Ina Anita Carter (March 31, 1933 – July 29, 1999), the youngest daughter of Ezra and Mother Maybelle Carter, was a versatile American singer who experimented with several different types of music and played upright bass with her sisters Helen Carter and June Carter Cash as The Carter Sisters. The trio joined the Grand Ole Opry radio show in 1950 (Anita was 17 years old at the time), opened shows for Elvis Presley, and joined The Johnny Cash Show in 1971. As a solo artist, and with her family, Carter recorded for a number of labels including RCA Victor, Cadence, Columbia, Audiograph, United Artists, Liberty and Capitol.

Biography[link]

Born in Maces Spring, Virginia, she scored two Top Ten hits in 1951 with "Down The Trail of Achin' Hearts" with Hank Snow at No. 2 and "Blue Bird Island" at No. 4. She reached the Top Ten again in 1968 with "I Got You" with Waylon Jennings at No. 4. Other solo releases charted as well. Carter recorded two folk albums in the 1960s. In 1962, she recorded a song co-written by her sister June and Merle Kilgore called "Love's Ring Of Fire".

After hearing the record, her future brother-in-law, Johnny Cash, reportedly dreamed of hearing Mexican horns on the record and told Anita that if her song did not hit in five or six months he would record it "the way I feel about it." After the song failed to make the charts, Cash recorded it as "Ring Of Fire" in March 1963 with the horns and the Carter Sisters (along with Mother Maybelle). The revised song went on to gain wide international popularity and became one of the biggest hits of his career. She appears in a video clip, currently on YouTube, in a duet with Hank Williams, of his song 'I Can't Help It'.

Marriages[link]

Carter married fiddler Dale Potter in 1950 (they later divorced), session musician Don Davis in 1953 (divorced and then re-married), and Bob Wootton (lead guitarist for Johnny Cash's band The Tennessee Three) in 1974 (divorced). She had two children, Lorrie Frances and Jay Davis.

Death[link]

Carter suffered from rheumatoid arthritis for many years, and the drugs used to treat it severely damaged her pancreas, kidneys, and liver, resulting in her death at the age of 66,^[1] a year after eldest sister Helen and four years before middle sister June. She died under hospice care at the home of Johnny and June Carter Cash in Hendersonville, Tennessee.

Her interment was in Hendersonville Memory Gardens in Hendersonville, Tennessee.

Discography[link]

Selected Singles[link]

NOTE: Anita Carter released at least 22 additional non-charting singles between 1950 and 1974.

Duet singles[link]

References[link]

Chester Burton Atkins (June 20, 1924 – June 30, 2001), known as Chet Atkins, was an American guitarist and record producer who, along with Owen Bradley, created the smoother country music style known as the Nashville sound, which expanded country's appeal to adult pop music fans as well.

Atkins's picking style, inspired by Merle Travis, Django Reinhardt, George Barnes and Les Paul, brought him admirers within and outside the country scene, both in the United States and internationally. Atkins produced records for The Browns, Porter Wagoner, Norma Jean, Dolly Parton, Dottie West, Perry Como, Elvis Presley, the Everly Brothers, Eddy Arnold, Don Gibson, Jim Reeves, Jerry Reed, Skeeter Davis, Waylon Jennings and many others.

Among many honors, Atkins received 14 Grammy Awards as well as the Grammy Lifetime Achievement Award, nine Country Music Association Instrumentalist of the Year awards, and was inducted into the Country Music Hall of Fame and Museum.

Biography[link]

Childhood and early life[link]

Chet Atkins was born on June 20, 1924, in Luttrell, Tennessee, near Clinch Mountain. His parents divorced when he was six, after which he was raised by his mother. He was the youngest of three boys and a girl. He started out on the ukulele, later moving on to the fiddle, but traded his brother Lowell an old pistol and some chores for a guitar when he was nine.^[1] He stated in his 1974 autobiography, "We were so poor and everybody around us was so poor that it was the forties before anyone even knew there had been a depression." Forced to relocate to Fortson, Georgia, to live with his father because of a critical asthma condition, Atkins was a sensitive youth who made music his obsession. Because of his illness, he was forced to sleep in a straight-back chair in order to breathe comfortably. On those nights, he would play his guitar until he fell asleep holding it, a habit which lasted his whole life.^[2] While living in Fortson, he attended historic Mountain Hill School. He would return in the 1990s to play a series of charity concerts to save the school from demolition.^{[citation needed]}

Stories have been told about the very young Chet who, when a friend or relative would come to visit, and if that person played a guitar, would crowd in and put his ear so very close to the instrument that it became difficult for that person to play.^[2]

Atkins became an accomplished guitarist while he was in high school.^[1] He would use the restroom in the school to practice, because it gave better acoustics.^[3][4] His first guitar had a nail for a nut and was so bowed that only the first few frets could be used.^[5] He later purchased a semi-acoustic electric guitar and amp, but he had to travel many miles to find an electrical outlet since his home had no electricity.^[6]

Later in life he lightheartedly gave himself (along with John Knowles, Tommy Emmanuel, Steve Wariner and Jerry Reed) the honorary degree CGP, standing for "Certified Guitar Player".^[5] In 2011 Daughter Merle Atkins Russell bestowed the CGP degree upon long time sideman Paul Yandell. She then declared no more CGP's would be allowed by the Atkins estate.^{[citation needed]}

His half-brother Jim was a successful guitarist who worked with the Les Paul Trio in New York.^[2]

Atkins did not have a strong style of his own until 1939 when (while still living in Georgia) he heard Merle Travis picking over WLW radio.^[2][7] This early influence dramatically shaped his unique playing style. Whereas Travis's right hand used his index finger for the melody and thumb for bass notes, Atkins expanded his right hand style to include picking with his first three fingers, with the thumb on bass.

Chet Atkins was a Ham Radio General class licensee. Formerly using the call-sign, WA4CZD, he obtained the vanity call sign W4CGP in 1998 to reflect the C.G.P. name. He was an ARRL member.^[8]

Early musical career[link]

After dropping out of high school in 1942, Atkins landed a job at WNOX-AM radio in Knoxville. There he played fiddle and guitar with singer Bill Carlisle and comic Archie Campbell as well as becoming a member of the station's Dixieland Swingsters, a small swing instrumental combo. After three years, he moved to WLW-AM in Cincinnati, Ohio, where Merle Travis had formerly worked.

After six months he moved to Raleigh and worked with Johnnie and Jack before heading for Richmond, Virginia, where he performed with Sunshine Sue Workman. Atkins's shy personality worked against him, as did the fact that his sophisticated style led many to doubt he was truly "country." He was fired often but was soon able to land another job at another radio station due to his unique playing ability.^[2] Atkins and Jethro Burns of Homer and Jethro married twin sisters, Leona and Lois Johnson who sang as Laverne and Fern Johnson: the Johnson Sisters. Leona Atkins outlived Atkins by eight years, dying in 2009 at the age of 85.^[9]

Traveling to Chicago, Atkins auditioned for Red Foley, who was leaving his star position on WLS-AM's National Barn Dance to join the Grand Ole Opry.^[10] Atkins made his first appearance at the Opry in 1946 as a member of Foley's band. He also recorded a single for Nashville-based Bullet Records that year. That single, "Guitar Blues", was fairly progressive, including as it did, a clarinet solo by Nashville dance band musician Dutch McMillan with Owen Bradley on piano. He had a solo spot on the Opry; but when that was cut, Atkins moved on to KWTO-AM in Springfield, Missouri. Despite the support of executive Si Siman, however, he soon was fired for not sounding "country enough."^[2]

Signing with RCA Victor[link]

While working with a Western band in Denver, Colorado, Atkins came to the attention of RCA Victor. Siman had been encouraging Steve Sholes to sign Atkins, as his style (with the success of Merle Travis as a hit recording artist) was suddenly in vogue. Sholes, A&R director of country music at RCA, tracked Atkins down to Denver.

He made his first RCA recordings in Chicago in 1947. They did not sell. He did some studio work for RCA that year but had relocated to Knoxville again where he worked with Homer and Jethro on WNOX's new Saturday night radio show The Tennessee Barn Dance and the popular Midday Merry Go Round.

In 1949 he left WNOX to join Mother Maybelle and the Carter Sisters back on KWTO. This incarnation of the old Carter Family featured Maybelle Carter and daughters June, Helen and Anita. Their work soon attracted attention from the Grand Ole Opry. The group relocated to Nashville in mid-1950. Atkins began working on recording sessions, performing on WSM-AM and the Opry.^[2]

While he hadn't yet had a hit record on RCA his stature was growing. He began assisting Sholes as a Session Leader when the New York–based producer needed help organizing Nashville sessions for RCA artists. Atkins's first hit single was "Mr. Sandman", followed by "Silver Bell", which he did as a duet with Hank Snow. His albums also became more popular, and he was featured on ABC-TV's The Eddy Arnold Show during the summer of 1956; as well as on Country Music Jubilee in 1957 and 58 (by then renamed Jubilee USA).

Atkins's Gretsch Country Gentleman, model G6122-1962

In addition to recording, Atkins became a design consultant for Gretsch, who manufactured a popular Chet Atkins line of electric guitars from 1955–1980. Atkins also became manager of RCA's Nashville studio, eventually inspiring and seeing the completion of the legendary RCA Studio B, the first studio built specifically for the purpose of recording on the now-famous Music Row.^[5]

Performer and producer[link]

When Sholes took over pop production in 1957—a result of his success with Elvis Presley—he put Atkins in charge of RCA's Nashville division. With country music record sales declining as rock and roll took over, Atkins and Bob Ferguson took their cue from Owen Bradley and eliminated fiddles and steel guitar as a means of making country singers appeal to pop fans. This became known as the Nashville sound which Atkins said was a label created by the media attached to a style of recording done during that period to keep country (and their jobs) viable.

Atkins used the Jordanaires and a rhythm section on hits like Jim Reeves' "Four Walls" and "He'll Have to Go"^[11] and Don Gibson's "Oh Lonesome Me" and "Blue Blue Day".^[12] The once rare phenomenon of having a country hit cross over to pop success became more common. He and Bradley had essentially put the producer in the driver's seat, guiding an artist's choice of material and the musical background.

Atkins made his own records, which usually visited pop standards and jazz, in a sophisticated home studio, often recording the rhythm tracks at RCA but adding his solo parts at home, refining the tracks until the results satisfied him.^[5] Guitarists of all styles came to admire various Atkins albums for their unique musical ideas and in some cases experimental electronic ideas. In this period he became known internationally as "Mister Guitar", inspiring an album named Mister Guitar, engineered by both Bob Ferris and Bill Porter, his replacement.

At the end of March 1959, Porter took over as chief engineer at RCA's Nashville studio, in the space now known as "Studio B". (At the time there was only one studio at RCA, with no letter designation.) Porter soon helped Atkins get a better reverberation sound from the studio's German effects device, an EMT plate reverb. With his golden ear, Porter found the studio's acoustics to be problematic, and he devised a set of acoustic baffles to hang from the ceiling, then selected positions for microphones based on resonant room modes. The sound of the recordings improved significantly, and the studio achieved a string of successes. The Nashville sound became more dynamic.^[13] In later years, when Bradley asked how he achieved his sound, Atkins told him "it was Porter."^[14] Porter described Atkins as respectful of musicians when recording—if someone was out of tune he would not single that person out by name. Instead, he would say something like, "we got a little tuning problem ... Everybody check and see what's going on."^[14] If that didn't work, Atkins would instruct Porter to turn the offending player down in the mix. When Porter left RCA in late 1964, Atkins said, "the sound was never the same, never as great."^[14]

Atkins's trademark "Atkins Style" of playing uses the thumb and first two—sometimes three—fingers of the right hand. He developed this style from listening to Merle Travis occasionally on a primitive radio. He was sure no one could play that articulately with just the thumb and index finger (which was exactly how Travis played) and he assumed it required the thumb and two fingers—and that was the style he pioneered and mastered.

He enjoyed jamming with fellow studio musicians which led to them being asked to perform at the Newport Jazz Festival in 1960. Although that performance was canceled due to rioting, a live recording of the group (After the Riot at Newport) was released. Atkins performed by invitation at the White House for presidents Kennedy through George H. W. Bush. Atkins was a member of the Million Dollar Band during the 1980s. He is also well known for his song "Yankee Doodle Dixie", in which he played "Yankee Doodle" and "Dixie" simultaneously, on the same guitar.

Before his mentor Sholes died in 1968, Atkins had become vice president of RCA's country division. In 1987 he told Nine-O-One Network Magazine that he was "ashamed" of his promotion: "I wanted to be known as a guitarist and I know, too, that they give you titles like that in lieu of money. So beware when they want to make you vice president."^[15] He had brought Waylon Jennings, Willie Nelson, Connie Smith, Bobby Bare, Dolly Parton, Jerry Reed and John Hartford to the label in the 1960s and inspired and helped countless others.^[16] He took a considerable risk during the mid-1960s, when the Civil Rights Movement sparked violence throughout the South by signing country music's first African-American singer Charley Pride, who sang rawer country than the smoother music Atkins had pioneered.

Atkins's own biggest hit single came in 1965, with "Yakety Axe", an adaptation of his friend saxophonist Boots Randolph's "Yakety Sax". He rarely performed in those days, and eventually had to hire other RCA producers like Bob Ferguson and Felton Jarvis to alleviate his workload.^[5]

Later career[link]

In the 1970s, Atkins became increasingly stressed by his executive duties. He produced fewer records but could still turn out hits such as Perry Como's pop hit "And I Love You So". He recorded extensively with close friend and fellow picker Jerry Reed, who'd become a hit artist in his own right. A 1973 diagnosis of colon cancer, however, led Atkins to redefine his role at RCA, to allow others to handle administration while he went back to his first love, the guitar, often recording with Reed or even Homer & Jethro's Jethro Burns (Atkins's brother-in-law) after Homer died in 1971.^[5]

By the end of the 1970s, Atkins's time had passed as a producer. New executives at RCA had different ideas. He first retired from his position in the company, and then began to feel stifled as an artist because RCA would not let him branch out into jazz. His mid-1970s collaborations with one of his influences, Les Paul, Chester & Lester and Guitar Monsters, had already reflected that interest; Chester & Lester was one of the best-selling recordings of Atkins's career. At the same time he grew dissatisfied with the direction Gretsch (no longer family-owned) was going and withdrew his authorization for them to use his name and began designing guitars with Gibson. He left RCA in 1982 and signed with Columbia Records, for whom he produced a debut album in 1983.^[10]

Jazz had always been a strong love of his, and often in his career he was criticized by "pure" country musicians for his jazz influences. He also said on many occasions that he did not like being called a "country guitarist", insisting that he was a guitarist, period. Although he played 'by ear' and was a masterful improviser he was able to read music and even performed some classical guitar pieces. When Roger C. Field, a friend, suggested to him in 1991 that he record and perform with a female singer he did so with Suzy Bogguss.^[5]

He returned to his country roots for albums he recorded with Mark Knopfler and Jerry Reed.^[5] Knopfler had long mentioned Atkins as one of his earliest influences. Atkins also collaborated with Australian guitar legend Tommy Emmanuel. On being asked to name the ten most influential guitarists of the 20th century, he named Django Reinhardt to the first position, and also placed himself on the list.^[17]

In later years he even went back to radio, appearing on Garrison Keillor's Prairie Home Companion radio program, on American Public Media radio, even picking up a fiddle from time to time.^[5]

Legacy[link]

Atkins received numerous awards, including 14 Grammy Awards and nine Country Music Association Instrumentalist of the Year awards.^[10] In 1993 he was honored with the Grammy Lifetime Achievement Award. Billboard magazine awarded him their Century Award, their "highest honor for distinguished creative achievement", in December 1997.^[18]

Atkins is notable for his broad influence. His love for numerous styles of music can be traced from his early recording of stride-pianist James P. Johnson's "Johnson Rag," all the way to the rock stylings of Eric Johnson, an invited guest on Atkins's recording sessions who, when Chet attempted to copy his influential rocker "Cliffs of Dover", led to Atkins's creation of a unique arrangement of "Londonderry Air (Danny Boy)."

Chet's recordings of "Malaguena" inspired a new generation of Flamenco guitarists; the classical guitar selections included on almost all his albums were, for many American artists working in the field today, the first classical guitar they ever heard. He recorded smooth jazz guitar still played on American airwaves today.

While he did more performing in the 1990s his health grew frail as he was diagnosed with cancer again in 1996. He died on June 30, 2001 at his home in Nashville.^[19]

Atkins was buried at Harpeth Hills Memory Gardens in Nashville.^[20]

Atkins was quoted many times throughout his career, and of his own legacy he once said:

Years from now, after I'm gone, someone will listen to what I've done and know I was here. They may not know or care who I was, but they'll hear my guitars speaking for me.

A stretch of Interstate 185 in southwest Georgia (between LaGrange and Columbus) is named "Chet Atkins Parkway".^[21] This stretch of interstate runs through Fortson, GA where Atkins spent much of his childhood.

In 2002, Atkins was posthumously inducted into the Rock and Roll Hall of Fame.^[16] His award was presented by Marty Stuart and Brian Setzer and accepted by Atkins's grandson, Jonathan Russell. The following year, Atkins ranked No.28 in CMT's 40 Greatest Men of Country Music.

At the age of 13, jazz guitarist Earl Klugh was captivated watching Atkins's guitar playing on The Perry Como Show.^[22] Similarly he was an extremely big influence on Doyle Dykes. Atkins also inspired Drexl Jonez and Tommy Emmanuel.^[23]

Clint Black's album "Nothin' but the Taillights" includes the song "Ode to Chet," which includes the lines "'Cause I can win her over like Romeo did Juliet, if I can only show her I can almost pick that legato lick like Chet" and "It'll take more than Mel Bay 1, 2, & 3 if I'm ever gonna play like CGP." Atkins plays guitar on the track. At the end of the song Black and Atkins have a brief conversation.

Chet's song Jam Man is currently used in commercials for Esurance.

In 1967 a tribute song called "Chet's Tune" was produced for his birthday, with contributions by a long list of RCA/Victor artists including Eddy Arnold, Connie Smith, Jerry Reed, Willie Nelson, Hank Snow, and others. The song was written by Nashville songwriter Cy Coben, a friend of Atkins. The single reached #38 on the country charts.^[24][25]

Discography[link]

Industry awards[link]

Country Music Association

• 1967 Instrumentalist of the Year
• 1968 Instrumentalist of the Year
• 1969 Instrumentalist of the Year
• 1981 Instrumentalist of the Year
• 1982 Instrumentalist of the Year
• 1983 Instrumentalist of the Year
• 1984 Instrumentalist of the Year
• 1985 Instrumentalist of the Year
• 1988 Instrumentalist of the Year

Country Music Hall of Fame and Museum

• Inducted in 1973

Grammy Awards

• 1971 Best Country Instrumental Performance with Jerry Reed – Me and Jerry
• 1972 Best Country Instrumental Performance – "Snowbird"
• 1975 Best Country Instrumental Performance with Merle Travis – The Atkins-Travis Traveling Show
• 1976 Best Country Instrumental Performance – "The Entertainer"
• 1977 Best Country Instrumental Performance with Les Paul – Chester and Lester
• 1982 Best Country Instrumental Performance – Country After All These Years
• 1986 Best Country Instrumental Performance with Mark Knopfler – "Cosmic Square Dance"
• 1991 Best Country Instrumental Performance with Mark Knopfler – "So Soft, Your Goodbye"
• 1991 Best Country Vocal Collaboration with Mark Knopfler – "Poor Boy Blues"
• 1993 Best Country Instrumental Performance with Jerry Reed – Sneakin' Around
• 1993 Grammy Lifetime Achievement Award'
• 1994 Best Country Instrumental Performance with Asleep at the Wheel, Eldon Shamblin, Johnny Gimble, Marty Stuart, Reuben "Lucky Oceans" Gosfield & Vince Gill – "Red Wing"
• 1995 Best Country Instrumental Performance – "Young Thing"
• 1997 Best Country Instrumental Performance – "Jam Man"

Rock and Roll Hall of Fame

• Posthumously inducted in 2002

See also[link]

Biography portal

Notes[link]

References[link]

• Kienzle, Rich (1998). "Chet Atkins". In The Encyclopedia of Country Music. Paul Kingsbury, Editor. New York: Oxford University Press. pp. 26–7.

External links[link]

• Chet Atkins at the Country Music Hall of Fame
• Allmusic entry for Chet Atkins
• Chet Atkins Official Web site
• Bob Moore's A-Team Musicians Website
• Chet Atkins at the Internet Movie Database
• Chet Atkins Interview – Vintage Guitar magazine, June 1996(This reference no longer exists at this link – May 2011)
• Chet Atkins on the Pop Chronicles

Willie Nelson
Willie Nelson performing at Farm Aid in 2009
Background information
Birth name	Willie Hugh Nelson
Also known as	Red Headed Stranger
Born	(1933-04-30) April 30, 1933 (age 79) Abbott, Texas, United States[1]
Genres	Country, country rock, outlaw country, alternative country
Occupations	Musician, songwriter, producer, actor, activist
Instruments	Vocals, guitar
Years active	1956–present
Labels	Liberty, RCA, Atlantic, Columbia, Island, Justice Records, Lost Highway
Associated acts	Waylon Jennings, The Highwaymen, Johnny Cash, Kris Kristofferson
Website	www.willienelson.com
Notable instruments
"Trigger" (Martin N-20) Signature of Willie Nelson

Willie Hugh Nelson (pronounced /wɪli nɛlsən /; born April 30, 1933)^[1] is an American country music singer-songwriter, as well as an author, poet, actor, and activist. The critical success of the album Shotgun Willie (1973), combined with the critical and commercial success of Red Headed Stranger (1975) and Stardust (1978), made Nelson one of the most recognized artists in country music. He was one of the main figures of outlaw country, a subgenre of country music that developed at the end of the 1960s as a reaction to the conservative restrictions of the Nashville sound. Nelson has acted in over 30 films, co-authored several books, and has been involved in activism for the use of biofuels and the legalization of marijuana.

Born during the Great Depression, and raised by his grandparents, Nelson wrote his first song at age seven and joined his first band at ten. During high school, he toured locally with the Bohemian Polka as their lead singer and guitar player. After graduating from high school in 1950, he joined the Air Force but was later discharged due to back problems. After his return, Nelson attended Baylor University for two years but dropped out because he was succeeding in music. During this time, he worked as a disc jockey in Texas radio stations and a singer in honky tonks. Nelson moved to Vancouver, Washington, where he wrote "Family Bible" and recorded the song "Lumberjack" in 1956. In 1960, he signed a publishing contract with Pamper Music which allowed him to join Ray Price's band as a bassist. During that time, he wrote songs that would become country standards, including "Funny How Time Slips Away", "Hello Walls", "Pretty Paper", and "Crazy". In 1962, he recorded his first album, And Then I Wrote. Due to this success, Nelson signed in 1964 with RCA Victor and joined the Grand Ole Opry the following year. After mid-chart hits during the end of 1960s and the beginning of the 1970s, and the failure to succeed in music, Nelson retired in 1972 and moved to Austin, Texas. The rise of the popularity of Hippie music in Austin motivated Nelson to return from retirement, performing frequently at the Armadillo World Headquarters.

In 1973, after signing with Atlantic Records, Nelson turned to outlaw country, including albums such as Shotgun Willie and Phases and Stages. In 1975, he switched to Columbia Records, where he recorded the critically acclaimed album, Red Headed Stranger. The same year, he recorded another outlaw country album, Wanted! The Outlaws, along with Waylon Jennings, Jessi Colter, and Tompall Glaser. During the mid 1980s, while creating hit albums like Honeysuckle Rose and recording hit songs like "On the Road Again", "To All the Girls I've Loved Before", and "Pancho & Lefty", he joined the country supergroup The Highwaymen, along with fellow singers, Johnny Cash, Waylon Jennings, and Kris Kristofferson. During 1990 Nelson's assets were seized by the Internal Revenue Service, that claimed that he owed US $32,000,000. It was later discovered that his accountants, Price Waterhouse did not pay Nelson's taxes for years. The impossibility of Nelson to pay his outstanding debt was aggravated by weak investments made by him during the 1980s. Nelson released in 1991 The IRS Tapes: Who'll Buy My Memories?, the profits of the double album, destined to the IRS and the auction of Nelson's assets cleared his debt by 1993. During the 1990s and 2000s, Nelson continued touring extensively, and released albums every year. Reviews ranged from positive to mixed. Nelson explored genres such as reggae, blues, jazz, and folk. Nelson made his first movie appearance in the 1979 film, The Electric Horseman, followed by other appearances in movies and on television.

Nelson is a major liberal activist and the co-chair of the advisory board of the National Organization for the Reform of Marijuana Laws, which is in favor of marijuana legalization. On the environmental front, Nelson owns the bio-diesel brand Willie Nelson Biodiesel, which is made from vegetable oil. Nelson is also the honorary chairman of the Advisory Board of the Texas Music Project, the official music charity of the state of Texas.

Early life[link]

Willie Nelson's high school football portrait

Willie Nelson was born in Abbott, Texas, during the Great Depression on April 30, 1933, to Myrle Marie (née Greenhaw) and Ira Doyle Nelson.^[2] Nelson's ancestors were on his father's side English and Irish, while his mother's forebears were Irish and Cherokee.^[3][4] The Nelson family had moved from Arkansas in 1929, looking for work. Nelson's grandfather, William, worked as a blacksmith, while his father worked as a mechanic.^[5] His mother left soon after he was born,^[6] and his father remarried and moved away, leaving the grandparents to bring up Nelson and his sister Bobbie. The Nelson's, who taught singing in schools while living in Arkansas, initiated their grandchildren in music.^[7][8] Nelson's grandfather bought him a guitar when he was six, and taught him a few chords;^[5] and with his sister Bobbie he sang gospel songs in the local church.^[9] He wrote his first song when he was seven,^[10] and played the guitar for the local band Bohemian Polka at age nine.^[11] During the summer, like most of Abbott's inhabitants, the family picked cotton.^[12] As Nelson didn't like picking cotton, starting at age thirteen and continuing through high school, he earned money by singing in local dance halls, taverns, and honky tonks.^[13] Nelson was influenced musically during his childhood by Hank Williams, Bob Wills, Lefty Frizzell, Ray Price, Ernest Tubb, Hank Snow , Django Reinhardt, Frank Sinatra and Louis Armstrong .^[14][15]

Nelson attended Abbott High School where, as well as raising pigs for the Future Farmers of America organization,^[2] he was a halfback in the school football team, and also played basketball as a guard, and as a shortstop in baseball.^[16] While still at school he sang and played guitar in The Texans, a band formed by his sister's husband, Bud Fletcher.^[11] After leaving school in 1950 he joined the United States Air Force for eight to nine months,^[17] then worked as a disc jockey at local radio stations.^[18] He had short stints with KHBR in Hillsboro, Texas and later with KBOP in Pleasanton, Texas.^[19][20] In 1952, he married Martha Matthews, and from 1954 to 1956 studied agriculture at Baylor University.^[21] Nelson joined the Tau Kappa Epsilon fraternity, but dropped out to pursue a future in music.^[22][23] Meanwhile, he held jobs as a tree-trimmer, saddle-maker, as well as selling door-to-door bibles, vacuum cleaners and encyclopedias.^[24]

Music career[link]

Beginnings (1956–1972)[link]

In 1956, Nelson moved to Vancouver, Washington to begin his formal musical career. His first record, "No Place For Me" included Leon Payne's "Lumberjack" on the b-side,^[25] but was not successful.^[26] Nelson continued working as a radio announcer and singing in Vancouver clubs.^[27] He sold the song "Family Bible" for US$50 to a guitar instructor, and the song turned into a hit for Claude Gray in 1960.^[28] Nelson moved to Nashville in 1960, but no label signed him. Although most of his demos were rejected, thanks to his songwriting and Hank Cochran's help, he signed a publishing contract with Pamper Music. After Ray Price recorded Nelson's "Night Life", Nelson joined Price's touring band as a bass player. While playing with Price and the Cherokee Cowboys, Nelson's songs became hits for other artists, including "Funny How Time Slips Away" (Billy Walker), "Hello Walls" (Faron Young), "Pretty Paper" (Roy Orbison), and, most famously, "Crazy" (Patsy Cline),^[27] which became the biggest jukebox hit of all time.^[29]

	"Hello Walls" noicon Written by Willie Nelson, Hello Walls, was a hit for Faron Young in 1961, and the song that gave Nelson national recognition as a songwriter. He recorded the song for his debut album And Then I Wrote.
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Nelson signed with Liberty Records and was recording by August 1961 at Quonset Hut Studio. His first two successful singles as an artist were released by the next year, including "Willingly" (which became his first charting single and first Top Ten at #10) and "Touch Me" (his second Top Ten, stalling at #7), a duet with his soon-to-be second wife, Shirley Collie.^[30] He had not further hit singles. Nelson's tenure at Liberty yielded his first album entitled And Then I Wrote, released in September 1962.^[31] Fred Foster of Monument Records signed Nelson in early 1964, but only one single was released, "I Never Cared For You".^[32]

By the fall of 1964, Nelson had moved to RCA Victor Records at the behest of Chet Atkins, signing a contract for US $10,000 per year.^[33] Country Willie – His Own Songs became Nelson's first RCA album, recorded in April 1965. That same year he joined the Grand Ole Opry^[34]. During his first few years on RCA, Nelson had no significant hits, but from November 1966 through March 1969, his singles reached the Top 25 in a consistent manner. "One In a Row" (#19, 1966), "The Party's Over" (#24 during a 16-week chart run in 1967), and his cover of Morecambe & Wise's "Bring Me Sunshine" (#13, March 1969) were Nelson's best-selling records during his time with RCA.^[26]

After recording his final RCA single – "Mountain Dew" (backed with "Phases, Stages, Circles, Cycles and Scenes") in late April 1972, RCA requested that Nelson renew his contract ahead of schedule, with the implication that RCA would not release his latest recordings if he did not.^[35] Due to the failure of his albums to succeed, and particularly frustrated by the reception of Yesterday's Wine, although his contract was not over, Nelson decided to retire from music.^[36] Nelson moved to Austin, Texas, where the burgeoning hippie music scene (see Armadillo World Headquarters) rejuvenated the singer. His popularity in Austin soared as he played his own brand of country music marked by country, folk and jazz influences.^[37] In March, he performed on the final day of the Dripping Springs Reunion, a three-day country music festival aimed by its producers to be an annual event. Despite the failure to reach the expected attendance, the concept of the festival inspired Nelson to create the Fourth of July Picnic, his own annual event, starting the following year.^[38] Nelson decided to return to the recording business, he signed Neil Rashen as his manager to negotiate with the RCA, who got the label to agree to end Nelson's contract upon repayment of US$14,000.^[35] Rashen eventually signed Nelson to Atlantic Records for US$25,000 per year, becoming the label's first country artist.^[33] By February 1973, Nelson was recording his acclaimed Shotgun Willie at Atlantic Studios in New York City.^[39]

Outlaw country and success (1973–1989)[link]

	"Shotgun Willie introduction" noicon Introduction of the song "Shotgun Willie", opening track of the album of the same name that marked a change of style from Nelson's earlier recordings.
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Shotgun Willie, released in May 1973, earned excellent reviews but did not sell well. The album led Nelson to a new style, later stating that Shotgun Willie had "cleared his throat".^[40] His next album, Phases and Stages, released in 1974, was a concept album about a couple's divorce, inspired by his own experience. Side one of the record is from the viewpoint of the man, while the other side is from the viewpoint of the woman.^[41] The album included the hit single "Bloody Mary Morning." Nelson then moved to Columbia Records, where he signed a contract that gave him complete creative control, made possible by the critical and commercial success of his previous albums.^[42] The result was the critically acclaimed, and massively popular 1975 concept album Red Headed Stranger. Although Columbia was reluctant to release an album with primarily a guitar and piano for accompaniment, Nelson and Waylon Jennings insisted. The album included a cover of Fred Rose's 1945 song "Blue Eyes Crying in the Rain", that had been released as a single previous to the album, and became Nelson's first number one hit as a singer.^[43]

L-R: Kris Kristofferson, Nelson, and Waylon Jennings at the 1972 Dripping Springs Reunion

As Jennings was also achieving success in country music in the early 1970s, the pair were combined into a genre called outlaw country, since it did not conform to Nashville standards.^[44] The album Wanted! The Outlaws in 1976 with Jessi Colter and Tompall Glaser cemented the pair's outlaw image and became country music's first platinum album.^[44] Later that year Nelson released The Sound in Your Mind (certified gold in 1978 and platinum in 2001)^[45] and his first gospel album Troublemaker^[46] (certified gold in 1986).^[47] In 1978, Nelson released two more platinum albums, Waylon & Willie, a collaboration with Jennings that included "Mammas Don't Let Your Babies Grow Up to Be Cowboys", a hit single written and performed by Ed Bruce.^[48] Though observers predicted that Stardust would ruin his career, it went platinum the same year.^[49] Nelson continued to top the charts with hit songs during the late 1970s, including "Good Hearted Woman", "Remember Me",^[50] "If You've Got the Money I've Got the Time", and "Uncloudy Day".^[51]

	"On the Road Again" noicon Part of the hit album Honeysuckle Rose. On the Road Again peaked number one on Hot Country Songs in 1980.
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During the 1980s Nelson recorded a series of hit singles including "Midnight Rider", a 1980 cover of the Allman Brothers song which Nelson recorded for The Electric Horseman,^[52] the soundtrack "On the Road Again" from the movie Honeysuckle Rose,^[53] and a duet with Julio Iglesias titled "To All the Girls I've Loved Before". Pancho & Lefty, a duet album with Merle Haggard,^[54] and WWII, with Jennings, came out in 1982,^[55] while Take it to the Limit was released in 1983, also with Jennings.^[56]

In the mid-1980s, Nelson, Jennings, Kristofferson, and Johnny Cash formed The Highwaymen,^[57] who achieved platinum record sales and toured the world.^[58] Meanwhile, he became more involved with charity work, such as singing on We are the World in 1984.^[59] In 1985, Nelson had another success with Half Nelson, a compilation album of duets with a range of artists such as Ray Charles and Neil Young.^[60] In 1980, Nelson performed on the south lawn of the White House. The September 13 concert featured First Lady Rosalynn Carter and Nelson in a duet of Ray Wylie Hubbard's "Up Against the Wall Redneck Mother".^[61] Nelson frequently visited the White House according to his biography, Willie Nelson: An Epic Life, where he smoked marijuana on the White House roof.^[62]

IRS and later career (1990–present)[link]

In 1990, the Internal Revenue Service (IRS) seized most of Nelson's assets, claiming that he owed US$32,000,000. It was later discovered that his accountants, Price Waterhouse, had not been paying Nelson's taxes for years. In addition to the unpaid taxes, Nelson's situation was worsened by the weak investments he had made during the early 1980s.^[63] His lawyer, Jay Goldberg, negotiated the sum to be lowered to US$16,000,000. Later, Nelson's attorney renegotiated a settlement with the IRS in which he paid US$6,000,000, although Nelson did not comply with the agreement.^[64] Nelson released The IRS Tapes: Who'll Buy My Memories? as a double album, with all profits destined for the IRS. Many of his assets were auctioned and purchased by friends, who donated or rented his possessions to him for a nominal fee. He sued Price Waterhouse, contending that they put his money in illegal tax shelters.^[65] The lawsuit was settled for an undisclosed amount and Nelson cleared his debts by 1993.^[63][66]

Nelson, and his guitar "Trigger", performing at Cardiff on January 25, 2007

During the 1990s and 2000s, Nelson toured continuously, recording several albums including 1998's critically acclaimed Teatro,^[67] and performed and recorded with other acts including Phish,^[68] Johnny Cash,^[69] and Toby Keith. His duet with Keith, "Beer for My Horses", was released as a single and topped the Billboard Hot Country Songs charts for six consecutive weeks in 2003,^[70] while the accompanying video won an award for "Best Video" at the 2004 Academy of Country Music Awards.^[71] A USA Network television special celebrated Nelson's 70th birthday,^[72] and Nelson released The Essential Willie Nelson as part of the celebration.^[73] Nelson also appeared on Ringo Starr's 2003 album, Ringo Rama, as a guest vocal on "Write One for Me."

Nelson headlined the 2005 Tsunami Relief Austin to Asia concert to benefit the victims of the 2004 Indian Ocean earthquake, which raised an estimated US$75,000 for UNICEF.^[74] Also in 2005, a live performance of the Johnny Cash song "Busted" with Ray Charles was released on Charles' duets album Genius & Friends. Nelson's 2007 performance with jazz trumpeter Wynton Marsalis at the Lincoln Center,^[75] was released as the live album Two Men with the Blues in 2008; reaching number one in Billboard's Top Jazz Albums and number twenty on the Billboard 200.^[76] In 2009 Nelson and Marsalis joined with Norah Jones in a tribute concert to Ray Charles, which resulted in the Here We Go Again: Celebrating the Genius of Ray Charles album, released in 2011.^[77] In 2010, Nelson released Country Music, a compilation of standards produced by T-Bone Burnett.^[78] The album peaked number four in Billboard's Top Country Albums, and twenty on the Billboard 200.^[79] It was nominated for Best Americana Album in the 2011 Grammy Awards.^[80] In 2011 Nelson participated in the concert Kokua For Japan, a fundraising event for the victims of the 2011 Tōhoku earthquake and tsunami in Japan which raised US$1.6 million.^[81] On February 2012, Legacy Recordings signed a deal with Nelson that included the release of new material, as well as past releases that would be selected and complemented with outtakes and other material selected by Nelson.^[82]

Other ventures[link]

Nelson's acting debut was in the 1979 movie, The Electric Horseman, followed by appearances in Honeysuckle Rose, Thief, and Barbarosa.^[83] He played the role of Red Loon in Coming Out of the Ice in 1982 and starred in Songwriter two years later.^[84] He portrayed the lead role in the 1986 film version of his concept album Red Headed Stranger. Other movies that Nelson acted in include Wag the Dog, Gone Fishin' (as Billy 'Catch' Pooler), the 1986 television movie Stagecoach (with Johnny Cash), Half Baked, Beerfest, The Dukes of Hazzard, Surfer, Dude and Swing Vote.^[83] He has also made guest appearances on Miami Vice (1986's "El Viejo" episode), Delta, Nash Bridges, The Simpsons, Monk, Adventures in Wonderland, Dr. Quinn, Medicine Woman, King of the Hill, The Colbert Report, Swing Vote and Space Ghost Coast to Coast.^[85]

In 2008, Nelson reopened the truck stop "Willie's Place" near Hillsboro, Texas.

In 1988 his first book, Willie: An Autobiography, was published.^[86] The Facts of Life: and Other Dirty Jokes, a personal recollection of tour and musical stories from his career, combined with song lyrics, followed in 2002.^[87] In 2005 he co-authored Farm Aid: A Song for America, a commemorative book about the twentieth anniversary of the foundation of Farm Aid.^[88] His third book, co-authored with long time friend Turk Pipkin, The Tao of Willie: A Guide to the Happiness in Your Heart, was published in 2006.^[89] In 2007 a book advocating the use of bio-diesel and the reduction of gas emissions, On The Clean Road Again: Biodiesel and The Future of the Family Farm, was published.^[90] His next book, A Tale Out of Luck, published in 2008 and co-authored by Mike Blakely, was Nelson's first fictional book.^[91]

In 2002, Nelson became the official spokesman of the Texas Roadhouse, a chain of steakhouses. Nelson heavily promoted the chain and appeared on a special on Food Network. The chain installed Willie's Corner, a section dedicated to him and decked out with Willie memorabilia, at several locations.^[92] In 2008, Nelson reopened Willie's place, a truckstop in Hillsboro, Texas. The U.S. Bankruptcy Court allowed Nelson to invest in it. The establishment currently has about 80 employees^[93] and is used as a concert hall with a bar and a 1,000 square feet (93 m²) dance floor.^[94]

Nelson has practised different styles of martial arts, beginning with Kung Fu during the 1980s, as well as Tae Kwon Do, in which he holds a Black belt degree.^[95]

Music style[link]

Nelson uses a variety of music styles to create his own distinctive blend of country music – a hybrid of jazz, pop, blues, rock and folk.^[96] His "unique sound", which uses a "relaxed, behind-the-beat singing style and gut-string guitar",^[97] and his "nasal voice and jazzy, off-center phrasing",^[96] has been responsible for his wide appeal, and has made him a "vital icon in country music",^[96] influencing the "new country, new traditionalist, and alternative country movements of the '80s and '90s".^[96]

Guitars[link]

Willie Nelson's guitar, Trigger, has been signed by several of Nelson's friends

In 1969, the Baldwin company gave Nelson an amplifier and a three-cord pickup electric guitar. During a show in Helotes, Texas, Nelson left the guitar on the floor of the stage, that was later stepped on by a drunk man.^[98] He sent it to be repaired in Nashville by Shot Jackson, who told Nelson that the damage was too great. Jackson offered him a Martin N-20 Classical guitar, and, at Nelson's request, moved the pickup to the Martin. Nelson purchased the guitar unseen for US$750 and named it after Roy Rogers' horse "Trigger".^[99] The next year Nelson rescued the guitar from his burning ranch.^{[100][101][102]}

Constant strumming with a guitar pick over the decades has worn a large sweeping hole into the guitar's body near the sound hole—the N-20 has no pick-guard since classical guitars are meant to be played fingerstyle instead of with picks.^[29] Its soundboard has been signed by over a hundred of Nelson's friends and associates, ranging from fellow musicians to lawyers and football coaches.^[99] The first signature on the guitar was Leon Russell's, who asked Nelson initially to sign his guitar. When Nelson was about to sign it with a marker, Russell requested him to scratch it instead, explaining that the guitar would be more valuable in the future. Interested in the concept, Nelson requested Russell also to also sign his guitar.^[98] In 1991, during his process with the IRS, Nelson was worried that Trigger could be auctioned off, stating: "When Trigger goes, I'll quit". He asked his daughter, Lana, to take the guitar from the studio before any IRS agent got there, and bring it to him on Maui.^[101] Nelson then hid the guitar in his manager's house until his debt was paid in 1993.^[99]

In his book, The Tao of Willie: A Guide to Happiness in Your Heart, Nelson described the influence of the guitar in his style: "One of the secrets to my sound is almost beyond explanation. My battered old Martin guitar, Trigger, has the greatest tone I’ve ever heard from a guitar [...] If I picked up the finest guitar made this year and tried to play my solos exactly the way you heard them on the radio or even at last night’s show, I’d always be a copy of myself and we’d all end up bored. But if I play an instrument that is now a part of me, and do it according to the way that feels right for me [...] I’ll always be an original".^[103]

Activism[link]

Nelson is active in a number of issues. Along with Neil Young and John Mellencamp, he set up Farm Aid in 1985 to assist and increase awareness of the importance of family farms,^[104] after Bob Dylan's comments during the Live Aid concert that he hoped some of the money would help American farmers in danger of losing their farms through mortgage debt.^[105] The first concert included Bob Dylan, Billy Joel, B.B. King, Roy Orbison, and Neil Young among many others,^[106] and raised over $9 million for America's family farmers.^[107] Besides organizing and performing in the annual concerts, Nelson is the president of the board of Farm Aid.^[108]

Nelson is a co-chair of the National Organization for the Reform of Marijuana Laws (NORML) advisory board.^[109] He has worked with NORML for years, fighting for marijuana legalization. In 2005 Nelson and his family hosted the first annual "Willie Nelson & NORML Benefit Golf Tournament", leading to a cover appearance and inside interview in the January 2008 issue of High Times magazine.^[110] After his arrest for possession of marijuana in 2010, Nelson created the TeaPot party under the motto "Tax it, regulate it and legalize it!".^[111][112]

Nelson supported Dennis Kucinich's campaign in the 2004 Democratic presidential primaries. He raised money, appeared at events, and composed the song "Whatever Happened to Peace on Earth?", criticizing the war in Iraq.^[113] He recorded a radio advertisement asking for support to put musician/author Kinky Friedman on the ballot as an independent candidate for the 2006 Texas gubernatorial election.^[114] Friedman promised Nelson a job in Austin as the head of a new Texas Energy Commission due to his support of bio-fuels.^[115] In January 2008, Nelson filed a suit against the Texas Democratic Party, alleging that the party violated the First and Fourteenth Amendments of the United States Constitution by refusing to allow co-plaintiff Kucinich to appear on the primary ballot because he had scratched out part of the loyalty oath on his application.^[116]

In 2004, he and his wife Annie became partners with Bob and Kelly King in the building of two Pacific Bio-diesel plants, one in Salem, Oregon and the other at Carl's Corner, Texas (the Texas plant was founded by Carl Cornelius, a longtime Nelson friend and the namesake for Carl's Corner).^[117] In 2005, Nelson and several other business partners formed Willie Nelson Biodiesel^[118] ("Bio-Willie"), a company that is marketing bio-diesel bio-fuel to truck stops. The fuel is made from vegetable oil (mainly soybean oil), and can be burned without modification in diesel engines.^[119]

Nelson is an advocate for better treatment for horses and has been campaigning for the passage of the American Horse Slaughter Prevention Act (H.R. 503/S. 311) alongside the Animal Welfare Institute.^[120] He is on its Board of Directors and has adopted a number of horses from Habitat for Horses.^[121] In 2008, Nelson signed on to warn consumers about the cruel and illegal living conditions for calves raised to produce milk for dairy products. He wrote letters to Land O'Lakes and Challenge Dairy, two of the major corporations that use milk from calves raised at California's Mendes Calf Ranch, which employs an intensive confinement practice that was the subject of a lawsuit and campaign brought by the Animal Legal Defense Fund.^[122]

Personal life[link]

Nelson lives in Maui, Hawaii, in a largely self-sustaining community where all the homes use only solar power.^[123] Neighbors include Kris Kristofferson, Woody Harrelson, and Owen Wilson.^[124]

Willie Nelson has married four times and fathered seven children.^[125] His first marriage was to Martha Matthews; it lasted from 1952 to 1962, and produced three children: Lana, Susie, and Billy. The last committed suicide in 1991.^[126] The marriage was marked by violence, with Matthews assaulting Nelson several times.^[127][34] Nelson's next marriage was to Shirley Collie in 1963.^[128] The couple divorced in 1971, after Collie found a bill from the maternity ward of a Houston hospital charged to Nelson and Connie Koepke for the birth of Paula Carlene Nelson.^[127] Koepke and Nelson married the same year and had two daughters, Paula Carlene and Amy Lee. Following a divorce in 1988, he married his current wife, Annie D'Angelo, in 1991. They have two sons, Lukas Autry and Jacob Micah.^[129] Nelson traces his genealogy to the American Revolutionary War, in which his ancestor John Nelson served as a major.^[130]

While swimming in Hawaii in 1981, Nelson's lung collapsed. All of his scheduled concerts were cancelled and he was taken to the Maui Memorial Hospital.^[131] Nelson temporarily stopped smoking cigarettes each time his lungs became congested, and resumed when the congestion ended.^[132] In 2008 he started to smoke with a carbon-free system to avoid the effects of smoke in his lungs.^[102][133] In 2004 Nelson underwent surgery for Carpal Tunnel Syndrome, as he had damaged his wrists by continuously playing the guitar.^[134] On the recommendation of his doctor, he cancelled his scheduled concerts and only wrote songs during his recovery.^[135]

Nelson has been arrested several times for marijuana possession. The first occasion was in 1974, in Dallas, Texas.^[136] Twenty years later, in 1994, highway patrolmen found a marijuana cigarette in his car near Waco, Texas; the resulting court appearance caused him to cancel his appearance at the Grammy awards.^[133] While travelling to Ann W. Richards' funeral in 2006, Nelson, along with his manager and his sister, Bobbi, were arrested in St. Martin Parish, Louisiana and charged with possession of marijuana and hallucinogenic mushrooms.^[137] Nelson received six months probation.^[138] On November 26, 2010, Nelson was arrested for possession of six ounces of marijuana found in his tour bus while travelling from Los Angeles to Texas. He was released after paying bail of US$2,500.^[139] Prosecutor Kit Bramblett supported not sentencing Nelson to jail due to the amount of marijuana being small, but suggested instead a US$100 fine and told Nelson that he would have him sing "Blue Eyes Crying in the Rain" for the court. Judge Becky Dean-Walker stated that Nelson had to pay the fine but did not require him to perform the song, explaining that the prosecutor was joking.^[140] Nelson's lawyer Joe Turner reached an agreement with the prosecutor. Nelson was set to pay a US$500 fine to avoid a two-year jail sentence with a 30-day review period, which in case of another incident would end the agreement.^[141] The judge later rejected the agreement, claiming that Nelson was receiving preferential treatment for his celebrity status, when the offence normally carried a one-year jail sentence.^[142]

Legacy[link]

The Willie Nelson boulevard in Austin, Texas

Nelson is widely recognized as an American icon.^[143][144] He was inducted into the Country Music Hall of Fame in 1993,^[145] and he received the Kennedy Center Honors in 1998.^[146][147] In 2011, Nelson was inducted to the National Agricultural Hall of Fame, for his labor in Farm Aid and other fund risers to benefit farmers.^[148]

In 2003 Governor Perry signed bill #2582, introduced by State Representative Elizabeth Ames Jones and Senator Jeff Wentworth,^[149] which funded the Texas Music Project, the state's official music charity. Nelson was named Honorary Chairman of the Advisory Board of the project.^[150] In 2005, Democratic Texas Senator Gonzalo Barrientos introduced a bill to name 49 miles (79 km) of the Travis County section of State Highway 130 after Nelson, and at one point 23 of the 31 state Senators were co-sponsors of the bill.^[151] The legislation was dropped after two Republican senators, Florence Shapiro and Wentworth, objected, citing Nelson's lack of connection to the highway, his fundraisers for Democrats, his drinking, and his marijuana advocacy.^[152]

An important collection of Willie Nelson materials (1975–1994) became part of the Wittliff collections of Southwestern Writers, Texas State University, San Marcos, Texas. The collection contains lyrics, screenplays, letters, concert programs, tour itineraries, posters, articles, clippings, personal effects, promotional items, souvenirs, and documents. It documents Nelson's IRS troubles and how Farm Aid contributions were used. Most of the material was collected by Nelson's friend Bill Wittliff, who wrote or co-wrote Honeysuckle Rose, Barbarosa and Red Headed Stranger.^[153]

In April 2010, Nelson received the "Feed the Peace" award from The Nobelity Project for his extensive work with Farm Aid and overall contributions to world peace.^[154] On June 23, 2010 he was inducted into the Library of Congress’s National Recording Registry.^[155][156] Nelson is an honorary trustee of the Dayton International Peace Museum.^[157] In 2010, Austin, Texas renamed Second Street to Willie Nelson Boulevard. The city also unveiled a life-size statue to honor him, placed at the entrance of Austin City Limits' new studio.^[158] The non-profit organization Capital Area Statues commissioned sculptor Clete Shields to execute the project.^[159] The statue was unveiled on April 20, 2012.^[160] The date selected by the city of Austin unintentionally coincided with the number 4/20, associated with cannabis culture. In spite of the coincidence and Nelson's advocacy for the legalization of marijuana, the ceremony was scheduled also for 4:20 pm. During the ceremony, Nelson performed the song "Roll Me Up and Smoke Me When I Die".^[161]

For many years, Nelson's image was marked by his red hair, often divided into two long braids partially concealed under a bandanna. In the April 2007 issue of Stuff Magazine Nelson was interviewed about his long locks.^[162] "I started braiding my hair when it started getting too long, and that was, I don't know, probably in the 70's." On May 26, 2010, the Associated Press reported that Nelson had cut his hair,^[163] and Nashville music journalist Jimmy Carter published a photograph of the pigtail-free Nelson on his website.^[164] Reportedly, he wanted a more maintainable hairstyle, as well helping him stay cool more easily at his Maui home.^[165]

Nelson's touring and recording group, the Family, is full of longstanding members. The original lineup included his sister Bobbie Nelson, drummer Paul English, harmonicist Mickey Raphael, bassist Bee Spears, Billy English (Paul's younger brother), and Jody Payne.^[166] The current lineup includes all the members but Jody Payne, who retired, and Bee Spears, who died in 2011.^[167] Willie & Family tours North America in the bio-diesel bus Honeysuckle Rose IV, which is fueled by Bio-Willie.^[168]

Discography and other works[link]

As well as recording over sixty studio albums, Nelson has appeared in over thirty films and TV shows. His acting debut was in the 1979 movie, The Electric Horseman, followed by appearances in Honeysuckle Rose, Thief, and Barbarosa.^[83]

Recordings

Films

Books

• Willie: An Autobiography, Simon & Schuster, 1988, with Bud Shrake
• The Facts of Life and Other Dirty Jokes, Random House, 2002
• The Tao of Willie: A Guide to the Happiness in Your Heart, Gotham, 2006, with Turk Pipkin
• A Tale Out of Luck (a novel), Center Street, 2008, with Mike Blakely
• On The Clean Road Again: Biodiesel and The Future of the Family Farm, Fulcrum Publishing, 2007
• Farm Aid: A Song for America, 2005, Rodale Books, foreword by Willie Nelson

See also[link]

Austin portal

• Inductees of the Country Music Hall of Fame
• List of country musicians
• Music of Austin
• List of best-selling music artists

References[link]

Books

• Cartwright, Gary (2000). Turn Out the Lights: Chronicles of Texas in the 80's and 90's. University of Texas Press. ISBN 978-0-292-71226-3. 
• Dicair, David (2007). The First Generation of Country Music Stars. McFarland. ISBN 978-0-7864-3021-5. 
• Erlewine, Michael (1997). All Music Guide to Country: The Experts' Guide to the Best Recordings in Country Music. Miller Freeman. ISBN 978-0-87930-475-1. 
• Harden, Lydia Dixon; Hoekstra, Dave; McCall, Michael; Morris, Edward; Williams, Janet (1996). The Stars of Country Music:The Legends & The New Breed. Publications International, Ltd. ISBN 978-1-56173-697-3. 
• Hartman, Gary (2008). The History of Texas Music. Texas A&M University Press. ISBN 978-1-60344-002-8. 
• Jennings, Waylon; Kaye, Lenny (1996). Waylon: An Autobiography. Warner Brooks. ISBN 978-0-446-51865-9. 
• Kienzle, Richard (2003). Southwest Shuffle: Pioneers of Honky-Tonk, Western Swing, and Country Jazz. Routledge. ISBN 978-0-415-94103-7. 
• Nelson, Willie; Pipkin, Turk (2007). The Tao of Willie: A Guide to the Happiness in Your Heart. Gotham. ISBN 1-59240-287-9. 
• Nelson, Willie; Bud Shrake; Edwin Shrake (2000). Willie: An Autobiography. Cooper Square Press. 
• Patoski, Joe Nick (2008). Willie Nelson: An Epic Life. Hachette Digital. ISBN 978-0-316-01778-7. 
• Reid, Jan (2004). The Improbable Rise of Redneck Rock: New Edition. University of Texas Press. ISBN 978-0-292-70197-7. 
• Reid, Jan; Sahm Shawn (2010). Texas Tornado: The Times and Music of Doug Sahm. University of Texas Press. ISBN 978-0-292-72196-8. 
• Richmond, Clint (2000). Willie Nelson: Behind the Music. Simon & Schuster. ISBN 978-0-671-03960-8. 
• Riggs, Thomas (2007). Contemporary Theatre, Film, and Television. Gale Research Co.. ISBN 978-0-7876-9049-6. 
• Scobey, Lola (1982). Willie Nelson: Country Outlaw. Kensington Pub Corp. ISBN 978-0-89083-936-2. 
• Wolff, Kurt; Duane, Orla (2000). Country Music: The Rough Guide. Rough Guides. ISBN 978-1-85828-534-4. 

Journals

• Texas Monthly. November 1973 [cited February 7, 2011].
• Texas Monthly. August 1976 [cited May 24, 2011];4.
• Dingus, Anne (February 1992). "Ernest Tubb Goes Electric and 51 More Moments to Remember Texas' Rich Musical Past". Texas Monthly (Emmis Communications) 19 (2). ISSN 0148-7736. 
• Texas Monthly. May 1991 [cited February 8, 2011];19(5).
• Billboard. October 11, 1986 [cited January 8, 2011];98(41).
• Billboard. December 25, 1976 [cited February 8, 2011];88(52).

Further reading

• The Encyclopedia of Country Music ed. Paul Kingsbury, pp. 374–76 "Willie Nelson", Bob Allen, New York: Oxford University Press, 1998

External links[link]

Find more about Willie Nelson on Wikipedia's sister projects:
	Images and media from Commons
	Quotations from Wikiquote

• Official website
• Willie Nelson at Allmusic