Go-go is a subgenre associated with funk that originated in the Washington, D.C., area during the mid- 1960s to late-1970s. It remains primarily popular in the area as a uniquely regional music style. A great number of bands contributed to the early evolution of the genre, but The Young Senators, Black Heat, and notably singer-guitarist Chuck Brown and The Soul Searchers are credited with having developed most of the hallmarks of the style.^[1]

Inspired by artists such as the groups formerly mentioned and Chuck Brown, Go-go is a blend of funk, rhythm and blues, and early hip-hop, with a focus on lo-fi percussion instruments and funk-style jamming in place of dance tracks, although some sampling is used. As such, it is primarily a dance hall music with an emphasis on live audience call and response. Go-go rhythms are also incorporated into street percussion.

In technical terms, "Go-go's essential beat is characterized by a syncopated, dotted rhythm that consists of a series of quarter and eighth notes (quarter, eighth, quarter, (space/held briefly), quarter, eighth, quarter)… which is underscored most dramatically by the bass drum and snare drum, and the hi-hat… [and] is ornamented by the other percussion instruments, especially by the conga drums, timbales, and hand-held cowbells."^[2]

Unique to Go-Go is an instrumentation with 3 standard Congas and 2 "Junior Congas", 8" and 9" wide and about half as tall as the standard Congas, a size rare outside of Go-Go. They were introduced to Rare Essence by Tyrone Williams -aka- Jungle Boogie in the early days when they couldn't afford enough full sized Congas, and are ubiquitous ever since.^[3] A swing rhythm is often implied (if not explicitly stated).

Another important attribute in go-go is call-and-response vocals with the crowd in concert.

There is generally little familiarity with go-go music outside of the D.C. Metro area, which includes the District of Columbia and the city's outlying Maryland suburbs. Consequently, the relatively little commercial success (by industry standards) go-go bands have experienced has largely been a product of the genre's following in this geographic region. Nevertheless, the style continues to evolve.

	basic go-go beat noicon The most important part of the go-go beat is the bass/snare pattern.
Problems listening to this file? See media help.

History[link]

Origins[link]

Although Chuck Brown is known as "The Godfather of Go-go" and his tremendous influence in this music is unmatched^[4], Go-go is a musical movement that cannot be traced back to any one person, as there were so many great bands that flourished during the beginning of this era, that they collectively created the sound that is considered Go-go of today. Groups such as The Young Senators, Black Heat, Aggression, Brute, And The Echos, Tommy Vann & The Professionals, The Mixed Breed, Scacy & The Sound Service, 95th Congress, 100 Years Time, Experience Unlimited (EU), Sound Extended, Spectrum, 2000 A.D., Lead Head, Symba, Distance, Ashante, Kalidescope, The NoWhere Men, Free Form Experience, The Jaguars, The Corvettes, The Epsilons, The New Breed, Lawrence & The Arabians, Sir Joe & The Free Souls, The Mighty Ascots, Ray Johnson's Esquires, Sons of Nature, and The Fathers Children, are just a few of the bands that played great music during the infancy of Go-go.^[5]

In the mid-1960s, "go-go" was the word for a music club in the local African American community, as in the common phrase at the time "going to a go-go" popularized by a million-selling hit of the same name by The Miracles . Dancers could expect to hear the latest top 40 hits, as many as 20 at a time, performed by local funk, rhythm and blues bands, including Chuck Brown and the Soul Searchers. Around this time, The Young Senators, later known as "The Emperors of Go-go", who were in fierce competition with Chuck Brown and Black Heat on the club circuit, they became known for their 1965 hit "Jungle".^[5][6][7]

Chuck Brown was a fixture on the Washington and Maryland music scene with his band the "Los Lotinos" as far back as 1966. By the mid-1970s he had developed a laid-back, rhythm-heavy style of funk (with new group name, "The Soul Searchers") performed with one song blending into the next (in order to keep people on the dance floor). The beat was based on one used in Grover Washington, Jr.'s song "Mr. Magic",^[8] though Brown has said in interviews that both he and Washington had adapted the beat from a gospel music beat found in black churches.^[9]

Another popular local cover band in the early 1970s, Aggression, would use rhythm breaks to keep fans dancing while they prepared for the next song, fixed guitar strings, etc. As Aggression gained popularity, they started holding dance contests during the rhythm breaks, which subsequently grew in length. The audiences began to look forward to these contests and the band's style evolved to where the beat would stop only occasionally during the course of a show.

In 1976, James Funk, a young DJ who spun at clubs in between Soul Searchers sets, was inspired (and encouraged by Brown himself) to start a band—called Rare Essence (originally the Young Dynamos)—that played the same kind of music.

Experience Unlimited (a.k.a. E.U.) who originally formed in 1974 was a band more influenced by rock (their name a nod to the Jimi Hendrix Experience^[10]), that started out in 1970's. After witnessing Rare Essence in the late-1970s, they modified their style to incorporate the go-go beat. Kurtis Blow's..."Party Time" subsequently put them on the map to be later tracked down by [Grace Jone] and to take the (King of Go-Go Production, [Max Kidd] to international level with [Island Records], then on to maker their greatest hit from a sound track of School Daze written, directed & produced by Spike Lee.

Trouble Funk had its roots in an early 1970s Top-40 cover band called Trouble Band, then fronted by drummer, Emmett Nixon. With the inclusion of Robert 'Dyke' Reed (keyboards, guitar, vocals), Taylor Reed (trumpet, vocals), James Avery (keyboards, vocals), Teebone David (percussion), and Tony Fisher (bass, vocals), the band changed its name, and, in the late 1970s, after seeing the light at a gig they played with Chuck Brown, they, too, adopted the go-go beat. The band was signed to the Sugar Hill Records label in 1982 and recorded with Kurtis Blow. They are most notably known for their classic "Drop The Bomb".

Go-go's first national chart action came when Black Heat (the first D.C. go-go band to be signed by a major record label) released their Billboard top 100 hit "No Time To Burn" from their second album on Atlantic Records in 1974. They then toured with such national acts as Earth Wind & Fire, Parliament Funkadelic, Ohio Players, The Commodores and others. Later, Chuck Brown and the Soul Searchers released their "Bustin' Loose (Part 1)" single in late 1978; it reached the #1 spot on Billboard's R&B chart and held it for a month during February and March 1979 (peaking at #34 on the Pop chart).

The 1980s[link]

In the 1980s, some go-go bands achieved success, while others did not. Trouble Funk put out a few records on New Jersey-based label Jamtu before signing with one of the more powerful hip hop label, Sugar Hill, where it released a six-track EP called Drop the Bomb in 1982, which included the hit "Pump Me Up" which had already been a regional hit years before.

In 1984, Island Records founder Chris Blackwell heard Chuck Brown's "We Need Some Money" on the radio in New York, which ultimately led to him signing some of the brightest stars of the go-go scene.^[11] Trouble Funk and E.U. were both signed to Island, while Chuck Brown, Mass Extinction, Yuggie, Redds and the Boys and Hot, Cold, Sweat were signed through a distribution deal between T.T.E.D. and Island subsidiary 4th & B'way.

Along with the recording contracts Blackwell was handing out, he also wanted to make a go-go movie; a D.C.-based version of The Harder They Come, perhaps. The resultant film, Good to Go (or Short Fuse, as it was called on video) was plagued with problems: co-director Don Letts was let go halfway through production,^[12] the film became less about the music and more about drugs and violence, and despite the fact that most of the post-production was completed in the fall of 1985, the film was held for release until late-summer 1986. When it did poorly on release, it seemed that go-go had missed its best chance to break into the mainstream.

The Junk Yard Band started out in 1980 as a group of kids (as young as nine) from the Barry Farms projects. Unable to afford instruments for their band, they fashioned drums out of empty buckets and traffic cones, tin cans substituted for timbales, and, in place of a brass section, they used plastic toy horns. Adding real instruments to their gear a little at a time, by 1985 they had joined the ranks of D.C.'s finest; they were scooped up by Def Jam, who released a Rick Rubin-produced single "The Word" in 1986. Not much happened with that record—at first. However, within a year or two of its release, the flipside, "Sardines," had become (and remains to this day) the group's signature song; it even performs it in the 1988 film Tougher Than Leather.

Rare Essence signed with Mercury/PolyGram Records but its one single for that label—"Flipside," released in 1986—was unremarkable.

E.U. got its big break in 1986 when it was booked to play a party celebrating the release of Spike Lee's debut film, She's Gotta Have It.^[13] Lee liked what he heard, and tapped the band to perform a song in his next movie, School Daze. "Da Butt" (written for the film by Marcus Miller and EU keyboardist, Kent Wood) made it all the way to #1 on Billboard's R&B chart (#35 Pop) and scored them a Grammy nomination (they lost out to Gladys Knight). Hoping to build on their success, in 1989 they released Livin' Large on Virgin Records. Two singles from the album ("Buck Wild" and "Taste of Your Love") made respectable showings on Billboard's R&B/Hip-Hop singles chart but they failed to repeat the success of "Da Butt." (The album peaked at #22 on the R&B/Hip-Hop chart and #158 on the Top 200.) A second Virgin release, Cold Kickin' It, came out the following year but failed to make much of an impression on the national charts.

1990s–2000s[link]

As time passed, more and more of a hip-hop influence crept into go-go. Early MCs like D.C. Scorpio gave way to DJ Kool, whose 1996 indie release, "Let Me Clear My Throat"—based on a sample from DJ Mark the 45 King’s “The 900 Number”—was picked up by American Recordings and in 1997 became go-go's last certifiable hit single (#4 on Billboard's Rap singles chart, #21 on the R&B/Hip-Hop singles chart, and #30 on the Hot 100).^[14][15][15] As the hip-hop content in go-go increased, the complexity of the musical arrangements decreased. Where bands once featured horn sections and multiple guitarists in addition to a phalanx of percussionists, many current go-go bands have stripped down to just keyboards and percussion. Another trend is to have a dedicated percussionist with plastic "wood blocks" performing much of what used to be handled by the Junior Congas.

There is, however, a retro movement going back to go-go's original style of marathon sessions covering currently popular R&B songs. Bands playing in that style include Suttle Thoughts, WHAT? band, and Familiar Faces. Many of these bands use the term "Grown ’n Sexy" to indicate a focus on appealing to audiences over 25. In 2006 and again in 2007, there was a Grown and Sexy Category at the WKYS 93.9 Go-Go Awards ceremony held at DAR Constitution Hall, which the Familiar Faces won in 2006, and L!ssen Da Grew^p won in 2007.^[16]

Some go-go artists have been able to transition into other areas of entertainment. Notably, Anwan "Big G" Glover—a founding member of the Backyard Band—acts, playing Slim Charles on HBO's The Wire.^[17] D.C. band Mambo Sauce also had hits with "Miracles" and "Welcome To D.C." which both cracked the Billboard charts. Welcome to DC also became the official intro song for all of the Washington Wizards & Mystics home games and the video for the song was in rotation on VH1 Soul and BETJ and received airplay on MTVJams, MTV2, MTVU and BET. ^[18] Kevin "Kato" Hammond, former lead guitarist for Little Benny and the Masters and former rapper for the band Proper Utensils, started the online magazine Take Me Out to the Go-Go in 1996. In addition to the magazine being a source of information on go-go shows, it serves as a community forum in which go-go fans routinely submit their own articles on issues unique to the genre. Take Me Out to the Go-Go has expanded to include a radio show on GoGoRadio.com, as well as a YouTube channel.

Additionally, musicians from other genres of music have incorporated elements of the go-go aesthetic into their compositions and stage acts. Jazz/rock musician Mike Dillon, leads a band called Go-Go Jungle, often playing long, non-stop sets that incorporate go-go beats and raps interspersed with other sub-genres of funk, jazz, and rock. Another example is Bob Mintzer's composition "Go Go" from the Yellowjackets' 2003 release, Time Squared.

Present day[link]

In September 2009, Wale and UCB served as the house band for the MTV Video Music Awards show.^[19]

There is a go-go documentary called Drummers Beat in the works.^[20]

Violence[link]

While go-go's international profile was on the rise in the 1980s, go-go clubs in D.C. were acquiring an unfortunate reputation for violence. In 1988, an all-star go-go band dubbed the Go-Go Posse recorded "D.C. Don't Stand for Dodge City," conceived, written, and produced by the "I Hear Ya Records" production team of Jonathan Smith, Mitch Bebbs, and Derral Johnson (also known as JJ&J) as an attempt to raise awareness and stop the violence.

One well-publicized venue with trouble was Club U, located inside a District-owned building at the corner of 14th and U Street NW, where numerous incidents—including murder—occurred, leading to the revocation of its liquor license,^[21] and eventual closing.^[22]

In March 2007, Prince George's County, Maryland, County Executive Jack B. Johnson also cracked down on venues playing go-go music, announcing the indefinite closing of nine area clubs that had experienced a high frequency of police calls many for violent incidents in the preceding year.^[23] A court battle ensued over whether the closings were justified, with a court order temporarily stopping the closing of five of the clubs.^[24]

See also[link]

• Music of Washington, D.C.
• Baltimore club, another subgenre native to the region
• Washington, D.C. hardcore, another native music genre associated with Washington D.C.
• Chuck Brown
• Anwan Glover
• Kevin "Kato" Hammond
• Washington Go Go Sound Attack Volume 2
• Yé-yé, similarly named French musical style
• Anthony Harley,

References[link]

External links[link]

• Take Me Out to the Go-Go - Online magazine (est. 1996), BBS.
• Go-Go Radio - 24 hour Internet Go-Go radio station.
• Go-Go Beat - Meta-Directory of Go-Go shows, bands, clubs, and other resources.
• Go-Go Coalition - Preserves, protects and promotes the existence of Go-Go Music and its related culture.

Vybz Kartel
Background information
Birth name	Adidja Palmer
Born	(1976-01-07) 7 January 1976 (age 36) Kingston, Jamaica
Origin	Portmore, Jamaica
Genres	Reggae, Dancehall, Reggae fusion
Occupations	Deejay, songwriter, entrepreneur, lyricist, producer
Years active	2000–present
Labels	Adidjaheim Records
Associated acts	Beenie Man, Aidonia, Elephant Man, Ninjaman, The Alliance, Portmore Empire, Major Lazer & Popcaan, Kano, Vanessa Bling
Website	www.vybzkartel.co.uk

Adidja Palmer (born 7 January 1976)- ^[1][2][3] better known as Vybz Kartel, is a Jamaican dancehall artist, songwriter and businessman. He has many nicknames, including: Addi, The Teacher, World Boss, Kartel, Vybz, Gaza General and Gaza Don.

Biography[link]

Adidja Palmer began his career as a teenager in 1993 with his first recording "Love Fat Woman", released on Alvin Reid's label "One Heart", using the moniker "Adi Banton", a homage to Buju Banton.^[4] Palmer was later part of the three-member group "Vybez Cartel", keeping the slightly altered name after group split up, and became a protege of Bounty Killer, for whom he claims to have written nearly 30 songs, including "Gal Clown".^[5]

Vybz Kartel rose to prominence in 2003 after a string of hits in Jamaica. The year culminated in a pre-planned on-stage clash with Ninjaman at the annual dancehall festival Sting in Kartel's hometown of Portmore. The clash turned violent when Kartel's crewmembers, as well as Kartel himself, threw punches and assaulted Ninjaman onstage.^[6] While Kartel's manager initially blamed Ninjaman for the fracas,^[6] Kartel himself quickly apologised to Ninjaman and Sting organizers for the fracas.^[7] Four days after the incident, the two artists appeared before the press to announce a settlement of their differences and to end any animosity.^[8]

He established his own label Adidjahiem/Notnice Records with his business partner and producer Ainsley "Notnice" Morris.^[9] In 2010, he released his album Pon Di Gaza 2.0 on Adidjahiem/Notnice Records in collaboration with Tads Record Inc.^[10] In Spring 2011, Vybz Kartel released an album entitled 'Kingston Story' with Brooklyn hip hop/electro producer Dre Skull.^[11]

Kartel has worked on collaborations and remixes with hip hop and R&B musicians Jay-Z, Rihanna, Missy Elliott, Busta Rhymes, M.I.A, Pharrell, Kardinal Offishall, Akon, Jim Jones, Lil Wayne and Eminem.

In 2009 he had succeeded internationally with his hit song featuring a popular female Jamaican Deejay 'Spice' - "Ramping Shop" debuting on the Billboard Top 100 Singles charts,^[12] and "Dollar Sign" being in regular rotation on urban radio stations in the US.^[13] His 2010 single "Clarks" was one of his biggest international successes, remaining in the top 3 Reggae Singles gaining the most radio plays in North America for 40 weeks.^[14] "Clarks" was also featured on the TV series So You Think You Can Dance Canada,^[15] and on a CNN segment on dancehall dance.^[16] MTV's Vice Guide to Dancehall featured Kartel at his weekly dance party, Street Vybz Thursday.^[17]

After splitting with Bounty Killer-led Alliance in 2006, Kartel founded the Portmore Empire, a group of dancehall deejays and singers from his Portmore neighborhood that he signed to his newly founded Adidjahiem/Notnice Records. Members of the group as of 2011 were: Popcaan, Shawn Storm, Sheba, Gaza Indu, Tommy Lee, Singing Maxwell, Singa Blinga, Lenny Mattic. Former members include Lisa Hype,^[18] Gaza Kim,^[19] Black Ryno,^[20] Jah Vinci, Dosa Medicine and Merital Family^[21].

Feud with Mavado[link]

Towards the end of 2006, Vybz Kartel left The Alliance. Tensions arose following Kartel's continued association with Bounty Killer's longtime enemy, Beenie Man, including Kartel attending Beenie Man's wedding to Bounty Killer's ex-girlfriend D'Angel.^[22] Due to Kartel's defection from The Alliance and his 'parring' (fraternising) with Beenie Man, a series of songs and counteraction songs ensued - the main proponents being Kartel and Mavado.

A very public feud between Vybz Kartel and former collaborator Mavado arose towards the end of 2006, stemming from Vybz' much publicized departure from the dancehall conglomerate group The Alliance. The feud resulted in numerous diss tracks released, in which each artist dissed the other and their associates over popular dancehall rhythms.^[23] In a police-overseen press conference in March 2007, both Mavado and Vybz Kartel publicly announced an end to hostilities and apologized to fans.^[24]

However, by the summer of 2008, tensions flared with a renewal of "diss tracks" from each artist, and a lyrical clash between the two at Sting 2008 left mixed views as to the "winner".^[25][26] Most of 2009 saw a continuation of the public feud, which dominated Jamaican media and, to a certain extent, Jamaican culture, with the two artists' factions, Gaza (Kartel) and Gully (Mavado), being adopted by Jamaican youth, in some cases leading to street violence.^[27][28]

On 8 December 2009, Kartel and Mavado met with Jamaican Prime Minister Bruce Golding in an attempt to end the feud, which had by that time fueled mob attacks in some of the inner-city neighborhoods of Kingston.^[29] The two had performed together on-stage the previous night in a sign of goodwill at the West Kingston Jamboree, a concert promoted by drug lord^[30] Christopher "Dudus" Coke.^[23] After the truce in December 2009, the two artists were scheduled to perform a unity concert March 2010 in Barbados, which was later cancelled by the prime minister of that country.^[31]

Business[link]

In 2008, Vybz Kartel launched his own liquor line Street Vybz Rum. He hosts a weekly dance party Street Vybz Thursday, at the Building, Kingston nightclub he manages with Street Vybz Rum business partner Corey Todd.^[32] The rum is officially distributed by Vybz Distillers Limited. The same year, he also released his own condom line, Daggering Condoms.^[33] Kartel's goal for 2011 is to release his own shoe line named Addi's, as well as his own line of "cake soap".^[34]

When his singles "Clarks", "Clarks 2 (Clarks Again)" and "Clarks 3 (Wear Weh Yuh Have)" featured the British shoe brand Clarks in 2010, its sales numbers and prices in Jamaica increased considerably.^[35]

Vybz Kartel has also hosted his own reality television show "Teacha's Pet" on CVM Jamaica broadcast channel, the first reality television show hosted by a dancehall artist in Jamaica. The premise of "Teacha's Pet" finds 20 women living in a Kingston house vying for the artist's affection; the show's lascivious content elicited condemnation of its sponsor, telecommunications company LIME. The show came to a halt with the artist's arrest on murder charges in September 2011.

Controversies[link]

Whitening[link]

Vybz Kartel's Skin before and after he bleached his skin

Kartel has come under controversy over perceived skin whitening, or "bleaching", leading him to claim to the use of "cake soap" to lighten his skin.^[36][37] The Blue Power Group, Jamaican manufacturer of the popular cake soap (or "blue soap"), has refuted claims it changes skin color.^[38] Kartel then stated the soap used to lighten his skin was his own brand, which he intends to release on the local market.^[34]

Airwave Ban[link]

In September 2011 the National Communications Network of Guyana banned Vybz Kartel from the airwaves—the first such action against a specific artist. His music contained "obscene lyrics" and brought "nothing positive" to the entertainment industry, said NCN spokesman Martin Goolsarran (Wednesday, Sept 21st) after a week of internal debate. He said NCN was reviewing the lyrics of other musicians and could ban them as well. In fact the government had no problem with Kartel, its Tourism Ministry inviting him to an August music festival, but he angered it and Guyanese promoters when he failed to show up.^[39]

Murder charge[link]

Vybz Kartel being arrested in October 2011

On 29 September 2011, Kartel was arrested by police. Jamaica's Major Investigation Taskforce (MIT) charged him with murder, conspiracy to murder and illegal possession of a firearm. The deceased was Barrington 'Bossie' Burton, a 27-year-old businessman and music promoter based in the Kingston suburb of Portmore. They first visited Kingston's Norbrook community where the DJ resides, then went to a property on Swallowfield Avenue in Kingston's Havendale area. That residence was the scene of a fire several weeks ago; a scorched computer hard-drive and several boxes were removed. They then drove to Portmore to a home purportedly owned by Kartel's mother, where a number of items were similarly confiscated. Kartel was detained for the weekend in relation to a partially burned, decomposing body found inside the Swallowfield Avenue home.^[40]

Kartel was granted bail for the Burton murder 23 March 2012 for JD$3,000,000, but currently remains jailed in connection on a second murder, of one Clive 'Lizzard' Williams.^[41]

Discography[link]

Albums[link]

• 2003: Up 2 Di Time
• 2004: More Up 2 Di Time
• 2005: J.M.T.
• 2009: Most Wanted
• 2010: Pon di Gaza 2.0
• 2011: Kingston Story

Singles[link]

Guest appearances[link]

Awards[link]

Kartel has had several collaborations with international hip hop and pop stars. He has released two albums for the UK/US based label Greensleeves Records. He was also nominated for the Source,^[43] VIBE and UK MOBO awards, although his 2004 UK MOBO award nomination was withdrawn amidst controversy over homophobic content of his lyrics.^[44]

• 2003
  • Stone Love's 30th Anniversary
    • DJ of the Year 2005

• 2008
  • CUMA (Caribbean Urban Music Awards)

• 2009
  • EME Awards^[45]
    • Male DJ of the Year
    • Lyricist/Songwriter of the Year
    • Song of the Year (Romping Shop ft. Spice)

• 2010
  • EME Awards^[46]

References[link]

Rube Goldberg
Born	Reuben Garrett Lucius Goldberg (1883-07-04)July 4, 1883 San Francisco, California, United States
Died	December 7, 1970(1970-12-07) (aged 87)
Resting place	Mount Pleasant Cemetery in Hawthorne, New York
Occupation	Engineer, Sculptor, News Reporter, Cartoonist
Known for	Rube Goldberg machines

Reuben Lucius Goldberg (July 4, 1883 – December 7, 1970) was an American cartoonist, sculptor, author, engineer and inventor.

He is best known for a series of popular cartoons depicting complex gadgets that perform simple tasks in indirect, convoluted ways. These devices, now known as Rube Goldberg machines, are similar to those drawn by W. Heath Robinson in the UK and Storm P in Denmark^{[citation needed]}. Goldberg received many honors in his lifetime, including a Pulitzer Prize for his political cartooning in 1948 and the Banshees' Silver Lady Award 1959.^[1]

Goldberg was a founding member and the first president of the National Cartoonists Society,^[2] and he is the namesake of the Reuben Award, which the organization awards to the Cartoonist of the Year. He is the inspiration for various international competitions, known as Rube Goldberg Machine Contests, which challenge participants to make a complex machine to perform a simple task.

Life[link]

Goldberg was born July 4, 1883, in San Francisco, California, to Jewish parents Max and Hannah Goldberg. He was the second of four children (older brother Garrett, younger brother Walter, and younger sister Lillian). Rube married Irma Seeman in 1916. They lived at 88 Central Park West in New York City and had two sons named Thomas and George. He started drawing when he was only four years old. Goldberg did not share a surname with his children because of the amount of hatred towards him during World War II from the political nature of his cartoons. He ordered his sons to change their names from Goldberg for safety reasons. Both of his sons chose the last name of George, wanting to keep a sense of family cohesiveness. Thomas and George's children now run a company called RGI (Rube Goldberg Incorporated) to maintain the Goldberg name. John George (Thomas's son) is assisted by his cousin Jennifer George^[3] (George's daughter) and John's son Joshua George to keep the family name alive.^[4] Reuben died in 1970 at the age of 87, while his widow, Irma, died 20 years later on April 26, 1990 at the age of 95.^[5]

Career[link]

Rube Goldberg with family, 1929

Goldberg's father was a San Francisco police and fire commissioner, who encouraged the young Reuben to pursue a career in engineering. Rube graduated from the University of California, Berkeley in 1904 with a College of Mining degree^[1] and was hired by the city of San Francisco as an engineer for the Water and Sewers Department. After six months he resigned his position with the city to join the San Francisco Chronicle where he became a sports cartoonist.^[1] The following year, he took a job with the San Francisco Bulletin, where he remained until he moved to New York City in 1907.

Goldberg drew cartoons for five newspapers, including the New York Journal American|New York Evening Journal and the New York Evening Mail. His work entered syndication in 1915, beginning his nationwide popularity. He was syndicated by the McNaught Syndicate from 1922 until 1934.

A prolific artist, Goldberg produced several cartoon series simultaneously, including Mike and Ike (They Look Alike), Boob McNutt, Foolish Questions, Lala Palooza and The Weekly Meeting of the Tuesday Women's Club. The cartoons that brought him lasting fame involved a character named Professor Lucifer Gorgonzola Butts. In that series, Goldberg drew labeled schematics of the comical "inventions" that would later bear his name.

Cultural legacy[link]

This postcard book, Rube Goldberg's Inventions!, was compiled by Maynard Frank Wolfe from the Rube Goldberg Archives. The cover illustration shows Professor Butts and the Self-Operating Napkin. The "Self-Operating Napkin" is activated when the soup spoon (A) is raised to mouth, pulling string (B) and thereby jerking ladle (C), which throws cracker (D) past parrot (E). Parrot jumps after cracker and perch (F) tilts, upsetting seeds (G) into pail (H). Extra weight in pail pulls cord (I), which opens and lights automatic lighter (J), setting off skyrocket (K), which causes sickle (L) to cut string (M) and allow the pendulum with the attached napkin to swing back and forth, thereby wiping chin.

In 1931 the Merriam-Webster dictionary adopted the word "Rube Goldberg" as an adjective defined as accomplishing something simple through complex means.^[6]

Predating Goldberg, the corresponding term in the U.K. was, and still is, "Heath Robinson", after the English illustrator with an equal devotion to odd machinery (although Heath Robinson's creations did not have the same emphasis on the sequential or chain reaction element).

Goldberg's work was commemorated posthumously in 1995 with the inclusion of Rube Goldberg's Inventions, depicting Professor Butts' "Self-Operating Napkin" in the Comic Strip Classics series of U.S. postage stamps.^[7]

Film and television[link]

Rube Goldberg wrote a feature film featuring his machines and sculptures called Soup to Nuts, which was released in 1930 and starred Ted Healy and The Three Stooges.

In the 1962 John Wayne movie Hatari!, an invention to catch monkeys by character Pockets, played by Red Buttons, is described as a "Rube Goldberg."

In the late 1960s and early 70s, educational shows like Sesame Street and The Electric Company routinely showed bits that involved Rube Goldberg devices, including the Rube Goldberg Alphabet Contraption, and the What Happens Next Machine.^[8][9]

Various other films and cartoons have included highly complex machines that perform simple tasks. Among these are Flåklypa Grand Prix, Looney Tunes, Tom and Jerry, Wallace and Gromit, Pee-wee's Big Adventure, The Way Things Go, Edward Scissorhands, Back to the Future, Honey, I Shrunk the Kids, The Goonies, Gremlins, the Saw film series, Chitty Chitty Bang Bang, The Cat from Outer Space, Malcolm, Family Guy, and Waiting...

Also in the Final Destination film series the characters often die in Rube Goldberg-esque ways. In the film The Great Mouse Detective, the villain Ratigan attempts to kill the film's heroes, Basil of Baker Street and David Q. Dawson, with a Rube Goldberg style device. The classic video in this genre was done by the artist duo Peter Fischli & David Weiss in 1987 with their 30 minute video "Der Lauf der Dinge" or "The Way Things Go".

Honda produced a video in 2003 called "The Cog" using many of the same principles that Fischli and Weiss had done in 1987.

In 2005, the American indie/alternative rock band The Bravery released a video for their debut single, "An Honest Mistake," which features the band performing the song in the middle of a Rube Goldberg machine.

In 1999, an episode of The X-Files was titled "The Goldberg Variation". The episode intertwined characters FBI agents Mulder and Scully, a simple apartment super, Henry Weems (Willie Garson) and an ailing young boy, Ritchie Lupone (Shia LaBeouf) in a real-life Goldberg device.

The 2010 music video "This Too Shall Pass - RGM Version" by the rock band OK Go features a machine that, after four minutes of kinetic activity, shoots the band members in the face with paint. "RGM" presumably stands for Rube Goldberg Machine.^[10]

Games[link]

The popular 1963 board game Mouse Trap, as well as its sequels Crazy Clock (1964), and Fish Bait (1965) are based on Rube Goldberg machines.^{[citation needed]} Some examples of Goldberg-inspired video games are Incredibots, LittleBigPlanet, LittleBigPlanet 2, the 1990s-era series of The Incredible Machine games, and Crazy Machines.^{[citation needed]}

See also[link]

• Chindōgu
• Deathtrap (plot device)
• Domino effect
• Frederick Rowland Emett
• Jean Tinguely, Swiss artist who created Rube Goldberg–like sculptures
• Mickey One
• PythagoraSwitch
• Robert Storm Petersen (Storm P.), a Danish contemporary artist who drew "inventions" similar to Rube Goldberg's
• Steampunk

References[link]

External links[link]

• Great Video of Goldberg-type device made from Legos
• Toonopedia entry
• Smithsonian Archives of American Art: Oral History Interview, 1970
• Annual National Rube Goldberg Machine Contest
• NCS Awards
• Rube Goldberg in 'Creative Contraptions'
• IMDB biography
• Rube Goldberg Honda Commercial, "Cog", at Snopes.com
• Guide to the Rube Goldberg Papers at The Bancroft Library
• 10 Viral Rube Goldberg clips at Salon.com

William Whittlesey may refer to:

• William Whittlesey - 14th century archbishop of Canterbury
• William A. Whittlesey - U.S. Representative from Ohio
• William Whittlesey (Massachusetts politician) - politician from Massachusetts

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