Konark
—  city  —
Konark Location of Konark in Orissa and India
Coordinates	19°54′N 86°07′E / 19.90°N 86.12°E / 19.90; 86.12Coordinates: 19°54′N 86°07′E / 19.90°N 86.12°E / 19.90; 86.12
Country	India
State	Orissa
District(s)	Puri
Population	15,015 (2001[update])
Time zone	IST (UTC+05:30)
Area • Elevation	• 2 metres (6.6 ft)
Website	[1] http://konark.nic.in[1]

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Konark (Oriya: କୋଣାର୍କ) (Sanskrit: कोणार्क) is a small town in Puri district in the state of Orissa, India, on the Bay of Bengal, sixty-five kilometers from Bhubaneswar. It is the site of the 13th-century Sun Temple (also known as the Black Pagoda), built in black granite by King Narasimhadeva-I (AD 1236-1264) of the Eastern Ganga Dynasty. The temple is a World Heritage Site. It takes the form of the chariot of Surya (Arka), the Sun God, and is heavily decorated with stone carving. The entire complex was designed in the form of a huge chariot drawn by seven spirited horses on twelve pairs of exquisitely decorated wheels. The entrance is guarded by two lions, which are each shown crushing a war elephant. Each elephant in turn lies on top of a human body. The temple symbolises the majestic stride of the Sun god. At the entrance of the temple is a Nata Mandir (Dancing Hall). This is where the temple dancers used to perform dances in homage to the Sun god. All around the temple, there are various floral and geometric patterns. There are also human, divine and semi-divine figures in sensuous poses. The poses contains couples in various amorous poses, and are derived from the Kama Sutra. The temple is now partly in ruins, and a collection of its sculptures is housed in the Sun Temple Museum, which is run by the Archaeological Survey of India. The poet Rabindranath Tagore wrote of Konark: "Here the language of stone surpasses the language of man." Konark literally means “Essence of the Corners”.

Konark is also home to an annual dance festival called Konark Dance Festival, held every December, devoted to classical Indian dance forms, including the traditional classical dance of Orissa, Odissi.^[2]

On 16^th of February 1980, Konark lay directly on the path of a total solar eclipse.^{[citation needed]}

Konark beach is a popular tourist destination, though the waters are deceptively calm. Its main attraction lies in its views of the temple.

The Sun Temple[link]

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Konark Sun Temple

The Sun Temple, built in the thirteenth century, was conceived as a gigantic chariot of the Sun God, Surya, with twelve pairs of exquisitely ornamented wheels pulled by seven horses. Majestic in conception, this temple is indeed one of the most sublime monuments of India, famous as much for its imposing dimensions and faultless proportions as for the harmonious integration of architectural grandeur with plastic allegiance. It is admittedly the best in Orissa. Its fine traceries and scrollwork, as well as the beautiful and natural cut of animal and human figures, give it a superiority over other temples.

The Sun temple belongs to the Kalinga School of Indian Temples with characteristic curvilinear towers mounted by cupolas.The Main Sanctum (229 ft. high) which was constructed along with the Audience Hall (128 ft. high) having elaborate external projections. The Main Sanctum which enshrined the presiding deity has fallen off. The Audience Hall survives in its entirely, but only small portions of the Dancing Hall (Nata Mandir) and the Dining Hall (Bhoga-Mandap) have survived the vagaries of time. The Temple compound measures 857 ft (261 m) by 540 ft (160 m)

The alignment of the Sun Temple is along the East-West direction. The Temple is located in natural surroundings, abounding with casuarina plantations and other types of trees, which grow on sandy soil. The environment is by and large unspoiled. Gentle undulating topography around the Sun Temple lends some variation to the landscape. Konark is also home to an annual dance festival, held every December, devoted to Classical Indian dance forms, including the traditional classical dance of Orissa, Odissi (Orissi).

Besides Konark there is also another Sun Temple in Orissa called Biranchi Narayan Sun Temple (Biranchi Narayan Temple) in Buguda, Ganjam District.

The stones at Konark are not joined by any limestone or cement. Instead, they are joined in a unique manner by making the two stone plates so polished like glass plate that just one drop of gum can join the two stones.

Fall of Konark[link]

This unreferenced section requires citations to ensure verifiability.

Incomplete temple[link]

It is opined by some historians that, due to the early death of the king Langula Narasimha Dev, builder of the Konarak temple, the construction of the temple had been left in a haphazard state. As a result of this, the incomplete structure eventually collapsed. But this view is unsupported by historical data. The records of Madala Panji of Puri Jagannath temple, as well as from some copper plates dated 1278 A.D., state that the king Langula Narasimha Dev reigned till 1282. Many historians are of the opinion that the construction of the Konark temple was completed between 1253 and 1260 A.D. So the argument that the temple collapsed due to non-completion during construction is not tenable.^{[citation needed]}

Lodestone[link]

Legends describe a lodestone on the top of the Sun temple. Due to its magnetic effects, vessels passing through the Konark sea were drawn to it, resulting in heavy damage. Other legends state that magnetic effects of the lodestone disturbed ships' compasses so that they did not function correctly. To save their shipping, the Portuguese voyagers took away the lodestone, which was acting as the central stone and keeping all the stones, and the iron columns used to hold them walls together, of the temple wall in balance. Due to its displacement, the temple walls lost their balance and eventually fell down. But there is no record of this occurrence in any historical records, nor is there any record of the existence of such a powerful lodestone at Konark.

According to Legend the image of the deity or the statue of the Sun God was built of a material with iron content with 1 large magnet on top of the temple, 1 in the basement and 4 large magnets in the interiors to make the statue hang / float /suspend in air. The question remains though is how the magnets retained their effect over time as all magnetic materials loose their magnetic strength over time

Kalapahad[link]

The most popular theory about the root of the fall of Konark temple rests with the Kalapahad. According to the history of Orissa, Kalapahad invaded Orissa in 1508. He destroyed Konark temple, as well as a number of Hindu temples in Orissa. The Madala Panji of Puri Jagannath temple describes how Kalapahad attacked Orissa in 1568. Including Konark temple, he broke most of the images in most of the Hindu temples in Orissa. Though it was impossible to break the Sun temple of Konark, the stone walls of which are of 20 feet (6.1 m) to 25 feet (7.6 m) thick, he somehow managed to displace the Dadhinauti (Arch stone) and thus made a way for the temple to collapse. He also broke most of the images and other side temples of Konark. Due to displacement of the Dadhinauti, the temple gradually collapsed and the roof of the Mukasala was also damaged, due to the stones falling down from the temple top.

Consequently, Orissa came under Muslim control in 1568. There were attempts to destroy the Hindu temples. The Pandas of Puri, to save the sanctity of the Puri temple, took away the Jagannath from the temple and kept the image in a secret place. Similarly, it is said that the Pandas of Konark took away the presiding deity of the Sun temple and buried it under the sand for years. Latter on the image was said to have been removed to Puri and kept in the temple of Indra, in the compound of the Puri Jagannath temple. According to others, the Puja image of the Konark temple is yet to be discovered. But others hold the view that the Sun image now kept in the National Museum of Delhi was the presiding deity of the Konark Sun temple.

However, the Sun worship in the Konark temple was ended upon the removal of the image from the temple. This resulted in the end of pilgrimages to Konark. The port at Konark was also closed, due to pirate attacks. Konark was as glorious a city for Sun worship as it was for commercial activities, but after the cessation of these activities, Konark became deserted and was left to be enveloped by a dense forest over the years.

In 1626, the then king of Khurda (now a district in Orissa), Raja Narasimha Dev, son of Purusottam Dev, took away the Sun image to Puri along with two other moving deities - Sun and Moon. Now they are found in a temple in the compound of Puri Jagannath temple.

It is recorded in the Madala Panji of Puri temple that in 1028, Raja Narasimha Dev ordered measurements to be taken of all the temples at Konark. At the time of measurement, the Sun temple was in existence up to its Amalak sila, i.e. about 200 feet (61 m) in height. Kalapahad had only destroyed its Kalas, the crowning stone and the Padma-Dhwaja, the lotus finial and the upper portions.

As described earlier there was a big block of stone called Navagraha Paata placed in front of the Mukhasala. The then king of Khurda removed the block. The king had taken away many sculptured stones from Konark and constructed some portions of Puri temple with them. During Maratha's time the outer compound wall of the Puri temple was constructed of stones from Konark temple.

It is reported that among all the temples the Naata Mandir or the Dancing hall of Konark was in its original form for the longest period, and that it was broken intentionally since it was considered an unnecessary structure during the Maratha administration.

In the year 1779, a Maratha Sadhu had taken away the Aruna Khumba (Pillar) from Konark and put it in front of the Lion's Gate of Puri Jagannath temple. Thus by the end of 18^th century, Konark lost all its glories and had been turned to a dense forest. In course of time, the temple area thus became devoid of people, covered with dense forest, filled with sand, overrun by wild animals and became the abode of pirates. It is said that even the locals feared to go to Konark in broad daylight.

All these theories with the detailed explanations are given in Pt. Sada Shiv Rathsharma's book titled Sun Temple of Konark, which initiated further research works on the Konark Temple thereby fetching him the Padmashree award and perhaps the first for an Oriya. All further writings have been a subset of this book and no other theory has been proposed.

Legends[link]

This unreferenced section requires citations to ensure verifiability.

King Narasimha Deva-I of the Ganga Dynasty had ordered this temple to be built as a royal proclamation of the political supremacy of his dynasty. A workforce of 12 hundred artisans and architects invested their creative talent, energy and artistic commitment for an exhausting period of 12 years. The king had already spent an amount equivalent to the state's revenue receipts of 12 years. However, the completion of the construction was nowhere near sight. Then the king issued a final command that the work be completed by a stipulated date. The team of architects headed by Bisu Maharana was at its wit's end. It was then that Dharmapada the 12 year old son of the chief architect Bisu Maharana arrived there as a visiting on looker. He became aware of the anxiety looming large among the architects. Although he did not have any practical experience of temple construction, he was thorough in his study of the theories of temple architecture. He offered to solve the confounding problem of fixing the last copping stone at the top of the temple. He surprised everyone by doing that himself. But soon after this achievement the dead body of this adolescent prodigy was found on the sea beach at the foot of the temple. Legend says that Dharmapada laid down his life to save his community.

The victorious King of Orissa, Narasimhadeva erected a victory pillar designed as a war chariot. This temple was dedicated to Surya the Sun god, at a location near the temple town of Puri. He named this place Konark which means “Essence of the Corners” While the structure commemorates the victory in the battle against the Muslims, the name Konark commemorates the science of astronomy of which the King was an avid student.

Another legend related to Sun Temple of Konark: After the easy victories over North India from Punjab, through Bengal, the Muslims turned to attack Orissa. Here the Muslims met their match. The people of Orissa were hardy fighters. (In ancient and medieval times, Orissa was also called Kalinga or Utkal – from Uttam Kala which means ‘Excellent Art’ that reflects the artistic tradition of sculpture of that region). The bravehearts of Orissa had given a hard time to Samrat Ashoka Maurya, when in the 3^rd century BCE. Kumara, the king of Kalinga, gave a tough battle to the Mauryan invader, before Orissa could be annexed to the Maurya Empire.

Now in the 13^th century, when Tugan Khan one of the afghan general attacked Orissa, the then ruling king of Orissa, Narsimhadeva, decided to use subterfuge against the Muslims. He sent word to the invaders that he wanted to surrender without a fight, as had Lakshmansena, the ruler of neighboring Bengal. Tugan boasted that he had put the fear of death in the heart of the Hindus and could overrun the entire country in a single campaign. But Narasimhadeva had other ideas. He decided to use the Muslims’ patent tool subterfuge against the enemy. He sent word to Tugan that Orissa was ready to surrender to the Muslims without a fight, as had its neighbor Bengal. Tugan accepted Narasimhadeva’s surrender proposal and asked for the surrender of the major city of Puri that was an important Hindu Pilgrim center (Narasimhadeva had his capital elsewhere at Jajanagara). Tugan’s other conditions included handing over all weapons to the Muslim army, the embracing of Islam by the entire population in the central square in front of the Jagannath Temple or agreeing to pay Jazia and to convert the Jagnnath temple at Puri into a Mosque as an acknowledgement of submission.

To the delight of the Muslims, all these terms were accepted and the Muslims advanced into the city, blissfully unaware that the shrewd Hindu king had laid a trap for them. On the orders of Narasimhadeva, the bustling city had been completely evacuated of its pilgrims, the aged and children; and professional soldiers from all over the kingdom had occupied every nook and cranny of the city, hidden away inside the closely built houses across the narrow winding lanes.

Once the Muslim army was inside the city, it had to disperse itself into the maze of narrow lanes and bylanes with which they were not familiar and where they had to dismount from their horses and advance single file. Unaware of the danger lurking they advanced cautiously and slowly towards the central square where the surrender ceremony was to take place. When the Muslim army was so dispersed, at a prearranged signal from one of lookouts from the temple spires, the temple bells started ringing, and this was the signal for the Hindus to pounce on the Muslims. The pitched battle lasted one whole day and went into the night pierced by the cries of wounded and dying Muslim and Hindu soldiers. While the Hindus took many losses, the entire Muslim army was caught like as in a mousetrap, and annihilated. Very few Muslims could escape this trap. This bold and unorthodox idea succeeded, and it caught the Muslims totally off-guard as it had never been used till then, by any Hindu king, as it went against the Hindu rules of warfare based on fair-play and fighting a noble war. But, precisely because of it being totally unexpected, the Muslims had to suffer a bloody nose and the Hindus emerged victorious. Consequently Orissa was to remain a Hindu bastion for many centuries and this accounts for the very low percentage of Muslims in Orrisa even today, unlike Bengal, where the eastern part (known today as Bangladesh) has been totally Islamized, and the Western half of Bengal is undergoing the process of Islamization especially in the district of Murshidabad and the metropolis of Kolkata which abound in slums infested by local Muslims and those infiltrating from Eastern Bengal (Bangladesh).

Tourism[link]

Nearby tourist spots[link]

• Chandrabhaga 3.5 km From Konark Temple
• Ramachandi 8 km From Konark Temple
• Bhagabati Temple, Konark 2 km From Konark Temple
• Kuruma 6 km From Konark Temple
• Puri 35 km From Konark Temple
• Beleswar
• Chilika 70 km From Konark Temple
• Bhubaneswar
• Gopalpur Beach
• Kenduli Sasan

Demographics[link]

As of 2001 India census,^[3] Konark had a population of 15,015. Males constitute 52% of the population and females 48%. Konark has an average literacy rate of 57%, lower than the national average of 59.5%: male literacy is 64%, and female literacy is 49%. In Konark, 14% of the population is under 6 years of age.

References[link]

Further reading[link]

• G.C. Chauley, Sun Temple of Konark: History and Preservation ISBN 978-81-86867-73-0
• Ranjan Kumar Singh, Surya: The God and His Abode ISBN 81-903561-7-8

External links[link]

• Konark in UNESCO List
• Konark Sun Temple Wheel Photo
• Konark Sun Temple
• Government website for Konark
• Read the exclusive report on world famous Konark temple
• Konark Sun Temple India Website
• Article on Konark Sun Temple by Rangan Datta
• Konark in the travel section of the New Indian Express

This biographical article needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately, especially if potentially libelous or harmful. (February 2011)

Chinmaya Dunster is an English-born Sarod player whose compositions incorporate elements of Celtic and Hindustani music. He is an active environmentalist and performs concerts to foster awareness for saving ecosystems and wildlife.

Biography[link]

Born in 1954 in Kent, England, Chinmaya Dunster^[1] (né Stephen Dunster) attended Art college in Canterbury and pursued an independent study of classical guitar and composition throughout his adolescence and early twenties.^{[verification needed]}

After finishing his formal education in the late seventies, Dunster left Europe and traveled through Afghanistan into northern India, where he became acquainted with classical Indian music and instrumentation. During spring break of his last year of art school in 1979, he flew off to Dehli to meet with his future wife, Diana. They travelled to the Himalayas, hiked and even went to Dharmasala. In the north Indian city of New Delhi, he attended an all-night performance of the sarod master, Ustad Amjad Ali Khan and subsequently spent the next thirteen years engaged in the study of the sarod both in London and India.^[1]

Once he finished his Art college training, he spent a year in Canada with his wife Diana. Before returning to England they travelled through the East, first to Japan, then to Thailand and Sri Lanka.^{[verification needed]}

As Hindustani musical tradition dictates that knowledge of technique and tradition is generally handed down from father to son, Dunster was initially challenged to find a teacher. Eventually he was to find a teacher in Pune, India, with Pandit Shekhar Borkar,^[2] a mainly self-taught sarod master.^{[verification needed]}

In 1990, Dunster founded the east-west fusion band with Prem Joshua, Terra Incognita and released two albums under that name through New Earth Records.^[1] After several solo projects, Dunster then founded the Celtic Ragas Band, whose self-titled 2001 release attracted the favor of former Beatles member Sir Paul McCartney, who then invited Dunster to perform at his 2002 wedding to Heather Mills in Ireland.^[2][3]

The following year he and the Celtic Ragas Band performed a CONCERT FOR INDIA'S ENVIRONMENT at BVIEER, Pune, released as the live CD 'Fragrance of the East' on New Earth Records.^[1][4] The video of this concert, blended with interviews with environmentalists, Indian school children reading their own poems on nature and stunning footage of the Indian wilderness, is available for free viewing at www.chinmaya-dunster.com/concert-environment-2.php^[5]

In February 2010, Chinmaya Dunster and the Celtic Ragas Band performed the Green Ragas Concert at British Council, New Delhi (India) during the TERI YUVA Meet for environmental awareness.^[3]

Chinmaya Dunster currently resides in Goa (India)^[1] with his parnter Naveena Goffer and their daughter Koyal Goffer-Dunster.^[2]

Discography[link]

• Terra Incognita (January 1, 1991). No Goal But The Path. Köln, Germany: Tao Music. ASIN B0021H4EK2. OCLC 222031825. 
• Dunster, Chinmaya (May 15, 1995). Feng Shui Part 1. Tucson, AZ: Meistersinger Music. ASIN B00004SCRI. OCLC 40576938. 
• Dunster, Chinmaya (August 20, 1995). Feng Shui Part 2. Tucson, AZ: Meistersinger Music. ASIN B00004SCRJ. OCLC 40577104. 
• Dunster, Chinmaya (March 15, 1996). Lands of the Dawn. Forchheim: Meistersinger Musik. ASIN B000008SNF. OCLC 163140477. 
• Terra Incognita (May 7, 1996). Tribal Gathering. Santa Fe, NM: New Earth Records. ASIN B0000009CG. 
• Dunster, Chinmaya; Jamie, Vidroha (November 24, 1998). Celtic Raga. Santa Fe, NM: New Earth Records. ASIN B00000G435. OCLC 658939743. 
• Dunster, Chinmaya (December 19, 2000). Feng shui : the eight fold path. Santa Fe, NM: New Earth Records. ASIN B0000521Y3. OCLC 46831187. 
• Dunster, Chinmaya (September 4, 2001). Yoga: On Sacred Ground. Santa Fe, NM: New Earth Records. ASIN B00005NT43. ISBN 978-3-933712-31-8. OCLC 48849654. 
• Dunster, Chinmaya (September 3, 2002). Sacred Temples of India. Santa Fe, NM: New Earth Records. ASIN B00006EXDY. OCLC 51707421. 
• Dunster, Chinmaya; Celtic Ragas Band (October 7, 2003). Karma Circles. Santa Fe, NM: New Earth Records. ASIN B0000D1FDO. OCLC 70688794. 
• Dunster, Chinmaya; Celtic Ragas Band (February 1, 2005). Fragrance of the East: Live in India. Santa Fe, NM: New Earth Records. ASIN B00069MQ6G. OCLC B00069MQ6G. 
• Dunster, Chinmaya; Kumar, Niladri (October 11, 2005). Yoga Lounge. Santa Fe, NM: New Earth Records. ASIN B000B9EYAC. OCLC 68136146. 
• Dunster, Chinmaya (April 10, 2007). Buddha Moon. Santa Fe, NM: New Earth Records. ASIN B000NVKY8Y. OCLC 148071536. 
• Dunster, Chinmaya (October 13, 2009). Land of Buddhas. Santa Fe, NM: New Earth Records. ASIN B002L9PQCU. OCLC 437312799. 
• Dunster, Chinmaya (March 16, 2010). Ragas Relax. Santa Fe, NM: New Earth Records. ASIN B0033HKCC8. OCLC 500831696. 

See also[link]

• Celtic music
• New Age music
• Fusion music

References[link]

External links[link]

• Dunster, Chinmaya. "Chinmaya Dunster ~ music and films". punyaweb.net. http://www.chinmaya-dunster.com/. Retrieved February 5, 2011. 
• Dunster, Chinmaya. "YouTube - chinmayadunster's Channel". San Bruno, CA: YouTube, LLC. http://www.youtube.com/user/chinmayadunster. Retrieved February 5, 2011.