if that is possible in so cockamamie an undertaking", and ''The New York Times'' commented that she lacked passion with her co-star. Despite the film's mixed reviews, it was hugely successful at the box office, grossing more than $121 million in the U.S. and $410 million worldwide, making it one of the top 100 grossing films in film history at its time of release, though it is no longer in the top 100 due to rising ticket prices since the time the film was released.

The film's soundtrack also enjoyed big success. Houston executive produced and contributed six songs for the motion picture's adjoining soundtrack album. ''Rolling Stone'' said it is "nothing more than pleasant, tasteful and urbane". The soundtrack's lead single was "I Will Always Love You", written and originally recorded by Dolly Parton in 1974. Houston's version of the song was acclaimed by many critics, regarding it as her "signature song" or "iconic performance". ''Rolling Stone'' and ''USA Today'' called her rendition "the tour-de-force". The single peaked at number one on the ''Billboard'' Hot 100 for a then-record-breaking 14 weeks, number one on the R&B; chart for a then-record-breaking 11 weeks, and number one on the Adult Contemporary charts for five weeks, thus becoming the first single to top those three charts simultaneously for five weeks.

The single was certified 4× platinum by the RIAA, making Houston the first female artist with a single to reach that level in the RIAA history and becoming the best-selling single by a female artist in the US. The song also became a global success, hitting number-one in almost all countries, and one of the best-selling singles of all time with 12 million copies sold. The soundtrack topped the ''Billboard'' 200 chart and remained there for 20 non-consecutive weeks, the longest tenure by any album on the chart in the Nielsen SoundScan era, and became one of the fastest selling albums ever. During Christmas week of 1992, the soundtrack sold over a million copies within a week, becoming the first album to achieve that feat under Nielsen SoundScan system. With the follow-up singles "I'm Every Woman", a Chaka Khan cover, and "I Have Nothing" both reaching the top five, Houston became the first female artist to ever have three singles in the Top 11 simultaneously. The album was certified 17× platinum in the US alone, with worldwide sales of 44 million, making ''The Bodyguard'' the biggest-selling album by a female act on the list of the world's Top 10 best-selling albums, topping Shania Twain's 40 million sold for ''Come On Over''.

Houston won three Grammys for the album in 1994, including two of the Academy's highest honors, Album of the Year and Record of the Year. In addition, she won a record 8 American Music Awards at that year's ceremony including the Award of Merit, 11 Billboard Music Awards, 3 Soul Train Music Awards in 1993–94 including Sammy Davis, Jr. Award as Entertainer of the Year, 5 NAACP Image Awards including Entertainer of the Year, a record 5 World Music Awards, and a BRIT award. Following the success of the project, Houston embarked on another expansive global tour, ''The Bodyguard World Tour'', in 1993–94. Her concerts, movie, and recording grosses made her the third highest earning female entertainer of 1993–94, just behind Oprah Winfrey and Barbra Streisand according to ''Forbes'' magazine. Houston placed in the top five of ''Entertainment Weekly''s annual "Entertainer of the Year" ranking and was labeled by ''Premiere'' magazine as one of the 100 most powerful people in Hollywood.

In October 1994, Houston attended and performed at a state dinner in the White House honoring newly elected South African president Nelson Mandela. At the end of her world tour, Houston performed three concerts in South Africa to honor President Mandela, playing to over 200,000 people. This would make the singer the first major musician to visit the newly unified and apartheid free nation following Mandela's winning election. The concert was broadcast live on HBO with funds of the concerts being donated to various charities in South Africa. The event was considered the nation's "biggest media event since the inauguration of Nelson Mandela".

1995–1997: ''Waiting to Exhale'', ''The Preacher's Wife'', and ''Cinderella''

In 1995, Houston starred alongside Angela Bassett, Loretta Devine, and Lela Rochon in her second film ''Waiting to Exhale'', a motion picture about four African-American women struggling with relationships. Houston played the lead character Savannah Jackson, a TV producer in love with a married man. She chose the role because she saw the film as "a breakthrough for the image of black women because it presents them both as professionals and as caring mothers". After opening at number one and grossing $67 million in the US at the box office and $81 million worldwide, it proved that a movie primarily targeting a black audience can cross over to success, while paving the way for other all-black movies such as ''How Stella Got Her Groove Back'' and the Tyler Perry movies that have become popular in the 2000s. The film is also notable for its portrayal of black women as strong middle class citizens as opposed to stereotypes. The reviews were mainly positive for the ensemble cast. ''The New York Times'' said "Ms. Houston has shed the defensive hauteur that made her portrayal of a pop star in 'The Bodyguard' seem so distant." Houston was nominated for an NAACP Image Award for "Outstanding Actress In A Motion Picture", but lost to her co-star Bassett.

The film's accompanying soundtrack, ''Waiting to Exhale: Original Soundtrack Album'', was produced by Houston and Babyface. Though Babyface originally wanted Houston to record the entire album, she declined. Instead, she "wanted it to be an album of women with vocal distinction", and thus gathered several African-American female artists for the soundtrack, to go along with the film's strong women message. As a result, the album featured a range of contemporary R&B; female recording artists along with Houston, such as Mary J Blige, Aretha Franklin, Toni Braxton, Patti Labelle, and Brandy. Houston's "Exhale (Shoop Shoop)" peaked at No. 1, and then spent a record eleven weeks at the No. 2 spot and eight weeks on top of the R&B; Charts. "Count On Me", a duet with CeCe Winans, hit the US Top 10; and Houston's third contribution, "Why Does It Hurt So Bad", made the Top 30. The album debuted at No. 1, and was certified 7× Platinum in the United States, denoting shipments of seven million copies. The soundtrack received strong reviews as ''Entertainment Weekly'' said "the album goes down easy, just as you'd expect from a package framed by Whitney Houston tracks.... the soundtrack waits to exhale, hovering in sensuous suspense" and has since ranked it as one of the 100 Best Movie Soundtracks. Later that year, Houston's children's charity organization was awarded a VH1 Honor for all the charitable work.

In 1996, Houston starred in the holiday comedy ''The Preacher's Wife'', with Denzel Washington. She plays a gospel-singing wife of a pastor (Courtney B. Vance). It was largely an updated remake of the 1948 film "The Bishop's Wife" which starred Loretta Young, David Niven and Cary Grant. Houston earned $10 million for the role, making her one of the highest-paid actresses in Hollywood at the time and the highest earning African American actress in Hollywood. The movie, with its all African-American cast, was a moderate success, earning approximately $50 million at the U.S. box offices. The movie gave Houston her strongest reviews so far. ''The San Francisco Chronicle'' said Houston "is rather angelic herself, displaying a divine talent for being virtuous and flirtatious at the same time" and that she "exudes gentle yet spirited warmth, especially when praising the Lord in her gorgeous singing voice". Houston was again nominated for an NAACP Image Award and won for Outstanding Actress In A Motion Picture.

Houston recorded and co-produced, with Mervyn Warren, the film's accompanying gospel soundtrack. ''The Preacher's Wife: Original Soundtrack Album'' included six gospel songs with Georgia Mass Choir that were recorded at the Great Star Rising Baptist Church in Atlanta. Houston also duetted with gospel legend Shirley Caesar. The album sold six million copies worldwide and scored hit singles with "I Believe in You and Me" and "Step by Step", becoming the largest selling gospel album of all time. The album received mainly positive reviews. Some critics, such as that of ''USA Today'', noted the presence of her emotional depth, while ''The Times'' said "To hear Houston going at full throttle with the 35 piece Georgia Mass Choir struggling to keep up is to realise what her phenomenal voice was made for".

In 1997, Houston's production company changed its name to BrownHouse Productions and was joined by Debra Martin Chase. Their goal was "to show aspects of the lives of African-Americans that have not been brought to the screen before" while improving how African-Americans are portrayed in film and television. Their first project was a made-for-television remake of Rodgers & Hammerstein's ''Cinderella''. In addition to co-producing, Houston starred in the movie as the Fairy Godmother along with Brandy, Jason Alexander, Whoopi Goldberg, and Bernadette Peters. Houston was initially offered the role of Cinderella in 1993, but other projects intervened. The film is notable for its multi-racial cast and nonstereotypical message. An estimated 60 million viewers tuned into the special giving ABC its highest TV ratings in 16 years. The movie received seven Emmy nominations including Outstanding Variety, Musical or Comedy, while winning Outstanding Art Direction in a Variety, Musical or Comedy Special.

Houston and Chase then obtained the rights to the story of Dorothy Dandridge. Houston was to play Dandridge, who was the first African American actress to be nominated for an Oscar. She wanted the story told with dignity and honor. However, Halle Berry also had rights to the project and she got her version going first. Later that year, Houston paid tribute to her idols such as Aretha Franklin, Diana Ross, and Dionne Warwick by performing their hits during the three-night HBO Concert ''Classic Whitney'', live from Washington, D.C. The special raised over $300,000 for the Children's Defense Fund. Houston received The Quincy Jones Award for outstanding career achievements in the field of entertainment at the 12th Soul Train Music Awards.

1998–2000: ''My Love Is Your Love'' and ''Whitney: The Greatest Hits''

After spending much of the early and mid 1990s working on motion pictures and their soundtrack albums, Houston's first studio album in eight years, the critically acclaimed ''My Love Is Your Love'', was released in November 1998. Though originally slated to be a greatest hits album with a handful of new songs, recording sessions were so fruitful that a new full-length studio album was released. Recorded and mixed in only six weeks, it featured production from Rodney Jerkins, Wyclef Jean and Missy Elliott. The album debuted at number thirteen, its peak position, on the ''Billboard'' 200 chart. It had a funkier and edgier sound than past releases and saw Houston handling urban dance, hip hop, mid-tempo R&B;, reggae, torch songs, and ballads all with great dexterity.

From late 1998 to early 2000, the album spawned several hit singles: "When You Believe" (US No. 15, UK No. 4), a duet with Mariah Carey for 1998's ''The Prince of Egypt'' soundtrack, which also became an international hit as it peaked in the Top 10 in several countries and won an Academy Award for Best Original Song; "Heartbreak Hotel" (US No. 2, UK No. 25) featured Faith Evans and Kelly Price, received a 1999 MTV VMA nomination for Best R&B; Video, and number one on the US R&B; chart for seven weeks; "It's Not Right But It's Okay" (US No. 4, UK No. 3) won Houston her sixth Grammy Award for Best Female R&B; Vocal Performance; "My Love Is Your Love" (US No. 4, UK No. 2) with 3 million copies sold worldwide; and "I Learned from the Best" (US No. 27, UK No. 19). These singles became international hits as well, and all the singles, except "When You Believe", became number one hits on the ''Billboard'' Hot Dance/Club Play chart. The album sold four million copies in America, making it certified 4× platinum, and a total of eleven million copies worldwide.

The album gave Houston some of her strongest reviews ever. ''Rolling Stone'' said Houston was singing "with a bite in her voice" and ''The Village Voice'' called it "Whitney's sharpest and most satisfying so far". In 1999, Houston participated in VH-1's Divas Live '99, alongside Brandy, Mary J. Blige, Tina Turner, and Cher. The same year, Houston hit the road with her 70 date ''My Love Is Your Love World Tour''. The European leg of the tour was Europe's highest grossing arena tour of the year. In November 1999, Houston was named Top-selling R&B; Female Artist of the Century with certified US sales of 51 million copies at the time and ''The Bodyguard Soundtrack'' was named the Top-selling Soundtrack Album of the Century by the Recording Industry Association of America (RIAA). She also won The Artist of the Decade, Female award for extraordinary artistic contributions during the 1990s at the 14th Soul Train Music Awards, and an MTV Europe Music Award for Best R&B;.

In May 2000, ''Whitney: The Greatest Hits'' was released worldwide. The double disc set peaked at number five in the United States, reaching number one in the United Kingdom. In addition, the album reached the Top 10 in many other countries. While ballad songs were left unchanged, the album features house/club remixes of many of Houston's up-tempo hits. Included on the album were four new songs: "Could I Have This Kiss Forever" (a duet with Enrique Iglesias), "Same Script, Different Cast" (a duet with Deborah Cox), "If I Told You That" (a duet with George Michael), and "Fine", and three hits that had never appeared on a Houston album: "One Moment in Time", "The Star Spangled Banner", and "If You Say My Eyes Are Beautiful", a duet with Jermaine Jackson from his 1986 ''Precious Moments'' album. Along with the album, an accompanying VHS and DVD was released featuring the music videos to Houston's greatest hits, as well as several hard-to-find live performances including her 1983 debut on ''The Merv Griffin Show'', and interviews. The greatest hits album was certified 3× platinum in the US, with worldwide sales of 10 million.

2000–2005: ''Just Whitney'', and personal struggles

Though Houston was seen as a "good girl" with a perfect image in the 1980s and early 1990s, by the late 1990s, her behavior changed. She was often hours late for interviews, photo shoots and rehearsals, and canceling concerts and talk-show appearances. With the missed performances and weight loss, rumors about Houston using drugs with her husband circulated. On January 11, 2000, airport security guards discovered marijuana in both Houston's and husband Bobby Brown's luggage at a Hawaii airport, but the two boarded the plane and departed before authorities could arrive. Charges were later dropped against them, but rumors of drug usage between the couple would continue to surface. Two months later, Clive Davis was inducted into the Rock & Roll Hall of Fame. Houston had been scheduled to perform at the event, but failed to show up.

Shortly thereafter, Houston was scheduled to perform at the Academy Awards but was fired from the event by musical director and long time friend Burt Bacharach. Her publicist cited throat problems as the reason for the cancellation. In his book ''The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards'', author Steve Pond revealed that "Houston's voice was shaky, she seemed distracted and jittery, and her attitude was casual, almost defiant", and that while Houston was to sing "Over the Rainbow", she would start singing a different song. Houston later admitted to having been fired. Later that year, Houston's long-time executive assistant and friend, Robyn Crawford, resigned from Houston's management company.

In August 2001, Houston signed the biggest record deal in music history with Arista/BMG. She renewed her contract for $100 million to deliver six new albums, on which she would also earn royalties. She later made an appearance on ''Michael Jackson: 30th Anniversary Special''. Her extremely thin frame further spurred rumors of drug use. Houston's publicist said, "Whitney has been under stress due to family matters, and when she is under stress she doesn't eat." The singer was scheduled for a second performance the following night but canceled. Within weeks, Houston's rendition of "The Star Spangled Banner" would be re-released after the September 11 attacks, with the proceeds donated to the New York Firefighters 9/11 Disaster Relief Fund and the New York Fraternal Order of Police. The song peaked at No. 6 this time on the US Hot 100, topping its previous position.

In 2002, Houston became involved in a legal dispute with John Houston Enterprise. Although the company was started by her father to manage her career, it was actually run by company president Kevin Skinner. Skinner filed a breach-of-contract lawsuit and sued for $100 million (but lost), stating that Houston owed the company previously unpaid compensation for helping to negotiate her $100 million contract with Arista Records and for sorting out legal matters. Houston stated that her 81-year-old father had nothing to do with the lawsuit. Although Skinner tried to claim otherwise, John Houston never appeared in court. Houston's father later died in February 2003. The lawsuit was dismissed on April 5, 2004, and Skinner was awarded nothing.

Also in 2002, Houston did an interview with Diane Sawyer to promote her then-upcoming album. The interview was the highest-rated television interview in history. During the prime-time special, Houston spoke on topics including rumored drug use and marriage. She was asked about the ongoing drug rumors and replied, "First of all, let's get one thing straight. Crack is cheap. I make too much money to ever smoke crack. Let's get that straight. Okay? We don't do crack. We don't do that. Crack is wack." The line was from Keith Haring's mural which was painted in 1986 on the handball court at 128th Street and 2nd Avenue. Houston did, however, admit to using other substances at times, including cocaine.

In December 2002, Houston released her fifth studio album, ''Just Whitney...''. The album included productions from then-husband Bobby Brown, as well as Missy Elliott and Babyface, and marked the first time that Houston did not produce with Clive Davis as Davis had been released by top management at BMG. Upon its release, ''Just Whitney...'' received mixed reviews. The album debuted at number 9 on the ''Billboard'' 200 chart and it had the highest first week sales of any album Houston had ever released. The four singles released from the album, didn't fare well on the ''Billboard'' Hot 100, but became Hot Dance Club Play hits. ''Just Whitney...'' was certified platinum in the United States, and sold approximately three million worldwide.

On a June 2003 trip to Israel, Houston said of her visit, "I've never felt like this in any other country. I feel at home, I feel wonderful."

In late 2003, Houston released her first Christmas album ''One Wish: The Holiday Album'', with a collection of traditional holiday songs. Houston produced the album with Mervyn Warren and Gordon Chambers. A single titled "One Wish (for Christmas)" reached the Top 20 on the Adult Contemporary chart, and the album was certified gold in the US. Having always been a touring artist, Houston spent most of 2004 touring and performing in Europe, the Middle East, Asia, and Russia. In September 2004, she gave a surprise performance at the World Music Awards in a tribute to long time friend Clive Davis. After the show, Davis and Houston announced plans to go into studio to work on her new album.

In early 2004, husband Bobby Brown starred in his own reality TV program, ''Being Bobby Brown'' (on the Bravo network), which provided a view into the domestic goings-on in the Brown household. Though it was Brown's vehicle, Houston was a prominent figure throughout the show, receiving as much screen time as Brown. The series aired in 2005 and featured Houston in, what some would say, not her most flattering moments. The ''Hollywood Reporter'' said it was "undoubtedly the most disgusting and execrable series ever to ooze its way onto television." Despite the perceived train-wreck nature of the show, the series gave Bravo its highest ratings in its time slot and continued Houston's successful forays into film and television. The show was not renewed for a second season after Houston stated that she would no longer appear in it, and Brown and Bravo could not come to an agreement for another season.

2006–2012: Return to music, ''I Look to You'', tour and film comeback

After years of controversy and turmoil, Houston separated from Bobby Brown in September 2006, filing for divorce the following month. On February 1, 2007, Houston asked the court to fast track their divorce. The divorce was finalized on April 24, 2007, with Houston granted custody of the couple's daughter. On May 4, Houston sold the suburban Atlanta home featured in ''Being Bobby Brown'' for $1.19 million. A few days later, Brown sued Houston in Orange County, California court in an attempt to change the terms of their custody agreement. Brown also sought child and spousal support from Houston. In the lawsuit, Brown claimed that financial and emotional problems prevented him from properly responding to Houston's divorce petition. Brown lost at his court hearing as the judge dismissed his appeal to overrule the custody terms, leaving Houston with full custody and Brown with no spousal support. In March 2007, Clive Davis of Arista Records announced that Houston would begin recording a new album. In October 2007, Arista released another compilation ''The Ultimate Collection'' outside the United States.

Houston gave her first interview in seven years in September 2009, appearing on Oprah Winfrey's season premiere. The interview was billed as "the most anticipated music interview of the decade". Whitney admitted on the show to using drugs with former husband Bobby Brown, who "laced marijuana with rock cocaine". By 1996, she told Oprah, "[doing drugs] was an everyday thing... I wasn't happy by that point in time. I was losing myself."

Houston released her new album, ''I Look to You'', in August 2009. The album's first two singles are "I Look to You" and "Million Dollar Bill". The album entered the Billboard 200 at No. 1, with Houston's best opening-week sales of 305,000 copies, marking Houston's first number one album since '' The Bodyguard'', and Houston's first studio album to reach number one since 1987's ''Whitney''. Houston also appeared on European television programs to promote the album. She performed the song "I Look to You" on the German television show ''Wetten, dass..?''. Three days later, she performed the worldwide first single from I Look To You, Million Dollar Bill, on the French television show Le Grand Journal. Houston appeared as guest mentor on ''The X Factor'' in the United Kingdom. She performed "Million Dollar Bill" on the following day's results show, completing the song even as a strap in the back of her dress popped open two minutes into the performance. She later commented that she "sang [herself] out of [her] clothes".

The performance was poorly received by the British media, and was variously described as "weird" and "ungracious", "shambolic" and a "flop". Despite this reception, "Million Dollar Bill" jumped to its peak from 14 to number 5 (her first UK top 5 for over a decade), and three weeks after release "I Look to You" went gold. Houston appeared on the Italian version of ''The X Factor'', performing the same song "Million Dollar Bill" to excellent reviews. She was awarded the Gold Certificate for achieving over 50,000 CD sales of "I Look To You" in Italy. In November, Houston performed "I Didn't Know My Own Strength" at the 2009 American Music Awards in Los Angeles, California. Two days later, Houston performed both songs on the Dancing With The Stars season 9 finale. As of December 2009, "I Look to You" has been certified platinum by the RIAA for sales of more than one million copies in the United States. On January 26, 2010, her debut album was re-released in a special edition entitled ''Whitney Houston – The Deluxe Anniversary Edition''.

Houston later embarked on a world tour, entitled the Nothing but Love World Tour. It was her first world tour in over ten years and was announced as a triumphant comeback. However, some poor reviews and rescheduled concerts brought some negative media attention. Houston canceled some concerts due to illness and received widespread negative reviews from fans who were disappointed in the quality of her voice and performance. Some fans reportedly walked out of her concerts.

In January 2010, Houston was nominated for two NAACP Image Awards, one for Best Female Artist and one for Best Music Video. She won the award for Best Music Video for her single "I Look to You". On January 16, she received The BET Honors Award for Entertainer citing her lifetime achievements spanning over 25 years in the industry. The 2010 BET Honors award was held at the Warner Theatre in Washington, D.C. and aired on February 1, 2010. Jennifer Hudson and Kim Burrell performed in honor of her, garnering positive reviews. Houston also received a nomination from the Echo Awards, Germany's version of the Grammys, for Best International Artist. In April 2010, the UK newspaper ''The Mirror'' reported that Houston was thinking about recording her eighth studio album and wanted to collaborate with will.i.am (of The Black Eyed Peas), her first choice for a collaboration.

Houston also performed the song "I Look to You" on the 2011 BET ''Celebration of Gospel'', with gospel–jazz singer Kim Burrell, held at the Staples Center, Los Angeles. The performance aired on January 30, 2011. Early in 2011, she gave an uneven performance in tribute to cousin Dionne Warwick at music mogul Clive Davis' annual pre-Grammy gala. In May 2011, Houston enrolled in a rehabilitation center again, as an out-patient, citing drug and alcohol problems. A representative for Houston said that it was a part of Houston's "longstanding recovery process".

In September 2011, ''The Hollywood Reporter'' announced that Houston would produce and star alongside Jordin Sparks and Mike Epps in the remake of the 1976 film ''Sparkle''. In the film, Houston portrays Sparks' "not-so encouraging mother". Houston will have executive producer credits on top of acting credits according to Debra Martin Chase, producer of ''Sparkle''. She stated that Houston deserved the title considering she had been there from the beginning in 2001, when Houston obtained ''Sparkle'' production rights. R&B; singer Aaliyah - originally tapped to star as Sparkle – died in a 2001 plane crash. Her death derailed production, which would have begun in 2002. Houston's remake of ''Sparkle'' was filmed in the fall of 2011, and is set for release by TriStar Pictures in August 2012.

Death

On February 9, 2012, Houston visited singers Brandy and Monica, together with Clive Davis, at their rehearsals for Davis' pre-Grammy Awards party. That same day, she made her last public performance, when she joined Kelly Price on stage at the party and sang "Jesus Loves Me".

On February 11, 2012, Houston was found dead in a suite at the Beverly Hilton Hotel, in Beverly Hills, California, submerged in the bathtub. The cause of death was not immediately known. Beverly Hills paramedics arrived at approximately 3:30 p.m. and found the singer unresponsive and performed CPR. Houston was pronounced dead at 4:00 p.m. PST. Local police said there were "no obvious signs of criminal intent."

Houston had an invitation-only memorial on Saturday, February 18, 2012, at the New Hope Baptist Church in Newark, New Jersey. The service was scheduled for two hours, but lasted for four hours. Stevie Wonder (rewritten version of "Ribbon in the Sky," and "Love's in Need of Love Today"), CeCe Winans ("Don't Cry" and "Jesus Loves Me"), Alicia Keys ("Send Me an Angel"), Kim Burrell (rewritten version of "A Change Is Gonna Come") and R. Kelly ("I Look to You") were among those who performed at the funeral, interspersed with hymns by the church choir and remarks by Clive Davis, Houston’s record producer; Kevin Costner; Ricky Minor her music director; her cousin Dionne Warwick and Ray Watson, her security guard for the past 11 years. Aretha Franklin was listed on the program and was expected to sing, but was unable to attend the service due to illness. Bobby Brown, Houston's ex-husband, was also invited to the funeral but he left before the service began. Houston was buried Sunday, February 19, 2012, in Fairview Cemetery, in Westfield, New Jersey next to her father, John Russell Houston, who died in 2003.

Reaction

The Clive Davis' pre-Grammy party that Houston was expected to attend, and that featured many of the biggest names in music and movies, went on as scheduled although it was quickly turned into a tribute to Houston. Davis spoke about Houston's death at the evening's start: "By now you have all learned of the unspeakably tragic news of our beloved Whitney's passing. I don't have to mask my emotion in front of a room full of so many dear friends. I am personally devastated by the loss of someone who has meant so much to me for so many years. Whitney was so full of life. She was so looking forward to tonight even though she wasn't scheduled to perform. Whitney was a beautiful person and a talent beyond compare. She graced this stage with her regal presence and gave so many memorable performances here over the years. Simply put, Whitney would have wanted the music to go on and her family asked that we carry on."

Tony Bennett, who had a drug addiction problem in the 1970s, spoke of Houston's death before performing at Davis' party. He said, "First, it was Michael Jackson, then Amy Winehouse, now, the magnificent Whitney Houston", tying it into his public stance in favor of legalizing drugs. Bennett sang "How Do You Keep the Music Playing?" and said of Houston, "When I first heard her, I called Clive Davis and said, 'You finally found the greatest singer I've ever heard in my life.'"

However, many people were shocked at Davis' decision to continue on the party despite the fact that a police investigation was being conducted in Houston's hotel room and her body was still in the building. Chaka Khan, in an interview with CNN's Piers Morgan on February 13, 2012, shared that she felt the party should have been canceled, saying "I thought that was complete insanity. And knowing Whitney I don't believe that she would have said 'the show must go on.' She's the kind of woman that would've said 'Stop everything! Un-unh. I'm not going to be there.' [...] I don't know what could motivate a person to have a party in a building where the person whose life he had influenced so enormously and whose life had been affected by hers. They were like... I don't understand how that party went on." Sharon Osbourne, on February 15 episode of ''The Talk'', also condemned the Davis party, declaring "I think it was disgraceful that the party went on. I don't want to be in a hotel room when there's someone you admire who's tragically lost their life four floors up. I'm not interested in being in that environment and I think when you grieve someone, you do it privately, you do it with people who understand you. I thought it was so wrong."

Several other celebrities released statements responding to Houston's death. Dolly Parton, whose song "I Will Always Love You" was covered by Houston, said, "I will always be grateful and in awe of the wonderful performance she did on my song and I can truly say from the bottom of my heart, 'Whitney, I will always love you. You will be missed'." Aretha Franklin said, "It's so stunning and unbelievable. I couldn't believe what I was reading coming across the TV screen." Mariah Carey said, "Heartbroken and in tears over the shocking death of my friend ... She will never be forgotten as one of the greatest voices to ever grace the earth." Oprah Winfrey, who did an in-depth interview with Houston in 2009, wrote on Twitter "To me Whitney was THE VOICE. We got to hear a part of God every time she sang. Heart is heavy, spirit grateful for the GIFT of her." Quincy Jones said, "I am absolutely heartbroken at the news of Whitney’s passing. Ashford & Simpson first made me aware of Whitney when she was just sixteen, and I always regretted not having had the opportunity to work with her. She was a true original and a talent beyond compare. I will miss her terribly."

Moments after news of her death emerged, CNN, MSNBC and Fox News all broke from their regularly scheduled programming to dedicate time to non-stop coverage of Houston's death. All three featured live interviews with people who knew Houston including those that have worked with her, interviewed her along with some of her peers in the music industry. ''Saturday Night Live'' displayed a still photo in silent reverence of a smiling Houston, alongside Molly Shannon, from her 1996 appearance. MTV and VH-1 interrupted their regularly scheduled programming on Sunday February 12 to air many of Houston's classic videos with MTV often airing news segments in between and featuring various reactions from fans and celebrities.

Houston's former husband, Bobby Brown, was reported to be "in and out of crying fits" since receiving the news. He did not cancel a scheduled performance and within hours of his ex-wife's sudden death, an audience in Mississippi observed as Brown blew kisses skyward, tearfully saying: "I love you, Whitney".

Ken Ehrlich, executive producer of the 54th Grammy Awards announced that Jennifer Hudson would perform a tribute to Houston at the February 12, 2012, awards. He said "event organizers believed Hudson – an Academy Award-winning actress and Grammy Award-winning artist – could perform a respectful musical tribute to Houston". Ehrlich went on to say: "It's too fresh in everyone's memory to do more at this time, but we would be remiss if we didn't recognize Whitney's remarkable contribution to music fans in general, and in particular her close ties with the Grammy telecast and her Grammy wins and nominations over the years". At the start of the awards ceremony, a footage of Houston performing "I Will Always Love You" from 1994 Grammys was shown following a prayer read by host, LL Cool J. Later in the program following a montage of photos of musicians who died in 2011 including Houston singing "Saving All My Love for You" at the 1986 Grammys, Hudson paid tribute to Houston and the other artists by performing "I Will Always Love You". New Jersey Governor Chris Christie said that all New Jersey state flags will be flown at half-staff on Tuesday, February 21 to honor Houston.

Artistry and legacy

Voice

Houston was a mezzo-soprano, and was commonly referred to as "The Voice" in reference to her exceptional vocal talent. Her vocal range extended from G below middle C (G₃) to high B-flat (B₅); she could belt out to treble F (F₅). She was third in MTV's list of 22 Greatest Voices, and sixth on ''Online Magazine COVE''s list of the 100 Best Pop Vocalists with a score of 48.5/50. In 2008, ''Rolling Stone'' listed Houston as the thirty-fourth of the 100 greatest singers of all time, stating, "Her voice is a mammoth, coruscating cry: Few vocalists could get away with opening a song with 45 unaccompanied seconds of singing, but Houston's powerhouse version of Dolly Parton's 'I Will Always Love You' is a tour de force." Matthew Perpetua from ''Rolling Stone'' also eulogized Houston's vocal, enumerating ten performances, including "How Will I Know" from the 1986 MTV VMAs and "The Star Spangled Banner" at the 1991 Super Bowl. "Whitney Houston was blessed with an astonishing vocal range and extraordinary technical skill, but what truly made her a great singer was her ability to connect with a song and drive home its drama and emotion with incredible precision," he stated. "She was a brilliant performer, and her live shows often eclipsed her studio recordings."

Jon Caramanica of ''The New York Times'' commented, "Her voice was clean and strong, with barely any grit, well suited to the songs of love and aspiration. [...] Hers was a voice of triumph and achievement, and it made for any number of stunning, time-stopping vocal performances." Mariah Carey stated, "Whitney has a really rich, strong mid-belt that very few people have. She sounds really good, really strong." While in her review of ''I Look to You'', music critic Ann Powers of the ''Los Angeles Times'' writes, "[Houston's voice] stands like monuments upon the landscape of 20th century pop, defining the architecture of their times, sheltering the dreams of millions and inspiring the climbing careers of countless imitators", adding "When she was at her best, nothing could match her huge, clean, cool mezzo-soprano".

Lauren Everitt from BBC News Magazine commented on melisma used in Houston's recording and its influence. "An early 'I' in Whitney Houston's 'I Will Always Love You' takes nearly six seconds to sing. In those seconds the former gospel singer-turned-pop star packs a series of different notes into the single syllable," stated Everitt. "The technique is repeated throughout the song, most pronouncedly on every 'I' and 'you'. The vocal technique is called melisma, and it has inspired a host of imitators. Other artists may have used it before Houston, but it was her rendition of Dolly Parton's love song that pushed the technique into the mainstream in the 90s. [...] But perhaps what Houston nailed best was moderation." Everitt said that "[i]n a climate of reality shows ripe with 'oversinging', it's easy to appreciate Houston's ability to save melisma for just the right moment".

Houston's vocal stylings have had a significant impact on the music industry. She has been called the "Queen of Pop" for her influence during the 1990s, commercially rivaling Mariah Carey and Celine Dion. Stephen Holden from ''The New York Times'', in his review of Houston's Radio City Music Hall concert on July 20, 1993, praised her attitude as a singer highly, writing, "Whitney Houston is one of the few contemporary pop stars of whom it might be said: the voice suffices. While almost every performer whose albums sell in the millions calls upon an entertainer's bag of tricks, from telling jokes to dancing to circus pyrotechnics, Ms. Houston would rather just stand there and sing." With regard to her singing style, he added: "Her [Houston's] stylistic trademarks – shivery melismas that ripple up in the middle of a song, twirling embellishments at the ends of phrases that suggest an almost breathless exhilaration – infuse her interpretations with flashes of musical and emotional lightning."

Elysa Gardner of the ''Los Angeles Times'' in her review for ''The Preacher's Wife Soundtrack'' praised Houston's vocal ability highly, commenting, "She is first and foremost a pop diva – at that, the best one we have. No other female pop star – not Mariah Carey, not Celine Dion, not Barbra Streisand – quite rivals Houston in her exquisite vocal fluidity and purity of tone, and her ability to infuse a lyric with mesmerizing melodrama."

Influence

During the 1980s, MTV was coming into its own and received harsh criticism for not playing enough videos by black artists. With Michael Jackson breaking down the color barrier for black male artists, Houston did the same for black female artists. She became the first black female artist to receive heavy rotation on the network following the success of the "How Will I Know" video. Following Houston's breakthrough, other African-American female artists, such as Janet Jackson and Anita Baker, were successful in popular music. Baker commented that "Because of what Whitney and Sade did, there was an opening for me... For radio stations, black women singers aren't taboo anymore."

Allmusic noted her contribution to the success of black artists on the pop scene, commenting, "Houston was able to handle big adult contemporary ballads, effervescent, stylish dance-pop, and slick urban contemporary soul with equal dexterity" and that "the result was an across-the-board appeal that was matched by scant few artists of her era, and helped her become one of the first black artists to find success on MTV in Michael Jackson's wake". ''The New York Times'' stated that "Houston was a major catalyst for a movement within black music that recognized the continuity of soul, pop, jazz and gospel vocal traditions". Richard Corliss of ''Time'' magazine commented on her initial success breaking various barriers:

Of her first album's ten cuts, six were ballads. This chanteuse [Houston] had to fight for air play with hard rockers. The young lady had to stand uncowed in the locker room of macho rock. The soul strutter had to seduce a music audience that anointed few black artists with superstardom. [...] She was a phenomenon waiting to happen, a canny tapping of the listener's yen for a return to the musical middle. And because every new star creates her own genre, her success has helped other blacks, other women, other smooth singers find an avid reception in the pop marketplace.

Stephen Holden of ''The New York Times'' said that Houston "revitalized the tradition of strong gospel-oriented pop-soul singing". Ann Powers of the ''Los Angeles Times'' referred to the singer as a "national treasure". Jon Caramanica, other music critic of ''The New York Times'', called Houston "R&B;'s great modernizer," adding "slowly but surely reconciling the ambition and praise of the church with the movements and needs of the body and the glow of the mainstream". He also drew comparisons between Houston's influence and other big names' on 1980s pop:

She was, alongside Michael Jackson and Madonna, one of the crucial figures to hybridize pop in the 1980s, though her strategy was far less radical than that of her peers. Jackson and Madonna were by turns lascivious and brutish and, crucially, willing to let their production speak more loudly than their voices, an option Ms. Houston never went for. Also, she was less prolific than either of them, achieving most of her renown on the strength of her first three solo albums and one soundtrack, released from 1985 to 1992. If she was less influential than they were in the years since, it was only because her gift was so rare, so impossible to mimic. Jackson and Madonna built worldviews around their voices; Ms. Houston’s voice was the worldview. She was someone more to be admired, like a museum piece, than to be emulated.

''The Independant''s music critic Andy Gill also wrote about Houston's influence on modern R&B; and singing competitions, comparing it to Michael Jackson's. "Because Whitney, more than any other single artist ― Michael Jackson included ― effectively mapped out the course of modern R&B;, setting the bar for standards of soul vocalese, and creating the original template for what we now routinely refer to as the 'soul diva'," stated Gill. "Jackson was a hugely talented icon, certainly, but he will be as well remembered (probably more so) for his presentational skills, his dazzling dance moves, as for his musical innovations. Whitney, on the other hand, just sang, and the ripples from her voice continue to dominate the pop landscape." Gill said that there "are few, if any, Jackson imitators on today's TV talent shows, but every other contestant is a Whitney wannabe, desperately attempting to emulate that wondrous combination of vocal effects – the flowing melisma, the soaring mezzo-soprano confidence, the tremulous fluttering that carried the ends of lines into realms of higher yearning".

Houston was considered by many to be a "singer's singer", who had an influence on countless other vocalists, both female and male. Similarly, Steve Huey from Allmusic wrote that the shadow of Houston's prodigious technique still looms large over nearly every pop diva and smooth urban soul singer – male or female – in her wake, and spawned a legion of imitators. ''Rolling Stone'', on her biography, stated that Houston "redefined the image of a female soul icon and inspired singers ranging from Mariah Carey to Rihanna". ''Essence'' ranked Houston the fifth on their list of 50 Most Influential R&B; Stars of all time, calling her "the diva to end all divas".

A number of artists have acknowledged Houston as an influence, including Celine Dion, Mariah Carey, Toni Braxton, Christina Aguilera, LeAnn Rimes, Jessica Simpson, Nelly Furtado, Kelly Clarkson, Britney Spears, Ciara, P!nk,Ashanti, Robin Thicke, Jennifer Hudson, Stacie Orrico, Amerie, and Destiny's Child. Mariah Carey, who was often compared to Houston, said, "Houston has been a big influence on me." She later told ''USA Today'' that "none of us would sound the same if Aretha Franklin hadn't ever put out a record, or Whitney Houston hadn't." Celine Dion who was the third member of the troika that dominated female pop singing in the 1990s, did a telephone interview with ''Good Morning America'' on February 13, 2012, telling "Whitney's been an amazing inspiration for me. I've been singing with her my whole career, actually. I wanted to have a career like hers, sing like her, look beautiful like her." Beyoncé told the ''Globe and Mail'' that Houston "inspired [her] to get up there and do what [she] did". She also wrote on her website on the day after Houston's death, "I, like every singer, always wanted to be just like [Houston]. Her voice was perfect. Strong but soothing. Soulful and classic. Her vibrato, her cadence, her control. So many of my life's memories are attached to a Whitney Houston song. She is our queen and she opened doors and provided a blueprint for all of us."

Mary J. Blige said that Houston inviting her onstage during VH1's ''Divas Live'' show in 1999 "opened doors for [her] all over the world". Brandy stated, "The first Whitney Houston CD was genius. That CD introduced the world to her angelic yet powerful voice. Without Whitney, half of this generation of singers wouldn't be singing." Kelly Rowland, in an ''Ebony'' feature article celebrating black music in June 2006, recalled that "[I] wanted to be a singer after I saw Whitney Houston on TV singing 'Greatest Love of All'. I wanted to sing like Whitney Houston in that red dress." She added that "And I have never, ever forgotten that song [Greatest Love of All]. I learned it backward, forward, sideways. The video still brings chills to me. When you wish and pray for something as a kid, you never know what blessings God will give you."

Alicia Keys, in an interview about her album ''The Element of Freedom'' with ''Billboard'' magazine, also said "Whitney is an artist who inspired me from [the time I was] a little girl". Oscar winner Jennifer Hudson cites Houston as her biggest musical influence. She told ''Newsday'' that she learned from Houston the "difference between being able to sing and knowing how to sing". Leona Lewis, who has been called "the new Whitney Houston", also cites her as an influence. Lewis stated that she idolized her as a little girl.

Awards and achievements

Houston was the most awarded female artist of all time, according to Guinness World Records, with two Emmy Awards, six Grammy Awards, 30 Billboard Music Awards, 22 American Music Awards, among a total of 415 career awards as of 2010. She held the all-time record for the most American Music Awards of any female solo artist and shared the record with Michael Jackson for the most AMAs ever won in a single year with eight wins in 1994. Houston won a record 11 Billboard Music Awards at its fourth ceremony in 1993. She also had the record for the most WMAs won in a single year, winning five awards at the 6th World Music Awards in 1994.

In May 2003, Houston placed at number three on VH1's list of "50 Greatest Women of the Video Era", behind Madonna and Janet Jackson. She was also ranked at number 116 on their list of the "200 Greatest Pop Culture Icons of All Time". In 2008, ''Billboard'' magazine released a list of the Hot 100 All-Time Top Artists to celebrate the US singles chart's 50th anniversary, ranking Houston at number nine. Similarly, she was ranked as one of the "Top 100 Greatest Artists of All Time" by VH1 in September 2010. In November 2010, ''Billboard'' released its "Top 50 R&B;/Hip-Hop Artists of the Past 25 Years" list and ranked Houston at number three whom not only went on to earn eight number one singles on the R&B;/Hip-Hop Songs chart, but also landed five number ones on R&B;/Hip-Hop Albums.

Houston's debut album is listed as one of the 500 Greatest Albums of All Time by ''Rolling Stone'' magazine and is on Rock and Roll Hall of Fame's Definitive 200 list. In 2004, ''Billboard'' picked the success of her first release on the charts as one of 110 Musical Milestones in its history. Houston's entrance into the music industry is considered one of the 25 musical milestones of the last 25 years, according to ''USA Today'' in 2007. It stated that she paved the way for Mariah Carey's chart-topping vocal gymnastics. In 1997, the Franklin School in East Orange, New Jersey was renamed to The Whitney E. Houston Academy School of Creative and Performing Arts. In 2001, Houston was the first artist ever to be given a BET Lifetime Achievement Award.

Houston was also one of the world's best-selling music artists, having sold over 200 million albums and singles worldwide. Although she released relatively few albums, she was ranked as the fourth best-selling female artist in the United States by the Recording Industry Association of America, with 55 million certified albums sold in the US alone.

She held an Honorary Doctorate in Humanities from Grambling State University, Louisiana.

Discography

''Whitney Houston'' (1985)

''Whitney'' (1987)

''I'm Your Baby Tonight'' (1990)

''My Love Is Your Love'' (1998)

''Just Whitney'' (2002)

''One Wish: The Holiday Album'' (2003)

''I Look to You'' (2009)

Filmography

+ Film roles
! Year	! Title	! Role	Notes and awards
1992	''The Bodyguard''	Rachel Marron	Nominated – 1993 MTV Movie Award for Best Female PerformanceNominated – 1993 MTV Movie Award for Best Breakthrough PerformanceNominated – 1993 MTV Movie Award for Best On-Screen Duo with co-star Kevin CostnerNominated – 1992 Golden Raspberry Award for Worst Actress
1995	''Waiting to Exhale''	Savannah Jackson	Nominated – 1996 NAACP Image Award for Outstanding Actress in a Motion Picture
1996	''The Preacher's Wife''	Julia Biggs
1997		Fairy Godmother	Made-for-television film, part of a revival of the ''Wonderful World of Disney''.Nominated – 1998 Emmy Award for Outstanding Variety, Music Or Comedy SpecialNominated – 1998 NAACP Image Award for Outstanding Television Movie/Mini-Series
2012		Emma	Posthumous release

+ Television roles	! Year	! Title	! Network	! Role	Notes
1984	''Gimme a Break!''	NBC	Rita	"Katie's College" (Season 3, Episode 20)
1985	''Silver Spoons''	NBC	Herself	"Head Over Heels" (Season 4, Episode 1, Air date: September 15, 1985)She performed the edited version of "Saving All My Love for You", changing some of the words.
2002	''Boston Public''	Fox	Herself	She performed "Try It On My Own" from the 2002 studio album ''Just Whitney''.

+ Commercials
! Year	! Company	! Promoting	! Country	Notes
	Dr Pepper/Seven Up	Canada Dry(soft drink beverage)	United States		* Houston appeared in this commercial before debut as a professional singer and sang the praises of sugar free Canada Dry Ginger Ale.
	Coca-Cola	Diet Coke(soft drink beverage)	United States		* Houston sang the Diet Coke theme song, "Just for the taste of it".
	Coca-Cola	Diet Coke(soft drink beverage)	United States		* Houston sang the other version of the Diet Coke advertising slogan at the time, "Just for the taste of it".	* Outside the United States, the second version of advertising was released, in which "Greatest Love of All" was used as background music.	1989 MTV Video Music Awards#Video of the Year>Video of the Year winning "This Note's for You" by Neil Young, parodied parts of this advertising to criticize pop/rock stars who make commercial endorsements, most notably Michael Jackson for Pepsi and Houston for Diet Coke, using look-alikes for them.
		Electronics(the stereo, TV)	Japan		Keith Thomas (producer)>Keith Thomas. It was released as a CD single in Japan and included in Japanese edition of ''I'm Your Baby Tonight''.
	AT&T;	Telephone services	United States		* Houston sang its theme song, "True Voice".

+ Production
! Year	! Title	! Director	Notes and awards
1997		Robert Iscove	Executive producerNominated – 50th Primetime Emmy Awards
2001		[[Garry Marshall	ProducerWon – 2002 Young Artist Award for Best Family Feature Film – ComedyNominated – 2002 Broadcast Film Critics Association Award for Best Family Film (Live Action) Nominated – 2002 Phoenix Film Critics Society Award for Best Family FilmNominated – 2002 Teen Choice Award for Film – Choice Movie, Comedy
2003		Oz Scott	Producer
2004	''The Princess Diaries 2: Royal Engagement''	Garry Marshall	Producer
2006		Kenny Ortega	Co-executive producer

Tours

;World tours

''The Greatest Love World Tour'' (1986)

''Moment of Truth World Tour'' (1987–88)

''I'm Your Baby Tonight World Tour'' (1991)

''The Bodyguard World Tour'' (1993–94)

''My Love Is Your Love World Tour'' (1999)

''Nothing But Love World Tour'' (2010)

;Regional tours

''Feels So Right Tour'' (1990)

''Pacific Rim Tour'' (1997)

''The European Tour'' (1998)

''Soul Divas Tour'' (2004)

;Televised concerts

''Nelson Mandela 70th Birthday Tribute'' (1988)

''Welcome Home Heroes with Whitney Houston'' (1991)

''The Concert for a New South Africa'' (1994)

''Classic Whitney Live from Washington, D.C.'' (1997)

See also

American Music Award nominations for Whitney Houston

Grammy nominations for Whitney Houston

Honorific nicknames in popular music

List of artists who reached number one in the United States

List of artists who reached number one on the U.S. Dance chart

List of best-selling music artists

Melisma

References

Further reading

External links

Category:1963 births Category:2012 deaths Category:American people of Dutch descent Category:American people of Native American descent Category:Actors from New Jersey Category:African American female singers Category:African American film actors Category:African American record producers Category:African-American film producers Category:American dance musicians Category:American female models Category:American gospel singers Category:American mezzo-sopranos Category:American pop singers Category:American rhythm and blues singers Category:Arista Records artists Category:Articles with inconsistent citation formats Category:Baptists from the United States Category:Death in California Category:Emmy Award winners Category:English-language singers Category:Grammy Award winners Category:Musicians from New Jersey Category:Participants in American reality television series Category:People from East Orange, New Jersey Category:People from Newark, New Jersey Category:People self-identifying as alcoholics Category:People self-identifying as substance abusers

af:Whitney Houston ar:ويتني هيوستن an:Whitney Houston as:হুইটনী হা'ষ্টন az:Uitni Hyuston zh-min-nan:Whitney Houston map-bms:Whitney Houston be:Уітні Х'юстан be-x-old:Ўітні Г’юстан bcl:Whitney Houston bg:Уитни Хюстън bs:Whitney Houston ca:Whitney Houston cs:Whitney Houston cbk-zam:Whitney Houston cy:Whitney Houston da:Whitney Houston de:Whitney Houston et:Whitney Houston el:Γουίτνεϊ Χιούστον eml:Whitney Houston es:Whitney Houston eo:Whitney Houston eu:Whitney Houston fa:ویتنی هیوستون fo:Whitney Houston fr:Whitney Houston fy:Whitney Houston ga:Whitney Houston gl:Whitney Houston ko:휘트니 휴스턴 hy:Ուիթնի Հյուսթոն hi:व्हिटनी हॉस्टन hr:Whitney Houston io:Whitney Houston ilo:Whitney Houston id:Whitney Houston is:Whitney Houston it:Whitney Houston he:ויטני יוסטון jv:Whitney Houston ka:უიტნი ჰიუსტონი kk:Уитни Хьюстон sw:Whitney Houston kv:Хьюстон, Уитни la:Whitney Houston lv:Vitnija Hjūstone lb:Whitney Houston lt:Whitney Houston lmo:Whitney Houston hu:Whitney Houston ml:വിറ്റ്നി ഹ്യൂസ്റ്റൺ mr:व्हिटनी ह्युस्टन xmf:უითნი ჰიუსთონი ms:Whitney Houston my:ဝှစ်တနီ ဟယူစတန် nl:Whitney Houston ja:ホイットニー・ヒューストン no:Whitney Houston nn:Whitney Houston uz:Whitney Houston ps:ويټني هيوسټن nds:Whitney Houston pl:Whitney Houston pt:Whitney Houston ro:Whitney Houston ru:Хьюстон, Уитни sah:Уитни Хьюстон sq:Whitney Houston scn:Whitney Houston simple:Whitney Houston sk:Whitney Houstonová sl:Whitney Houston sr:Витни Хјустон sh:Whitney Houston su:Whitney Houston fi:Whitney Houston sv:Whitney Houston tl:Whitney Houston ta:விட்னி ஊசுட்டன் th:วิตนีย์ ฮิวสตัน tr:Whitney Houston uk:Вітні Х'юстон vi:Whitney Houston war:Whitney Houston yo:Whitney Houston zh:惠特妮·休斯顿

name	Bobby Brown
background	solo_singer
birth name	Robert Barisford Brown
birth date	February 05, 1969
origin	Roxbury, Massachusetts, U.S.
genre	R&B;New jack swingHip hopDance-pop
occupation	Singer-songwriter Dancer
years active	1978–present
label	MCA (1986-1998)Bronx Bridge Entertainment (2011-present)
associated acts	New EditionHeads of State Whitney Houston Damien Marley
website	www.bobbybrownonline.com }}

Robert Barisford "Bobby" Brown (born February 5, 1969) is an American R&B; singer-songwriter, occasional rapper, and dancer. After success in pop group New Edition, Brown began his solo career in 1987 and had a string of Top 10 ''Billboard'' hits, culminating in a Grammy Award. He was a pioneer of New Jack Swing music, a fusion of hip hop and R&B.; His second album, ''Don't Be Cruel'', included popular songs such as "My Prerogative". Brown is the ex-husband of pop singer Whitney Houston and starred in the reality show ''Being Bobby Brown''.

Music career

New Edition

Bobby Brown began his music career as a member of the R&B; boy band New Edition which he founded along with childhood friend Michael Bivins. He is the youngest member of the group since the inception. The group's hits with Brown included "Candy Girl", "Cool It Now", and "Mr. Telephone Man". Brown was voted out of New Edition in 1986 when the other four members felt that their careers would be jeopardized by Bobby's lewd, line-crossing on-stage antics. Throughout the ''All for Love'' tour, he feuded with Ralph Tresvant and cut in on Tresvant's lead vocals. In 1996, Brown rejoined the group for New Edition's comeback album, ''Home Again''. In the middle of the tour, he engaged in further racy on-stage antics. He extended his solo set and cut into Bell Biv Devoe's time. Once again, he left New Edition. In the fall of 2005, New Edition performed at BET's 25th Anniversary Special. The group performed a medley of its greatest hits, and even brought Bobby Brown on stage for a rendition of "Mr. Telephone Man". It was later announced on BET and Inside Hollywood that Bobby had rejoined the group and would be on the next group album. In January 2006, New Edition announced that the group would launch a new album and tour in 2008. Bobby also appeared at a concert in Columbia, South Carolina that New Edition had filmed for a future DVD release.

Solo career

After leaving New Edition in 1985, Brown stayed with the group manager Steven Machat and Machat secured from MCA, the groups record label, a record deal guaranteed for Browns solo career if Brown agreed to leave the New Edition. MCA released his first solo album, ''King of Stage'', in 1986. This album included "Girlfriend", a minor hit which went to #1 on the Billboard R&B; charts and #57 on the Billboard Hot 100. Other than that, ''King of Stage'' did not garner much attention. However, Brown's next album, 1988's ''Don't Be Cruel'' with Machat overseeing the entire production and styling of Brown with Louil Silas, MCA's rep, rocketed him to super stardom. Working with the writing/producing team of L.A. Reid and Babyface, as well as Teddy Riley, ''Don't Be Cruel'' spawned five Top 10 Billboard Hot 100 singles: "Don't Be Cruel" (#8), "Every Little Step" (#3), "Rock Wit' Cha" (#7), "My Prerogative" (#1), and "Roni" (#3). The album would eventually be certified 8x platinum (8,000,000 units sold).

In 1989, he contributed two songs (including "On Our Own", which reached #2 on the Billboard Hot 100) to the ''Ghostbusters II'' soundtrack, in addition to making a cameo in the film. Brown has subsequently dabbled in acting.

In between the "On Our Own" single and the release of Brown's next album, a remix album, ''Dance! Ya Know It!'' was released to capitalise on Brown's huge success at the time. A non-album "megamix" single was released to promote the project. The European dance-oriented version (sampling beats by Snap!) was titled "The Freestyle Megamix" and was a hit in the UK, reaching #14 on the Gallup charts. A more R'n'B oriented version called "Every Little Hit Mix" (b/w "Roni) was released in Australia.

Brown's third album, ''Bobby'', did not arrive until 1992. It reached #2 on the Billboard album charts and produced the hit singles "Humpin' Around" (#3 on the Billboard Hot 100) and "Good Enough" (#7) as well as a smaller hit in "Get Away" (#14). The album was eventually certified 1x platinum (1,000,000 units sold). However, it did not come close to matching the album sales or singles chart success of its predecessor.

Brown waited until late 1997 to release his next (and to date, last) album of original material, ''Forever''. The album was originally titled ''Bobby II'' and was supposed to be produced by such luminaries as R.Kelly, Teddy Riley, Sean Combs and Jimmy Jam and Terry Lewis. However, Brown negotiated 100% creative control of the album and decided to write all the songs himself. It only managed to climb to #61 on the Billboard Hot 200 album charts and produced no charting singles.

In 2006 Brown appeared on "Beautiful", the third single from Damian Marley's album ''Welcome to Jamrock''.

2010 Bobby Brown surprised his fans by dueting with American R&B; and soul singer-songwriter, record producer, and actress Macy Gray on her new album titled The Sellout. Together they did a song "Real Love". Macy Gray divulged the pleasure of working with Bobby Brown to Essence Magazine on the project, saying that "actually he came to the studio, since he doesn't live far, and knocked out his recording in two hours. We're friends and his one-year-old son is my godson. His fiance is one of my best friends in the whole world. I met Bobby a long time ago, but we really got to know each other through her."

Heads of State

As of September 27, 2008, Brown began touring with fellow New Edition members Ralph Tresvant and Johnny Gill in a new group named Heads of State. The group continues to tour worldwide. They are currently recording an album.

Movies

While always maintaining his focus on music, Brown has also been venturing into the movie side of showbiz. In 1996, Brown co-starred in the hit movie, ''A Thin Line Between Love and Hate'', along with Martin Lawrence and Lynn Whitfield. and in more recent years he has appeared in the films ''Two Can Play That Game'', along with Vivica A. Fox and Morris Chestnut; ''Go for Broke''; and ''Gang of Roses'' starring Lil' Kim, Lisa Raye, Stacey Dash, and Marie Matiko. After those he was in ''Nora's Hair Salon''.

Bobby Brown had cameo guest appearances in many movies. ''Panther'' (1995) starring Courtney B. Vance and Chris Rock. Earlier, he played all three characters of Three Blind Mice in ''Mother Goose Rock 'n' Rhyme'' (1990). In 1989 was Brown's first solo guest cameo appearance in ''Ghostbusters II'' playing the Mayor's Doorman.

1985 Krush Groove Character Name: Himself

1989 Ghostbusters II Played The Mayor's Doorman

1989 His Prerogative Interview and Videos

1990 Mother Goose Rock 'N' Rhymes Character Name: Three Blind Mice

1992 Bobby Brown: Humpin' Around Making of the Video

1993 Bobby Brown: Bobby Played Himself

1995 Panther Character Name: Rose

1996 A Thin Line Between Love and Hate Character Name: Tee

2001 Two Can Play That Game Character Name: Michael

2002 Go For Broke Character Name: Jive

2003 Gang of Roses Character Name: Left Eye Watkins

2004 Nora's Hair Salon Character Name: Bennie

2008 Nora's Hair Salon II Character Name: Old Man Butter

Personal life

In June 2007, Brown took part in the ITV television series "24 hours with...", a chat show format as celebrity and interviewer spend an intense 24 hours locked in a room together. The show's host, Jamie Campbell, asked Brown questions about his career and private life, and infamously joked about making "sexual moves" towards the singer. Brown was furious and threatened to beat Campbell up live on air.

He has been appearing on cable-televised reality T.V. shows such as ''Celebrity Fit Club'', ''Gone Country'', and his own show entitled ''Being Bobby Brown''.

Family

Brown has a total of five biological children. In chronological order the oldest being his son Landon Brown, La'princia Brown, Robert (Bobby) Brown Jr., Bobbi Kristina Brown, and Cassius Brown. Brown married Whitney Houston in July 1992. Together they have one daughter, Bobbi Kristina Brown, born 1993. On September 13, 2006, Houston's publicist announced that after 14 years of marriage, Houston had filed for a legal separation from Brown. One month later, Houston officially filed for a divorce from Brown. It was ruled by a judge on April 4, 2007 that their marriage would be definitively dissolved on April 24, 2007, and that Whitney would receive custody of their then 14-year-old daughter.

Brown's eldest son, Landon Brown, appeared on the MTV show Rock the Cradle. On February 3, 2009, it was announced Brown was expecting his fifth child with his then girlfriend. His fifth son, a boy named Cassius, was born May 30, 2009.

On May 7, 2010, Brown proposed to his long time girlfriend while performing at the Funk Fest in Jacksonville, Fla. He asked her to marry him while giving his performance on stage. He got down on one knee and when she joined him on stage along with their child she accepted his proposal. He is currently signed to Bronx Bridge Entertainment.

Substance abuse and legal problems

Throughout the 1990s and early 2000s, Brown's legal and substance abuse troubles threatened to overshadow his music. In late 2003, Brown was arrested for misdemeanor battery, allegedly for striking Houston while shouting epithets. In February 2004, Brown was arrested and jailed in Georgia on a parole violation related to a previous drunk driving conviction. Whitney Houston has also publicly stated that Brown's choice of drug was marijuana laced with cocaine.

Bobby Brown made a guest appearance on ''The Monique Show'' with fellow group mates Johnny Gill and Ralph Tresvant to promote their ongoing tour across the globe to sold out shows. Bobby also discussed how he overcame his struggles. The trio Heads of State performed medleys of their classic legendary hits to an audience full of die hard New Edition fans.

Discography

Studio albums

Year	Album details	Peak chart positions							! rowspan="2"
		! width="30"	! width="30"	! width="30"	! width="30"	! width="30"	! width="30"	! width="30"
1986				* Released: December 11, 1986	* Label: MCA Records	88	12	40	—	—	—	—
1988	align="left"			* Released: June 20, 1988	* Label: MCA Records	1	1	3	5	20	—	—		RIAA>US: 7× Platinum	British Phonographic Industry>UK: 2× Platinum	CRIA>CAN: 3× Platinum
1992	align="left"			* Released: August 25, 1992	* Label: MCA Records	2	1	11	2	4	26	18		* US: 2× Platinum	* CAN: 2× Platinum
1997	align="left"			* Released: November 4, 1997	* Label: MCA Records	61	15	—	—	—	—	—
2011	align="left"			* Released: September 6, 2011	* Label: Bronx Bridge Entertainment	—	—	—	—	—	—	—

Remix albums

Year	Album details	Peak chart positions				Certifications(sales threshold)
		US	USR&B;	UK	AUS
1989				* Released: 1989	* Label: MCA Records	9	7	26	14		* US: Platinum	* UK: Gold	* CAN: Gold
1993				* Released: 1993	* Label: MCA Records	—	72	—	—

Singles

Year	Single	Peak chart positions						RIAA	Album
		! width="35"	! width="35"	! width="35"	! width="35"	! width="35"	! width="35"
1986		57	1	—	—	—	—	—
1987		—	31	—	—	—	—	—
	align="left"	8	1	—	—	42	—	Gold
	1	1	71	—	6	40	Gold
		—	—	—	—	13	—	—
	3	2	1	—	21	—	Gold
	3	1	17	—	6	8	Gold
align="left"	2	1	15	—	4	22	Platinum
	7	3	—	28	33	—	Gold
		—	—	—	—	14	—	—
	—	—	—	—	—	21	—
		3	1	15	—	19	1	Gold
	7	5	—	—	41	39	Gold
		14	3	3	—	—	—	—
align="left"	57	9	31	—	56	—	—
	—	—	—	—	16	—	—
1994	align="left"	—	—	—	—	38	—	—
		—	—	—	—	3	—	—
	—	—	—	—	8	—	—
	—	—	—	—	17	—	—
1996		—	—	—	—	25	—	—
1997		—	42	—	—	40	—	—
2006		—	—	—	—	—	—	—
2009		—	—	—	—	—	—	—
2011		—	—	—	—	—	—	—
	"—" denotes releases that did not chart or not certified

Featured singles

Year	Single	Artist	Peak chart positions					Album
			US	US R&B;	US Dance	UK	AUS
1990		Glenn Medeiros	1	43	—	12	8
2002		Ja Rule	42	16	10	15	7	align="left"
2006		Damian Marley	—	—	—	39	—
2010		Macy Gray	—	—	—	—	—

References

External links

Bobby Brown Online

NEW Bobby Brown HD interview April 2010

Category:1969 births Category:Living people Category:African American singers Category:American dance musicians Category:American male singers Category:American pop singers Category:American rhythm and blues singers Category:Grammy Award winners Category:Musicians from Massachusetts Category:New Edition members Category:Participants in American reality television series Category:People from Atlanta, Georgia Category:People from Boston, Massachusetts Category:Whitney Houston Category:MCA Records artists Category:Celebrity Fit Club participants Category:People self-identifying as alcoholics

ar:بوبي براون cs:Bobby Brown de:Bobby Brown es:Bobby Brown fr:Bobby Brown ko:보비 브라운 id:Bobby Brown it:Bobby Brown (cantante) nl:Bobby Brown ja:ボビー・ブラウン pl:Bobby Brown pt:Bobby Brown ru:Браун, Бобби simple:Bobby Brown fi:Bobby Brown sv:Bobby Brown (artist) th:บ็อบบี้ บราวน์ tr:Bobby Brown

name	Peter Rauhofer
background	non_vocal_instrumentalist
alias	Club 69, Size Queen
born	Vienna, Austria
origin	AustriaNew York City, New York
instrument	Turntable, Sampler
genre	Club, House
occupation	DJ, remixer and producer
website	www.peterrauhofer.com }}

Peter Rauhofer is a DJ, remixer and producer who formerly went under the moniker Club 69 as well as Size Queen. A native of Vienna, Austria, he is famous for his remixes of a number of Madonna's songs including "Nothing Really Matters", "American Life", "Nothing Fails, "Nobody Knows Me", "Get Together, "Impressive Instant, and "4 Minutes", as well as her collaboration with Britney Spears, "Me Against The Music". He has also provided remixes for Whitney Houston, Jessica Simpson, Britney Spears, Christina Aguilera, Yoko Ono, Pink and Mariah Carey. He is also behind the tribal house record label Star 69 and is frequently a producer of the label's releases.

Rauhofer is also a popular DJ who presently spins throughout the United States. He was the former resident DJ at the weekly gay dance night held at the Roxy in New York. Rauhofer is currently the resident DJ of the gay dance party called "Work." Peter's party was held weekly at the Stereo nightclub in New York until March 3, 2008 when the City invoked eminent domain and acquired the building. "Work" is currently a monthly event, despite lacking a permanent venue. Rauhofer is mostly known for spinning tribal house and has played many gay circuit party events.

Peter Rauhofer (Club 69) won the Grammy Award in 2000 for Best Remixer of the Year the remix of Cher - Believe.

The Collaboration

The Collaboration was a dance music project created by Rauhofer. Rauhofer's first release as The Collaboration was "Do It Properly," a 1999 track produced with Victor Calderone, featuring Deborah Cooper on vocals. The Collaboration moniker was then used by Rauhofer on "Break 4 Love," a number one Hot Dance Music/Club Play hit featuring Pet Shop Boys.

List of number-one dance hits (United States)

List of artists who reached number one on the US Dance chart

Selected remixes

"4 Minutes" (Madonna and Justin Timberlake)

"American Life" (Madonna)

"Apologize" (One Republic)

"Beautiful" (Christina Aguilera)

"Believe" (Cher)

"Body" (Funky Green Dogs)

"Dance Naked" (Aaron-Carl Ragland)

"Don't Stop the Music" (Rihanna)

"Fascinated" (Suzanne Palmer)

"Fired Up" (Funky Green Dogs)

"Filthy Mind" (Amanda Ghost)

"Fire with Fire" (Scissor Sisters)

"Five Fathoms" (Everything But The Girl)

"Get It Together" (Seal)

"Get Together" (Madonna) - Not commissioned

"Gimme More" (Britney Spears)

"Give Me Danger" (Dangerous Muse)

"Greatest Love of All" (Whitney Houston)

"He Wasn't Man Enough" (Toni Braxton)

"Hide U" (Suzanne Palmer)

"How Would You Feel" (David Morales)

"I Didn't Know My Own Strength" (Whitney Houston)

"I Don't Know What You Want But I Can't Give It Anymore" (Pet Shop Boys)

"Impressive Instant" (Madonna)

"I Think I'm in Love with You" (Jessica Simpson)

"It's No Good" (Depeche Mode)

"It's Not Right, But It's Okay" (Whitney Houston)

"Just a Little While" (Janet Jackson)

"Killer" (Seal)

"Looking For Love" (Karen Ramirez)

"Lose My Breath" (Destiny's Child)

"Love That Man" (Whitney Houston)

"Maneater" (Nelly Furtado)

"Me Against The Music" (Britney Spears feat. Madonna)

"Miles Away" - Madonna

"Mother and Father" (Madonna)

"Nasty Girl" (Inaya Day)

"Nobody Knows Me" (Madonna)

"Nothing Fails" (Madonna)

"Nothing Really Matters" (Madonna)

"Ooh La La" (Goldfrapp)

"Relax" (Frankie Goes to Hollywood)

"Say It Right" (Nelly Furtado)

"Say Somethin'" (Mariah Carey)

"She Wolf" (Shakira)

"Smalltown Boy" (Bronski Beat)

"Strong Enough" (Cher)

"Surreal" (Ayumi Hamasaki)

"Take a Picture" (Filter)

"Toxic" (Britney Spears)

"Turn It Up" (Paris Hilton)

"We Belong Together" (Mariah Carey)

"What About Us?" (Brandy)

"What Happens Tomorrow" (Duran Duran)

"Wrong" (Depeche Mode)

"Yang Yang" (Yoko Ono)

See also

The Collaboration

Hector Fonseca

List of number-one dance hits (United States)

List of artists who reached number one on the US Dance chart

References

External links

Official website

Star 69 Records website

Peter Rauhofer at Discogs

Category:Remixers Category:American house musicians Category:Austrian electronic musicians Category:Club DJs Category:New York City nightlife Category:Grammy Award winners Category:Austrian emigrants to the United States Category:People from Vienna Category:Living people

bg:Петер Раухофер it:Peter Rauhofer