'Hopscotch to oblivion', Barcelona, Spain

A black comedy, or dark comedy, is a comic work that employs black humor or gallows humor.^[1] The definition of black humor is problematic; it has been argued that it corresponds to the earlier concept of gallows humor.^{[2][3][4][5][6]}

History and etymology[link]

Coinage in France by André Breton[link]

The term black humor (from the French humour noir) was coined by the Surrealist theoretician André Breton in 1935,^[7][8] to designate a sub-genre of comedy and satire^[9][10] in which laughter arises from cynicism and skepticism,^[7][11] often relying on topics such as death.^[12][13]

Breton coined the term for his book Anthology of Black Humor (Anthologie de l'humour noir), in which he credited Jonathan Swift as the originator of black humor and gallows humor, and included excerpts from 45 other writers. Breton included both examples in which the wit arises from a victim, with which the audience empathizes, as is more typical in the tradition of gallows humor, and examples in which the comedy is used to mock the victim, whose suffering is trivialized, and leads to sympathizing with the victimizer, as is the case with Sade. Black humor is related to that of the grotesque genre.^[14]

Breton identified Swift as the originator of black humor and gallows humor, particularly in his pieces Directions to Servants (1731), A Modest Proposal (1729), A Meditation Upon a Broom-Stick (1710), and a few aphorisms.^[8][11]

The terms black comedy or dark comedy have been later derived as alternatives to Breton's term. In black humor, topics and events that are usually regarded as taboo, specifically those related to death, are treated in an unusually humorous or satirical manner while retaining their seriousness; the intent of black comedy, therefore, is often for the audience to experience both laughter and discomfort, sometimes simultaneously.^{[citation needed]}

Adoption in literary criticism[link]

Bruce Jay Friedman, in his anthology entitled Black Humor, imported the concept to the United States, labeling with it very different authors and works, arguing that they shared the same literary genre. The Friedman label came to prominence in the 1950s and 1960s. Early American writers who employed black humor were Nathanael West ^[1] and Vladimir Nabokov.^[1] In 1965 a mass-market paperback, titled Black Humor, was released. Containing work by a myriad of authors, which included J.P. Donleavy,^[5][6] Edward Albee,^[5][6] Joseph Heller,^[5][6] Thomas Pynchon,^[5][6] John Barth,^[5][6] Vladimir Nabokov,^[5][6] Bruce Jay Friedman,^[5][6] himself, and Louis-Ferdinand Celine,^[5][6] this was one of the first American anthologies devoted to the conception of black humor as a literary genre; the publication also sparked nation wide interest in black humor.^[6][15] Among the writers labeled as black humorists by journalists and literary critics are Roald Dahl,^[16] Thomas Pynchon,^[9] Kurt Vonnegut,^[9] Warren Zevon, John Barth,^[9] Joseph Heller,^[9] and Philip Roth.^[9] The motive for applying the label black humorist to all the writers cited above is that they have written novels, poems, stories, plays and songs in which profound or horrific events were portrayed in a comic manner.

The purpose of black comedy is to make light of serious and often taboo subject matter, and some comedians use it as a tool for exploring vulgar issues, thus provoking discomfort and serious thought as well as amusement in their audience. Popular themes of the genre include murder, suicide, depression, abuse, mutilation, war, barbarism, drug abuse, terminal illness, domestic violence, sexual violence, paedophilia, insanity, nightmare, disease, racism, homophobia, sexism, disability (both physical and mental), chauvinism, corruption, and crime.

Comedians, like Lenny Bruce,^[10] that since the late 1950s have been labeled "sick comedy" by mainstream journalists, have also been labeled with "black comedy." After Lenny Bruce,^[10] others have been Sam Kinison, Richard Pryor, George Carlin, Bill Hicks, Jimmy Carr, Daniel Tosh, Frankie Boyle, Chris Morris and the Monty Python team.

By contrast, blue comedy focuses more on crude topics, such as nudity, sex and bodily fluids. Although the two are interrelated, black comedy is different from straightforward obscenity in that it is more subtle and does not necessarily have the explicit intention of offending people. In obscene humor, much of the humorous element comes from shock and revulsion, while black comedy might include an element of irony, or even fatalism. For example, the archetypal black-comedy self-mutilation appears in the English novel Tristram Shandy. Tristram, five years old at the time, starts to urinate out of an open window for lack of a chamber pot. The sash falls and circumcises him; his family reacts with both chaotic action and philosophic digression.

Visual media[link]

Motion pictures[link]

Black comedy is commonly used in dramatic or satirical films, retaining its serious tone, working as a tool of many films, television shows and video games. Stanley Kubrick's 1964 film Dr. Strangelove presents one of the best-known mainstream examples of black comedy.^[9] The subject of the film is nuclear warfare and the possible annihilation of life on Earth. Normally, dramas about nuclear war treat the subject with gravity and seriousness, creating suspense over the efforts to avoid a nuclear war, but Dr. Strangelove instead plays the subject for laughs. For example, in the film, the fail-safe procedures designed to prevent a nuclear war are precisely the systems that ensure that it will happen. Plotwise, Group Captain Mandrake serves as the only sane character in the film, while Major Kong fills the role of the hero striving for a harmful goal.

Television[link]

The most successful television situation comedy also to be a black comedy is M*A*S*H, which, like the film version of M*A*S*H that had inspired it, treated the Korean War as a subject of black comedy; it deliberately kept recorded laughter out of the operating room sequences, and many of the episodes described the absurdity of many combat situations, even in sequences where the characters were weathering hostile fire.

See also[link]

• Comedy horror
• Cringe humor
• Crude humor
• Gallows humor
• Macabre
• Problem plays
• Schadenfreude
• Shock value

Notes[link]

1. ^ ^{a b c} Merriam-Webster, Inc (1995) Merriam-Webster's encyclopedia of literature, entry black humor, p.144
2. ^ Garrick, Jacqueline and Williams, Mary Beth (2006) Trauma treatment techniques: innovative trends pp.175-6
3. ^ Lipman, Steve (1991) Laughter in hell: the use of humor during the Holocaust, Northvale, N.J:J Aronson Inc.
4. ^ Kurt Vonnegut (1971) Running Experiments Off: An Interview, interview by Laurie Clancy, published in Meanjin Quarterly, 30 (Autumn, 1971), pp.46-54, and in Conversations with Kurt Vonnegut, quote:

   The term [Black Humor] was part of the language before Freud wrote an essay on it -- 'gallows humor.' This is middle European humor, a response to hopeless situations. It's what a man says faced with a perfectly hopeless situation and he still manages to say something funny. Freud gives examples: A man being led out to be hanged at dawn says, 'Well, the day is certainly starting well.' It's generally called Jewish humor in this country. Actually it's humor from the peasants' revolt, the thirty years' war, and from the Napoleonic wars. It's small people being pushed this way and that way, enormous armies and plagues and so forth, and still hanging on in the face of hopelessness. Jewish jokes are middle European jokes. And the black humorists are gallows humorists, as they try to be funny in the face of situations which they see as just horrible.

5. ^ ^{a b c d e f g h i} Bloom, Harold (2010) Dark Humor, ch. On dark humor in literature, pp.80-88
6. ^ ^{a b c d e f g h i j} Freud (1927) Humor
7. ^ ^{a b} Real, Hermann Josef (2005) The reception of Jonathan Swift in Europe, p.90 quote:

   At least, Swift's text is preserved, and so is a prefactory note by the French writer André Breton, which emphasizes Swift's importance as the originator of black humor, of laughter that arises from cynicism and scepticism.

8. ^ ^{a b} Lezard, Nicholas (2009-02-21). "From the sublime to the surreal". The Guardian (London). http://www.guardian.co.uk/books/2009/feb/21/anthology-of-black-humour. 
9. ^ ^{a b c d e f g} http://www.encyclopedia.com/doc/1E1-blackhum.html
10. ^ ^{a b c} "black humor - Hutchinson encyclopedia article about black humor". Encyclopedia.farlex.com. http://encyclopedia.farlex.com/black+humor. Retrieved 2010-06-24. 
11. ^ ^{a b} André Breton introduction to Swift in Anthology of Black Humor, quote:

    When it comes to black humor, everything designates him as the true initiator. In fact, it is impossible to coordinate the fugitive traces of this kind of humor before him, not even in Heraclitus and the Cynics or in the works of Elizabethan dramatic poets. [...] historically justify his being presented as the first black humorist. Contrary to what Voltaire might have said, Swift was in no sense a "perfected Rabelais." He shared to the smallest possible degree Rabelais's taste for innocent, heavy-handed jokes and his constant drunken good humor. [...] a man who grasped things by reason and never by feeling, and who enclosed himself in skepticism; [...] Swift can rightfully be considered the inventor of "savage" or "gallows" humor.

12. ^ Thomas Leclair (1975) Death and Black Humor in Critique, Vol. 17, 1975
13. ^ . JSTOR 306869. 
14. ^ Merhi, Vanessa M. (2006) Distortion as identity from the grotesque to l'humour noir
15. ^ Bloom, Harold (2010) Dark Humor, ch. On dark humor in literature, pp.82
16. ^ James Carter Talking Books: Children's Authors Talk About the Craft, Creativity and Process of Writing, Volume 2 p.97 Routledge, 2002

Tim Minchin
Birth name	Timothy David Minchin
Born	(1975-10-07) 7 October 1975 (age 36) Northampton, England, UK[1]
Nationality	Australian, British
Years active	2002–present
Genres	Comedy music
Spouse	Sarah Minchin 2001–present (2 children)
Website	timminchin.com

Timothy David "Tim" Minchin^[2] (born 7 October 1975 in Northampton, England)^[1] is an Australian-British comedian, actor, and musician.

Tim Minchin is best known for his musical comedy, which has featured in six CDs, three DVDs and a number of live comedy shows which he has performed internationally. He has also appeared on television in Australia, Britain and the United States. After growing up in Perth, Western Australia, he attended the University of Western Australia and WAAPA before moving to Melbourne in 2002. His breakout show, "Dark Side", launched him into the public eye, achieving critical success at the 2005 Melbourne International Comedy Festival and the 2005 Edinburgh Festival Fringe.^[3]

Minchin has a background in theatre and has appeared in various stage productions, in addition to some small acting roles on Australian TV. A documentary film about Minchin, Rock N Roll Nerd (directed by Rhian Skirving), was released theatrically in 2008 ^[4] and broadcast by ABC1 in 2009.^[5] He is the co-writer of the Olivier Award winning hit musical Matilda the Musical, based on the Roald Dahl book Matilda.

Personal life[link]

Minchin was born in Northampton, UK, to Australian parents^[1] and raised in Perth, Western Australia.^[6] He was educated at the private Christ Church Grammar School and started learning piano at the age of eight, but gave it up after three years because he did not enjoy the discipline. He redeveloped an interest in the instrument after he started writing music with his brother Dan Minchin, a guitarist, but still describes himself as a "hack pianist... a 'more you practise, the better you get' kind of guy".^[7] Minchin graduated from the University of Western Australia in 1995 with a Bachelor of Arts in English and Theatre, and in 1998 completed an Advanced Diploma in Contemporary Music at the Western Australian Academy of Performing Arts.^[8]

He currently lives in London with his wife, Sarah.^[9] They have two children: a daughter, Violet, and a son, Caspar.^[10] Minchin often refers to his relationships in his songs and stand-up routines.

Musical comedy[link]

Minchin playing the piano on stage

Minchin describes his act as a "funny cabaret show" and sees himself primarily as a musician and songwriter as opposed to a comedian; his songs, he says, "just happen to be funny."^[11] His reasoning for combining the disciplines of music and comedy was revealed in one interview when he said "I'm a good musician for a comedian and I'm a good comedian for a musician but if I had to do any of them in isolation I dunno."^[12]

He draws on his background in theatre for his distinctive onstage appearance and persona.^[6] In his performances, he typically goes barefoot with wild hair and heavy eye makeup, which is juxtaposed with a crisp suit and tails, and a grand piano. According to Minchin, he likes going barefoot in his shows because it makes him feel more comfortable. He considers the eye makeup important because while he is playing the piano he is not able to use his arms and relies on his face for expressions and gestures; the eyeliner makes his features more distinguishable for the audience.^[7] Much of his look and persona, he says, are about "treading that line between mocking yourself and wanting to be an iconic figure. Mocking the ridiculousness and completely unrealistic dream of being an iconic figure."^[13] The eccentric appearance removes Minchin from reality somewhat, allowing him to make outrageous statements onstage "without annoying (most) people." ^[14]

The shows consist largely of Minchin's comedic songs and poetry, with subjects ranging from social satire to inflatable dolls, sex fetishes, and his own failed rock star ambitions. In between songs, he performs short stand-up routines.^[11] Several of his songs deal with religion, a subject with which Minchin—an atheist and a fan of Richard Dawkins—says he is "a bit obsessed."^[15] He argues that as one of the most powerful and influential forces in the world, religion should never be off-limits to satirists. He says that his favourite song to perform is "Peace Anthem for Palestine", which reflects his feelings about religious conflict.^[16] In October 2010 he was made a Distinguished Supporter of the British Humanist Association. His comedy also deals with taboos more broadly.^[17] A prime example of this is the song "Prejudice" which parodies the power awarded to something as simple as a word.

Early career (1998–2007)[link]

After completing an Advanced Diploma in Contemporary Music in 1998, Minchin started out composing music for documentaries and theatre. In 2000 he wrote and starred in the musical Pop at the Blue Room Theatre in Perth.^[18] He released a CD titled Sit with his band Timmy the Dog in 2001, but achieved little success.^[19] In 2002, after only one professional acting job, he moved from Perth to Melbourne to pursue work.^[20] Minchin struggled initially; he could not get an agent for a year and had been unable to find any acting work.^[19] While several record companies gave him positive feedback, they were not sure how his music—a mixture of satirical songs and more serious pop songs—could be marketed. He decided to compile all of his humorous songs into a single live show to "get the comedy stuff off [his] chest" before going back to more serious music.^[21]

Minchin says he entered into comedy "naively", having never even attended a live comedy gig before performing one himself.^[15] His break-out show, Darkside (co-produced by Laughing Stock Productions), achieved critical success at the 2005 Melbourne International Comedy Festival, where it won the inaugural Festival Directors' Award and attracted the notice of Karen Koren, the manager of the well-known Gilded Balloon venues.^[22] Koren backed the show's run at the Edinburgh Festival Fringe, where Minchin received the Perrier Comedy Award for Best Newcomer.^[6][23] His 2006 show, So Rock, was nominated for the Melbourne International Comedy Festival's top prize, the Barry Award, and in 2007 he was given the award for Best Alternative Comedian at the HBO US Comedy Arts Festival.^[11][24]

Live recordings of his 2005 and 2006 shows, Darkside and So Rock, have been released as CDs. In 2007, he released a DVD entitled So Live, featuring a live recording in the Sydney Opera House Studio with material from both of his previous shows.^[13] As this DVD was only released in Australia, he released a DVD in 2008 entitled So F**king Rock Live in the UK, containing largely the same material as So Live.

[edit] Ready for This? (2008–2010)

In August 2008 Minchin debuted his third solo show, Ready for This?, at the Edinburgh Fringe and subsequently took it on tour across the UK. During the Edinburgh run, he contributed to The Guardian newspaper's podcasts,^[25] despite his new show containing a song about a Guardian critic who once gave his show a negative review.^[26][27]

A recording of this show, recorded live at Queen Elizabeth Hall in London was released as an album for download via iTunes on 20 July 2009. An Australian recording was released on DVD, solely in Australia on 9 September 2009^[28] and a UK release in the second half of 2010.^[29]

In December 2009, the track "White Wine in the Sun" was released as a downloadable single online. Fans on Minchin's official forum launched a campaign to get this festive track into the UK Christmas charts by purchasing it from various online download retailers.^[30] A Facebook group was also launched to support the campaign^[31] as well as a drive on Twitter in which celebrities were contacted about the campaign and a succession of e-mails to radio DJs in a bid to get them to play the song. It was later announced that 50% of the December profits from the song would be donated to The National Autistic Society.^[32] The bid was ultimately unsuccessful.^[33]

It was announced at the end of 2009 that one of Minchin's beat poems, Storm, was to be made into a short animated movie to be released in 2010.^{[dated info][34]} A blog was launched to accompany the film-making process and a short trailer was released on 8 January 2010.^[35] The full movie was launched on YouTube on 7 April 2011.^[36]

He performed Ready for This? for what he envisages as the final time on 27 February 2010 in Sydney.^[37] He did however perform a set at The Big Libel Gig on 14 March 2010 in protest at Britain's libel laws, along with other performers including Dara Ó Briain, Marcus Brigstocke, Shappi Khorsandi, Robin Ince and Ed Byrne. As well as this, he performed at Camp Bestival as part of the Jestival Sessions in July 2010.^[38]

Minchin was the subject of the winning entry in the 2010 Archibald Prize, Australia's most important portraiture competition. The winning entry was painted by Sam Leach.^[39][40]

[edit] Tim Minchin and the Heritage Orchestra (2010–2011)

Minchin embarked on a new arena tour starting with Birmingham on Wednesday 8 December 2010. A departure from the structure of his previous live shows, his act has been scaled up to be performed with the Heritage Orchestra. It contains a mixture of material: there are new songs on the subject of prayer and of rationality — themes which often appear in his previous work. Minchin has stated that the aim of incorporating the orchestra into his act is to create a comedy show that would not be ruined by being performed in arenas, as stated in the special features of the DVD and Blu-ray. The show is touring the UK and Australia. It was filmed at the Royal Albert Hall in London for a Blu-ray and DVD that was released in November 2011.^[41]

Television and radio[link]

Tim Minchin has made appearances on Australian TV shows, including the ABC's Spicks and Specks,^[42] and The Sideshow,^[43]. He has also made appearances on Network Ten's panel shows Good News Week (February 2010)^[44] and Talkin' 'Bout Your Generation (March 2010).^[45]

Minchin has also appeared on various British radio and television shows, including the BBC's Never Mind the Buzzcocks (four times, once as guest host),^[46] BBC Radio 4's Mark Watson Makes the World Substantially Better^[47] and two specials on BBC Radio 2. He often performs on his TV appearances, such as his spots on Friday Night with Jonathan Ross in October 2009 and July 2010.^[48] He performed a specially-written song entitled "Five Poofs and Two Pianos", a parody of the show's house band, 4 Poofs and a Piano. Minchin also appeared as a special guest on the 2009 edition of The Big Fat Quiz of the Year performing a song written for the show ("It's Like 1984") in reference to a question regarding Google Street View.^[49] On Saturday 13 August 2011 Minchin hosted Prom 40: the first BBC Comedy Promenade Concert at the Royal Albert Hall. He appeared on Desert Island Discs on 6 May 2012.^[50]

A heavily cut-down version of the show released on DVD as So F**king Rock Live has aired several times on British TV channel E4, first on 23 July 2009.^[51] It aired at the turn of 2011, forming E4's New Year's coverage.^[52]

On 8 May 2010, Minchin's musical sitcom pilot Strings was broadcast on BBC Radio 2. Minchin plays the protagonist Jonny, who leaves Australia to live in the UK.^[53] Well received as it was by Radio 2, he decided against creating a full series. ^[54]

In January 2011, Minchin made his American television debut on TBS's Conan, where he performed "Inflatable You".^[55] On 12 May 2011, he performed "If I Didn't Have You" on the Late Late Show with Craig Ferguson, and on 7 June 2011 Minchin made his second appearance on Conan, singing "Prejudice".^[56] Minchin made his third appearance on Conan on 9 April 2012, singing his "3-Minute Song".

In December 2011 Minchin performed a specially written song called "Woody Allen Jesus" ^[57] on The Jonathan Ross Show. However, despite the show's producers and ITV's lawyers approving the composition for broadcast it was removed at the last minute. Responding on his blog, Minchin stated:^[58] "[...] Someone got nervous and sent the tape to ITV's director of television, Peter Fincham. And Peter Fincham demanded that I be cut from the show. He did this because he's scared of the ranty, shit-stirring, right-wing press, and of the small minority of Brits who believe they have a right to go through life protected from anything that challenges them in any way."^[59]

Acting and theatre[link]

Minchin's background is in theatre and he has appeared in various stage productions. His most recent dramatic theatrical performance was in the title role for the 2006 Perth Theatre Company production of Amadeus, a fictional play about the downfall of Mozart at the hands of the reigning court composer.^[19] His other stage acting roles have included the title role in the 2004 Perth Theatre Company / Hoopla production of Hamlet, and The Writer in the original PTC production of Reg Cribb’s The Return. He has also acted for The Australian Shakespeare Company (Twelfth Night), the Black Swan Theatre Company (Cosi, One Destiny) and in various other plays, short films and TVC’s. Roles from his days in musical theatre include Don Quixote in Man of La Mancha and Pontius Pilate (and understudying Judas twice) in Jesus Christ Superstar. He has also appeared playing small parts on the ABC telemovie Loot and on the show Comedy Inc..^[60]

Minchin also plays the role of Tom, in the contemporary family drama Two Fists, One Heart,^[61] released 19 March 2009.^[62] He also wrote the song Drowned for the film's soundtrack.^[63]

He co-wrote an Olivier Award winning musical version of Roald Dahl's novel Matilda – entitled Matilda, A Musical – with Dennis Kelly and the Royal Shakespeare Company, which is produced by the RSC. It showed at The Courtyard Theatre in Stratford-upon-Avon running from 9 November 2010 to 30 January 2011^[64] and began its West End run at the Cambridge Theatre on 25 October 2011 to great critical acclaim.^[65][66]

Minchin has been cast to play Judas in the Summer 2012 UK tour of the musical Jesus Christ Superstar.^[67]

Atheism and skepticism[link]

In an interview with IIG member John Rael, Minchin explains that what upsets him most about paranormal beliefs is "special pleading" by people who say vague things such as "there is no harm in it". Minchin states that there is very little harm in something like reiki, but asks "where do you draw the line?" when it comes to needing real evidence if a therapy works or not. He states that he is an atheist as well as a skeptic, and cannot understand how someone can call themself a skeptic and still be religious. "If you apply doubt to anything...the whole religion thing is obviously a fantasy." ^[68]

In his beat poem, Storm, which centres on Minchin having an argument with a "hippie" who believes in various New Age alternatives in lieu of pharmaceutical medicine, he states: "Science adjusts its views based on what's observed. Faith is the denial of observation, so that belief can be preserved." ^[69]

Discography[link]

Albums[link]

• Sit (with band Timmy the Dog) (2001)
• Darkside (2005)
• So Rock (2006)
• Ready For This? (2009)
• Live at the O2 (2010)
• Tim Minchin and The Heritage Orchestra (2011)

Singles[link]

• "Drowned" (2008)
• "White Wine in the Sun" (2009)
• "The Pope Song" (2010) - As a free download from his website^[70]
• "The Fence" (2011)

Compilations[link]

• Laugh-a-poolooza (featured artist) (2005)

DVD[link]

• So Live (2007) Australian DVD
• So F**king Rock Live (also known as So Fucking Rock Live)^[71] (11 October 2008)
• So F**king Rock Live (Special Edition) (also known as So Fucking Rock Live (Special Edition)) (5 October 2009)
• Ready For This? (29 November 2010)
• Tim Minchin and the Heritage Orchestra (14 November 2011)

Filmography[link]

Actor[link]

• 2008 – Two Fists, One Heart – Tom^[72]
• 2010 – The Lost Thing – The Boy (Voice)^[73]
• 2013 - Californication - Coked-up Rock Star(Guest)^[74]

Awards[link]

• 2005 Melbourne International Comedy Festival Directors' Choice Award for Dark Side^[75]
• 2005 Edinburgh Festival Fringe Perrier Comedy Award, Best Newcomer^[23]
• 2005 Melbourne International Comedy Festival, The Groggy Squirrel Critics' Award^[76]
• 2007 U.S. Comedy Arts Festival, Best Alternative Act^[77]
• 2009 Helpmann Award for Best Comedy Performer ^[78]
• 2009 Green Room Awards, Cabaret: Best Original Songs^[79]
• 2009 Green Room Awards, Cabaret: Best Artiste^[79]
• 2010 Chortle Awards, Best Music or Variety Act ^[80]
• 2012 Olivier Awards: Best New Musical for Matilda The Musical ^[81]

References[link]

External links[link]

Wikimedia Commons has media related to: Tim Minchin

• Official website
• Rock N Roll Nerd – The Tim Minchin Documentary website
• Tim Minchin's channel on YouTube
• Tim Minchin on Twitter
• Tim Minchin on Myspace
• YouTube Interview on Australian Sceptics vodcast, The TANK Vodcast, 2007
• Tim Minchin's song 'If I Didn't Have You' (Secret Policeman's Ball)
• Storm Movie Production Blog

Johnny Dark is an American comedian and comic actor, active on television since the 1970s. He is most recently known for his recurring appearances on Late Show with David Letterman.^[1]

In addition to his Late Show appearances, his appearances as a comedian include Late Night with David Letterman, The Tonight Show Starring Johnny Carson, Donny and Marie, and the The Alan Hamel Show.^[1] He has also done stand-up comedy in Atlantic City and, as an actor, appeared in several films.^[1][2]

Filmography[link]

{{columns-list|2|

• A Lousy Ten Grand
• Skin Walker
• Down the Barrel
• High Roller: The Stu Ungar Story
• Waitin' to Live
• Arli$$
• The Norm Show
• Shasta McNasty
• Partners
• Dead Man on Campus
• Weird Science
• Touched by an Angel
• Roseanne
• Baywatch Nights
• Hang Time
• Don't Quit Your Day Job
• The Bonnie Hunt Show
• Family Matters
• Pointman
• Silk Stalkings
• Breakfast of Aliens
• They Came from Outer Space
• Growing Pains
• Repossessed
• Just the Ten of Us
• Wishful Thinking
• Mr. Belvedere
• Communion
• Bert Rigby, You're a Fool
• Up Your Alley
• L.A. Law
• Mama's Family
• The Facts of Life
• Smart Alex
• Glory Years
• Night Patrol
• The Being
• The Jacksons
• Rip-Off

References[link]

External links[link]

• Johnny Dark's Lincoln at MySpace

Jim Smallman (born 11 May 1978) is a stand-up comedian based in Leicester, England. Born and raised in Leicestershire Jim had a passion for comedy from a very young age, but did not enter into the business himself until he was 27. Having been educated in Hinckley, Jim went on to De Montfort University and graduated with a First-class Honours degree in English.

Smallman first entered into comedy whilst working at Next. He attended a 12 week comedy workshop to help him with his nerves whilst giving presentations. Whilst having no intention of attempting any gigs on this workshop, Jim discovered that he enjoyed being on stage and decided to engage in comedy on a professional level.

In 2006 Jim was a finalist in the Laughing Horse New Act of the Year competition. Continuing his success, Smallman went on to be a finalist in the Leicester Mercury/Equity New Comedian of the Year 2007.^[1]

In 2009 Jim's first hour-long show, The Boy Next Door Gone Wrong, was nominated for the Best Debut Show at the Leicester Comedy Festival. The show drew on past experiences with alcoholism and an addiction to painkillers.

2010 saw further triumph for Jim as he picked up two awards at Hollywood Fringe; Best International Show and Best Comedy performance.

In 2011, Jim will taking his new show 'Tattooligan' to the Edinburgh Fringe. He recently had the show title tattooed across his stomach. Jim will also be undertaking a free show at the Fringe - Don't Take Advice From This Man.

Jim has recently increased his media portfolio, specifically in the world of professional wrestling, two fold. Not only has he co-created PROGRESS wrestling but he is also the host of a weekly magazine show called 'The Slam'^[2] which can be viewed on YouTube and also live on the new Internet/Freeview HD channel 'Sports Tonight'.

Television Appearances[link]

The Big Questions - BBC1, 2010

Midlands Today - BBC, 2009

Radio[link]

BBC radio Leicester - 2009-10

References[link]

Kenny Larkin (who also releases as Dark Comedy) is an American techno producer from Detroit. He has been described by Allmusic as "massively influential" on American, British, and German techno.^[1]

Larkin was born and raised in Detroit, but did not participate in the early years of Detroit techno because he was serving in the military. Upon his return, he began producing, influenced by Juan Atkins and Derrick May, as well as the Chicago house music scene.^[1] His early single releases, "We Shall Overcome" and "Integration", were issued on Plus 8, a label overseen by Richie Hawtin and John Acquaviva; later released appeared on Buzz and Warp as well as other labels. His records have seen more success in continental Europe than in the U.S..

Late in the 1990s, Larkin began working as a stand-up comedian into the 2000s. His musical output has slowed as a result.

Discography[link]

References[link]

External links[link]

• Kenny Larkin discography at Discogs.