name | Kenneth Williams |
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birth name | Kenneth Charles Williams |
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birth date | February 22, 1926 |
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birth place | Islington, London, England |
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death date | April 15, 1988 |
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death place | Camden, London, England |
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death cause | Barbiturate overdose |
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occupation | Actor, comedian, broadcaster, raconteur |
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years active | 1952–1988
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Kenneth Charles Williams (22 February 1926 – 15 April 1988) was an English comic actor and comedian. He was one of the main ensemble in 26 of the
''Carry On'' films, and appeared in numerous British television shows, and radio comedies with
Tony Hancock and
Kenneth Horne.
Life and career
Kenneth Charles Williams was born on 22 February 1926 in Bingfield Street,
King's Cross, London, the son of Louisa ("Lou" or "Louie") and Charles Williams (a barber). Williams had a half-sister, Alice Patricia, born before Louie had met Charlie Williams. He was educated at Lyulph Stanley School, later becoming apprenticed as a
draughtsman to a mapmaker. He joined the
Army in 1944 at 18. As part of the
Royal Engineers survey section in
Bombay, he first performed on stage in the
Combined Services Entertainment alongside
Stanley Baxter and
Peter Nichols. He was a voracious reader able to quote poems or literary extracts from memory. Excerpts from the diaries he kept as an adult show he adored his supportive, theatrical mother but despised his
homophobic, morose and selfish father.
Comic performer
His professional career began in 1948 in
repertory theatre. Failure to become a serious dramatic actor disappointed him, but his potential as a comic performer gave him his break when he was spotted playing the
Dauphin in
George Bernard Shaw's ''
St Joan'' in 1954 by
radio producer Dennis Main Wilson. Main Wilson was casting ''
Hancock's Half Hour'', a radio series starring
Tony Hancock. Playing mostly funny voice roles, Williams stayed in the series almost to the end, five years later. His nasal, whiny,
camp-cockney inflections (epitomised in his "Stop messing about...!" catchphrase) became popular with listeners. Despite the success and recognition the show brought him, Williams thought theatre, film and television were superior forms of entertainment.
When Hancock moved the show away from what he considered gimmicks and silly voices, Williams had less to do on the programme. Tiring of his reduced status, he joined Kenneth Horne in ''Beyond Our Ken'' (1958–1964), and its sequel, ''Round the Horne'' (1965–1968). His roles in ''Round the Horne'' included Rambling Syd Rumpo, the eccentric folk singer; Dr Chou En Ginsberg, MA (failed), Oriental criminal mastermind; J. Peasemold Gruntfuttock, telephone heavy breather and dirty old man; and Sandy of the camp couple Julian and Sandy (Julian was played by Hugh Paddick). Their double act was notable for double entendres and Polari, the homosexual slang.
Williams appeared in West End revues including ''Share My Lettuce'' with Maggie Smith, written by Bamber Gascoigne, and ''Pieces of Eight'' with Fenella Fielding. The latter included material written by Peter Cook, then a student at Pembroke College, Cambridge. Cook's ''One Leg Too Few'' and ''Interesting Facts'' were part of the show and became routines in Cook's own performances. Williams's last revue was ''One over the Eight'', with Sheila Hancock. In 1972, Williams starred opposite Jennie Linden in ''My Fat Friend''. He also appeared with Ingrid Bergman in a stage production of George Bernard Shaw's ''Captain Brassbound's Conversion'' in 1971.
''Carry On''
Williams worked regularly in British film during the 1960s and 1970s, mainly in the ''
Carry On'' series (1958–1978) with its
British double entendre-laced humour. He appeared in the series more than any other actor. The films were commercially successful but Williams and the rest of the cast were poorly paid. In his diaries, Williams wrote that he earned more in a
British Gas commercial than for any ''Carry On'' film. He often criticised ''Carry On'' films, his own performances and those of others, considering them beneath him. This was the case with many of the films, television programmes, stage plays and radio shows in which he appeared. He was quick to find fault with his own work. Despite this, he spoke fondly of the ''Carry On'' films in interviews.
Peter Rogers, producer of the series, recollected, "Kenneth was worth taking care of because, while he cost very little – £5,000 a film, he made a great deal of money for the franchise."
Radio and television shows
Williams was a regular on the
BBC radio panel game ''
Just a Minute'' from its second season in 1968 until his death. From 1972, when he felt he wasn't being appreciated, he would scream, "I've come all the way from Great Portland Street." (It was a short distance to the studio from his home.) He also talked for almost a minute about a supposed
Austrian psychiatrist called Heinrich Swartzberg, guessing that show creator
Ian Messiter had just made the name up.
On television he was a frequent contributor to the 1973-1974 revival of ''What's My Line?'', hosted the weekly entertainment show ''International Cabaret'' and was a reader for the children's story-reading series ''Jackanory'' on BBC1. He appeared on Michael Parkinson's chat show on eight occasions, during which he told anecdotes from his career. Williams was a stand-in host on the ''Wogan'' talk show in 1986.
Personal life and death
On 14 October 1962, Williams's father, Charlie, was taken to hospital after drinking
carbon tetrachloride that had been stored in a cough mixture bottle. Williams refused to visit him, and the following day went out for lunch and then to the cinema. Charlie died that afternoon and, an hour after being informed, Williams went on stage in the West End. The coroner's court recorded a verdict of accidental death due to corrosive poisoning by carbon tetrachloride.
Several years later Williams turned down work with Orson Welles in America because he did not like the country and had no desire to work there. Many years after his death, ''The Mail on Sunday'', quoting Wes Butters, co-writer of the book ''Kenneth Williams Unseen: The Private Notes, Scripts And Photographs'', claimed Williams had been denied a visa because Scotland Yard considered him a suspect in his father's death.
Williams insisted that he was celibate, and his diaries substantiate his claims – at least from his early 40s onwards. He lived alone all his adult life and had few close companions apart from his mother, and no romantic relationships of significance. His diaries contain references to unconsummated or barely consummated homosexual dalliances, which he describes as "traditional matters" or "tradiola" (since male homosexual activity was a criminal offence in the UK before 1967, outright admission would have been held against him if anyone had read the diaries). He befriended gay playwright Joe Orton, who wrote the role of Inspector Truscott in ''Loot'' (1966) for him, and had holidays with Orton and his lover, Kenneth Halliwell, in Morocco. Other friends included Stanley Baxter, Gordon Jackson and his wife Rona Anderson, Sheila Hancock, Maggie Smith and her playwright husband, Beverley Cross. A psychoanalytical examination of Williams's diaries suggests that the underlying cause of his repressed sexuality could be his life-long struggle with depression and feelings of worthlessness.
Williams lived in a succession of small rented flats in North London from the mid-1950s. After his father died, his mother, Louisa, lived close by him and, finally, in the flat next to his. His last home was a flat on Osnaburgh Street, now demolished. Williams was fond of fellow ''Carry On'' regulars Barbara Windsor, Kenneth Connor, Hattie Jacques, Joan Sims and Bernard Bresslaw.
Williams rarely revealed details of his private life, though he spoke openly to Owen Spencer-Thomas about his loneliness, despondency and sense of underachievement in two half-hour documentary programmes entitled ''Carry On Kenneth'' on BBC Radio London. In later years his health declined, along with that of his elderly mother, and his depression deepened. He died on 15 April 1988 in his flat; the cause of death was an overdose of barbiturates. An inquest recorded an open verdict, as it was not possible to establish whether his death was a suicide or an accident. His diaries reveal he had often had suicidal thoughts and as far back as his earliest diaries he noted there were times when he could not see any point in existence. His authorised biography argues that Williams did not take his own life but died of an accidental overdose. His death was due to heart failure from the interaction between pain killers and sleeping pills. The actor had doubled his dosage of antacid without discussing this with his doctor, which, combined with the aforementioned mixture of medication, is the widely accepted cause of death. He had a stock of painkilling tablets and it is argued that he would have taken more of them if he had been contemplating suicide.
His mother died in July 1991 and his half-sister, Pat, died in 1994.
Legacy
Diaries and biographies
Posthumous publication of his diaries and letters, edited by
Russell Davies, caused controversy—particularly Williams's caustic remarks about fellow professionals—and revealed bouts of despair, often primed by feelings of personal isolation and professional failure. Williams wrote his diaries from the age of 14 in 1940 until his death 48 years later, although the earliest to survive to publication was for 1942 when he reached 16. Williams kept pocket-sized diaries for 1942 and 1947 (he kept no diaries for 1943 to 1946 as he was touring the Far East in the army); a desk diary for 1948; pocket-sized diaries for 1949 and 1950; desk diaries for 1951 to 1965; standard edition desk diaries for 1966 to 1971, and finally A4-sized executive desk diaries for 1972 to 1988. He claimed that writing in his diaries eased the loneliness he often felt.
In April 2008, BBC Radio 4 broadcast the two-part ''The Pain of Laughter: The Last Days of Kenneth Williams''. The programmes were researched and written by Wes Butters and narrated by Rob Brydon. Butters purchased a collection of Williams's personal belongings from the actor's godson, Robert Chidell, to whom they had been bequeathed.
The first of the programmes said that, towards the end of his life and struggling with depression and ill health, Williams abandoned Christian faith following discussions with the poet Philip Larkin. Williams had been a Methodist, though he spent much of his life struggling with Christianity's teachings on homosexuality.
''Kenneth Williams Unseen'' by Wes Butters and Russell Davies, the first Williams biography in 15 years, was published in October 2008.
An authorised biography, ''Born Brilliant: The Life Of Kenneth Williams'', by Christopher Stevens, was published in October 2010. This drew for the first time on the full Williams archive of diaries and letters, which had been stored in a London bank for 15 years following publication of edited extracts. The biography said Williams used a variety of handwriting styles and colours in his journals, switching between different hands on the page.
Portrayals
Williams has been portrayed in two
made-for-television films. In 2000,
Adam Godley played him in the story of
Sid James and
Barbara Windsor's love affair, ''
Cor, Blimey!'' (Godley had originated the role in the 1998
National Theatre play ''
Cleo, Camping, Emmanuelle and Dick'' on which ''Cor Blimey!'' was based). Subsequently in 2006,
Michael Sheen played him in the
BBC Four drama ''
Kenneth Williams: Fantabulosa!''.
David Benson's 1996 Edinburgh Fringe show, ''Think No Evil of Us: My Life with Kenneth Williams'', saw Benson playing Williams; after touring, the show ran in London's West End. Benson reprised his performance at the 2006 Edinburgh Fringe and continues to tour.
From 2003 to 2005, Robin Sebastian took on Williams in the West End stage show ''Round the Horne... Revisited'', recreating his performance in 2008 for a production called ''Round the Horne: Unseen and Uncut''.
Recognition
The flat Williams had lived in on Osnaburgh Street from 1972 until his death was bought by
Rob Brydon and
Julia Davis for the writing of their comedy series ''
Human Remains''. The building was demolished in May 2007.
The English singer-songwriter John Howard's song "Who's Listening? (For Kenneth Williams)" appeared on Howard's 2007 album ''Barefoot with Angels''. In 2011, Howard wrote:
This wasn't written about Kenneth Williams ''per se'', but, after I'd composed it and was playing it through, I realised the lyric sort of summed Kenneth up − I think I'd recently been reading his published Diaries and I had ended the song with the same words Williams had written in his diary before he died. The dichotomy of the man was fascinating, how he was everyone's camp comedic hero but yearned to be taken seriously as an actor; hated the ''Carry Ons'' but couldn't escape them; had a kind of self-loathing but also found himself beautiful. His friendship with the louche Joe Orton also seemed out of step with his image of every housewife's favourite funny man. The character in the lyric of "Who's Listening?" is similarly hard to weigh up, so I decided to dedicate the song to Kenneth. My partner was in a play with him in the '70s and said he was a lovely man, very generous with friends and generous with fellow actors on stage as well. But a very complex character.
Williams is commemorated by a blue plaque at the address of his father's barber shop in Marchmont Street, London, where he lived from 1935 to 1956. The plaque was unveiled on 11 October 2009 by Bill Pertwee and Nicholas Parsons, with whom Williams performed.
In September 2010, a plaque commissioned by the British Comedy Society was unveiled in the foyer of the New Diorama Theatre by the Mayor of Camden accompanied by David Benson, the actor known for his performances of his own work dedicated to Williams, ''Think No Evil of Us - My Life With Kenneth Williams''. The theatre stands in the Regents Place development, site of the demolished Osnaburgh Street.
Performances
Films
''Trent's Last Case'' (1952)
''The Beggar's Opera'' (1953)
''Valley of Song'' (1953)
''Innocents in Paris'' (1953)
''The Seekers'' (1954)
''Carry On Sergeant'' (1958)
''Carry On Nurse'' (1958)
''Carry On Teacher'' (1959)
''Tommy the Toreador'' (1959)
''Make Mine Mink'' (1960)
''Carry On Constable'' (1960)
''His and Hers'' (1961)
''Raising the Wind'' (1961)
''Carry On Regardless'' (1961)
''Twice Round the Daffodils'' (1962)
''Carry On Cruising'' (1962)
''Carry On Jack'' (1963)
''Carry On Spying'' (1964)
''Carry On Cleo'' (1964)
''Carry On Cowboy'' (1965)
''Carry On Screaming'' (1966)
''Carry On Don't Lose Your Head'' (1966)
''Carry On Follow That Camel'' (1967)
''Carry On Doctor'' (1967)
''Carry On Up the Khyber'' (1968)
''Carry On Camping'' (1969)
''Carry On Again Doctor'' (1969)
''Carry On Loving'' (1970)
''Carry On Henry'' (1970)
''Carry On at Your Convenience'' (1971)
''Carry On Matron'' (1971)
''Carry On Abroad'' (1972)
''Carry On Dick'' (1974)
''Carry On Behind'' (1975)
''That's Carry On!'' (1977)
''The Hound of the Baskervilles'' (1978)
''Carry On Emmannuelle'' (1978)
''The Thief and the Cobbler'' (1993)
Television
''International Cabaret''
''The Kenneth Williams Show''
''Jackanory''
''Willo the Wisp''
''Galloping Galaxies''
''An Audience with Kenneth Williams''
''What's My Line?''
''Some You Win''
''Whizzkids Guide''
''Let's Make a Musical''
''Meanwhile on BBC2''
''Join Jim Dale''
''The Wednesday Play''
''BBC Sunday Night Theatre''
''Saint Joan''
''Sword of Freedom''
''The School''
''Dick and the Duchess''
''The Armoured Car''
''Moby Dick—Rehearsed''
''Misalliance''
''Countdown''
Stage
''Saint Joan''
''Moby Dick''
''The Buccaneer''
''Hotel Paradiso''
''Share My Lettuce'' (revue)
''Cinderella''
''Pieces of Eight'' (revue)
''One Over the Eight'' (revue)
''The Private Ear'' and ''The Public Eye''
''Gentle Jack''
''Loot''
''Captain Brassbound's Conversion''
''My Fat Friend''
''Signed and Sealed''
''The Undertaking''
''Loot'' (directed)
''Entertaining Mr Sloane'' (directed)
Radio
''Hancock's Half Hour''
''Beyond Our Ken''
''Round the Horne''
''The Betty Witherspoon Show''
''Kenneth Williams Playhouse''
''Kenneth Williams Cabaret''
''The Secret Life of Kenneth Williams''
''Oh Get On with It''
''Stop Messing About''
''Just a Minute''
''The Wind in the Willows''
''Post Mortem'' by Stuart Jackman
''
Diary of a Madman'' by
Nikolai Gogol
Books
''Acid Drops''
''Back Drops''
''Just Williams''
''I Only Have To Close My Eyes''
''The Kenneth Williams Diaries''
''The Kenneth Williams Letters''
Albums
''Kenneth Williams on Pleasure Bent'' 1967, Decca LK 4856. Music by Ted Dicks, lyrics by Myles Rudge. Arrangements and musical direction by Barry Booth, sound supervision by Roger Cameron.
''The World of Kenneth Williams'' 1970, Decca SPA 64. Stereo edition of recordings from the 1950s and 1960s.
Footnotes
References
Williams, Kenneth (1993), Russell Davies, ed. ''The Kenneth Williams Diaries''. London: HarperCollins.
External links
Category:1926 births
Category:1988 deaths
Category:Carry On films
Category:Drug-related deaths in England
Category:English comedians
Category:English diarists
Category:English film actors
Category:English radio actors
Category:English stage actors
Category:English television actors
Category:English voice actors
Category:Hypochondriacs
Category:People from Kings Cross, London
Category:Royal Engineers soldiers
Category:British Army personnel of World War II
Category:People from Islington
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