Recording Industry Association of America
Formation	1952
Type	Technical standards, licensing and royalties
Headquarters	Washington, D.C.
Location	United States
Chairman and Chief Executive Officer	Cary Sherman
Website	riaa.com

The Recording Industry Association of America (RIAA) is a trade organization that represents the recording industry distributors in the United States. Its members consist of record labels and distributors, which the RIAA say "create, manufacture and/or distribute approximately 85% of all legally sold recorded music in the United States."^[1] RIAA has its headquarters in Washington, D.C.^[2][3]

The RIAA was formed in 1952^[4] primarily to administer the RIAA equalization curve,^{[citation needed]} a technical standard of frequency response applied to vinyl records during recording. The RIAA participates in the collective rights management of sound recording. The association is also responsible for certifying Gold and Platinum albums and singles in the USA.

The RIAA lists its goals as:^[1]

1. to protect intellectual property rights and the First Amendment rights of artists;
2. to perform research about the music industry;
3. to monitor and review relevant laws, regulations and policies;

Company structure and sales[link]

Cary Sherman has been the RIAA's chairman and CEO since 2011. Sherman joined the RIAA as its general counsel in 1997 and became president of the board of directors in 2001, serving in that position until being made chairman and CEO.

Mitch Glazier has been the RIAA's senior executive vice president since 2011. He served as executive vice president for public policy and industry relations from 2000 to 2011.

The past RIAA chairman and CEO is the Mitch Bainwol, who served from 2003 to 2011. He left in 2011 to become president and CEO of the Alliance of Automobile Manufacturers.

The board of directors consists of 26 members of the board, drawn mostly from the big four members of the RIAA.^[5] The board is currently made up of:

• Cary Sherman - RIAA
• Colin Finkelstein - EMI Recorded Music
• Bill Hearn - EMI Christian Music Group
• Deirdre McDonald - Sony Music Entertainment
• Terry Hemmings - Provident Music Group/Sony Music Entertainment
• Kevin Kelleher - Sony Music Entertainment
• Thomas Hesse - Sony Music Entertainment
• Julie Swidler - Sony Music Entertainment
• Luke Wood - Interscope Records
• Jeff Harleston - Universal Music Group
• Zach Horowitz - Universal Music Group
• Mel Lewinter - Universal Motown Republic Group
• Craig Kallman - The Atlantic Group
• Paul Robinson Warner Music Group
• Bob Cavallo - Buena Vista Music
• Glen Barros - Concord Music Group
• Mike Curb - Curb Records
• Michael Koch^{[disambiguation needed ]} - Entertainment One U.S.
• Tom Silverman - Tommy Boy Entertainment
• Steve Bartels - Island Records

The RIAA represents over 1,600 member labels, which are private corporate entities such as record labels and distributors, and collectively create and distribute about 90% of recorded music sold in the United States. The largest and most influential of the members are the "Big Four" that include:

• EMI
• Sony Music Entertainment
• Universal Music Group
• Warner Music Group

The RIAA reports that total retail value of recordings sold by their members was $10.4 billion^[6] at the end of 2007, a decline from $14.6 billion in 1999.

Sales certification[link]

The RIAA operates an award program for albums that sell a large number of copies.^[7] The program originally began in 1958, with a Gold Award for singles and albums that reach 1,000,000 in sales. The criteria was changed in 1975 to the number of copies sold, with albums selling 500,000 copies awarded the Gold Award. In 1976, a Platinum Award was added for one million sales. In 1989 it changed again with a "Gold Award" for singles that reach 500,000 in sales and a "Platinum Award" for singles that reach 1,000,000 in sales, and in 1999 a Diamond Award for ten million sales.^[8] The awards are open to both RIAA members and non-members.^[9]

Since 2000,^[10] the RIAA also operates a similar program for Spanish language music sales, called Los Premios de Oro y De Platino. Currently, a Disco De Oro (Gold) is awarded for 50,000 units and a Disco De Platino is awarded for 100,000 units, with Album Multi-Platino at 200,000.^[11] To be eligible for this award, sound recordings must contain more than 50% Spanish language content.^[10]

"Digital" sales certification[link]

In 2004, the RIAA added a branch of certification for what it calls "digital" recordings, meaning roughly "recordings transferred to the recipient over a network" (such as those sold via the iTunes Store), and excluding other obviously-digital media such as those on CD, DAT, or MiniDisc. In 2006, "digital ringtones" were added to this branch of certification. As of 2007^[update], the certification criteria for these recordings are as follows:

• Silver: 100,000 copies
• Gold: 500,000 copies
• Platinum: 1,000,000 copies
• Multi-Platinum: 2,000,000 copies
• Diamond: 10,000,000 copies

Video Longform certification[link]

Along with albums, digital albums, and singles there is another classification of music release called "Video Longform." This release format includes DVD and VHS releases, and certain live albums and compilation albums. The certification criteria is slightly different from other styles.^[12]

• Gold: 50,000
• Platinum: 100,000

Efforts against infringement of members' copyrights[link]

Efforts against file sharing[link]

The RIAA opposes unauthorized sharing of its music. Studies conducted since the association began its campaign against peer-to-peer file-sharing have concluded that losses incurred per download range from negligible^[13][14] to substantial.^[15]

The association has commenced high profile lawsuits against file sharing service providers. It has also commenced a series of lawsuits against individuals suspected of file sharing, notably college students and parents of file sharing children. It is accused of employing techniques such as peer-to-peer "decoying" and "spoofing" to combat file sharing.^[16][17]

As of late 2008 they have announced they will stop their lawsuits,^[18] and instead are attempting to work with ISPs who will use a three-strike warning system for file sharing, and upon the third strike will cut off Internet service all together.^[19] However as of 2009 no major ISPs have announced they are part of the plan, and Verizon has publicly denied any involvement with this plan.^[20]

Selection of defendants[link]

The RIAA names defendants based on ISP identification of the subscriber associated with an IP address,^[21] and as such do not know any additional information about a person before they sue. After an Internet subscriber's identity is discovered, but before an individual lawsuit is filed, the subscriber is typically offered an opportunity to settle. The standard settlement is a payment to the RIAA and an agreement not to engage in file-sharing of music and is usually on par with statutory damages of $750 per work, with the RIAA choosing the number of works it deems "reasonable." For cases that do not settle at this amount, the RIAA has gone to trial, seeking statutory damages from the jury, written into The Digital Theft Deterrence and Copyright Damages Improvement Act of 1999 as between $750 and $30,000 per work or $750 and $150,000 per work if "willful." In the case RIAA v. Tenenbaum, the jury awarded the RIAA $22,500 per song shared by Joel Tenenbaum resulting in a judgment of $675,000 for the shared 30 tracks (this was later reduced to $67,500 by the judge) and in the case RIAA v. Jammie Thomas-Rasset, the jury awarded $80,000 per song, or $1.92 million for 24 tracks^[22][23] (this award was later reduced by the judge to $54,000,^[24] though the final amount of damages has not been determined).

The Electronic Frontier Foundation and Public Citizen oppose the ability of the RIAA and other companies to "strip Internet users of anonymity without allowing them to challenge the order in court."^[25][26]

The RIAA's methods of identifying individual users had, in some rare cases, led to the issuing of subpoena to a recently deceased 83-year-old woman,^[27] an elderly computer novice,^[28] and a family reportedly without any computer at all.^[29]

Settlement programs[link]

In February 2007 the RIAA began sending letters accusing Internet users of sharing files and directing them to web site P2PLAWSUITS.COM, where they can make "discount" settlements payable by credit card.^[30] The letters go on to say that anyone not settling will have lawsuits brought against them. Typical settlements are between $3,000 and $12,000. This new strategy was formed because the RIAA's legal fees were cutting into the income from settlements.^[31] In 2008, RIAA sued 19-year-old Ciara Sauro for allegedly sharing ten songs online.^[32]

The RIAA also launched an "early settlement program" directed to ISPs and to colleges and universities, urging them to pass along letters to subscribers and students offering early settlements, prior to the disclosure of their identities. The settlement letters urged ISPs to preserve evidence for the benefit of the RIAA and invited the students and subscribers to visit an RIAA website for the purpose of entering into a "discount settlement" payable by credit card.^[33] By March 2007, the focus had shifted from ISPs to colleges and universities.^[31][34][35]

In October 1998, the Recording Industry Association of America filed a lawsuit in the Ninth U.S. Court of Appeals in San Francisco claiming the Diamond Multimedia Rio PMP300 player violated the 1992 Audio Home Recording Act. The Rio PMP300 was significant because it was the second portable consumer MP3 digital audio player released on the market. The three judge panel ruled in favor of Diamond, paving the way for the development of the portable digital player market.^[36]

In 2003, the RIAA sued college student developers of LAN search engines Phynd and Flatlan, describing them as "a sophisticated network designed to enable widespread music thievery."^[37][38][39]

In September 2003, the RIAA filed suit in civil court against several private individuals who had shared large numbers of files with Kazaa. Most of these suits were settled with monetary payments averaging $3,000. Kazaa publisher Sharman Networks responded with a lawsuit against the RIAA, alleging that the terms of use of the network were violated and that unauthorized client software was used in the investigation to track down the individual file sharers (such as Kazaa Lite). An effort to throw out this suit was denied in January 2004, however, that suit was settled in 2006. Sharman Networks agreed to a global settlement of litigation brought against it by the Motion Picture Association of America (MPAA), the International Federation of Phonographic Industry (IFPI), and the RIAA. The creators of the popular Kazaa file-sharing network will pay $115 million to the RIAA, unspecified future amounts to the MPAA and the software industry, and install filters on its networks to prevent users from sharing copyrighted works on its network. ^[40] Michael L. Williams 15:31, 17 December 2011 (UTC)

RIAA has also filed suit in 2006 to enjoin digital XM Satellite Radio from enabling its subscribers from playing songs it has recorded from its satellite broadcasts.^[41] It is also suing several Internet radio stations.^[42]

On October 12, 2007, the RIAA sued Usenet.com seeking a permanent injunction to prevent the company from "aiding, encouraging, enabling, inducing, causing, materially contributing to, or otherwise facilitating" copyright infringement. This suit, the first that the RIAA has filed against a Usenet provider, has added another branch to the RIAA's rapidly expanding fight to curb the unauthorized distribution of copyrighted materials. Unlike many of the RIAA's previous lawsuits, this suit is filed against the provider of a service who has no direct means of removing infringing content. The RIAA's argument relies heavily on the fact the Usenet.com, the only defendant that has been named currently, promoted their service with slogans and phrases that strongly suggested that the service could be used to obtain free music.

On April 28, 2008, RIAA member labels sued Project Playlist, a web music search site, claiming that the majority of the sound recordings in the site's index of links are infringing. Project Playlist's website denies that any of the music is hosted on Project Playlist's own servers.^[43]

On June 30, 2009, The Recording Industry Association of America prevailed in its fight against Usenet.com, in a decision, that the U.S. District Judge Harold Baer of the Southern District of New York ruled in favor of the music industry on all its main arguments: that Usenet.com is guilty of direct, contributory, and vicarious infringement. In addition, and perhaps most important for future cases, Baer said that Usenet.com can't claim protection under the Sony Betamax decision. That ruling states, companies can't be held liable for contributory infringement if the device they create is "capable of significant non-infringing uses."^[44] Furthermore, the parties are now headed to federal court for damage assessments and awards, which could amount to many, many millions of dollars for the music industry. ^[45]

On October 26, 2010, RIAA members won a case against LimeWire, a P2P file sharing network, for illegal distribution of copyrighted works.^[46] On October 29, in retaliation, riaa.org was taken offline via denial-of-service attack executed by members of Operation Payback and Anonymous.^[47]

The "work made for hire" controversy[link]

In 1999, Mitch Glazier, a Congressional staff attorney, inserted, without public notice or comment, substantive language into the final markup of a "technical corrections" section of copyright legislation, classifying many music recordings as "works made for hire," thereby stripping artists of their copyright interests and transferring those interests to their record labels.^[48][49] Shortly afterwards, Glazier was hired as Senior Vice President of Government Relations and Legislative Counsel for the RIAA, which vigorously defended the change when it came to light.^[50] The battle over the disputed provision led to the formation of the Recording Artists' Coalition, which successfully lobbied for repeal of the change.^[51][52]

See also[link]

	Music portal
	United States portal

• Center for Copyright Information
• Federal Communications Commission (FCC)
• Global music industry market share data
• Intellectual Property trade groups
• International Intellectual Property Alliance IIPA
• List of RIAA member labels
• Music Canada CRIA
• Parental Advisory

References[link]

External links[link]

• RIAA official website

Olly Murs
Murs performing on the X Factor live tour
Background information
Birth name	Oliver Stanley Murs
Born	(1984-05-14) 14 May 1984 (age 28) Witham, Essex, England
Genres	Pop, reggae fusion, ska, dance, soul
Occupations	Singer-songwriter, presenter, choreographer
Instruments	Vocals, guitar, drums
Years active	2009–present
Labels	Epic (2009–present) Syco (2009–present)
Associated acts	The X Factor 2009 finalists
Website	ollymurs.com

Oliver "Olly" Stanley Murs^[1] (born 14 May 1984 in Witham, Essex, England)^[2] is an English singer-songwriter, musician and TV presenter. Murs rose to fame after being the runner-up on the sixth series of The X Factor. He is currently signed to Epic Records and Syco Music.

In late August 2010, Murs released his debut single "Please Don't Let Me Go", which debuted at number one on the UK Singles Charts, becoming Murs' second number one single after releasing "You Are Not Alone" with the other series 6 finalists. "Please Don't Let Me Go" received a Silver certification by the BPI. He released his second single from his debut album "Thinking of Me" which charted at number four on the UK Singles Charts, however the single also got a Silver certification by the BPI. "Heart Skips a Beat" was released and became his third number-one hit. Murs' second single from his follow up album In Case You Didn't Know, "Dance with Me Tonight", became his fourth to reach number one.

In November 2010, Murs released his self-titled debut album, which entered the UK Albums Chart at number two, with the biggest week one album sales for a debut album in 2010, with over 108,000 albums sold. The album went on to sell over 600,000 copies, and was certificated double platinum by the BPI. In November 2011, Murs released his second album, In Case You Didn't Know. The album entered the charts at number one, and has spawned two number one singles. In May 2011, it was announced that Murs would return to The X Factor to co-present spin-off show The Xtra Factor with Caroline Flack. It was also confirmed that Murs would present a Celebrity Club Classic show on Heart FM. He also has an active Twitter account with over 2 million followers as of May 2012.

Biography[link]

Oliver Stanley Murs was born to Vicki-Lynn Murs and Pete Murs.^[3][4] He has a twin brother, Ben Murs (Olly is the older twin) and a sister, Fay Murs and is of Latvian descent.^[3] He attended Howbridge Junior School in Witham and Notley High School in Braintree, Essex^[5] where he was a striker in the school's football team. He is a supporter of Manchester United,^[6] and played semi-professionally for Witham Town. He gave up his football career following an injury.^[7] Prior to The X Factor, Murs worked as a recruitment consultant at Prime Appointments in Witham. He also appeared on the TV show Deal or No Deal where he won £10. He later appeared on a celebrity special of Deal or No Deal in 2012, and he won 50p for the charity he is a patron of, Brainwave.^[8] Murs has played in Soccer Aid for charity early in 2010, and is going to play again in May 2012, before heading off to the US to support One Direction on their US tour.^[9][10]

Music career[link]

[edit] 2009–2010: The X Factor

In 2009 he performed "Superstition" in his first audition and Simon Cowell said it was "the easiest yes I've ever given". On the first live show he sang "She's the One" and on the second, "A Fool in Love", a performance which Cowell described as being "in a different league." For week three he took on "Bewitched". Walsh commented that he was the "dark horse of the competition," and Cole said he was "coming into his own each week." He frequently employed dance moves in his performance including his trademark "Olly wiggle."^[11] In week 4 he sang "Come Together" and again received positive comments, with Walsh predicting, "I think you're in the final three," and Cowell saying he was "progressing better than just about everybody."^[12] In week 5 he performed "Twist and Shout" and in week 6 "Don't Stop Me Now", after which he was labelled by Minogue as, "absolutely the best performer we have on the show by far."^[13]

After a performance of "Fastlove", he was in the bottom two in week 7, with John & Edward. Cowell and Cheryl Cole decided to send John & Edward home, but Louis Walsh voted against Murs. Dannii Minogue then decided against taking the judges' vote to deadlock and sent home John & Edward. When the voting statistics were later released on itv.com, they revealed that if Minogue had voted to save John & Edward and taken it to deadlock, Murs would have been sent home on popular vote, as John & Edward gained 10.7% of the popular vote against just 9.8% to Murs. In the semi-finals Murs had to miss the wedding of his brother. The ceremony took place just 16 miles from the show's studio, but mentor Cowell was against letting him off for a few hours on the crucial semi-final day.^[14] He sang "Can You Feel It" and "We Can Work It Out" in the semi-final and ended up as one of the three finalists, breaking down in tears upon hearing the result.^[15]

In the final on 12 December, he repeated his audition song, "Superstition", following which Cowell said putting him in the final 12 was "the best risk I have ever taken in my life". Murs then sang with Robbie Williams on a duet of "Angels", in which Williams fluffed his lines as he walked on stage to join Murs and came in at the wrong time, singing the second line of the song, but was helped by Murs to find the right spot.^[16] There was then a repeat performance of his week 2 song "Fool in Love". Murs qualified for the final two and first sang a repeat performance of "Twist and Shout", following which Walsh commented, "You're a born, born showman and no matter what happens tonight you're going to have a great career in music." In his final performance on the show he performed the winner's song, "The Climb", finishing it in tears.^[17] He was told by Cole, "You absolutely tore it from your soul. I've never heard you sing like that. I thought it was a beautiful version of the song."^[18] He lost the final to Joe McElderry the next day and finished as the runner-up.^[19]

On 15 December, two days after the final, it was reported that Cowell was going to offer Murs a record deal in early 2010.^[20] Following his defeat, Murs was reportedly texted by duet partner Robbie Williams and invited to visit him in his Los Angeles mansion and participate in the forthcoming Soccer Aid, organised by Williams.^[6] Olly performed in the X Factor tour, alongside Joe McElderry, John & Edward, Stacey Soloman Lucie Jones and several other finalists. It was later revealed on The Xtra Factor that Murs was predicted by all the judges and presenters (except Minogue who said Nicole Jackson and Cole who said Miss Frank as a second choice) as the favourite to win the series at the Boot Camp stage.^[21][22] As with all other finalists save the winner, Murs began gigging around the country following the end of the show.^[23] A fight broke out at one New Year's Eve gig in London prompted by enthusiastic fans.^[24] He was also booked to appear at the engagement party of model Danielle Lloyd.^[25] Footage of Murs appearing on Deal or No Deal was later featured in an edition of the BBC's Almost Famous on 2 January 2010.^[26]

[edit] 2010–2011: Major label success and Olly Murs

Rumours began that Murs would record a debut album almost immediately after the final, where he finished in second place to Joe McElderry. After the rumours broke out, Murs announced he signed a joint record deal between Epic Records and Syco Music in February 2010.^[27] It was announced that Murs began working with John Shanks and Eg White.^[28] It was later confirmed that Roy Stride, Trevor Horn, Wayne Hector and Matty Benbrook would have involvement on the album which he collaborated with to make the "best possible songs".^[29] More writers and producers were confirmed to be working with Murs in the studio including; Phil Thornalley, Martin Brammer, Samuel Preston, Mark Taylor.^[30] and Chris Difford^[30] Professor Green was due to appear on the album, however, the duet fell through before recording was completed. "Heart on My Sleeve" is a cover of the song originally recorded by American Idol finalist Michael Johns.

Murs confirmed the first single from the album to be titled "Please Don't Let Me Go", which was released on 27 August 2010 following the circulation of the accompanying music video.^[31] The song was written by Murs himself and with other songwriters, Claude Kelly and Steve Robson; the single was also produced by Future Cut.^[28] The song is about a minor relationship Murs was in where he ended up feeling something for the other person. Murs commented: "Sadly she kept giving me the impression that she didn't like me as much, and ultimately it didn't work out, so that's where the idea of me singing 'Please Don't Let Me Go' came from."^[32] The song was described as "a lovely summery reggae-tinged pop tune that bobs along in a thoroughly hummable and not un-Will Young-like fashion" and said that the music video "is just as quintessentially pleasant".^[33] During the release, Murs was told not to get his hopes up for a number-one due to Katy Perry releasing "Teenage Dream" the same day. On 5 September 2010, the single entered the UK Singles Charts at number 1 beating Katy Perry's "Teenage Dream". The song was released with the B-side track, entitled "This One's for the Girls" also entered the UK Singles Charts, debuting at number 69, was written for all of his female fans.

His debut album was released in November 2010;^[34] which was a self-titled album, Olly Murs. The album's tracking list was revealed on 15 October 2010.^[35] The album entered the UK Albums Chart at number two, with the biggest week one album sales for a debut album in 2010, with over 108,000 albums sold.^[36] The album also charted on the Irish Albums Chart where it found itself peaking at number eleven. The second single was "Thinking of Me",^[37] written by Murs, Steve Robson and Hector, and co-produced by Future Cut and Steve Robson.^[38] It was released on 19 November 2010,^[37] prior to the album's release.^[30] It was reported that Professor Green would feature on the single,^[39] however, the duet fell through before it was completed.^[40] The single was added to BBC Radio 1's C Playlist on 3 November 2010. Murs performed the single for the first time on The X Factor. Upon the release the single charted at number four on the UK Singles Charts and thirteen on the Irish Singles Charts. On 13 November Murs turned the Christmas lights on in Paisley and he also turned on the Christmas lights near his hometown in Chelmsford, Essex. Renfrew Council was criticised in the media for the £15,000 fee that Murs was paid to turn on the lights, after announcing that they were axing 500 jobs.^[41] Olly has now started his 2011 UK Tour starting in Rhyl, Wales on the 26th April.

[edit] 2011–2012: In Case You Didn't Know

It was rumoured in June 2011 that Murs had started working on his second studio album, which he later confirmed. Murs claimed that he would "take the album from a different approach", and claimed he would like to record a rap track, stating, "I'm secretly not a bad rapper, I really like to do a bit of beat boxing, Eminem is always a favourite, or maybe Vanilla Ice, "Ice Ice Baby" is a classic."^[42] Murs revealed that he will attempt to build himself a more of a "soulful" sound through writing the second album, and also expressed interest in recording with Robbie Williams after the two met on The X Factor Live Final.^[43] Murs confirmed in July 2011 that the lead single from the album would be called "Heart Skips a Beat", and it would feature up-and-coming Brithop Rap duo Rizzle Kicks.^[44] He described it as a "parallel" to the remainder of the album, calling it a "summer party song".^[43] The song premiered on The Chris Moyles Show on 7 July 2011 and has since been well received by fans.^[45] The video for the track was later released via Murs' official YouTube channel. Murs said that the song is one of his favourite tracks from the new album, stating, "I'm loving the tune at the moment. It's going down really, really well."^[44] "Heart Skips a Beat" later peaked at number one on the UK Singles Chart, marking his second number one. It later went on to peak at number one in Germany and Switzerland, also reaching top ten in numerous countries in Europe. In September 2011, Murs announced via Twitter that the second album would be entitled 'In Case You Didn't Know', taken from a song of the same name which appears on the album.^[46] On 14 October 2011, Murs released the audio of "Dance With Me Tonight", the album's second single, via his YouTube Channel. The track was released on 21 November 2011, again peaking at #1 on the UK Singles Chart. The album, In Case You Didn't Know was released a week later on 28 November 2011. The album peaked at number one on the UK Albums Chart, two on the Irish Charts, and in the top ten in Germany, Switzerland and Poland. Murs confirmed via his Twitter account in February 2012 that the album's third single would be "Oh My Goodness", and that it would be released on April 2. It peaked at #13 on the UK Singles Chart. The single is due for release across Europe in July. "I'm OK" will be released as the album's fourth and final single on 2 July 2012. A video for the track will be filmed during May, and will premiere on the first week in June.^[47]

2012-present: Third album[link]

In April 2012, it was revealed that Murs is in the process of writing his third studio album, which is slated for release in November 2012. Murs will once again be writing with Steve Robson and Claude Kelly, as well once again collaborating with Rizzle Kicks.^[48] A demo from the album sessions, "Stolen", leaked online on April 23. Murs will be embarking on a second arena tour in March 2013, touring in support of the album. Murs will be opening for British-Irish boy band One Direction on the North American leg of their Up All Night Tour, starting on May 29th in Toronto.^[49]

Other work[link]

On 28 October 2011, Murs was the first artist to be confirmed to play at Capital FM's Jinglebell Ball 2011.^[50] In November 2011, Murs won the award for "Best Male Artist" at the BT Digital Music Awards and the award for "Best Album" for "Olly Murs" at the BBC Radio 1 Teen Awards. On 10 November 2011, Murs turned on the Christmas Lights at the Bristol Shopping Mall. 7,000 fans attended, and Murs concluded his appearance with a performance of "Dance With Me Tonight", the first time he had performed the song live. On 2 December 2011, Murs appeared on The Late Late Toy Show with Ryan Tubridy, a popular television show in Ireland.^[51][52] On December 5 and 6, Murs supported Gary Barlow at Barlow's Concerts at the Royal Albert Hall.^[53] On 1 February 2012, Murs began his twenty-two date arena tour, starting with an audience of 20,000 in Cardiff. In March 2012, it was confirmed that Murs would return to The X Factor to present the spin-off show, The Xtra Factor alongside Caroline Flack, for a second year running. ^[54] In March 2012, Murs performed at the 'Big Gig' event in Birmingham. On March 24, In aid of Sport Relief, Murs performed alongside Rizzle Kicks, Vida and JLS at a special charity concert, held at the 02 Arena in London. On April 16, Murs won the Nickelodeon Kids' Choice Award for "Favourite British Male Artist". On April 19, a three-part documentary trailing Murs throughout his UK Arena Tour, entitled Life on Murs, premiered on ITV2. It drew over half a million viewers. On April 22, he appeared on a celebrity edition of Deal or No Deal, where he won 50p for his chosen charity, Brainwave.^[55] He will return for a third appearance on the show in October 2012, when he will present the programme's 2000th edition, as regular host Noel Edmonds will be playing the game instead of hosting it.

Other work[link]

In February 2011 it was announced that Murs would participate in the BT Charity Trek, with other celebrities, as part of the 2011 Comic Relief Red Nose Day campaign. The celebrities spent five days in the Kaisut desert in north Kenya, covering 100 kilometres (62 mi) in temperatures up to 40°C.^[56] On 2 April 2011, Murs appeared in a celebrity version of Who Wants To Be A Millionaire and won £10,000 for charity.^[57][58] On 4 April 2011 for one week, Murs stood in for Comedy Dave Vitty on The Chris Moyles Show on BBC Radio 1 while Vitty was rehearsing for Dancing on Ice.^{[citation needed]} In 2011, Murs appeared on CBBC's children's hidden camera show Remote Control Star.^{[citation needed]} At the end of May 2011, Murs presented a Celebrity Club Classics show on Heart FM. He went on to present a Celebrity Special over the Christmas Period in 2011.^{[citation needed]} On 31 May 2011 it was confirmed Olly would be co presenting the eighth series of The Xtra Factor alongside Caroline Flack.^[59] On Sunday 27th May 2012, Murs played for England in a charity match for Soccer Aid at Old Trafford. He represented England however was taken off in the first half due to a hamstring injury. England ended up winning the match in a 3-1 victory against the rest of the world.

Discography[link]

• Olly Murs (2010)
• In Case You Didn't Know (2011)

References[link]

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (March 2011)

Pat Benatar
Pat Benatar, 2007
Background information
Birth name	Patricia Mae Andrzejewski
Born	(1953-01-10) January 10, 1953 (age 59)
Origin	Brooklyn, New York, U.S.
Genres	Rock, hard rock, pop rock
Occupations	Singer-songwriter, Musician
Instruments	Vocals
Years active	1972–present
Labels	Chrysalis Records, CMC International, Bel Chiasso Records
Website	http://www.benatargiraldo.com

Pat Benatar (born Patricia Mae Andrzejewski; January 10, 1953) is an American singer and four-time Grammy winner. She had considerable commercial success, particularly in the United States. During the 1980s, Benatar had two RIAA-certified Multi-Platinum albums, five RIAA-certified Platinum albums, three RIAA-certified Gold albums and 19 Top 40 singles, including "Love Is a Battlefield", "Hit Me With Your Best Shot", and "We Belong".^[1] Benatar was one of the most heavily played artists in the early days of MTV.^[2]

Life and career[link]

Patricia Mae Andrzejewski was born in Greenpoint, Brooklyn, New York City. Her Polish father, Andrew, was a sheet-metal worker, and her Irish mother, Mildred, a beautician.^[3] Her family later moved to North Hamilton Avenue in Lindenhurst, New York, a village within the Long Island town of Babylon.^[4]

Patti (as she was known)^{[citation needed]} became interested in theater and began voice lessons, singing her first solo at age eight, at Daniel Street Elementary School, a song called "It Must Be Spring".^{[citation needed]} At Lindenhurst Senior High School (1967–71),^{[citation needed]} Benatar participated in musical theater, playing Queen Guinevere in the school production of Camelot, marching in the homecoming parade, singing at the annual Christmas Tree Lighting ceremony, and performing a solo of "The Christmas Song" on a holiday recording of the Lindenhurst High School Choir her senior year.^{[citation needed]}

Pat Benatar performing live in Sydney. 22 Oct 2010.

Benatar was cut off from the rock scene in nearby Manhattan. Her musical training was strictly classical and theatrical.^{[citation needed]}

Training as a coloratura with plans to attend the Juilliard School, Benatar surprised family, friends and teachers by deciding a classical career was not for her and pursued health education at the State University of New York at Stony Brook. At 19, after one year at Stony Brook, she dropped out to marry her high school sweetheart Dennis Benatar, an army draftee who trained at Fort Jackson, South Carolina, and then served with the Army Security Agency at Fort Devens, Massachusetts, before being stationed at Fort Lee, Virginia. Specialist (E-4) Dennis Benatar was stationed there for three years, and Pat worked as a bank teller outside Richmond, Virginia.^{[citation needed]}

In 1973, Benatar quit her job as a bank teller to pursue a singing career after being inspired by a Liza Minnelli concert she saw in Richmond. She got a job as a singing waitress at a flapper-esque nightclub named The Roaring Twenties and got a gig singing in lounge band Coxon's Army, a regular at Sam Miller's basement club. The band garnered enough attention to be the subject of a never-aired PBS special, and the band's bassist Roger Capps also would go on to be the original bass player for the Pat Benatar Band. The period also yielded Benatar's first and only single until her eventual 1979 debut on Chrysalis Records: "Day Gig" (1974), Trace Records, written and produced by Coxon's Army band leader Phil Coxon and locally released in Richmond. Her big break came in 1975 at an amateur night at the comedy club Catch a Rising Star in New York. Her rousing rendition of Judy Garland's "Rock-a-Bye Your Baby With a Dixie Melody" earned her a call back by club owner Rick Newman, who would become her manager.^{[citation needed]}

The couple headed back to New York following Dennis' discharge from the army, and Benatar went on to be a regular member at Catch A Rising Star for close to three years, until signing a record contract. She would eventually divorce Dennis Benatar in 1979. Catch A Rising Star was not the only break Benatar got in 1975. She landed the part of Zephyr in Harry Chapin's futuristic rock musical, The Zinger.^[5] The production, which debuted on March 19, 1976, at the Performing Arts Foundation's (PAF) Playhouse in Huntington Station, Long Island, ran for a month and also featured Beverly D'Angelo and Christine Lahti. Benatar noted: "I was 22 by the time I started to sing rock, so at first I was very conscious of technique and I was overly technical. That proved to be inhibiting so it was a disadvantage until I began to sing intuitively. That’s the only way to sing rock – from your gut level feelings. It's the instinct that the best singers have."^[6]

Halloween 1977 proved a pivotal night in Benatar's early, spandexed stage persona. Rather than change out of the costume she wore to a Halloween contest at the Cafe Figaro in Greenwich Village that evening, she went onstage at Catch a Rising Star in costume. Benatar said: "I was dressed as a character from this ridiculous B movie called Cat-Women of the Moon."^[7] Despite performing her usual array of songs, she received a standing ovation.^{[citation needed]}

Between appearances at Catch a Rising Star and recording commercial jingles for Pepsi Cola and a number of regional concerns, she headlined New York City’s Tramps nightclub from March 29 - April 1, 1978, where her performance impressed representatives from several record companies. She was signed to Chrysalis Records by co-founder Terry Ellis the following week.^[8] Benatar recorded her first album, In the Heat of the Night, in June and July 1979.^{[citation needed]}

She won an unprecedented four consecutive Grammy Awards for Best Female Rock Performance from 1980 to 1983 for her second LP, Crimes of Passion, and the songs "Fire and Ice", "Shadows of the Night", and "Love Is a Battlefield".^{[citation needed]} Of the ten Grammy Award ceremonies in the 1980s, Benatar was nominated for Best Female Rock Performance eight times, including for "Invincible" in 1985, "Sex as a Weapon" in 1986, "All Fired Up" in 1988 and in 1989 for "Let's Stay Together".^{[citation needed]}

Benatar also earned Grammy Award nominations in 1985 for Best Pop Vocal Performance, Female with "We Belong" and in 1986 for Best Rock Vocal Performance, Duo or Group as a member of Artists United Against Apartheid for their single, "Sun City". Benatar is also the winner of three American Music Awards: Favorite Female Pop/Rock Vocalist of 1981 and 1983, and Favorite Female Pop/Rock Video Artist of 1985.^{[citation needed]}

Pat Benatar was inducted into the Long Island Music Hall of Fame at the Second Induction Award Ceremony and Fundraising Gala held October 30, 2008.^{[citation needed]}

Discography[link]

[edit] In the Heat of the Night

"I Need a Lover" was the first single to be released on August 27, 1979. However, both it and the next single, "If You Think You Know How to Love Me" (October 1979), were unsuccessful. Benatar's third single "Heartbreaker" was released in early December 1979 and became an immediate hit, climbing to #23 in the US. A fourth single "We Live for Love," which was written by her future husband Neil Giraldo, was released in February 1980, and reached US #27.^[9]

Benatar's debut album In the Heat of the Night was released in October 1979, and reached #12 in the US. It established Benatar as a new force in rock. Producer Mike Chapman, who had worked with Blondie and The Knack, broke his vow not to take on any new artists when he heard Benatar's demo tape. Chapman personally produced three tracks on the album, while his long-time engineer and now independent producer, Peter Coleman (who also supervised Nick Gilder) oversaw the rest. In addition, Chapman and his song-writing partner, Nicky Chinn, wrote three songs that appear on the LP, "In the Heat of the Night" and "If You Think You Know How to Love Me" which were previously recorded by Smokie, as well as a rearranged version of a song they wrote for Sweet, "No You Don't". The album also featured two songs written by Roger Capps and Benatar as well as "I Need a Lover" written by John Mellencamp and "Don't Let It Show" written by Alan Parsons and Eric Woolfson. The album would be Benatar's first RIAA certified platinum album.^[10]

[edit] Crimes of Passion

In August 1980, Benatar released her LP, Crimes of Passion, featuring her signature song "Hit Me with Your Best Shot" along with the controversial song "Hell is for Children", which was inspired by reading a series of articles in the New York Times about child abuse in America. "Hit Me With Your Best Shot" (US #9) was her first single to break the US Top 10 and eventually sold more than one million copies (at that time, gold status) in the United States alone. The album peaked for five consecutive weeks at US #2 in January 1981 (behind Yoko Ono's and John Lennon's Double Fantasy) and eventually sold over five million copies, and a month later, Benatar won her first Grammy Award for "Best Female Rock Vocal Performance" of 1980.^[11] Other singles released from Crimes of Passion were "Treat Me Right" (US #18) and the Rascals' cover, "You Better Run" (US #42), which gained some later fame when it was the second music video ever played on MTV, after the Buggles' "Video Killed the Radio Star".^[8][12][13] The album also featured a changed-tempo cover of Kate Bush's "Wuthering Heights". Nominally produced by Keith Olsen, Crimes of Passion remained on the US album charts for 93 weeks and in the top 10 for more than six months, eventually becoming her second consecutive platinum certification by the RIAA. In October 1980, Benatar (along with future husband Neil Giraldo) graced the cover of Rolling Stone magazine.

[edit] Precious Time

In July 1981, she released her third LP, Precious Time. A month later the album hit #1 on the Billboard US Top 200 LP chart. It was also her first to chart in the UK, reaching #30. The album's lead single, "Fire and Ice", was another big hit (US #17, AUS #30) and would win Benatar her second Grammy Award, this time for "Best Female Rock Vocal Performance" of 1981 and her third consecutive RIAA certified platinum album. "Promises in the Dark" (US #38) was also released.

In August 1981, Benatar's video for "You Better Run" was the second video aired by MTV.^[12]

[edit] Get Nervous

A hit single, "Shadows of the Night", (US #13, AUS #19) heralded a new LP, Get Nervous, released in late 1982. The album was another smash, reaching US #4, her fourth consecutive RIAA platinum certification, and the single would garner Benatar yet another Grammy, again for "Best Female Rock Vocal Performance" of 1982. The follow-up singles, "Little Too Late" and "Looking for a Stranger", were also successful, hitting US #20 and #39 respectively. The WWII-themed music video for "Shadows of the Night" featured then-unknown actors Judge Reinhold and Bill Paxton as an American fighter copilot and a German radio operator, respectively.

[edit] Live from Earth

By 1983, Benatar had established a reputation for singing about "tough" subject matters, best exemplified by one of the biggest hits of her career, "Love Is a Battlefield" (penned by noted hit songwriter Holly Knight with Mike Chapman), released in December 1983. By then, her sound had mellowed from hard rock to more atmospheric pop and the story-based video clip for "Love Is a Battlefield" was aimed squarely at MTV, even featuring Benatar in a Michael Jackson-inspired group dance number. This new pop/rock direction was a huge commercial success, with the million- selling Gold single peaking at #5 in the United States, and #1 in Australia for seven consecutive weeks. The song gained interest in the UK where it peaked at #49. The song would also net Benatar her fourth consecutive Grammy Award for "Best Female Rock Vocal Performance" of 1983. A live album, Live from Earth, which was recorded during Benatar's sold-out Get Nervous world tour of America and Europe in 1982 and 1983, contained two studio tracks, "Love Is a Battlefield" and "Lipstick Lies." The album peaked at US #13 and became her fifth consecutive RIAA platinum winner.^[10]

[edit] Tropico

In October 1984, the single "We Belong" became another Top 5 smash in the US, and reached #7 in Australia. It was also Benatar's first ever UK top 40 hit, where it peaked at #22. In November, Benatar released her sixth album, Tropico (US #14, AUS #9, UK #31). A second single release, "Ooh Ooh Song," reached US #36. It is also said by Benatar and Giraldo that this album is the first where they moved away from Benatar's famed "hard rock" sound and start experimenting with new, sometimes "gentler," styles and sounds. Despite not quite making the US Top 10, it immediately earned her a sixth consecutive RIAA platinum-certified album. This album is now out-of-print, but is currently available in a 2 for 1 package, combined with "Seven the Hard Way" (import cd).

After the chart success of "We Belong" in the UK, "Love is a Battlefield" was re-released in early 1985 and became her highest chart hit there, reaching #17.

[edit] Seven the Hard Way

Benatar would hit the US Top 10 with the #10 single "Invincible" (the theme from the movie, The Legend of Billie Jean) in 1985. "Sex As a Weapon" would climb as high as #28 in January 1986, and "Le Bel Age" (#54) in February. The album Seven the Hard Way peaked at #26, earning an RIAA Gold certificatio(import cd).

[edit] Wide Awake in Dreamland

In July 1988, Benatar released her eighth album, Wide Awake in Dreamland (US #28, UK #11). A single lifted from the album, "All Fired Up" (written by Kerryn Tolhurst, ex-The Dingoes) reached #19 in both the US and the UK, and was a #2 smash in Australia, becoming one of the biggest hits of 1988 in that country. Other singles released from the LP are "Don't Walk Away" (UK #42), "Let's Stay Together", and "One Love" (UK #59). The album also earned an RIAA gold certification. This album is now out-of-print, but is currently available in a 2 for 1 package, combined with "Live From Earth" (import cd).

[edit] True Love

True Love was a jump blues record, released in late April 1991, and featured the blues band Roomful of Blues, backing up Pat Benatar, Neil Giraldo and Myron Grombacher. The album sold over 339,000^[14] copies without significant radio airplay and limited exposure on VH-1. "Payin' the Cost to Be the Boss," "So Long," and the title cut were released as singles. The album reached #40 in the UK and #37 in the US.

[edit] Gravity's Rainbow

Gravity's Rainbow (US #85) was released in 1993 and was a return to the AOR genre. "Everybody Lay Down" was picked up by Album Rock radio and went all the way to #3. The single was never released to Top 40/Contemporary Hit Radio and a music video was never produced. "Somebody's Baby" was instead released as the single to Top 40 radio and a music video produced.

A third track was scheduled and a video shot for "Everytime I Fall Back", but the single was never released and the music video was lost when Chrysalis was sold to EMI records. Benatar had become pregnant again and this may have had an effect on her label's support of the album. This was Benatar's last album recorded for Chrysalis records. With very little promotion from Chrysalis, Gravity's Rainbow failed to have the same commercial success as Benatar's previous works. According to SoundScan, the album sold approximately 160,000 copies in the United States. It is currently available in a 2 for 1 release with "True Love" (import).

[edit] Innamorata

Innamorata (US #171) was released in 1997 on the CMC International record label. A single video was produced for "Strawberry Wine (Life is Sweet)". According to SoundScan, the album has now sold close to 65,000 copies in the 14 years since its release.

[edit] Go

Benatar has released only one album of new material since 1997's Innamorata, which is 2003's Go (US #187). The album included the 9/11 charity single, "Christmas in America" as a bonus track. A compilation video was produced for the single "Have It All", but was never released; the only video from this album is for the bonus track. According to SoundScan, the album has now sold nearly 34,000 copies.

Greatest hits collections[link]

Best Shots (US #67) was first released in the UK in 1987, where it became Benatar's biggest selling album in the UK, it reached #6 and achieved Gold sales status.^{[citation needed]} The album was also a top 20 hit in Australia.^{[citation needed]} In the US, it was released in November 1989. The US version consisted of 15 tracks on a single CD, including a live version of "Hell is for Children" with Suffer the Little Children intro, "Painted Desert" (from Tropico) and a remixed version of "Outlaw Blues" (also from Tropico). It would be another certified RIAA gold (later platinum) album.^{[citation needed]} Best Shots was the only official greatest hits compilation until 1994^{[citation needed]} when All Fired Up: The Very Best of Pat Benatar was released (2 CD). The box set Synchronistic Wanderings (3 CD) was released in 1999.^{[citation needed]}

Classic Masters was released in October 2002, and Pat Benatar Greatest Hits was released in June 2005. The most recent collection, Ultimate Collection (2 CD set) was released in June 2008 under the Capitol Records label with forty 24 bit-digitally remastered tracks. Ultimate Collection included the version of "Everytime I Fall Back" from her appearance on The Young and the Restless.

21st century[link]

1996 Can't Stop Rockin Tour with Fleetwood Mac and REO Speedwagon

1997 toured with The Steve Miller Band

1998 toured in support of Innamorata

1999 Synchronistic Wanderings 20th Anniversary Tour

2000 PB2000 Tour

2001 Summer Vacation Tour

2002 Summer Vacation Tour

2003 I Won't Go Tour

2004 Let's Go Tour

2005 Almost II Tour

2006 Polyamnesia Off the Rock Tour

2007 Summerized Tour

2008 Fired Up! Tour

2009 Call Me Invincible Tour with Blondie, also features The Donnas.^[15]

2010 Love On The Run Tour with REO Speedwagon,^[16] which included her original drummer, Myron Grombacher. Subsequently, in October 2010, she toured Australia and played various dates with the 1980s girl pop group, The Bangles.^{[citation needed]}

2011 The Elements of Five Tour

2012 touring with Loverboy and Journey

Memoir[link]

In June 2010, Benatar's memoir, Between a Heart and a Rock Place was released. The book was published by HarperCollins and was acquired by Lisa Sharkey. Benatar's memoir touches on her battles with her record company Chrysalis, and the difficulties her career caused in her personal life. Initially reluctant to undertake the project, she found the actual writing process so enjoyable that it inspired her with plans to write a novel.^[16] In summer 2011 Benatar announced she was working on a Christmas album and a novel about the second coming of Christ.^[17]

Band[link]

Neil Giraldo, lead guitarist for Pat Benatar performing live in Sydney. 22 Oct 2010.

Although billed as a solo artist, Benatar recorded and toured with a consistent set of band members over most of her career, who contributed greatly to the writing and producing of songs and are recognizable characters on album photos and in many of her music videos.

• Neil "Spyder" Giraldo (incorrectly spelled as "Geraldo" in early liner notes/credits) is the distinctive lead guitarist of the band and has performed on all of Benatar's albums. Born in Cleveland on December 29, 1955, Giraldo began playing the guitar at the age of six and learned to play the piano at age 12. Giraldo performed in Rick Derringer's touring band before working with Benatar, appearing in a possible bootleg entitled Derringer Live At The Paradise Theater Boston, Massachusetts, July 7, 1978 (UPC 672627400428). Giraldo's appearance on the video for Benatar's "You Better Run" distinguished him and Scott Sheets as the first guitarists on MTV. The video, the second ever aired on MTV, followed The Buggles, who had no guitar player. In addition to playing lead guitar, Giraldo is credited with composing and producing much of Benatar's work. Giraldo's first outside production credit was on John Waite's debut album Ignition. He has also given a helping musical hand to artists such as The Del-Lords, Rick Springfield, The Cruzados, and Kenny Loggins. In addition, Giraldo was the musical composer for the 2005 movie Smile starring Beau Bridges, Linda Hamilton, Sean Astin and directed by Jeffrey Kramer. The soundtrack features an original song by Giraldo and Scott Kempner of The Del-Lords, appearing as The Paradise Brothers, titled "Beautiful Something." Proceeds from the movie go to Operation Smile. The Paradise Brothers also contributed a cover of "Light Of Day" for a Bruce Springsteen Tribute album.
• Myron Grombacher, who played with Neil in Rick Derringer's touring band, is drummer on nine of Benatar's original albums and has numerous writing credits. Myron is easily recognizable in the music videos, particularly as the mad dentist in Get Nervous.
• Charlie Giordano performed keyboard duties on five albums, and is identifiable by his glasses and distinctive array of berets, blazers and 80s-style ties. In 2007, he replaced the late Danny Federici in the E Street Band.
• Mick Mahan is the band's bassist and has performed with Benatar since 1995. The original bassist, Roger Capps, was replaced by Donnie Nossov on Tropico, and then later by Frank Linx.
• Scott St. Clair Sheets is credited on rhythm guitar on the first three albums.
• Glen Alexander Hamilton played drums on the first album.

Other achievements[link]

Pat Benatar performing with her husband and lead guitarist, Neil Giraldo. Live in Sydney, 22 Oct 2010.

Stage and screen soundtracks[link]

• In 1981, "Hell Is For Children" appeared on the soundtrack of the Ralph Bakshi animated film American Pop.
• The soundtrack to Giorgio Moroder's 1984 restoration of Fritz Lang's 1926 classic Metropolis features Benatar performing two versions of the movie's love song "Here's My Heart"
• In 1985, 'Invincible" was featured as the main theme song for the film "The legend of Billy Jean" (Which was also Christian Slater's 1st mainstream film appearance)
• Benatar played the character Zephyr in Harry Chapin's futuristic rock musical The Zinger. Benatar performed the solo "Shooting Star" in honor of Chapin for the Harry Chapin Tribute, Carnegie Hall, December 7, 1987.
• "Run Between the Raindrops" was featured on the soundtrack for The Stepfather (1987 film)
• "Sometimes the Good Guys Finish First" was on the Soundtrack for The Secret of My Success in 1987.
• Benatar appears on "Yakety Yak - Take It Back", a Public Service Announcement produced by the Take It Back Foundation in 1991. It was later shown occasionally on Sesame Street during the 1990s, though it does not feature any Sesame Street characters.
• "Love Is a Battlefield" was featured twice on South Park
• In 2003, "Love Is a Battlefield" was featured in the movie 13 Going on 30.
• In 2003, Konami released a singing video game called "Karaoke Revolution" that featured the cover version of Benatar's song "Hit Me With Your Best Shot" as a part of the song list line-ups.
• Benatar has made numerous TV appearances, mostly as herself. She appeared with her husband in the Charmed episode "Lucky Charmed" on which "Heartbreaker" was used and in an episode of Dharma & Greg as herself singing "We've Only Just Begun" at an impromptu wedding in an airport. In 2001, she also appeared as fictional rock star Anna Raines in the CBS TV drama Family Law with Dixie Carter and Christopher McDonald.
• In 2006, "We Belong" was featured in the video game Grand Theft Auto: Vice City Stories.
• In 2006, Benatar and her music were featured on "CMT Crossroads."
• In 2007-2008 Benatar's single "Hit Me With Your Best Shot" was put into the songlist for Guitar Hero 3 in the first tier of songs, also in Guitar Hero On Tour, and is available as a downloadable song in the video game Rock Band. Her song "Heartbreaker" is a playable song in the 2008 video game followup Guitar Hero: World Tour as well as also being downloadable content on Rock Band. In 2011, "Fire and Ice", "Love is a Battlefield," "Shadows of the Night," "We Belong," "Invincible," and "Promises in the Dark" were added as downloadable content for the music game, Rock Band 3.