A 13-digit ISBN, 978-3-16-148410-0, as represented by an EAN-13 bar code.

The International Standard Book Number (ISBN) is a unique^[1][2] numeric commercial book identifier based upon the 9-digit Standard Book Numbering (SBN) code created by Gordon Foster, Emeritus Professor of Statistics at Trinity College, Dublin,^[3] for the booksellers and stationers W. H. Smith and others in 1966.^[4]

The 10-digit ISBN format was developed by the International Organization for Standardization (ISO) and was published in 1970 as international standard ISO 2108.^[4] (However, the 9-digit SBN code was used in the United Kingdom until 1974.) An SBN may be converted to an ISBN by prepending the digit '0'. Currently, the ISO's TC 46/SC 9 is responsible for the ISBN. The ISO on-line facility only refers back to 1978.^[5]

Since 1 January 2007, ISBNs have contained 13 digits, a format that is compatible with Bookland EAN-13s.^[6]

Occasionally, a book may appear without a printed ISBN if it is printed privately or the author does not follow the usual ISBN procedure; however, this can be rectified later.^[7]

A similar numeric identifier, the International Standard Serial Number (ISSN), identifies periodical publications such as magazines.

Overview[link]

An ISBN is assigned to each edition and variation (except reprintings) of a book.^[8] The ISBN is 13 digits long if assigned after January 1, 2007, and 10 digits long if assigned before 2007. An International Standard Book Number consists of 4 or 5 parts:

The parts of a 10-digit ISBN and the corresponding EAN‑13 and barcode. Note the different check digits in each. The part of the EAN‑13 labeled "EAN" is the Bookland country code.

1. for a 13-digit ISBN, a GS1 prefix: 978 or 979 (indicating the industry; in this case, 978 denotes book publishing)^[9]
2. the group identifier, (language-sharing country group)^[10]
3. the publisher code,^[11]
4. the item number (title of the book),^[11] and
5. a checksum character or check digit.^[11]

The ISBN separates its parts (group, publisher, title and check digit) with either a hyphen or a space. Other than the check digit, no part of the ISBN will have a fixed number of digits.^[12]

ISBN issuance[link]

International Standard Book Numbers issuance is country specific, and is tailored for each country's national goals. In Canada the stated purpose of issuing International Standard Book Numbers for no cost was to encourage Canadian culture. In the United Kingdom and United States apparently the issuing of International Standard Book Numbers has become a profit center for the companies involved. Whether or not any of the profits accrue to the taxpayers is not known.

Australia: In Australia ISBNs are issued by the commercial library services agency Thorpe-Bowker, and prices range from $A40 for a single ISBN (plus a $A55 registration fee for new publishers) through to $2,750 for a block of 1,000 ISBNs.^[13]

Canada: In Canada Library and Archives Canada, a government agency, is the responsible entity, and there is no cost.

United Kingdom and Ireland: In the United Kingdom and Ireland the privately held company, Nielsen Book Services, part of Nielsen Holdings N.V., is the responsible entity, and there is a charge. ISBNs are sold in lots of ten or more.

United States: In the United States the privately held company R. R. Bowker is the responsible entity, and there is a charge, which varies depending upon the number of ISBNs purchased, with prices ranging from $125.00 for a single number.^[14]

Publishers and authors in other countries need to obtain ISBNs from their local ISBN Agency. A directory of ISBN Agencies is available on the International ISBN Agency website.

Group identifier[link]

The group identifier is a 1 to 5 digit number. The single digit group identifiers are: 0 or 1 for English-speaking countries; 2 for French-speaking countries; 3 for German-speaking countries; 4 for Japan; 5 for Russian-speaking countries, 7 for People's Republic of China. An example 5 digit group identifier is 99936, for Bhutan. The allocated group IDs are: 0–5, 600–617, 7, 80–94, 950–989, 9927–9989, and 99901–99967.^[15] Some catalogs include books that were published with no ISBN but add a non-standard number with an as-yet unallocated 5-digit group such as 99985; this practice is not part of the standard. Books published in rare languages typically have longer group identifiers.^[9]

The original standard book number (SBN) had no group identifier, but affixing a zero (0) as prefix to a 9-digit SBN creates a valid 10-digit ISBN. Group identifiers form a prefix code; compare with country calling codes.

Publisher code[link]

The national ISBN agency assigns the publisher number (cf. the category:ISBN agencies); the publisher selects the item number. Generally, a book publisher is not required to assign an ISBN, nor is it necessary for a book to display its number (except in China; see below). However, most book stores only handle ISBN-bearing merchandise.

A listing of all the 628,000 assigned publisher codes is published, and can be ordered in book form (€558, US$915.46). The web site of the ISBN agency does not offer any free method of looking up publisher codes.^[16] Partial lists have been compiled (from library catalogs) for the English-language groups: identifier 0 and identifier 1.

Publishers receive blocks of ISBNs, with larger blocks allotted to publishers expecting to need them; a small publisher may receive ISBNs of one or more digits for the group identifier code, several digits for the publisher, and a single digit for the individual items. Once that block of ISBNs is used, the publisher may receive another block of ISBNs, with a different publisher number. Consequently, a publisher may have different allotted publisher numbers. There also may be more than one group identifier used in a country. This might occur if a popular identifier has used up all of its numbers. The cited list of identifiers shows this has happened in China and in more than a dozen other countries.

By using variable block lengths, a large publisher will have few digits allocated for the publisher number and many digits allocated for titles; likewise countries publishing much will have few allocated digits for the group identifier, and many for the publishers and titles.^[17] Here are some sample ISBN-10 codes, illustrating block length variations.

ISBN	Country or area	Publisher
99921-58-10-7	Qatar	NCCAH, Doha
9971-5-0210-0	Singapore	World Scientific
960-425-059-0	Greece	Sigma Publications
80-902734-1-6	Czech Republic; Slovakia	Taita Publishers
85-359-0277-5	Brazil	Companhia das Letras
1-84356-028-3	English-speaking area	Simon Wallenberg Press
0-684-84328-5	English-speaking area	Scribner
0-8044-2957-X	English-speaking area	Frederick Ungar
0-85131-041-9	English-speaking area	J. A. Allen & Co.
0-943396-04-2	English-speaking area	Willmann–Bell
0-9752298-0-X	English-speaking area	KT Publishing

Pattern[link]

English-language publisher codes follow a systematic pattern, which allows their length to be easily determined, as follows:^[18]

Check digits[link]

A check digit is a form of redundancy check used for error detection, the decimal equivalent of a binary checksum. It consists of a single digit computed from the other digits in the message.

ISBN-10[link]

The 2001 edition of the official manual of the International ISBN Agency says that the ISBN-10 check digit^[19] – which is the last digit of the ten-digit ISBN – must range from 0 to 10 (the symbol X is used instead of 10) and must be such that the sum of all the ten digits, each multiplied by the integer weight, descending from 10 to 1, is a multiple of the number 11. Modular arithmetic is convenient for calculating the check digit using modulus 11. Each of the first nine digits of the ten-digit ISBN – excluding the check digit, itself – is multiplied by a number in a sequence from 10 to 2, and the remainder of the sum, with respect to 11, is computed. The resulting remainder, plus the check digit, must equal 11; therefore, the check digit is 11 minus the remainder of the sum of the products.

For example, the check digit for an ISBN-10 of 0-306-40615-? is calculated as follows:

Failed to parse (Missing texvc executable; please see math/README to configure.): \begin{align} s &= (0\times 10) + (3\times 9) + (0\times 8) + (6\times 7) + (4\times 6) + (0\times 5) + (6\times 4) + (1\times 3) + (5\times 2) \\ &= 0 + 27 + 0 + 42 + 24 + 0 + 24 + 3 + 10 \\ &= 130 = 11\times 11 + 9 \end{align}

Thus the remainder is 9, the check digit is 2, and the complete sequence is ISBN 0-306-40615-2.

Formally, the check digit calculation is:

Failed to parse (Missing texvc executable; please see math/README to configure.): (10x_1 + 9x_2 + 8x_3 + 7x_4 + 6x_5 + 5x_6 + 4x_7 + 3x_8 + 2x_9 + x_{10})\mod{11} \equiv 0.

The value Failed to parse (Missing texvc executable; please see math/README to configure.): x_{10}

required to satisfy this condition might be 10; if so, an 'X' should be used.

The two most common errors in handling an ISBN (e.g., typing or writing it) are an altered digit or the transposition of adjacent digits. The ISBN check digit method ensures that these two errors will always be detected. However, if the error occurs in the publishing house and goes undetected, the book will be issued with an invalid ISBN.^[20]

Alternative calculation[link]

The simplest way to verify an ISBN is to compute a sum of the digits of the ISBN: <source lang="cpp"> // C++ bool is_isbn_valid(char digits[10]) {

   int i, a = 0, b = 0;
   for (i = 0; i < 10; i++) {
       a += digits[i];  // Assumed already converted from ASCII to 0..9
       b += a;
   }
   return b % 11 == 0;

} </source>

The ISBN-10 check-digit can also be calculated in a slightly easier way:

Failed to parse (Missing texvc executable; please see math/README to configure.): x_{10} = ( 1x_1 + 2x_2 + 3x_3 + 4x_4 + 5x_5 + 6x_6 + 7x_7 +8x_8 + 9x_9 )\, \bmod\;11.

This is simply replacing 11 with 0, and each subtraction with its complement: Failed to parse (Missing texvc executable; please see math/README to configure.): -10 \equiv 1 \mod 11,

etc.

For example, the check digit for an ISBN-10 of 0-306-40615-? is calculated as follows:

Failed to parse (Missing texvc executable; please see math/README to configure.): (1 \times 0 + 2 \times 3 + 3 \times 0 + 4 \times 6 + 5 \times 4 + 6 \times 0 + 7 \times 6 + 8 \times 1 + 9 \times 5) \, \bmod\; 11 = 145 \, \bmod\; 11 = 2

ISBN-13[link]

The 2005 edition of the International ISBN Agency's official manual^[21] covering some ISBNs issued from January 2007, describes how the 13-digit ISBN check digit is calculated.

The calculation of an ISBN-13 check digit begins with the first 12 digits of the thirteen-digit ISBN (thus excluding the check digit itself). Each digit, from left to right, is alternately multiplied by 1 or 3, then those products are summed modulo 10 to give a value ranging from 0 to 9. Subtracted from 10, that leaves a result from 1 to 10. A zero (0) replaces a ten (10), so, in all cases, a single check digit results.

For example, the ISBN-13 check digit of 978-0-306-40615-? is calculated as follows:

s = 9×1 + 7×3 + 8×1 + 0×3 + 3×1 + 0×3 + 6×1 + 4×3 + 0×1 + 6×3 + 1×1 + 5×3
  =   9 +  21 +   8 +   0 +   3 +   0 +   6 +  12 +   0 +  18 +   1 +  15
  = 93
93 / 10 = 9 remainder 3
10 –  3 = 7

Thus, the check digit is 7, and the complete sequence is ISBN 978-0-306-40615-7.

Formally, the ISBN-13 check digit calculation is:

Failed to parse (Missing texvc executable; please see math/README to configure.): x_{13} = \big(10 - \big(x_1 + 3x_2 + x_3 + 3x_4 + \cdots + x_{11} + 3x_{12}\big) \,\bmod\, 10\big) \,\bmod\, 10.

This check system – similar to the UPC check digit formula – does not catch all errors of adjacent digit transposition. Specifically, if the difference between two adjacent digits is 5, the check digit will not catch their transposition. For instance, the above example allows this situation with the 6 followed by a 1. The correct order contributes 3×6+1×1 = 19 to the sum; while, if the digits are transposed (1 followed by a 6), the contribution of those two digits will be 3×1+1×6 = 9. However, 19 and 9 are congruent modulo 10, and so produce the same, final result: both ISBNs will have a check digit of 7. The ISBN-10 formula uses the prime modulus 11 which avoids this blind spot, but requires more than the digits 0-9 to express the check digit.

Additionally, If you triple the sum of the 2nd, 4th, 6th, 8th, 10th, and 12th digits and then add them to the remaining digits (1st, 3rd, 5th, 7th, 9th, 11th, and 13th), the total will always be divisible by 10 (i.e., end in 0).

<source lang="java"> // Java public static boolean isISBN13Valid(String isbn) {

   int check = 0;
   for (int i = 0; i < 12; i += 2) {
       check += Integer.valueOf(isbn.substring(i, i + 1));
   }
   for (int i = 1; i < 12; i += 2) {
       check += Integer.valueOf(isbn.substring(i, i + 1)) * 3;
   }
   check += Integer.valueOf(isbn.substring(12));
   return check % 10 == 0;

} </source>

<source lang="php"> //PHP function is_isbn_13_valid($n){

   $check = 0;
   for ($i = 0; $i < 13; $i+=2) $check += substr($n, $i, 1);
   for ($i = 1; $i < 12; $i+=2) $check += 3 * substr($n, $i, 1);
   return $check % 10 == 0;

}</source> <source lang="ruby">

1. Ruby

def is_valid_isbn13?(isbn13)

 sum = 0
 13.times { |i| sum += i.modulo(2)==0 ? isbn13[i].to_i : isbn13[i].to_i*3 }
 0 == sum.modulo(10)

end

def isbn13_checksum(isbn12)

 sum = 0
 12.times { |i| sum += i.modulo(2)==0 ? isbn12[i].to_i : isbn12[i].to_i*3 }
 10 - sum.modulo(10)

end</source>

<source lang="python">

1. Python

def is_valid_isbn13(isbn13):

   total = sum([int(num)*weight for num, weight in zip(isbn13, (1,3)*6)])
   ck = 10-(total%10)
   return ck == int(isbn13[-1])

</source>

<source lang="cpp">

1. C/C++

bool is_valid_isbn13(char digits[13]) { int i, check=0; for (i=0; i<13; i+=2) check += digits[i]; for (i=1; i<12; i+=2) check += 3*digits[i]; return check%10==0; } </source>

Errors in usage[link]

Publishers and libraries have varied policies about the use of the ISBN check digit. Publishers sometimes fail to check the correspondence of a book title and its ISBN before publishing it; that failure causes book identification problems for libraries, booksellers, and readers.^[22]

Most libraries and booksellers display the book record for an invalid ISBN issued by the publisher. The Library of Congress catalogue contains books published with invalid ISBNs, which it usually tags with the phrase "Cancelled ISBN".^[23] However, book-ordering systems such as Amazon.com will not search for a book if an invalid ISBN is entered to its search engine.^{[citation needed]}

EAN format used in barcodes, and upgrading[link]

Currently the barcodes on a book's back cover (or inside a mass-market paperback book's front cover) are EAN-13; they may have a separate barcode encoding five digits for the currency and the recommended retail price.^[24] The number "978", the Bookland "country code", is prefixed to the ISBN in the barcode data, and the check digit is recalculated according to the EAN13 formula (modulo 10, 1x and 3x weighting on alternate digits).

Partly because of an expected shortage in certain ISBN categories, the International Organization for Standardization (ISO) decided to migrate to a thirteen-digit ISBN (ISBN-13). The process began January 1, 2005 and was planned to conclude January 1, 2007.^[25] As of 2011, all the 13-digit ISBNs begin with 978. As the 978 ISBN supply is exhausted, the 979 prefix will be introduced. This is expected to occur more rapidly outside the United States. Originally, 979 was the Musicland code for musical scores with an ISMN. However, ISMN codes will differ visually as they begin with an "M" letter; the bar code represents the "M" as a zero (0), and for checksum purposes it will count as a 3.

Publisher identification code numbers are unlikely to be the same in the 978 and 979 ISBNs, likewise, there is no guarantee that language area code numbers will be the same. Moreover, the ten-digit ISBN check digit generally is not the same as the thirteen-digit ISBN check digit. Because the EAN/UCC-13 is part of the Global Trade Item Number (GTIN) system (that includes the EAN/UCC-14, the UPC-12, and the EAN-8), it is expected that ISBN-generating software should accommodate fourteen-digit ISBNs.^[26]

Barcode format compatibility is maintained, because (aside from the group breaks) the ISBN-13 barcode format is identical to the EAN barcode format of existing ISBN-10s. So, migration to an EAN-based system allows booksellers the use of a single numbering system for both books and non-book products that is compatible with existing ISBN-based data, with only minimal changes to information technology systems. Hence, many booksellers (e.g., Barnes & Noble) migrated to EAN barcodes as early as March 2005. Although many American and Canadian booksellers were able to read EAN-13 barcodes before 2005, most general retailers could not read them. The upgrading of the UPC barcode system to full EAN-13, in 2005, eased migration to the ISBN-13 in North America. Moreover, by January 2007, most large book publishers added ISBN-13 barcodes alongside the ten-digit ISBN barcodes of books published before January 2007.^[27]

See also[link]

• ASIN (Amazon Standard Identification Number)
• CODEN (serial publication identifier currently used by libraries; replaced by the ISSN for new works)
• DOI (Digital Object Identifier)
• ESTC (English Short Title Catalogue)
• ETTN (Electronic Textbook Track Number)
• ISAN (International Standard Audiovisual Number)
• ISMN (International Standard Music Number)
• ISWC (International Standard Musical Work Code)
• ISRC (International Standard Recording Code)
• ISSN (International Standard Serial Number)
• ISWN (International Standard Wine Number)
• LCCN (Library of Congress Control Number)
• List of group-0 ISBN publisher codes
• List of group-1 ISBN publisher codes
• OCLC number (Online Computer Library Center number [1])
• Registration authority
• SICI (Serial Item and Contribution Identifier)
• Special:Booksources, Wikipedia's ISBN search page
• VD 16 (Verzeichnis der im deutschen Sprachbereich erschienenen Drucke des 16. Jahrhunderts)(in English: Bibliography of Books Printed in the German Speaking Countries of the Sixteenth Century)
• VD 17 (Verzeichnis der im deutschen Sprachraum erschienenen Drucke des 17. Jahrhunderts)(in English: Bibliography of Books Printed in the German Speaking Countries of the Seventeenth Century)

Notes[link]

External links[link]

• ISO 2108:2005 at www.iso.org
• ISBN to EAN EAS^{[disambiguation needed ]} EBS^{[disambiguation needed ]} transition at isbn.org
• Description of the ISBN to EAN upgrade process at bookweb.org
• International ISBN Agency—coordinates and supervises the worldwide use of the ISBN system.
• Numerical List of Group Identifiers List of language/region prefixes
• Free conversion tool: ISBN-10 to ISBN-13 & ISBN-13 to ISBN-10 from the ISBN agency. Also shows correct hyphenation & verifies if ISBNs are valid or not.
• RFC 3187 Using International Standard Book Numbers as Uniform Resource Names (URN)
• Implementation guidelinesPDF (51.0 KB) for the 13-digit ISBN code.

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2008)

International standards are standards developed by international standards organizations. International standards are available for consideration and use, worldwide. A prominent organisation is the International Organization for Standardization.

International standards may be used either by direct application or by a process of modifying an international standard to suit local conditions. The adoption of international standards results in the creation of equivalent, national standards that are substantially the same as international standards in technical content, but may have (i) editorial differences as to appearance, use of symbols and measurement units, substitution of a point for a comma as the decimal marker, and (ii) differences resulting from conflicts in governmental regulations or industry-specific requirements caused by fundamental climatic, geographical, technological, or infrastructural factors, or the stringency of safety requirements that a given standard authority considers appropriate.

International standards are one way of overcoming technical barriers in international commerce caused by differences among technical regulations and standards developed independently and separately by each nation, national standards organisation, or company. Technical barriers arise when different groups come together, each with a large user base, doing some well established thing that between them is mutually incompatible. Establishing international standards is one way of preventing or overcoming this problem.

See also[link]

• List of technical standard organisations

References[link]

Noel Gallagher
Background information
Birth name	Noel Thomas David Gallagher
Born	(1967-05-29) 29 May 1967 (age 45) Manchester, England
Genres	Rock, Britpop, alternative rock, psychedelic rock
Occupations	Musician, songwriter
Instruments	Vocals, guitar, bass, piano, keyboards, sitar, melodica, mellotron, violin, banjo, drums
Years active	1991–present
Labels	Creation, Big Brother, Epic, Sour Mash
Associated acts	Oasis, Noel Gallagher's High Flying Birds, The Rain, Tailgunner, Smokin' Mojo Filters, Inspiral Carpets
Notable instruments
Epiphone Supernova Signature Model Gibson ES-355 Gibson ES-345 Gibson Les Paul Gibson J-200 Martin D-28

Noel Thomas David Gallagher (born 29 May 1967) is an English musician and singer-songwriter, formerly the lead guitarist, occasional lead singer and principal songwriter of the rock band Oasis. He is currently fronting his solo project, Noel Gallagher's High Flying Birds. Raised in Burnage, Manchester with Liam, Noel began learning guitar at the age of thirteen. After a series of odd jobs in construction, he worked for local Manchester band Inspiral Carpets as a roadie and technician in 1988. Whilst touring with them, he learned that Liam had formed a band of his own, known as The Rain, which eventually took on the name Oasis. After Gallagher returned to England, he was invited by his brother to join Oasis as songwriter and guitarist.

Oasis' debut album, Definitely Maybe (1994), marked the beginning of the band's rise to fame as head of the Britpop movement. Oasis' second album, (What's the Story) Morning Glory?, reached the top of the album charts in many countries and their third studio album, Be Here Now, became the fastest-selling album in UK chart history. Britpop eventually declined in popularity and Oasis' next two albums failed to revive it. However, the band's final two albums, Don't Believe the Truth (2005) and Dig Out Your Soul (2008), were hailed as its best efforts in over a decade and found renewed success. On 28 August 2009, following an altercation with Liam prior to a gig in Paris, Gallagher announced his departure from Oasis and on 23 October 2009, he confirmed he would embark on a solo career.^[1]

Gallagher's run with Oasis was marked by turbulence, especially during the peak of Britpop, during which he was involved in several disputes with Liam, and the brothers' fights and wild lifestyles regularly made headlines in British tabloid newspapers. Gallagher (along with Oasis) also shared a personal rivalry with fellow Britpop band Blur. However, Gallagher was often regarded as the spear-head of the Britpop movement, and at one point of time, NME termed a number of Britpop bands (including Kula Shaker, Ocean Colour Scene and Cast) as "Noelrock", citing Gallagher's influence on their success.^[2] Many have praised Gallagher's songwriting, with George Martin claiming Noel to be 'the finest songwriter of his generation'.^[3]

Childhood and early life[link]

Noel Gallagher was born in Longsight, Manchester, to Irish parents Peggy and Thomas Gallagher. He was the couple's second child, after the birth of Paul Anthony Gallagher. Soon after the birth of younger brother Liam in 1972, the Gallaghers moved to Ashburn Avenue in the Manchester suburb of Burnage.^[4] Noel had an unhappy childhood. He and his brothers were often beaten by his alcoholic father,^[5] and he was often reclusive—Liam described him as "the weirdo in the family". Due to their unease around their father, Noel and Paul both developed stammers.^[4] As the oldest child, Paul was given a room to himself, and Noel was forced to share with Liam.^[5]

Peggy Gallagher acquired a legal notice of separation from her husband in 1976. Six years later she finally left him, taking the three boys with her.^[4] As teenagers the Gallagher brothers—especially Noel—were regular truants, often getting in trouble with the police. When his mother took a job working in the school canteen, Noel ensured that he stopped by to visit her during lunch before skipping the rest of the day.^[6] He was expelled from school at the age of 15 for throwing a bag of flour over a teacher.^[7] He used to hang around with the football hooligan firms Maine Line Crew, Under-5s and Young Guvnors in the 1980s,^[8] and at the age of thirteen, Noel received six months' probation for robbing a corner shop.^[5] It was during this period of probation, with little else to do, that Noel first began to teach himself to play a guitar his father had left him, imitating his favourite songs from the radio. Noel was particularly inspired by the debut of The Smiths on Top of the Pops in 1983, performing their single "This Charming Man". He later reflected, "From that day on ... I wanted to be [Smiths guitarist] Johnny Marr."^[9]

As teenagers the Gallagher brothers maintained limited contact with their father in order to secure jobs in construction. However, the relationship between father and sons continued to be tempestuous; Noel said, "Because we were always arguing we'd still be working at nine o'clock every night".^[6] Having left his father's building company, he took a job at another building firm sub-contracted to British Gas. There he sustained an injury when a heavy cap from a steel gas pipe landed on his right foot. Following a period of recuperation, Noel was offered a less physically demanding role in the company's storehouse, freeing up time in which to practice guitar and write songs. He claimed to have written at least three of the songs on Definitely Maybe in this storehouse (including "Live Forever" and "Columbia"). He later called the storehouse "The Hit Hut" and claimed the walls were painted gold^[10] Much of the late 1980s found Noel unemployed and living in a bedsit, occupying his time with recreational drug use, songwriting and guitar playing. He is left handed, but plays right handed.^[11]

In May 1988, Noel met guitarist Graham Lambert of Inspiral Carpets during a Stone Roses show. The two struck up an acquaintanceship and Noel became a regular at Inspiral Carpets shows. When he heard singer Steve Holt was leaving the band, Noel auditioned to be the new vocalist.^[12] He was rejected, but became part of their road crew for two years. Singer Tom Hingley said Gallagher owes his own career to the band, since "his business sense, work ethic, message and humour are Inspiral down to the core."^[13] Noel struck up a friendship with monitor engineer Mark Coyle over their love of the Beatles, and the pair spent sound-checks dissecting the group's songs.^[14]

Career with Oasis[link]

Joining the band[link]

In 1991, Noel returned from an American tour with the Inspiral Carpets to find that his brother Liam had become a singer with a local band called "The Rain". Noel attended one of their concerts at Manchester's Boardwalk, but was unimpressed by the group's act. After rejecting an offer from Liam to be the band's manager,^[15] he agreed to join the band, on the condition that he take creative control of the group and become its sole songwriter. According to another source, Noel Gallagher told Liam and the rest of the group after having heard them play for the first time: "Let me write your songs and I'll take you to superstardom, or else you'll rot here in Manchester". His control over the band in its early years earned him the nickname "The Chief".^[16]

In May 1993, the band heard that a record executive from Creation Records would be scouting for talent at King Tut's in Glasgow. Together, they found the money to hire a van and make the six-hour journey. When they arrived, they were refused entry to the club because no one notified the venue that Oasis had been added to the bill. The band eventually secured the opening slot and played a four-song set that impressed Creation founder Alan McGee.^[17] McGee then took the Live Demonstration tape to Sony America and invited Oasis to meet with him a week later in London, at which point they were signed to a six-album contract. Gallagher has since claimed that he only had six songs written at the time, and has put his success in the interview down to "bullshitting".^[5] However, McGee believes that when they met, Gallagher had fifty or so songs written, and merely lied about how prolific he had been following the contract.^[10] Richard Ashcroft was so impressed with Oasis during the time, that he invited them to tour with his band The Verve as an opening act.^[18]

Gallagher claimed to have written Oasis' first single, "Supersonic", in "the time it takes to play the song."^[10] "Supersonic" was released in early 1994 and peaked at No.31 on the official UK charts. The single was later followed by Oasis' debut album Definitely Maybe, which was released in August 1994 and was a critical and commercial success. It became the fastest-selling debut album in British history at the time, and entered the UK Charts at #1.^[19] Despite their rapidly growing popularity, Noel briefly left Oasis in 1994 during their first American tour. The conditions were poor, and he felt the American audience—still preoccupied with grunge and metal—did not understand the band.^[20] Noel stated that his early songs, especially "Live Forever", were written to refute grunge's pessimism.^[21] Tensions mounted between him and Liam, culminating in a fight after a disastrous L.A. gig.^[10] Having effectively decided to quit the music industry, he flew to San Francisco without telling the band, management or the crew. It was during this time that Noel wrote "Talk Tonight" as a "thank you" for the girl he stayed with, who "talked him from off the ledge". He was tracked down by Creation's Tim Abbot and during a trip by the pair to Las Vegas, Noel decided to continue with the band. He reconciled with his brother and the tour resumed in Minneapolis.^[22]

Britpop and the height of fame[link]

Gallagher followed up the debut in 1995 with Oasis' first UK No.1 single in "Some Might Say". This preceded their second album, (What's the Story) Morning Glory?, released later that year. Though it suffered initial critical apathy, the album became the second fastest-selling album ever in the UK, entering the UK album charts at No.1 and peaking at No.4 on the Billboard 200 chart.^[19]

The success of Oasis and his newfound fame and fortune were not lost on Gallagher, and both he and his brother became famous for their "rock and roll lifestyle". They drank heavily, abused drugs, fought fans, critics, peers, and each other, and made celebrity friends such as Ian Brown, Paul Weller, Mani, Mick Jagger, Craig Cash, Kate Moss and Johnny Depp. Noel Gallagher spent extravagantly, buying various cars and a swimming pool, despite the fact he can neither drive,^[23] nor swim.^[24] He named his house in Belsize Park in London "Supernova Heights" (after the song "Champagne Supernova"), and his two cats "Benson" and "Hedges" after his favourite brand of cigarettes.^[25]

Oasis went on to have greater success with their next two singles, "Wonderwall" and "Don't Look Back in Anger" charting at No.2 and No.1 respectively; the former becoming their sole top 10 hit in the US. Originally, Noel had wanted to take lead vocals on "Wonderwall", but Liam insisted on singing it. As compensation, Noel decided he would sing lead vocals on "Don't Look Back in Anger".^[26] 1995 also saw Gallagher play two songs for the charity album Help! : "Fade Away", accompanied by friend and Oasis fan Johnny Depp and Depp's then-girlfriend Kate Moss; and The Beatles' 1969 hit "Come Together", along with Paul Weller, Paul McCartney and others in a supergroup called Smokin' Mojo Filters.^[27] Noel has also collaborated with the Chemical Brothers, Ian Brown, The Stands, The Prodigy and Weller, amongst others. Gallagher became so influential that a June 1996 NME article argued that "If Noel Gallagher, the most successful songwriter of his generation, champions a group, then said group are guaranteed more mainstream kudos and, quite possibly, more sales. And since Noel has taken to championing only five or six groups, then it's a powerful cabal he's promoting."^[2] The NME article grouped the bands Gallagher praised, including The Boo Radleys, Ocean Colour Scene, and Cast, under the banner of "Noelrock". John Harris typified these bands, and Gallagher, of sharing "a dewy-eyed love of the 1960s, a spurning of much beyond rock's most basic ingredients, and a belief in the supremacy of 'real music'".^[28]

In March 1996, Noel and Liam Gallagher met their father again when the News of the World paid him to go to their hotel during a tour. Noel left for his room, later commenting "as far as I'm concerned, I haven't got a father. He's not a father to me, y'know? I don't respect him in any way whatsoever".^[5] Also in 1996, Oasis sold out two nights at Knebworth, playing to over 250,000 fans. Following the worldwide success of Morning Glory?, Be Here Now (1997) became Oasis' most eagerly anticipated album to date. As with the previous two albums, all the tracks were written by Noel. After an initial blaze of publicity, positive critical reviews, and commercial success, the album failed to live up to long-term expectations, and public goodwill towards Be Here Now was short-lived.^[29] The album was ultimately regarded by many as a bloated, over-indulgent version of Oasis, which Gallagher has since blamed on the drug-addicted state and indifference of the band at the time.^[30]

Gallagher began to suffer drug-induced panic attacks during this period. His Depression and paranoid well-being inspired the song "Gas Panic!", subsequently included on the 2000 album Standing on the Shoulder of Giants. Gallagher claimed to have quit using illicit drugs on 5 June 1998. He stated in 2001, "I liked drugs, I was good at them. But I'd had panic attacks for about a year and I stopped because I wanted to. After you make the decision, it is quite easy." Between 1993 and 1998, he claims, "I can hardly remember a thing."^[20]

Post-Britpop years[link]

Gallagher performing with Oasis at the Shoreline Amphitheatre on 11 September 2005

After the hype surrounding the release of Be Here Now had started to wane, critical response to the band became calmer and more considered, leading to a media backlash. In 1997, Noel was criticised for attending a high-profile and well-publicised media party at 10 Downing Street, hosted by the newly-appointed Prime Minister, Tony Blair, along with other celebrities and industry figures who had supported New Labour in the run-up to the general election. Both brother Liam and Blur's Damon Albarn declined their invitations, with Albarn commenting "Enjoy the schmooze, comrade."^[31] The perception of Gallagher as someone now mixing with politicians—or, in particular, a famous photograph of him sipping champagne with Blair—conflicted with the "working class hero" status championed through songs such as "Up in the Sky".^[32]

In 1999, rhythm guitarist Paul "Bonehead" Arthurs quit the band, with bassist Paul McGuigan following soon afterwards. As a result, the fourth studio album, Standing on the Shoulder of Giants, was recorded by just the Gallaghers and drummer Alan White, with Noel playing all guitar parts. Gallagher commented on Bonehead's departure, "It's hardly Paul McCartney leaving the Beatles, is it?".^[33] After the recording sessions were completed, Gallagher selected Gem Archer to join in place of Bonehead.

Later that year Alan McGee decided to leave Creation and sold the rest of his 51% stake in the label to Sony.^[34] Gallagher took this opportunity to set up Big Brother Recordings, which took over Oasis' distribution in the UK, but Sony imprint Epic Records continues to handle the band's international distribution.^[35] Around the time of the album's release, Andy Bell, formerly of Ride, joined the band as bassist. In 2001, Gallagher formed his own label, Sour Mash Records, which released records by the likes of Shack and Proud Mary. The incorporation of the label followed Gallagher's debut as a producer, working with Proud Mary on their debut, The Same Old Blues.^[36]

In late 2006, Gallagher toured the UK, Europe, Japan, America and Australia in a series of acclaimed intimate semi-acoustic gigs accompanied by Gem Archer and Terry Kirkbride on percussion. The show proved successful and a further series of sets took place in 2007. March 2007 saw Gallagher perform in Moscow—the first time an Oasis member has performed in Russia.^[37] Yet Gallagher dismissed claims that he was planning to embark on a solo career.^[38] In early 2007, Gallagher joined the rest of Oasis to collect the "Outstanding Contribution to Music" Award at the Brit Awards 2007.^[39]

Noel, along with the band recorded their seventh studio album between 2007 and the next year in Abbey Road Studios and Los Angeles, and started at the end of the summer of 2008 a tour that will last at least 12 months.

In March 2009, The Times in conjunction with iTunes released a selection of live recordings by Noel Gallagher taken from his semi-acoustic performance at the Royal Albert Hall on 27 March 2007 in aid of Teenage Cancer Trust. The Dreams We Have as Children features classic and rare tracks from the Oasis canon along with several cover versions of some of Noel's favourite artists.

Departure from the band[link]

On 28 August 2009 Noel quit Oasis after a fight with his brother, Liam Gallagher. A little before midnight on Friday he posted a statement on his message board called "Tales from the Middle of Nowhere" on the band's website announcing his departure.^[40]

Post-Oasis[link]

Solo performances[link]

Noel's first concerts without Oasis were announced on 1 February 2010^[41] to be at London's Royal Albert Hall on 25 and 26 March 2010 for Teenage Cancer Trust .^[42] Noel was supported by The Courteeners and Plan B respectively.^[43] Terry Kirkbride and Gem Archer joined him on-stage,^[44][45] as did Jay Darlington,^[46] all of whom Gallagher had previously worked with while he was still a member of Oasis. He played a mostly acoustic set, and played a variety of Oasis album tracks and B-sides.^[47] It was almost the same set he played at the Royal Albert Hall in 2007.^[48][49][50] Noel also joined friend Paul Weller onstage in London on 21 April 2010, and played the Oasis song "Mucky Fingers" and a song he co wrote with Weller, "Echoes Round the Sun".

Returning to the studio[link]

Noel Gallagher's High Flying Birds perform at Razzmatazz, Barcelona in March 2012

Noel confirmed that he would be returning to the studio in August 2010 to record drums for another unnamed artist. Paul Weller subsequently confirmed in an interview with Absolute Radio that he was the previously unnamed artist who would be using Noel's drumming services. He also denied rumours that he would be the Best Man for Russell Brand's marriage to Katy Perry.^[51] In August, it was mentioned on a UK Music blog, Sourmash Music, that Noel has been working with Liverpool's own The Sand Band. Lead singer David McDonnell has been co-writing with Noel and are looking to collaborate on future solo projects together.^[52]

On 24 November 2010, Miles Kane revealed that Noel sings on a track from his debut solo album entitled My Fantasy. He also revealed that he will appear on Noel's forthcoming album, playing guitar.^[53]

On 10 February 2011, Noel stated he has "not even started" his first solo record, despite Liam rumouring that he 'swiped' material from the Dig Out Your Soul sessions. "I am not recording new stuff, not just yet," Noel said to Talksport. "It'll be out when it's finished I guess. Well I've not even started it, so I don't know."^[54]

Noel Gallagher's High Flying Birds[link]

Noel Gallagher's High Flying Birds released a self-titled album on 17 October 2011; a collaboration album with Amorphous Androgynous will be released in 2012.^[55] He will be on tour, debuting in Dublin on 23 October 2011. The touring band for Noel Gallagher's High Flying Birds includes David McDonnell (guitar), Russell Pritchard (bass), Mikey Rowe (keyboards) and Jeremy Stacey (drums).^[56] On 20 July 2011, Gallagher released a 47 second trailer of his first single "The Death of You and Me". The video for the debut single was released on 25 July at 8:21 am (GMT).^[57]

Personal life[link]

Relationships[link]

At the age of 18, Gallagher became engaged to his then-girlfriend Diane, but they never married and eventually separated. In 1988, he moved out of his family home to live with Louise Jones, whom he described as his "soulmate" and for whom he wrote "Slide Away". They had an on-again, off-again relationship before finally separating in June 1994, with Gallagher stating, "I don’t think I’ll ever get over it."^[58]

In June 1997, Gallagher married Meg Mathews in Las Vegas, Nevada. He had met her in 1994 through her roommate, MTV presenter Rebecca de Ruvo, whom he was dating at the time and whom he left for Mathews.^[59] Mathews gave birth to a daughter, Anaïs Gallagher, on 27 January 2000. Gallagher and Mathews divorced in January 2001 on grounds of his adultery with Scottish publicist Sara MacDonald. After the divorce was finalised, Gallagher admitted he had only claimed to have cheated in order to speed up the divorce process and that he had never actually been unfaithful.^[60]

Since his separation from Mathews, Gallagher has been in a relationship with MacDonald, whom he met at club Space on Ibiza in June 2000. He wrote "Waiting for the Rapture" about their meeting. They have two sons, Donovan Rory MacDonald Gallagher (born 22 September 2007)^[61] and Sonny Patrick MacDonald Gallagher (born 1 October 2010). Gallagher and MacDonald were married on 18 June 2011 in a private ceremony at the Lime Wood Hotel in the New Forest National Park.^[62] Gallagher's best friend Russell Brand was best man at the wedding.

Other[link]

He was a frequent guest on The Russell Brand Show on BBC Radio 2, appearing on almost every show, leading Brand to dub him an unofficial "Co presenter". He is also a regular on the digital radio sports show, "TalkSPORT"^[63] Other notable friends of his are, Mani of Primal Scream, Richard Ashcroft of The Verve – for whom he dedicated a song, "Cast No Shadow", the band members of the Chemical Brothers, -^[64] Sex Pistols members John Lydon^[65] and Steve Jones^[66] the members of the rock band Kasabian,^[67] Andy Nicholson,^[68] boxer Ricky Hatton,^[69] Paul McCartney,^[70] Liverpool F.C footballer Jamie Carragher, Chris Martin, Jonny Buckland,^[71] Johnny Marr,^[72] Paul Weller,^[73] Ian Brown, John Squire, Lee Mavers, Craig Cash, Kelly Jones and Johnny Depp (who played slide guitar on the Oasis song Fade In-Out).^[74] He was also good friends with Kate Moss who used to stay with him when she was visiting London.^[75][76][77] In 2001 he was reported to have an estimated personal fortune of £25 million.^[78] In 2009 The Sunday Times Rich List estimated Noel and Liam's combined personal fortune at £52 million.^[79]

Gallagher is a fan of football, being a life-long supporter of Manchester City F.C. (Gallagher admitting he 'cried like a baby' when City won the Premier League title) ^[80]and Celtic F.C ^[81] He is a friend of former City midfielder Joey Barton,^[82] as well as Celtic manager Neil Lennon^[83] and Italian striker Alessandro Del Piero, who described Gallagher as Italy's "lucky mascot" during the 2006 FIFA World Cup,^[84] and appears in the Oasis video "Lord Don't Slow Me Down".^[85] Gallagher was an official ambassador for England's bid to host the 2018 FIFA World Cup.^[86]

Gallagher stated in a 2006 radio interview with Russell Brand that he does not believe in God or "an all-guiding force."^[87] Despite this assertion, throughout his career, many of his songs have mentioned God ("Carry Us All," "Gas Panic!," "The Hindu Times," "Little by Little," to name four), and all the tracks he had contributed to Dig Out Your Soul, as well as the other bandmates' songs, have lyrics and references to God and other biblical terms. Dig Out Your Soul has been described by Noel as a "religious Armageddon". But in recent interviews for Dig Out Your Soul regarding religion, Noel stated "See, I don't know what I am. If I was an atheist I'd just write songs about not believing in God – but I don't know what I am."^[88]

In 2008 it was announced that Gallagher would sell his home in Ibiza located near fellow musician James Blunt's, saying while in Los Angeles on the Russell Brand BBC Radio 2 show that he "Can't stand living there in the knowledge that Blunt is nearby making terrible music."^[89]

Gallagher along with Matt Morgan (who was co-host on The Russell Brand Show) sat in for Dermot O'Leary's Saturday show on BBC Radio 2 on 10 September 2011.

Gallagher was reportedly asked by Simon Cowell to be a judge on The X Factor after Dannii Minogue, Cheryl Cole and Cowell himself declined to participate in series 8, which Gallagher subsequently declined as well.^[90]

Songwriting and musicianship[link]

Noel Gallagher was the primary songwriter in Oasis, and on the group's first few albums he was the sole songwriting contributor. Gallagher is often criticised for the praise he gives to his own songs. He points out "If you'd written 'Live Forever', you'd be walking to a different tune the next day too."^[91] Gallagher has often been accused by critics of plagiarising the music of his heroes, but he has maintained outright homages in his music are his intention. In a 1996 Guitar World interview, he described himself as "a fan who writes songs" and stated, "I'm not saying, 'I'm the greatest songwriter in the world. Listen to me.' Usually, I'm saying, 'These are the greatest songwriters in the world. And I'm gonna put them all in this song"'. His response to critics about the topic of "blatantly pinching riffs" was, "No, I don't feel guilty. But you feel pissed off because you didn't do it first."^[92]

Though naturally left-handed, Gallagher plays guitar right-handed, which he claims is the only thing he can do with his non-dominant hand.^[93] Noel has said he sometimes does not understand his own lyrics, commenting in 2005 that "when I'm halfway through 'Don't Look Back in Anger' I say to myself. 'I still don't know what these words mean!'"^[94] Noel has declared to be dyslexic, which slows down the process of his songwriting, nor can he read or write music.^[95]

Changing band dynamic[link]

Gallagher's role as chief songwriter for Oasis changed over time as he allowed a greater level of lyrical input from the other band members. Standing on the Shoulder of Giants included Oasis' first ever album track written by Liam Gallagher. Heathen Chemistry included a further three tracks by Liam (including the single "Songbird"), one by Archer and one by Andy Bell. Don't Believe the Truth featured another three tracks by Liam (though one of them, "Love Like a Bomb" was co-written with Archer), one from Archer, and two from Bell. The latter two albums have been greeted with increasing critical and commercial success in the U.K., particularly Don't Believe the Truth.^[96] Yet the second single from Don't Believe the Truth, "The Importance of Being Idle" became the second Noel-sung Oasis track to top the UK charts and was named 2005's finest track by Q magazine, as well as being nominated for the NME's "Best Song of 2005" award. However, on the last Oasis albums, Noel's increasing role as lead singer, apparently to compensate for his diminished role as songwriter, caused some tension with Liam.^[97]

Zak Starkey, son of former Beatles drummer Ringo Starr and previous drummer for Gallagher's heroes The Who and Johnny Marr, replaced long-time drummer Alan White during the recording sessions for Don't Believe the Truth. The loss of White prompted Gallagher to comment, in a 2005 interview, that he puts Oasis' trouble with drummers, in part, to the fact that he is himself a talented drummer, saying "I get a lot of stick for it, but I'm the best drummer in the group."^[98]

Controversy[link]

Gallagher is well known for his controversial, outspoken statements in the press; he acknowledged his tendency for faux pas in the song "My Big Mouth" on the album Be Here Now. Yet Gallagher has defended himself, saying "people think [I'm] controversial for the answers [I] give to silly questions in interviews, but ... I'm not thinking about insulting ... people; I say what I genuinely feel is in my heart. My conscience is clean, d'you know what I mean? Y'know, I'm true to myself—fuck everybody else."^[99] His opinions have earned him an "elder statesman" reputation, with NME dubbing him "The wisest man in rock".^[100]

Damon Albarn and Blur[link]

The most infamous of Gallagher's controversial statements was in a 1995 interview with The Observer, where he expressed a wish for Damon Albarn and Alex James of rivals Blur to "catch AIDS and die", a comment which he quickly apologised publicly for, and stated that "AIDS is no laughing matter."^[101][102] This statement was preceded by the success of (What's the Story) Morning Glory?, which led to a well-documented feud with fellow Britpop band Blur. The differing styles of the bands, coupled with their prominence within the Britpop movement, led the British media to seize upon the rivalry between the bands. Both factions played along, with the Gallaghers taunting Blur at the 1996 BRIT Awards by singing a rendition of "Parklife" when they collected their "Best British Band" award (with Liam changing the lyrics to "Shite-life").

Gallagher maintains that the rivalry was conceived by the magazine NME and members of Blur's entourage as a ploy to raise their respective profiles, and that since this point he has had no respect for either party. However, Albarn has suggested the roots of the feud were much more personal.^[103] By 2007, the tension between the two had cooled, and in an NME interview, Gallagher said "I've got a lot of respect for Damon, I really do mean it. Because I'm indifferent to Damon he thinks that I think he's a cunt. Our Liam will talk to him, I won't because he's just another singer in a band to me, but I don't think he's a cunt. Good luck to him!"^[104] In an interview during The Jonathan Ross Show on 22 October 2011, Gallagher explained how he coincidently met Albarn in a night club and how they reconciled their feuds and reminisced about the music scene in the 1990s. Furthermore, Gallagher and Albarn met and shared "a warm embrace" at the Brit Awards 2012.

Liam Gallagher[link]

Noel (right) performing with Liam Gallagher at the Coors Amphitheatre, San Diego, 14 September 2005

The Gallagher brothers famously share a turbulent relationship; one of their arguments was even released on a 1995 bootleg single entitled Wibbling Rivalry. Although in recent years their relationship had stabilised, during the band's early career there were a handful of incidents where the two have actually come to blows. In an L.A. show during their first American tour in 1994, Liam took to changing the words of the songs so that they were offensive to both Americans and Noel. A confrontation after the show which led to a chair being thrown and a brawl caused Noel to leave the tour and head for Las Vegas; Noel later claimed he had "visions of Fear and Loathing flashing in [his] eyes". During recording sessions for the second Oasis album, (What's the Story) Morning Glory?, the brothers had a violent fight involving a cricket bat, when Liam invited everyone from a local pub back into the studio while Noel was trying to work.^[105] In 1995, Noel was obliged to sing Wonderwall on Later... with Jools Holland when Liam failed to turn up.^[106]

In 1996, Noel provided lead vocals at a performance for MTV Unplugged when Liam backed out minutes before the set was due to start. Liam claimed to have been struck down with a "sore throat"; the band later found out that Liam did not like performing acoustically.^[5] Noel was further angered when Liam proceeded to heckle him from the balcony and nurse his "sore throat" with beer and cigarettes while the band performed. Just before the band were about to board a plane to the United States for their important make-or-break US tour, Liam left the airport, claiming he had to find a house for his then-wife Patsy Kensit. He later joined the band for their last few gigs and the infamous MTV Awards performance; the remaining dates were scrapped. The band's future was daily tabloid news.

While on tour in Barcelona in 2000, Oasis were forced to cancel a gig when Alan White's arm seized up, and the band spent the night drinking instead. Liam made a derogatory comment about Noel's then-wife Meg Mathews, and attempted to cast doubt over the legitimacy of Noel's daughter Anais, causing Noel to head-butt Liam. Following this, Noel declared he was quitting overseas touring, but returned for an Oasis gig in Dublin on 8 July 2000. During the performance, the two brothers shook hands at the end of "Acquiesce".^[107]

However, the relationship between the two brothers had become strained throughout 2009, leading eventually to a last-minute cancellation of an Oasis concert scheduled to take place on 28 August 2009 in Paris, due to an "altercation within the group."^[108] Later that evening, Noel confirmed he had left Oasis as he "simply could not go on working with Liam a day longer." Through the Oasis website, Noel said "It's with some sadness and great relief to tell you that I quit Oasis tonight".^[109] On 29 August, Noel expanded further on his blog, stating "the level of verbal and violent intimidation towards me, my family, friends and comrades has become intolerable. And the lack of support and understanding from my management and band mates has left me with no other option than to get me cape and seek pastures new."^[110]

On May 21st 2012, after almost 3 years of no communication, it was revealed that Liam and Noel had been in "friendly text contact" after Manchester City won the Barclays Premier League. A source close to the brothers said "They were both over the moon when City won and messages were exchanged. It took something like that to break the ice and they've also been in touch since by text,". The pair are still yet to meet.

Glastonbury[link]

Gallagher reportedly blasted the organizers of the 2008 Glastonbury Festival for scheduling Jay-Z as a headliner for the traditionally guitar-driven festival:

"If it ain't broke don't fix it. If you start to break it then people aren't going to go. I'm sorry, but Jay-Z? No chance. Glastonbury has a tradition of guitar music and even when they throw the odd curve ball in on a Sunday night you go 'Kylie Minogue?' I don't know about it. But I'm not having hip-hop at Glastonbury. It's wrong."^[111]

Emily Eavis, the organiser of England's famed Glastonbury music festival, said she was honoured U.S. hip-hop artist Jay-Z was headlining the event saying: "He is absolutely the right act for our festival," she said. "There is no reason why we should not have the greatest living hip-hop artist on at Glastonbury."^[112] Eavis also cited that Jay-Z was far from the first hip-hop artist to appear at Glastonbury. The Roots, Cypress Hill, and De La Soul had all previously performed at the Glastonbury Festival.

Jay-Z responded to this controversy saying the following:

"We don't play guitars, Noel, but hip-hop has put in its work like any other form of music. This headline show is just a natural progression. Rap music is still evolving. From Afrika Bambaataa DJ-ing in the Bronx and Run DMC going platinum, to Jazzy Jeff And The Fresh Prince winning the first rap Grammy, I'm just next in the line. We have to respect each other's genre of music and move forward."^[113]

Jay-Z opened his set at Glastonbury 2008 with a cover of Oasis' song "Wonderwall". When Gallagher was asked about the incident he replied "The way it's played itself out is that I said Jay-Z had no right to play Glastonbury, which is a crock of horseshit. I got off a plane and someone asked me about the fact that Glastonbury hadn't sold out for the first time in years, and if it was because of Jay-Z. From there it grew into this crap that I was standing on an orange crate at Speakers' Corner saying, 'Gather round, brothers and sisters. Have you heard what's happening at Glastonbury this year?' I have a certain turn of phrase. So if I say, "Chicken sandwiches in McDonald's are just plain fucking wrong," it doesn't mean I'm attacking all chickens or all sandwiches. I've hung out with Jay-Z in Tokyo. I've seen his show. It's not my bag, but it's all right. We have a mutual friend in Chris Martin. So I am a guy who doesn't like hip-hop—shock, horror. I don't dislike rappers or hip-hop or people who like it. I went to the Def Jam tour in Manchester in the '80s when rap was inspirational. Public Enemy were awesome. But it's all about status and bling now, and it doesn't say anything to me."^[114] When Jay Z was asked about Gallagher's comments he said "I haven't spoken to him [Gallagher], I heard he was reaching out. I don't bear any grudge, it's all good. I just believe in good music and bad music, I've always said that. You look at any interview from the beginning of time, I've always stated that I don't believe in the lines and classifications that people put music in so they can easily define it". When asked who he would be interested in collaborating with in the future, the rapper said, "Anyone. Oasis as well – it doesn't matter to me."^[115]

Politics[link]

Gallagher has spoken out about his political views on several occasions, most notably when he visited Tony Blair at No. 10 Downing Street in 1997. In an interview in 1997 when he was asked about why he visited Blair he replied, "I've taken a lot of flack for going to No. 10 Downing Street but the thing about that is, I never considered myself a rebel anyway. I wasn't going there representing the 'Indie community'. I wasn't representing anyone. I was going there for me. You have to understand that from when I went to school and from when I was born all we ever knew was conservative, Tory, right-wing government. What people don't mention is, they say 'He went to meet Tony Blair.' No. I went to meet the LABOUR prime minister. Our parents always drummed into us that the Labour Party was for the people and the Tory Party was not. I went to meet the Labour prime minister. Full stop."^[116]

In an interview in 2007 when asked about politics he said, "I'd been unemployed all my life. It was a big deal for me when he [Tony Blair] got in. Now David Cameron is no different than our Tony Blair and Gordon Brown is no different than our David Cameron. They're all cut from the same cloth and it annoys me that the biggest political icon in the last 30 years has been Margaret Thatcher, and she's a dick. Someone who tried to destroy the working class. It freaks me out. So I don't really think there's anything left to vote for. I believe that I, as a person, can only change things once every 5 years and that's by voting, and my point is that even casting that vote means that the same guy gets in, the only difference is one has a red tie and the other has a blue one. That's all it means, so I think that I should start the Gallagher Party."^[117]

He was open in his support for Barack Obama's successful bid for U.S. President, calling his acceptance speech to the 2008 Democratic National Convention "spellbinding."^[118]

In 1997 he played a 5 song set at the Tibetan Freedom Concert in NYC.^[119] As a result Oasis have been deemed "unsuitable" by the Chinese government, forcing a planned tour of the country in 2009 to be cancelled.^[120]

He has also been very vocal about knife crime. He said to one journalist, "It all goes back to the Thatcher Years. I know it's a cliché to say it but that's where the rot set in. If you go up north to any city there are rows and rows and rows of derelict houses. They can't even afford to knock them down and build something new, and that's where it all starts, if kids haven't got anything what are they supposed to do?"

When the interviewer suggested it was for status he replied, "In my day status was about trying to be somebody, not trying to kill somebody, so how's that all changed?"^[121]

Speaking out about the August 2011 riots that took place in England, Gallagher claimed that violent video games and violent television shows which children were being exposed to were partially to blame for social problems.

In October 2011 Gallagher told Newsnight he believes the Labour leader Ed Miliband is "utterly uninspiring and dull", and says he has no idea what he stands for.^[122]

In February 2012, he implied that the UK under the Premiership of Margaret Thatcher was a more fertile ground for dissent in the arts: "Under Thatcher, who ruled us with an iron rod, great art was made. Amazing designers and musicians. Acid house was born. Very colourful and progressive. Now, no one’s got anything to say. 'Write a song? No thanks, I’ll say it on Twitter'. It’s a sad state when more people retweet than buy records." ^[123]

He also claimed that he was embarrassed by the 2011 London Riots. "Last August I was on tour in Europe and people were asking me about the riots. All over the world, Syria and Egypt, people were rioting for freedom. And these kids in England are rioting for tracksuits. It's embarrassing," ^[124]

Musical equipment[link]

Throughout his career Gallagher has used a wide range of different guitars, effect pedals and amplifers from his large collection. Most of it emerged from the Standing on the Shoulder of Giants sessions, where he decided to drop the equipment used in the three previous albums and instead buy "loads of really weird pedals, old guitars, and small amps", as the lack of deadline to deliver the album allowed Gallagher to "take quite a few days just messing around."^[125]

Guitars[link]

Electric guitars

• Epiphone Supernova – Gallagher's signature model combines features from Gallagher's most frequently used guitars over the years, including various Gibson and Epiphone semi acoustics. The Union Jack paintjob echoes his custom-painted Epiphone Sheraton that he used at Maine Road in 1996.^{[citation needed]}
• Epiphone Riviera^{[citation needed]}
• Epiphone Sheraton^{[citation needed]}
• Fender Telecaster – Gallagher uses several, one of which, a 60s model, was given to Noel by Johnny Depp as a birthday present^[125]
• Epiphone Les Paul^[125]
• Gibson Les Paul^[125]
• Epiphone Casino^[125]

Effect pedals[link]

In the early days of Oasis, Gallagher did not use pedals: "I used to just turn up the amps as full as I could get them".^[125] Since then, he has begun using a large number of effects, but singled out the Ibanez Tube Screamer.^[125]

Amplification[link]

Gallagher has said that he used only 100-watt Marshalls early in his career. After Definitely Maybe, he began using smaller amps, singling out Fenders (Princeton and Bandmaster), and also a combo made by Clark Amplification, which builds amplifiers based on vintage Fender and Marshall amps.^[125]

Discography[link]

Albums[link]

• 2009: The Dreams We Have as Children - Live at the Royal Albert Hall
• 2011: Noel Gallagher's High Flying Birds

Also featured on:-

• 1995: Stanley Road by Paul Weller, acoustic guitar on "I Walk on Gilded Splinters"
• 1997: Dig Your Own Hole by The Chemical Brothers, vocals on "Setting Sun"
• 1998: Unfinished Monkey Business by Ian Brown, vocals on "Corpses in Their Mouths"
• 1998: Saturnzreturn by Goldie, guitar on "Temper Temper"
• 1998: The X-Files: The Album, the track "Teotihuacan"
• 1998: More Than Us E.P. by Travis, the track "All I Want To Do Is Rock (Live Version)"
• 1999: Surrender by The Chemical Brothers, vocals on "Let Forever Be"
• 2000: Tailgunner by Tailgunner, drums
• 2000: The Same Old Blues by Proud Mary, production, plus additional vocals, guitars, bass and percussion
• 2002: Illumination by Paul Weller, drums, percussion & bass on "One X One"
• 2003 (Recorded in 2000): Live at the Royal Albert Hall by The Who, guitar, backing vocals on "Won't Get Fooled Again"
• 2004: Solarized by Ian Brown: collaboration on the song "Keep What Ya Got".
• 2004: All Years Leaving by The Stands, guitar on "Some Weekend Night"
• 2008: 22 Dreams by Paul Weller, bass, piano, mellotron and wurlitzer on "Echoes Round The Sun"
• 2011: Colour of the Trap by Miles Kane, backing vocals on "My Fantasy"^[126]

High Flying Birds[link]

Other charted songs[link]

As featured artist[link]

2004 Free Love, Freeway - Ricky Gervais Ft. Noel Gallagher credited as 'a special guest' on Backing Vocals for the 'Office Christmas Special DVD' which you can watch the video of the recording session featuring Noel & Ricky.

Other[link]

• 2011, Well... All Right! (compilation album compiled by Gallagher - released covermount into Mojo magazine)

References[link]