- published: 30 Apr 2012
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Theatre-in-the-round or arena theatre (also referred to as central staging) is any theatre space in which the audience surrounds the stage area. In 1947, Margo Jones established America's first professional theatre-in-the-round company when she opened her Theatre ’47 in Dallas.
As developed by Margo Jones, her theatre-in-the-round concept requires no stage curtain, little scenery and allows the audience to sit on all sides of the stage. That stage design was used by directors in later years for such well-known shows as the original stage production of Man of La Mancha and all plays staged at the ANTA Washington Square Theatre (demolished in the late 1960s), including Arthur Miller's autobiographical After the Fall. Such theatres had previously existed in colleges but not in professional spaces for almost a couple millennia. It is also a popular setup used in contemporary pop concerts in an arena or stadium setting.
The stage is always in the centre with the audience arranged on all sides. Commonly used shapes can be rectangular, circular, diamond, or triangular, with actors entering and exiting through the audience from different directions or from below the stage. The stage is usually on an even level with or lowered below the audience in a "pit" or "arena" formation.
The Round was a theatre-in-the-round in the Ouseburn Valley, Newcastle upon Tyne, England. The region's first theatre-in-the-round, it specialised in theatre for children and young people. The Round opened in September 2007, and was home to the Bruvvers Theatre Company.
The building in which The Round was housed is a former flax mill designed by John Dobson in 1848. The 180-seat theatre slotted behind a listed facade in a courtyard space between warehouses on Lime Street.
The Round was conceived by the Bruvvers Theatre Company artistic director Mike Mould who bought the derelict Cluny building in 1982 with the intention of creating a theatre within its walls. In 2005, Mould sent a letter to his friendls asking eahc to donat £1 to help fund the cost of building the theatre. Bruvvers director and television scriptwriter Julie Blackie suggested alternative methods of fundraising.
The theatre had one wall with a fixed block of 40 seats and three balconies, with the remaining seats moveable according to the needs of each production According to the company, there was "one main route onto the stage for the performers, but also a few secret passages to add an element of surprise."
Monty Python (sometimes known as The Pythons) was a British surreal comedy group who created Monty Python's Flying Circus, a British television comedy sketch show that first aired on the BBC on 5 October 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, spawning touring stage shows, films, numerous albums, several books and a stage musical as well as launching the members to individual stardom. The group's influence on comedy has been compared to The Beatles' influence on music.
The television series, broadcast by the BBC from 1969 to 1974, was conceived, written and performed by members Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin. Loosely structured as a sketch show, but with an innovative stream-of-consciousness approach (aided by Gilliam's animation), it pushed the boundaries of what was acceptable in style and content. A self-contained comedy team responsible for both writing and performing their work, the Pythons' creative control allowed them to experiment with form and content, discarding rules of television comedy. Their influence on British comedy has been apparent for years, while in North America it has coloured the work of cult performers from the early editions of Saturday Night Live through to more recent absurdist trends in television comedy. "Pythonesque" has entered the English lexicon as a result.