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T-Pain Full Concert | NPR MUSIC FRONT ROW
To mark the one-year anniversary of the most popular Tiny Desk Concert ever and the 10th anniversary of his debut album, Rappa Ternt Sanga, we hosted T-Pain at our Washington, D.C. headquarters. The inimitable Floridian performed a short set of classics, both his own and others', and a brand new, never before heard song from his forthcoming album, Stoicville: The Phoenix.
Follow @NPRandB and @NPR
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Son Little: NPR Music Tiny Desk Concert
December 18, 2015 by BOB BOILEN
Son Little's music pushes gospel and blues into the 21st century with guitar processing, including backward drones, and choirs made from his looped voice. As wonderful as his 2015 self-titled album sounds, having him at the Tiny Desk with his acoustic guitar and unprocessed voice, accompanied only by his soulful singing sister, Megan Livingston, and percussionist Ja
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Lianne LaHavas NPR Music Tiny Desk Concert
October 02, 2015 by SURAYA MOHAMED
In 2012, my kids introduced me to Lianne La Havas' debut album, Is Your Love Big Enough? One play and I was hooked; I've been a fan ever since. Her music works for any activity, any emotion.
The first time I saw La Havas live, I was unprepared for the experience: Her music touched my heart in a way I'd never experienced before. I cried through the entire perfor
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Leon Bridges: NPR Music Tiny Desk Concert
September 08, 2015 by BOB BOILEN
We probably should have shot this Tiny Desk Concert in black-and-white. Listening to Leon Bridges, I hear a sound with its heart and soul rooted in 1962. There's purity in his voice that's unadorned, untouched and unaffected by 21st-century pop. It's just soul.
Still, the songs from this 26-year-old Fort Worth singer feel refreshing in the context of the day. Sur
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T-Pain: NPR Music Tiny Desk Concert
T-Pain's fingerprints are all over pop and R&B; and hip-hop. He wasn't the first musician to use Auto-Tune as an instrument — he noticed it on a Jennifer Lopez remix, and remembers "Deep" well — but it was, as he says, his style. For a while, in the mid-2000s, he lived at the top of the charts. He dominated that brief moment of our lives when ringtones were a thing. He was celebrated as an innovato
-
Adele: NPR Music Tiny Desk Concert
In a stripped-down three-song set at the NPR Music offices, the Grammy-winning U.K. pop star showcases her brilliant voice and seemingly effortless charisma. Watch Adele perform two new songs to go with her ubiquitous hit "Chasing Pavements."
Set List:
"Someone Like You"
"Chasing Pavements"
"Rolling In The Deep"
For more videos, visit npr.org/tinydeskconcerts
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The Oh Hellos: NPR Music Tiny Desk Concert
December 8, 2015 by BOB BOILEN
When The Oh Hellos piled out of a van at NPR, someone remarked that it was like a clown car: Band members just kept coming, including brother and sister Tyler and Maggie Heath and their mom. They were all road-weary, trading sniffles, coughs and more. But the nine-piece group brought anthemic joy to the Tiny Desk in the form of buoyant songs whose underpinnings could
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Nathaniel Rateliff & the Night Sweats: NPR Music Tiny Desk Concerts
November 17, 2015 by BOB BOILEN Nathaniel Rateliff and his band The Night Sweats are on fire, with concerts that get feet moving and bodies swaying, fueled by rhythm and booze.
It wasn't always this way: In the past, Rateliff would be more easily described as a folk artist. When I saw him recently at a sold-out Sunday-night show in D.C., he expressed intense gratitude for the new audience that's
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Christian Scott aTunde Adjuah: NPR Music Tiny Desk Concert
October 09, 2015 by PATRICK JARENWATTANANON
Artists don't usually tell long, rambling stories at the Tiny Desk, and if they do, those stories don't usually make the final cut. But this one felt different. It was about the time Christian Scott aTunde Adjuah, a young black man, says he was stopped by New Orleans police late at night for no reason other than to harass and intimidate him. And how his
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Death Cab For Cutie: NPR Music Tiny Desk Concert
Death Cab For Cutie came as a trio: Ben Gibbard sang, Nick Harmer played bass, and we wheeled in our piano for Zac Rae. This intimate set included two new songs — including "Black Sun," the first single from their new album Kintsugi.
The album title refers to the Japanese art of reassembling broken pottery and making the breakage part of the newly formed pot. Death Cab For Cutie, a groundbreaking
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Chris Stapleton: NPR Music Tiny Desk Concert
September 14, 2015 by JACOB GANZ
As a songwriter in Nashville, Chris Stapleton has written hits for Kenny Chesney, George Strait and Darius Rucker. As a singer, he once led the bluegrass band The SteelDrivers, and more recently stepped into the solo spotlight with Traveller, his debut album. It's the kind of country record that gets better the more you wear it in: When NPR Music named it one of o
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The Wild Reeds: NPR Music Tiny Desk Concert
November 20, 2015 by BOB BOILEN
Great singers aren't easy to come by, so finding three in one band is something special. The Wild Reeds' music shines when Sharon Silva, Kinsey Lee and Mackenzie Howe harmonize, but each also takes a leading role — and that's the power of the L.A. band, whose songs are clear and memorable, potent and sometimes delicate.
The Wild Reeds' 2014 debut album Blind And B
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Beirut Full Concert | NPR MUSIC FRONT ROW
How does a band return from a recording hiatus that could have permanently displaced it from the audience's eye? If you are Zach Condon and Beirut, you just go about your business and pick up where you left off three years earlier. The group's First Listen Live show at Brooklyn's intimate Bell House on a rainy September night, a concert debuting many of the songs from the brand new No No No, its f
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Aurora: NPR Music Tiny Desk Concert
The first time I saw Aurora sing, it appeared so new to her that each note, and each hand gesture accompanying each note, seemed like a discovery and an adventure for the singer. She was 18 when I first saw her in New York City, and now the Norwegian singer is 19; take a look at this Tiny Desk Concert, and her sense of innocence and discovery still rings as true as ever.
Aurora has just one EP an
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T-Pain: Officially Yours | NPR MUSIC FRONT ROW
To mark the one-year anniversary of the most popular Tiny Desk Concert ever and the 10th anniversary of his debut album, Rappa Ternt Sanga, we hosted T-Pain at our Washington, D.C. headquarters. The inimitable Floridian performed a short set of classics, both his own and others', and brand new, never before heard song from his forthcoming album, Stoicville: The Phoenix.
Follow @NPRandB and @NPRHi
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Hozier: NPR Music Tiny Desk Concert
Andrew Hozier-Byrne's voice is so rich, so vital and so soulful, I'm certain I'll follow his music for a long time to come. The 24-year-old Irishman, who performs under the name Hozier, opens this set with the brilliant and instantly grabby song "Take Me to Church," about passion, sex and religion.
Hozier's music is based in the blues, and you'll hear the singer-guitarist's love for Muddy Waters
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Shakey Graves: NPR Music Tiny Desk Concert
December 15, 2015 by BOB BOILEN
When Alejandro Rose-Garcia, aka Shakey Graves, breaks out his guitar and suitcase kick drum/hi-hat, a palpable rush of swooning adrenaline hits the room. I felt that at the Americana Festival in Nashville, at the Newport Folk Festival and here at the Tiny Desk.
The Texas singer's charisma is matched by his warm, sometimes frenetic music — he attempted a stage dive
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Andra Day: NPR Music Tiny Desk Concert
My rule when booking Tiny Desk Concerts is to see artists live before they come to the office. I've heard many a great record only to be disappointed by a live show. But when I heard Andra Day sing "Forever Mine" from her album Cheers To The Fall, I decided to break my rule, sight unseen.
When Day started warming up for this set, I could see that she was born to perform. She's able to channel the
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Daughter: NPR Music Tiny Desk Concert
Daughter first popped up on our radar when we heard the London band's song "Landfill" while preparing for SXSW early last year: Achingly pretty and melanchol...
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Sylvan Esso: NPR Music Tiny Desk Concert
It's hard to believe that it hasn't quite been a year since the first Sylvan Esso album came out. The odd yet perfect marriage of Nick Sanborn's electronics with Amelia Meath's voice feels like a familiar friend by now. And yet seeing these songs performed softly — and captured in the light of day — made them feel fresh and lovable in new ways.
To keep things fresh and interesting, Sanborn brough
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Paolo Angeli: NPR Music Tiny Desk Concert
October 19, 2015 by ANASTASIA TSIOULCAS
Paolo Angeli has a whole toy shop aboard his guitar: He's got hammers, pedals, propellers, springs, drone strings and even a couple of cell-phone ringers at his disposal.
The base of it all is a six-stringed instrument from his native island of Sardinia, and the seed of Angeli's sonic creations is traditional Sardinian music. But in the same way that he's
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John Legend: NPR Music Tiny Desk Concert
At 34, John Legend has sold millions of records, won nine Grammys, collaborated with many of the biggest stars in music (Jay-Z, Kanye West, Alicia Keys, The Roots, et al), and achieved the kind of statesmanlike musical-ambassador status usually afforded to artists twice his age. He is, in short, the sort of star who doesn't usually perform behind desks in offices.
But once we'd wedged a piano bac
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In Conversation with Pharrell Williams | NPR MUSIC
Pharrell Williams — performer, songwriter, producer, designer and entrepreneur — sat down for a rare, in-depth, career retrospective discussion with Jason King, professor at the Clive Davis Institute of Recorded Music and host of NPR Music's R&B; channel "I"ll Take You There." The conversation took place on Monday, Oct. 26 at New York City's Town Hall.
King moderated a freewheeling and in-depth di
T-Pain Full Concert | NPR MUSIC FRONT ROW
To mark the one-year anniversary of the most popular Tiny Desk Concert ever and the 10th anniversary of his debut album, Rappa Ternt Sanga, we hosted T-Pain at ...
To mark the one-year anniversary of the most popular Tiny Desk Concert ever and the 10th anniversary of his debut album, Rappa Ternt Sanga, we hosted T-Pain at our Washington, D.C. headquarters. The inimitable Floridian performed a short set of classics, both his own and others', and a brand new, never before heard song from his forthcoming album, Stoicville: The Phoenix.
Follow @NPRandB and @NPRHipHop.
SET LIST
"Tipsy" -- 0:42
"Officially Yours" * -- 3:26
"Can't Believe It" -- 8:41
"A Change Is Gonna Come (Sam Cooke Cover)" -- 13:25
"Bartender" -- 18:34
"Need To Be Smokin" -- 20:59
* New song.
Director: Mito Habe-Evans; Producer: Frannie Kelley; Videographers: Colin Marshall, Julia Reihs, Cameron Robert, Morgan Walker; Audio Engineers: Andy Huether, Josh Rogosin, Neil Tevault; Special Thanks: Chris Berry, Saidah Blount, Bobby Carter, Kate Drozynski, Kiana Fitzgerald, Savoy Jefferson, Ashley Messenger, Abby O'Neill, Matt Sheren, Cedric Shine, Justin Winn; Executive Producer: Anya Grundmann
wn.com/T Pain Full Concert | Npr Music Front Row
To mark the one-year anniversary of the most popular Tiny Desk Concert ever and the 10th anniversary of his debut album, Rappa Ternt Sanga, we hosted T-Pain at our Washington, D.C. headquarters. The inimitable Floridian performed a short set of classics, both his own and others', and a brand new, never before heard song from his forthcoming album, Stoicville: The Phoenix.
Follow @NPRandB and @NPRHipHop.
SET LIST
"Tipsy" -- 0:42
"Officially Yours" * -- 3:26
"Can't Believe It" -- 8:41
"A Change Is Gonna Come (Sam Cooke Cover)" -- 13:25
"Bartender" -- 18:34
"Need To Be Smokin" -- 20:59
* New song.
Director: Mito Habe-Evans; Producer: Frannie Kelley; Videographers: Colin Marshall, Julia Reihs, Cameron Robert, Morgan Walker; Audio Engineers: Andy Huether, Josh Rogosin, Neil Tevault; Special Thanks: Chris Berry, Saidah Blount, Bobby Carter, Kate Drozynski, Kiana Fitzgerald, Savoy Jefferson, Ashley Messenger, Abby O'Neill, Matt Sheren, Cedric Shine, Justin Winn; Executive Producer: Anya Grundmann
- published: 09 Dec 2015
- views: 800
Son Little: NPR Music Tiny Desk Concert
December 18, 2015 by BOB BOILEN
Son Little's music pushes gospel and blues into the 21st century with guitar processing, including backward drones, and choirs m...
December 18, 2015 by BOB BOILEN
Son Little's music pushes gospel and blues into the 21st century with guitar processing, including backward drones, and choirs made from his looped voice. As wonderful as his 2015 self-titled album sounds, having him at the Tiny Desk with his acoustic guitar and unprocessed voice, accompanied only by his soulful singing sister, Megan Livingston, and percussionist Jabari Exum was gently uplifting. The man born Aaron Livingston is the son of a preacher and knows how to deliver, how to connect directly to the heart. His sound is wonderfully universal, and here, at the Tiny Desk, magnificently subtle.
Son Little is available now.
iTunes: https://itunes.apple.com/us/album/son-little-deluxe-edition/id1023485217
Amazon: https://www.amazon.com/gp/product/B012BINLYU?ie=UTF8&*Version*=1&*entries*=0
Set List
"Lay Down"
"Your Love Will Blow Me Away When My Heart Aches"
"The River"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Jun Tsuboike/NPR
For more Tiny Desk Concerts, subscribe to our podcast.
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/Son Little Npr Music Tiny Desk Concert
December 18, 2015 by BOB BOILEN
Son Little's music pushes gospel and blues into the 21st century with guitar processing, including backward drones, and choirs made from his looped voice. As wonderful as his 2015 self-titled album sounds, having him at the Tiny Desk with his acoustic guitar and unprocessed voice, accompanied only by his soulful singing sister, Megan Livingston, and percussionist Jabari Exum was gently uplifting. The man born Aaron Livingston is the son of a preacher and knows how to deliver, how to connect directly to the heart. His sound is wonderfully universal, and here, at the Tiny Desk, magnificently subtle.
Son Little is available now.
iTunes: https://itunes.apple.com/us/album/son-little-deluxe-edition/id1023485217
Amazon: https://www.amazon.com/gp/product/B012BINLYU?ie=UTF8&*Version*=1&*entries*=0
Set List
"Lay Down"
"Your Love Will Blow Me Away When My Heart Aches"
"The River"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Jun Tsuboike/NPR
For more Tiny Desk Concerts, subscribe to our podcast.
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 21 Dec 2015
- views: 2355
Lianne LaHavas NPR Music Tiny Desk Concert
October 02, 2015 by SURAYA MOHAMED
In 2012, my kids introduced me to Lianne La Havas' debut album, Is Your Love Big Enough? One play and I was hooked; I've bee...
October 02, 2015 by SURAYA MOHAMED
In 2012, my kids introduced me to Lianne La Havas' debut album, Is Your Love Big Enough? One play and I was hooked; I've been a fan ever since. Her music works for any activity, any emotion.
The first time I saw La Havas live, I was unprepared for the experience: Her music touched my heart in a way I'd never experienced before. I cried through the entire performance. Her music was that powerful, with lyrics woven together with beautiful harmonies; it pulled emotions out of me I didn't even know existed.
La Havas is soulful yet playful, raw and vulnerable in a commanding kind of way, and her new second album, Blood, is as amazing as the first. In this Tiny Desk performance, she plays two new songs — "What You Don't Do" and "Unstoppable" — as well as "Forget," from her first album. She and her talented collaborators, James Wyatt on piano and Frida Mariama Touray on backing vocals, rehearsed this special arrangement during the sound check just moments before the performance. It's wonderfully intimate, with just guitar accompanied by vocals that embellish without getting in the way. If you're like me, you will never get enough.
Blood is available now.
iTunes:https://itunes.apple.com/us/album/blood/id986317401
Amazon: http://www.amazon.com/Blood-Lianne-La-Havas/dp/B00X6X3QWC
Set List
"What You Don't Do" 00:00
"Unstoppable" 04:00
"Forget" 08:41
Credits
Producers: Suraya Mohomed, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Nick Michael, Julia Reihs; Production Assistant: Kate Drozynski; photo by Jun Tsuboike/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/Lianne Lahavas Npr Music Tiny Desk Concert
October 02, 2015 by SURAYA MOHAMED
In 2012, my kids introduced me to Lianne La Havas' debut album, Is Your Love Big Enough? One play and I was hooked; I've been a fan ever since. Her music works for any activity, any emotion.
The first time I saw La Havas live, I was unprepared for the experience: Her music touched my heart in a way I'd never experienced before. I cried through the entire performance. Her music was that powerful, with lyrics woven together with beautiful harmonies; it pulled emotions out of me I didn't even know existed.
La Havas is soulful yet playful, raw and vulnerable in a commanding kind of way, and her new second album, Blood, is as amazing as the first. In this Tiny Desk performance, she plays two new songs — "What You Don't Do" and "Unstoppable" — as well as "Forget," from her first album. She and her talented collaborators, James Wyatt on piano and Frida Mariama Touray on backing vocals, rehearsed this special arrangement during the sound check just moments before the performance. It's wonderfully intimate, with just guitar accompanied by vocals that embellish without getting in the way. If you're like me, you will never get enough.
Blood is available now.
iTunes:https://itunes.apple.com/us/album/blood/id986317401
Amazon: http://www.amazon.com/Blood-Lianne-La-Havas/dp/B00X6X3QWC
Set List
"What You Don't Do" 00:00
"Unstoppable" 04:00
"Forget" 08:41
Credits
Producers: Suraya Mohomed, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Nick Michael, Julia Reihs; Production Assistant: Kate Drozynski; photo by Jun Tsuboike/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 02 Oct 2015
- views: 6540
Leon Bridges: NPR Music Tiny Desk Concert
September 08, 2015 by BOB BOILEN
We probably should have shot this Tiny Desk Concert in black-and-white. Listening to Leon Bridges, I hear a sound with its hea...
September 08, 2015 by BOB BOILEN
We probably should have shot this Tiny Desk Concert in black-and-white. Listening to Leon Bridges, I hear a sound with its heart and soul rooted in 1962. There's purity in his voice that's unadorned, untouched and unaffected by 21st-century pop. It's just soul.
Still, the songs from this 26-year-old Fort Worth singer feel refreshing in the context of the day. Surely there's touches of Sam Cooke's spiritual sound, but Leon Bridges has a way of making the familiar feel adventurous and new. It may be because this is all new to him. He only picked up the guitar around the age of twenty and only began listening to classic soul music after friends told him he sounded like R&B; musicians from long ago. What Leon Bridges has tapped into on his debut album with fellow Fort Worth musicians including Austin Jenkins from White Denim is a universal sound, an undeniably heartfelt sound which transcends age, race and musical tastes. He's easy to love and tough to resist and his performance at the Tiny Desk with his fabulous band is a testament to what it means to sing from the heart.
Set List
"Coming Home" 00:00
"Smooth Sailin'" 04:06
"Twistin' & Groovin'" 07:30
"River" 12:48
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Neil Tevault, Josh Rogosin; Videographers: Morgan Walker, Colin Marshall, Lani Milton; Assistant Producer: Elena Saavedra Buckley; photo by Lydia Thompson/NPR
wn.com/Leon Bridges Npr Music Tiny Desk Concert
September 08, 2015 by BOB BOILEN
We probably should have shot this Tiny Desk Concert in black-and-white. Listening to Leon Bridges, I hear a sound with its heart and soul rooted in 1962. There's purity in his voice that's unadorned, untouched and unaffected by 21st-century pop. It's just soul.
Still, the songs from this 26-year-old Fort Worth singer feel refreshing in the context of the day. Surely there's touches of Sam Cooke's spiritual sound, but Leon Bridges has a way of making the familiar feel adventurous and new. It may be because this is all new to him. He only picked up the guitar around the age of twenty and only began listening to classic soul music after friends told him he sounded like R&B; musicians from long ago. What Leon Bridges has tapped into on his debut album with fellow Fort Worth musicians including Austin Jenkins from White Denim is a universal sound, an undeniably heartfelt sound which transcends age, race and musical tastes. He's easy to love and tough to resist and his performance at the Tiny Desk with his fabulous band is a testament to what it means to sing from the heart.
Set List
"Coming Home" 00:00
"Smooth Sailin'" 04:06
"Twistin' & Groovin'" 07:30
"River" 12:48
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Neil Tevault, Josh Rogosin; Videographers: Morgan Walker, Colin Marshall, Lani Milton; Assistant Producer: Elena Saavedra Buckley; photo by Lydia Thompson/NPR
- published: 08 Sep 2015
- views: 1764
T-Pain: NPR Music Tiny Desk Concert
T-Pain's fingerprints are all over pop and R&B; and hip-hop. He wasn't the first musician to use Auto-Tune as an instrument — he noticed it on a Jennifer Lopez r...
T-Pain's fingerprints are all over pop and R&B; and hip-hop. He wasn't the first musician to use Auto-Tune as an instrument — he noticed it on a Jennifer Lopez remix, and remembers "Deep" well — but it was, as he says, his style. For a while, in the mid-2000s, he lived at the top of the charts. He dominated that brief moment of our lives when ringtones were a thing. He was celebrated as an innovator, and he happily took his talents where he was invited, which was everywhere.
But somewhere along the way, somebody got it twisted. "People felt like I was using it to sound good," says T-Pain, in an interview that will air on All Things Considered. "But I was just using it to sound different.”
He just turned 30, but T-Pain has already done enough to drop a greatest hits album next week. We asked him if he'd grace the Tiny Desk without any embellishment or effects to show what's really made his career: his voice, and those songs.--FRANNIE KELLEY
SET LIST
"Buy U A Drank (Shawty Snappin')"
"Up Down (Do This All Day)"
"Drankin' Patna"
CREDITS
Producers: Frannie Kelley, Maggie Starbard; Editor: Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Maggie Starbard; Production Assistant: Susan Hale Thomas; photo by Maggie Starbard/NPR
wn.com/T Pain Npr Music Tiny Desk Concert
T-Pain's fingerprints are all over pop and R&B; and hip-hop. He wasn't the first musician to use Auto-Tune as an instrument — he noticed it on a Jennifer Lopez remix, and remembers "Deep" well — but it was, as he says, his style. For a while, in the mid-2000s, he lived at the top of the charts. He dominated that brief moment of our lives when ringtones were a thing. He was celebrated as an innovator, and he happily took his talents where he was invited, which was everywhere.
But somewhere along the way, somebody got it twisted. "People felt like I was using it to sound good," says T-Pain, in an interview that will air on All Things Considered. "But I was just using it to sound different.”
He just turned 30, but T-Pain has already done enough to drop a greatest hits album next week. We asked him if he'd grace the Tiny Desk without any embellishment or effects to show what's really made his career: his voice, and those songs.--FRANNIE KELLEY
SET LIST
"Buy U A Drank (Shawty Snappin')"
"Up Down (Do This All Day)"
"Drankin' Patna"
CREDITS
Producers: Frannie Kelley, Maggie Starbard; Editor: Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Maggie Starbard; Production Assistant: Susan Hale Thomas; photo by Maggie Starbard/NPR
- published: 29 Oct 2014
- views: 7174865
Adele: NPR Music Tiny Desk Concert
In a stripped-down three-song set at the NPR Music offices, the Grammy-winning U.K. pop star showcases her brilliant voice and seemingly effortless charisma. Wa...
In a stripped-down three-song set at the NPR Music offices, the Grammy-winning U.K. pop star showcases her brilliant voice and seemingly effortless charisma. Watch Adele perform two new songs to go with her ubiquitous hit "Chasing Pavements."
Set List:
"Someone Like You"
"Chasing Pavements"
"Rolling In The Deep"
For more videos, visit npr.org/tinydeskconcerts
wn.com/Adele Npr Music Tiny Desk Concert
In a stripped-down three-song set at the NPR Music offices, the Grammy-winning U.K. pop star showcases her brilliant voice and seemingly effortless charisma. Watch Adele perform two new songs to go with her ubiquitous hit "Chasing Pavements."
Set List:
"Someone Like You"
"Chasing Pavements"
"Rolling In The Deep"
For more videos, visit npr.org/tinydeskconcerts
- published: 14 Feb 2011
- views: 3092659
The Oh Hellos: NPR Music Tiny Desk Concert
December 8, 2015 by BOB BOILEN
When The Oh Hellos piled out of a van at NPR, someone remarked that it was like a clown car: Band members just kept coming, inclu...
December 8, 2015 by BOB BOILEN
When The Oh Hellos piled out of a van at NPR, someone remarked that it was like a clown car: Band members just kept coming, including brother and sister Tyler and Maggie Heath and their mom. They were all road-weary, trading sniffles, coughs and more. But the nine-piece group brought anthemic joy to the Tiny Desk in the form of buoyant songs whose underpinnings could still be dark and lonely.
Some of the music here is from The Oh Hellos' recent second album, Dear Wormwood, which was inspired in part by the writings of C.S. Lewis; it's about a protagonist who doubts a relationship before finding the resolve to never look back. Still, for all the deep sentiment, the band brings the same jubilant energy it brought to its performance at the Newport Folk Festival in July — even now that summer fun has given way to winter germs. Fortunately, the only contagion you'll encounter here is joy.
Dear Wormwood is available now.
iTunes: https://itunes.apple.com/us/album/dear-wormwood/id1030840451
Amazon: http://www.amazon.com/Dear-Wormwood/dp/B013WO8KA2
Set List
"Hello My Old Heart" 00:00
"Like The Dawn" 05:43
"Exeunt" 12:54
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Jun Tsuboike/NPR
For more Tiny Desk Concerts, subscribe to our podcast.
wn.com/The Oh Hellos Npr Music Tiny Desk Concert
December 8, 2015 by BOB BOILEN
When The Oh Hellos piled out of a van at NPR, someone remarked that it was like a clown car: Band members just kept coming, including brother and sister Tyler and Maggie Heath and their mom. They were all road-weary, trading sniffles, coughs and more. But the nine-piece group brought anthemic joy to the Tiny Desk in the form of buoyant songs whose underpinnings could still be dark and lonely.
Some of the music here is from The Oh Hellos' recent second album, Dear Wormwood, which was inspired in part by the writings of C.S. Lewis; it's about a protagonist who doubts a relationship before finding the resolve to never look back. Still, for all the deep sentiment, the band brings the same jubilant energy it brought to its performance at the Newport Folk Festival in July — even now that summer fun has given way to winter germs. Fortunately, the only contagion you'll encounter here is joy.
Dear Wormwood is available now.
iTunes: https://itunes.apple.com/us/album/dear-wormwood/id1030840451
Amazon: http://www.amazon.com/Dear-Wormwood/dp/B013WO8KA2
Set List
"Hello My Old Heart" 00:00
"Like The Dawn" 05:43
"Exeunt" 12:54
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Jun Tsuboike/NPR
For more Tiny Desk Concerts, subscribe to our podcast.
- published: 08 Dec 2015
- views: 5737
Nathaniel Rateliff & the Night Sweats: NPR Music Tiny Desk Concerts
November 17, 2015 by BOB BOILEN Nathaniel Rateliff and his band The Night Sweats are on fire, with concerts that get feet moving and bodies swaying, fueled by r...
November 17, 2015 by BOB BOILEN Nathaniel Rateliff and his band The Night Sweats are on fire, with concerts that get feet moving and bodies swaying, fueled by rhythm and booze.
It wasn't always this way: In the past, Rateliff would be more easily described as a folk artist. When I saw him recently at a sold-out Sunday-night show in D.C., he expressed intense gratitude for the new audience that's found him. Much of that new crowd has embraced the big-band R&B; of his new album, Nathaniel Rateliff & The Night Sweats, which was produced by Richard Swift and released on the legendary Stax Records.
The record and its songs embrace not only Southern soul, but also the rockier side of soul made famous by Irish singer Van Morrison. Here at the Tiny Desk, Rateliff's body-shaking tunes take on a slightly more laid-back sound, served with a warm heart and suitable for a cold beer.
Nathaniel Rateliff & The Night Sweats is available now.
iTunes: https://itunes.apple.com/us/album/nathaniel-rateliff-night-sweats/id1004825165
Amazon: http://www.amazon.com/Nathaniel-Rateliff-The-Night-Sweats/dp/B00ZF3SIDI
Set List
"I Need Never Get Old"
"Look It Here"
"I've Been Failing You"
"Mellow Out"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Nick Michael, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Julia Reihs/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/Nathaniel Rateliff The Night Sweats Npr Music Tiny Desk Concerts
November 17, 2015 by BOB BOILEN Nathaniel Rateliff and his band The Night Sweats are on fire, with concerts that get feet moving and bodies swaying, fueled by rhythm and booze.
It wasn't always this way: In the past, Rateliff would be more easily described as a folk artist. When I saw him recently at a sold-out Sunday-night show in D.C., he expressed intense gratitude for the new audience that's found him. Much of that new crowd has embraced the big-band R&B; of his new album, Nathaniel Rateliff & The Night Sweats, which was produced by Richard Swift and released on the legendary Stax Records.
The record and its songs embrace not only Southern soul, but also the rockier side of soul made famous by Irish singer Van Morrison. Here at the Tiny Desk, Rateliff's body-shaking tunes take on a slightly more laid-back sound, served with a warm heart and suitable for a cold beer.
Nathaniel Rateliff & The Night Sweats is available now.
iTunes: https://itunes.apple.com/us/album/nathaniel-rateliff-night-sweats/id1004825165
Amazon: http://www.amazon.com/Nathaniel-Rateliff-The-Night-Sweats/dp/B00ZF3SIDI
Set List
"I Need Never Get Old"
"Look It Here"
"I've Been Failing You"
"Mellow Out"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Nick Michael, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Julia Reihs/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 17 Nov 2015
- views: 6253
Christian Scott aTunde Adjuah: NPR Music Tiny Desk Concert
October 09, 2015 by PATRICK JARENWATTANANON
Artists don't usually tell long, rambling stories at the Tiny Desk, and if they do, those stories don't usually mak...
October 09, 2015 by PATRICK JARENWATTANANON
Artists don't usually tell long, rambling stories at the Tiny Desk, and if they do, those stories don't usually make the final cut. But this one felt different. It was about the time Christian Scott aTunde Adjuah, a young black man, says he was stopped by New Orleans police late at night for no reason other than to harass and intimidate him. And how his pride almost made him do something ill-advised about it. And how he finally channeled that pent-up frustration into a piece of music whose long-form title is "Ku Klux Police Department."
"K.K.P.D." was the emotional peak of the septet's performance, though it wasn't a new tune. That's notable, because Scott stopped by the Tiny Desk on the very day his new album came out. It was played by something of a new band, though: Flutist Elena Pinderhughes, saxophonist Braxton Cook and guitarist Dominic Minix are new, younger additions to the group. It had new textures, too: Drummer Corey Fonville (another new member) used a djembe as a bass drum, and also brought a MIDI pad so he could emulate the sound of a drum machine. The effect was something like an evocation of African roots, juxtaposed with a trap beat.
The first two numbers were, in fact, from Scott's new album Stretch Music. That's his name for the particular type of jazz fusion he's up to: something more seamless than a simple collision of genre signifiers; something whose DNA is already hybridized and freely admits sonic elements which potentially "stretch" jazz's purported boundaries. (You may note that he showed up in a Joy Division sleeveless T-shirt and gold chain.) It's sleek and clearly modern, awash in guitar riffs, but also bold and emotionally naked. Scott is particularly good at getting you to feel the energy he sends pulsing through his horn, and he never shies away from going all-in on a solo. The least we could offer was to let him explain himself in doing so.
Stretch Music is available now.
iTunes: https://itunes.apple.com/us/album/stretch-music-introducing/id1024394279
Amazon: http://www.amazon.com/gp/product/B01399S7GC?keywords=christian%20scott%20stretch%20music&qid;=1444351505&ref;_=sr_1_1&sr;=8-1
Set List
"TWIN"
"West Of The West"
"K.K.P.D."
Personnel
Christian Scott aTunde Adjuah, trumpet; Elena Pinderhughes, flute; Braxton Cook, alto saxophone; Lawrence Fields, piano; Dominic Minix, guitar; Kris Funn, bass; Corey Fonville, percussion
Credits
Producers: Patrick Jarenwattananon, Morgan Walker; Audio Engineer: Josh Rogosin; Videographer: Morgan Walker, Nick Michael, Cameron Robert; Production Assistant: Julia Reihs; photo by Julia Reihs
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/Christian Scott Atunde Adjuah Npr Music Tiny Desk Concert
October 09, 2015 by PATRICK JARENWATTANANON
Artists don't usually tell long, rambling stories at the Tiny Desk, and if they do, those stories don't usually make the final cut. But this one felt different. It was about the time Christian Scott aTunde Adjuah, a young black man, says he was stopped by New Orleans police late at night for no reason other than to harass and intimidate him. And how his pride almost made him do something ill-advised about it. And how he finally channeled that pent-up frustration into a piece of music whose long-form title is "Ku Klux Police Department."
"K.K.P.D." was the emotional peak of the septet's performance, though it wasn't a new tune. That's notable, because Scott stopped by the Tiny Desk on the very day his new album came out. It was played by something of a new band, though: Flutist Elena Pinderhughes, saxophonist Braxton Cook and guitarist Dominic Minix are new, younger additions to the group. It had new textures, too: Drummer Corey Fonville (another new member) used a djembe as a bass drum, and also brought a MIDI pad so he could emulate the sound of a drum machine. The effect was something like an evocation of African roots, juxtaposed with a trap beat.
The first two numbers were, in fact, from Scott's new album Stretch Music. That's his name for the particular type of jazz fusion he's up to: something more seamless than a simple collision of genre signifiers; something whose DNA is already hybridized and freely admits sonic elements which potentially "stretch" jazz's purported boundaries. (You may note that he showed up in a Joy Division sleeveless T-shirt and gold chain.) It's sleek and clearly modern, awash in guitar riffs, but also bold and emotionally naked. Scott is particularly good at getting you to feel the energy he sends pulsing through his horn, and he never shies away from going all-in on a solo. The least we could offer was to let him explain himself in doing so.
Stretch Music is available now.
iTunes: https://itunes.apple.com/us/album/stretch-music-introducing/id1024394279
Amazon: http://www.amazon.com/gp/product/B01399S7GC?keywords=christian%20scott%20stretch%20music&qid;=1444351505&ref;_=sr_1_1&sr;=8-1
Set List
"TWIN"
"West Of The West"
"K.K.P.D."
Personnel
Christian Scott aTunde Adjuah, trumpet; Elena Pinderhughes, flute; Braxton Cook, alto saxophone; Lawrence Fields, piano; Dominic Minix, guitar; Kris Funn, bass; Corey Fonville, percussion
Credits
Producers: Patrick Jarenwattananon, Morgan Walker; Audio Engineer: Josh Rogosin; Videographer: Morgan Walker, Nick Michael, Cameron Robert; Production Assistant: Julia Reihs; photo by Julia Reihs
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 20 Oct 2015
- views: 1094
Death Cab For Cutie: NPR Music Tiny Desk Concert
Death Cab For Cutie came as a trio: Ben Gibbard sang, Nick Harmer played bass, and we wheeled in our piano for Zac Rae. This intimate set included two new songs...
Death Cab For Cutie came as a trio: Ben Gibbard sang, Nick Harmer played bass, and we wheeled in our piano for Zac Rae. This intimate set included two new songs — including "Black Sun," the first single from their new album Kintsugi.
The album title refers to the Japanese art of reassembling broken pottery and making the breakage part of the newly formed pot. Death Cab For Cutie, a groundbreaking band formed in 1997, has gone through its own rebuilding of sorts. Chris Walla, a founding member of the band, has left, after contributing music to Kintsugi, but that's his farewell offering.
Death Cab For Cutie is still strongly defined by Gibbard's words, and that couldn't be more evident in this beautifully stark performance, which also includes "No Room In Frame" from Kintsugi, as well as two stripped-down favorites from the past. One, "Your Heart Is An Empty Room," is from Plans, while a beautiful love song from Transatlanticism, "Passenger Seat," moistened more than a few eyes in the crowd.
Set List
"Black Sun" 0:07
"No Room In Frame" 5:13
"Your Heart Is An Empty Room" 9:23
"Passenger Seat" 14:00
Credits
Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Maggie Starbard, Carlos Waters; Assistant Producer: Emily Jan; photo by Emily Jan/NPR
wn.com/Death Cab For Cutie Npr Music Tiny Desk Concert
Death Cab For Cutie came as a trio: Ben Gibbard sang, Nick Harmer played bass, and we wheeled in our piano for Zac Rae. This intimate set included two new songs — including "Black Sun," the first single from their new album Kintsugi.
The album title refers to the Japanese art of reassembling broken pottery and making the breakage part of the newly formed pot. Death Cab For Cutie, a groundbreaking band formed in 1997, has gone through its own rebuilding of sorts. Chris Walla, a founding member of the band, has left, after contributing music to Kintsugi, but that's his farewell offering.
Death Cab For Cutie is still strongly defined by Gibbard's words, and that couldn't be more evident in this beautifully stark performance, which also includes "No Room In Frame" from Kintsugi, as well as two stripped-down favorites from the past. One, "Your Heart Is An Empty Room," is from Plans, while a beautiful love song from Transatlanticism, "Passenger Seat," moistened more than a few eyes in the crowd.
Set List
"Black Sun" 0:07
"No Room In Frame" 5:13
"Your Heart Is An Empty Room" 9:23
"Passenger Seat" 14:00
Credits
Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Maggie Starbard, Carlos Waters; Assistant Producer: Emily Jan; photo by Emily Jan/NPR
- published: 07 Apr 2015
- views: 7328
Chris Stapleton: NPR Music Tiny Desk Concert
September 14, 2015 by JACOB GANZ
As a songwriter in Nashville, Chris Stapleton has written hits for Kenny Chesney, George Strait and Darius Rucker. As a singer...
September 14, 2015 by JACOB GANZ
As a songwriter in Nashville, Chris Stapleton has written hits for Kenny Chesney, George Strait and Darius Rucker. As a singer, he once led the bluegrass band The SteelDrivers, and more recently stepped into the solo spotlight with Traveller, his debut album. It's the kind of country record that gets better the more you wear it in: When NPR Music named it one of our favorite albums of the first half of 2015, critic Ann Powers compared it to a "soft denim jacket ... pulled out time after time, lending comfort, suiting every occasion, with treasure stuffed in every pocket."
It's easy to understand why other singers took to his songs — Stapleton writes lyrics that sound classic but never dated — but his softly creaking voice gives them the home they deserve. And even though those songs stand plenty well on their own, it's nice to have a little support. When Stapleton stepped behind the Tiny Desk to play selections from Traveller, he was joined by his wife Morgane on harmony vocals. Between patient, detailed songs of devotion to love, Los Angeles and liquor, they paused for banter about the summer heat in D.C. and the large number of guitars Chris owns ("Not supposed to tell that part," he said to Morgane).
Watch him hide behind a large hat, a beard and a battered vintage guitar; watch her smile at him during "More Of You" with a combination of admiration and affection. Like the songs themselves, their performance is full of private moments worth sharing widely.
Traveller is available now. (iTunes) (Amazon)
Set List
"More Of You"
"When The Stars Come Out"
"Whiskey And You"
Credits
Producers: Jacob Ganz, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Lani Milton; Assistant Producer: Mina Tavakoli; photo by Lani Milton/NPR
For more Tiny Desk Concerts subscribe to our podcast.
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/Chris Stapleton Npr Music Tiny Desk Concert
September 14, 2015 by JACOB GANZ
As a songwriter in Nashville, Chris Stapleton has written hits for Kenny Chesney, George Strait and Darius Rucker. As a singer, he once led the bluegrass band The SteelDrivers, and more recently stepped into the solo spotlight with Traveller, his debut album. It's the kind of country record that gets better the more you wear it in: When NPR Music named it one of our favorite albums of the first half of 2015, critic Ann Powers compared it to a "soft denim jacket ... pulled out time after time, lending comfort, suiting every occasion, with treasure stuffed in every pocket."
It's easy to understand why other singers took to his songs — Stapleton writes lyrics that sound classic but never dated — but his softly creaking voice gives them the home they deserve. And even though those songs stand plenty well on their own, it's nice to have a little support. When Stapleton stepped behind the Tiny Desk to play selections from Traveller, he was joined by his wife Morgane on harmony vocals. Between patient, detailed songs of devotion to love, Los Angeles and liquor, they paused for banter about the summer heat in D.C. and the large number of guitars Chris owns ("Not supposed to tell that part," he said to Morgane).
Watch him hide behind a large hat, a beard and a battered vintage guitar; watch her smile at him during "More Of You" with a combination of admiration and affection. Like the songs themselves, their performance is full of private moments worth sharing widely.
Traveller is available now. (iTunes) (Amazon)
Set List
"More Of You"
"When The Stars Come Out"
"Whiskey And You"
Credits
Producers: Jacob Ganz, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Lani Milton; Assistant Producer: Mina Tavakoli; photo by Lani Milton/NPR
For more Tiny Desk Concerts subscribe to our podcast.
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 14 Sep 2015
- views: 584
The Wild Reeds: NPR Music Tiny Desk Concert
November 20, 2015 by BOB BOILEN
Great singers aren't easy to come by, so finding three in one band is something special. The Wild Reeds' music shines when Shar...
November 20, 2015 by BOB BOILEN
Great singers aren't easy to come by, so finding three in one band is something special. The Wild Reeds' music shines when Sharon Silva, Kinsey Lee and Mackenzie Howe harmonize, but each also takes a leading role — and that's the power of the L.A. band, whose songs are clear and memorable, potent and sometimes delicate.
The Wild Reeds' 2014 debut album Blind And Brave only hints at the talent on display here. Here, the group opens with my favorite song from the record, "Where I'm Going," and then offers a taste of 2016 with two new ones. Next year ought to be a big year for The Wild Reeds, and this Tiny Desk Concert will show you what I mean.
Blind And Brave is available now.
iTunes: https://itunes.apple.com/us/album/blind-and-brave/id907588390
Amazon: http://www.amazon.com/Blind-Brave-The-Wild-Reeds/dp/B00MKFKGES
Set List
"Where I'm Going"
"Everything Looks Better In Hindsight"
"The World We Built"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Nick Michael, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Julia Reihs/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/The Wild Reeds Npr Music Tiny Desk Concert
November 20, 2015 by BOB BOILEN
Great singers aren't easy to come by, so finding three in one band is something special. The Wild Reeds' music shines when Sharon Silva, Kinsey Lee and Mackenzie Howe harmonize, but each also takes a leading role — and that's the power of the L.A. band, whose songs are clear and memorable, potent and sometimes delicate.
The Wild Reeds' 2014 debut album Blind And Brave only hints at the talent on display here. Here, the group opens with my favorite song from the record, "Where I'm Going," and then offers a taste of 2016 with two new ones. Next year ought to be a big year for The Wild Reeds, and this Tiny Desk Concert will show you what I mean.
Blind And Brave is available now.
iTunes: https://itunes.apple.com/us/album/blind-and-brave/id907588390
Amazon: http://www.amazon.com/Blind-Brave-The-Wild-Reeds/dp/B00MKFKGES
Set List
"Where I'm Going"
"Everything Looks Better In Hindsight"
"The World We Built"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Nick Michael, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Julia Reihs/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 20 Nov 2015
- views: 4714
Beirut Full Concert | NPR MUSIC FRONT ROW
How does a band return from a recording hiatus that could have permanently displaced it from the audience's eye? If you are Zach Condon and Beirut, you just go ...
How does a band return from a recording hiatus that could have permanently displaced it from the audience's eye? If you are Zach Condon and Beirut, you just go about your business and pick up where you left off three years earlier. The group's First Listen Live show at Brooklyn's intimate Bell House on a rainy September night, a concert debuting many of the songs from the brand new No No No, its first album since 2011, showed that Beirut works through its obstacles. Maybe it helps when the initial idea behind a band is ahead of the curve to begin with, no?
When Condon's Beirut first came to prominence in 2006, it emerged from Santa Fe with a fully conceived, pan-global folk sound unlike any indie sensibilities popular on the day. Zach's trumpet and flugelhorn playing was informed by local Mexican mariachi horns, his engagement with the Roma brass bands of the Balkans, and modal jazz changes via a percolating bossa nova; he favored timeless instruments (ukuleles, accordions) and images, to the rush of the modern; and the songs his quavering tenor delivered, also traveled the old continents. Live, the group grew into a formidable sextet, heavy on keyboards, horns and harmony, a world onto themselves.
At the Bell House, Beirut ran down its entire career before a sold-out audience, and the songs from No No No, the band's fourth studio, fit snuggly alongside the older material, even as it heralded directions new and familiar. "Perth," for instance, featured a touch of the Memphis soul energy, with Ben Lanz's trombone adding a brassy bump; "Fener," a song about a neighborhood in Istanbul, is built around the motorik beat interplay between Aaron Arntz's keyboards and Nick Petree's drums, before dropping down into a great g-funk slink, guided by Condon's Moog. So seemingly apart from Beirut's musical environment, yet, here they were, a natural part of it, making the audience sway endlessly. The hiatus, it seems, simply made full hearts grow fonder.
Set List:
No No No - 1:31
Scenic World - 4:54
Elephant Gun - 7:27
As Needed - 12:08
Perth - 15:46
Santa Fe - 20:03
Postcards From Italy - 25:17
August Holland - 29:42
The Rip Tide - 33:49
The Shrew - 38:10
Fener - 42:23
Serbian Cocek - 46:08
At Once - 49:44
After The Curtain - 52:44
So Allowed - 56:27
Pacheco - 1:01:10
Gulag Orkestar - 1:04:16
In The Mausoleum - 1:07:41
Flying Club Cup - 1:11:20
Director: Mito Habe-Evans; Producer: Saidah Blount; Videographers: Mito Habe-Evans, Lani Milton, Christopher Farber, A.J. Wilhelm; Audio Engineers: Josh Rogosin; Special Thanks: The Bell House; Executive Producer: Anya Grundmann
wn.com/Beirut Full Concert | Npr Music Front Row
How does a band return from a recording hiatus that could have permanently displaced it from the audience's eye? If you are Zach Condon and Beirut, you just go about your business and pick up where you left off three years earlier. The group's First Listen Live show at Brooklyn's intimate Bell House on a rainy September night, a concert debuting many of the songs from the brand new No No No, its first album since 2011, showed that Beirut works through its obstacles. Maybe it helps when the initial idea behind a band is ahead of the curve to begin with, no?
When Condon's Beirut first came to prominence in 2006, it emerged from Santa Fe with a fully conceived, pan-global folk sound unlike any indie sensibilities popular on the day. Zach's trumpet and flugelhorn playing was informed by local Mexican mariachi horns, his engagement with the Roma brass bands of the Balkans, and modal jazz changes via a percolating bossa nova; he favored timeless instruments (ukuleles, accordions) and images, to the rush of the modern; and the songs his quavering tenor delivered, also traveled the old continents. Live, the group grew into a formidable sextet, heavy on keyboards, horns and harmony, a world onto themselves.
At the Bell House, Beirut ran down its entire career before a sold-out audience, and the songs from No No No, the band's fourth studio, fit snuggly alongside the older material, even as it heralded directions new and familiar. "Perth," for instance, featured a touch of the Memphis soul energy, with Ben Lanz's trombone adding a brassy bump; "Fener," a song about a neighborhood in Istanbul, is built around the motorik beat interplay between Aaron Arntz's keyboards and Nick Petree's drums, before dropping down into a great g-funk slink, guided by Condon's Moog. So seemingly apart from Beirut's musical environment, yet, here they were, a natural part of it, making the audience sway endlessly. The hiatus, it seems, simply made full hearts grow fonder.
Set List:
No No No - 1:31
Scenic World - 4:54
Elephant Gun - 7:27
As Needed - 12:08
Perth - 15:46
Santa Fe - 20:03
Postcards From Italy - 25:17
August Holland - 29:42
The Rip Tide - 33:49
The Shrew - 38:10
Fener - 42:23
Serbian Cocek - 46:08
At Once - 49:44
After The Curtain - 52:44
So Allowed - 56:27
Pacheco - 1:01:10
Gulag Orkestar - 1:04:16
In The Mausoleum - 1:07:41
Flying Club Cup - 1:11:20
Director: Mito Habe-Evans; Producer: Saidah Blount; Videographers: Mito Habe-Evans, Lani Milton, Christopher Farber, A.J. Wilhelm; Audio Engineers: Josh Rogosin; Special Thanks: The Bell House; Executive Producer: Anya Grundmann
- published: 29 Sep 2015
- views: 43921
Aurora: NPR Music Tiny Desk Concert
The first time I saw Aurora sing, it appeared so new to her that each note, and each hand gesture accompanying each note, seemed like a discovery and an adventu...
The first time I saw Aurora sing, it appeared so new to her that each note, and each hand gesture accompanying each note, seemed like a discovery and an adventure for the singer. She was 18 when I first saw her in New York City, and now the Norwegian singer is 19; take a look at this Tiny Desk Concert, and her sense of innocence and discovery still rings as true as ever.
Aurora has just one EP and some singles out so far, and ever since seeing her at CMJ in 2014, I've been eager for her debut album. Early next year, we should finally have it — as well as more chances to see Aurora live, as she plans on touring the U.S. in the spring.
Running With The Wolves is available now. iTunes:
https://itunes.apple.com/us/album/running-with-the-wolves-ep/id987008667
Amazon: http://www.amazon.com/Running-With-Wolves-Ep-AURORA/dp/B00WTJK47Y
Set List
"Runaway"
"Murder Song (5, 4, 3, 2, 1)"
"Running With The Wolves"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Brian Jarboe; Videographers: Morgan Walker, Morgan McCloy; Production Assistant: Lani Milton; Photo by Hadas/NPR
For more Tiny Desks, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/Aurora Npr Music Tiny Desk Concert
The first time I saw Aurora sing, it appeared so new to her that each note, and each hand gesture accompanying each note, seemed like a discovery and an adventure for the singer. She was 18 when I first saw her in New York City, and now the Norwegian singer is 19; take a look at this Tiny Desk Concert, and her sense of innocence and discovery still rings as true as ever.
Aurora has just one EP and some singles out so far, and ever since seeing her at CMJ in 2014, I've been eager for her debut album. Early next year, we should finally have it — as well as more chances to see Aurora live, as she plans on touring the U.S. in the spring.
Running With The Wolves is available now. iTunes:
https://itunes.apple.com/us/album/running-with-the-wolves-ep/id987008667
Amazon: http://www.amazon.com/Running-With-Wolves-Ep-AURORA/dp/B00WTJK47Y
Set List
"Runaway"
"Murder Song (5, 4, 3, 2, 1)"
"Running With The Wolves"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Brian Jarboe; Videographers: Morgan Walker, Morgan McCloy; Production Assistant: Lani Milton; Photo by Hadas/NPR
For more Tiny Desks, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 09 Nov 2015
- views: 3852
T-Pain: Officially Yours | NPR MUSIC FRONT ROW
To mark the one-year anniversary of the most popular Tiny Desk Concert ever and the 10th anniversary of his debut album, Rappa Ternt Sanga, we hosted T-Pain at ...
To mark the one-year anniversary of the most popular Tiny Desk Concert ever and the 10th anniversary of his debut album, Rappa Ternt Sanga, we hosted T-Pain at our Washington, D.C. headquarters. The inimitable Floridian performed a short set of classics, both his own and others', and brand new, never before heard song from his forthcoming album, Stoicville: The Phoenix.
Follow @NPRandB and @NPRHipHop.
Director: Mito Habe-Evans; Producer: Frannie Kelly; Videographers: Colin Marshall, Julia Reihs, Cameron Robert, Morgan Walker; Audio Engineers: Andy Huether, Josh Rogosin, Neil Tevault; Special Thanks: Chris Berry, Saidah Blount, Bobby Carter, Kate Drozynski, Kiana Fitzgerald, Savoy Jefferson, Cedric Shine, Justin Winn; Executive Producer: Anya Grundmann
wn.com/T Pain Officially Yours | Npr Music Front Row
To mark the one-year anniversary of the most popular Tiny Desk Concert ever and the 10th anniversary of his debut album, Rappa Ternt Sanga, we hosted T-Pain at our Washington, D.C. headquarters. The inimitable Floridian performed a short set of classics, both his own and others', and brand new, never before heard song from his forthcoming album, Stoicville: The Phoenix.
Follow @NPRandB and @NPRHipHop.
Director: Mito Habe-Evans; Producer: Frannie Kelly; Videographers: Colin Marshall, Julia Reihs, Cameron Robert, Morgan Walker; Audio Engineers: Andy Huether, Josh Rogosin, Neil Tevault; Special Thanks: Chris Berry, Saidah Blount, Bobby Carter, Kate Drozynski, Kiana Fitzgerald, Savoy Jefferson, Cedric Shine, Justin Winn; Executive Producer: Anya Grundmann
- published: 21 Nov 2015
- views: 5413
Hozier: NPR Music Tiny Desk Concert
Andrew Hozier-Byrne's voice is so rich, so vital and so soulful, I'm certain I'll follow his music for a long time to come. The 24-year-old Irishman, who perfor...
Andrew Hozier-Byrne's voice is so rich, so vital and so soulful, I'm certain I'll follow his music for a long time to come. The 24-year-old Irishman, who performs under the name Hozier, opens this set with the brilliant and instantly grabby song "Take Me to Church," about passion, sex and religion.
Hozier's music is based in the blues, and you'll hear the singer-guitarist's love for Muddy Waters and John Lee Hooker during the second song he performs here. His band — piano, guitar, percussion — steps aside for the swampy "To Be Alone," in which the blues provide a starting place for his high, yearning vocals and deep questioning. Hozier has just two EPs out, and both have me yearning to hear more. --BOB BOILEN
Set List
"Take Me To Church"
"To Be Alone"
"Cherry Wine"
Credits
Producers: Bob Boilen, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Olivia Merrion; Production Assistant: Alex Schelldorf; photo by Alex Schelldorf/NPR
wn.com/Hozier Npr Music Tiny Desk Concert
Andrew Hozier-Byrne's voice is so rich, so vital and so soulful, I'm certain I'll follow his music for a long time to come. The 24-year-old Irishman, who performs under the name Hozier, opens this set with the brilliant and instantly grabby song "Take Me to Church," about passion, sex and religion.
Hozier's music is based in the blues, and you'll hear the singer-guitarist's love for Muddy Waters and John Lee Hooker during the second song he performs here. His band — piano, guitar, percussion — steps aside for the swampy "To Be Alone," in which the blues provide a starting place for his high, yearning vocals and deep questioning. Hozier has just two EPs out, and both have me yearning to hear more. --BOB BOILEN
Set List
"Take Me To Church"
"To Be Alone"
"Cherry Wine"
Credits
Producers: Bob Boilen, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Olivia Merrion; Production Assistant: Alex Schelldorf; photo by Alex Schelldorf/NPR
- published: 28 May 2014
- views: 874086
Shakey Graves: NPR Music Tiny Desk Concert
December 15, 2015 by BOB BOILEN
When Alejandro Rose-Garcia, aka Shakey Graves, breaks out his guitar and suitcase kick drum/hi-hat, a palpable rush of swooning...
December 15, 2015 by BOB BOILEN
When Alejandro Rose-Garcia, aka Shakey Graves, breaks out his guitar and suitcase kick drum/hi-hat, a palpable rush of swooning adrenaline hits the room. I felt that at the Americana Festival in Nashville, at the Newport Folk Festival and here at the Tiny Desk.
The Texas singer's charisma is matched by his warm, sometimes frenetic music — he attempted a stage dive at the Tiny Desk — which mixes country, blues and rock 'n' roll. If you don't know Shakey Graves' music, the best way to fall in love with him is in a live setting like this one.
And the War Came is available now.
iTunes: https://itunes.apple.com/us/album/and-the-war-came/id950359481
Amazon: https://www.amazon.com/gp/product/B00M2098UO?ie=UTF8&*Version*=1&*entries*=0
Set List
"To Cure What Ails"
"The Perfect Parts"
"Only Son"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Julia Reihs/NPR
For more Tiny Desk Concerts, subscribe to our podcast.
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/Shakey Graves Npr Music Tiny Desk Concert
December 15, 2015 by BOB BOILEN
When Alejandro Rose-Garcia, aka Shakey Graves, breaks out his guitar and suitcase kick drum/hi-hat, a palpable rush of swooning adrenaline hits the room. I felt that at the Americana Festival in Nashville, at the Newport Folk Festival and here at the Tiny Desk.
The Texas singer's charisma is matched by his warm, sometimes frenetic music — he attempted a stage dive at the Tiny Desk — which mixes country, blues and rock 'n' roll. If you don't know Shakey Graves' music, the best way to fall in love with him is in a live setting like this one.
And the War Came is available now.
iTunes: https://itunes.apple.com/us/album/and-the-war-came/id950359481
Amazon: https://www.amazon.com/gp/product/B00M2098UO?ie=UTF8&*Version*=1&*entries*=0
Set List
"To Cure What Ails"
"The Perfect Parts"
"Only Son"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Julia Reihs/NPR
For more Tiny Desk Concerts, subscribe to our podcast.
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 15 Dec 2015
- views: 2043
Andra Day: NPR Music Tiny Desk Concert
My rule when booking Tiny Desk Concerts is to see artists live before they come to the office. I've heard many a great record only to be disappointed by a live ...
My rule when booking Tiny Desk Concerts is to see artists live before they come to the office. I've heard many a great record only to be disappointed by a live show. But when I heard Andra Day sing "Forever Mine" from her album Cheers To The Fall, I decided to break my rule, sight unseen.
When Day started warming up for this set, I could see that she was born to perform. She's able to channel the likes of Nina Simone and Billie Holiday in songs that feel candid and vulnerable, but not understated.
Day studied singing in a performing-arts high school in San Diego. A live performance found its way to Stevie Wonder after a chance meeting with his wife. Day was then introduced to songwriter and producer Adrian Gurvitz and then Raphael Saadiq to help her make Cheers To The Fall. This is an unforgettable performance, and she's got a talented backing band to boot.
Cheers To The Fall is available now.
iTunes: https://itunes.apple.com/us/album/cheers-to-the-fall/id996787628
Amazon: http://www.amazon.com/Cheers-The-Fall-Andra-Day/dp/B00Z97XIZ8
Set List
"Forever Mine" 00:00
"Rise Up" 03:42
"Gold" 08:00
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski; photo by Jun Tsuboike/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/Andra Day Npr Music Tiny Desk Concert
My rule when booking Tiny Desk Concerts is to see artists live before they come to the office. I've heard many a great record only to be disappointed by a live show. But when I heard Andra Day sing "Forever Mine" from her album Cheers To The Fall, I decided to break my rule, sight unseen.
When Day started warming up for this set, I could see that she was born to perform. She's able to channel the likes of Nina Simone and Billie Holiday in songs that feel candid and vulnerable, but not understated.
Day studied singing in a performing-arts high school in San Diego. A live performance found its way to Stevie Wonder after a chance meeting with his wife. Day was then introduced to songwriter and producer Adrian Gurvitz and then Raphael Saadiq to help her make Cheers To The Fall. This is an unforgettable performance, and she's got a talented backing band to boot.
Cheers To The Fall is available now.
iTunes: https://itunes.apple.com/us/album/cheers-to-the-fall/id996787628
Amazon: http://www.amazon.com/Cheers-The-Fall-Andra-Day/dp/B00Z97XIZ8
Set List
"Forever Mine" 00:00
"Rise Up" 03:42
"Gold" 08:00
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski; photo by Jun Tsuboike/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 13 Oct 2015
- views: 5472
Daughter: NPR Music Tiny Desk Concert
Daughter first popped up on our radar when we heard the London band's song "Landfill" while preparing for SXSW early last year: Achingly pretty and melanchol......
Daughter first popped up on our radar when we heard the London band's song "Landfill" while preparing for SXSW early last year: Achingly pretty and melanchol...
wn.com/Daughter Npr Music Tiny Desk Concert
Daughter first popped up on our radar when we heard the London band's song "Landfill" while preparing for SXSW early last year: Achingly pretty and melanchol...
- published: 22 Oct 2013
- views: 479053
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author: NPR Music
Sylvan Esso: NPR Music Tiny Desk Concert
It's hard to believe that it hasn't quite been a year since the first Sylvan Esso album came out. The odd yet perfect marriage of Nick Sanborn's electronics wit...
It's hard to believe that it hasn't quite been a year since the first Sylvan Esso album came out. The odd yet perfect marriage of Nick Sanborn's electronics with Amelia Meath's voice feels like a familiar friend by now. And yet seeing these songs performed softly — and captured in the light of day — made them feel fresh and lovable in new ways.
To keep things fresh and interesting, Sanborn brought a bunch of new gear to the Tiny Desk; it seemed a bit bewildering to him for a bit, but also inspiring. I think that's what makes this combination work so well: Meath and Sanborn inspire one another. You can see it in their eyes and in their smiles, and it comes out in their playing and dancing. It's enchanting music, performed wonderfully.-- BOB BOILEN
Set List
"Coffee"
"H.S.K.T."
"Come Down"
Credits
Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Maggie Starbard; Assistant Producer: Morgan McCloy; photo by Morgan McCloy/NPR
wn.com/Sylvan Esso Npr Music Tiny Desk Concert
It's hard to believe that it hasn't quite been a year since the first Sylvan Esso album came out. The odd yet perfect marriage of Nick Sanborn's electronics with Amelia Meath's voice feels like a familiar friend by now. And yet seeing these songs performed softly — and captured in the light of day — made them feel fresh and lovable in new ways.
To keep things fresh and interesting, Sanborn brought a bunch of new gear to the Tiny Desk; it seemed a bit bewildering to him for a bit, but also inspiring. I think that's what makes this combination work so well: Meath and Sanborn inspire one another. You can see it in their eyes and in their smiles, and it comes out in their playing and dancing. It's enchanting music, performed wonderfully.-- BOB BOILEN
Set List
"Coffee"
"H.S.K.T."
"Come Down"
Credits
Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Maggie Starbard; Assistant Producer: Morgan McCloy; photo by Morgan McCloy/NPR
- published: 30 Mar 2015
- views: 4785
Paolo Angeli: NPR Music Tiny Desk Concert
October 19, 2015 by ANASTASIA TSIOULCAS
Paolo Angeli has a whole toy shop aboard his guitar: He's got hammers, pedals, propellers, springs, drone strings and e...
October 19, 2015 by ANASTASIA TSIOULCAS
Paolo Angeli has a whole toy shop aboard his guitar: He's got hammers, pedals, propellers, springs, drone strings and even a couple of cell-phone ringers at his disposal.
The base of it all is a six-stringed instrument from his native island of Sardinia, and the seed of Angeli's sonic creations is traditional Sardinian music. But in the same way that he's turned his guitar into something new, Angeli twists and turns that tradition into musical magic, in creations that skim over jazz, experimental, improvisational, classical and punk — embracing all, yet not quite belonging to any. All those toys let him create a palette of super-saturated colors and unbelievably varied textures.
Angeli, who's based in Barcelona, describes his set-up as "a one-man band for the new millennium." The setup may be futuristic, but the music he creates is deeply human — warm and full of humor and wit, just like Angeli himself.
S'u is available now.
iTunes: https://itunes.apple.com/us/album/su/id963217937
Amazon: http://www.amazon.com/Su-Angeli-Paolo/dp/B00UW4G9OU
Set List
"Mascaratu"
"Corsicana"
"Brida"
Credits
Producers: Anastasia Tsioulcas, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/Paolo Angeli Npr Music Tiny Desk Concert
October 19, 2015 by ANASTASIA TSIOULCAS
Paolo Angeli has a whole toy shop aboard his guitar: He's got hammers, pedals, propellers, springs, drone strings and even a couple of cell-phone ringers at his disposal.
The base of it all is a six-stringed instrument from his native island of Sardinia, and the seed of Angeli's sonic creations is traditional Sardinian music. But in the same way that he's turned his guitar into something new, Angeli twists and turns that tradition into musical magic, in creations that skim over jazz, experimental, improvisational, classical and punk — embracing all, yet not quite belonging to any. All those toys let him create a palette of super-saturated colors and unbelievably varied textures.
Angeli, who's based in Barcelona, describes his set-up as "a one-man band for the new millennium." The setup may be futuristic, but the music he creates is deeply human — warm and full of humor and wit, just like Angeli himself.
S'u is available now.
iTunes: https://itunes.apple.com/us/album/su/id963217937
Amazon: http://www.amazon.com/Su-Angeli-Paolo/dp/B00UW4G9OU
Set List
"Mascaratu"
"Corsicana"
"Brida"
Credits
Producers: Anastasia Tsioulcas, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 20 Oct 2015
- views: 2305
John Legend: NPR Music Tiny Desk Concert
At 34, John Legend has sold millions of records, won nine Grammys, collaborated with many of the biggest stars in music (Jay-Z, Kanye West, Alicia Keys, The Roo...
At 34, John Legend has sold millions of records, won nine Grammys, collaborated with many of the biggest stars in music (Jay-Z, Kanye West, Alicia Keys, The Roots, et al), and achieved the kind of statesmanlike musical-ambassador status usually afforded to artists twice his age. He is, in short, the sort of star who doesn't usually perform behind desks in offices.
But once we'd wedged a piano back there, Legend sounded perfectly at home. His rich, soulful voice never suffered for a lack of processing and production as he performed three songs for NPR Music and a few hundred of our rapt coworkers, loved ones and hangers-on.
Though he recently released a fine new album titled Love in the Future, from which "Made to Love" and "All of Me" were drawn for this set, Legend took special care to provide the backstory for "Move," which he'd recorded for the soundtrack to 12 Years a Slave. Legend executive-produced that soundtrack himself — don't be surprised if you wind up hearing him perform "Move" again on Oscar night — and recorded the album version with U.K. musician Fink. Here, though, it's stripped down considerably, with just Legend's piano and the acoustic guitar of guest Bobby Anderson providing accompaniment.
Legend doesn't play settings this intimate very often, and it's not as if he has anything to prove at this point in his career. But, just in case he did, he retains a busker's lung capacity, the charisma of a born star and the easygoing grace of a performer fit for any stage — even a tiny one. --STEPHEN THOMPSON
Set List
"Made To Love"
"Move"
"All Of Me"
Credits
Producers: Bob Boilen, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Becky Harlan, Abbey Oldham, Meredith Rizzo
wn.com/John Legend Npr Music Tiny Desk Concert
At 34, John Legend has sold millions of records, won nine Grammys, collaborated with many of the biggest stars in music (Jay-Z, Kanye West, Alicia Keys, The Roots, et al), and achieved the kind of statesmanlike musical-ambassador status usually afforded to artists twice his age. He is, in short, the sort of star who doesn't usually perform behind desks in offices.
But once we'd wedged a piano back there, Legend sounded perfectly at home. His rich, soulful voice never suffered for a lack of processing and production as he performed three songs for NPR Music and a few hundred of our rapt coworkers, loved ones and hangers-on.
Though he recently released a fine new album titled Love in the Future, from which "Made to Love" and "All of Me" were drawn for this set, Legend took special care to provide the backstory for "Move," which he'd recorded for the soundtrack to 12 Years a Slave. Legend executive-produced that soundtrack himself — don't be surprised if you wind up hearing him perform "Move" again on Oscar night — and recorded the album version with U.K. musician Fink. Here, though, it's stripped down considerably, with just Legend's piano and the acoustic guitar of guest Bobby Anderson providing accompaniment.
Legend doesn't play settings this intimate very often, and it's not as if he has anything to prove at this point in his career. But, just in case he did, he retains a busker's lung capacity, the charisma of a born star and the easygoing grace of a performer fit for any stage — even a tiny one. --STEPHEN THOMPSON
Set List
"Made To Love"
"Move"
"All Of Me"
Credits
Producers: Bob Boilen, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Becky Harlan, Abbey Oldham, Meredith Rizzo
- published: 18 Nov 2013
- views: 398081
In Conversation with Pharrell Williams | NPR MUSIC
Pharrell Williams — performer, songwriter, producer, designer and entrepreneur — sat down for a rare, in-depth, career retrospective discussion with Jason King,...
Pharrell Williams — performer, songwriter, producer, designer and entrepreneur — sat down for a rare, in-depth, career retrospective discussion with Jason King, professor at the Clive Davis Institute of Recorded Music and host of NPR Music's R&B; channel "I"ll Take You There." The conversation took place on Monday, Oct. 26 at New York City's Town Hall.
King moderated a freewheeling and in-depth discussion on Pharrell's legacy of creativity, blending music, fashion, design and his singular style, from his beginnings as a teenage prodigy and multi-instrumentalist in Virginia Beach in the early '90s through the hits that earned him Billboard's Producer of the Decade in 2010 to his current status as multi-media superstar.
CREDITS
Host: Jason King; Director: Mito Habe-Evans; Producer: Saidah Blount; Videographers: Christopher Parks, Cameron Robert, A.J. Wilhelm; Audio Engineer: Josh Rogosin; Special Thanks: The Town Hall, Clive Davis Institute of Recorded Music at NYU Tisch School of the Arts; Executive Producer: Anya Grundmann
wn.com/In Conversation With Pharrell Williams | Npr Music
Pharrell Williams — performer, songwriter, producer, designer and entrepreneur — sat down for a rare, in-depth, career retrospective discussion with Jason King, professor at the Clive Davis Institute of Recorded Music and host of NPR Music's R&B; channel "I"ll Take You There." The conversation took place on Monday, Oct. 26 at New York City's Town Hall.
King moderated a freewheeling and in-depth discussion on Pharrell's legacy of creativity, blending music, fashion, design and his singular style, from his beginnings as a teenage prodigy and multi-instrumentalist in Virginia Beach in the early '90s through the hits that earned him Billboard's Producer of the Decade in 2010 to his current status as multi-media superstar.
CREDITS
Host: Jason King; Director: Mito Habe-Evans; Producer: Saidah Blount; Videographers: Christopher Parks, Cameron Robert, A.J. Wilhelm; Audio Engineer: Josh Rogosin; Special Thanks: The Town Hall, Clive Davis Institute of Recorded Music at NYU Tisch School of the Arts; Executive Producer: Anya Grundmann
- published: 29 Oct 2015
- views: 206
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Protomartyr: NPR Music Tiny Desk Concert
December 4, 2015 by ROBIN HILTON
The Detroit band Protomartyr makes loud, screeching rock that's more thoughtful than thrilling. It only takes a few seconds of the group's brightly lit Tiny Desk performance for things to get pretty deep: "False happiness is on the rise," enigmatic frontman Joe Casey deadpans. "See the victims piled high in a room without a roof."
The song "Why Does It Shake?" is
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Lizzo - 'W.E.R.K. Pt. 2' Live | NPR MUSIC FRONT ROW
The music of 27-year-old rapper Melissa Jefferson, who goes by the name Lizzo on stage, is full of soul. Though she spent much of her life in Houston, she's become a favorite in her adopted hometown of Minneapolis, working with members of the Doomtree collective and showing up on Prince's 2014 album Plectrumelectrum.
Bet on Lizzo expanding her audience soon. When the riot grrrl trio Sleater-Kinne
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Lizzo - 'My Skin' Live | NPR MUSIC FRONT ROW
The music of 27-year-old rapper Melissa Jefferson, who goes by the name Lizzo on stage, is full of soul. Though she spent much of her life in Houston, she's become a favorite in her adopted hometown of Minneapolis, working with members of the Doomtree collective and showing up on Prince's 2014 album Plectrumelectrum.
Bet on Lizzo expanding her audience soon. When the riot grrrl trio Sleater-Kinne
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Teddy Abrams: NPR Music Tiny Desks Concert
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Yuja Wang NPR Music Field Recordings
See more Field Recordings at: npr.org/series/144918893/field-recordings
"On A Chilly Factory Floor, Yuja Wang's Piano Sizzles"
Chinese-born pianist Yuja Wang isn't one to do anything in half measures. So when we invited her to record a performance in a room at the Steinway & Sons piano factory, she showed up in Queens that frigid morning with her A game.
The 27-year-old ultra-glam artist wore o
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Elle Varner Full Concert | NPR MUSIC FRONT ROW
OCTOBER 22, 2014 @ Le Poisson Rouge, NYC
R&B; singer-songwriter Elle Varner flew out of the gate in 2011 with a feel-good, boom-bap-heavy tune about a man who had managed to snag her attention away from a particularly nice pair of shoes. But three years already feels like an eternity ago, and on her newer material Varner sounds far from satisfied by either a sweet talker or some new kicks.She took
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Youth Lagoon NPR Music Tiny Desk Concert
Updated November 23, 2015 by ROBIN HILTON
Trevor Powers, the songwriter and frontman of Youth Lagoon, has never attempted to hide his navel-gazing anxieties. On his 2011 debut (The Year Of Hibernation) and its 2013 followup (Wondrous Bughouse), Powers documents a lifetime of existential crises with swirling questions about spirituality, mortality and his own mental state. Powers has also looked th
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Rahim AlHaj NPR Music Tiny Desk Concert
November 13, 2015 by SURAYA MOHAMED Ancestor to the lute and the guitar, the oud is an ancient stringed instrument commonly played throughout the Middle East, North Africa and countries like Greece and Turkey. The oud has charmed audiences for more than 5,000 years, and the tradition continues with this reverent performance by one of the world's best players, Rahim AlHaj.
Born in Baghdad, AlHaj
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My Bubba: NPR Music Tiny Desk Concert
November 06, 2015 by BOB BOILEN
My Bubba is the duo of Sweden's My and Iceland's Bubba, women whose quirky, delicate, sweetly sung folk songs are a delight. The centerpiece of their tunes are the harmonies, but the backing instrumentation is equally intimate, from handclaps to an old table harp and acoustic guitar.
The pair's current album, Goes Abroader, was produced by Noah Georgeson, who's kno
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The Zombies | NPR MUSIC FRONT ROW
Imagine creating the best work of your life, some of the best music of its day, and no one cares. Now imagine playing those songs 47 years later to a screaming and loving bunch of fans and getting what seems like a hero's welcome. That's part of the story of The Zombies, who played the classic 1968 album Odessey and Oracle, along with a set of other hits and brand new songs, live in Washington, D.
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Diane Coffee: NPR Music Tiny Desk Concert
November 02, 2015 by ROBIN HILTON
Diane Coffee gives the kind of live performances you talk about for weeks after seeing. It's not that the band tears up the stage. There's no elaborate light show or other orchestrated theatrics. The main attraction — and the reason you'll want to watch and hear more — is Diane Coffee's fantastically flamboyant lead singer, Shaun Fleming.
Conjuring both Mick Jagg
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Ryley Walker - Summer Dress @Pickathon - Woods Series (S02E01)
Woods Series - Season 2 - Episode 1
OPB/NPRMusic presents a spaced out rollicking performance by Ryley Walker in this episode of the Pickathon Woods Series. Filmed on the Woods Stage at Pickathon (www.pickathon.com), July 31, 2015.
Visit OPB (http://www.opb.org/) or NPR Music (http://www.npr.org/music) the 3rd Tuesday of every month for a new Woods Series Episode in Season 2 (Nov. 2015 - Feb. 20
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The Suffers: NPR Music Tiny Desk Concert
The first time I saw 10-piece Houston big band The Suffers, it was at a small venue in Washington, D.C., called DC9. The club was barely big enough to contain all the horns, guitars and percussion, not to mention the undeniable force of the music.
October 27, 2015 by BOB BOILEN
At first, I couldn't pull my attention away from irrepressible singer Kam Franklin, whose down-to-earth but uplifting p
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Beauty Pill: NPR Music Tiny Desk Concert
October 23, 2015 by LARS GOTRICH • Beauty Pill's music is an invitation. In it, life whirs with plunderphonic glee and riffs are funky from the inside out, with rhythms that are equal parts hip-hop and go-go. Conceived, recorded and meticulously tinkered with over the course of eight years, Beauty Pill Describes Things As They Are was partly made in front of an audience after member Chad Clark rec
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Oh Pep!: NPR Music Tiny Desk Concert
October 16, 2015 by BOB BOILEN
I've seen Oh Pep! four times in three cities in the past month, and needless to say, the Melbourne band's music is infectious. Oh Pep gets its Oh from Olivia Hally (vocals, guitar) and its Pep! from Pepita Emmerichs (violin, mandolin). These Australians fit well in Nashville during an Americana music festival, as they played fiddles and mandolins alongside guitars, b
Protomartyr: NPR Music Tiny Desk Concert
December 4, 2015 by ROBIN HILTON
The Detroit band Protomartyr makes loud, screeching rock that's more thoughtful than thrilling. It only takes a few seconds of ...
December 4, 2015 by ROBIN HILTON
The Detroit band Protomartyr makes loud, screeching rock that's more thoughtful than thrilling. It only takes a few seconds of the group's brightly lit Tiny Desk performance for things to get pretty deep: "False happiness is on the rise," enigmatic frontman Joe Casey deadpans. "See the victims piled high in a room without a roof."
The song "Why Does It Shake?" is from the band's profound, poetic, often grousing third album The Agent Intellect, a title derived from Aristotle's theories about human thought and how ideas move from the possible to the tangible. (Cue sound of brain exploding.)
Casey never cracks a smile and barely moves throughout this performance, hiding behind dark sunglasses and looking sharp in a gray suit, hands in pockets. It's almost bewildering at times to watch someone so composed deliver such sharp narratives, backed by squealing guitar noise. But that's part of Protomartyr's allure. Casey quietly contains the storm as Protomartyr finishes its set with the darkly twisted "Devil In His Youth," also from The Agent Intellect, and the ruminative "Three Swallows," from the band's 2012 debut on Urinal Cake Records, No Passion All Technique.
The Agent Intellect is available now. (iTunes) (Amazon)
Set List
"Why Does It Shake?"
"Devil In His Youth"
"Three Swallows"
Credits
Producers: Robin Hilton, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Jun Tsuboike/NPR
For more Tiny Desk Concerts, subscribe to our podcast.
wn.com/Protomartyr Npr Music Tiny Desk Concert
December 4, 2015 by ROBIN HILTON
The Detroit band Protomartyr makes loud, screeching rock that's more thoughtful than thrilling. It only takes a few seconds of the group's brightly lit Tiny Desk performance for things to get pretty deep: "False happiness is on the rise," enigmatic frontman Joe Casey deadpans. "See the victims piled high in a room without a roof."
The song "Why Does It Shake?" is from the band's profound, poetic, often grousing third album The Agent Intellect, a title derived from Aristotle's theories about human thought and how ideas move from the possible to the tangible. (Cue sound of brain exploding.)
Casey never cracks a smile and barely moves throughout this performance, hiding behind dark sunglasses and looking sharp in a gray suit, hands in pockets. It's almost bewildering at times to watch someone so composed deliver such sharp narratives, backed by squealing guitar noise. But that's part of Protomartyr's allure. Casey quietly contains the storm as Protomartyr finishes its set with the darkly twisted "Devil In His Youth," also from The Agent Intellect, and the ruminative "Three Swallows," from the band's 2012 debut on Urinal Cake Records, No Passion All Technique.
The Agent Intellect is available now. (iTunes) (Amazon)
Set List
"Why Does It Shake?"
"Devil In His Youth"
"Three Swallows"
Credits
Producers: Robin Hilton, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Jun Tsuboike/NPR
For more Tiny Desk Concerts, subscribe to our podcast.
- published: 04 Dec 2015
- views: 792
Lizzo - 'W.E.R.K. Pt. 2' Live | NPR MUSIC FRONT ROW
The music of 27-year-old rapper Melissa Jefferson, who goes by the name Lizzo on stage, is full of soul. Though she spent much of her life in Houston, she's bec...
The music of 27-year-old rapper Melissa Jefferson, who goes by the name Lizzo on stage, is full of soul. Though she spent much of her life in Houston, she's become a favorite in her adopted hometown of Minneapolis, working with members of the Doomtree collective and showing up on Prince's 2014 album Plectrumelectrum.
Bet on Lizzo expanding her audience soon. When the riot grrrl trio Sleater-Kinney reunited for an album and a tour earlier this year, they asked her to open for the initial run of dates. This month, she'll release her second album, Big GRRRL Small World. When she opened for Sleater-Kinney at Washington, D.C.'s 9:30 Club in February, she was an undeniable force, winning the hearts of many in an audience who couldn't have been more excited to see the headliners. Here, you can see a little bit of why: "W.E.R.K. Pt. 2" and "My Skin" show her range and ability to command a crowd.
"Everybody put your lighter in the air or put your cell phone on flashlight," Lizzo said before introducing "My Skin," which appears on Big GRRRL Small World. "I want my rock star moment." She'll have plenty. -- BOB BOILEN
CREDITS
Producers: Mito Habe-Evans, Robin Hilton; Director: Mito Habe-Evans; Videographers: Morgan McCloy, Claire O'Neill, Maggie Starbard, Carlos Waters; Audio Engineer: Kevin Wait; Host: Bob Boilen; Editor: Adam Wolffbrandt; Special Thanks: 930 Club; Executive Producer: Anya Grundmann
wn.com/Lizzo 'W.E.R.K. Pt. 2' Live | Npr Music Front Row
The music of 27-year-old rapper Melissa Jefferson, who goes by the name Lizzo on stage, is full of soul. Though she spent much of her life in Houston, she's become a favorite in her adopted hometown of Minneapolis, working with members of the Doomtree collective and showing up on Prince's 2014 album Plectrumelectrum.
Bet on Lizzo expanding her audience soon. When the riot grrrl trio Sleater-Kinney reunited for an album and a tour earlier this year, they asked her to open for the initial run of dates. This month, she'll release her second album, Big GRRRL Small World. When she opened for Sleater-Kinney at Washington, D.C.'s 9:30 Club in February, she was an undeniable force, winning the hearts of many in an audience who couldn't have been more excited to see the headliners. Here, you can see a little bit of why: "W.E.R.K. Pt. 2" and "My Skin" show her range and ability to command a crowd.
"Everybody put your lighter in the air or put your cell phone on flashlight," Lizzo said before introducing "My Skin," which appears on Big GRRRL Small World. "I want my rock star moment." She'll have plenty. -- BOB BOILEN
CREDITS
Producers: Mito Habe-Evans, Robin Hilton; Director: Mito Habe-Evans; Videographers: Morgan McCloy, Claire O'Neill, Maggie Starbard, Carlos Waters; Audio Engineer: Kevin Wait; Host: Bob Boilen; Editor: Adam Wolffbrandt; Special Thanks: 930 Club; Executive Producer: Anya Grundmann
- published: 01 Dec 2015
- views: 271
Lizzo - 'My Skin' Live | NPR MUSIC FRONT ROW
The music of 27-year-old rapper Melissa Jefferson, who goes by the name Lizzo on stage, is full of soul. Though she spent much of her life in Houston, she's bec...
The music of 27-year-old rapper Melissa Jefferson, who goes by the name Lizzo on stage, is full of soul. Though she spent much of her life in Houston, she's become a favorite in her adopted hometown of Minneapolis, working with members of the Doomtree collective and showing up on Prince's 2014 album Plectrumelectrum.
Bet on Lizzo expanding her audience soon. When the riot grrrl trio Sleater-Kinney reunited for an album and a tour earlier this year, they asked her to open for the initial run of dates. This month, she'll release her second album, Big GRRRL Small World. When she opened for Sleater-Kinney at Washington, D.C.'s 9:30 Club in February, she was an undeniable force, winning the hearts of many in an audience who couldn't have been more excited to see the headliners. Here, you can see a little bit of why: "W.E.R.K. Pt. 2" and "My Skin" show her range and ability to command a crowd.
"Everybody put your lighter in the air or put your cell phone on flashlight," Lizzo said before introducing "My Skin," which appears on Big GRRRL Small World. "I want my rock star moment." She'll have plenty. -- BOB BOILEN
CREDITS
Producers: Mito Habe-Evans, Robin Hilton; Director: Mito Habe-Evans; Videographers: Morgan McCloy, Claire O'Neill, Maggie Starbard, Carlos Waters; Audio Engineer: Kevin Wait; Host: Bob Boilen; Editor: Adam Wolffbrandt; Special Thanks: 930 Club; Executive Producer: Anya Grundmann
wn.com/Lizzo 'My Skin' Live | Npr Music Front Row
The music of 27-year-old rapper Melissa Jefferson, who goes by the name Lizzo on stage, is full of soul. Though she spent much of her life in Houston, she's become a favorite in her adopted hometown of Minneapolis, working with members of the Doomtree collective and showing up on Prince's 2014 album Plectrumelectrum.
Bet on Lizzo expanding her audience soon. When the riot grrrl trio Sleater-Kinney reunited for an album and a tour earlier this year, they asked her to open for the initial run of dates. This month, she'll release her second album, Big GRRRL Small World. When she opened for Sleater-Kinney at Washington, D.C.'s 9:30 Club in February, she was an undeniable force, winning the hearts of many in an audience who couldn't have been more excited to see the headliners. Here, you can see a little bit of why: "W.E.R.K. Pt. 2" and "My Skin" show her range and ability to command a crowd.
"Everybody put your lighter in the air or put your cell phone on flashlight," Lizzo said before introducing "My Skin," which appears on Big GRRRL Small World. "I want my rock star moment." She'll have plenty. -- BOB BOILEN
CREDITS
Producers: Mito Habe-Evans, Robin Hilton; Director: Mito Habe-Evans; Videographers: Morgan McCloy, Claire O'Neill, Maggie Starbard, Carlos Waters; Audio Engineer: Kevin Wait; Host: Bob Boilen; Editor: Adam Wolffbrandt; Special Thanks: 930 Club; Executive Producer: Anya Grundmann
- published: 01 Dec 2015
- views: 1418
Yuja Wang NPR Music Field Recordings
See more Field Recordings at: npr.org/series/144918893/field-recordings
"On A Chilly Factory Floor, Yuja Wang's Piano Sizzles"
Chinese-born pianist Yuja Wang ...
See more Field Recordings at: npr.org/series/144918893/field-recordings
"On A Chilly Factory Floor, Yuja Wang's Piano Sizzles"
Chinese-born pianist Yuja Wang isn't one to do anything in half measures. So when we invited her to record a performance in a room at the Steinway & Sons piano factory, she showed up in Queens that frigid morning with her A game.
The 27-year-old ultra-glam artist wore one of her trademark dresses, significant stiletto booties and a Gucci fur stole, as well as some wrist warmers as a concession to the temperature. She played a piece that would chop shrinking violets to mulch: Prokofiev's blisteringly difficult Toccata in D minor, Op. 11.
Somehow, that combination of bling and brawn — in both the music and Wang's approach — seemed just right for the factory, where artisans labored nearby over raw materials to fashion beautiful results. -- ANASTASIA TSIOULCAS
Producers: Mito Habe-Evans, Anastasia Tsioulcas
Videographers: Mito Habe-Evans, Becky Harlan, Christopher Parks
Audio Engineer: Kevin Wait
Editor: Becky Harlan
Special Thanks: Steinway & Sons Piano Factory
Executive Producer: Anya Grundmann
wn.com/Yuja Wang Npr Music Field Recordings
See more Field Recordings at: npr.org/series/144918893/field-recordings
"On A Chilly Factory Floor, Yuja Wang's Piano Sizzles"
Chinese-born pianist Yuja Wang isn't one to do anything in half measures. So when we invited her to record a performance in a room at the Steinway & Sons piano factory, she showed up in Queens that frigid morning with her A game.
The 27-year-old ultra-glam artist wore one of her trademark dresses, significant stiletto booties and a Gucci fur stole, as well as some wrist warmers as a concession to the temperature. She played a piece that would chop shrinking violets to mulch: Prokofiev's blisteringly difficult Toccata in D minor, Op. 11.
Somehow, that combination of bling and brawn — in both the music and Wang's approach — seemed just right for the factory, where artisans labored nearby over raw materials to fashion beautiful results. -- ANASTASIA TSIOULCAS
Producers: Mito Habe-Evans, Anastasia Tsioulcas
Videographers: Mito Habe-Evans, Becky Harlan, Christopher Parks
Audio Engineer: Kevin Wait
Editor: Becky Harlan
Special Thanks: Steinway & Sons Piano Factory
Executive Producer: Anya Grundmann
- published: 27 Nov 2015
- views: 234
Elle Varner Full Concert | NPR MUSIC FRONT ROW
OCTOBER 22, 2014 @ Le Poisson Rouge, NYC
R&B; singer-songwriter Elle Varner flew out of the gate in 2011 with a feel-good, boom-bap-heavy tune about a man who ha...
OCTOBER 22, 2014 @ Le Poisson Rouge, NYC
R&B; singer-songwriter Elle Varner flew out of the gate in 2011 with a feel-good, boom-bap-heavy tune about a man who had managed to snag her attention away from a particularly nice pair of shoes. But three years already feels like an eternity ago, and on her newer material Varner sounds far from satisfied by either a sweet talker or some new kicks.She took the stage with guns blazing, and a couple of songs into her set, she was more than willing to admit that she's been going through it lately; a public break-up, a stalled album release and a (freshly resolved) spat with fellow R&B; singer K. Michelle have kept Varner's name in the headlines. "This past year, I've been through some s—-," she said, before launching into a stirring performance of "Little Do You Know," a song from her upcoming record, 4 Letter Word.At Le Poisson Rouge, Varner gave us a handful of that album's songs and one from her previous — all fleshed out and Kodachromed by a live band — inviting the room into the depths of what it means to battle through lies, loss and love itself. Wielding a delicate rasp, and powerful delivery, she showed off the voice that's kept her standing through it all. --KIANA FITZGERALD
SET LIST
0:18 - "Cold Case"
5:15 - "Don't Wanna Dance"
10:00 - "Nothing"
14:30 - "Little Do You Know"
19:42 - "F—- It all"
24:45 - "Refill"
CREDITS
Producers: Mito Habe-Evans, Otis Hart; Event Manager: Saidah Blount; Audio Engineers: Richie Clarke, Kevin Wait; Videographers: Rachel Counce, Colin Marshall, Susan Hale Thomas; Host: Frannie Kelley; Special Thanks: Squarespace, (Le) Poisson Rouge; Executive Producer: Anya Grundmann
wn.com/Elle Varner Full Concert | Npr Music Front Row
OCTOBER 22, 2014 @ Le Poisson Rouge, NYC
R&B; singer-songwriter Elle Varner flew out of the gate in 2011 with a feel-good, boom-bap-heavy tune about a man who had managed to snag her attention away from a particularly nice pair of shoes. But three years already feels like an eternity ago, and on her newer material Varner sounds far from satisfied by either a sweet talker or some new kicks.She took the stage with guns blazing, and a couple of songs into her set, she was more than willing to admit that she's been going through it lately; a public break-up, a stalled album release and a (freshly resolved) spat with fellow R&B; singer K. Michelle have kept Varner's name in the headlines. "This past year, I've been through some s—-," she said, before launching into a stirring performance of "Little Do You Know," a song from her upcoming record, 4 Letter Word.At Le Poisson Rouge, Varner gave us a handful of that album's songs and one from her previous — all fleshed out and Kodachromed by a live band — inviting the room into the depths of what it means to battle through lies, loss and love itself. Wielding a delicate rasp, and powerful delivery, she showed off the voice that's kept her standing through it all. --KIANA FITZGERALD
SET LIST
0:18 - "Cold Case"
5:15 - "Don't Wanna Dance"
10:00 - "Nothing"
14:30 - "Little Do You Know"
19:42 - "F—- It all"
24:45 - "Refill"
CREDITS
Producers: Mito Habe-Evans, Otis Hart; Event Manager: Saidah Blount; Audio Engineers: Richie Clarke, Kevin Wait; Videographers: Rachel Counce, Colin Marshall, Susan Hale Thomas; Host: Frannie Kelley; Special Thanks: Squarespace, (Le) Poisson Rouge; Executive Producer: Anya Grundmann
- published: 25 Nov 2015
- views: 39
Youth Lagoon NPR Music Tiny Desk Concert
Updated November 23, 2015 by ROBIN HILTON
Trevor Powers, the songwriter and frontman of Youth Lagoon, has never attempted to hide his navel-gazing anxieties. On...
Updated November 23, 2015 by ROBIN HILTON
Trevor Powers, the songwriter and frontman of Youth Lagoon, has never attempted to hide his navel-gazing anxieties. On his 2011 debut (The Year Of Hibernation) and its 2013 followup (Wondrous Bughouse), Powers documents a lifetime of existential crises with swirling questions about spirituality, mortality and his own mental state. Powers has also looked the part, appearing in photos and on stage wearing oversize pop-bottle glasses, with slumped shoulders and a mop of disheveled hair.
Youth Lagoon's latest album, Savage Hills Ballroom, doesn't obliterate this image — Powers still searches for answers to life's biggest questions — but it's by far Youth Lagoon's most powerful, purposeful, confident work. The songs are expansive, self-assured and exquisitely produced.
It's a shift you can see and hear in Youth Lagoon's Tiny Desk performance. In person, Powers is poised, appearing almost joyful at times. The glasses are gone, the hair's under control, and his idiosyncratic voice is far less fragile, in part because he (like nearly every artist who's graced the Tiny Desk) had to fill the room without the benefit of singing through an amp.
Youth Lagoon treated the office to two songs from the new album: the heartbreaking tale of addiction "Kerry," as well as "Rotten Human," a meditation on the passage of time and search for purpose in life. And, as if to give a nod to his twitchy beginnings, Powers included "July," a wistful reflection on youth and regret from the band's debut.
Savage Hills Ballroom is available now.
iTunes: https://itunes.apple.com/us/album/blind-and-brave/id907588390
Amazon: http://www.amazon.com/Blind-Brave-The-Wild-Reeds/dp/B00MKFKGES
Set List
"Kerry"
"July"
"Rotten Human"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Julia Reihs/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/Youth Lagoon Npr Music Tiny Desk Concert
Updated November 23, 2015 by ROBIN HILTON
Trevor Powers, the songwriter and frontman of Youth Lagoon, has never attempted to hide his navel-gazing anxieties. On his 2011 debut (The Year Of Hibernation) and its 2013 followup (Wondrous Bughouse), Powers documents a lifetime of existential crises with swirling questions about spirituality, mortality and his own mental state. Powers has also looked the part, appearing in photos and on stage wearing oversize pop-bottle glasses, with slumped shoulders and a mop of disheveled hair.
Youth Lagoon's latest album, Savage Hills Ballroom, doesn't obliterate this image — Powers still searches for answers to life's biggest questions — but it's by far Youth Lagoon's most powerful, purposeful, confident work. The songs are expansive, self-assured and exquisitely produced.
It's a shift you can see and hear in Youth Lagoon's Tiny Desk performance. In person, Powers is poised, appearing almost joyful at times. The glasses are gone, the hair's under control, and his idiosyncratic voice is far less fragile, in part because he (like nearly every artist who's graced the Tiny Desk) had to fill the room without the benefit of singing through an amp.
Youth Lagoon treated the office to two songs from the new album: the heartbreaking tale of addiction "Kerry," as well as "Rotten Human," a meditation on the passage of time and search for purpose in life. And, as if to give a nod to his twitchy beginnings, Powers included "July," a wistful reflection on youth and regret from the band's debut.
Savage Hills Ballroom is available now.
iTunes: https://itunes.apple.com/us/album/blind-and-brave/id907588390
Amazon: http://www.amazon.com/Blind-Brave-The-Wild-Reeds/dp/B00MKFKGES
Set List
"Kerry"
"July"
"Rotten Human"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Julia Reihs/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 23 Nov 2015
- views: 5876
Rahim AlHaj NPR Music Tiny Desk Concert
November 13, 2015 by SURAYA MOHAMED Ancestor to the lute and the guitar, the oud is an ancient stringed instrument commonly played throughout the Middle East, ...
November 13, 2015 by SURAYA MOHAMED Ancestor to the lute and the guitar, the oud is an ancient stringed instrument commonly played throughout the Middle East, North Africa and countries like Greece and Turkey. The oud has charmed audiences for more than 5,000 years, and the tradition continues with this reverent performance by one of the world's best players, Rahim AlHaj.
Born in Baghdad, AlHaj possesses a life story as powerful as his music. He learned to play the oud at age 9, and later graduated with honors and a degree in music composition from the Institute of Music in Baghdad. He also earned a degree in Arabic literature from Mustunsiriya University in Baghdad. Active in the underground revolutionary movement, AlHaj wrote protest songs opposing Saddam Hussein's repressive regime. He was imprisoned twice, once for a year and a half, and was regularly beaten by his captors. In 1991, AlHaj was forced to leave Iraq because of his political activism, and ultimately found a home in New Mexico.
Today, he composes traditional and contemporary pieces for a variety of ensembles — solo oud, string quartets and symphony orchestras. He performs around the world and has even collaborated with Kronos Quartet and R.E.M. AlHaj stopped by the Tiny Desk while in Washington, D.C., to receive a well-deserved NEA National Heritage Fellowship.
The set starts with a solo performance, followed by three songs in which he's accompanied by Palestinian-American percussionist Issa Malluf. Malluf plays the daf, a large circular drum with a hardwood frame, and a stretched and shaved goat skin that produces a gently melodic tonality. The dumbek is a goblet-shaped drum with a tight head make of goatskin, heated by a lamp to keep the skin taut in order to produce a consistent tone.
Though wordless, AlHaj's music tells powerful stories about the blessedness and fragility of life. The first song is intended to serve as a voice for millions of displaced and murdered Iraqi children whose cries will never be heard. Small but powerful, the oud reveals their stories of joy and pain while conveying a deep understanding of their sad history and hopeful future.
Little Earth is available now.
iTunes: https://itunes.apple.com/us/album/little-earth/id916811723
Amazon: http://www.amazon.com/Little-Earth-Rahim-Alhaj/dp/B003Z41F52
Set List
"Dream"
"Warm Voice"
"Friendship"
"Flying Bird"
Credits
Producers: Suraya Mohamed, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Nick Michael, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Julia Reihs/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/Rahim Alhaj Npr Music Tiny Desk Concert
November 13, 2015 by SURAYA MOHAMED Ancestor to the lute and the guitar, the oud is an ancient stringed instrument commonly played throughout the Middle East, North Africa and countries like Greece and Turkey. The oud has charmed audiences for more than 5,000 years, and the tradition continues with this reverent performance by one of the world's best players, Rahim AlHaj.
Born in Baghdad, AlHaj possesses a life story as powerful as his music. He learned to play the oud at age 9, and later graduated with honors and a degree in music composition from the Institute of Music in Baghdad. He also earned a degree in Arabic literature from Mustunsiriya University in Baghdad. Active in the underground revolutionary movement, AlHaj wrote protest songs opposing Saddam Hussein's repressive regime. He was imprisoned twice, once for a year and a half, and was regularly beaten by his captors. In 1991, AlHaj was forced to leave Iraq because of his political activism, and ultimately found a home in New Mexico.
Today, he composes traditional and contemporary pieces for a variety of ensembles — solo oud, string quartets and symphony orchestras. He performs around the world and has even collaborated with Kronos Quartet and R.E.M. AlHaj stopped by the Tiny Desk while in Washington, D.C., to receive a well-deserved NEA National Heritage Fellowship.
The set starts with a solo performance, followed by three songs in which he's accompanied by Palestinian-American percussionist Issa Malluf. Malluf plays the daf, a large circular drum with a hardwood frame, and a stretched and shaved goat skin that produces a gently melodic tonality. The dumbek is a goblet-shaped drum with a tight head make of goatskin, heated by a lamp to keep the skin taut in order to produce a consistent tone.
Though wordless, AlHaj's music tells powerful stories about the blessedness and fragility of life. The first song is intended to serve as a voice for millions of displaced and murdered Iraqi children whose cries will never be heard. Small but powerful, the oud reveals their stories of joy and pain while conveying a deep understanding of their sad history and hopeful future.
Little Earth is available now.
iTunes: https://itunes.apple.com/us/album/little-earth/id916811723
Amazon: http://www.amazon.com/Little-Earth-Rahim-Alhaj/dp/B003Z41F52
Set List
"Dream"
"Warm Voice"
"Friendship"
"Flying Bird"
Credits
Producers: Suraya Mohamed, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Nick Michael, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Julia Reihs/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 13 Nov 2015
- views: 3416
My Bubba: NPR Music Tiny Desk Concert
November 06, 2015 by BOB BOILEN
My Bubba is the duo of Sweden's My and Iceland's Bubba, women whose quirky, delicate, sweetly sung folk songs are a delight. The...
November 06, 2015 by BOB BOILEN
My Bubba is the duo of Sweden's My and Iceland's Bubba, women whose quirky, delicate, sweetly sung folk songs are a delight. The centerpiece of their tunes are the harmonies, but the backing instrumentation is equally intimate, from handclaps to an old table harp and acoustic guitar.
The pair's current album, Goes Abroader, was produced by Noah Georgeson, who's known for his work with Joanna Newsom, Cate Le Bon and Devendra Banhart. As for this Tiny Desk Concert, it's best viewed on a comfy couch, perhaps snuggled up with a friend, your favorite animal or both.
Goes Abroader is available now.
iTunes:https://itunes.apple.com/us/album/goes-abroader/id856291317
Amazon: http://www.amazon.com/Goes-Abroader-My-Bubba/dp/B00JWNWUA4
Set List
"Dogs Laying Around Playing"
"Charm"
"Knitting"
"Ghost Sweat"
Credits
Producers: Bob Boilen, Mito Habe-Evans; Editor: Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Mito Habe-Evans, Julia Reihs, Cameron Robert; Production Assistant: Kate Drozynski; Photo by Jun Tsuboike/NPR
For more Tiny Desks, subscribe to our podcast:
wn.com/My Bubba Npr Music Tiny Desk Concert
November 06, 2015 by BOB BOILEN
My Bubba is the duo of Sweden's My and Iceland's Bubba, women whose quirky, delicate, sweetly sung folk songs are a delight. The centerpiece of their tunes are the harmonies, but the backing instrumentation is equally intimate, from handclaps to an old table harp and acoustic guitar.
The pair's current album, Goes Abroader, was produced by Noah Georgeson, who's known for his work with Joanna Newsom, Cate Le Bon and Devendra Banhart. As for this Tiny Desk Concert, it's best viewed on a comfy couch, perhaps snuggled up with a friend, your favorite animal or both.
Goes Abroader is available now.
iTunes:https://itunes.apple.com/us/album/goes-abroader/id856291317
Amazon: http://www.amazon.com/Goes-Abroader-My-Bubba/dp/B00JWNWUA4
Set List
"Dogs Laying Around Playing"
"Charm"
"Knitting"
"Ghost Sweat"
Credits
Producers: Bob Boilen, Mito Habe-Evans; Editor: Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Mito Habe-Evans, Julia Reihs, Cameron Robert; Production Assistant: Kate Drozynski; Photo by Jun Tsuboike/NPR
For more Tiny Desks, subscribe to our podcast:
- published: 12 Nov 2015
- views: 5362
The Zombies | NPR MUSIC FRONT ROW
Imagine creating the best work of your life, some of the best music of its day, and no one cares. Now imagine playing those songs 47 years later to a screaming ...
Imagine creating the best work of your life, some of the best music of its day, and no one cares. Now imagine playing those songs 47 years later to a screaming and loving bunch of fans and getting what seems like a hero's welcome. That's part of the story of The Zombies, who played the classic 1968 album Odessey and Oracle, along with a set of other hits and brand new songs, live in Washington, D.C. last month. Now we have their nearly note-for-note live reproduction of Odessey and Oracle for you here.
Odessey and Oracle is now thought of as a masterpiece of pop, in the same vein as The Beatles' Sgt. Peppers Lonely Hearts Club Band and The Beach Boys' Pet Sounds. But shortly after the album's release, The Zombies broke up. Rod Argent went on to form the popular band Argent, Colin Blunstone received some love as a solo artist and over time Odessey and Oracle found an audience and critical acclaim.
You can listen to the full audio of The Zombies' two-set D.C. concert here, including a set of new songs and favorites and then Odessey and Oracle in full. We also have video of two songs, one the classic tune "Time of the Season" and the tune "Chasing the Past" from the group's brand new album Still Got That Hunger. We also have an interview with Rod Argent and Colin Blunstone about how it differs to write songs at twenty as opposed to being seventy years and a bit about the making of Odessey and Oracle. -- BOB BOILEN
Link to interviews and full audio from concert:
http://www.npr.org/event/music/453961...
SET LIST
Time of the Season - 0:38
Chasing the Past - 5:38
Featuring: Rod Argent, Colin Bluntstone, Viv Boucherat, Hugh Grundy, Tom Toomey, Jim Rodford, Darian Sahanaja and Chris White
Director: Mito Habe-Evans; Producer: Saidah Blount, Mito Habe-Evans, Bob Boilen; Videographers: Mito Habe-Evans, Morgan McCloy, Julia Reihs, Cameron Robert; Editor: Cameron Robert; Audio Engineers: Dale Hanson, Josh Rogosin; Special Thanks: Lincoln Theatre; Executive Producer: Anya Grundmann
wn.com/The Zombies | Npr Music Front Row
Imagine creating the best work of your life, some of the best music of its day, and no one cares. Now imagine playing those songs 47 years later to a screaming and loving bunch of fans and getting what seems like a hero's welcome. That's part of the story of The Zombies, who played the classic 1968 album Odessey and Oracle, along with a set of other hits and brand new songs, live in Washington, D.C. last month. Now we have their nearly note-for-note live reproduction of Odessey and Oracle for you here.
Odessey and Oracle is now thought of as a masterpiece of pop, in the same vein as The Beatles' Sgt. Peppers Lonely Hearts Club Band and The Beach Boys' Pet Sounds. But shortly after the album's release, The Zombies broke up. Rod Argent went on to form the popular band Argent, Colin Blunstone received some love as a solo artist and over time Odessey and Oracle found an audience and critical acclaim.
You can listen to the full audio of The Zombies' two-set D.C. concert here, including a set of new songs and favorites and then Odessey and Oracle in full. We also have video of two songs, one the classic tune "Time of the Season" and the tune "Chasing the Past" from the group's brand new album Still Got That Hunger. We also have an interview with Rod Argent and Colin Blunstone about how it differs to write songs at twenty as opposed to being seventy years and a bit about the making of Odessey and Oracle. -- BOB BOILEN
Link to interviews and full audio from concert:
http://www.npr.org/event/music/453961...
SET LIST
Time of the Season - 0:38
Chasing the Past - 5:38
Featuring: Rod Argent, Colin Bluntstone, Viv Boucherat, Hugh Grundy, Tom Toomey, Jim Rodford, Darian Sahanaja and Chris White
Director: Mito Habe-Evans; Producer: Saidah Blount, Mito Habe-Evans, Bob Boilen; Videographers: Mito Habe-Evans, Morgan McCloy, Julia Reihs, Cameron Robert; Editor: Cameron Robert; Audio Engineers: Dale Hanson, Josh Rogosin; Special Thanks: Lincoln Theatre; Executive Producer: Anya Grundmann
- published: 04 Nov 2015
- views: 1634
Diane Coffee: NPR Music Tiny Desk Concert
November 02, 2015 by ROBIN HILTON
Diane Coffee gives the kind of live performances you talk about for weeks after seeing. It's not that the band tears up the st...
November 02, 2015 by ROBIN HILTON
Diane Coffee gives the kind of live performances you talk about for weeks after seeing. It's not that the band tears up the stage. There's no elaborate light show or other orchestrated theatrics. The main attraction — and the reason you'll want to watch and hear more — is Diane Coffee's fantastically flamboyant lead singer, Shaun Fleming.
Conjuring both Mick Jagger and David Bowie, Fleming swaggers and shimmies on stage. He strikes playfully defiant poses, hands on hips, while his face does its own dance, with wildly exaggerated expressions: raised brows, eyes wide open, mouth enunciating every word. Not bad for someone known primarily as the drummer in Foxygen.
For the first half of this Tiny Desk performance, Fleming remained relatively restrained behind the mic, strumming an acoustic guitar. The band opened with "Spring Breathes," a sprawling showpiece with so many change-ups it feels like an entire album's worth of music, followed by the melancholy and soulful "Not That Easy." Both cuts are from Diane Coffee's sophomore full-length, Everybody's A Good Dog.
But for the second half of the set, Fleming put down the guitar and let himself off the leash, gyrating and wildly gesturing to the crowd as he belted out the words to "Mayflower." By the end of the song, Fleming was winded, panting and gulping water, trying to catch his breath before closing with the girl group-inspired "Green," from Diane Coffee's 2013 debut, My Friend Fish. In the end, Fleming and the rest of Diane Coffee had left it all on the Tiny Desk floor — in as much as anyone can when performing for a roomful of people working at computers.
Everybody's a Good Dog is available now.
iTunes: https://itunes.apple.com/us/album/everybodys-a-good-dog/id1000790368
Amazon: http://www.amazon.com/Everybodys-Good-Dog-Diane-Coffee/dp/B0109359FI
Set List
"Spring Breathes"
"Not That Easy"
"Mayflower"
"Green"
Credits
Producers: Robin Hilton, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Colin Marshall, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Jun Tsuboike/NPR
For more Tiny Desk Concerts, subscribe to our podcast: http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/Diane Coffee Npr Music Tiny Desk Concert
November 02, 2015 by ROBIN HILTON
Diane Coffee gives the kind of live performances you talk about for weeks after seeing. It's not that the band tears up the stage. There's no elaborate light show or other orchestrated theatrics. The main attraction — and the reason you'll want to watch and hear more — is Diane Coffee's fantastically flamboyant lead singer, Shaun Fleming.
Conjuring both Mick Jagger and David Bowie, Fleming swaggers and shimmies on stage. He strikes playfully defiant poses, hands on hips, while his face does its own dance, with wildly exaggerated expressions: raised brows, eyes wide open, mouth enunciating every word. Not bad for someone known primarily as the drummer in Foxygen.
For the first half of this Tiny Desk performance, Fleming remained relatively restrained behind the mic, strumming an acoustic guitar. The band opened with "Spring Breathes," a sprawling showpiece with so many change-ups it feels like an entire album's worth of music, followed by the melancholy and soulful "Not That Easy." Both cuts are from Diane Coffee's sophomore full-length, Everybody's A Good Dog.
But for the second half of the set, Fleming put down the guitar and let himself off the leash, gyrating and wildly gesturing to the crowd as he belted out the words to "Mayflower." By the end of the song, Fleming was winded, panting and gulping water, trying to catch his breath before closing with the girl group-inspired "Green," from Diane Coffee's 2013 debut, My Friend Fish. In the end, Fleming and the rest of Diane Coffee had left it all on the Tiny Desk floor — in as much as anyone can when performing for a roomful of people working at computers.
Everybody's a Good Dog is available now.
iTunes: https://itunes.apple.com/us/album/everybodys-a-good-dog/id1000790368
Amazon: http://www.amazon.com/Everybodys-Good-Dog-Diane-Coffee/dp/B0109359FI
Set List
"Spring Breathes"
"Not That Easy"
"Mayflower"
"Green"
Credits
Producers: Robin Hilton, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Colin Marshall, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Jun Tsuboike/NPR
For more Tiny Desk Concerts, subscribe to our podcast: http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 02 Nov 2015
- views: 50686
Ryley Walker - Summer Dress @Pickathon - Woods Series (S02E01)
Woods Series - Season 2 - Episode 1
OPB/NPRMusic presents a spaced out rollicking performance by Ryley Walker in this episode of the Pickathon Woods Series. Fi...
Woods Series - Season 2 - Episode 1
OPB/NPRMusic presents a spaced out rollicking performance by Ryley Walker in this episode of the Pickathon Woods Series. Filmed on the Woods Stage at Pickathon (www.pickathon.com), July 31, 2015.
Visit OPB (http://www.opb.org/) or NPR Music (http://www.npr.org/music) the 3rd Tuesday of every month for a new Woods Series Episode in Season 2 (Nov. 2015 - Feb. 2016) made possible by the support of Klean Kanteen (http://www.kleankanteen.com/).
Filmed on the Woods Stage at Pickathon (http://www.pickathon.com), July31st, 2015.
Artist: Ryley Walker
Song: Summer Dress
Record Label: http://www.deadoceans.com/
Producer: Ryan Stiles
Executive Producer: Zale Schoenborn
Associate Producer: Terry Groves, John MacArthur
Assistant Producer: Stephanie Manzo
Line Producer: Seth Chandler
Production Manager: Alisha Flaumenbaum, Josh Madera
Associate Distribution Producer: Ned Failing, David Gluck, Vanessa Pham
Legal: Vincent Sliwoski, Harris Moure, PLLC
Director: Peter Schmidt
Stage Manager: Andy Verhoeven
Editor: Lauren Brassaw
Camera Crew: Natalie Barela, Ian Barrett, Erica Christiansen, Chad Erickson, Frank Mahoney, Noel Mickelberry, Tony Olden-Cardello, Ivy Patton, Tracey Talley
Festival Lighting Director: Daniel Meeker
Stage Lighting Director: Solomon Weisbard
Live Audio Engineer: Robin Kibble
Monitor Engineer: Alex Rousso
Broadcast Mix/Recording Engineer: Graham Nystrom
Mix Engineer: Nalin Silva
Intro Sound Design: Josh Derry
Cover Photo by Dylan VanWeelden
wn.com/Ryley Walker Summer Dress Pickathon Woods Series (S02E01)
Woods Series - Season 2 - Episode 1
OPB/NPRMusic presents a spaced out rollicking performance by Ryley Walker in this episode of the Pickathon Woods Series. Filmed on the Woods Stage at Pickathon (www.pickathon.com), July 31, 2015.
Visit OPB (http://www.opb.org/) or NPR Music (http://www.npr.org/music) the 3rd Tuesday of every month for a new Woods Series Episode in Season 2 (Nov. 2015 - Feb. 2016) made possible by the support of Klean Kanteen (http://www.kleankanteen.com/).
Filmed on the Woods Stage at Pickathon (http://www.pickathon.com), July31st, 2015.
Artist: Ryley Walker
Song: Summer Dress
Record Label: http://www.deadoceans.com/
Producer: Ryan Stiles
Executive Producer: Zale Schoenborn
Associate Producer: Terry Groves, John MacArthur
Assistant Producer: Stephanie Manzo
Line Producer: Seth Chandler
Production Manager: Alisha Flaumenbaum, Josh Madera
Associate Distribution Producer: Ned Failing, David Gluck, Vanessa Pham
Legal: Vincent Sliwoski, Harris Moure, PLLC
Director: Peter Schmidt
Stage Manager: Andy Verhoeven
Editor: Lauren Brassaw
Camera Crew: Natalie Barela, Ian Barrett, Erica Christiansen, Chad Erickson, Frank Mahoney, Noel Mickelberry, Tony Olden-Cardello, Ivy Patton, Tracey Talley
Festival Lighting Director: Daniel Meeker
Stage Lighting Director: Solomon Weisbard
Live Audio Engineer: Robin Kibble
Monitor Engineer: Alex Rousso
Broadcast Mix/Recording Engineer: Graham Nystrom
Mix Engineer: Nalin Silva
Intro Sound Design: Josh Derry
Cover Photo by Dylan VanWeelden
- published: 29 Oct 2015
- views: 300
The Suffers: NPR Music Tiny Desk Concert
The first time I saw 10-piece Houston big band The Suffers, it was at a small venue in Washington, D.C., called DC9. The club was barely big enough to contain a...
The first time I saw 10-piece Houston big band The Suffers, it was at a small venue in Washington, D.C., called DC9. The club was barely big enough to contain all the horns, guitars and percussion, not to mention the undeniable force of the music.
October 27, 2015 by BOB BOILEN
At first, I couldn't pull my attention away from irrepressible singer Kam Franklin, whose down-to-earth but uplifting presence put a huge smile on my face. But as The Suffers' set progressed, I became increasingly enchanted with the band, which was part Archie Bell & The Drells and part James Brown, with a touch of New Orleans and even Jamaican reggae.
It was a perfect mix of power and delicacy, as the band held back at moments only to steamroll me when my guard was down. The group has only two EPs, with an album on the way, and trust me: 2016 will be The Suffers' year. Look for the band on far bigger stages soon enough.
Make Some Room is available now.
iTunes: https://itunes.apple.com/us/album/make-some-room-ep/id977816481
Amazon: http://www.amazon.com/Make-Some-Room-The-Suffers/dp/B00V568IJ8
Set List
"Giver"
"Midtown"
"Gwan"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Nick Michael, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Julia Reihs/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/The Suffers Npr Music Tiny Desk Concert
The first time I saw 10-piece Houston big band The Suffers, it was at a small venue in Washington, D.C., called DC9. The club was barely big enough to contain all the horns, guitars and percussion, not to mention the undeniable force of the music.
October 27, 2015 by BOB BOILEN
At first, I couldn't pull my attention away from irrepressible singer Kam Franklin, whose down-to-earth but uplifting presence put a huge smile on my face. But as The Suffers' set progressed, I became increasingly enchanted with the band, which was part Archie Bell & The Drells and part James Brown, with a touch of New Orleans and even Jamaican reggae.
It was a perfect mix of power and delicacy, as the band held back at moments only to steamroll me when my guard was down. The group has only two EPs, with an album on the way, and trust me: 2016 will be The Suffers' year. Look for the band on far bigger stages soon enough.
Make Some Room is available now.
iTunes: https://itunes.apple.com/us/album/make-some-room-ep/id977816481
Amazon: http://www.amazon.com/Make-Some-Room-The-Suffers/dp/B00V568IJ8
Set List
"Giver"
"Midtown"
"Gwan"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Nick Michael, Julia Reihs; Production Assistant: Kate Drozynski; Photo by Julia Reihs/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 27 Oct 2015
- views: 1873
Beauty Pill: NPR Music Tiny Desk Concert
October 23, 2015 by LARS GOTRICH • Beauty Pill's music is an invitation. In it, life whirs with plunderphonic glee and riffs are funky from the inside out, with...
October 23, 2015 by LARS GOTRICH • Beauty Pill's music is an invitation. In it, life whirs with plunderphonic glee and riffs are funky from the inside out, with rhythms that are equal parts hip-hop and go-go. Conceived, recorded and meticulously tinkered with over the course of eight years, Beauty Pill Describes Things As They Are was partly made in front of an audience after member Chad Clark recovered from a viral infection in his heart that nearly killed him. It's one of the year's most stunning records, as well as an argument for letting art rest, live and breathe before it's ready to be known by a listener.
With such a deeply textured group of songs, it was hard to predict how the D.C. band would translate in the NPR Music office. But Beauty Pill didn't strip down, nor did it remove anything vital; the band thought about and adapted to the space, even if Clark was a little late arriving due to a lost dog on a highway. Jean Cook's Monome (for lack of a better descriptor, a sampler sequencer) plays a major role in this phase of Beauty Pill; in performance, the samples give levity to the dark and true themes of "Drapetomania!" as Cook bounces and conducts the glowing buttons and Clark defiantly declares, "I want more life, f*****."
Clark introduces "Exit Without Saving" as "either a Microsoft Word document or a situation where you feel trapped," pauses to tune, and quickly (even sheepishly) adds, "But you're not!" It's an atmospheric piece of work with guitars on infinite delay, Basla Andolsun's heartbeat-pulse bass line, and a mantra — "You recognize that this is noise, right?" — that takes on its own meaning every time it's repeated.
Beauty Pill Describes Things As They Are is available now.
iTunes: https://itunes.apple.com/us/album/beauty-pill-describes-things/id975667258
Amazon: http://www.amazon.com/Beauty-Pill-Describes-Things-They/dp/B00UJ1J3DA
Set List
"Afrikaner Barista"
"Drapetomania!"
"Exit Without Saving"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs, Colin Marshall; Production Assistant: Kate Drozynski; Photo bu Julia Reihs/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
wn.com/Beauty Pill Npr Music Tiny Desk Concert
October 23, 2015 by LARS GOTRICH • Beauty Pill's music is an invitation. In it, life whirs with plunderphonic glee and riffs are funky from the inside out, with rhythms that are equal parts hip-hop and go-go. Conceived, recorded and meticulously tinkered with over the course of eight years, Beauty Pill Describes Things As They Are was partly made in front of an audience after member Chad Clark recovered from a viral infection in his heart that nearly killed him. It's one of the year's most stunning records, as well as an argument for letting art rest, live and breathe before it's ready to be known by a listener.
With such a deeply textured group of songs, it was hard to predict how the D.C. band would translate in the NPR Music office. But Beauty Pill didn't strip down, nor did it remove anything vital; the band thought about and adapted to the space, even if Clark was a little late arriving due to a lost dog on a highway. Jean Cook's Monome (for lack of a better descriptor, a sampler sequencer) plays a major role in this phase of Beauty Pill; in performance, the samples give levity to the dark and true themes of "Drapetomania!" as Cook bounces and conducts the glowing buttons and Clark defiantly declares, "I want more life, f*****."
Clark introduces "Exit Without Saving" as "either a Microsoft Word document or a situation where you feel trapped," pauses to tune, and quickly (even sheepishly) adds, "But you're not!" It's an atmospheric piece of work with guitars on infinite delay, Basla Andolsun's heartbeat-pulse bass line, and a mantra — "You recognize that this is noise, right?" — that takes on its own meaning every time it's repeated.
Beauty Pill Describes Things As They Are is available now.
iTunes: https://itunes.apple.com/us/album/beauty-pill-describes-things/id975667258
Amazon: http://www.amazon.com/Beauty-Pill-Describes-Things-They/dp/B00UJ1J3DA
Set List
"Afrikaner Barista"
"Drapetomania!"
"Exit Without Saving"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs, Colin Marshall; Production Assistant: Kate Drozynski; Photo bu Julia Reihs/NPR
For more Tiny Desk Concerts, subscribe to our podcast:
- published: 23 Oct 2015
- views: 273
Oh Pep!: NPR Music Tiny Desk Concert
October 16, 2015 by BOB BOILEN
I've seen Oh Pep! four times in three cities in the past month, and needless to say, the Melbourne band's music is infectious. Oh...
October 16, 2015 by BOB BOILEN
I've seen Oh Pep! four times in three cities in the past month, and needless to say, the Melbourne band's music is infectious. Oh Pep gets its Oh from Olivia Hally (vocals, guitar) and its Pep! from Pepita Emmerichs (violin, mandolin). These Australians fit well in Nashville during an Americana music festival, as they played fiddles and mandolins alongside guitars, bass and drums. Their harmonies are sweet, with lyrics that are thoughtful, deep, funny and poetic.
Hally and Emmerichs told me they used to sit in their bedrooms back home watching Tiny Desk Concerts, so this day at NPR was a bit surreal for them, as they'd already traveled thousands of miles. Thankfully, Oh Pep!'s performance harnessed that surreality for a performance filled with magic.
Living is available now.
iTunes: https://itunes.apple.com/au/artist/oh-pep!/id556867036
Amazon: http://www.amazon.com/Living-Oh-Pep/dp/B01172A8GU
Set List
"The Race"
"Doctor Doctor"
"Tea, Milk & Honey"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski; photo by Jun Tsuboike/NPR
For more Tiny Desk Concerts, subscribe to our podcast
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
wn.com/Oh Pep Npr Music Tiny Desk Concert
October 16, 2015 by BOB BOILEN
I've seen Oh Pep! four times in three cities in the past month, and needless to say, the Melbourne band's music is infectious. Oh Pep gets its Oh from Olivia Hally (vocals, guitar) and its Pep! from Pepita Emmerichs (violin, mandolin). These Australians fit well in Nashville during an Americana music festival, as they played fiddles and mandolins alongside guitars, bass and drums. Their harmonies are sweet, with lyrics that are thoughtful, deep, funny and poetic.
Hally and Emmerichs told me they used to sit in their bedrooms back home watching Tiny Desk Concerts, so this day at NPR was a bit surreal for them, as they'd already traveled thousands of miles. Thankfully, Oh Pep!'s performance harnessed that surreality for a performance filled with magic.
Living is available now.
iTunes: https://itunes.apple.com/au/artist/oh-pep!/id556867036
Amazon: http://www.amazon.com/Living-Oh-Pep/dp/B01172A8GU
Set List
"The Race"
"Doctor Doctor"
"Tea, Milk & Honey"
Credits
Producers: Bob Boilen, Morgan Walker; Audio Engineer: Josh Rogosin; Videographers: Morgan Walker, Julia Reihs; Production Assistant: Kate Drozynski; photo by Jun Tsuboike/NPR
For more Tiny Desk Concerts, subscribe to our podcast
http://www.npr.org/podcasts/510292/tiny-desk-concerts-video
- published: 16 Oct 2015
- views: 3528
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Patrick Watson | NPR MUSIC LIVE
One of my favorite performers, Patrick Watson is dramatic but understated; deadly serious but unexpectedly candid and funny. And the music feels so warm, wit...
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The Arcs Full Concert | NPR MUSIC FRONT ROW
It speaks to The Black Keys' popularity and stature as one of America's finest working rock bands that the initial school of thought around The Arcs was that it's singer-guitarist Dan Auerbach's "side project." The Arcs' debut album, Yours, Dreamily, may have begun as a solo excursion, but the group has turned into a soulful explosion. Those lucky enough to see the eight-piece band's concert debut
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Nickel Creek: NPR Music Tiny Desk Concert
Nickel Creek was made to sing and play around a single microphone, so a Tiny Desk Concert seemed inevitable. All it took was a reunion tour — celebrating 25 years of Nickel Creek — to make it happen.
All three of the band's remarkably talented core members have been to the Tiny Desk before. Chris Thile is a veteran, having played the Tiny Desk with friend and guitarist Michael Daves, then later i
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David Byrne and St. Vincent | NPR MUSIC LIVE
00:25 - "Who"
04:33 - "Strange Overtones"
08:25 - "Marrow"
12:22 - "The One Who Broke Your Heart"
16:15 - "I Am An Ape"
19:25 - "The Forest Awakes"
25:00 - "I Should Watch TV"
28:20 - "Lightning"
32:50 - "Burning Down The House"
Last year's collaboration between St. Vincent (Annie Clarke) and David Bryne was surprising on many levels. The album they wrote and recorded together, Love This Giant, i
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Olafur Arnalds | NPR MUSIC LIVE
How can music be happy and sad at the same time? Listen to Olafur Arnalds and you'll hear it. Depending on your mood, the tone changes, and a song that may h...
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Robert Glasper Experiment: NPR Music Tiny Desk Concert
The third song in this Tiny Desk Concert, explains the jocose pianist Robert Glasper, first appeared on one of his trio's albums of acoustic, instrumental jazz. It was called "F.T.B." then, though it later acquired words and a singer and was retitled "Gonna Be Alright" on the record which won the 2013 Grammy for Best R&B; Album. That in itself provides a sense of the worlds to which Glasper has acc
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Future Islands | NPR MUSIC LIVE
Ever since a video of Future Islands' thrilling performance on The Late Show With David Letterman went viral in March, the band has become one of the year's ...
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alt-J | NPR MUSIC LIVE
Nothing was ordinary about this alt-J show — not that anything is ever ordinary from the artful British band.
But on Tuesday night at (Le) Poisson Rouge in New York City, alt-J would play its first concert in eight months: its first without departed friend and bassist/guitarist Gwil Sainsbury, its first with touring member Cameron Knight, and its first playing songs from the upcoming album This I
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Glen Hansard: NPR Music Tiny Desk Concert
While the new Rhythm and Repose feels like a low-key '70s singer-songwriter record (think Cat Stevens or Van Morrison), this five-song set gives Hansard a chance to flex his neck muscles a bit, as he lends blustery force to an assortment of new songs and deep cuts.
Set List:
"Love Don't Leave Me Waiting"
"Bird Of Sorrow"
"Come Away To The Water"
"Lucia"
"The Song Of Good Hope"
For more videos an
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Terence Blanchard: NPR Music Tiny Desk Concert
When he started to make the music that appears on his new album, trumpeter Terence Blanchard wasn't thinking of Eric Garner, Michael Brown or any of the other recent high-profile police killings of African-Americans. He was thinking of desired collaborators: Donald Ramsey, a bassist and high-school classmate; Oscar Seaton, a drummer with whom he'd worked on film projects; Fabian Almazan, the piani
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Jackson Browne: NPR Music Tiny Desk Concert
My admiration for Jackson Browne began with his first album in 1971. I was wowed by the fact that the singer-songwriter had worked with Nico of Velvet Underground fame — his girlfriend at the time — on her first album, Chelsea Girl. He wrote one of my favorite songs on that record, "These Days."
More than 40 years on, my appreciation continues to grow. Browne still writes songs with conviction an
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Dan Deacon: NPR Music Tiny Desk Concert
Sometime years from now I may be asked: What was your favorite day at NPR? I am likely to say it's the day Dan Deacon got the NPR staff worked up into a giant dance party! It's also the day Deacon and staff wheeled in an upright piano and connected it to his computer — a magical mix of old player piano and electronic avant-garde.
Yes, Deacon makes electronic music and dance music, but it's not th
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Sleater Kinney | NPR MUSIC FRONT ROW
The last time Sleater-Kinney played the 9:30 Club, a transformer threatened to blow in the midst of a summer heat wave. Or maybe the Washington, D.C., club just couldn't handle Corin Tucker's pipes. That was nine years ago, on a goodbye-for-now tour that caught the trio at the top of its game. The show was rescheduled and taped for NPR Music, and we had our closure, crossing fingers that it wouldn
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James Blake | NPR MUSIC LIVE
Each time I see James Blake and his band perform, I feel the extreme rush of hearing something for the very first time. The sound is sharp and visceral; it o...
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Punch Brothers: NPR Music Tiny Desk Concert
Spoiler alert: The Punch Brothers came to the Tiny Desk on Chris Thile's birthday. We made him a cake and gave him an NPR surprise! This wasn't the first time the brilliant mandolinist had brought a project to my desk — it was his fourth. The last time was with his longtime band Nickel Creek, but also with his new braces. So the cake we presented here was inscribed "Brace Yourself Chris Happy Birt
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Ashley Monroe Full Concert | NPR MUSIC FRONT ROW
Ashley Monroe is so much more than a Tennessee lark. At 28, she's a seasoned songwriter and performer who has worked in many different musical modes, from classic country to bluegrass to bluesy rock and roll to power pop. Leading her hot band in this First Listen Live performance at WNYC's Greene Space in Manhattan, Monroe demonstrated the range she's mastered on her new, breakthrough album The Bl
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Angel Olsen: NPR Music Tiny Desk Concert
Angel Olsen came to the Tiny Desk on an odd autumn day, as an impending storm loomed outside our office windows. It all seemed just right for occasion: Watch...
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tUnE-yArDs | NPR MUSIC LIVE
A live performance by tUnE-yArDs is as thrilling and unshakeable as the music itself. For this set, recorded live at the 9:30 Club in Washington, D.C., Merri...
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Rhye | NPR MUSIC LIVE
00:30 - "Open" 10:20 - "Last Dance" 15:50 - "Verse" 19:50 - "The Fall" This is some of the sexiest music I've heard in years, with seductive sounds that are ...
Patrick Watson | NPR MUSIC LIVE
One of my favorite performers, Patrick Watson is dramatic but understated; deadly serious but unexpectedly candid and funny. And the music feels so warm, wit......
One of my favorite performers, Patrick Watson is dramatic but understated; deadly serious but unexpectedly candid and funny. And the music feels so warm, wit...
wn.com/Patrick Watson | Npr Music Live
One of my favorite performers, Patrick Watson is dramatic but understated; deadly serious but unexpectedly candid and funny. And the music feels so warm, wit...
- published: 27 Nov 2012
- views: 106279
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author: NPR Music
The Arcs Full Concert | NPR MUSIC FRONT ROW
It speaks to The Black Keys' popularity and stature as one of America's finest working rock bands that the initial school of thought around The Arcs was that it...
It speaks to The Black Keys' popularity and stature as one of America's finest working rock bands that the initial school of thought around The Arcs was that it's singer-guitarist Dan Auerbach's "side project." The Arcs' debut album, Yours, Dreamily, may have begun as a solo excursion, but the group has turned into a soulful explosion. Those lucky enough to see the eight-piece band's concert debut — recorded during a special First Listen Live performance at the Housing Works Bookstore Café on a humid September night in Manhattan — bore proof of The Arcs' unique energy.
Sure, the fuse is lit by Auerbach in guitar-slinging mode, but the fire rages through all of his amazing bandmates. Richard Swift stakes his claim as a drummer here, moonlighting from his various gigs as The Shins' musical polymath, producer of albums for the likes of Stereolab's Laetitia Sadier and Nathaniel Rateliff, and a composer of his own futurist pop fantasias. There's a trio of Brooklyn soul-session veterans: keyboardist and horn player Leon Michels, bassist Nick Movshon and drummer Homer "Funky-Foot" Steinweiss, who, between them, powered the lion's share of great grooves for the likes of Amy Winehouse and Sharon Jones. Then there's Julie Justine Acosta, Mireya Ramos and Shae Fiol, three members of the all-female mariachi group Flor de Toloache — they don't just supply the 20 Feet From Stardom harmonies and background-vocal roar, but also bring another layer of brass and strings when called upon to do so.
At Housing Works, a SoHo institution whose proceeds go to help the homeless and people living with HIV/AIDS, the live Arcs experience rolled out like a gleaming, funky Southern-rock machine. Dreamily, the night's experience is now yours, if you want it. -- PIOTR ORLOV
SET LIST
Stay In My Corner - 2:02
Outta My Mind - 6:37
Put A Flower In Your Pocket - 11:02
Pistol Made Of Bones - 16:18
Cold Companion - 21:25
Velvet Ditch - 26:40
Everything You Do (You Do For You) - 30:51
Chains Of Love - 35:57
Nature's Child - 39:28
My Mind - 44:14
Keep On Dreamin' - 49:22
The Arc - 55:25
Director: Mito Habe-Evans; Producer: Saidah Blount; Videographers: Mito Habe-Evans, Lani Milton, Christopher Parks, A.J. Wilhelm; Audio Engineers: Neal Jensen, Josh Rogosin; Post Production Mix: Dan Auerbach, Richard Swift, Leon Michels; Special Thanks: Housing Works Bookstore Cafe; Executive Producer: Anya Grundmann
wn.com/The Arcs Full Concert | Npr Music Front Row
It speaks to The Black Keys' popularity and stature as one of America's finest working rock bands that the initial school of thought around The Arcs was that it's singer-guitarist Dan Auerbach's "side project." The Arcs' debut album, Yours, Dreamily, may have begun as a solo excursion, but the group has turned into a soulful explosion. Those lucky enough to see the eight-piece band's concert debut — recorded during a special First Listen Live performance at the Housing Works Bookstore Café on a humid September night in Manhattan — bore proof of The Arcs' unique energy.
Sure, the fuse is lit by Auerbach in guitar-slinging mode, but the fire rages through all of his amazing bandmates. Richard Swift stakes his claim as a drummer here, moonlighting from his various gigs as The Shins' musical polymath, producer of albums for the likes of Stereolab's Laetitia Sadier and Nathaniel Rateliff, and a composer of his own futurist pop fantasias. There's a trio of Brooklyn soul-session veterans: keyboardist and horn player Leon Michels, bassist Nick Movshon and drummer Homer "Funky-Foot" Steinweiss, who, between them, powered the lion's share of great grooves for the likes of Amy Winehouse and Sharon Jones. Then there's Julie Justine Acosta, Mireya Ramos and Shae Fiol, three members of the all-female mariachi group Flor de Toloache — they don't just supply the 20 Feet From Stardom harmonies and background-vocal roar, but also bring another layer of brass and strings when called upon to do so.
At Housing Works, a SoHo institution whose proceeds go to help the homeless and people living with HIV/AIDS, the live Arcs experience rolled out like a gleaming, funky Southern-rock machine. Dreamily, the night's experience is now yours, if you want it. -- PIOTR ORLOV
SET LIST
Stay In My Corner - 2:02
Outta My Mind - 6:37
Put A Flower In Your Pocket - 11:02
Pistol Made Of Bones - 16:18
Cold Companion - 21:25
Velvet Ditch - 26:40
Everything You Do (You Do For You) - 30:51
Chains Of Love - 35:57
Nature's Child - 39:28
My Mind - 44:14
Keep On Dreamin' - 49:22
The Arc - 55:25
Director: Mito Habe-Evans; Producer: Saidah Blount; Videographers: Mito Habe-Evans, Lani Milton, Christopher Parks, A.J. Wilhelm; Audio Engineers: Neal Jensen, Josh Rogosin; Post Production Mix: Dan Auerbach, Richard Swift, Leon Michels; Special Thanks: Housing Works Bookstore Cafe; Executive Producer: Anya Grundmann
- published: 17 Sep 2015
- views: 298
Nickel Creek: NPR Music Tiny Desk Concert
Nickel Creek was made to sing and play around a single microphone, so a Tiny Desk Concert seemed inevitable. All it took was a reunion tour — celebrating 25 yea...
Nickel Creek was made to sing and play around a single microphone, so a Tiny Desk Concert seemed inevitable. All it took was a reunion tour — celebrating 25 years of Nickel Creek — to make it happen.
All three of the band's remarkably talented core members have been to the Tiny Desk before. Chris Thile is a veteran, having played the Tiny Desk with friend and guitarist Michael Daves, then later in the same year with Yo-Yo Ma and others in a project known as Goat Rodeo. When The Decemberists performed a Tiny Desk Concert, Sara Watkins was there to play her fiddle and sing. Her brother, Sean Watkins, was also at the NPR offices earlier this year with the marvelous singer Tom Brosseau.
The trio, backed here by bassist Mark Schatz, has no equal. Nickel Creek has been doing this on and off since its members were kids, and what blows me away is the comfort and ease with which they navigate their instruments. That skill, and the creative force behind it, is a joy and a thrill to witness. --BOB BOILEN
Set List:
"Destination"
"Rest Of My Life"
"21st Of May"
"Elephant In The Corn"
Credits:
Producers: Bob Boilen, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Colin Marshall; Production Assistant: Maggie Starbard; photo by Sarah Tilotta/NPR
wn.com/Nickel Creek Npr Music Tiny Desk Concert
Nickel Creek was made to sing and play around a single microphone, so a Tiny Desk Concert seemed inevitable. All it took was a reunion tour — celebrating 25 years of Nickel Creek — to make it happen.
All three of the band's remarkably talented core members have been to the Tiny Desk before. Chris Thile is a veteran, having played the Tiny Desk with friend and guitarist Michael Daves, then later in the same year with Yo-Yo Ma and others in a project known as Goat Rodeo. When The Decemberists performed a Tiny Desk Concert, Sara Watkins was there to play her fiddle and sing. Her brother, Sean Watkins, was also at the NPR offices earlier this year with the marvelous singer Tom Brosseau.
The trio, backed here by bassist Mark Schatz, has no equal. Nickel Creek has been doing this on and off since its members were kids, and what blows me away is the comfort and ease with which they navigate their instruments. That skill, and the creative force behind it, is a joy and a thrill to witness. --BOB BOILEN
Set List:
"Destination"
"Rest Of My Life"
"21st Of May"
"Elephant In The Corn"
Credits:
Producers: Bob Boilen, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Colin Marshall; Production Assistant: Maggie Starbard; photo by Sarah Tilotta/NPR
- published: 26 Aug 2014
- views: 354601
David Byrne and St. Vincent | NPR MUSIC LIVE
00:25 - "Who"
04:33 - "Strange Overtones"
08:25 - "Marrow"
12:22 - "The One Who Broke Your Heart"
16:15 - "I Am An Ape"
19:25 - "The Forest Awakes"
25:00 - "I S...
00:25 - "Who"
04:33 - "Strange Overtones"
08:25 - "Marrow"
12:22 - "The One Who Broke Your Heart"
16:15 - "I Am An Ape"
19:25 - "The Forest Awakes"
25:00 - "I Should Watch TV"
28:20 - "Lightning"
32:50 - "Burning Down The House"
Last year's collaboration between St. Vincent (Annie Clarke) and David Bryne was surprising on many levels. The album they wrote and recorded together, Love This Giant, is inspired and artful, if not as immediately accessible as some of the solo work each of them has made in the past. On stage, performed live at the Strathmore music hall in Bethesda, MD, the songs found their heart and soul. A band of brilliant brass players made the tunes swing a lot more than they do on the record.
Love This Giant allowed both Byrne and Clark to make songs that were slightly out of their comfort zones; they dug into less familiar territory and found something fresh. When performed live, new songs such as "Who" and "I Am an Ape" sound powerful. But old favorites also surfaced from their solo catalogs, whether it was Talking Heads' "Burning Down the House" or the Byrne-Eno collaboration "Strange Overtones," or St. Vincent performing "Marrow" from her 2009 album Actor.
All of these performances became less about nostalgia or their individual fame, and more about creation and building on something great, from a pair of strong creative souls born 30 years apart.
As you watch the performance, keep an eye out for Kelly Pratt, formerly of the band Beirut, on lead horn, as well as fantastic synchronized dancing choreographed by Annie-B Parson. You can also see Byrne and Clark rehearse for the concert in this special video from our In Practice series.--BOB BOILEN
TOURING BAND
Annie Clark: Guitar/Vocals
David Byrne: Guitar/Vocals
Daniel Mintseris: Keyboards, Musical Director
Brian Wolfe: Drums
Kelly Pratt: Trumpet, Flugelhorn, French Horn, Flute
Dave Nelson: Trombone
Jon Natchez: Clarinet, Flute, Saxophone
Bryan Murray: Clarinet, Flute, Saxophone
Rachel Drehmann: French Horn
Jason Disu: Trombone
John Altieri: Sousaphone, Tuba
Carter Yasutake: Trumpet, Flugelhorn
CREDITS
Producers: Mito Habe-Evans, Robin Hilton; Videographers: Denise DeBelius, Christopher Parks, Maggie Starbard, A.J. Wilhelm; Audio engineer: Pete Keppler; Special thanks to: The Music Center at Strathmore in North Bethesda, Md.; Executive producers: Anya Grundmann, Keith Jenkins
wn.com/David Byrne And St. Vincent | Npr Music Live
00:25 - "Who"
04:33 - "Strange Overtones"
08:25 - "Marrow"
12:22 - "The One Who Broke Your Heart"
16:15 - "I Am An Ape"
19:25 - "The Forest Awakes"
25:00 - "I Should Watch TV"
28:20 - "Lightning"
32:50 - "Burning Down The House"
Last year's collaboration between St. Vincent (Annie Clarke) and David Bryne was surprising on many levels. The album they wrote and recorded together, Love This Giant, is inspired and artful, if not as immediately accessible as some of the solo work each of them has made in the past. On stage, performed live at the Strathmore music hall in Bethesda, MD, the songs found their heart and soul. A band of brilliant brass players made the tunes swing a lot more than they do on the record.
Love This Giant allowed both Byrne and Clark to make songs that were slightly out of their comfort zones; they dug into less familiar territory and found something fresh. When performed live, new songs such as "Who" and "I Am an Ape" sound powerful. But old favorites also surfaced from their solo catalogs, whether it was Talking Heads' "Burning Down the House" or the Byrne-Eno collaboration "Strange Overtones," or St. Vincent performing "Marrow" from her 2009 album Actor.
All of these performances became less about nostalgia or their individual fame, and more about creation and building on something great, from a pair of strong creative souls born 30 years apart.
As you watch the performance, keep an eye out for Kelly Pratt, formerly of the band Beirut, on lead horn, as well as fantastic synchronized dancing choreographed by Annie-B Parson. You can also see Byrne and Clark rehearse for the concert in this special video from our In Practice series.--BOB BOILEN
TOURING BAND
Annie Clark: Guitar/Vocals
David Byrne: Guitar/Vocals
Daniel Mintseris: Keyboards, Musical Director
Brian Wolfe: Drums
Kelly Pratt: Trumpet, Flugelhorn, French Horn, Flute
Dave Nelson: Trombone
Jon Natchez: Clarinet, Flute, Saxophone
Bryan Murray: Clarinet, Flute, Saxophone
Rachel Drehmann: French Horn
Jason Disu: Trombone
John Altieri: Sousaphone, Tuba
Carter Yasutake: Trumpet, Flugelhorn
CREDITS
Producers: Mito Habe-Evans, Robin Hilton; Videographers: Denise DeBelius, Christopher Parks, Maggie Starbard, A.J. Wilhelm; Audio engineer: Pete Keppler; Special thanks to: The Music Center at Strathmore in North Bethesda, Md.; Executive producers: Anya Grundmann, Keith Jenkins
- published: 28 Jan 2013
- views: 291497
Olafur Arnalds | NPR MUSIC LIVE
How can music be happy and sad at the same time? Listen to Olafur Arnalds and you'll hear it. Depending on your mood, the tone changes, and a song that may h......
How can music be happy and sad at the same time? Listen to Olafur Arnalds and you'll hear it. Depending on your mood, the tone changes, and a song that may h...
wn.com/Olafur Arnalds | Npr Music Live
How can music be happy and sad at the same time? Listen to Olafur Arnalds and you'll hear it. Depending on your mood, the tone changes, and a song that may h...
- published: 05 Jun 2013
- views: 154196
-
author: NPR Music
Robert Glasper Experiment: NPR Music Tiny Desk Concert
The third song in this Tiny Desk Concert, explains the jocose pianist Robert Glasper, first appeared on one of his trio's albums of acoustic, instrumental jazz....
The third song in this Tiny Desk Concert, explains the jocose pianist Robert Glasper, first appeared on one of his trio's albums of acoustic, instrumental jazz. It was called "F.T.B." then, though it later acquired words and a singer and was retitled "Gonna Be Alright" on the record which won the 2013 Grammy for Best R&B; Album. That in itself provides a sense of the worlds to which Glasper has access; depending on your point of view, he either freely traverses or explodes those boundaries.
Glasper has released two albums of what you might call neo-soul, or maybe organic R&B;, featuring a core band (The Robert Glasper Experiment) and guest stars like Erykah Badu, Lupe Fiasco and Norah Jones. Black Radio and last year's sequel, Black Radio 2, aren't heard much on "urban" radio, but the point is that they ought to be. Glasper builds his songs with old-school values: singers and MCs who don't need software to carry a melody, improvising within a band, hand-building beats and vamps with live instruments.
That's what you see at the Tiny Desk. "Trust" features Marsha Ambrosius, formerly of the duo Floetry, and it's a good example of the Black Radio concept in raw, unpasteurized form. The middle tune is an ad hoc improvisation, and a good example of how Glasper and his Experiment have so dialed in their communication that they can plant seeds of noise and harvest blooms of music. By the time "F.T.B" (a.k.a. "Gonna Be Alright") rolls around, the mood is familiar and at ease. It's the sound of a band whose members speak many musical languages, but decide to converse in one that feels like its native tongue.
--PATRICK JARENWATTANANON
Set List
"Trust"
"NPR Tiny Desk Jam"
"F.T.B. (Gonna Be Alright)"
Personnel
Robert Glasper, keyboards
Derrick Hodge, bass
Mark Colenburg, drums
Marsha Ambrosius, voice
Credits
Producers: Bob Boilen, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Becky Harlan, Meredith Rizzo
wn.com/Robert Glasper Experiment Npr Music Tiny Desk Concert
The third song in this Tiny Desk Concert, explains the jocose pianist Robert Glasper, first appeared on one of his trio's albums of acoustic, instrumental jazz. It was called "F.T.B." then, though it later acquired words and a singer and was retitled "Gonna Be Alright" on the record which won the 2013 Grammy for Best R&B; Album. That in itself provides a sense of the worlds to which Glasper has access; depending on your point of view, he either freely traverses or explodes those boundaries.
Glasper has released two albums of what you might call neo-soul, or maybe organic R&B;, featuring a core band (The Robert Glasper Experiment) and guest stars like Erykah Badu, Lupe Fiasco and Norah Jones. Black Radio and last year's sequel, Black Radio 2, aren't heard much on "urban" radio, but the point is that they ought to be. Glasper builds his songs with old-school values: singers and MCs who don't need software to carry a melody, improvising within a band, hand-building beats and vamps with live instruments.
That's what you see at the Tiny Desk. "Trust" features Marsha Ambrosius, formerly of the duo Floetry, and it's a good example of the Black Radio concept in raw, unpasteurized form. The middle tune is an ad hoc improvisation, and a good example of how Glasper and his Experiment have so dialed in their communication that they can plant seeds of noise and harvest blooms of music. By the time "F.T.B" (a.k.a. "Gonna Be Alright") rolls around, the mood is familiar and at ease. It's the sound of a band whose members speak many musical languages, but decide to converse in one that feels like its native tongue.
--PATRICK JARENWATTANANON
Set List
"Trust"
"NPR Tiny Desk Jam"
"F.T.B. (Gonna Be Alright)"
Personnel
Robert Glasper, keyboards
Derrick Hodge, bass
Mark Colenburg, drums
Marsha Ambrosius, voice
Credits
Producers: Bob Boilen, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Becky Harlan, Meredith Rizzo
- published: 21 Jan 2014
- views: 269659
Future Islands | NPR MUSIC LIVE
Ever since a video of Future Islands' thrilling performance on The Late Show With David Letterman went viral in March, the band has become one of the year's ......
Ever since a video of Future Islands' thrilling performance on The Late Show With David Letterman went viral in March, the band has become one of the year's ...
wn.com/Future Islands | Npr Music Live
Ever since a video of Future Islands' thrilling performance on The Late Show With David Letterman went viral in March, the band has become one of the year's ...
- published: 07 May 2014
- views: 65410
-
author: NPR Music
alt-J | NPR MUSIC LIVE
Nothing was ordinary about this alt-J show — not that anything is ever ordinary from the artful British band.
But on Tuesday night at (Le) Poisson Rouge in New...
Nothing was ordinary about this alt-J show — not that anything is ever ordinary from the artful British band.
But on Tuesday night at (Le) Poisson Rouge in New York City, alt-J would play its first concert in eight months: its first without departed friend and bassist/guitarist Gwil Sainsbury, its first with touring member Cameron Knight, and its first playing songs from the upcoming album This Is All Yours.
The new songs have all the power of the old ones, flush with textured sounds from Gus Unger-Hamilton's electronic horns, steel drums, voices, and dense washes of grit. Lyrically, the new songs are equal parts creepy, lovely, puzzling, and expressive. In that expression is precision; you can see it in drummer Thom Green (watch his left hand) and you can hear it in the guitar dynamics and vocal phrasing of Joe Newman. This isn't a band of pyrotechnic wizards, but alt-J's technical prowess helped make this performance a deep pleasure on an extraordinary evening. --Bob Boilen
SET LIST
Hunger Of The Pine - 0:28
Fitzpleasure - 5:10
Something Good - 9:00
Left Hand Free - 12:58
Dissolve Me - 16:10
Matilda - 20:29
Bloodflood Pt. 2 - 24:39
Tessellate - 29:48
Every Other Freckle - 34:26
Taro - 38:22
Warm Foothills - 43:32
The Gospel Of John Hurt - 47:03
Nara/Leaving Nara - 53:05
Breezeblocks - 58:35
CREDITS
Producers: Mito Habe-Evans, Otis Hart; Event Producer: Saidah Blount; Hosts: Bob Boilen, Russ Borris; Videographers: Mito Habe-Evans, Colin Marshall, Maia Stern, A.J. Wilhelm; Audio Engineer: Kevin Wait; Additional Editing: Colin Marshall; Special Thanks: (Le) Poisson Rouge; Executive Producer: Anya Grundmann
wn.com/Alt J | Npr Music Live
Nothing was ordinary about this alt-J show — not that anything is ever ordinary from the artful British band.
But on Tuesday night at (Le) Poisson Rouge in New York City, alt-J would play its first concert in eight months: its first without departed friend and bassist/guitarist Gwil Sainsbury, its first with touring member Cameron Knight, and its first playing songs from the upcoming album This Is All Yours.
The new songs have all the power of the old ones, flush with textured sounds from Gus Unger-Hamilton's electronic horns, steel drums, voices, and dense washes of grit. Lyrically, the new songs are equal parts creepy, lovely, puzzling, and expressive. In that expression is precision; you can see it in drummer Thom Green (watch his left hand) and you can hear it in the guitar dynamics and vocal phrasing of Joe Newman. This isn't a band of pyrotechnic wizards, but alt-J's technical prowess helped make this performance a deep pleasure on an extraordinary evening. --Bob Boilen
SET LIST
Hunger Of The Pine - 0:28
Fitzpleasure - 5:10
Something Good - 9:00
Left Hand Free - 12:58
Dissolve Me - 16:10
Matilda - 20:29
Bloodflood Pt. 2 - 24:39
Tessellate - 29:48
Every Other Freckle - 34:26
Taro - 38:22
Warm Foothills - 43:32
The Gospel Of John Hurt - 47:03
Nara/Leaving Nara - 53:05
Breezeblocks - 58:35
CREDITS
Producers: Mito Habe-Evans, Otis Hart; Event Producer: Saidah Blount; Hosts: Bob Boilen, Russ Borris; Videographers: Mito Habe-Evans, Colin Marshall, Maia Stern, A.J. Wilhelm; Audio Engineer: Kevin Wait; Additional Editing: Colin Marshall; Special Thanks: (Le) Poisson Rouge; Executive Producer: Anya Grundmann
- published: 11 Sep 2014
- views: 301
Glen Hansard: NPR Music Tiny Desk Concert
While the new Rhythm and Repose feels like a low-key '70s singer-songwriter record (think Cat Stevens or Van Morrison), this five-song set gives Hansard a chanc...
While the new Rhythm and Repose feels like a low-key '70s singer-songwriter record (think Cat Stevens or Van Morrison), this five-song set gives Hansard a chance to flex his neck muscles a bit, as he lends blustery force to an assortment of new songs and deep cuts.
Set List:
"Love Don't Leave Me Waiting"
"Bird Of Sorrow"
"Come Away To The Water"
"Lucia"
"The Song Of Good Hope"
For more videos and to subscribe to the TIny Desk Concerts podcast, visit npr.org/tinydeskconcerts.
wn.com/Glen Hansard Npr Music Tiny Desk Concert
While the new Rhythm and Repose feels like a low-key '70s singer-songwriter record (think Cat Stevens or Van Morrison), this five-song set gives Hansard a chance to flex his neck muscles a bit, as he lends blustery force to an assortment of new songs and deep cuts.
Set List:
"Love Don't Leave Me Waiting"
"Bird Of Sorrow"
"Come Away To The Water"
"Lucia"
"The Song Of Good Hope"
For more videos and to subscribe to the TIny Desk Concerts podcast, visit npr.org/tinydeskconcerts.
- published: 18 Jun 2012
- views: 120935
Terence Blanchard: NPR Music Tiny Desk Concert
When he started to make the music that appears on his new album, trumpeter Terence Blanchard wasn't thinking of Eric Garner, Michael Brown or any of the other r...
When he started to make the music that appears on his new album, trumpeter Terence Blanchard wasn't thinking of Eric Garner, Michael Brown or any of the other recent high-profile police killings of African-Americans. He was thinking of desired collaborators: Donald Ramsey, a bassist and high-school classmate; Oscar Seaton, a drummer with whom he'd worked on film projects; Fabian Almazan, the pianist of his other band; and Charles Altura, a guitarist he'd encountered online. And he was thinking about a sound different from the left-center jazz quintet he leads: something overtly funky, with electric bass and guitar and processing and human voices and dance grooves.
As the E-Collective came together — both as a band and in terms of its repertoire — it took on another guiding light. Blanchard, no stranger to political statements, saw the music as an opportunity to speak out on current events he was unable to ignore, especially as a black man. The eventual recording came to be a commentary on the treatment of minorities by American law enforcement, in the vein of the #blacklivesmatter movement. The album's title references Eric Garner's last words, "I can't breathe"; it's called Breathless.
The heavy and the party recently came together for a week-long run at a jazz club in D.C., though the mood was much more on the party side when the E-Collective stopped at NPR headquarters. The mood was relaxed and jovial from the time the group stepped into the lobby, with Englishman Chris Bailey supplying plenty of backbeats on our house drum set — though there was a moment toward the end of the set when Blanchard casually explained the project, setting up a lyrical, almost elegiac solo. This music was a modern update on jazz fusion, sure, but also one where we dance to ward off despair.
Set List
"Soldiers"
"Confident Selflessness"
"Breathless"
Credits
Producers: Patrick Jarenwattananon, Morgan Walker; Audio Engineer: Brian Jarboe; Videographers: Morgan Walker, Adam Wolffbrandt, Lani Milton; Assistant Producer: Elena Saavedra Buckley; photo by Lani Milton/NPR
wn.com/Terence Blanchard Npr Music Tiny Desk Concert
When he started to make the music that appears on his new album, trumpeter Terence Blanchard wasn't thinking of Eric Garner, Michael Brown or any of the other recent high-profile police killings of African-Americans. He was thinking of desired collaborators: Donald Ramsey, a bassist and high-school classmate; Oscar Seaton, a drummer with whom he'd worked on film projects; Fabian Almazan, the pianist of his other band; and Charles Altura, a guitarist he'd encountered online. And he was thinking about a sound different from the left-center jazz quintet he leads: something overtly funky, with electric bass and guitar and processing and human voices and dance grooves.
As the E-Collective came together — both as a band and in terms of its repertoire — it took on another guiding light. Blanchard, no stranger to political statements, saw the music as an opportunity to speak out on current events he was unable to ignore, especially as a black man. The eventual recording came to be a commentary on the treatment of minorities by American law enforcement, in the vein of the #blacklivesmatter movement. The album's title references Eric Garner's last words, "I can't breathe"; it's called Breathless.
The heavy and the party recently came together for a week-long run at a jazz club in D.C., though the mood was much more on the party side when the E-Collective stopped at NPR headquarters. The mood was relaxed and jovial from the time the group stepped into the lobby, with Englishman Chris Bailey supplying plenty of backbeats on our house drum set — though there was a moment toward the end of the set when Blanchard casually explained the project, setting up a lyrical, almost elegiac solo. This music was a modern update on jazz fusion, sure, but also one where we dance to ward off despair.
Set List
"Soldiers"
"Confident Selflessness"
"Breathless"
Credits
Producers: Patrick Jarenwattananon, Morgan Walker; Audio Engineer: Brian Jarboe; Videographers: Morgan Walker, Adam Wolffbrandt, Lani Milton; Assistant Producer: Elena Saavedra Buckley; photo by Lani Milton/NPR
- published: 07 Aug 2015
- views: 572
Jackson Browne: NPR Music Tiny Desk Concert
My admiration for Jackson Browne began with his first album in 1971. I was wowed by the fact that the singer-songwriter had worked with Nico of Velvet Undergrou...
My admiration for Jackson Browne began with his first album in 1971. I was wowed by the fact that the singer-songwriter had worked with Nico of Velvet Underground fame — his girlfriend at the time — on her first album, Chelsea Girl. He wrote one of my favorite songs on that record, "These Days."
More than 40 years on, my appreciation continues to grow. Browne still writes songs with conviction and craftsmanship and careful attention to detail. At the same time, there's a perceptible loosening of attitude: His Tiny Desk Concert performance isn't perfect, his heart showing through every crack in his voice.
Browne can be seen out and about in other informal settings besides this one. At the Newport Folk Festival a few years ago, you could hear him play formally and informally with Tom Morello, Conor Oberst, Dawes and more. Back home on the West Coast, he might just sit in when Sara and Sean Watkins put on theirWatkins Family Hour variety show at Largo.
This week, Jackson Browne turns 66 and releases his 14th album, Standing In The Breach. It's a record that fully captures his rare ability to mix activism with poetry: His stature allows him freedom — he's largely free of obligations — with the ability to play comfortably with musicians of his own choosing. Yet he continues to stretch, working alongside much younger players with different talents and interests, sharing his talents and finding inspiration. It's that passion for playing and exploring that brings Browne to things like the Tiny Desk Concert, an awkwardly intimate setting for such a popular performer. -- BOB BOILEN
Set List:
"Call It A Loan"
"The Barricades Of Heaven"
"Long Way Around"
Credits:
Producers: Bob Boilen, Denise DeBelius; Editor: Maggie Starbard; Audio Engineer: Suraya Mohamed; Videographers: Colin Marshall, Maggie Starbard, Susan Hale Thomas; Assistant Producer: Denise DeBelius; Photo by James Clark/NPR
wn.com/Jackson Browne Npr Music Tiny Desk Concert
My admiration for Jackson Browne began with his first album in 1971. I was wowed by the fact that the singer-songwriter had worked with Nico of Velvet Underground fame — his girlfriend at the time — on her first album, Chelsea Girl. He wrote one of my favorite songs on that record, "These Days."
More than 40 years on, my appreciation continues to grow. Browne still writes songs with conviction and craftsmanship and careful attention to detail. At the same time, there's a perceptible loosening of attitude: His Tiny Desk Concert performance isn't perfect, his heart showing through every crack in his voice.
Browne can be seen out and about in other informal settings besides this one. At the Newport Folk Festival a few years ago, you could hear him play formally and informally with Tom Morello, Conor Oberst, Dawes and more. Back home on the West Coast, he might just sit in when Sara and Sean Watkins put on theirWatkins Family Hour variety show at Largo.
This week, Jackson Browne turns 66 and releases his 14th album, Standing In The Breach. It's a record that fully captures his rare ability to mix activism with poetry: His stature allows him freedom — he's largely free of obligations — with the ability to play comfortably with musicians of his own choosing. Yet he continues to stretch, working alongside much younger players with different talents and interests, sharing his talents and finding inspiration. It's that passion for playing and exploring that brings Browne to things like the Tiny Desk Concert, an awkwardly intimate setting for such a popular performer. -- BOB BOILEN
Set List:
"Call It A Loan"
"The Barricades Of Heaven"
"Long Way Around"
Credits:
Producers: Bob Boilen, Denise DeBelius; Editor: Maggie Starbard; Audio Engineer: Suraya Mohamed; Videographers: Colin Marshall, Maggie Starbard, Susan Hale Thomas; Assistant Producer: Denise DeBelius; Photo by James Clark/NPR
- published: 08 Oct 2014
- views: 731
Dan Deacon: NPR Music Tiny Desk Concert
Sometime years from now I may be asked: What was your favorite day at NPR? I am likely to say it's the day Dan Deacon got the NPR staff worked up into a giant d...
Sometime years from now I may be asked: What was your favorite day at NPR? I am likely to say it's the day Dan Deacon got the NPR staff worked up into a giant dance party! It's also the day Deacon and staff wheeled in an upright piano and connected it to his computer — a magical mix of old player piano and electronic avant-garde.
Yes, Deacon makes electronic music and dance music, but it's not the thump thump thump stuff you'd go to a club for. It's a mix of Brian Eno, Philip Glass and your kids' birthday party (if you were the cool parents your kids wished they had).
Dan came toting songs and that piano from his new record (which is quickly becoming my favorite of his), Gliss Riffer. The party really kicked into gear with the second song. And by the end you'll find me and my All Songs Considered co-host doing wild dance moves with 100 people. There'd never been a day at NPR quite like this!
Set List
"Feel the Lightning" 1:46
"Sheathed Wings" 9:00
"Learning to Relax" 16:32
Credits
Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Al Schatz; Videographers: Colin Marshall, Morgan McCloy, Nick Michael, Maggie Starbard; Assistant Producer: Michaela Gugliotta; photo by Colin Marshall/NPR
wn.com/Dan Deacon Npr Music Tiny Desk Concert
Sometime years from now I may be asked: What was your favorite day at NPR? I am likely to say it's the day Dan Deacon got the NPR staff worked up into a giant dance party! It's also the day Deacon and staff wheeled in an upright piano and connected it to his computer — a magical mix of old player piano and electronic avant-garde.
Yes, Deacon makes electronic music and dance music, but it's not the thump thump thump stuff you'd go to a club for. It's a mix of Brian Eno, Philip Glass and your kids' birthday party (if you were the cool parents your kids wished they had).
Dan came toting songs and that piano from his new record (which is quickly becoming my favorite of his), Gliss Riffer. The party really kicked into gear with the second song. And by the end you'll find me and my All Songs Considered co-host doing wild dance moves with 100 people. There'd never been a day at NPR quite like this!
Set List
"Feel the Lightning" 1:46
"Sheathed Wings" 9:00
"Learning to Relax" 16:32
Credits
Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Al Schatz; Videographers: Colin Marshall, Morgan McCloy, Nick Michael, Maggie Starbard; Assistant Producer: Michaela Gugliotta; photo by Colin Marshall/NPR
- published: 26 Feb 2015
- views: 301
Sleater Kinney | NPR MUSIC FRONT ROW
The last time Sleater-Kinney played the 9:30 Club, a transformer threatened to blow in the midst of a summer heat wave. Or maybe the Washington, D.C., club just...
The last time Sleater-Kinney played the 9:30 Club, a transformer threatened to blow in the midst of a summer heat wave. Or maybe the Washington, D.C., club just couldn't handle Corin Tucker's pipes. That was nine years ago, on a goodbye-for-now tour that caught the trio at the top of its game. The show was rescheduled and taped for NPR Music, and we had our closure, crossing fingers that it wouldn't be the last we'd hear from Corin Tucker, Carrie Brownstein and Janet Weiss.
In the intervening years, all three put their energies into other projects, musical and not, sometimes even with each other. But Sleater-Kinney has an electric chemistry of its own. As Brownstein says, "I really think Sleater-Kinney is a singular band with no clear predecessor or successor, so I don't think we started out creating music that you could see the palette of colors that we were using, and maybe draw a lineage."
On the first night of a two-night gig at the 9:30 Club, Sleater-Kinney went all-in with its set list. Tracks from the band's monster of a new album, No Cities To Love, felt natural alongside songs like "Oh!" and "Words And Guitar," obliterating the band's timeline by demonstrating a catalog that's always present, always on fire. -- LARS GOTRICH
SET LIST
Price Tag - 0:40
Start Together - 4:36
Fangless - 7:11
Oh! - 10:59
Surface Envy - 14:54
Get Up - 18:02
Ironclad - 21:45
No Anthems - 24:23
Youth Decay - 28:13
What's Mine Is Yours - 30:57
A New Wave - 36:03
No Cities To Love - 39:48
One Beat - 42:46
Words And Guitar - 45:54
Bury Our Friends - 48:34
Sympathy - 52:20
Entertain - 56:21
Jumpers - 1:01:46
ENCORE
Gimme Love - 1:07:24
Little Babies - 1:10:04
Turn It On - 1:12:20
Modern Girl - 1:15:02
Dig Me Out - 1:17:50
FEATURING
Corin Tucker, Carrie Brownstein, Janet Weiss, Katie Harkin
CREDITS
Producers: Mito Habe-Evans, Robin Hilton; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Morgan McCloy, Claire O'Neill, Maggie Starbard, Carlos Waters; Host: Bob Boilen; Director: Mito Habe-Evans; Assistant Editor: Carlos Waters; Special Thanks: 930 Club; Executive Producer: Anya Grundmann
http://www.npr.org/event/music/388196234/live-tuesday-sleater-kinney-in-concert
wn.com/Sleater Kinney | Npr Music Front Row
The last time Sleater-Kinney played the 9:30 Club, a transformer threatened to blow in the midst of a summer heat wave. Or maybe the Washington, D.C., club just couldn't handle Corin Tucker's pipes. That was nine years ago, on a goodbye-for-now tour that caught the trio at the top of its game. The show was rescheduled and taped for NPR Music, and we had our closure, crossing fingers that it wouldn't be the last we'd hear from Corin Tucker, Carrie Brownstein and Janet Weiss.
In the intervening years, all three put their energies into other projects, musical and not, sometimes even with each other. But Sleater-Kinney has an electric chemistry of its own. As Brownstein says, "I really think Sleater-Kinney is a singular band with no clear predecessor or successor, so I don't think we started out creating music that you could see the palette of colors that we were using, and maybe draw a lineage."
On the first night of a two-night gig at the 9:30 Club, Sleater-Kinney went all-in with its set list. Tracks from the band's monster of a new album, No Cities To Love, felt natural alongside songs like "Oh!" and "Words And Guitar," obliterating the band's timeline by demonstrating a catalog that's always present, always on fire. -- LARS GOTRICH
SET LIST
Price Tag - 0:40
Start Together - 4:36
Fangless - 7:11
Oh! - 10:59
Surface Envy - 14:54
Get Up - 18:02
Ironclad - 21:45
No Anthems - 24:23
Youth Decay - 28:13
What's Mine Is Yours - 30:57
A New Wave - 36:03
No Cities To Love - 39:48
One Beat - 42:46
Words And Guitar - 45:54
Bury Our Friends - 48:34
Sympathy - 52:20
Entertain - 56:21
Jumpers - 1:01:46
ENCORE
Gimme Love - 1:07:24
Little Babies - 1:10:04
Turn It On - 1:12:20
Modern Girl - 1:15:02
Dig Me Out - 1:17:50
FEATURING
Corin Tucker, Carrie Brownstein, Janet Weiss, Katie Harkin
CREDITS
Producers: Mito Habe-Evans, Robin Hilton; Audio Engineer: Kevin Wait; Videographers: Colin Marshall, Morgan McCloy, Claire O'Neill, Maggie Starbard, Carlos Waters; Host: Bob Boilen; Director: Mito Habe-Evans; Assistant Editor: Carlos Waters; Special Thanks: 930 Club; Executive Producer: Anya Grundmann
http://www.npr.org/event/music/388196234/live-tuesday-sleater-kinney-in-concert
- published: 27 Feb 2015
- views: 44
James Blake | NPR MUSIC LIVE
Each time I see James Blake and his band perform, I feel the extreme rush of hearing something for the very first time. The sound is sharp and visceral; it o......
Each time I see James Blake and his band perform, I feel the extreme rush of hearing something for the very first time. The sound is sharp and visceral; it o...
wn.com/James Blake | Npr Music Live
Each time I see James Blake and his band perform, I feel the extreme rush of hearing something for the very first time. The sound is sharp and visceral; it o...
- published: 05 Jun 2013
- views: 147052
-
author: NPR Music
Punch Brothers: NPR Music Tiny Desk Concert
Spoiler alert: The Punch Brothers came to the Tiny Desk on Chris Thile's birthday. We made him a cake and gave him an NPR surprise! This wasn't the first time t...
Spoiler alert: The Punch Brothers came to the Tiny Desk on Chris Thile's birthday. We made him a cake and gave him an NPR surprise! This wasn't the first time the brilliant mandolinist had brought a project to my desk — it was his fourth. The last time was with his longtime band Nickel Creek, but also with his new braces. So the cake we presented here was inscribed "Brace Yourself Chris Happy Birthday." He blew out the candles and then, along with this versatile and talented band, rocked our world.
Punch Brothers mixes the worlds of bluegrass, pop and classical. It's a tough combination to imagine, an even harder one to make work, but this band of fiddler, Gabe Witcher, Noam Pikelny on banjo, guitarist Chris Eldridge and bassist Paul Kowert make the unimaginable contagious and fun. They push boundaries and make music like no one else.
Set List
• "My Oh My" 2:04
• "Boll Weevil" 6:23
• "Magnet" 10:36
• "Julep" 14:45
Credits
Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Morgan McCloy, Nick Michael, Maggie Starbard; Assistant Producer: Carlos Waters; photo by Carlos Waters/NPR
wn.com/Punch Brothers Npr Music Tiny Desk Concert
Spoiler alert: The Punch Brothers came to the Tiny Desk on Chris Thile's birthday. We made him a cake and gave him an NPR surprise! This wasn't the first time the brilliant mandolinist had brought a project to my desk — it was his fourth. The last time was with his longtime band Nickel Creek, but also with his new braces. So the cake we presented here was inscribed "Brace Yourself Chris Happy Birthday." He blew out the candles and then, along with this versatile and talented band, rocked our world.
Punch Brothers mixes the worlds of bluegrass, pop and classical. It's a tough combination to imagine, an even harder one to make work, but this band of fiddler, Gabe Witcher, Noam Pikelny on banjo, guitarist Chris Eldridge and bassist Paul Kowert make the unimaginable contagious and fun. They push boundaries and make music like no one else.
Set List
• "My Oh My" 2:04
• "Boll Weevil" 6:23
• "Magnet" 10:36
• "Julep" 14:45
Credits
Producers: Bob Boilen, Maggie Starbard; Audio Engineer: Kevin Wait; Videographers: Morgan McCloy, Nick Michael, Maggie Starbard; Assistant Producer: Carlos Waters; photo by Carlos Waters/NPR
- published: 16 Mar 2015
- views: 301
Ashley Monroe Full Concert | NPR MUSIC FRONT ROW
Ashley Monroe is so much more than a Tennessee lark. At 28, she's a seasoned songwriter and performer who has worked in many different musical modes, from class...
Ashley Monroe is so much more than a Tennessee lark. At 28, she's a seasoned songwriter and performer who has worked in many different musical modes, from classic country to bluegrass to bluesy rock and roll to power pop. Leading her hot band in this First Listen Live performance at WNYC's Greene Space in Manhattan, Monroe demonstrated the range she's mastered on her new, breakthrough album The Blade. Tender ballads like "The Weight Of The Load" effortlessly meshed with rockers like "Winning Streak," and the Southern gospel-tinged sound of "Has Anybody Ever Told You" complemented the modern, swampy sound of "Dixie."After the show, this dazzled critic asked Monroe's fiddler, Eamon McLoughlin, about the tight interplay of that band, which features some of Nashville's top players. "It all comes from her," he said, extolling her deep musicality and calm leadership. Call Monroe a new traditionalist or a genre-defying breath of fresh air for country: Most of all, she's a true and truly versatile musician, and that's what sets her apart. -ANN POWERS
SET LIST
I Buried Your Love Alive
If The Devil Don't Want Me
Weight Of The Load
Has Anybody Ever Told You
On To Something Good
If Love Was Fair
Bombshell
Dixie
The Blade
Winning Streak
Like A Rose
Weed Instead Of Roses
Producer: Saidah Blount
Host: Ann Powers
Director: David McLean
Videographers: Adam Wolffbrandt, Noah Yuan-Vogel
Video Switcher: Andrea Marroquin
Audio Team: Ricardo Fernandez, Gaines Legare, Chase Culpon, Ernie Indradat
Executive Producer: Anya Grundmann
wn.com/Ashley Monroe Full Concert | Npr Music Front Row
Ashley Monroe is so much more than a Tennessee lark. At 28, she's a seasoned songwriter and performer who has worked in many different musical modes, from classic country to bluegrass to bluesy rock and roll to power pop. Leading her hot band in this First Listen Live performance at WNYC's Greene Space in Manhattan, Monroe demonstrated the range she's mastered on her new, breakthrough album The Blade. Tender ballads like "The Weight Of The Load" effortlessly meshed with rockers like "Winning Streak," and the Southern gospel-tinged sound of "Has Anybody Ever Told You" complemented the modern, swampy sound of "Dixie."After the show, this dazzled critic asked Monroe's fiddler, Eamon McLoughlin, about the tight interplay of that band, which features some of Nashville's top players. "It all comes from her," he said, extolling her deep musicality and calm leadership. Call Monroe a new traditionalist or a genre-defying breath of fresh air for country: Most of all, she's a true and truly versatile musician, and that's what sets her apart. -ANN POWERS
SET LIST
I Buried Your Love Alive
If The Devil Don't Want Me
Weight Of The Load
Has Anybody Ever Told You
On To Something Good
If Love Was Fair
Bombshell
Dixie
The Blade
Winning Streak
Like A Rose
Weed Instead Of Roses
Producer: Saidah Blount
Host: Ann Powers
Director: David McLean
Videographers: Adam Wolffbrandt, Noah Yuan-Vogel
Video Switcher: Andrea Marroquin
Audio Team: Ricardo Fernandez, Gaines Legare, Chase Culpon, Ernie Indradat
Executive Producer: Anya Grundmann
- published: 30 Jul 2015
- views: 301
Angel Olsen: NPR Music Tiny Desk Concert
Angel Olsen came to the Tiny Desk on an odd autumn day, as an impending storm loomed outside our office windows. It all seemed just right for occasion: Watch......
Angel Olsen came to the Tiny Desk on an odd autumn day, as an impending storm loomed outside our office windows. It all seemed just right for occasion: Watch...
wn.com/Angel Olsen Npr Music Tiny Desk Concert
Angel Olsen came to the Tiny Desk on an odd autumn day, as an impending storm loomed outside our office windows. It all seemed just right for occasion: Watch...
- published: 27 Jan 2014
- views: 217729
-
author: NPR Music
tUnE-yArDs | NPR MUSIC LIVE
A live performance by tUnE-yArDs is as thrilling and unshakeable as the music itself. For this set, recorded live at the 9:30 Club in Washington, D.C., Merri......
A live performance by tUnE-yArDs is as thrilling and unshakeable as the music itself. For this set, recorded live at the 9:30 Club in Washington, D.C., Merri...
wn.com/Tune Yards | Npr Music Live
A live performance by tUnE-yArDs is as thrilling and unshakeable as the music itself. For this set, recorded live at the 9:30 Club in Washington, D.C., Merri...
- published: 08 Jul 2014
- views: 15064
-
author: NPR Music
Rhye | NPR MUSIC LIVE
00:30 - "Open" 10:20 - "Last Dance" 15:50 - "Verse" 19:50 - "The Fall" This is some of the sexiest music I've heard in years, with seductive sounds that are ......
00:30 - "Open" 10:20 - "Last Dance" 15:50 - "Verse" 19:50 - "The Fall" This is some of the sexiest music I've heard in years, with seductive sounds that are ...
wn.com/Rhye | Npr Music Live
00:30 - "Open" 10:20 - "Last Dance" 15:50 - "Verse" 19:50 - "The Fall" This is some of the sexiest music I've heard in years, with seductive sounds that are ...
- published: 05 Jun 2013
- views: 109860
-
author: NPR Music